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Talk

Tobacco smoke drifts up to the dim ceiling
From half a dozen pipes and cigarettes,
Curling in endless shapes, in blue rings wheeling,
As formless as our talk. Phil, drawling, bets
Cornell will win the relay in a walk,
While Bob and Mac discuss the Giants' chances;
Deep in a morris-chair, Bill scowls at "Falk",
John gives large views about the last few dances.

And so it goes -- an idle speech and aimless,
A few chance phrases; yet I see behind
The empty words the gleam of a beauty tameless,
Friendship and peace and fire to strike men blind,
Till the whole world seems small and bright to hold --
Of all our youth this hour is pure gold.

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Relay

You can hear it in the street, see it in the dragging feet,
You can hear it in the street, see it in the dragging feet,
The word is getting out about control,
The word is getting out about control,
Spies theyve come and gone, the story travels on,
Spies theyve come and gone, the story travels on,
The only quiet place is inside your soul.
The only quiet place is inside your soul.
From tree to tree, from you to me,
From tree to tree, from you to me,
Traveling twice as fast as on any freeway,
Traveling twice as fast as on any freeway,
Every single dream, wrapped up in the scheme,
Every single dream, wrapped up in the scheme,
They all get carried on the relay.
They all get carried on the relay.
Relay, things are brewing,
Relay, things are brewing,
Relay, somethings doing,
Relay, somethings doing,
Relay, theres a revolution,
Relay, theres a revolution,
Relay, relay, hand me down a solution, yeah.
Relay, relay, hand me down a solution, yeah.
Pass it on, come on, a relay.
Pass it on, come on, a relay.
Someone disapproves of what you say and do,
Someone disapproves of what you say and do,
I was asked to see what I could really learn you,
I was asked to see what I could really learn you,
Dont believe your eyes, theyre telling only lies,
Dont believe your eyes, theyre telling only lies,
What is done in the first place dont concern you.
What is done in the first place dont concern you.
]from tree to tree, from you to me,
>from tree to tree, from you to me,
Traveling twice as fast as on any freeway,
Traveling twice as fast as on any freeway,
Every single dream wrapped up in the scheme,
Every single dream wrapped up in the scheme,
They all get carried on the relay.
They all get carried on the relay.
Relay, things are brewing,
Relay, things are brewing,
Relay, somethings doing,
Relay, somethings doing,
Relay, theres a revolution,
Relay, theres a revolution,
Relay, relay, hand me down a solution, yeah.
Relay, relay, hand me down a solution, yeah.

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The Latest Fashion

Performed by the time with prince
Fellas? yeah! hit me!
R we ready? I do believe we r ready!
What time is it? yount! its killing time, morris!
I know thats right, cause I am the latest fashion
(go morris, go morris, go morris, go morris, go morris, go morris, go morris,
Yount, go morris, go morris, go morris, go morris, go morris, go morris,
Go morris, go morris)
I know I said I loved u
I know I said I needed u
I know I said that Id b here always
But I what I didnt tell u is that
This year the latest fashion is 2 lie in the heat of passion
This year the latest fashion is 2 lie in the heat of passion
People tell us what we want 2 hear
(time) this time the tables r turned
This time were the ones thats painting fires
Instead of getting burned (yount)
This year the latest fashion is 2 lie in the heat of passion
This year the latest fashion is 2 lie in the heat of passion
(go morris, go morris, go morris, go morris, go morris)
Jellybean, (go morris) dont be so mean, (go morris)
Cowboy. heh heh, youre fired!
Jam jimmy jam jimmy jam jimmy jam jimmy jam jimmy jam jimmy jam jimmy jam!
People tell me what I want to hear
This time the tables r turned
Jerome, body language
{go morris chanted 16 times over}
Now do the horse (yeah)
Oak tree! (look out)
I like that, oak tree!
Get ready, chili sauce!
This year the latest fashion is 2 lie in the heat of passion
Fellas? (yeah) hit me, but dontcha lag
Tell me what dance to do...it starts with an m ... (murph drag)
I aint thru yet...band!
Whaa...hallelujah...whoa whoa whoa whoa
Everybody wanna tell me how to play the game
When I run it better than a madame runs dames
Trying to beat me like playing pool with a rope
My funk will leave ya dead cause its good and plenty dope
All in all Im still the king and all yall the court
If you thinking about ruling me ya better get abortions, yes!
Its jacked, cause Im back, and Im harder than a heart attack
And Im the cure for any disease cause there aint nobody funky like me!
(go morris go morris go morris)
Dont be a fool
(go morris, go morris, go morris)
This year the latest fashion is 2 lie in the heat of passion
The latest fashion

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Campus Sonnets: Talk

Tobacco smoke drifts up to the dim ceiling
From half a dozen pipes and cigarettes,
Curling in endless shapes, in blue rings wheeling,
As formless as our talk. Phil, drawling, bets
Cornell will win the relay in a walk,
While Bob and Mac discuss the Giants' chances;
Deep in a morris-chair, Bill scowls at 'Falk',
John gives large views about the last few dances.

And so it goes - an idle speech and aimless,
A few chance phrases; yet I see behind
The empty words the gleam of a beauty tameless,
Friendship and peace and fire to strike men blind,
Till the whole world seems small and bright to hold -
Of all our youth this hour is pure gold.

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They Might Be Giants

Hang on
Hang on tight
They might be giants (boy)
They might be giants
They might be rain
They might be heat
They might be frying up a stalk of wheat
They might be giants (boy)
They might be giants
They might be brain
They might be washed
They might be dr. spocks back-up band
To make the merry-go-round go faster
So that everyone needs to hang on tighter
Just to keep from being thrown to the wolves
Tabloid footprints in your hair
Tabloid footprints everywhere
We cant be silent
cause they might be giants
And what are we going to do unless they are
They might be giants (boy)
They might be giants
They might be bald
They might be snow
They might be something else in the snow
Hang on tight
They might be giants (boy)
They might be giants
They might be fake
They might be lies
They might be big, big, fake, fake lies
Tabloid footprints in your hair
Tabloid footprints everywhere
We cant be silent
cause they might be giants
And what are we going to do unless they are
They might be giants (boy)
They might be giants (boy)
They might be giants (boy)
They might be giants (boy)
They might be giants (boy)
They might be giants (boy)
They might be giants (boy)
They might be giants (boy)
They might be giants (boy)
They might be giants (boy)
They might be giants (boy)
They might be giants (boy)
They might be giants (boy)
They might be giants (boy)

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The Four Seasons : Autumn

Crown'd with the sickle and the wheaten sheaf,
While Autumn, nodding o'er the yellow plain,
Comes jovial on; the Doric reed once more,
Well pleased, I tune. Whate'er the wintry frost
Nitrous prepared; the various blossom'd Spring
Put in white promise forth; and Summer-suns
Concocted strong, rush boundless now to view,
Full, perfect all, and swell my glorious theme.
Onslow! the Muse, ambitious of thy name,
To grace, inspire, and dignify her song,
Would from the public voice thy gentle ear
A while engage. Thy noble cares she knows,
The patriot virtues that distend thy thought,
Spread on thy front, and in thy bosom glow;
While listening senates hang upon thy tongue,
Devolving through the maze of eloquence
A roll of periods, sweeter than her song.
But she too pants for public virtue, she,
Though weak of power, yet strong in ardent will,
Whene'er her country rushes on her heart,
Assumes a bolder note, and fondly tries
To mix the patriot's with the poet's flame.
When the bright Virgin gives the beauteous days,
And Libra weighs in equal scales the year;
From Heaven's high cope the fierce effulgence shook
Of parting Summer, a serener blue,
With golden light enliven'd, wide invests
The happy world. Attemper'd suns arise,
Sweet-beam'd, and shedding oft through lucid clouds
A pleasing calm; while broad, and brown, below
Extensive harvests hang the heavy head.
Rich, silent, deep, they stand; for not a gale
Rolls its light billows o'er the bending plain:
A calm of plenty! till the ruffled air
Falls from its poise, and gives the breeze to blow.
Rent is the fleecy mantle of the sky;
The clouds fly different; and the sudden sun
By fits effulgent gilds the illumined field,
And black by fits the shadows sweep along.
A gaily chequer'd heart-expanding view,
Far as the circling eye can shoot around,
Unbounded tossing in a flood of corn.
These are thy blessings, Industry! rough power!
Whom labour still attends, and sweat, and pain;
Yet the kind source of every gentle art,
And all the soft civility of life:
Raiser of human kind! by Nature cast,
Naked, and helpless, out amid the woods
And wilds, to rude inclement elements;
With various seeds of art deep in the mind

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William Butler Yeats

Narrative And Dramatic The Wanderings Of Oisin

BOOK I

S. Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.

Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,

But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft bosom rose and fell.

S. Patrick. You are still wrecked among heathen dreams.

Oisin. 'Why do you wind no horn?' she said
'And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'

'O pleasant woman,' answered Finn,
'We think on Oscar's pencilled urn,
And on the heroes lying slain

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Europe Endless

Europe endless
Endless endless endless endless
Europe endless
Endless endless endless endless
Life is timeless
Europe endless
Life is timeless
Europe endless
Europe endless
Endless endless endless endless
Europe endless
Endless endless endless endless
Parks, hotels and palaces
Europe endless
Parks, hotels and palaces
Europe endless
Promenades and avenues
Europe endless
Real life and postcard views
Europe endless
Europe endless
Endless endless endless endless
Europe endless
Endless endless endless endless
Elegance and decadence
Europe endless
Elegance and decadence
Europe endless

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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst

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Walt Whitman

Song Of The Broad-Axe

WEAPON, shapely, naked, wan!
Head from the mother's bowels drawn!
Wooded flesh and metal bone! limb only one, and lip only one!
Gray-blue leaf by red-heat grown! helve produced from a little seed
sown!
Resting the grass amid and upon,
To be lean'd, and to lean on.

Strong shapes, and attributes of strong shapes--masculine trades,
sights and sounds;
Long varied train of an emblem, dabs of music;
Fingers of the organist skipping staccato over the keys of the great
organ.


Welcome are all earth's lands, each for its kind; 10
Welcome are lands of pine and oak;
Welcome are lands of the lemon and fig;
Welcome are lands of gold;
Welcome are lands of wheat and maize--welcome those of the grape;
Welcome are lands of sugar and rice;
Welcome the cotton-lands--welcome those of the white potato and sweet
potato;
Welcome are mountains, flats, sands, forests, prairies;
Welcome the rich borders of rivers, table-lands, openings;
Welcome the measureless grazing-lands--welcome the teeming soil of
orchards, flax, honey, hemp;
Welcome just as much the other more hard-faced lands; 20
Lands rich as lands of gold, or wheat and fruit lands;
Lands of mines, lands of the manly and rugged ores;
Lands of coal, copper, lead, tin, zinc;
LANDS OF IRON! lands of the make of the axe!


The log at the wood-pile, the axe supported by it;
The sylvan hut, the vine over the doorway, the space clear'd for a
garden,
The irregular tapping of rain down on the leaves, after the storm is
lull'd,
The wailing and moaning at intervals, the thought of the sea,
The thought of ships struck in the storm, and put on their beam ends,
and the cutting away of masts;
The sentiment of the huge timbers of old-fashion'd houses and
barns; 30
The remember'd print or narrative, the voyage at a venture of men,
families, goods,
The disembarkation, the founding of a new city,
The voyage of those who sought a New England and found it--the outset
anywhere,
The settlements of the Arkansas, Colorado, Ottawa, Willamette,

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

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The Walk

Attention everybody
I'm gonna show U a brand new dance
It's called "The Walk," "The Walk"
Just let your body talk
'Til U're deep in a trance
U don't need no partner
U can walk all alone
(Say, say) Whenever U feel the groove
Just let your body move
Walkin' 2 a beat of your own (Hey)
Everybody walk your body
Everybody walk (U)
Everybody walk your body
Everybody walk
Attention everybody
I said it ain't hard 2 do
U just walk, walk
Let your body talk
Walkin' so cool (Walkin' so cool)
Attention everybody
I said I just shined my shoes, yes I did
So U can let your body talk
But just watch where U walk
Or your life U're gonna lose
In other words, I'll walk U til U're dead
Everybody walk your body (Oh yeah, hey)
Everybody walk (U)
Everybody walk your body
Oh, everybody walk
The days of dancing in one place are gone
And honey, U know U can't dance with them tight jeans on
If U try 2 cop a dip, U trip, slip, and fall
Walking's 4 the cool baby, put on a camisole (Hey)
Everybody walk your body (Everybody walk your body)
Everybody walk (U)
Everybody walk your body (Everybody walk your body)
Everybody walk (Uh)
Who? Me? I wear baggies, zip, snap, and drop
(Mm) Easy access baby (Yes, before U get a chance 2 holler "Stop!")
Besides, Rollo likes his freedom
Ain't nothin' like a fresh pair of baggies
Now I know that's right
Everybody walk your body (Everybody walk your body)
Everybody walk (U)
Everybody walk your body
Everybody walk (Oh)
Hup 2, 3, 4, what the hell are we fightin' 4? Walk!
Hup 2, 3, 4, what the hell are we fightin' 4? Walk!
Company fall in line, talk
Hup 2, 3, 4, what the hell are we fightin' 4? Walk! (Jellybean)

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Old Town Types No. 6 - Flash Phil

Still I've the picture of him - Flash Phil Galloway;
In a shining dog-cart driving down the road;
Spanking ponies dashing by,
Running tandem, stepping high;
Silver-plated harness where the sunlight glowed.
Everybody waved to him - Kind Phil Galloway
Bright eye, curling hair, big blond moustache.
No man, in those feckless days,
Thought to curb his reckless ways:
'Right man for the district, sir; tho' just a trifle rash.'

Flash Phil Galloway owned a station property
Left him by his father, back in sixty-nine;
Owned a stretch of sheepland, too,
Left him by his Uncle Lou;
Owned his mother's big estate along the Ballantyne
Three tidy fortunes: and Phil upon a race day
Standing for a luncheon - frills and fancy grub.
'Champagne and caviar,
Every toff a big cigar,
All the tucker packed in ice! Oysters in a tub!'

Flash Phil Galloway, loaded down with mortgages,
Deep in mining ventures 'to make another rise.'
Debonair and reckless still
Generous - the same old Phil,
While kindly bankers were ready with supplies.
Bluff Phil Galloway chatting with the manager:
'Where do I sign this one? Read it? Haw, what rot!'
The banker, as he folds the deed:
'And how much, this time, will you need?'
Laughs Flash Phil Galloway, 'Gad! How much have you got?'

Old Phil Galloway, grey haired and garrulous,
Stopping old acquaintances along the city ways,
Hanging round the leading pub
Lounging by the Squatters' Club
Half-crowns changing hands 'for sake of olden days . . . .'
But I keep my picture of him - Flash Phil Galloway
In a shining dog-cart - I can see him still:
Spanking ponies dashing by,
Running tandem, stepping high;
Silver plated harness - 'Hey! Happy days, Phil!'

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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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OBIIT MDCCCXXXIII (Entire)

Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
Thine are these orbs of light and shade;
Thou madest Life in man and brute;
Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.

Thou wilt not leave us in the dust:
Thou madest man, he knows not why,
He thinks he was not made to die;
And thou hast made him: thou art just.

Thou seemest human and divine,
The highest, holiest manhood, thou:
Our wills are ours, we know not how;
Our wills are ours, to make them thine.

Our little systems have their day;
They have their day and cease to be:
They are but broken lights of thee,
And thou, O Lord, art more than they.

We have but faith: we cannot know;
For knowledge is of things we see;
And yet we trust it comes from thee,
A beam in darkness: let it grow.

Let knowledge grow from more to more,
But more of reverence in us dwell;
That mind and soul, according well,
May make one music as before,

But vaster. We are fools and slight;
We mock thee when we do not fear:
But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.

Forgive what seem’d my sin in me;
What seem’d my worth since I began;
For merit lives from man to man,
And not from man, O Lord, to thee.

Forgive my grief for one removed,
Thy creature, whom I found so fair.
I trust he lives in thee, and there
I find him worthier to be loved.

Forgive these wild and wandering cries,

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Healthy Back Bag

animated bag of chips
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american trail ventures atv cargo bags
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amy butlet runaway bag pattern
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allowed to carry on garment bag
a nimal bag print tote
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alternative to plastic trash bags
amish buggy bag
alpha poly bag
ammo shoulder bag
american sign language tote bags
animated gif people with hand bags
amazing bag grace pipe
altieri bags

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Henry Wadsworth Longfellow

Evangeline: A Tale of Acadie

This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.

This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.

Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.

PART THE FIRST

I

In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors

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Drivin With Your Eyes Closed

I met a frenchman in a field last night
He was out there with an easel,
Painting carnival light
He said, I used to paint the princess;
I used to paint the frogs
Now I paint mustaches on dangerous dogs
He said, sometimes its a country;
Sometimes its a girl
You, everybody got to have a purpose
In this world
You yankees are so silly about matters of
The heart
Dont you know that women are the only
Works of art
Youre drivin with your eyes closed
Youre drivin with your eyes closed
Youre drivin with your eyes closed
Youre gonna hit somethin
But thats the way it goes
Some guys were born to rimbaud
Some guys breathe baudelaire
Some guys just got to go and put
Their rockets everywhere
You can breed em by the thousands;
You can trick and you can train
Just look at all those poor dogs that are
Dragged down bu the seine
How many arrows must I shoot into the
Blue?
Ah, you little maniac, Im crazy over you
Before the dearth of lovers and
The punishment of pride
Lets go scrape out on the terrazzo
Its just to hot outside
Youre drivin with your eyes closed
Youre drivin with your eyes closed
Youre drivin with your eyes closed
Youre gonna hit somethin
But thats the way it goes
Talk talk, talk and talk
Talk talk, sweet talk
Talk talk, tough talk
Talk talk, dirty talk
Talk talk, walk and talk
Talk talk, big talk
Kiss kiss, kiss
Talk talk, talk and talk
Talk talk, smooth talk
Talk talk, body talk
Talk talk, back talk

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song performed by Don HenleyReport problemRelated quotes
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Sir Peter Harpdon's End

In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.

John Curzon

Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.


Sir Peter

So-
What are their names?


John Curzon

Why, Jacques Aquadent,
And Peter Plombiere, but-


Sir Peter

What colour'd hair
Has Peter now? has Jacques got bow legs?


John Curzon

Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?


Sir Peter

O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.


John Curzon


going.

Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.

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Pipes Of Peace

I light a candle to our love
In love our problems disapper
But all in all we soon discover
That one and one is all we long to hear
Allround the world
Little children being born to the world
Got to give them all we can til the war is won
Then will the work be done
Help them to learn (help them to learn)
Songs of joy instead of burn, baby, burn(burn, baby burn)
Let us show them how to play the pipes of peace
Play the pipes of peace
Help me to learn
Songs of joy instead of burn, baby, burn
Wont you show me to play(how to play) the pipes of peace(pipes of
Peace)
Play the pipes of peace
What do you say? (what do you say)
Will the human race be run in a day? (in a day)
Or will someone save this planet were playing on?
Is it the only one? (what are we going to do? )
Help them to see (help them to see)
That the people here are like you and me (you and me)
Let us show them how to play(how to play)the pipes of
Peace(pipesofpeace)
Play the pipes of peace
Ooh___________________
I light a candle to our love
In love our problems disapper
But all in all we soon discover
That one and one is all we long to hear
Allround the world
Little children being born to the world
Got to give them all we can til the war is won
Then will the work be done
Help them to learn (help them to learn)
Songs of joy instead of burn, baby, burn(burn, baby burn)
Let us show them how to play the pipes of peace
Play the pipes of peace
Help me to learn
Songs of joy instead of burn, baby, burn
Wont you show me to play(how to play) the pipes of peace(pipes of
Peace)
Play the pipes of peace
What do you say? (what do you say)
Will the human race be run in a day? (in a day)
Or will someone save this planet were playing on?
Is it the only one? (what are we going to do? )
Help them to see (help them to see)
That the people here are like you and me (you and me)

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song performed by Paul McCartneyReport problemRelated quotes
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New Krishna

white stillness pure gold purple wonder gold strength pink joy
pink infinity navy blue now strong indigo blue light blue fountain
the green first reason endless yellow compassionate orange
royal red

single red free orange free yellow
green depth as clear as crystal all attractive light blue
strong indigo blue strong navy blue pink wishes gold compassion
compassionate purple gold of golds of creativity

she maybe dying
she is thirty one
white weeps white seeps into golden
memories of purple
lectures
navy blue pink gold
parties, poetry evenings and art
openings
with indigo blue
music
and beautfully spoken light blue
words
to green acts
of courage
to green acts of love
yellow self improvement classes
orange sex sessions and marriages
and to memories of
red plush homes

red inspirer orange giver yellow help dazzling green
light blue of the delicate with indigo blue eyes navy blue good
with pink kind eyes golden hair
golden complexion purple complexion
gold warmth of white space

a sixty year old man with a beautiful four year old boy
enter the room
“look in my mouth, look in my mouth, look in my mouth”

white of whites
gold truth purple mentor funny gold pink friend of children
navy blue of nature indigo blue knowledge light blue song of nature
green creation yellow in senses orange guide red way

the man says
royal red
the boy sits on the ground
endless orange
the boy touches the woman

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