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Chance?

One never really knows
Why the wild-wind of chance blows
The way it does -
Perhaps mere luck
Or a passing truck...
Or, the flapping wings of a divine dove -

poem by Smoky Hoss
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Better Luck Next Time

Black is for the nighttime
Preys upon the day
Red is for the blood that flows like rivers in our veins
Gray is for betrayal
What you did to me
White is for the blinding light
That I know Ill never see, know Ill never see
Found you in the gutter
You needed tenderness
I gave you everything I had
I gave you all my trust
Handed out so neatly
Caught me in your trap
When I needed you the most
You stab me in the back, stab me in the back
Better luck, better luck, better luck next time
If you do it once therell never be a second time
Better luck, better luck, better luck next time
Find somebody else, youre never gonna be mine
How do you find the nerve
To lie right to me face
How do you find the nerve
Black is for the nighttime
Preys upon the day
Red is for the blood that flows like rivers in our veins
I try and find excuses
For what you did to me
Cant forget that burning rage
When I wake up thinking of your face
For the blinding swiftness of revenge
That I know Ill never see, know Ill never see
Better luck, better luck, better luck next time
If you do it once therell never be a second time
Better luck, better luck, better luck next time
Find somebody else, youre never gonna be mine
Better luck, better luck, better luck next time (better luck, better luck)
Better luck, better luck, better luck next time (better luck, better luck)
How do you find the nerve
To lie right to me face
How did you find the nerve
Better luck, better luck, better luck next time (better luck, better luck)
Better luck, better luck, better luck next time (better luck, better luck)
Better luck, better luck, better luck next time (better luck, better luck)

song performed by Oingo Boingo
Added by Lucian Velea
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Never, Ever And Luck

never, ever and luck never, ever and luck never, ever and luck never, ever and luck
never, ever and luck never, ever and luck never, ever and luck never, ever and luck
never, ever and luck never, ever and luck never, ever and luck never, ever and luck
never, ever and luck never, ever and luck never, ever and luck never, ever and luck
never, ever and luck never, ever and luck never, ever and luck never, ever and luck
never, ever and luck never, ever and luck never, ever and luck never, ever and luck
never, ever and luck never, ever and luck never, ever and luck never, ever and luck
never, ever and luck never, ever and luck never, ever and luck never, ever and luck
never, ever and luck never, ever and luck never, ever and luck never, ever and luck

prayers are answered

need repetitions

poem by Nyein Way
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The Dove of Dacca

The freed dove flew to the Rajah's tower—
Fled from the slaughter of Moslem kings—
And the thorns have covered the city of Gaur.
Dove—dove—oh, homing dove!
Little white traitor, with woe on thy wings!

The Rajah of Dacca rode under the wall;
He set in his bosom a dove of flight—
`If she return, be sure that I fall."
Dove—dove—oh, homing dove!
Pressed to his heart in the thick of the fight.

"Fire the palace, the fort, and the keep—
Leave to the foeman no spoil at all.
In the flame of the palace lie down and sleep
If the dove—if the dove—if the homing dove
Come, and alone, to the palace wall."

The Kings of the North they were scattered abroad—
The Rajah of Dacca he slew them all.
Hot from slaughter he stooped at the ford,
And the dove—the dove—oh, the homing dove!
She thought of her cote on the palace-wall.

She opened her wings and she flew away—
Fluttered away beyond recall;
She came to the palace at break of day.
Dove—dove—oh, homing dove,
Flying so fast for a kingdom's fall!

The Queens of Dacca they slept in flame—
Slept in the flame of the palace old—
To save their honour from Moslem shame.
And the dove—the dove—oh, the homing dove,
She cooed to her young where the smoke-cloud rolled!

The Rajah of Dacca rode far and fleet,
Followed as fast as a horse could fly,
He came and the palace was black at his feet;
And the dove—the dove—the homing dove,
Circled alone in the stainless sky.

So the dove flew to the Rajah's tower—
Fled from the slaughter of Moslem kings;
So the thorns covered the city of Gaur,
And Dacca was lost for a white dove's wings.
Dove—dove—oh, homing dove,
Dacca is lost from the Roll of the Kings!

poem by Rudyard Kipling
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Sing Of The Banner At Day-Break

POET.

O A new song, a free song,
Flapping, flapping, flapping, flapping, by sounds, by voices clearer,
By the wind's voice and that of the drum,
By the banner's voice, and child's voice, and sea's voice, and
father's voice,
Low on the ground and high in the air,
On the ground where father and child stand,
In the upward air where their eyes turn,
Where the banner at day-break is flapping.

Words! book-words! what are you?
Words no more, for hearken and see, 10
My song is there in the open air--and I must sing,
With the banner and pennant a-flapping.

I'll weave the chord and twine in,
Man's desire and babe's desire--I'll twine them in, I'll put in life;
I'll put the bayonet's flashing point--I'll let bullets and slugs
whizz;
(As one carrying a symbol and menace, far into the future,
Crying with trumpet voice, Arouse and beware! Beware and arouse!)
I'll pour the verse with streams of blood, full of volition, full of
joy;
Then loosen, launch forth, to go and compete,
With the banner and pennant a-flapping. 20

PENNANT.

Come up here, bard, bard;
Come up here, soul, soul;
Come up here, dear little child,
To fly in the clouds and winds with me, and play with the measureless
light.

CHILD.

Father, what is that in the sky beckoning to me with long finger?
And what does it say to me all the while?

FATHER.

Nothing, my babe, you see in the sky;
And nothing at all to you it says. But look you, my babe,
Look at these dazzling things in the houses, and see you the money-
shops opening;
And see you the vehicles preparing to crawl along the streets with
goods: 10
These! ah, these! how valued and toil'd for, these!

[...] Read more

poem by Walt Whitman
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Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

[...] Read more

poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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Wild Dancing

Dance to the beat
Dance to the beat
Dance to the beat
Wild dancing [wild dancing]
Dance to the beat
Da, da, da, dance
Looking for some wild dancing
Looking for some wild dancing
[Wi, wi , wi, wild dancing]
[Wild dancing]
Dance to the beat
Da, da, da, dance
Da, da, da, dance to the beat
Looking for some wild dancing
Wild dancing
Wild dancing beat
Dancing beat
Wi, wild da, dancing
Dancing beat
Be, be, be, beat
Da, da, da, dancing beat
Wild dancing
Wi, wild
Dancing beat
Wild dancing
Wild dancing
Wi, wi, wild dancing
Wild dancing
Wild dancing
[Wild dancing]
Wild dancing
[Wild dancing]
Wild dancing
[Wild dancing]
Dance to the beat
Dance to the beat
Wi, wild da, dance
Wild dancing
Dancing beat
Wild dancing
Wild, wild
Dance to the beat
Wild dancing
Wild, wild
[Wild dancing]
Wild dancing
Dance to the beat
Dance to the beat
[Wild dancing]
Dance to the beat

[...] Read more

song performed by Madonna
Added by Lucian Velea
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Sun-Up

(Shadows over a cradle…
fire-light craning….
A hand
throws something in the fire
and a smaller hand
runs into the flame and out again,
singed and empty….
Shadows
settling over a cradle…
two hands
and a fire.)

I

CELIA

Cherry, cherry, glowing on the hearth, bright red cherry…. When you try to pick up cherry Celia's shriek sticks in you like a pin.

When God throws hailstones you cuddle in Celia's shawl and press your feet on her belly high up like a stool. When Celia makes umbrella of her hand. Rain falls through big pink spokes of her fingers. When wind blows Celia's gown up off her legs she runs under pillars of the bank— great round pillars of the bank have on white stockings too.

Celia says my father
will bring me a golden bowl.
When I think of my father
I cannot see him
for the big yellow bowl
like the moon with two handles
he carries in front of him.

Grandpa, grandpa…
(Light all about you…
ginger… pouring out of green jars…)
You don't believe he has gone away and left his great coat…
so you pretend… you see his face up in the ceiling.
When you clap your hands and cry, grandpa, grandpa, grandpa,
Celia crosses herself.

It isn't a dream…. It comes again and again…. You hear ivy crying on steeples the flames haven't caught yet and images screaming when they see red light on the lilies on the stained glass window of St. Joseph. The girl with the black eyes holds you tight, and you run… and run past the wild, wild towers… and trees in the gardens tugging at their feet and little frightened dolls shut up in the shops crying… and crying… because no one stops… you spin like a penny thrown out in the street. Then the man clutches her by the hair…. He always clutches her by the hair…. His eyes stick out like spears. You see her pulled-back face and her black, black eyes lit up by the glare…. Then everything goes out. Please God, don't let me dream any more of the girl with the black, black eyes.

Celia's shadow rocks and rocks… and mama's eyes stare out of the pillow as though she had gone away and the night had come in her place as it comes in empty rooms… you can't bear it— the night threshing about and lashing its tail on its sides as bold as a wolf that isn't afraid— and you scream at her face, that is white as a stone on a grave and pull it around to the light, till the night draws backward… the night that walks alone and goes away without end. Mama says, I am cold, Betty, and shivers. Celia tucks the quilt about her feet, but I run for my little red cloak because red is hot like fire.

I wish Celia
could see the sea climb up on the sky
and slide off again…

[...] Read more

poem by Lola Ridge
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Wild As The Wind (feat. Trisha Yearwood)

Johnny grew up
On the dark side of the law
Livin' in the shadow
Of the light he never saw
Rosie came 'round
In the way that true love does
Just when you're lookin' elsewhere
For the thing that never was
Wild as the wind
Wild as the wind is
Wild as the wind is love
Wild as the wind
Wild as the wind is
Wild as the wind is love
So they team up
And they traveled on thier way
Lookin' for forever
For every yesterday
She brings him hope
In the way that Angels do
Takin' him to heaven
In ways he never knew
Wild as the wind
Wild as the wind is
Wild as the wind is love
Wild as the wind
Wild as the wind is
Wild as the wind is love
Wild as the wind
Every so often
He gets a stray look in his eye
She knows how to hold him
Without ever askin' why
Wild as the wind
Wild as the wind is
Wild as the wind is love
Wild as the wind
Wild as the wind is
Wild as the wind is love
Wild as the wind
Wild as the wind is
Wild as the wind is love
Wild as the wind
Wild as the wind is
Wild as the wind is love

song performed by Garth Brooks
Added by Lucian Velea
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Wild As The Wind

Johnny grew up
On the dark side of the law
Livin in the shadow
Of the light he never saw
Rosie came round
In the way that true love does
Just when youre lookin elsewhere
For the thing that never was
Wild as the wind
Wild as the wind is
Wild as the wind is love
Wild as the wind
Wild as the wind is
Wild as the wind is love
So they team up
And they traveled on thier way
Lookin for forever
For every yesterday
She brings him hope
In the way that angels do
Takin him to heaven
In ways he never knew
Wild as the wind
Wild as the wind is
Wild as the wind is love
Wild as the wind
Wild as the wind is
Wild as the wind is love
Wild as the wind
Every so often
He gets a stray look in his eye
She knows how to hold him
Without ever askin why
Wild as the wind
Wild as the wind is
Wild as the wind is love
Wild as the wind
Wild as the wind is
Wild as the wind is love
Wild as the wind
Wild as the wind is
Wild as the wind is love
Wild as the wind
Wild as the wind is
Wild as the wind is love

song performed by Garth Brooks
Added by Lucian Velea
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Christmas-Eve

I.
OUT of the little chapel I burst
Into the fresh night air again.
I had waited a good five minutes first
In the doorway, to escape the rain
That drove in gusts down the common’s centre,
At the edge of which the chapel stands,
Before I plucked up heart to enter:
Heaven knows how many sorts of hands
Reached past me, groping for the latch
Of the inner door that hung on catch,
More obstinate the more they fumbled,
Till, giving way at last with a scold
Of the crazy hinge, in squeezed or tumbled
One sheep more to the rest in fold,
And left me irresolute, standing sentry
In the sheepfold’s lath-and-plaster entry,
Four feet long by two feet wide,
Partitioned off from the vast inside—
I blocked up half of it at least.
No remedy; the rain kept driving:
They eyed me much as some wild beast,
The congregation, still arriving,
Some of them by the mainroad, white
A long way past me into the night,
Skirting the common, then diverging;
Not a few suddenly emerging
From the common’s self thro’ the paling-gaps,—
—They house in the gravel-pits perhaps,
Where the road stops short with its safeguard border
Of lamps, as tired of such disorder;—
But the most turned in yet more abruptly
From a certain squalid knot of alleys,
Where the town’s bad blood once slept corruptly,
Which now the little chapel rallies
And leads into day again,—its priestliness
Lending itself to hide their beastliness
So cleverly (thanks in part to the mason),
And putting so cheery a whitewashed face on
Those neophytes too much in lack of it,
That, where you cross the common as I did,
And meet the party thus presided,
“Mount Zion,” with Love-lane at the back of it,
They front you as little disconcerted,
As, bound for the hills, her fate averted
And her wicked people made to mind him,
Lot might have marched with Gomorrah behind him.

II.
Well, from the road, the lanes or the common,

[...] Read more

poem by Robert Browning
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
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The Loves of the Angels

'Twas when the world was in its prime,
When the fresh stars had just begun
Their race of glory and young Time
Told his first birth-days by the sun;
When in the light of Nature's dawn
Rejoicing, men and angels met
On the high hill and sunny lawn,-
Ere sorrow came or Sin had drawn
'Twixt man and heaven her curtain yet!
When earth lay nearer to the skies
Than in these days of crime and woe,
And mortals saw without surprise
In the mid-air angelic eyes
Gazing upon this world below.

Alas! that Passion should profane
Even then the morning of the earth!
That, sadder still, the fatal stain
Should fall on hearts of heavenly birth-
And that from Woman's love should fall
So dark a stain, most sad of all!

One evening, in that primal hour,
On a hill's side where hung the ray
Of sunset brightening rill and bower,
Three noble youths conversing lay;
And, as they lookt from time to time
To the far sky where Daylight furled
His radiant wing, their brows sublime
Bespoke them of that distant world-
Spirits who once in brotherhood
Of faith and bliss near ALLA stood,
And o'er whose cheeks full oft had blown
The wind that breathes from ALLA'S throne,
Creatures of light such as still play,
Like motes in sunshine, round the Lord,
And thro' their infinite array
Transmit each moment, night and day,
The echo of His luminous word!

Of Heaven they spoke and, still more oft,
Of the bright eyes that charmed them thence;
Till yielding gradual to the soft
And balmy evening's influence-
The silent breathing of the flowers-
The melting light that beamed above,
As on their first, fond, erring hours,-
Each told the story of his love,
The history of that hour unblest,
When like a bird from its high nest

[...] Read more

poem by Thomas Moore
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Good Luck, Bad Luck

The film script lies ahead
Change the future, change the past
Choose the players, choose the role
Cast of thousands, cast of few
Imagination decides the plot
Play the good guy, play the bad
Heres the victim, heres the saint
Heres the canvas, heres the paint
Good luck bad luck who knows
Good luck bad luck who knows
The world is peopled by many winds
Whirling faster than the wind
Solving a dilemma of life and death
Trying to make some sense of it all
No good blaming the outside world
Pleasure and pain are in the mind
Whether we like it or whether we dont
We found as much as we wanted to find
Good luck, bad luck who knows
Good luck, bad luck
Good luck, bad luck who knows
Good luck, bad luck
Good luck, bad luck who knows
Good luck, bad luck
We can make it horror we can make it blue
We can make it slow time, make it move
The director sits behind those eyes
Play it straight or in disguise
Imagination decides the plot
Play the good guy play the bad
Heres the victim, heres the saint
Heres the canvas and heres the paint
Good luck, good
Good luck bad luck who knows
Good luck bad luck who knows?

song performed by Howard Jones
Added by Lucian Velea
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OBIIT MDCCCXXXIII (Entire)

Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
Thine are these orbs of light and shade;
Thou madest Life in man and brute;
Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.

Thou wilt not leave us in the dust:
Thou madest man, he knows not why,
He thinks he was not made to die;
And thou hast made him: thou art just.

Thou seemest human and divine,
The highest, holiest manhood, thou:
Our wills are ours, we know not how;
Our wills are ours, to make them thine.

Our little systems have their day;
They have their day and cease to be:
They are but broken lights of thee,
And thou, O Lord, art more than they.

We have but faith: we cannot know;
For knowledge is of things we see;
And yet we trust it comes from thee,
A beam in darkness: let it grow.

Let knowledge grow from more to more,
But more of reverence in us dwell;
That mind and soul, according well,
May make one music as before,

But vaster. We are fools and slight;
We mock thee when we do not fear:
But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.

Forgive what seem’d my sin in me;
What seem’d my worth since I began;
For merit lives from man to man,
And not from man, O Lord, to thee.

Forgive my grief for one removed,
Thy creature, whom I found so fair.
I trust he lives in thee, and there
I find him worthier to be loved.

Forgive these wild and wandering cries,

[...] Read more

poem by Alfred Lord Tennyson
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Wings Of A Dove

Take time for your pleasure
And laugh with love
Take the hand of another
And sing for the wings of a dove
Woah woah, for the wings of a dove
Woah woah, for the wings of a dove
Look up at the rooftops
When youre walking round
Dont think for a moment
Of looking down
Woah woah, (yeah yeah yeah yeah yeah) for the wings of a dove
Woah woah, for the wings of a dove
Woah woah, for the wings of a dove
Woah woah, for the wings of a dove
Ha-lellujah (lellujah)
Ha-lellujah (lellujah)
Look up at the rooftops (the roof)
When youre walking round
Dont think for a moment
Of looking down
At a room at the top
Where were not allowed
Cheer to the echo
Can you hear the sound
Woah woah, (yeah yeah yeah yeah yeah) for the wings of a dove
Woah woah, (yeah yeah yeah yeah yeah) for the wings of a dove
Woah woah, for the wings of a dove
Woah woah, for the wings of a dove
Yeah yeah yeah (etc.)
Woah woah, for the wings of a dove
Woah woah, for the wings of a dove
Et cetera
Blue train!
Blue train taking me from you....

song performed by Madness
Added by Lucian Velea
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Annus Mirabilis, The Year Of Wonders, 1666

1
In thriving arts long time had Holland grown,
Crouching at home and cruel when abroad:
Scarce leaving us the means to claim our own;
Our King they courted, and our merchants awed.

2
Trade, which, like blood, should circularly flow,
Stopp'd in their channels, found its freedom lost:
Thither the wealth of all the world did go,
And seem'd but shipwreck'd on so base a coast.

3
For them alone the heavens had kindly heat;
In eastern quarries ripening precious dew:
For them the Idumaean balm did sweat,
And in hot Ceylon spicy forests grew.

4
The sun but seem'd the labourer of the year;
Each waxing moon supplied her watery store,
To swell those tides, which from the line did bear
Their brimful vessels to the Belgian shore.

5
Thus mighty in her ships, stood Carthage long,
And swept the riches of the world from far;
Yet stoop'd to Rome, less wealthy, but more strong:
And this may prove our second Punic war.

6
What peace can be, where both to one pretend?
(But they more diligent, and we more strong)
Or if a peace, it soon must have an end;
For they would grow too powerful, were it long.

7
Behold two nations, then, engaged so far
That each seven years the fit must shake each land:
Where France will side to weaken us by war,
Who only can his vast designs withstand.

8
See how he feeds the Iberian with delays,
To render us his timely friendship vain:
And while his secret soul on Flanders preys,
He rocks the cradle of the babe of Spain.

9
Such deep designs of empire does he lay

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poem by John Dryden
Added by Poetry Lover
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Endymion: Book I

ENDYMION.

A Poetic Romance.

"THE STRETCHED METRE OF AN AN ANTIQUE SONG."
INSCRIBED TO THE MEMORY OF THOMAS CHATTERTON.

Book I

A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.

Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple's self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast,
That, whether there be shine, or gloom o'ercast,
They alway must be with us, or we die.

Therefore, 'tis with full happiness that I
Will trace the story of Endymion.
The very music of the name has gone
Into my being, and each pleasant scene

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poem by John Keats
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