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Gimme Gimme Gimme

Half past twelve
And I'm watching the late show in my flat all alone
How I hate to spend the evening on my own
Autumn winds
Blowing outside my window as I look around the room
And it makes me so depressed to see the gloom
There's not a soul out there
No one to hear my prayer
Gimme gimme gimme a man after midnight
Won't somebody help me chase the shadows away
Gimme gimme gimme a man after midnight
Take me through the darkness to the break of the day
Movie stars
Find the end of the rainbow, with a fortune to win
It's so different from the world I'm living in
Tired of T.V.
I open the window and I gaze into the night
But there's nothing there to see, no one in sight
There's not a soul out there
No one to hear my prayer
Gimme gimme gimme a man after midnight
Won't somebody help me chase the shadows away
Gimme gimme gimme a man after midnight
Take me through the darkness to the break of the day
Gimme gimme gimme a man after midnight...
Gimme gimme gimme a man after midnight...
There's not a soul out there
No one to hear my prayer
Gimme gimme gimme a man after midnight
Won't somebody help me chase the shadows away
Gimme gimme gimme a man after midnight
Take me through the darkness to the break of the day
Gimme gimme gimme a man after midnight
Won't somebody help me chase the shadows away
Gimme gimme gimme a man after midnight
Take me through the darkness to the break of the day

song performed by ABBA
Added by Lucian Velea
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Prayer Changes

Somebody just look back over your life and
See where he brought you from
How many of you know?
Prayer changes (I heard that)
Prayer changes (I believe that)
Prayer changes (I know that)
Prayer changes things
Prayer changes (I heard that)
Prayer changes (I believe that)
Prayer changes (I know that)
Prayer changes things
Now I was in a real bad abusive relationship
Knowing that that was no way for me to live
A young girl like me, raised up in a good family
Way too young to endure such misery
And every night I cry myself to sleep from all the pain
And the more I prayed for sunny days it seemed to rain
(He'd hit me) at any given time
(He'd hit me) no reason at all
(He'd hit me) so, so hard
(He'd hit me) my God, sometimes I'd fall
Mama asked what happened to me
And I'd take up for him
She said the devil's a liar
And prayed God get rid of him
And now I'm going to school
Hitting those books I'm doing fine
He's out my life I'm not confused
Got peace of mind man I tell you
Prayer changes (it changes)
Prayer changes (oh it changes)
Prayer changes (I'm a witness)
Prayer changes things (said I know)
Prayer changes (it changes)
Prayer changes (it changes)
Prayer changes (I'm a living witness)
Prayer changes things
I was a freshman in college and uh...
I had just made it on the basketball team (yeah)
I had all the skills it took to make it
But on my grades I would get nothing but all D's (whoa-ah)
And the coach came to me
And had a talk with me about my career
Said if you don't get your grades up
I'm gonna have to sit you down this year
Man as tough as I was I'd break down and cried
'Cause everybody knows me
Knows that basketball is my life
(Algebra) I studied hard
(Chemistry) I gave my all

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song performed by R. Kelly
Added by Lucian Velea
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Gimme! Gimme! Gimme!

(b.andersson / b.ulvaeus)
Half past twelve, and Im watching the late show
In my flat all alone.
How I hate to spend the evening on my own.
Autumn winds blowing outside the window,
As I look around the room,
And it makes me so depressed to see the gloom.
Theres not a soul out there;
No one to hear my prayer...
Gimme, gimme, gimme a man after midnight!
Wont somebody help me chase these shadows away?
Gimme gimme gimme a man after midnight!
Take me through the darkness till the break of the day.
Movie stars, find the end of the rainbow,
With that fortune to win.
Its so different from the world Im living in.
Tired of t.v., I open the window,
And I gaze into the night,
But theres nothing there to see, no one in sight.
Theres not a soul out there, no one to hear my prayer.
Gimme, gimme, gimme a man after midnight!
Wont somebody help me chase the shadows away?
Gimme, gimme, gimme a man after midnight!
Take me through the darkness till the break of the day.
Gimme, gimme, gimme a man after midnight!
Gimme, gimme, gimme a man after midnight!
Theres not a soul out there, no one to hear my prayer.
Gimme, gimme, gimme a man after midnight!
Wont somebody help me chase the shadows away?
Gimme, gimme, gimme a man after midnight!
Take me through the darkness till the break of the day.
Gimme, gimme, gimme a man after midnight!
Wont somebody help me chase the shadows away?
Gimme, gimme, gimme a man after midnight!
Take me through the darkness till the break of the day.
Who needs love like that
Who needs love like that
Theres something going on
Something not quite right
Theres something strange
Happening to me
Theres someone at the door
Hear voices in my head
It seems things arent the way
They ought to be
Who needs love like that
Who needs love like that
It seemed so clear before
I held my point of view
I kept my conversation

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song performed by Erasure
Added by Lucian Velea
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Hot Ride

You hear me
You hear me
You hear me
Up, up and away in my beautiful, my beautiful
Up, up and away in my beautiful, my beautiful balloon
Up, up and away in my beautiful, my beautiful balloon
Now get out.
Gimme, gimme, gimme, gimme, gimme, gimme, gimme
Gimme, gimme, gimme, gimme, gimme, gimme, gimme a ride
Gimme, gimme, gimme, gimme, gimme, gimme, gimme
Gimme, gimme, gimme, gimme, gimme, gimme, gimme a ride
Hotride in my air balloon
Skipping fast right around the moon
On a bullet train out of town
Walkie-talkie, one hand down
You hear me
You hear me
Up, up and away in my beautiful, my beautiful
Up, up and away in my beautiful, my beautiful balloon
Up, up and away in my beautiful, my beautiful balloon
I push you out
Gimme, gimme, gimme, gimme, gimme, gimme, gimme
Gimme, gimme, gimme, gimme, gimme, gimme, gimme a ride
Gimme, gimme, gimme, gimme, gimme, gimme, gimme
Gimme, gimme, gimme, gimme, gimme, gimme, gimme a ride
Hotride in my air balloon
Skipping fast right around the moon
On a bullet train out of town
Walkie-talkie, one hand down
Hotride in my air balloon
Skipping fast right around the moon
Minds made up
Theirs no luck when time leaves you
Hotride in my air balloon
Skipping fast right around the moon
Time's made up
Theirs no luck when time leaves you
You gotta push it!
Push it!
You gotta push it!
Push it!
You gotta push it!
Push it!
You gotta push it! (On my air balloon)
Push it! (On my air balloon)
You gotta push it!

song performed by Prodigy
Added by Lucian Velea
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

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poem by Conrad Potter Aiken
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Gimme

I know all your desires
Your heart is so full of pain
Is there something I can provide
When you feel like life's passed you by

I'm on your side
Gimme this gimme that
Gimme this gimme that
Gimme this gimme that
Gimme this gimme that
Gimme this gimme that
Gimme this gimme that
Gimme this gimme that
Gimme this gimme that

Please don't ask me my name
Does it matter I'm just here for you
Trust me just let yourself go
And that's all you need to know

I'm on your side
Sincerely
I'm your only friend
Yes I'm on your side
Sincerely

Don't you wish you had it all
Don't you deserve to have it all
Kneel down and tell me what you need

Fame and money all for you
I can make your every dream come true

Gimme this gimme that
Gimme this gimme that
Gimme this gimme that
Gimme this gimme that
Gimme this gimme that
Gimme this gimme that
Gimme this gimme that
Gimme this gimme that

Tell me whose more important than you
You're the apple of my ancient ties
How could the world be so cruel
I'll make you my own precious jewel

I'm on your side
Sincerely
I'm the only one that cares

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song performed by Alice Cooper from Brutal Planet
Added by Lucian Velea
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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poem by Robinson Jeffers
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Gimme Your Love

[got to gimme your love]
[got to give it up]
[got to gimme your love]
[just cant get enough]
I said gimme the love that I need so bad
cause girl, without you im, oh, so sad
I never want to be without you
Without you, girl, I dont know what id do
[got to gimme your love]
[got to give it up]
[got to gimme your love]
[just cant get enough]
Gimme your love, I want it
Gimme your love, I need it
Gimme your love, I want it
Gimme your love
You are the one for me now, baby
And im the one for you
Whenever im without you, darlin
I dont know what to do
You got me, girl (you got me, girl)
You know it (you know it)
You got me, girl (you got me, girl)
Dont blow it (dont blow it)
I got to tell you just how I feel
cause all these feelings are all for real
Gimme your love (gimme your love), I want it (I want it)
Gimme your love (gimme your love), I need it (I need it)
Gimme your love (and gimme your love), I want it (I want it)
Gimme your love (and gimme your love) [i got to have your love]
Every night and every day, my baby
Im thinkin of you
I would die if you left me, darlin
[tell me] oh, what should I do
You got me, girl (you got me, girl)
You know it (you know it)
You got me, girl (you got me, girl)
Dont blow it (dont blow it)
I just got to let you know
I could never let you go
Gimme your love (gimme your love), I want it (I want it)
Gimme your love (and gimme your love), I need it (I need it)
Gimme your love (gimme your love), I want it (I want it)
Gimme your love (gimme your love)
I said gimme the love that I need so bad
cause girl, without you im, oh, so sad
I never want to be without you
Without you, girl, I dont know what id do
If I had the world, girl, id give it to you
I promise that I will always be true

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song performed by New Edition
Added by Lucian Velea
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Gimmie Gimmie Gimmie

Gimme, gimme, gimme, gimme
I need it more
I need it more
Gimme, gimme, gimme, gimme
Don't ask what for
Don't ask what for
Sitting here like a loaded gun
Waiting to go off
I've got nothing to do
But shoot my mouth off
Gimme, gimme, gimme, gimme
I need it more
I need it more
Gimme, gimme, gimme, gimme
Don't ask what for
Don't ask what for
I know the worlds got problems
I've got problems of my own
They aint the kind that
Can be solved with an
Atom bomb!
Gimme, gimme, gimme, gimme
I need it more
I need it more
Gimme, gimme, gimme, gimme
Don't ask what for
Don't ask what for
You know I'm gonna go out
Get something for my head
If I keep on doing this
I'm gonna end up dead
Gimme, gimme, gimme, gimme
I need it more
I need it more
Gimme, gimme, gimme, gimme
Don't ask what for
Don't ask what for
Gimme, gimme, gimme, gimme
I need it more
I need it more
Gimme, gimme, gimme, gimme
Don't ask what for
Don't ask what for

song performed by A Perfect Circle
Added by Lucian Velea
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The Loves of the Angels

'Twas when the world was in its prime,
When the fresh stars had just begun
Their race of glory and young Time
Told his first birth-days by the sun;
When in the light of Nature's dawn
Rejoicing, men and angels met
On the high hill and sunny lawn,-
Ere sorrow came or Sin had drawn
'Twixt man and heaven her curtain yet!
When earth lay nearer to the skies
Than in these days of crime and woe,
And mortals saw without surprise
In the mid-air angelic eyes
Gazing upon this world below.

Alas! that Passion should profane
Even then the morning of the earth!
That, sadder still, the fatal stain
Should fall on hearts of heavenly birth-
And that from Woman's love should fall
So dark a stain, most sad of all!

One evening, in that primal hour,
On a hill's side where hung the ray
Of sunset brightening rill and bower,
Three noble youths conversing lay;
And, as they lookt from time to time
To the far sky where Daylight furled
His radiant wing, their brows sublime
Bespoke them of that distant world-
Spirits who once in brotherhood
Of faith and bliss near ALLA stood,
And o'er whose cheeks full oft had blown
The wind that breathes from ALLA'S throne,
Creatures of light such as still play,
Like motes in sunshine, round the Lord,
And thro' their infinite array
Transmit each moment, night and day,
The echo of His luminous word!

Of Heaven they spoke and, still more oft,
Of the bright eyes that charmed them thence;
Till yielding gradual to the soft
And balmy evening's influence-
The silent breathing of the flowers-
The melting light that beamed above,
As on their first, fond, erring hours,-
Each told the story of his love,
The history of that hour unblest,
When like a bird from its high nest

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poem by Thomas Moore
Added by Poetry Lover
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The Door Of Humility

ENGLAND
We lead the blind by voice and hand,
And not by light they cannot see;
We are not framed to understand
The How and Why of such as He;

But natured only to rejoice
At every sound or sign of hope,
And, guided by the still small voice,
In patience through the darkness grope;

Until our finer sense expands,
And we exchange for holier sight
The earthly help of voice and hands,
And in His light behold the Light.

I

Let there be Light! The self-same Power
That out of formless dark and void
Endued with life's mysterious dower
Planet, and star, and asteroid;

That moved upon the waters' face,
And, breathing on them His intent,
Divided, and assigned their place
To, ocean, air, and firmament;

That bade the land appear, and bring
Forth herb and leaf, both fruit and flower,
Cattle that graze, and birds that sing,
Ordained the sunshine and the shower;

That, moulding man and woman, breathed
In them an active soul at birth
In His own image, and bequeathed
To them dominion over Earth;

That, by whatever is, decreed
His Will and Word shall be obeyed,
From loftiest star to lowliest seed;-
The worm and me He also made.

And when, for nuptials of the Spring
With Summer, on the vestal thorn
The bridal veil hung flowering,
A cry was heard, and I was born.

II

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poem by Alfred Austin
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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Forest Sanctuary - Part I.

I.
The voices of my home!-I hear them still!
They have been with me through the dreamy night-
The blessed household voices, wont to fill
My heart's clear depths with unalloy'd delight!
I hear them still, unchang'd:-though some from earth
Are music parted, and the tones of mirth-
Wild, silvery tones, that rang through days more bright!
Have died in others,-yet to me they come,
Singing of boyhood back-the voices of my home!

II.
They call me through this hush of woods, reposing
In the grey stillness of the summer morn,
They wander by when heavy flowers are closing,
And thoughts grow deep, and winds and stars are born;
Ev'n as a fount's remember'd gushings burst
On the parch'd traveller in his hour of thirst,
E'en thus they haunt me with sweet sounds, till worn
By quenchless longings, to my soul I say-
Oh! for the dove's swift wings, that I might flee away,

III.
And find mine ark!-yet whither?-I must bear
A yearning heart within me to the grave.
I am of those o'er whom a breath of air-
Just darkening in its course the lake's bright wave,
And sighing through the feathery canes -hath power
To call up shadows, in the silent hour,
From the dim past, as from a wizard's cave!-
So must it be!-These skies above me spread,
Are they my own soft skies?-Ye rest not here, my dead!

IV.
Ye far amidst the southern flowers lie sleeping,
Your graves all smiling in the sunshine clear,
Save one!-a blue, lone, distant main is sweeping
High o'er one gentle head-ye rest not here!-
'Tis not the olive, with a whisper swaying,
Not thy low ripplings, glassy water, playing
Through my own chesnut groves, which fill mine ear;
But the faint echoes in my breast that dwell,
And for their birth-place moan, as moans the ocean-shell.

V.
Peace!-I will dash these fond regrets to earth,
Ev'n as an eagle shakes the cumbering rain
From his strong pinion. Thou that gav'st me birth,
And lineage, and once home,-my native Spain!
My own bright land-my father's land-my child's!

[...] Read more

poem by Felicia Dorothea Hemans
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Gimme Love

(myles goodwyn/johnny hagopian)
Published by goody two tunes, inc. - bmi
Needin you, wonderin what to do
Baby, Ive been away
And even so, maybe I should go
Is there nothin that you wanna say
Just keep it nice, baby whats your price
Cause it looks as though I have to pay
For something clean, only some machine
But she never lets it in her way, no
Gimme love, I need lovin
Gimme love, gimme love
Gimme love, gimme love, oh yeah
Gimme love
Im feelin used, and baby Im amused
Cause theres something that I shoulda done
Like take my time, or used another line
But I had to get on the run
Cant you see, I dont wanna disagree
Theres a chance that we could lose the feel
Lets keep it light, to get us through the night
Do you say you wanna make a deal
Gimme love, gimme lovin
I need love, yes I do
Gimme love, gimme love, oh yeah
Gimme love
Gimme love, gimme love
Gimme love, gimme love
Gimme love, gimme love
Gimme love, gimme love
I need love, gimme love
Gimme love, gimme love, some good lovin
Gimme love, gimme love, I need love (oh yeah)
Gimme love
Gimme love, gimme love, oh yeah
Gimme love, gimme love, I need love
Gimme love, gimme love, oh yeah
Gimme love
Gimme love, gimme love
Gimme love, gimme love

song performed by April Wine
Added by Lucian Velea
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Water

The foreman over there hates the gang,
The foreman over there hates the gang,
The poor people on the farms get it so rough,
The poor people on the farms get it so rough,
Truck drivers drive like the devil,
Truck drivers drive like the devil,
The policemen theyre acting so tough.
The policemen theyre acting so tough.
They need water,
They need water,
Good water,
Good water,
They need water,
They need water,
And Im sure there isnt one of us here
And Im sure there isnt one of us here
Whod say no to somebodys daughter.
Whod say no to somebodys daughter.
No, no, no, no, no.
No, no, no, no, no.
The foreman over there hates the gang,
The foreman over there hates the gang,
The poor people on the farms get it so rough,
The poor people on the farms get it so rough,
Truck drivers drive like the devil,
Truck drivers drive like the devil,
The policemen theyre acting so tough.
The policemen theyre acting so tough.
They need water,
They need water,
Good water,
Good water,
They need water,
They need water,
And maybe somebodys daughter.
And maybe somebodys daughter.
Indian lake is burning,
Indian lake is burning,
The new york skyline is hazy,
The new york skyline is hazy,
The river thames is turning dry,
The river thames is turning dry,
The whole world is blazing.
The whole world is blazing.
We need water,
We need water,
Wow yeah good water,
Wow yeah good water,
Ooh we need water,
Ooh we need water,

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song performed by Who
Added by Lucian Velea
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