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To The Lucky Quill-Feathered Poets Of MAC-PC Yore

When I think of all the seconds I drubbed my fingers
On the skin of long-drummed typefaces to wipe spam
Away from the screen of my inboxes in my computers
I wonder how many years of my life drift as flotsam
So many sales pitches tail in mouth in epizeuses
String their tuneless spiralling from end to no-end
Swim in the swirling soup strings of multiverse oases
Lost as jetsam into a blacksucked bottomless oven
A spam is a foe who seeks to con you as an old friend
Sure don't mean that old spiv driveling over your girl
But who'll make you think you're good for a lend
While he seeks to worm your hard disc in a whirl
McPeesee McCoffee McMoney or McMaster Kasparov
Spam is the Checkmate King none of us can fend off

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Spam

Spam in the place where I live (ham and pork)
Think about nutrition, wonder whats inside it now (oh boy)
Spam in my luchbox at work (its the best)
Really makes a darn good sandwhich any way you slice it at all
If youre running low, go to the store
Carry some money to help you buy more
The tab is there to open the can
The can is there to hold in the spam
Oh, spam on the table at home (ham and pork)
Think about selection, are there different flavors now (lets eat)
Spam in my office at work (its the best)
Think about the stuff its made from, wonder if its mystery of meat
If you need a spoon, keep one around
Carry a thermose to help wash it down
Now, if theres some left, dont just throw it out
Use it for spackle or bathroom grout, now
Spam in my pantry at home (have some more)
Think of expiration, better read the lable (oh boy)
Spam breakfast, dinner, or lunch (its the best)
Think about how its been precooked, wonder if Ill just eat it cold
Now, once you start in, you cant put it down
Dont leave it sitting or itll turn brown
The key is going to open the tin
The tin is there to keep the spam in
Oh, spam (spam)
Ham and pork
Think about nutrition, wonder whats inside it now (oh boy)
Spam (spam)
Its the best
Really makes a darn good sandwhich any way you slice it
Spam in the place where I live (have some more)
Think about addiction, wonder if Im a junkie now (lets eat)
Spam in the place where I work (youre obsessed)
Think about the way its processed, wonder if its some kind of meat
Spam in the back of my car (ham and pork)
Spam any place that you are (ham and pork)
The tab is there to open the can (spam any place that you are) (ham and pork)
The can is there to hold in the spam (spam any place that you are) (ham and pork)

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Wipeout

Heheheheheheee wipe oooout!
Wipin out wipe out
Wipin out wipe out
Wah wah wah
Wipin out wipe out
Wipin out wipe out
Wah wah wah
Wipin out wipe out
Wipin out wipe out
Wah wah wah
Wipin out wipe out
Wipin out wipe out
Hey watch out
Here we go here go
Wah wah wah
Wipin out wipe out
For three years straight we toured the nation
When we get through we needed a vacation
We wanted to party and get a little rest
So we packed our things and headed out west
We got our surfboards took the beachball out
Jumped in a limosuine ready to wipeout
Now were ready to go
Here we go here we go
One one two one two one two hit it d
Here we go
We got to california I said headed for the beach
There were girls galore all within our reach
There was sand and sun and lots of fun
But when we get there the fun really begun
So we cut on the box and started to shout
It was the beach boys rockin huh huh the wipeout
Oo oo
Ooo ooo
Oo
Oo
Oo oo
Wa-ah-ah-ah wawawa-ooh-oo
Wa-ah-ah-ah wawawa-ooh-oo
Thats it, that that thats it dit dit dit dit dit
Hit it d
The sun went down and the night began
We was rapping for the people cold chillin boppin
We was partying hard making lots of noise
When around the corner came the real beach boys
So we all jumped up and started to shout
Lets all sing the song called the wipeout
Wipin out wipe out
Wipin out wipe out
Wah wah wah

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Homer

The Odyssey: Book 21

Minerva now put it in Penelope's mind to make the suitors try
their skill with the bow and with the iron axes, in contest among
themselves, as a means of bringing about their destruction. She went
upstairs and got the store room key, which was made of bronze and
had a handle of ivory; she then went with her maidens into the store
room at the end of the house, where her husband's treasures of gold,
bronze, and wrought iron were kept, and where was also his bow, and
the quiver full of deadly arrows that had been given him by a friend
whom he had met in Lacedaemon- Iphitus the son of Eurytus. The two
fell in with one another in Messene at the house of Ortilochus,
where Ulysses was staying in order to recover a debt that was owing
from the whole people; for the Messenians had carried off three
hundred sheep from Ithaca, and had sailed away with them and with
their shepherds. In quest of these Ulysses took a long journey while
still quite young, for his father and the other chieftains sent him on
a mission to recover them. Iphitus had gone there also to try and
get back twelve brood mares that he had lost, and the mule foals
that were running with them. These mares were the death of him in
the end, for when he went to the house of Jove's son, mighty Hercules,
who performed such prodigies of valour, Hercules to his shame killed
him, though he was his guest, for he feared not heaven's vengeance,
nor yet respected his own table which he had set before Iphitus, but
killed him in spite of everything, and kept the mares himself. It
was when claiming these that Iphitus met Ulysses, and gave him the bow
which mighty Eurytus had been used to carry, and which on his death
had been left by him to his son. Ulysses gave him in return a sword
and a spear, and this was the beginning of a fast friendship, although
they never visited at one another's houses, for Jove's son Hercules
killed Iphitus ere they could do so. This bow, then, given him by
Iphitus, had not been taken with him by Ulysses when he sailed for
Troy; he had used it so long as he had been at home, but had left it
behind as having been a keepsake from a valued friend.
Penelope presently reached the oak threshold of the store room;
the carpenter had planed this duly, and had drawn a line on it so as
to get it quite straight; he had then set the door posts into it and
hung the doors. She loosed the strap from the handle of the door,
put in the key, and drove it straight home to shoot back the bolts
that held the doors; these flew open with a noise like a bull
bellowing in a meadow, and Penelope stepped upon the raised
platform, where the chests stood in which the fair linen and clothes
were laid by along with fragrant herbs: reaching thence, she took down
the bow with its bow case from the peg on which it hung. She sat
down with it on her knees, weeping bitterly as she took the bow out of
its case, and when her tears had relieved her, she went to the
cloister where the suitors were, carrying the bow and the quiver, with
the many deadly arrows that were inside it. Along with her came her
maidens, bearing a chest that contained much iron and bronze which her
husband had won as prizes. When she reached the suitors, she stood
by one of the bearing-posts supporting the roof of the cloister,
holding a veil before her face, and with a maid on either side of her.

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Seconds

All day
Hiding from the sun
Waiting for the golden one
Waiting for your fame
After the parade has gone
Outside was a happy place
Every face had a smile like the golden face
For a second
Your knuckles white as your fingers curl
The shot that was heard around the world
For a second
It took seconds of your time to take his life
It took seconds
It took seconds of your time to take his life
It took seconds
It took seconds of your time to take his life
It took seconds of your time to take his life
Seconds
Seconds
It took seconds of your time to take his life
It took seconds
It took seconds of your time to take his life
It took seconds
For a second
It took seconds of your time to take his life
It took seconds
It took seconds of your time to take his life
It took seconds
For a second
It took seconds of your time to take his life
Seconds of your time to take his life
For a second
For a second
For a second

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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William Butler Yeats

Narrative And Dramatic The Wanderings Of Oisin

BOOK I

S. Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.

Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,

But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft bosom rose and fell.

S. Patrick. You are still wrecked among heathen dreams.

Oisin. 'Why do you wind no horn?' she said
'And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'

'O pleasant woman,' answered Finn,
'We think on Oscar's pencilled urn,
And on the heroes lying slain

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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;


Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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Drift Away

Drift away, just drift away
Sometimes I wish I could just drift away
They say theres gonna be a river of blood
Its apocalypse now
So were waiting for the flood
The ice is gonna melt, the water gonna rise
And well all go to hell
So theyre keeping us advised
While the dollar falls down
The yen gonna climb
Its a moral decline
And Im losing my mind
I think Ill just drift away
To that island of my dreams
Live in total fantasy
Close my eyes and drift away
Back in the real world
Theres tension everywhere
And the smell of fear
Keeps hanging around and polluting the air
The man on the news is going over the top
Now hell say anything so his show dont flop
Wall streets down, so what
And according to astute market analysis
The worlds gonna stop
They shout the story to the nation
Pass on the panic to the population
This is the end of civilization
Its all over now
Chorus:
Meanwhile, I just drift away
To my island in the sun
Imaginary paradise, perfection
Sometimes I wish I could just drift away
Drift away (drift away)
Drift away (drift away)
Drift away (drift away)
Now all the politicians are running out of hope
Theyve burned all their bridges
Now they just cant cope
And who do we blame now were all going broke?
Its that man over there
Whos hanging from a rope
Newsmen winding up the nation
A little bad news helps circulation
Pass on the panic to the population
Its all over, its all over
Its all over now
Times like this, I just drift away
To my tropical fantasy

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

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Amy Lowell

The Cremona Violin

Part First

Frau Concert-Meister Altgelt shut the door.
A storm was rising, heavy gusts of wind
Swirled through the trees, and scattered leaves before
Her on the clean, flagged path. The sky behind
The distant town was black, and sharp defined
Against it shone the lines of roofs and towers,
Superimposed and flat like cardboard flowers.

A pasted city on a purple ground,
Picked out with luminous paint, it seemed. The cloud
Split on an edge of lightning, and a sound
Of rivers full and rushing boomed through bowed,
Tossed, hissing branches. Thunder rumbled loud
Beyond the town fast swallowing into gloom.
Frau Altgelt closed the windows of each room.

She bustled round to shake by constant moving
The strange, weird atmosphere. She stirred the fire,
She twitched the supper-cloth as though improving
Its careful setting, then her own attire
Came in for notice, tiptoeing higher and higher
She peered into the wall-glass, now adjusting
A straying lock, or else a ribbon thrusting

This way or that to suit her. At last sitting,
Or rather plumping down upon a chair,
She took her work, the stocking she was knitting,
And watched the rain upon the window glare
In white, bright drops. Through the black glass a flare
Of lightning squirmed about her needles. 'Oh!'
She cried. 'What can be keeping Theodore so!'

A roll of thunder set the casements clapping.
Frau Altgelt flung her work aside and ran,
Pulled open the house door, with kerchief flapping
She stood and gazed along the street. A man
Flung back the garden-gate and nearly ran
Her down as she stood in the door. 'Why, Dear,
What in the name of patience brings you here?

Quick, Lotta, shut the door, my violin
I fear is wetted. Now, Dear, bring a light.
This clasp is very much too worn and thin.
I'll take the other fiddle out to-night
If it still rains. Tut! Tut! my child, you're quite
Clumsy. Here, help me, hold the case while I -
Give me the candle. No, the inside's dry.

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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

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Loony Balloon

The worlds spinning round like a looney balloon
Heading for a collision with saturn and mars
And were narrowly missing the man in the moon,
Spinning out of control crashing into the stars.
Have we all lost our gravity, reason and sanity?
Is this the price that we pay?
Have we now lost our way on this looney balloon?
Drift away, just drift away.
Its so easy to just drift away.
Drift away, just drift away.
Drifting away on this looney balloon.
The air is running out, the computers gone down.
The mechanic just panicked, hes nowhere to be found.
So automatic control is just spinning us round
No point screaming in space, you just cant hear a sound.
Now the pilots gone mad, he just jumped overboard
With a lunatic smile on his face
And he laughed as he cut the umbilical chord
Now hes drifting forever in space.
Drift away, just drift away.
Its so easy to just drift away.
Drift away, just drift away
Drifting away on this looney balloon.
Were out of control on this looney balloon
Narrowly missing the planets and stars.
Even optimists say that its all gloom and doom.
Weve got to get somewhere or hit something soon.
First class and economy, we all played the game
For selfish profit and gain.
So together well all go insane on this looney balloon.
Drift away, hey, just drift away,
Drifting away on this looney balloon.
Drift away, hey, just drift away.
Drifting away on this looney balloon.
Drift away, hey,
Drift away. drift away.

song performed by KinksReport problemRelated quotes
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Invisible Strings

(ian hunter)
One, two, three
Well I woke up this morning - theres a girl in my bed.
How did she get there? was it something I said?
I dont understand it but somehow it seems
She visits me in invisible dreams.
Over and over I try to explain
How did that girl get into my veins?
Did somebody send her - was it my velvet wings?
And how does she touch my invisible strings?
Invisible strings - invisible strings
These are a few of my favorite things
Now its all over when the fat lady sings
Ill still be playing my invisible strings
Well maybe she dont have a world of her own
Maybe shes using me just like a phone
And sometimes shes cool and sometimes she stings
And Im all tangled up in invisible strings
Invisible strings - invisible strings
These are a few of my favorite things
When youre wearing black and Im wearing wings,
Well still be playing those invisible strings
Well she never leaves - Im never alone
I aint in the book but shes still calling home
I tried to lose her - watch the tv
But that womans always picking on me
Well, theres strings round my body, strings round my heart
Id like to know where the string-pulling starts
Id give anything to meet the angel who sends
Invisible ink to my invisible pen
Invisible strings - invisible strings
These are a few of my favorite things
When youre wearing black and Im wearing wings,
Well still be playing our invisible strings
Invisible strings - invisible strings
These are a few of my favorite things
Now its all over when the fat lady sings
Well still be playing our invisible strings
Invisible strings - invisible strings
Oh yeah

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Spiraling Shape

Down, down, down you go
No way to stop
As you fall, hear me call
No, no, no
Listen to this warning and
Consider these
Simple words of advice
Stop, stop, stop
Fogging the view, cupping face to the window
In darkness you make out a spiralling shape
Putting all reason aside you exchange
What you got for a thing thats hypnotic and strange
The spiralling shape will make you go insane
(everyone wants to see that groovy thing)
But everyone wants to see that groovy thing
(everyone wants to see that thing)
And nobody knows what its really like
But everyone says its great
And they heard it from the spiral in their eyes
This could lead to excellence
Or serious injury
Only one way to know
Go, go, go
Go ahead, wreck your life
That might be good
Who can say whats wrong or right?
Nobody can
Put out your hands and you fall through the window
And clawing at nothing you drop through the void
Your terrified screams are inaudible drowned
In the spiral ahead and consumed in the shape
The spiralling shape will make you go insane
(everyone wants to see that groovy thing)
But everyone wants to see that groovy thing
(everyone wants to see that thing)
And now that youve tried it, youre back to report
That the spiralling shape was a fraud and a fake
You didnt enjoy it, you never believed it
There wont be a refund, youll never go back
The spiralling shape will make you go insane
(everyone wants to see that groovy thing)
But everyone wants to see that groovy thing
(everyone wants to see that thing)
And nobody knows what its really like
But everyone says its great
And they heard it from the spiral in their eyes
(spiral in their eyes)
Fogging the view, cupping face to the window
In darkness you make out a spiralling shape
Putting all reason aside you exchange

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song performed by They Might Be GiantsReport problemRelated quotes
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Spiralling Shape

Down, down, down you go
No way to stop
As you fall, hear me call
No, no, no
Listen to this warning and
Consider these
Simple words of advice
Stop, stop, stop
Fogging the view, cupping face to the window
In darkness you make out a spiralling shape
Putting all reason aside you exchange
What you got for a thing that's hypnotic and strange
The spiralling shape will make you go insane
(Everyone wants to see that groovy thing)
But everyone wants to see that groovy thing
(Everyone wants to see that thing)
And nobody knows what it's really like
But everyone says it's great
And they heard it from the spiral in their eyes
This could lead to excellence
Or serious injury
Only one way to know
Go, go, go
Go ahead, wreck your life
That might be good
Who can say what's wrong or right?
Nobody can
Put out your hands and you fall through the window
And clawing at nothing you drop through the void
Your terrified screams are inaudible drowned
In the spiral ahead and consumed in the shape
The spiralling shape will make you go insane
(Everyone wants to see that groovy thing)
But everyone wants to see that groovy thing
(Everyone wants to see that thing)
And now that you've tried it, you're back to report
That the spiralling shape was a fraud and a fake
You didn't enjoy it, you never believed it
There won't be a refund, you'll never go back
The spiralling shape will make you go insane
(Everyone wants to see that groovy thing)
But everyone wants to see that groovy thing
(Everyone wants to see that thing)
And nobody knows what it's really like
But everyone says it's great
And they heard it from the spiral in their eyes
(Spiral in their eyes)
Fogging the view, cupping face to the window
In darkness you make out a spiralling shape
Putting all reason aside you exchange

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In This Skin

They see me in a magazine
I'm the one they want to be
Still don't feel I'm good enough
Still don't feel I'm thin enough
I stand up and I'm pushed back down
And every opinion now
It makes me feel inhuman
Giving in and giving up
To be worthy
To feel beautiful in this skin
Be beautiful in this skin[love the skin I'm in]
Love me for me
Have confidence in this skin
Be confident in this skin[in the skin I'm in]
So tell me what is wrong with me
I'm the girl with everything
So why am I not strong enough
I want to be strong enough
To tell you how I really feel
I know my talent is real
So don't tell me, don't tell me
I have to be 102
I don't have nothing to prove
So don't tell me, don't tell me
Cause I am worthy...
To feel beautiful in this skin
Be beautiful in this skin[love the skin I'm in]
Love me for me
Have confidence in this skin
Be confident in this skin[in the skin I'm in]
Be real, be real
See the beauty inside this skin
I don't have to hide this skin[love the skin I'm in]
I feel, I feel
An awakening in this skin
Stop forsaking me in this skin
I am, I am,
[Beatiful in this skin
'beatiful' lies within
Beatiful in this skin
I am]
To be worthy
Be beautiful
Love me for me
'Cuz I am beautiful
To feel beautiful in this skin
Be beautiful in this skin[love the skin I'm in]
Love me for me
Have confidence in this skin
Be confident in this skin[in the skin I'm in]

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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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poem by from The Ring and the BookReport problemRelated quotes
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