People do not like to think. If one thinks, one must reach conclusions. Conclusions are not always pleasant.
quote by Helen Keller
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Spectator ab Extra
As I sat in the Café I said to myself,
They may talk as they please about what they call pelf,
They may sneer as they like about eating and drinking,
But help it I cannot, I cannot help thinking
How pleasant it is to have money, heigh-ho!
How pleasant it is to have money.
I sit at my table en grand seigneur,
And when I have done, throw a crust to the poor;
Not only the pleasure itself of good living,
But also the pleasure of now and then giving:
So pleasant it is to have money, heigh-ho!
So pleasant it is to have money.
They may talk as they please about what they call pelf,
And how one ought never to think of one’s self,
How pleasures of thought surpass eating and drinking—
My pleasure of thought is the pleasure of thinking
How pleasant it is to have money, heigh-ho!
How pleasant it is to have money.
II
Le Diner
Come along, ‘tis the time, ten or more minutes past,
And he who came first had to wait for the last;
The oysters ere this had been in and been out;
Whilst I have been sitting and thinking about
How pleasant it is to have money, heigh-ho!
How pleasant it is to have money.
A clear soup with eggs, voilà tout; of the fish
The filets de sole are a moderate dish
A la Orly, but you’re for the red mullet, you say:
By the gods of good fare, who can question today
How pleasant it is to have money, heigh-ho!
How pleasant it is to have money.
After oysters, sauterne; then sherry; champagne,
Ere one bottle goes, comes another again;
Fly up, thou bold cork, to the ceiling above,
And tell to our ears in the sound that they love
How pleasant it is to have money, heigh-ho!
How pleasant it is to have money.
I’ve the simplest of palates; absurd it may be,
But I almost could dine on a poulet-au-riz,
Fish and soup and omelette and that – but the deuce –
There were to be woodcocks, and not Charlotte Russe!
So pleasant it is to have money, heigh-ho!
[...] Read more
poem by Arthur Hugh Clough
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I Cant Reach You
Im a million ages past you
Im a million ages past you
A million years behind you too
A million years behind you too
A thousand miles up in the air
A thousand miles up in the air
A trillion times Ive seen you there
A trillion times Ive seen you there
Your hair is golden, mine is grey
Your hair is golden, mine is grey
You walk on grass, it turns to hay
You walk on grass, it turns to hay
You blood is blue and mine is red
You blood is blue and mine is red
My body strains, but the nerves are dead
My body strains, but the nerves are dead
I cant reach you
I cant reach you
Ive strained my eyes
Ive strained my eyes
I cant reach you
I cant reach you
Ive split my sides
Ive split my sides
I cant reach
I cant reach
Tryin to get on you
Tryin to get on you
See, feel or hear from you
See, feel or hear from you
The distances grow greater now
The distances grow greater now
You drink champagne and past me plow
You drink champagne and past me plow
You fly your plane right over my head
You fly your plane right over my head
Youre still alive and Im nearly dead
Youre still alive and Im nearly dead
I cant reach you
I cant reach you
With arms outstretched
With arms outstretched
I cant reach you
I cant reach you
I crane my neck
I crane my neck
I cant reach
I cant reach
Tryin to get on you
Tryin to get on you
[...] Read more
song performed by Who
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Mr Pleasant
Oh mr pleasant, how is mrs pleasant?
I hope the world is treating you right,
And your heads in the air,
And youre feeling so proud,
cause youre such a success,
And the whole wide world is on your side, hey hey.
How are you today?
People say mr pleasant is good,
Mr pleasant is kind,
Mr pleasants okay,
Mr pleasant dont mind.
As long as mr pleasants all right, hey hey.
How are you today?
Hows your father, hows your mother?
Hows your sister, hows your brother?
Hows your brand, new limousine,
Twenty-four inch tv screen?
Did you like prosperity
More than you liked poverty?
Life is easier, so much easier,
Life is easier now.
Oh mr pleasant, how is mrs pleasant?
Did you know she was flirting around
With another young man,
And hes taking her out
When you have to work late?
And its not so pleasant after all, hey hey.
How are you today?
People say mr pleasant is good,
Mr pleasant is kind,
Mr pleasants okay,
Mr pleasant dont mind.
As long as mr pleasants all right, hey hey.
How are you today?
Mr pleasant is good,
Mr pleasant is kind,
Mr pleasants okay.
song performed by Kinks
Added by Lucian Velea
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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It's Hard To Reach Out To People
Too many people nap and nod.
To awaken to escape or dodge...
Those moments that,
Come and stun.
Those moments that,
Numb some!
Too many people nap and nod.
To awaken to escape or dodge...
Those moments that,
Come and stun.
Those moments that,
Numb some!
It's hard to reach out to people,
Who don't believe in keeping in touch...
With themselves so much.
And it's hard to reach out to people,
Who don't believe in keeping in touch...
But will cuss and fuss.
Too many people nap and nod.
To awaken to escape or dodge...
Those moments that,
Come and stun.
Those moments that,
Numb some!
And it's hard to reach out to people,
Who don't believe in keeping in touch...
But will cuss and fuss.
It's hard to reach out to people,
Who don't believe in keeping in touch...
With themselves so much.
Yes it's hard to reach out to people,
Who don't believe in keeping in touch...
With themselves so much.
And it's hard to reach out to people,
Who don't believe in keeping in touch...
But will cuss and fuss.
It's hard to reach out to people,
Who are out of mind and out of touch.
It's hard to reach out to people,
Who want to cuss and fuss so much.
It's hard to reach out to people,
[...] Read more
poem by Lawrence S. Pertillar
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She Thinks Shes Edith Head
Back in high school I knew a girl
Not too simple and not too kind
We both grew up, but I heard shed changed
From a new wave fan to another kind
She thinks shes edith head
But you might know shes not
The accent in her speech
She didnt have growing up
She thinks shes edith head
Or helen girlie brown
Or some other cultural figure
We dont know a lot about
Its been years since I moved away
But at christmas I come home
And I saw her reflection
In the window of a store
She was talking to herself
Not too simple and not too kind
I walked on by, it was complicated
And it stuck in my mind
She thinks shes edith head
But you might know shes not
The accent in her speech
She didnt have growing up
The accent in her speech
She didnt have growing up
The accent in her speech
She didnt have growing up
She thinks shes edith head
She thinks shes edith head now
She thinks shes edith head
She thinks shes edith head now
She thinks shes edith head
She thinks shes edith head now
She thinks shes edith head
She thinks shes edith head now
song performed by They Might Be Giants
Added by Lucian Velea
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The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
[...] Read more
poem by Conrad Potter Aiken
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All Different, But Still The Same
Some people have short hair, some have long.
Some people have thick hair; some people’s hair is all gone.
Some people have black hair, some have gray.
Some people have brown hair, some blonde, some red.
Some people’s hair a color unsaid.
Some people are short, some people are tall.
Some people will love you; some won’t like you at all.
Some people like hot weather, some like cold.
Some people are timid, some people are bold.
Some people have dark skin, some people have light.
Some people have black skin, some people have white.
Some people eat meat; some won’t touch it at all.
Some people have a good memory, some can’t recall.
Some people accept Christ, some never will.
Some people are stingy, some people give.
Some people like school, some people don’t.
Some people will excel, some people won’t.
Some people smoke cigarettes, some never will.
Some people are honest, some people steal.
Some people have book knowledge;
But don’t know the Holy Book.
Some people burn food, some people can cook.
Some people are old, some people are young.
Some people do smart things, some people do dumb.
Some people just have a diploma
Some people have degrees.
Some people do things slow, some with a breeze.
Some people are complainers, some easy to please.
Some people hate shopping, some stay in the mall.
Some people hate God, but God loves us all.
We are all different, but still the same.
When I get cut, I bleed red;
You get cut, red blood you’ll shed.
Some people are plump, some people are thin.
But we are all the same, we’re all human being.
Copyright © 2010-Phyllis Strong
poem by Phyllis Strong
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I can make change just to reach out
I can make change just to reach out
To reach out to somebody hands
I can make a change reach out openly to opponent
I can make a change we can be friends
I can make a change reach out for love
I can make a change reach out reach for Peace
Reach out and said Hello
Reach out and said how you do
Reach out and said you beautiful
Reach and said I love you people
Reach out, hugs one nearest to you
And give a hugs to everybody
Reach out, and touch both hands
And feel their faces
Feel is feel he is good, feel it feel she is nice
Reach out it a beautiful thing to do
and scream out loud
Show some sincerity
I love you all people
Reach out, reach out
You will see beautiful in life
Beautiful in life: SEE
poem by See Fee Lee
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Canto the First
I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.
II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.
III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.
IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.
V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.
[...] Read more
poem by Byron from Don Juan (1824)
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Canto the Second
I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.
II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.
III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.
IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.
V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:
[...] Read more
poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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Temora - Book II
ARGUMENT.
This book opens, we may suppose, about midnight, with a soliloquy of Ossian, who had retired from the rest of the army, to mourn for his son Oscar. Upon hearing the noise of Cathmor's army approaching, he went to find out his brother Fillan, who kept the watch on the hill of Mora, in the front of Fingal's army. In the conversation of the brothers, the episode of Conar, the son of Trenmor, who was the first king of Ireland, is introduced, which lays open the origin of the contests between the Gael and the Fir-bolg, the two nations who first possessed themselves of that island. Ossian kindles a fire on Mora: upon which Cathmor desisted from the design he had formed of surprising the army of the Caledonians. He calls a council of his chiefs: reprimands Foldath for advising a night attack, as the Irish were so much superior in number to the enemy. The bard Fonar introduces the story of Crothar, the ancestor of the king, which throws further light on the history of Ireland, and the original pretensions of the family of Atha to the throne of that kingdom. The Irish chiefs lie down to rest, and Cathmor himself undertakes the watch. In his circuit round the army he is met by Ossian. The interview of the two heroes is described. Cathmor obtains a promise from Ossian to order a funeral elegy to be sung over the grave of Cairbar: it being the opinion of the times, that the souls of the dead could not be happy till their elegies were sung by a bard. Morning comes. Cathmor and Ossian part; and the latter, casually meeting with Carril the son of Kinfena, sends that bard, with a funeral song, to the tomb of Cairbar.
FATHER of heroes! O Trenmor! High dweller of eddying winds! where the dark-red thunder marks the troubled clouds! Open thou thy stormy halls. Let the bards of old be near. Let them draw near with songs and their half viewless harps. No dweller of misty valley comes! No hunter unknown at his streams! It is the car-borne Oscar, from the field of war. Sudden is thy change, my son, from what thou wert on dark Moi-lena! The blast folds thee in its skirt, and rustles through the sky! Dost thou not behold thy father, at the stream of night? The chiefs of Morven sleep far distant. They have lost no son! But ye have lost a hero, chiefs of resounding Morven! Who could equal his strength, when battle rolled against his side, like the darkness of crowded waters? Why this cloud on Ossian's soul? It ought to burn in danger. Erin is near with her host. The king of Selma is alone. Alone thou shalt not be, my father, while I can lift the spear!
I rose in all my arms. I rose and listened to the wind. The shield of Fillan is not heard. I tremble for the son of Fingal. "Why should the foe come by night? Why should the dark-haired warrior fall?" Distant, sullen murmurs rise; like the noise of the lake of Lego, when its waters shrink, in the days of frost, and all its bursting ice resounds. The people of Lara look to heaven, and foresee the storm! My steps are forward on the heath. The spear of Oscar is in my hand? Red stars looked from high. I gleamed along the night.
I saw Fillan silent before me, bending forward from Mora's rock. He heard the shout of the foe. The joy of his soul arose. He heard my sounding tread, and turned his lifted spear. "Comest thou, son of night, in peace? Or dost thou meet my wrath? The foes of Fingal are mine. Speak, or fear my steel. I stand not, in vain, the shield of Morven's race." "Never mayest thou stand in vain, son of blue-eyed Clatho! Fingal begins to be alone. Darkness gathers on the last of his days. Yet he has two sons who ought to shine in war. Who ought to be two beams of light, near the steps of his departure."
"Son of Fingal," replied the youth, "it is not long since I raised the spear. Few are the marks of my sword in war. But Fillan's soul is fire! The chiefs of Bolga crowd around the shield of generous Cathmor. Their gathering is on the heath. Shall my steps approach their host? I yielded to Oscar alone in the strife of the race of Cona!"
"Fillan, thou shalt not approach their host; nor fall before thy fame is known. My name is heard in song; when needful, I advance. From the skirts of night I shall view them over all their gleaming tribes. Why, Fillan, didst thou speak of Oscar? Why awake my sigh! I must forget the warrior, till the storm is rolled away. Sadness ought not to dwell in danger, nor the tear in the eye of war. Our fathers forgot their fallen sons, till the noise of arms was past. Then sorrow returned to the tomb, and the song of bards arose. The memory of those who fell quickly followed the departure of war: when the tumult of battle is past, the soul in silence melts away for the dead.
"Conar was the brother of Trathal, first of mortal men. His battles were on every coast. A thousand streams rolled down the blood of. his foes. His fame filled green Erin, like a pleasant gale. The nations gathered in Ullin, and they blessed the king; the king of the race of their fathers, from the land of Selma.
"The chiefs of the south were gathered, in the darkness of their pride. In the horrid cave of Moma they mixed their secret words. Thither often, they said, the spirits of their fathers came; showing their pale forms from the chinky rocks; reminding them of the honor of Bolga. 'Why should Conar reign,' they said, 'the son of resounding Morven?'
"They came forth, like the streams of the desert, with the roar of their hundred tribes. Cona was a rock before them: broken, they rolled on every side. But often they returned, and the sons of Selma fell. The king stood, among the tombs of his warriors. He darkly bent his mournful face. His soul was rolled into itself: and he had marked the place where he was to fall: when Trathal came, in his strength, his brother from cloudy Morven. Nor did he come alone. Colgar was at his side: Colgar the son of the king and of white-bosomed Solin-corma.
"As Trenmor, clothed with meteors, descends from the halls of thunder, pouring the dark storm before him over the troubled sea: so Colgar descended to battle, and wasted the echoing field. His father rejoiced over the hero: but an arrow came! His tomb was raised without a tear. The king was to revenge his son. He lightened forward in battle, till Bolga yielded at her streams!
"When peace returned to the land: when his blue waves bore the king to Morven: then he remembered his son, and poured the silent tear. Thrice did the bards, at the cave of Furmono, call the soul of Colgar. They called him to the hills of his land. He heard them in his mist. Trathal placed his sword in the cave, that the spirit of his son might rejoice."
"Colgar, son of Trathal," said Fillan, "thou wert renowned in youth! but the king hath not marked my sword, bright streaming on the field. I go forth with the crowd. I return without my fame. But the foe approaches, Ossian! I hear their murmur on the heath. The sound of their steps is like thunder, in the bosom of the ground, when the rocking hills shake their groves, and not a blast pours from the darkened sky!"
Ossian turned sudden on his spear. He raised the flame of an oak on high. I spread it large on Mora's wind. Cathmor stopt in his course. Gleaming he stood, like a rock, on whose sides are the wandering blasts; which seize its echoing streams, and clothe them with ice. So stood the friend of strangers! The winds lift his heavy locks. Thou art the tallest of the race of Erin, king of streamy Atha!
"First of bards" said Cathmor, "Fonar, call the chiefs of Erin. Call red-haired Cormar: dark-browed Malthos: the sidelong-looking gloom of Maronnan. Let the pride of Foldath appear. The red-rolling eye of Turlotho. Nor let Hidalla be forgot; his voice, in danger, is the sound of a shower, when it falls in the blasted vale, near Atha's falling stream. Pleasant is its sound on the plain, whilst broken thunder travels over the sky!"
They came in their clanging arms. They bent forward to his voice, as if a spirit of their fathers spoke from a cloud of night. Dreadful shone they to the light, like the fall of the stream of Bruno, when the meteor lights it, before the nightly stranger. Shuddering he stops in his journey, and looks up for the beam of the morn!
"Why delights Foldath," said the king, "to pour the blood of foes by night? Fails his arm in battle, in the beams of day? Few are the foes before us; why should we clothe us in shades? The valiant delight to shine in the battles of their land! Thy counsel was in vain, chief of Moma! The eyes of Morven do not sleep. They are watchful as eagles on their mossy rocks. Let each collect beneath his cloud the strength of his roaring tribe. To-morrow I move, in light, to meet the foes of Bolga! Mighty was he that is low, the race of Borbar-duthul!"
"Not unmarked," said Foldath, "were my steps be. fare thy race. In light, I met the foes of Cairbar. The warrior praised my deeds. But his stone was raised without a tear! No bard sung over Erin's king. Shall his foes rejoice along their mossy hills? No they must not rejoice! He was the friend of Foldath. Our words were mixed, in secret, in Moma's silent cave; whilst thou, a boy in the field, pursued'st the thistle's beard. With Moma's sons I shall rush abroad, and find the foe on his dusky hills. Fingal shall die without his song, the gray-haired king of Selma."
" Dost thou think, thou feeble man," replied Cathmor, half enraged: "Dost thou think Fingal can fail, without his fame, in Erin? Could the bards be silent at the tomb of Selma's king; the song would burst in secret! the spirit of the king would rejoice! It is when thou shalt fall, that the bard shall forget the song. Thou art dark, chief of Moma, though thine arm is a tempest in war. Do I forget the king of Erin, in his narrow house? My soul is not lost to Cairbar, the brother of my love! I marked the bright beams of joy which travelled over his cloudy mind, when I returned, with fame, to Atha of the streams."
Tall they removed, beneath the words of the king. Each to his own dark tribe; where, humming, they rolled on the heath, faint-glittering to the stars: like waves in a rocky bay, before the nightly wind. Beneath an oak lay the chief of Atha. His shield, a dusky round, hung high. Near him, against a rock, leaned the fair stranger of Inis-huna: that beam of light, with wandering locks, from Lumon of the roes. At a distance rose the voice of Fonar, with the deeds of the days of old. The song fails, at times, in Lubar's growing roar.
"Crothar," began the bard, first dwelt at Atha's mossy stream! A thousand oaks, from the mountains, formed his echoing hail. The gathering of the people
was there, around the feast of the blue-eyed king. But who, among his chiefs, was like the stately Crothar? Warriors kindled in his presence. The young sigh of the virgins rose. In Alnecma was the warrior honored: the first of the race of Bolga.
"He pursued the chase in Ullin: on the moss-covered top of Drumardo. From the wood looked the daughter of Cathmin, the blue-rolling eye of Con-láma. Her sigh rose in secret. She bent her head, amidst her wandering locks. The moon looked in, at night, and saw the white tossing of her arms; for she thought of the mighty Crothar in the season of dreams.
"Three days feasted Crothar with Cathmin. On the fourth they awaked the hinds. Con-láma moved to the chase, with all her lovely steps. She met Crothar in the narrow path. The bow fell at once from her hand. She turned her face away, and half hid it with her locks. The love of Crothar rose. He brought the white-bosomed maid to Atha. Bards raised the song in her presence. Joy dwelt round the daughter of Cathmin.
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poem by James Macpherson
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The Rhythm Of The Saints
If I have weaknesses
Dont let them blind me
Or camouflage all I am wary of
I could be sailing in seizures of laughter
Or crawling out from under the heel of love
Do my prayers remain unanswered
Like a beggar at your sleeve
Olodumare is smiling in heaven
Smiling in heaven I do believe
Reach in the darkness
A reach in the dark
Reach in the darkness
A reach in the dark
To overcome an obstacle or an enemy
To glide away from the razor or a knife
To overcome an obstacle or an enemy
To dominate the impossible in your life
Always a stranger when strange isnt fashionable
And fashion is rich people waving at the door
Or its a dealer in drugs or in passion
Lies of a nature weve heard before
Do my prayers remain unanswered
Like a beggar at your sleeve
Balalu-aye spins on his crutches
Says leave if you want
If you want to leave
Reach in the darkness
A reach in the dark
A reach in the darkness
Reach in the dark
To overcome an obstacle or an enemy
To glide away from the razor or a knife
To overcome an obstacle or an enemy
To dominate the impossible in your life
Reach in the darkness
A reach in the dark
Reach in the darkness
A reach in the dark
To overcome an obstacle or an enemy
To dominate the impossible in your life
Reach in the darkness
A reach in the dark
song performed by Paul Simon
Added by Lucian Velea
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Virginia's Story
Elizabeth Gates-Wooten is my Grand mom.
She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.
When she was old enough she got married.
First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.
Agnes was my mother.
Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.
Then they moved to West Virginia in the United States.
Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.
Anna was a maid and cook.
She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth
They were both good cooks
They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.
My moms name was Agnes Barrie Gates.
She married James Wright and moved to Cleveland.
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poem by Talile Ali
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Gracie
Gracie takes the bottles from the porch where you have left them
There are age old dregs of wine you never shared
Drivin' down the motorway with all the best intentions
She's a picture of perfection with her cotton colored hair
But its you she thinks of in the hours while she's awake
She takes her lipstick from her case to make a smile
You she thinks of when she thinks of her mistakes
Regret's an open road that stretches out for miles
Coffee pots and bottles cups and all of this disorder
She soaks the plates in the dishwater 'till it's cold
Her reflection in the windows of the stores around the corner
Walk beside her while she's striding down the road
But its you she thinks of in the hours while she's awake
She takes her lipstick from her case to make a smile
You she thinks of when she thinks of her mistakes
Regret's an open road that stretches out for miles
La la la la la
But its you she thinks of in the hours while she's awake
She takes her lipstick from her case to make a smile
You she thinks of when she thinks of her mistakes
Regret's an open road that stretches out for miles
song performed by Bic Runga
Added by Lucian Velea
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She Thinks My Tractor's Sexy
Plowin' these fields in the hot summer sun
Over by the gate lordy here she comes
With a basket full of chicken and a big cold jug of sweet tea
I make a little room and she climbs on up
Open up a throttle and stir a little dust
Just look at her face she ain't a foolin' me
She thinks my tractor's sexy
It really turns her on
She's always starin' at me
While I'm chuggin' along
She likes the way it's pullin' while we're tillin' up the land
She's even kind of crazy 'bout my farmer's tan
She's the only one who really understands what gets me
She thinks my tractor's sexy
We ride back and forth 'til we run out of light
Take it to the barn put it up for the night
Climb up in the loft sit and talk with the radio on
She said she's got a dream and I asked what it is
She wants a little farm and a yard full of kids
One more teeny weeny ride before take her home
She thinks my tractor's sexy
It really turns her on
She's always starin' at me
While I'm chuggin' along
She likes the way it's pullin' while we're tillin' up the land
She's even kind of crazy 'bout my farmer's tan
She's the only one who really understands what gets me
She thinks my tractor's sexy
Well she ain't into cars or pickup trucks
But if it runs like a Deere man her eyes light up
She thinks my tractor's
She thinks my tractor's sexy
It really turns her on
She's always starin' at me
While I'm chuggin' along
She likes the way it's pullin' while we're tillin' up the land
She's even kind of crazy 'bout my farmer's tan
She's the only one who really understands what gets me
She thinks my tractor's sexy
She thinks my tractor's sexy
She thinks my tractor's sexy
song performed by Kenny Chesney from Everywhere We Go
Added by Lucian Velea
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She Thinks My Tractors Sexy
(paul overstreet/jim collins)
Plowing these fields in the hot summer sun
Over by the gate lordy here she comes
With a basket full of chicken and a big cold jug of sweet tea
I make a little room and she climbs on up
Open up a throttle and stir a little dust
Just look at her face she aint a foolin me
She thinks my tractors sexy
It really turns her on
Shes always staring at me
While Im chuggin along
She likes the way its pullin while were tillin up the land
Shes even kind of crazy bout my farmers tan
Shes the only one who really understands what gets me
She thinks my tractors sexy
We ride back and forth until we run out of light
Take it to the barn put it up for the night
Climb up in the loft sit and talk with the radio on
She said shes got a dream and I asked what it is
She wants a little farm and a yard full of kids
One more teeny weeny ride before take her home
She thinks my tractors sexy
It really turns her on
Shes always staring at me
While Im chuggin along
She likes the way its pullin while were tillin up the land
Shes even kind of crazy bout my farmers tan
Shes the only one who really understands what gets me
She thinks my tractors sexy
Well she aint into cars or pick up trucks
But if it runs like a deere man her eyes light up
She thinks my tractors....
She thinks my tractors sexy
It really turns her on
Shes always staring at me
While Im chuggin along
She likes the way its pullin while were tillin up the land
Shes even kind of crazy bout my farmers tan
Shes the only one who really understands what gets me
She thinks my tractors sexy
She thinks my tractors sexy
She thinks my tractors sexy
song performed by Kenny Chesney
Added by Lucian Velea
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Some People
Some people seem to have it all
Some people always have to crawl
Some people pay to be abused
Some people end up destitute
Some people search their souls for truth
Some people try to be of use
Some people pray before they kill
Some people kill just for the thrill
Some people follow one mans vision, some others die on television
Some people build their homes on sand, some people live in garbage cans
Some people think that live is dear, some people hope the end is near
Some people fight for right to life, some people hate to stay alive
Some people dream of life on mars, some people end their life in cars
Some people throw their lives away, some others go on holidays
Some people live and love in vain, some people dont and go insane
Some people always need to win, some other people love to sin
Some people breaking all their vows, some people slashing sacred cows
Some people like to worship stars, some people think the worlds a farce
Some people try to make ends meet, some others end up kissing feet
Some people find their holy grail, some other people go to hell
Some people never catch their breath, some people drink themselves to death
Some people seem to have it all, some people always have to crawl
Some people pay to be abused, some people end up destitute
Some people search their souls for truth
Some people try to be of use
Some people
!
Gold/ocean/1994
song performed by Alphaville
Added by Lucian Velea
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