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These Are The Poems That Only I Am

THESE ARE THE POEMS THAT ONLY I AM

These are the poems that only I am
They are not the greatest poems
But they are the poems that only I am
I would have them be more than they are
But they are not-
They are what I have
What I can give
Not the best
Not the greatest
Not the ones which will give greatest delight and greatest insight and greatest beauty and greatest- anything
They are what I am -
How modest of me to be so disappointed with what I am
And all I am not.

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My Modest Life....[LONG; Personal; Humor]

i grew up in a modest home. the nearby country i did roam.
modest were my mom and dad. four modest siblings i also had.
geneva was a modest town. at graduation i wore a modest cap and gown.
(ok….my cap had a gold tassel. about that, please don't give me a hassle.)


then i modestly went to cornell; that i'd quit three years later who could tell?
i modestly quit my church beliefs. that there's no hell, for me i'm betting.
i became a conscientious objector and worked two years in hospital setting.
i roomed in a modest home. by foot, bike, and bus i did roam.


then i shared an apartment with brother don. i did modest jobs for modest wages.
my general appearance i think was plain. i was modest, ….not vain.
except for occasional, mild 'depression', it seemed i had not a care.
then (past twenty-five years old) i sought a partner from the sex pool more fair.


first wife (pam) was not so modest…..if by modest one means plain.
she gave birth to our modest daughter (shannon) ....... after a short labor but lots of pain.
pam and i shared five modest homes, and we had a modest dog.
we had a modest divorce....though nine years together we did log.


then i had modest apartments and two modest girlfriends, and kept my modest postal job.
then i married and divorced wife two (debbie) , .....she was at times irrational and a slob.
my very modest yugo i replaced with a honda, the last of my modest cars.
the end of marriage to third wife (donna) i blame (in part) on her emotional lifetime scars.


in 2004 i retired 'early'…. as post office chose to downsize.
at the time i lived in modest comfort.... in a senior citizen highrise.
i modestly pursued volunteer work as i'd done on and off since '86.
with no ties binding me i moved to hometown geneva; some would call it 'move to the sticks'.


i spent a modest few months in cousin's apartment. eye to eye we did not see, .......
so i got my own modest place near college fieldhouse, and walked indoor track for a modest fee.
i found a modest café, 'flour petal', and many modest hours there i enjoyed.
i wrote poems, and........with thoughts of a new partner i no longer toyed.


i met a modest new friend angel. he, it turned out, had some 'issues'.
i made a modest bed of banana boxes, and blew my nose on toilet tissues.
i developed mild hypertension. it seems in control now without pills.
i walked roads and sidewalks in modest shoes, wore modest clothes with no frills.


then a former postal customer, and old guy, henry, 'said': ‘find a geneva woman on the internet'.
he jarred me into action, and that's how my present wife i 'met'.

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The Victories Of Love. Book I

I
From Frederick Graham

Mother, I smile at your alarms!
I own, indeed, my Cousin's charms,
But, like all nursery maladies,
Love is not badly taken twice.
Have you forgotten Charlotte Hayes,
My playmate in the pleasant days
At Knatchley, and her sister, Anne,
The twins, so made on the same plan,
That one wore blue, the other white,
To mark them to their father's sight;
And how, at Knatchley harvesting,
You bade me kiss her in the ring,
Like Anne and all the others? You,
That never of my sickness knew,
Will laugh, yet had I the disease,
And gravely, if the signs are these:

As, ere the Spring has any power,
The almond branch all turns to flower,
Though not a leaf is out, so she
The bloom of life provoked in me;
And, hard till then and selfish, I
Was thenceforth nought but sanctity
And service: life was mere delight
In being wholly good and right,
As she was; just, without a slur;
Honouring myself no less than her;
Obeying, in the loneliest place,
Ev'n to the slightest gesture, grace
Assured that one so fair, so true,
He only served that was so too.
For me, hence weak towards the weak,
No more the unnested blackbird's shriek
Startled the light-leaved wood; on high
Wander'd the gadding butterfly,
Unscared by my flung cap; the bee,
Rifling the hollyhock in glee,
Was no more trapp'd with his own flower,
And for his honey slain. Her power,
From great things even to the grass
Through which the unfenced footways pass,
Was law, and that which keeps the law,
Cherubic gaiety and awe;
Day was her doing, and the lark
Had reason for his song; the dark
In anagram innumerous spelt
Her name with stars that throbb'd and felt;

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Charles Lamb

Beauty And The Beast

A Merchant, who by generous pains
Prospered in honourable gains,
Could boast, his wealth and fame to share,
Three manly Sons, three Daughters fair;
With these he felt supremely blest.-
His latest born surpass'd the rest:
She was so gentle, good and kind,
So fair in feature, form, and mind,
So constant too in filial duty,
The neighbours called her Little Beauty!
And when fair childhood's days were run,
That title still she wore and won;
Lovelier as older still she grew,
Improv'd in grace and goodness too.-
Her elder Sisters, gay and vain,
View'd her with envy and disdain,
Toss'd up their heads with haughty air;
Dress, Fashion, Pleasure, all their care.


'Twas thus, improving and improv'd;
Loving, and worthy to be lov'd,
Sprightly, yet grave, each circling day
Saw Beauty innocently gay.
Thus smooth the May-like moments past;
Blest times! but soon by clouds o'ercast!


Sudden as winds that madd'ning sweep
The foaming surface of the deep,
Vast treasures, trusted to the wave,
Were buried in the billowy grave!
Our Merchant, late of boundless store,
Saw Famine hasting to his door.


With willing hand and ready grace,
Mild Beauty takes the Servant's place;
Rose with the sun to household cares,
And morn's repast with zeal prepares,
The wholesome meal, the cheerful fire:
What cannot filial love inspire?
And when the task of day was done,
Suspended till the rising sun,
Music and song the hours employ'd,
As more deserv'd, the more enjoy'd;
Till Industry, with Pastime join'd,
Refresh'd the body and the mind;
And when the groupe retir'd to rest,
Father and Brothers Beauty blest.

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The Fair of Beauty

I must confess! An angel must hide placidly undermine eyelids, for when I close them I see a word magnanimously delightful, and when I open them I see a pageant as sweet as a garden of sugar. I see the land of Lucien.

With languorous sunsets, charming lakes and emerald grass the land of Lucien is a place of beauty. It is a kingdom where romance lavishes the land. In the heart of Lucien, a small castle stands, ornamented with stained glass, beautiful balustrades and gothic arches. The gray stone which holds it together is forged by the hands of many peasants, but its form was conceived by the mind of one talented artisan. This gives the building a real integrity and a strange personality peculiar to one man. To that man no one knew or knows, no myth even could or can shed light into its mystery. "Mysteries shall be left mysterious, for shall they be discovered they lose their charm, " Madame Rupert once said with the eloquence of an aristocrat.

In this story there is no place for mystery, for beauty is forever revealing itself to us, but here is short history of Lucien. In order to understand this story I must give an account of the castle. The castle is called the house of Rupert, for the Rupert's have reigned over the land of Lucien for many a century. The family is everything royal except their horrible habit of being unconventional. They never marry within royal line, for they suffer from the malady of beauty and love and the lads of the family hold beauty contests to chose the wife they think the most beautiful. Dowries mean nil compared to a charming countenance in this world. They worship love, as other's worship the mammoth, however, they worship love with as much avidity as others worship the latter, that it would be quite pernicious to their name in a practical world, therefore, I thank Venus for making my land of Lucien quite unpractical, for here the Rupert's mania for beauty doesn't seem to affect their status, or their sanity, and more importantly their virtue.

Beauty! Beauty is the way of life here. The Rupert's excessive love of beauty transcends the emotion of admiration and even slips importunately into the realm of Justice. To the Rupert's, justice must follow the law of beauty, hence the inscription engraved in marble adorning the head of the entrance way which reads Beauty is Thine Nature, Justice Must Protect Thine Nature, and Good Shall Prosper Here, For Justice is Not Just Shall It Produce Bad Results.

The Story begins.

On this day, the 11th of August, the patriarch, the king, the majestic lord, King Eric de Rupert, dressed in raiment ebony, laced with gold ruffles, calls into session the Fair of Beauty. The king's brown Moorish eyes overlook the crowd and its meticulous beauty. The praetorian guards stand erect and proud; magenta rubies are sewn into the turbans resting upon their heads; their scarlet cloaks are stained with the blood of dead youth and underneath their pleasant attire lay a well of gold, for their skin appears to be laced with gold.

Dear reader, music always seems to sing from the heart. For musicians play lovely tunes with their skillfully wrought instruments. The ceremony is conducted in a way to infuse a merry emollient on all the hearts of all the spectators'. The scenery is potent in beautiful colors, an elegant display of fashion rests listlessly on all who attend, and an uncanny feast is prepared and served in lovely style, that one didn't notice, if what one is eating, is good or not. That is the charm of beauty here, it has no taste, like water, it is a necessity to live.
A squire whispers to his wanton mistress, "The King appears to be alone, for where is his noble wife and her amorous spirit? "
"The King looks so handsome this evening maybe he'll notice my azure mascara, " said Lyla to her girlfriend Plenie.
"The King sees nothing but beauty, that is what makes him so irresistible, " replied Plenie.
'For twenty years he has ruled with compassion and benevolence, and twenty years more shall he be loved with compassion and benevolence, " said Lorenzo the accountant.

(The King rises from a throne made of Persian Wood)

The King: "Tis my favorite time of all my life. The Fair of Beauty is born again. My apologies, my fellow citizens, for my wife's heart is empty of jealously; for it flows through her purple veins. I am sorry for time has wrinkled her very forehead and shriveled her very hands. She will not attend this lovely noble ceremony because she is conceived herself not beautiful enough. I, myself, could not convince her, that she herself, is still beautiful in body and soul. For she is a woman and gentleman we know how women can be. I give thee my humble apologies for her absence. My people, dear citizens of Lucien, thou shall receive a barrel of honey for such a grievous loss. For I know how thee cherish her beauty as a school of fish cherish the sea. Therefore let us partake of the glorious ceremony. Shall it begin! "

Here is the Ode of Beauty that my ancestors have passed to me by way of memory and mouth.

Sympathy is in thy sigh,
Kindness blessed thy hand
Beauty is in thy eye
Love looks on thy land
Live and be Free
And thou will See
What is Noble
In You and Me.

King: "Beauty shall triumph! As you know, my son Menillo Rupert, has been courting five exquisite women for the last year. Tonight he shall chose the love of his life, and forever live in happiness, because love is the panacea to all our sorrows. For to have love means to never die, to know nothing of vulgarity, to dwell lazily under the eyes of another, and to never know of loneliness. For your beloved knows thee without inquiry and loves thee without scruples."

(Menillo enters escorted by five guardsmen of refined physical features and envious beauty.)

King: "For my son to see true beauty and know real truth his eyes shall be covered by the cloth of Tangerine."

(A Guard places a vermillion blindfold over the eyes of Menillo)

King: Call on the beauties of earth so they can test their heart to the heart of mine son.

(Enter the Five Beauties of Earth)

King: "Shatalana, the first beauty, who comes from the Ivory Coast, whose skin smells of coconuts, whose vigorous eyes stir my lands imagination. How lovely are thee."

King: "Carmelita, the second beauty, who comes from South America, the Incan sun light rests inside thine skin, and your thick strands of hair flow like a gentle spring wind. How lovely are thee."

King: "Unchi, the third beauty, who comes from the Korean peninsula, your skin is a like a doll's skin, and your heart burns with the intensity of a hot spring which colors thy cheek. How lovely are thee."

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Delight

Anytime that you fall asleep
I'm wide awake
Anytime that you leave your house
I'm waiting at the gate
I'm not angry anymore
Come on and show your soul
I'd love to hang it on the wall
Framed for me
Anytime that you smile
I know that's really you
Anytime that you laugh you know that
I'll be laughing too
But it's not funny anymore
Come on now where's your soul
Is that it crumpled on the floor
Is this blame on me
Delight Delight Delight Delight
Delight at least we know its name
Delight Delight Delight
Wouldn't it be nice to feel again
Delight Delight Delight
It's locked outside it won't be coming in
Anytime now you'll talk at least I hope you will
Anytime now you'll speak and you know
I'll be listening still
But we don't say much anymore
Come on tell it from your soul
Delight Delight Delight Delight
Delight at least we know its name
Delight Delight Delight
Wouldn't it be nice to feel again
Delight Delight Delight
It's locked outside it won't be coming in
Won't be coming in
Delight Delight

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William Shakespeare

Venus and Adonis

Even as the sun with purple-colour'd face
Had ta'en his last leave of the weeping morn,
Rose-cheek'd Adonis tried him to the chase;
Hunting he lov'd, but love he laugh'd to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-fac'd suitor 'gins to woo him.
'Thrice fairer than myself,' thus she began,
'The field's chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee, with herself at strife,
Saith that the world hath ending with thy life.
'Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know:
Here come and sit, where never serpent hisses;
And being set, I'll smother thee with kisses:
'And yet not cloy thy lips with loath'd satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety;
Ten kisses short as one, one long as twenty:
A summer's day will seem an hour but short,
Being wasted in such time-beguiling sport.'
With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And, trembling in her passion, calls it balm,
Earth's sovereign salve to do a goddess good:
Being so enrag'd, desire doth lend her force
Courageously to pluck him from his horse.
Over one arm the lusty courser's rein
Under her other was the tender boy,
Who blush'd and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire
He red for shame, but frosty in desire.
The studded bridle on a ragged bough
Nimbly she fastens;--O! how quick is love:--
The steed is stalled up, and even now
To tie the rider she begins to prove:
Backward she push'd him, as she would be thrust,
And govern'd him in strength, though not in lust.
So soon was she along, as he was down,
Each leaning on their elbows and their hips:
Now doth she stroke his cheek, now doth he frown,
And 'gins to chide, but soon she stops his lips;
And kissing speaks, with lustful language broken,
'If thou wilt chide, thy lips shall never open.'
He burns with bashful shame; she with her tears
Doth quench the maiden burning of his cheeks;

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William Shakespeare

Venus and Adonis

'Vilia miretur vulgus; mihi flavus Apollo
Pocula Castalia plena ministret aqua.'

To the right honorable Henry Wriothesly, Earl of Southampton, and Baron of Tichfield.
Right honorable.

I know not how I shall offend in dedicating my unpolished lines to your lordship, nor how the world will censure me for choosing so strong a prop to support so weak a burden only, if your honour seem but pleased, I account myself highly praised, and vow to take advantage of all idle hours, till I have honoured you with some graver labour. But if the first heir of my invention prove deformed, I shall be sorry it had so noble a god-father, and never after ear so barren a land, for fear it yield me still so bad a harvest. I leave it to your honourable survey, and your honour to your heart's content; which I wish may always answer your own wish and the world's hopeful expectation.

Your honour's in all duty.

Even as the sun with purple-colour'd face
Had ta'en his last leave of the weeping morn,
Rose-cheek'd Adonis hied him to the chase;
Hunting he loved, but love he laugh'd to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-faced suitor 'gins to woo him.
'Thrice-fairer than myself,' thus she began,
'The field's chief flower, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
Nature that made thee, with herself at strife,
Saith that the world hath ending with thy life.
'Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know:
Here come and sit, where never serpent hisses,
And being set, I'll smother thee with kisses;
'And yet not cloy thy lips with loathed satiety,
But rather famish them amid their plenty,
Making them red and pale with fresh variety,
Ten kisses short as one, one long as twenty:
A summer's day will seem an hour but short,
Being wasted in such time-beguiling sport.'
With this she seizeth on his sweating palm,
The precedent of pith and livelihood,
And trembling in her passion, calls it balm,
Earth's sovereign salve to do a goddess good:
Being so enraged, desire doth lend her force
Courageously to pluck him from his horse.
Over one arm the lusty courser's rein,
Under her other was the tender boy,
Who blush'd and pouted in a dull disdain,
With leaden appetite, unapt to toy;
She red and hot as coals of glowing fire,
He red for shame, but frosty in desire.
The studded bridle on a ragged bough
Nimbly she fastens:--O, how quick is love!--
The steed is stalled up, and even now
To tie the rider she begins to prove:

[...] Read more

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Give The Po Man A Break

Give po man a break
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The Woefull Lamentation Of Jane Shore

The woefull lamentation of Jane Shore, a goldsmith's wife in London, sometime king Edward IV. his concubine. To the tune of 'Live with me,' &c.

If Rosamonde, that was so faire,
Had cause her sorrowes to declare,
Then let Jane Shore with sorrowe sing,
That was beloved of a king.
Then maids and wives in time amend,
For love and beauty will have end.

In maiden yeares my beautye bright
Was loved dear of lord and knight;
But yet the love that they requir'd,
It was not as my friends desir'd.
Then maids and wives in time amend,
For love and beauty will have end.

My parents they, for thirst of gaine,
A husband for me did obtaine;
And I, their pleasure to fulfille,
Was forc'd to wedd against my wille.
Then maids and wives in time amend,
For love and beauty will have end.

To Matthew Shore I was a wife,
Till lust brought ruine to my life;
And then my life I lewdlye spent,
Which makes my soul for to lament.
Then maids and wives in time amend,
For love and beauty will have end.

In Lombard-street I once did dwelle,
As London yet can witness welle;
Where many gallants did beholde
My beautye in a shop of golde.
Then maids and wives in time amend,
For love and beauty will have end.

I spred my plumes, as wantons doe,
Some sweet and secret friende to wooe,
Because chast love I did not finde
Agreeing to my wanton minde.
Then maids and wives in time amend,
For love and beauty will have end.

At last my name in court did ring
Into the eares of Englandes king,
Who came and lik'd, and love requir'd,
But I made coye what he desir'd.
Then maids and wives in time amend,
For love and beauty will have end.

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Pearl

Pearl of delight that a prince doth please
To grace in gold enclosed so clear,
I vow that from over orient seas
Never proved I any in price her peer.
So round, so radiant ranged by these,
So fine, so smooth did her sides appear
That ever in judging gems that please
Her only alone I deemed as dear.
Alas! I lost her in garden near:
Through grass to the ground from me it shot;
I pine now oppressed by love-wound drear
For that pearl, mine own, without a spot.

2
Since in that spot it sped from me,
I have looked and longed for that precious thing
That me once was wont from woe to free,
To uplift my lot and healing bring,
But my heart doth hurt now cruelly,
My breast with burning torment sting.
Yet in secret hour came soft to me
The sweetest song I e'er heard sing;
Yea, many a thought in mind did spring
To think that her radiance in clay should rot.
O mould! Thou marrest a lovely thing,
My pearl, mine own, without a spot.

3
In that spot must needs be spices spread
Where away such wealth to waste hath run;
Blossoms pale and blue and red
There shimmer shining in the sun;
No flower nor fruit their hue may shed
Where it down into darkling earth was done,
For all grass must grow from grains that are dead,
No wheat would else to barn be won.
From good all good is ever begun,
And fail so fair a seed could not,
So that sprang and sprouted spices none
From that precious pearl without a spot.

4
That spot whereof I speak I found
When I entered in that garden green,
As August's season high came round
When corn is cut with sickles keen.
There, where that pearl rolled down, a mound
With herbs was shadowed fair and sheen,
With gillyflower, ginger, and gromwell crowned,
And peonies powdered all between.

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The Growth of Love

1
They that in play can do the thing they would,
Having an instinct throned in reason's place,
--And every perfect action hath the grace
Of indolence or thoughtless hardihood--
These are the best: yet be there workmen good
Who lose in earnestness control of face,
Or reckon means, and rapt in effort base
Reach to their end by steps well understood.
Me whom thou sawest of late strive with the pains
Of one who spends his strength to rule his nerve,
--Even as a painter breathlessly who stains
His scarcely moving hand lest it should swerve--
Behold me, now that I have cast my chains,
Master of the art which for thy sake I serve.


2
For thou art mine: and now I am ashamed
To have uséd means to win so pure acquist,
And of my trembling fear that might have misst
Thro' very care the gold at which I aim'd;
And am as happy but to hear thee named,
As are those gentle souls by angels kisst
In pictures seen leaving their marble cist
To go before the throne of grace unblamed.
Nor surer am I water hath the skill
To quench my thirst, or that my strength is freed
In delicate ordination as I will,
Than that to be myself is all I need
For thee to be most mine: so I stand still,
And save to taste my joy no more take heed.

3
The whole world now is but the minister
Of thee to me: I see no other scheme
But universal love, from timeless dream
Waking to thee his joy's interpreter.
I walk around and in the fields confer
Of love at large with tree and flower and stream,
And list the lark descant upon my theme,
Heaven's musical accepted worshipper.
Thy smile outfaceth ill: and that old feud
'Twixt things and me is quash'd in our new truce;
And nature now dearly with thee endued
No more in shame ponders her old excuse,
But quite forgets her frowns and antics rude,
So kindly hath she grown to her new use.

4

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Introit : V. Litany Of Beauty

Joy, if the Soul or aught immortal be,
How may this Beauty know mortality?

O Beauty, perfect child of Light,
Sempiternal spirit of delight!
White and set with gold like the gold of the night,
The gold of the stars in quiet weather,--
White and shapely and pure!--
O lily-flower from stain secure,
With life and virginity dying together!

One lily liveth so,
Liveth for ever unstained, immortal, a mystic flower:
Perfectly wrought its frame,
Gold inwrought and eternal white,
White more white than cold of the snow,
For never, never, near it came,
Never shall come till the end of all,
Hurtful thing in wind or shower,
Worm or stain or blight;
But ever, ever, gently fall
The dews elysian of years that flow
Where it doth live secure
In flawless comeliness mature,
Golden and white and pure.
In the fair far-shining glow
Of eternal and holy Light.

Beauty of earthly things
Wrought by God and with hands of men!
Beauty of Nature and Art,
Fashioned anew for each Time brings,
For each new soul and living heart!
Beauty of Beauty that fills the ken
Till the soul is swooning, faint with delight!
Beauty of human form and voice,
Of eyes and ears and lips!--
O golden hair and brow of white!--
Wine of Beauty that whoso sips
Doth die to a spirit free, and rejoice,
Living with God and living with men,
Rapt rejoice in eternal bliss,
Raising his face to meet the kiss
Of the Beauty seraphic he sees above
In figure of his love.

O Beauty of Wisdom unsought
That in trance to poet is taught,
Uttered in secret lay,
Singing the heart from earth away,

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Modest Mouse

To the modest mouse,
Whose home, remotely shrouded
With the clutters of the cat's fallen eyesight,
Filled with such vitriol that none could grasp with coarse palms

And the cat, in her abode
Flourishing with jewels that glint like her devotion
To the pleasurable amenities of beauty and splendor
Why, have the heavens lost such bountiful ardor?

The lynx, the beau of indifference, forsaken with lips of crimson red,
Embedded with jewelry in a variation of halycon, sapphire, zircon
Inquisitive mouse, 'You glint so much, you fade in the light.'
Cat quips, irate with claws razor sharp, 'I beg your pardon? '

Oh, such absence of complications
As he prances across the wood, with reflux of blood in his tail,
Only exhibiting a weary face, of tombstone pale;
The cat walks eloquently, only embellishing what pride she has

Walking on thin, rusting wires with such prowess,
The modest mouse, puzzled, bewildered by such striding,
Resembling a hurricane, whose tempestuous whirling hurls edges that lacerate,
'There is no need to act like this! ' the mouse, judgment in surfeit

With such strife, arrogant like a lion,
The cat moves in sync with celestial aeons
With her whiskers, beaming towards the horizon,
None of this, the modest mouse could ever fathom

The modest mouse's confusion, 'Why pounce in such exuberant poise? '
Untoward feline's retalitation, 'Insecurity is a blight.' with such metallic alloy
The modest mouse, was not precarious, his eyes were too good for decoys
The cat's carnal eyes luster with so much flamboyance.

The modest mouse, in pure content, seeing his pale color of gray,
'You are charcoal gray, you should revel.' He told himself humbly.
And subtly, with silent distinctions, the cat stood behind the modest mouse,
With a condescending smirk in her face, for she is adorned in a multitude of colors.

'You seem to shine, like the rainbow! ' Oh, such humility this mouse beholds
The humility that withstands the fiery Summer, and the winter cold.
'I am, more than the rainbow.' Of this you see, the feral audacity?
With such depth, does she serenade herself incessantly.

'Your tail is horrendous! ' Said the cat, waving her emerald tail
Comparatively seeing, careening over her distinctions, the arrogance is ubiquitous.
Thus, the modest mouse cannot be stopped, he stood presumptuously,
Assuming a stance on all fours, with a face as meek as a lily.

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The Victories Of Love. Book II

I
From Jane To Her Mother

Thank Heaven, the burthens on the heart
Are not half known till they depart!
Although I long'd, for many a year,
To love with love that casts out fear,
My Frederick's kindness frighten'd me,
And heaven seem'd less far off than he;
And in my fancy I would trace
A lady with an angel's face,
That made devotion simply debt,
Till sick with envy and regret,
And wicked grief that God should e'er
Make women, and not make them fair.
That he might love me more because
Another in his memory was,
And that my indigence might be
To him what Baby's was to me,
The chief of charms, who could have thought?
But God's wise way is to give nought
Till we with asking it are tired;
And when, indeed, the change desired
Comes, lest we give ourselves the praise,
It comes by Providence, not Grace;
And mostly our thanks for granted pray'rs
Are groans at unexpected cares.
First Baby went to heaven, you know,
And, five weeks after, Grace went, too.
Then he became more talkative,
And, stooping to my heart, would give
Signs of his love, which pleased me more
Than all the proofs he gave before;
And, in that time of our great grief,
We talk'd religion for relief;
For, though we very seldom name
Religion, we now think the same!
Oh, what a bar is thus removed
To loving and to being loved!
For no agreement really is
In anything when none's in this.
Why, Mother, once, if Frederick press'd
His wife against his hearty breast,
The interior difference seem'd to tear
My own, until I could not bear
The trouble. 'Twas a dreadful strife,
And show'd, indeed, that faith is life.
He never felt this. If he did,
I'm sure it could not have been hid;
For wives, I need not say to you,

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Beautiful One

Oh beautiful one, adorned with spell
To ravage my world as might a sweet angel.
Oh beautiful thing, so much at ease:
Allure of caressing breeze in touch gentle.

Oh beautiful creature, sail me do,
As floating on seas of halcyon blue tincture.
You beautiful being, gracing charm
And features that render feel of deep texture.

Your beautiful poise in glide supreme,
Gives such like a vista honed as from heaven.
That beautiful art of face ornate,
Not ever to understate or be riven.

Your beautiful flame of pulchritude
Doth dizzy me high, so I conclude always
You beautiful girl forever be
My shining Janette; my guide; my stairway.

Copyright © Mark R Slaughter 2009
All rights reserved

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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

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The Beauty Of A Poem

The beauty of a poem
The beauty of music
The beauty of light
The beauty of life
The beauty which makes us want to live life more
The beauty which pains us inside
The beauty in longing.
The beauty we come upon by surprise
The beauty of the day and the beauty of the night
The beauty we all have inside us
The beauty we can see and feel and never explain
The beauty that lifts us up
The beauty that makes us want to live more
The beauty that makes us reach out to God
The beauty we want to thank God for
The beauty of lilacs
The beauty of autumn leaves
The beauty of the people we love
The beauty that pervades life
The beauty that turns away from us
And will not let us be a part of it
The beauty we hold on to fragilely
As a driven leaf
The beauty the beauty the beauty
Oh life oh God of goodness oh death
The beauty we can never see
And the Beauty within us all
Oh God
The Beauty in us and Beyond us all.

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Edmund Spenser

A Hymn In Honour Of Beauty

Ah whither, Love, wilt thou now carry me?
What wontless fury dost thou now inspire
Into my feeble breast, too full of thee?
Whilst seeking to aslake thy raging fire,
Thou in me kindlest much more great desire,
And up aloft above my strength dost raise
The wondrous matter of my fire to praise.

That as I erst in praise of thine own name,
So now in honour of thy mother dear,
An honourable hymn I eke should frame,
And with the brightness of her beauty clear,
The ravish'd hearts of gazeful men might rear
To admiration of that heavenly light,
From whence proceeds such soul-enchanting might.

Thereto do thou, great goddess, queen of beauty,
Mother of love, and of all world's delight,
Without whose sovereign grace and kindly duty
Nothing on earth seems fair to fleshly sight,
Do thou vouchsafe with thy love-kindling light
T' illuminate my dim and dulled eyne,
And beautify this sacred hymn of thine:

That both to thee, to whom I mean it most,
And eke to her, whose fair immortal beam
Hath darted fire into my feeble ghost,
That now it wasted is with woes extreme,
It may so please, that she at length will stream
Some dew of grace into my withered heart,
After long sorrow and consuming smart.

WHAT time this world's great Workmaster did cast
To make all things such as we now behold,
It seems that he before his eyes had plac'd
A goodly pattern, to whose perfect mould
He fashion'd them as comely as he could;
That now so fair and seemly they appear,
As nought may be amended anywhere.

That wondrous pattern, wheresoe'er it be,
Whether in earth laid up in secret store,
Or else in heaven, that no man may it see
With sinful eyes, for fear it to deflore,
Is perfect Beauty, which all men adore;
Whose face and feature doth so much excel
All mortal sense, that none the same may tell.

Thereof as every earthly thing partakes
Or more or less, by influence divine,

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Edmund Spenser

An Hymn In Honour Of Beauty

AH whither, Love, wilt thou now carry me?
What wontless fury dost thou now inspire
Into my feeble breast, too full of thee?
Whilst seeking to aslake thy raging fire,
Thou in me kindlest much more great desire,
And up aloft above my strength dost raise
The wondrous matter of my fire to praise.

That as I erst in praise of thine own name,
So now in honour of thy mother dear,
An honourable hymn I eke should frame,
And with the brightness of her beauty clear,
The ravish'd hearts of gazeful men might rear
To admiration of that heavenly light,
From whence proceeds such soul-enchanting might.

Thereto do thou, great goddess, queen of beauty,
Mother of love, and of all world's delight,
Without whose sovereign grace and kindly duty
Nothing on earth seems fair to fleshly sight,
Do thou vouchsafe with thy love-kindling light
T' illuminate my dim and dulled eyne,
And beautify this sacred hymn of thine:

That both to thee, to whom I mean it most,
And eke to her, whose fair immortal beam
Hath darted fire into my feeble ghost,
That now it wasted is with woes extreme,
It may so please, that she at length will stream
Some dew of grace into my withered heart,
After long sorrow and consuming smart.

WHAT time this world's great Workmaster did cast
To make all things such as we now behold,
It seems that he before his eyes had plac'd
A goodly pattern, to whose perfect mould
He fashion'd them as comely as he could;
That now so fair and seemly they appear,
As nought may be amended anywhere.

That wondrous pattern, wheresoe'er it be,
Whether in earth laid up in secret store,
Or else in heaven, that no man may it see
With sinful eyes, for fear it to deflore,
Is perfect Beauty, which all men adore;
Whose face and feature doth so much excel
All mortal sense, that none the same may tell.

Thereof as every earthly thing partakes
Or more or less, by influence divine,

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Z. Comments

CRYSTAL GLOW

Madhur Veena Comment: Who is she? ? ? ? ? ? ? ? ? ? ? ....You write good!

Margaret Alice Comment: Beautiful, it stikes as heartfelt words and touches the heart, beautiful sentiments, sorry, I repeat myself, but I am delighted. Your poem is like the trinkets I collect to adorn my personal space, pure joy to read, wonderful! Only a beautiful mind can harbour such sentiments, you have a beautiful mind. I am glad you have found someone that inspires you to such heights and that you share it with us, you make the world a mroe wonderful place.

Margaret Alice Comment: Within the context set by the previous poem, “Cosmic Probe”, the description of a lover’s adoration for his beloved becomes a universal ode sung to the abstract values of love, joy and hope personified by light, colours, fragrance and beauty, qualities the poet assigns to his beloved, thus elevating her to the status of an uplifting force because she brings all these qualities to his attention. The poet recognises that these personified values brings him fulfilment and chose the image of a love relationship to illustrate how this comes about; thus a love poem becomes the vehicle to convey spiritual epiphany.


FRAGRANT JASMINE

Margaret Alice Comment: Your words seem to be directed to a divine entity, you seem to be addressing your adoration to a divinity, and it is wonderful to read of such sublime sentiments kindled in a human soul. Mankind is always lifted up by their vision and awareness of divinity, thank you for such pure, clear diction and sharing your awareness of the sublime with us, you have uplifted me so much by this vision you have created!

Margaret Alice Comment: The poet’s words seem to be directed to a divine entity, express adoration to a divinity who is the personification of wonderful qualities which awakens a sense of the sublime in the human soul. An uplifting vision and awareness of uplifting qualities of innocence represented by a beautiful person.


I WENT THERE TO BID HER ADIEU

Kente Lucy Comment: wow great writing, what a way to bid farewell

Margaret Alice Comment: Sensory experience is elevated by its symbolical meaning, your description of the scene shows two souls becoming one and your awareness of the importance of tempory experience as a symbol of the eternal duration of love and companionship - were temporary experience only valid for one moment in time, it would be a sad world, but once it is seen as a symbol of eternal things, it becomes enchanting.


I’M INCOMPLETE WITHOUT YOU

Margaret Alice Comment: You elevate the humnan experience of longing for love to a striving for sublimity in uniting with a beloved person, and this poem is stirring, your style of writing is effective, everything flows together perfectly.

Margaret Alice Comment:

'To a resplendent glow of celestial flow
And two split halves unite never to part.'

Reading your fluent poems is a delight, I have to tear myself away and return to the life of a drudge, but what a treasure trove of jewels you made for the weary soul who needs to contemplate higher ideals from time to time!


IN CELESTIAL WINGS

Margaret Alice Comment: When you describe how you are strengthened by your loved one, it is clear that your inner flame is so strong that you need not fear growing old, your spirit seems to become stronger, you manage to convey this impression by your striking poetry. It is a privilege to read your work.

Obed Dela Cruz Comment: wow.... i remembered will shakespeare.... nice poem!

Margaret Alice Comment: The poet has transcended the barriers of time and space by becoming an image of his beloved and being able to find peace in the joy he confers to his beloved.

'You transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.'

Margaret Alice Comment: You are my peace and solace, I know, I am, yours too; A mere flash of your thoughts Enlivens my tired soul And fills me with light, peace and solace, A giant in new world, I become, I rise to divine heights in celestial wings. How I desire to reciprocate To fill you with light and inner strength raise you to divine heights; I must cross over nd hold you in arms, light up your soul, Fill you with strength from my inner core, Wipe away your tears burst out in pure joy How I yearn to instill hope and confidence in you we never part And we shall wait, till time comes right. the flame in my soul always seeks you, you transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.


RAGING FIRE

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