Sestina Otiosa
Our great work, the Otia Merseiana,
Edited by learned Mister Sampson,
And supported by Professor Woodward,
Is financed by numerous Bogus Meetings
Hastily convened by Kuno Meyer
To impose upon the Man of Business.
All in vain! The accomplished Man of Business
Disapproves of Otia Merseiana,
Turns his back on Doctor Kuno Meyer;
Cannot be enticed by Mister Sampson,
To be present at the Bogus Meetings,
Though attended by Professor Woodward.
Little cares the staid Professor Woodward:
He, being something of a man of business,
Knows that not a hundred Bogus Meetings
To discuss the Otia Merseiana
Can involve himself and Mister Sampson
In the debts of Doctor Kuno Meyer.
So the poor deluded Kuno Meyer,
Unenlightened by Professor Woodward --
Whom, upon the word of Mister Sampson,
He believes to be a man of business
Fit to run the Otia Merseiana --
Keeps on calling endless Bogus Meetings.
Every week has now its Bogus Meetings,
Punctually convened by Kuno Meyer
In the name of Otia Merseiana:
Every other week Professor Woodward
Takes his place, and, as a man of business,
Audits the accounts with Mister Sampson.
He and impecunious Mister Sampson
Are the mainstay of the Bogus Meetings;
But the alienated Man of Business
Cannot be allured by Kuno Meyer
To attend and meet Professor Woodward,
Glory of the Otia Merseiana.
Kuno Meyer! Great Professor Woodward!
Bogus Meetings damn, for men of business,
Mister Sampson's Otia Merseiana.
poem by Sir Walter Raleigh
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Related quotes
Bogus Doses
Your rolling overexposed bogus doses aren't deep.
To keep them away from a 'vision'.
Your rolling overexposed bogus doses aren't deep.
To keep them away from a 'vision'.
Don't leave with a notion to soak,
Your bogus doses will get any info from me.
To keep me away from what's been 'visioned'.
Your rolling overexposed bogus doses aren't deep.
Not deep enough to cloud...
A 'vision'.
Your rolling overexposed bogus doses aren't deep,
To keep them away from the 'vision'.
Whatever that you do,
Has been done and 'thunked! '
With a doing of it in most eyes like a basketball dunked.
Swish, swoosh that's it.
And people who have seen this have a 'vision'.
You can't exchange the truth for a dollar.
Or change its appearance to ensure it fits.
Swish, swoosh that's it.
And people who have seen this have a 'vision'.
And people who have seen this have a 'vision'.
Swish, swoosh that's it.
Swish, swoosh that's it.
And people who have seen this have a 'vision'.
Take your bogus doses.
People who have seen this have a 'vision'.
And to witness focused.
Whatever that you do,
Has been done and 'thunked! '
With a doing of it in most eyes like a basketball dunked.
Swish, swoosh that's it.
Swish, swoosh that's it.
And people who have seen this have a 'vision'.
Now take your bogus doses.
Take your bogus doses.
Now take your bogus doses...
Away, away!
Now take your bogus doses.
Take your bogus doses.
Now take your bogus doses...
Away!
poem by Lawrence S. Pertillar
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Dr. Jekyll And Mr. Hyde
Hyde, Hyde.
Hyde, hyde.
Someone is spending my money for me,
Someone is spending my money for me,
The money I earn I never see,
The money i earn i never see,
In all things I do he interferes,
In all things i do he interferes,
All I know is trouble as soon as he appears.
All i know is trouble as soon as he appears.
Mister Hyde, Mister Hyde, Mister Hyde, Mister Hyde, Hyde.
Mister hyde, mister hyde, mister hyde, mister hyde, hyde.
When I drink my potion my character changes,
When i drink my potion my character changes,
My whole mind and body rearranges,
My whole mind and body rearranges,
This strange transformation takes place in me,
This strange transformation takes place in me,
Instead of myself everybody can see...
Instead of myself everybody can see...
Mister Hyde, Mister Hyde, Mister Hyde, Mister Hyde, Hyde.
Mister hyde, mister hyde, mister hyde, mister hyde, hyde.
Whenever you're with me make sure it's still me,
Whenever you're with me make sure it's still me,
I've got to the stage I can't tell which I'll be,
I've got to the stage i can't tell which i'll be,
The loveable fellow who'll buy you a drink,
The loveable fellow who'll buy you a drink,
Then when he's drunk his he'll change in a wink into...
Then when he's drunk his he'll change in a wink into...
Hyde, Mister Hyde, Mister Hyde, Mister Hyde, Hyde.
Hyde, mister hyde, mister hyde, mister hyde, hyde.
song performed by Who
Added by Lucian Velea
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The Rosciad
Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.
Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,
[...] Read more
poem by Charles Churchill
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Mister Moon & Mister Sun
Time goes so fast today. dont blink shell go away. dont
Close your eyes. not for one moment. you feel so good right
Now. you have to stay somehow. dont let it slip. let time
Stay frozen.
She needs you. you need her. just like the sun. dont think
That its over. its just begun.
Oh mister moon and mister sun. our song has only just
Begun. oh mister sun and mister moon. dont let these
Minutes go too soon.
If wishes were for free. my only hope would be. to stop the
Clock. lets keep this moment. I guess thats just a dream.
As hollow as your own moon beam. so let us revel in our
Time.
She needs you. you need her. just like the sun. it never is
Over. once its begun.
Oh mister moon and mister sun. our life has only just
Begun. oh mister sun and mister moon. dont let this
Moment go too soon.
Oh mister moon and mister sun. our life has only just
Begun. oh mister sun and mister moon. dont let this
Moment go too soon. oh mister moon and mister sun. our
Song has only just begun. oh mister sun and mister moon.
Dont let these minutes go too soon.
song performed by Human League
Added by Lucian Velea
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Mister Moon And Mister Sun
Time goes so fast today. Don't blink she'll go away. Don't
close your eyes. Not for one moment. You feel so good right
now. You have to stay somehow. Don't let it slip. Let time
stay frozen.
She needs you. You need her. Just like the sun. Don't think
that it's over. It's just begun.
Oh Mister Moon and Mister Sun. Our song has only just
begun. Oh Mister Sun and Mister Moon. Don't let these
minutes go too soon.
If wishes were for free. My only hope would be. To stop the
clock. Let's keep this moment. I guess that's just a dream.
As hollow as your own moon beam. So let us revel in our
time.
She needs you. You need her. Just like the sun. It never is
over. Once it's begun.
Oh Mister Moon and Mister Sun. Our life has only just
begun. Oh Mister Sun and Mister Moon. Don't let this
moment go too soon.
Oh Mister Moon and Mister Sun. Our life has only just
begun. Oh Mister Sun and Mister Moon. Don't let this
moment go too soon. Oh Mister Moon and Mister Sun. Our
song has only just begun. Oh Mister Sun and Mister Moon.
Don't let these minutes go too soon
song performed by Human League
Added by Lucian Velea
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Secret Meetings
I have secret meetings,
In my mind.
And...
I find they're the best,
All the of time.
Yes, I have secret meetings,
In my mind.
And...
I find they're the best,
All the of time.
In my mind to be condoned,
Secret meetings feeding peace.
In my mind I keep condoned.
Secret meetings feeding peace.
And my head I keep cool and collected.
Yes, I have secret meetings,
In my mind all the time.
And...
It's keepng me cool and collected.
Yes, I have secret meetings,
In my mind all the time.
And...
It's keepng me cool and collected.
Yes, I have secret meetings,
In my mind all the time.
And...
It's keepng me cool and collected.
I have secret meetings in my mind all the time,
To unwind...
From the beatings of the times.
With corruption on the pedestal directing the crimes.
I have secret meetings in my mind all the time,
To unwind...
From the beatings of the times.
With corruption on the pedestal directing the crimes.
I have secret meetings in my mind all the time,
To unwind...
From the beatings of the times.
With corruption on the pedestal directing the crimes.
With corruption on the pedestal directing the crimes.
I have secret meetings to unwind.
[...] Read more
poem by Lawrence S. Pertillar
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Work To Make It Work
(r palmer)
Push it along
Work work work to make it work
Push it along
Work work work to make it work
Push it along
Work work work if you want to improve it
Push it along
It's all there for you to feel it
Help your self to one that you can't deal with
Ain't no way that you could steal it
You misunderstand if you get greedy
Ah push
Work work work to make it work push it along
Work work work to make it work
Push it along
Work work work to make it work
Push it along
Work work work if you want to improve
Don't confine your dreams to bed
You'll get scared if you get lazy
If you can't take enough to satisfy yourself
Then you'll go crazy
Wont do no good thinking
You got to do it
So it don't come easy the first time
Practice makes perfect, you know that i'll try hard
Use it or lose it
You got to put your heart and soul into it
Yeaheheh
Push it along
Work work work to make it work
Push it along
Work work work if you want to move it
Push it along
Work to make it work
Push it along
Work work work if you want to improve
It's all there for you to feel it
Help your self to one that you can't deal with
Ain't no way that you could steal it
You misunderstand if you get greedy forget wishful thinking
You can do it
You just need a push to make a start
If you don't succeed the first time
Try and try again
Use it or lose it
You got to put your back into it
Work work work to make it work
Push it along
[...] Read more
song performed by Robert Palmer
Added by Lucian Velea
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Payment
A tortuous path of neurons arced a call: ‘Awake! ’
I did; in rising, peering, stretching, bearing,
Pained anticipation saw it all:
Foretold, another filthy day.
I drew the drape: diluvian lay the ground
Beneath a lazy leaden cloud – apissing out
The puddles; irksome on the roof –
The drumming drops of bitter glee
Were hounding out a hapless me –
Reinforcing doubt that I am sound.
I left the house
to go to work
to earn a crust
without a perk
then on to bust
another straining vessel.
Trudging on thro’ mud and clay, I pondered:
‘Why a drought of happy times?
Auspicious climes were
Old and fusty books
Atop a dusty shelf
Inside a morgue-of-a-room,
Somewhere in a long-forgotten library
Down a lane without a way.’
I thought again: ‘And still I pay.’
Copyright © Mark R Slaughter 2010
[...] Read more
poem by Mark R Slaughter
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Virginia's Story
Elizabeth Gates-Wooten is my Grand mom.
She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.
When she was old enough she got married.
First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.
Agnes was my mother.
Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.
Then they moved to West Virginia in the United States.
Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.
Anna was a maid and cook.
She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth
They were both good cooks
They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.
My moms name was Agnes Barrie Gates.
She married James Wright and moved to Cleveland.
[...] Read more
poem by Talile Ali
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Annus Mirabilis, The Year Of Wonders, 1666
1
In thriving arts long time had Holland grown,
Crouching at home and cruel when abroad:
Scarce leaving us the means to claim our own;
Our King they courted, and our merchants awed.
2
Trade, which, like blood, should circularly flow,
Stopp'd in their channels, found its freedom lost:
Thither the wealth of all the world did go,
And seem'd but shipwreck'd on so base a coast.
3
For them alone the heavens had kindly heat;
In eastern quarries ripening precious dew:
For them the Idumaean balm did sweat,
And in hot Ceylon spicy forests grew.
4
The sun but seem'd the labourer of the year;
Each waxing moon supplied her watery store,
To swell those tides, which from the line did bear
Their brimful vessels to the Belgian shore.
5
Thus mighty in her ships, stood Carthage long,
And swept the riches of the world from far;
Yet stoop'd to Rome, less wealthy, but more strong:
And this may prove our second Punic war.
6
What peace can be, where both to one pretend?
(But they more diligent, and we more strong)
Or if a peace, it soon must have an end;
For they would grow too powerful, were it long.
7
Behold two nations, then, engaged so far
That each seven years the fit must shake each land:
Where France will side to weaken us by war,
Who only can his vast designs withstand.
8
See how he feeds the Iberian with delays,
To render us his timely friendship vain:
And while his secret soul on Flanders preys,
He rocks the cradle of the babe of Spain.
9
Such deep designs of empire does he lay
[...] Read more
poem by John Dryden
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The Task: Book III. -- The Garden
As one who, long in thickets and in brakes
Entangled, winds now this way and now that
His devious course uncertain, seeking home;
Or, having long in miry ways been foil’d,
And sore discomfited, from slough to slough
Plunging, and half despairing of escape;
If chance at length he finds a greensward smooth
And faithful to the foot, his spirits rise,
He chirrups brisk his ear-erecting steed,
And winds his way with pleasure and with ease:
So I, designing other themes, and call’d
To adorn the Sofa with eulogium due,
To tell its slumbers, and to paint its dreams,
Have rambled wide. In country, city, seat
Of academic fame (howe’er deserved),
Long held, and scarcely disengaged at last.
But now with pleasant pace a cleanlier road
I mean to tread. I feel myself at large,
Courageous, and refresh’d for future toil,
If toil awaits me, or if dangers new.
Since pulpits fail, and sounding boards reflect
Most part an empty ineffectual sound,
What chance that I, to fame so little known,
Nor conversant with men or manners much,
Should speak to purpose, or with better hope
Crack the satiric thong? ‘Twere wiser far
For me, enamour’d of sequester’d scenes,
And charm’d with rural beauty, to repose,
Where chance may throw me, beneath elm or vine,
My languid limbs, when summer sears the plains;
Or, when rough winter rages, on the soft
And shelter’d Sofa, while the nitrous air
Feeds a blue flame, and makes a cheerful hearth;
There, undisturb’d by Folly, and apprised
How great the danger of disturbing her,
To muse in silence, or at least confine
Remarks that gall so many to the few,
My partners in retreat. Disgust conceal’d
Is ofttimes proof of wisdom, when the fault
Is obstinate, and cure beyond our reach.
Domestic Happiness, thou only bliss
Of Paradise that has survived the fall!
Though few now taste thee unimpair’d and pure,
Or tasting long enjoy thee! too infirm,
Or too incautious, to preserve thy sweets
Unmix’d with drops of bitter, which neglect
Or temper sheds into thy crystal cup;
Thou art the nurse of Virtue, in thine arms
[...] Read more
poem by William Cowper
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Ang Tumoy Sa Tumoy Ni Manoy
lisod baya pag analayz ug tigulang
sa tinood lang kitang tanan nga bisdak (bisag di na lang Pinoy
ang pung gamiton)
adunay tigulang, in one way or another, sa atong bay, naa jud tiguls
sa amo lang, naa si lolo enggoy, naa si lola pacing,
naa pa si tiyo miguel (mangkoy pero ingon si lolo nakaukoy)
sugod tang lolo, pagkasug uhan, ug pagkalimtanon na,
wa kuno siya katumar sa iyang tambal sa highblood,
wa kuno siya papamahawa moreport ni tiya inday
sa manila, ug dayon ug kasuko, makagot ang ngipon
mokaging ang apapangig, ug dayon ug dram ug iyak
kay kuno siya gipasagdan na
ug si lola pacing, siging hinumdum sa iyang pagka miss bisaya
cover girl kaniadto sa pagkahuman sa gubat sa misurender na ang
mga hapon, mangutana ug naniudto na ba kuno mi, dayon hangyoon
ka nga isulat ang iyang ihangyo ni alfred sa Dubai,
papalit ug turban sa moslem, kay dili siya gusto nga maitom samtang
isuroy siya sa wheelchair sa iyang garden nga adunay mga dama de noche,
ug si tiyo miguel, nga ang favorite past time magsiging ibot sa mga salibotbot didto sa among nataran, pul-ong sa mga dahoy sa likway,
dayon hangyo nga magpaluto ug haw-an nga tinonoan kay kuno siya
gimingaw ug isda sa suba sa Olingan, ug kon gutmon motawag kanako
aron papaliton ug sopas sa tindahan ni Nidas, parisan sa pepsi nga bugnaw,
ingon sila dili enjoy mag-akatar ug mga tigulang kay kuno ang uban bisag
nag-antus ug pangamaw sa chicago apan tungod lang kini sa dollar ug sa mga utang nga bayran, sa mga anak nga nageskwela ug nursing aron puhon
makakalos usab ug mas daghan pang dollar, makatukod ug maayong balay,
makapalit ug basakan ug kalubian, aron ang kinabuhi maharuhay
ako? enjoy lang
(hmm, ayaw lang ug saba, ako baya ang nabutang nga heredero sa
.... ayaw lang ug saba ha.. sa last will and testament ni lolo, ni lola ug labaw pa
ni tiyo miguel, ... sa totoo lang.. pila ra goy pagpalit ug pepsi ug sopas sa
tindahan ni Nidas)
poem by Ric S. Bastasa
Added by Poetry Lover
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Old Mister Time
He looked funny
The children called him the scarecrow
An old raincoat
And baggy trousers and sneakers
He found at the dump
Oh, but if you bothered to look
There was something behind the rags
Oh there was a look in his eyes
It was something youd never forget
He lived badly
A broken shack on the railway
An old moggy
The only one who replied
When he talked to the walls
Oh we didnt understand
We were fooled by the dirt on his face
Oh we were human then
We were searching behind his disgrace
Why dont you leave me alone
Why dont you go to your homes
Why dont you keep to yourselves
Im tellin you
Why dont you leave me alone
Youre never gonna realise
When all you do is criticise
Youre never gonna make it work
You never seem to get enough
You crumble when its getting rough
Youre never gonna make it work
Im tellin you therell come a day
Youre gonna blow yourselves away
Its wrong that I should interfere
I just get in the way
Why dont you leave me alone
Why dont you go to your homes
Why dont you keep to yourselves
Im tellin you
Why dont you leave me alone
Deep into the night
He was working by the light
Of the candle by his bed
On the theory in his head
He was building from the junk
That he rescued from the dump
And when he turned the power on
There was a sound and he was gone
Oh in the gray of the dawn
We discovered the thing he was working on
Oh we didnt understand
The future was old mister time
[...] Read more
song performed by 10 Cc
Added by Lucian Velea
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Paradise Lost: Book X
Thus they in lowliest plight repentant stood
Praying, for from the Mercie-seat above
Prevenient Grace descending had remov'd
The stonie from thir hearts, and made new flesh
Regenerat grow instead, that sighs now breath'd
Unutterable, which the Spirit of prayer
Inspir'd, and wing'd for Heav'n with speedier flight
Then loudest Oratorie: yet thir port
Not of mean suiters, nor important less
Seem'd thir Petition, then when th' ancient Pair
In Fables old, less ancient yet then these,
Deucalion and chaste Pyrrha to restore
The Race of Mankind drownd, before the Shrine
Of Themis stood devout. To Heav'n thir prayers
Flew up, nor missed the way, by envious windes
Blow'n vagabond or frustrate: in they passd
Dimentionless through Heav'nly dores; then clad
With incense, where the Golden Altar fum'd,
By thir great Intercessor, came in sight
Before the Fathers Throne: Them the glad Son
Presenting, thus to intercede began.
See Father, what first fruits on Earth are sprung
From thy implanted Grace in Man, these Sighs
And Prayers, which in this Golden Censer, mixt
With Incense, I thy Priest before thee bring,
Fruits of more pleasing savour from thy seed
Sow'n with contrition in his heart, then those
Which his own hand manuring all the Trees
Of Paradise could have produc't, ere fall'n
From innocence. Now therefore bend thine eare
To supplication, heare his sighs though mute;
Unskilful with what words to pray, let mee
Interpret for him, mee his Advocate
And propitiation, all his works on mee
Good or not good ingraft, my Merit those
Shall perfet, and for these my Death shall pay.
Accept me, and in mee from these receave
The smell of peace toward Mankinde, let him live
Before thee reconcil'd, at least his days
Numberd, though sad, till Death, his doom (which I
To mitigate thus plead, not to reverse)
To better life shall yeeld him, where with mee
All my redeemd may dwell in joy and bliss,
Made one with me as I with thee am one.
To whom the Father, without Cloud, serene.
All thy request for Man, accepted Son,
Obtain, all thy request was my Decree:
But longer in that Paradise to dwell,
The Law I gave to Nature him forbids:
Those pure immortal Elements that know
[...] Read more
poem by John Milton
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Natchez Trace
(neil goldberg / gil slavin)
Oh, ho
He rode into virginia
Rollin thunder, ridin high
I was servin table
Waitin for that ride
My arms around his body
Well, we rode a thousand miles
He taught me how to love
He taught me how to fly, oh, ho, my
Hungry together
Racin the weather
Into the natchez trace
Warmin and feedin him
All the way to cumberland, oh, ho, yes
And I had his child in memphis
And we watched him ride away
And now you know what a girl like me
Is doin here today
Im sorry mister, you cant stay
Hungry together
Racin the weather
Into the natchez trace
Warmin and feedin him
All the way to cumberland, oh, ho, yes
And when the piper gets to play
Somebodys got to pay
And now you know what a girl like me
Is doin here today
Oh, Im sorry mister, you cant stay
Im sorry mister, you cant stay
Hungry together
Racin the weather
Into the natchez trace
Warmin and feedin him
All the way to cumberland, oh
When the piper gets to play
Somebodys got to pay
And now you know what a girl like me
Is doin here today
Oh, Im sorry mister, you cant stay
Im sorry mister, you cant stay, oh, ho, ho, ho
Sorry mister, you cant stay
Sorry mister, you cant stay, no
Sorry mister, you cant stay, oh, ho, ho, ho
Sorry mister, you cant stay
Sorry mister, you cant stay, no
Sorry mister, you cant stay, oh
Sorry mister, sorry mister
song performed by Dusty Springfield
Added by Lucian Velea
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Adam: A Sacred Drama. Act 2.
SCENE I. -- CHORUS OF ANGELS Singing.
Now let us garlands weave
Of all the fairest flowers,
Now at this early dawn,
For new-made man, and his companion dear;
Let all with festive joy,
And with melodious song,
Of the great Architect
Applaud this noblest work,
And speak the joyous sound,
Man is the wonder both of Earth and Heaven.
FIRST Angel.
Your warbling now suspend,
You pure angelic progeny of God,
Behold the labour emulous of Heaven!
Behold the woody scene,
Decked with a thousand flowers of grace divine;
Here man resides, here ought he to enjoy
In his fair mate eternity of bliss.
SECOND Angel.
How exquisitely sweet
This rich display of flowers,
This airy wild of fragrance,
So lovely to the eye,
And to the sense so sweet.
THIRD Angel.
O the sublime Creator,
How marvellous his works, and more his power!
Such is the sacred flame
Of his celestial love,
Not able to confine it in himself,
He breathed, as fruitful sparks
From his creative breast,
The Angels, Heaven, Man, Woman, and the World.
FOURTH Angel.
Yes, mighty Lord! yes, hallowed love divine!
Who, ever in thyself completely blest,
Unconscious of a want,
Who from thyself alone, and at thy will,
Bright with beignant flames,
Without the aid of matter or of form,
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poem by William Cowper
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Work To Make It Work 99
Push it along
Work work work to make it work
Push it along
Work work work to make it work
Push it along
Work work work if you want to improve it
Push it along
Its all there for you to feel it
Help your self to one that you cant deal with
Aint no way that you could steal it
You misunderstand if you get greedy
Ah push
Work work work to make it work push it along
Work work work to make it work
Push it along
Work work work to make it work
Push it along
Work work work if you want to improve
Dont confine your dreams to bed
Youll get scared if you get lazy
If you cant take enough to satisfy yourself
Then youll go crazy
Wont do no good thinking
You got to do it
So it dont come easy the first time
Practice makes perfect, you know that Ill try hard
Use it or lose it
You got to put your heart and soul into it
Yeaheheh
Push it along
Work work work to make it work
Push it along
Work work work if you want to move it
Push it along
Work to make it work
Push it along
Work work work if you want to improve
Its all there for you to feel it
Help your self to one that you cant deal with
Aint no way that you could steal it
You misunderstand if you get greedy forget wishful thinking
You can do it
You just need a push to make a start
If you dont succeed the first time
Try and try again
Use it or lose it
You got to put your back into it
Work work work to make it work
Push it along
Work work work if you want to move it
[...] Read more
song performed by Robert Palmer
Added by Lucian Velea
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Third Book
'TO-DAY thou girdest up thy loins thyself,
And goest where thou wouldest: presently
Others shall gird thee,' said the Lord, 'to go
Where thou would'st not.' He spoke to Peter thus,
To signify the death which he should die
When crucified head downwards.
If He spoke
To Peter then, He speaks to us the same;
The word suits many different martyrdoms,
And signifies a multiform of death,
Although we scarcely die apostles, we,
And have mislaid the keys of heaven and earth.
For tis not in mere death that men die most;
And, after our first girding of the loins
In youth's fine linen and fair broidery,
To run up hill and meet the rising sun,
We are apt to sit tired, patient as a fool,
While others gird us with the violent bands
Of social figments, feints, and formalisms,
Reversing our straight nature, lifting up
Our base needs, keeping down our lofty thoughts,
Head downward on the cross-sticks of the world.
Yet He can pluck us from the shameful cross.
God, set our feet low and our forehead high,
And show us how a man was made to walk!
Leave the lamp, Susan, and go up to bed.
The room does very well; I have to write
Beyond the stroke of midnight. Get away;
Your steps, for ever buzzing in the room,
Tease me like gnats. Ah, letters! throw them down
At once, as I must have them, to be sure,
Whether I bid you never bring me such
At such an hour, or bid you. No excuse.
You choose to bring them, as I choose perhaps
To throw them in the fire. Now, get to bed,
And dream, if possible, I am not cross.
Why what a pettish, petty thing I grow,–
A mere, mere woman,–a mere flaccid nerve,-
A kerchief left out all night in the rain,
Turned soft so,–overtasked and overstrained
And overlived in this close London life!
And yet I should be stronger.
Never burn
Your letters, poor Aurora! for they stare
With red seals from the table, saying each,
'Here's something that you know not.' Out alas,
'Tis scarcely that the world's more good and wise
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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The Ghost - Book IV
Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;
[...] Read more
poem by Charles Churchill
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