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No Muse

My mind is an empty echoing hall
with sounds bouncing off
it's grey brains walls
There is no muse for inspiration
and romanticizing verse
is like constipation.

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Charles Baudelaire

Beowulf

LO, praise of the prowess of people-kings
of spear-armed Danes, in days long sped,
we have heard, and what honor the athelings won!
Oft Scyld the Scefing from squadroned foes,
from many a tribe, the mead-bench tore,
awing the earls. Since erst he lay
friendless, a foundling, fate repaid him:
for he waxed under welkin, in wealth he throve,
till before him the folk, both far and near,
who house by the whale-path, heard his mandate,
gave him gifts: a good king he!
To him an heir was afterward born,
a son in his halls, whom heaven sent
to favor the folk, feeling their woe
that erst they had lacked an earl for leader
so long a while; the Lord endowed him,
the Wielder of Wonder, with world's renown.
Famed was this Beowulf: far flew the boast of him,
son of Scyld, in the Scandian lands.
So becomes it a youth to quit him well
with his father's friends, by fee and gift,
that to aid him, aged, in after days,
come warriors willing, should war draw nigh,
liegemen loyal: by lauded deeds
shall an earl have honor in every clan.
Forth he fared at the fated moment,
sturdy Scyld to the shelter of God.
Then they bore him over to ocean's billow,
loving clansmen, as late he charged them,
while wielded words the winsome Scyld,
the leader beloved who long had ruled….
In the roadstead rocked a ring-dight vessel,
ice-flecked, outbound, atheling's barge:
there laid they down their darling lord
on the breast of the boat, the breaker-of-rings,
by the mast the mighty one. Many a treasure
fetched from far was freighted with him.
No ship have I known so nobly dight
with weapons of war and weeds of battle,
with breastplate and blade: on his bosom lay
a heaped hoard that hence should go
far o'er the flood with him floating away.
No less these loaded the lordly gifts,
thanes' huge treasure, than those had done
who in former time forth had sent him
sole on the seas, a suckling child.
High o'er his head they hoist the standard,
a gold-wove banner; let billows take him,
gave him to ocean. Grave were their spirits,
mournful their mood. No man is able

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

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Byron

English Bards and Scotch Reviewers: A Satire

'I had rather be a kitten, and cry mew!
Than one of these same metre ballad-mongers'~Shakespeare

'Such shameless bards we have; and yet 'tis true,
There are as mad, abandon'd critics too,'~Pope.


Still must I hear? -- shall hoarse Fitzgerald bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch reviews
Should dub me scribbler, and denounce my muse?
Prepare for rhyme -- I'll publish, right or wrong:
Fools are my theme, let satire be my song.

O nature's noblest gift -- my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoom'd to aid the mental throes
Of brains that labour, big with verse or prose,
Though nymphs forsake, and critics may deride,
The lover's solace, and the author's pride.
What wits, what poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemn'd at length to be forgotten quite,
With all the pages which 'twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet's shall be free;
Though spurn'd by others, yet beloved by me:
Then let us soar today, no common theme,
No eastern vision, no distemper'd dream
Inspires -- our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.

When Vice triumphant holds her sov'reign sway,
Obey'd by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every clime;
When knaves and fools combined o'er all prevail,
And weigh their justice in a golden scale;
E'en then the boldest start from public sneers,
Afraid of shame, unknown to other fears,
More darkly sin, by satire kept in awe,
And shrink from ridicule, though not from law.

Such is the force of wit! but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.

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Her love is my inspiration

Her love is my inspiration

Love is the inspiration for my heart to sing a tune,
love is the inspiration for my ear to hear,
love is the inspiration for my soul to warm,
love is the inspiration for my mouth to smile,
love is the inspiration for my eyes to glisten.

Love is the inspiration to draw my soul near another
love is the inspiration for my mouth to utter sweet words,
love is the inspiration for my eyes to gaze upon her,
love is the inspiration for my heart to speak out.

Love is the inspiration for need, love is the inspiration for my mouth to touch hers,
love is the inspiration for my eyes to close,
love is the inspiration for my heart to race,
love is the inspiration for my tears to burn.

Love is the inspiration for longing,
love is the inspiration for my eyes to see only her,
love is the inspiration for my heart to cry out,
love is the inspiration for my ear to hear her whispers,
love is the inspiration for my soul to join hers forever.

Love is the inspiration for forever,
love is the inspiration for my heart to be whole,
love is the inspiration for my ear to always hear those words,
love is the inspiration for my soul to have hers,
love is the inpiration for my mouth to speak the truth.

Love is the inspiration for my soul to seek life
love is the inspirationfor my ear to hear her words,
love is the inspiration for my soul to reach for her,
love is the inspiration for my mouth to speak her truths,
love is the inspiration for my eyes to always look upon her first,

For she is the inspiration for my Love.

Nathaniel Cole Buddington

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The Holy Grail

From noiseful arms, and acts of prowess done
In tournament or tilt, Sir Percivale,
Whom Arthur and his knighthood called The Pure,
Had passed into the silent life of prayer,
Praise, fast, and alms; and leaving for the cowl
The helmet in an abbey far away
From Camelot, there, and not long after, died.

And one, a fellow-monk among the rest,
Ambrosius, loved him much beyond the rest,
And honoured him, and wrought into his heart
A way by love that wakened love within,
To answer that which came: and as they sat
Beneath a world-old yew-tree, darkening half
The cloisters, on a gustful April morn
That puffed the swaying branches into smoke
Above them, ere the summer when he died
The monk Ambrosius questioned Percivale:

`O brother, I have seen this yew-tree smoke,
Spring after spring, for half a hundred years:
For never have I known the world without,
Nor ever strayed beyond the pale: but thee,
When first thou camest--such a courtesy
Spake through the limbs and in the voice--I knew
For one of those who eat in Arthur's hall;
For good ye are and bad, and like to coins,
Some true, some light, but every one of you
Stamped with the image of the King; and now
Tell me, what drove thee from the Table Round,
My brother? was it earthly passion crost?'

`Nay,' said the knight; `for no such passion mine.
But the sweet vision of the Holy Grail
Drove me from all vainglories, rivalries,
And earthly heats that spring and sparkle out
Among us in the jousts, while women watch
Who wins, who falls; and waste the spiritual strength
Within us, better offered up to Heaven.'

To whom the monk: `The Holy Grail!--I trust
We are green in Heaven's eyes; but here too much
We moulder--as to things without I mean--
Yet one of your own knights, a guest of ours,
Told us of this in our refectory,
But spake with such a sadness and so low
We heard not half of what he said. What is it?
The phantom of a cup that comes and goes?'

`Nay, monk! what phantom?' answered Percivale.

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Rokeby: Canto V.

I.
The sultry summer day is done,
The western hills have hid the sun,
But mountain peak and village spire
Retain reflection of his fire.
Old Barnard's towers are purple still,
To those that gaze from Toller-hill;
Distant and high, the tower of Bowes
Like steel upon the anvil glows;
And Stanmore's ridge, behind that lay,
Rich with the spoils of parting day,
In crimson and in gold array'd,
Streaks yet awhile the closing shade,
Then slow resigns to darkening heaven
The tints which brighter hours had given.
Thus aged men, full loth and slow,
The vanities of life forego,
And count their youthful follies o'er,
Till Memory lends her light no more.

II.
The eve, that slow on upland fades,
Has darker closed on Rokeby's glades,
Where, sunk within their banks profound,
Her guardian streams to meeting wound.
The stately oaks, whose sombre frown
Of noontide made a twilight brown,
Impervious now to fainter light,
Of twilight make an early night.
Hoarse into middle air arose
The vespers of the roosting crows,
And with congenial, murmurs seem
To wake the Genii of the stream;
For louder clamour'd Greta's tide,
And Tees in deeper voice replied,
And fitful waked the evening wind,
Fitful in sighs its breath resign'd.
Wilfrid, whose fancy-nurtured soul
Felt in the scene a soft control,
With lighter footstep press'd the ground,
And often paused to look around;
And, though his path was to his love,
Could not but linger in the grove,
To drink the thrilling interest dear,
Of awful pleasure check'd by fear.
Such inconsistent moods have we,
Even when our passions strike the key.

III.
Now, through the wood's dark mazes past,

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Gareth And Lynette

The last tall son of Lot and Bellicent,
And tallest, Gareth, in a showerful spring
Stared at the spate. A slender-shafted Pine
Lost footing, fell, and so was whirled away.
'How he went down,' said Gareth, 'as a false knight
Or evil king before my lance if lance
Were mine to use--O senseless cataract,
Bearing all down in thy precipitancy--
And yet thou art but swollen with cold snows
And mine is living blood: thou dost His will,
The Maker's, and not knowest, and I that know,
Have strength and wit, in my good mother's hall
Linger with vacillating obedience,
Prisoned, and kept and coaxed and whistled to--
Since the good mother holds me still a child!
Good mother is bad mother unto me!
A worse were better; yet no worse would I.
Heaven yield her for it, but in me put force
To weary her ears with one continuous prayer,
Until she let me fly discaged to sweep
In ever-highering eagle-circles up
To the great Sun of Glory, and thence swoop
Down upon all things base, and dash them dead,
A knight of Arthur, working out his will,
To cleanse the world. Why, Gawain, when he came
With Modred hither in the summertime,
Asked me to tilt with him, the proven knight.
Modred for want of worthier was the judge.
Then I so shook him in the saddle, he said,
"Thou hast half prevailed against me," said so--he--
Though Modred biting his thin lips was mute,
For he is alway sullen: what care I?'

And Gareth went, and hovering round her chair
Asked, 'Mother, though ye count me still the child,
Sweet mother, do ye love the child?' She laughed,
'Thou art but a wild-goose to question it.'
'Then, mother, an ye love the child,' he said,
'Being a goose and rather tame than wild,
Hear the child's story.' 'Yea, my well-beloved,
An 'twere but of the goose and golden eggs.'

And Gareth answered her with kindling eyes,
'Nay, nay, good mother, but this egg of mine
Was finer gold than any goose can lay;
For this an Eagle, a royal Eagle, laid
Almost beyond eye-reach, on such a palm
As glitters gilded in thy Book of Hours.
And there was ever haunting round the palm
A lusty youth, but poor, who often saw

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Tannhauser

The Landgrave Hermann held a gathering
Of minstrels, minnesingers, troubadours,
At Wartburg in his palace, and the knight,
Sir Tannhauser of France, the greatest bard,
Inspired with heavenly visions, and endowed
With apprehension and rare utterance
Of noble music, fared in thoughtful wise
Across the Horsel meadows. Full of light,
And large repose, the peaceful valley lay,
In the late splendor of the afternoon,
And level sunbeams lit the serious face
Of the young knight, who journeyed to the west,
Towards the precipitous and rugged cliffs,
Scarred, grim, and torn with savage rifts and chasms,
That in the distance loomed as soft and fair
And purple as their shadows on the grass.
The tinkling chimes ran out athwart the air,
Proclaiming sunset, ushering evening in,
Although the sky yet glowed with yellow light.
The ploughboy, ere he led his cattle home,
In the near meadow, reverently knelt,
And doffed his cap, and duly crossed his breast,
Whispering his 'Ave Mary,' as he heard
The pealing vesper-bell. But still the knight,
Unmindful of the sacred hour announced,
Disdainful or unconscious, held his course.
'Would that I also, like yon stupid wight,
Could kneel and hail the Virgin and believe!'
He murmured bitterly beneath his breath.
'Were I a pagan, riding to contend
For the Olympic wreath, O with what zeal,
What fire of inspiration, would I sing
The praises of the gods! How may my lyre
Glorify these whose very life I doubt?
The world is governed by one cruel God,
Who brings a sword, not peace. A pallid Christ,
Unnatural, perfect, and a virgin cold,
They give us for a heaven of living gods,
Beautiful, loving, whose mere names were song;
A creed of suffering and despair, walled in
On every side by brazen boundaries,
That limit the soul's vision and her hope
To a red hell or and unpeopled heaven.
Yea, I am lost already,-even now
Am doomed to flaming torture for my thoughts.
O gods! O gods! where shall my soul find peace?'
He raised his wan face to the faded skies,
Now shadowing into twilight; no response
Came from their sunless heights; no miracle,
As in the ancient days of answering gods.

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Byron

Canto the Fourth

I.

I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!

II.

She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.

III.

In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.

But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.

V.

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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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Sweet Inspiration

Written by s. welton-jaimes, j. & m. jaimes
Sweet inspiration
Through the nation
With elation for your love
Inspiration, sweet inspiration
Sweet inspiration
Through the nation
With elation for your love
Inspiration, sweet sensation
You really do something special to me
And theres nothing better
Than when youre lying in my arms
So glad we got together
I never needed nobody
Until you came along
And this feelings so strong
I should be working on something
But I aint got the time
Ive got you on my mind
Sweet inspiration
Baby youre my, sweet inspiration
Baby youre my, sweet inspiration
Baby youre my, sweet inspiration
The thought of you gives me butterflies
And I feel so happy
Whenever you reach out for me
This is how it should be
And Ive just got to be with you
Nothing else can compare
Just as long as youre there
And Ill never desert you
Cos you fill me with pride
Baby you changed my life
Sweet inspiration
Baby youre my, sweet inspiration
Baby youre my, sweet inspiration
Baby youre my, sweet inspiration
When I cant think clearly
Just one kiss is all I need
Then I look in your eyes
And I know, I know, I know, Im yours
Sweet inspiration
Through the nation
With elation for your love
Inspiration, sweet sensation
Sweet inspiration
Baby youre my, sweet inspiration
Baby youre my, sweet inspiration
Baby youre my, sweet inspiration
We got the love

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The Vision of Don Roderick

Introduction.

I.
Lives there a strain, whose sounds of mounting fire
May rise distinguished o'er the din of war;
Or died it with yon Master of the Lyre
Who sung beleaguered Ilion's evil star?
Such, WELLINGTON, might reach thee from afar,
Wafting its descant wide o'er Ocean's range;
Nor shouts, nor clashing arms, its mood could mar,
All, as it swelled 'twixt each loud trumpet-change,
That clangs to Britain victory, to Portugal revenge!

II.
Yes! such a strain, with all o'er-pouring measure,
Might melodise with each tumultuous sound
Each voice of fear or triumph, woe or pleasure,
That rings Mondego's ravaged shores around;
The thundering cry of hosts with conquest crowned,
The female shriek, the ruined peasant's moan,
The shout of captives from their chains unbound,
The foiled oppressor's deep and sullen groan,
A Nation's choral hymn, for tyranny o'erthrown.

III.
But we, weak minstrels of a laggard day
Skilled but to imitate an elder page,
Timid and raptureless, can we repay
The debt thou claim'st in this exhausted age?
Thou givest our lyres a theme, that might engage
Those that could send thy name o'er sea and land,
While sea and land shall last; for Homer's rage
A theme; a theme for Milton's mighty hand -
How much unmeet for us, a faint degenerate band!

IV.
Ye mountains stern! within whose rugged breast
The friends of Scottish freedom found repose;
Ye torrents! whose hoarse sounds have soothed their rest,
Returning from the field of vanquished foes;
Say, have ye lost each wild majestic close
That erst the choir of Bards or Druids flung,
What time their hymn of victory arose,
And Cattraeth's glens with voice of triumph rung,
And mystic Merlin harped, and grey-haired Llywarch sung?

V.
Oh! if your wilds such minstrelsy retain,
As sure your changeful gales seem oft to say,
When sweeping wild and sinking soft again,

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With every beat of my heart

Not even the most voluptuously sensuous of clouds; surreally wandering till eternity in fathomless cosmotic space; had the slightest of inspiration,

Not even the most tantalizingly nubile of dewdrops; profoundly shimmering in nocturnal moonlight like the ultimate queen’s garland of exotic pearls; had the slightest of inspiration,

Not even the most invincibly Herculean mountaintops; unflinchingly towering towards the heavens in the face of the mightiest of attack; had the slightest of inspiration,

Not even the most royally undulating seas; timelessly blessing the pristine shores with gloriously unassailable froth; had the slightest of inspiration,

Not even the most perennially overflowing of treasuries; from which rained solely a torrentially unstoppable cascade of mystically resplendent silver and gold; had the slightest of inspiration,

Not even the most mellifluously rejuvenating of nightingales; perpetuating the unlimitedly dreary atmosphere with miraculously ameliorating sounds; had the slightest of inspiration,

Not even the most boundlessly burgeoning of skies; celestially reflecting an ocean of bounteously virile crystalline blue; had the slightest of inspiration,

Not even the most vivaciously cascading droplets of rain; metamorphosing every tawdrily sinister patch of aridness on earth into a paradise of mesmerizing beauty; had the slightest of inspiration,

Not even the most ubiquitously silken strands of the inscrutable spider’s web; aristocratically glimmering in opulently milky moonlight; had the slightest of inspiration,

Not even the most amazingly vivid of rainbows; filtering fresh rays of optimism and hope in the forlornly dreary sky; had the slightest of inspiration,

Not even the most redolently proliferating of soil; the magical virility which unfathomably multiplied in lightening seconds of time; had the slightest of inspiration,

Not even the most beautifully poignant of roses; synergistically radiating their handsomely scarlet personality to every conceivable cranny of this boundless Universe; had the slightest of inspiration,

Not even the most triumphantly blazing of Sunshine; blistering a path of irrefutably fearless righteousness in the most bashful face of blemishing defeat; had the slightest of inspiration,

Not even the most victoriously iridescent of moonlight; unceasingly enlightening the sordidly hedonistic fabric of the wretchedly incarcerating night; had the slightest of inspiration,

Not even the most effulgently undefeated of blood; indefatigably diffusing the spirit of intrepidly exhilarating camaraderie; had the slightest of inspiration,

Not even the most boundlessly unfettered of deserts; the flamingly impregnable expanse of poignant golden granules; had the slightest of inspiration,

Not even the most tranquilly bewitching of shadows; the uncannily titillating tinge of timeless mystery that they incessantly emanated; had the slightest of inspiration,

Not even the most fierily magnetic of breath; the endlessly insuperable cavern of seduction that it ignited in every tangible and intangible open space which it wholesomely enshrouded; had the slightest of inspiration,

Whilst with every beat of my heart; there unlimitedly triggered unconquerably sparkling fantasy in even the most obsolete dormitory of my brain; and I inevitably and inspiringly wrote an infinite lines of “Immortal Love Poetry”; till even beyond the definitions of veritably ultimate and hopelessly silencing death….

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The Castle Of Indolence

The castle hight of Indolence,
And its false luxury;
Where for a little time, alas!
We lived right jollily.

O mortal man, who livest here by toil,
Do not complain of this thy hard estate;
That like an emmet thou must ever moil,
Is a sad sentence of an ancient date:
And, certes, there is for it reason great;
For, though sometimes it makes thee weep and wail,
And curse thy star, and early drudge and late;
Withouten that would come a heavier bale,
Loose life, unruly passions, and diseases pale.
In lowly dale, fast by a river's side,
With woody hill o'er hill encompass'd round,
A most enchanting wizard did abide,
Than whom a fiend more fell is no where found.
It was, I ween, a lovely spot of ground;
And there a season atween June and May,
Half prankt with spring, with summer half imbrown'd,
A listless climate made, where, sooth to say,
No living wight could work, ne cared even for play.
Was nought around but images of rest:
Sleep-soothing groves, and quiet lawns between;
And flowery beds that slumbrous influence kest,
From poppies breathed; and beds of pleasant green,
Where never yet was creeping creature seen.
Meantime, unnumber'd glittering streamlets play'd,
And hurled every where their waters sheen;
That, as they bicker'd through the sunny glade,
Though restless still themselves, a lulling murmur made.
Join'd to the prattle of the purling rills
Were heard the lowing herds along the vale,
And flocks loud bleating from the distant hills,
And vacant shepherds piping in the dale:
And, now and then, sweet Philomel would wail,
Or stock-doves plain amid the forest deep,
That drowsy rustled to the sighing gale;
And still a coil the grasshopper did keep;
Yet all these sounds yblent inclined all to sleep.
Full in the passage of the vale, above,
A sable, silent, solemn forest stood;
Where nought but shadowy forms was seen to move,
As Idless fancied in her dreaming mood:
And up the hills, on either side, a wood
Of blackening pines, aye waving to and fro,
Sent forth a sleepy horror through the blood;
And where this valley winded out, below,
The murmuring main was heard, and scarcely heard, to flow.

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Temora - Book VIII

ARGUMENT.

The fourth morning from the opening of the poem comes on Fingal, still continuing in the place to which he had retired on the preceding sight, is seen, at intervals, through the mist which covered the rock of Cormul. The descent of the king is described. He orders Gaul, Dermid, and Carril the bard, to go to the valley of China, and conduct from thence the Caledonian army, Ferad-artho, the son of Cairbar, the only person remaining of the family of Conar, the first king of Ireland. The king makes the command of the army, and prepares for battle. Marching towards the enemy, he comes to the cave of Lubar, where the body of Fillan lay. Upon seeing his dog, Bran, who lay at the entrance of the cave, his grief returns. Cathmor arranges the Irish army in order of battle. The appearance of that hero. The general conflict is described. The actions of Fingal and Cathmor. A storm. The total rout of the Fir-bolg. The two kings engage, in a column of mist, on the banks of Lubar, Their attitude and conference after the combat. The death of Cathmor. Fingal resigns the spear of Trenmor to Ossian. The ceremonies observed on that occasion. The spirit of Cathmor, in the mean time, appears to Sul-malla, in the valley of Lona. Her sorrow. Evening comes on. A feast is prepared. The coming of Ferad-artho is announced by the songs of a hundred bards. The poem closes with a speech of Fingal.

As when the wintry winds have seized the waves of the mountain lake, have seized them in stormy night, and clothed them over with ice; white to the hunter's early eye, the billows still seem to roll. He turns his ear to the sound of each unequal ridge. But each is silent, gleaming, strewn with boughs, and tufts of grass, which shake and whistle to the wind, over their gray seats of frost. So silent shone to the morning the ridges of Morven's host, as each warrior looked up from his helmet towards the hill of the king; the cloud-covered hill of Fingal, where he strode in the folds of mist. At times is the hero seen, greatly dim in all his arms. From thought to thought tolled the war, along his mighty soul.

Now is the coming forth of the king. First appeared the sword of Luno; the spear half issuing from a cloud, the shield still dim in mist. But when the stride of the king came abroad, with all his gray dewy locks in the wind; then rose the shouts of his host over every moving tribe. They gathered, gleaming round, with all their echoing shields. So rise the green seas round a spirit, that comes down from the squally wind. The traveller hears the sound afar, and lifts his head over the rock. He looks on the troubled bay, and thinks he dimly sees the form. The waves sport, unwieldy, round, with all their backs of foam.

Far distant stood the son of Morni, Duthno's race, and Cona's bard. We stood far distant; each beneath his tree. We shunned the eyes of the king: we had not conquered in the field. A little stream rolled at my feet: I touched its light wave, with my spear. I touched it with my spear: nor there was the soul of Ossian. It darkly rose, from thought to thought, and sent abroad the sigh.

"Son of Morni," said the king, "Dermid, hunter of roes! why are ye dark, like two rocks, each with its trickling waters? No wrath gathers on Fingal's soul, against the chiefs of men. Ye are my strength in battle; the kindling of my joy in peace. My early voice has been a pleasant gale to your years, when Fillan prepared the bow. The son of Fingal is not here, nor yet the chase of the bounding roes. But why should the breakers of shields stand, darkened, far way?"

Tall they strode towards the king: they saw him turned to Morn's wind. His, tears came down for his blue-eyed son, no slept in the cave of streams. But he brightened before them, and spoke to the broad-shielded kings.

"Crommal, with woody rocks, and misty top, the field of winds, pours forth, to the sight, blue Lubar's streamy roar. Behind it rolls clear-winding Lavath, in the still vale of deer. A cave is dark in a rock; above it strong-winged eagles dwell; broad-headed oaks, before it, sound in Cluna's wind. Within, in his locks of youth, is Ferad-artho, blue-eyed king, the son of broad-shielded Cairbar, from Ullin of the roes. He listens to the voice of Condan, as gray he bends in feeble light. He listens, for his foes dwell in the echoing halls of Temora. He comes, at times, abroad in the skirts of mist, to pierce the bounding roes. When the sun looks on the field, nor by the rock, nor stream, is he! He shuns the race of Bolga, who dwell in his father's hall. Tell him, that Fingal lifts the spear, and that his foes, perhaps, may fail.

"Lift up, O Gaul, the shield before him. Stretch, Dermid, Temora's spear. Be thy voice in his ear, O Carril, with the deeds of his fathers. Lead him to green Moi-lena, to the dusky field of ghosts; for there, I fall forward, in battle, in the folds of war. Before dun night descends, come to high Dunmora's top. Look, from the gray skirts of mist, on Lena of the streams. If there my standard shall float on wind, over Lubar's gleaming stream, then has not Fingal failed in the last of his fields."

Such were his words; nor aught replied the silent striding kings. They looked sidelong on Erin's host, and darkened as they went. Never before had they left the king, in the midst of the stormy field. Behind them, touching at times his harp, the gray-haired Carril moved. He foresaw the fall, of the people, and mournful was the sound! It was like a breeze that comes, by fits, over Lego's reedy lake; when sleep half descends on the hunter, within his mossy cave.

"Why bends the bard of Cona," said Fingal, "over his secret stream? Is this a time for sorrow, father of low-laid Oscar? Be the warriors remembered in peace; when echoing shields are heard no more. Bend, then, in grief, over the flood, where blows the mountain breeze. Let them pass on thy soul, the blue-eyed dwellers of the tomb. But Erin rolls to war; wide tumbling, rough, aid dark. Lift, Ossian, lift the shield. I am alone, my son

As comes the sudden voice of winds to the becalmed ship of Inis-huna, and drives it large, along the deep, dark rider of the wave; so the voice of Fingal sent Ossian, tall along the heath. He lifted high his shining shield, in the dusky wing of war; like the broad, blank moon, in the skirt of a cloud, before the storms. arise.

Loud, from moss-covered Mora, poured down, at once, the broad-winged war. Fingal led his people forth, king of Morven of streams. On high spreads the eagle's wing. His gray hair is poured on his shoulders broad. In thunder are his mighty strides. He often stood, and saw, behind, the wide-gleaming rolling of armor. A rock he seemed, gray over with ice, whose woods are high in wind. Bright streams leapt from its head, and spread their foam on blasts.

Now he came to Lubar's cave, where Fillan darkly slept. Bran still lay on the broken shield: the eagle-wing is strewed by the winds. Bright, from withered furze, looked forth the hero's spear. Then grief stirred the soul of the king, like whirlwinds blackening on a lake. He turned his sudden step, and leaned on his bending spear.

White-breasted Bran came bounding with joy to the known path of Fingal. He came, and looked towards the cave, where the blue-eyed hunter lay, for he was wont to stride, with morning, to the dewy bed of the roe. It was then the tears of the king came down and all his soul was dark. But as the rising wind rolls away the storm of rain, and leaves the white streams to the sun, and high hills with their heads of grass; so the returning war brightened the mind of Fingal. He bounded, on his spear, over Lubar, and struck his echoing shield. His ridgy host bend forward, at once, with all their pointed steel.

Nor Erin heard, with fear, the sound: wide they come rolling along. Dark Malthos, in the wing of war, looks forward from shaggy brows. Next rose that beam of light, Hidalla! then the sidelong-looking gloom of Maronnan. Blue-shielded Clonar lifts the spear: Cormar shakes his bushy locks on the wind. Slowly, from behind a rock, rose the bright form of Atha. First appeared his two-pointed spears, then the half of his burnished shield: like the rising of a nightly meteor, over the valley of ghosts. But when ha shone all abroad, the hosts plunged, at once, into strife. The gleaming waves of steel are poured on either side.

As meet two troubled seas, with the rolling of all their waves, when they feel the wings of contending winds, in the rock-sided firth of Lumon; along the echoing hills in the dim course of ghosts: from the blast fall the torn groves on the deep, amidst the foamy path of whales. So mixed the hosts! Now Fingal; now Cathmor came abroad. The dark tumbling of death is before them: the gleam of broken steel is rolled on their steps, as, loud, the high-bounding kings hewed down the ridge of shields.

Maronnan fell, by Fingal, laid large across a stream. The waters gathered by his side, and leapt gray over his bossy shield. Clonar is pierced by Cathmor; nor yet lay the chief on earth. An oak seized his hair in his fall. His helmet rolled on the ground. By its thong, hung his broad shield; over it wandered his streaming blood. Tla-min shall weep, in the hall, and strike her heaving breast. Nor did Ossian forget the spear, in the wing of his war. He strewed the field with dead. Young Hidallan came. "Soft voice of streamy Clonra! why dost thou lift the steel? O that we met in the strife of song, in thine own rushy vale!" Malthos beheld him low, and darkened as he rushed along. On either side of a stream, we bent in the echoing strife. Heaven comes rolling down; around burst the voices of squally winds. Hills are clothed, at times, in fire. Thunder rolls in wreaths of mist. In darkness shrunk the foe: Morven's warriors stood aghast. Still I bent over the stream, amidst my whistling locks.

Then rose the voice of Fingal, and the sound of the flying foe. I saw the king, at times, in lightning, darkly striding in his might. I struck my echoing shield, and hung forward on the steps of Alnecma; the foe is rolled before me, like a wreath of smoke.

The sun looked forth from his cloud. The hundred streams of Moi-lena shone. Slow rose the blue columns of mist, against the glittering hill. Where are the mighty kings? Nor by that stream, nor wood, are they! I hear the clang of arms! Their strife is in the bosom of that mist. Such is the contending of spirits in a nightly cloud, when they strive for the wintry wings of winds, and the rolling of the foam-covered waves.

I rushed along. The gray mist rose. Tall, gleaming, they stood at Lubar. Cathmor leaned against a rock. His half-fallen shield received the stream, that leapt from the moss above. Towards him is the stride of Fingal: he saw the hero's blood. His sword fell slowly to his side. He spoke, amidst his darkening joy.

"Yields the race of Borbar-duthul? Or still does he lift the spear? Not unheard is thy name, at Atha, in the green dwelling of strangers. It has come, like the breeze of his desert, to the ear of Fingal. Come o my hill of feasts: the mighty fail, at times. No fire am I to low-laid foes; I rejoice not over the fall of the brave. To close the wound is mine: I have known the herbs of the hills. I seized their fair heads, on high, as they waved by their secret streams. Thou art dark and silent, king of Atha of strangers!"

"By Atha of the stream," he said, "there rises a mossy rock. On its head is the wandering of boughs, within the course of winds. Dark, in its face, is a cave, with its own loud rill. There have I heard the tread of strangers, when they passed to my hall of shells. Joy rose, like a flame, on my soul; I blest the echoing rock. Here be my dwelling, in darkness; in my grassy vale. From this I shall mount the breeze, that pursues my thistle's beard; or look down on blue-winding Atha, from its wandering mist."

"Why speaks the king of the tomb? Ossian, the warrior has failed! Joy meet thy soul, like a stream, Cathmor friend of strangers! My son, I hear the call of years; they take my spear as they pass along. Why does not Fingal, they seem to say, rest within his hall? Dost thou always delight in blood? In the tears of the sad? No; ye dark-rolling years, Fingal delights not in blood. Tears are wintry streams that waste away my soul. But when I lie down to rest, then comes the mighty voice of war. It awakes me in my hall and calls forth all my steel. It shall call it forth no more; Ossian, take thou thy father's spear. Lift it, in battle, when the proud arise.

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Fingal - Book III

ARGUMENT.

Cuthullin, pleased with the story of Carril, insists with that bard for more of his songs. He relates the actions of Fingal in Lochlin, and death of Agandecca, the beautiful sister of Swaran. He had scarce finished, when Calmar, the son of Matha, who had advised the first battle, came wounded from the field, and told them of Swaran's design to surprise the remains of the Irish army. He himself proposes to withstand singly the whole force of the enemy, in a narrow pass, till the Irish should make good their retreat. Cuthullin, touched with the gallant proposal of Calmar, resolves to accompany him and orders Carril to carry off the few that remained of the Irish. Morning comes, Calmar dies of his wounds; and the ships of the Caledonians appearing, Swaran gives over the pursuit of the Irish, and returns to oppose Fingal's landing. Cuthullin, ashamed, after his defeat, to appear before Fingal re tires to the cave of Tura. Fingal engages the enemy, puts them to flight: but the coming on of night makes the victory not decisive. The king, who had observed the gallant behavior of his grandson Oscar, gives him advice concerning his conduct in peace and war. He recommends to him to place the example of his fathers before his eyes, as the best model for his conduct; which introduces the episode concerning Fainasóllis, the daughter of the king of Craca, whom Fingal had taken under his protection in his youth. Fillan and Oscar are despatched to observe the motions of the enemy by night: Gaul, the son of Morni, desires the command of the army in the next battle, which Fingal promises to give him. Some general reflections of the poet close the third day.

"PLEASANT are the words of the song! "said Cuthullin, "lovely the tales of other times! They are like the calm dew of the morning on the hill of roes! when the sun is faint on its side, and the lake is settled and blue on the vale. O Carril, raise again thy voice! let me hear the song of Selma: which was sung in my halls of joy, when Fingal, king of shields, was there, and glowed at the deeds of his fathers.

"Fingal! thou dweller of battle," said Carril, "early were thy deeds in arms. Lochlin was consumed in thy wrath, when thy youth strove in the beauty of maids. They smiled at the fair-blooming face of the hero; but death was in his hands. He was strong as the waters of Lora. His followers were the roar of a thousand streams. They took the king of Lochlin in war; they restored him to his ship. His big heart swelled with pride; the death of the youth was dark in his soul. For none ever but Fingal, had overcome the strength of the mighty Starno. He sat in the hall of his shells in Lochlin's woody land. He called the gray-haired Snivan, that often sung round the circle of Loda; when the stone of power heard his voice , and battle turned in the field of the valiant!

"'Go, gray-haired Snivan,' Starno said: 'go to Ardven's sea-surrounded rocks. Tell to the king of Selma; he the fairest among his thousands; tell him I give to him my daughter, the loveliest maid that ever heaved a breast of snow. Her arms are white as the foam of my waves. Her soul is generous and mild. Let him come with his bravest heroes to the daughter of the secret hall!' Snivan came to Selma's hall: fair-haired Fingal attended his steps. His kindled soul flew to the maid, as he bounded on the waves of the north. 'Welcome,' said the dark-brown Starno, 'welcome, king of rocky Morven! welcome his heroes of might, sons of the distant isle! Three days within thy halls shall we feast; three days pursue my boars; that your fame may reach the maid who dwells in the secret hall.'

"Starno designed their death. He gave the feast of shells. Fingal, who doubted the foe, kept on his arms of steel. The sons of death were afraid: they fled from the eyes of the king. The voice of sprightly mirth arose. The trembling harps of joy were strung. Bards sung the battles of heroes; they sung the heaving breast of love. Ullin, Fingal's bard, was there: the sweet voice of resounding Cona. He praised the daughter of Lochlin; and Morven's high-descended chief. The daughter of Lochlin overheard. She left the hall of her secret sigh! She came in all her beauty, like the moon from the cloud of the east. Loveliness was round her as light. Her steps were the music of songs. She saw the youth and loved him. He was the stolen sigh of her soul. Her blue eyes rolled on him in secret: she blessed the chief of resounding Morven.

"The third day, with all its beams, shone bright on the wood of boars. Forth moved the dark-browed Starno; and Fingal, king of shields. Half the day they spent in the chase; the spear of Selma was red in blood. It was then the daughter of Starno, with blue eyes rolling in tears; it was then she came with her voice of love, and spoke to the king of Morven. 'Fingal, high-descended chief, trust not Starno's heart of pride. Within that wood he has placed his chiefs. Beware of the wood of death. But remember, son of the isle, remember Agandecca; save me from the wrath of my father, king of the windy Morven!'

"The youth with unconcern went on; his heroes by his side. The sons of death fell by his hand; and Germal echoed around! Before the halls of Starno the sons of the chase convened. The king's dark brows were like clouds; his eyes like meteors of night. 'Bring hither,' he said, 'Agandecca to her lovely king of Morven! His hand is stained with the blood of my people; her words have not been in vain!' She came with the red eye of tears. She came with loosely flowing locks. Her white breast heaved with broken sighs, like the foam of the streamy Lubar. Starno pierced her side with steel. She fell, like a wreath of snow, which slides from the rocks of Ronan, when the woods are still, and echo deepens in the vale! Then Fingal eyed his valiant chiefs: his valiant chiefs took arms! The gloom of battle roared: Lochlin fled or died. Pale in his bounding ship he closed the maid of the softest soul. Her tomb ascends on Ardven; the sea roars round her narrow dwelling."

"Blessed be her soul," said Cuthullin; "blessed be the mouth of the song! Strong was the youth of Fingal; strong is his arm of age. Lochlin shall fall again before the king of echoing Morven. Show thy face from a cloud, O moon! light his white sails on the wave: and if any strong spirit of heaven sits on that low-hung cloud; turn his dark ships from the rock, thou rider of the storm!"

Such were the words of Cuthullin at the sound of the mountain stream; when Calmar ascended the hill, the wounded son of Matha. From the field he came in his blood. He leaned on his bending spear. Feeble is the arm of battle! but strong the soul of the hero! "Welcome! O son of Matha," said Connal, "welcome art thou to thy friends! Why bursts that broken sigh from the breast of him who never feared before?" "And never, Connal, will he fear, chief of the pointed steel! My soul brightens in danger; in the noise of arms I am of the race of battle. My fathers never feared.

"Cormar was the first of my race. He sported through the storms of waves. His black skiff bounded on ocean; he travelled on the wings of the wind. A spirit once embroiled the night. Seas swell and rocks resound. Winds drive along the clouds. The lightning flies on wings of fire. He feared, and came to land, then blushed that he feared at all. He rushed again among the waves, to find the son of the wind. Three youths guide the bounding bark: he stood with sword unsheathed. When the low-hung vapor passed, he took it by the curling head. He searched its dark womb with his steel. The son of the wind forsook the air. The moon and the stars returned! Such was the boldness of my race. Calmar is like his fathers. Danger flies from the lifted sword. They best succeed who dare!

"But now, ye sons of green Erin, retire from Lena's bloody heath. Collect the sad remnant of our friends, and join the sword of Fingal. I heard the sound of Lochlin's advancing arms: Calmar will remain and fight. My voice shall be such, my friends, as if thousands were behind me. But, son of Semo, remember me. Remember Calmar's lifeless corse. When Fingal shall have wasted the field, place me by some stone of remembrance, that future times may hear my fame; that the mother of Calmar may rejoice in my renown."

"No: son of Matha," said Cuthullin, "I will never leave thee here. My joy is in an unequal fight: my soul increases in danger. Connal, and Carril of other times, carry off the sad sons of Erin. When the battle is over, search for us in this narrow way. For near this oak we shall fall, in the streams of the battle of thousands! O Fithal's son, with flying speed rush over the heath of Lena. Tell to Fingal that Erin is fallen. Bid the king of Morven come. O let him come like the sun in a storm, to lighten, to restore the isle!"

Morning is gray on Cromla. The sons of the sea ascend. Calmar stood forth to meet them in the pride of his kindling soul. But pale was the face of the chief. He leaned on his father's spear. That spear which he brought from Lara, when the soul of his mother was sad; the soul of the lonely Alcletha, waning in the sorrow of years. But slowly now the hero falls, like a tree on the plain. Dark Cuthullin stands alone like a rock in a sandy vale. The sea comes with its waves, and roars on its hardened sides. Its head is covered with foam; the hills are echoing round.

Now from the gray mist of the ocean the white-sailed ships of Fingal appear. High is the grove of their masts, as they nod, by turns, on the rolling wave. Swaran saw them from the hill. He returned from the sons of Erin. As ebbs the resounding sea, through the hundred isles of Inistore; so loud, so vast, so immense, returned the sons of Lochlin against the king. But bending, weeping, sad, and slow, and dragging his long spear behind, Cuthullin sunk in Cromla's wood, and mourned his fallen friends. He feared the face of Fingal, who was wont to greet him from the fields of renown!

"How many lie there of my heroes! the chiefs of Erin's race! they that were cheerful in the hall, when the sound of the shells arose! No more shall I find their steps in the heath! No more shall I hear their voice in the chase. Pale, silent, low on bloody beds, are they who were my friends! O spirits of the lately dead, meet Cuthullin on his heath! Speak to him on the winds, when the rustling tree of Tura's cave resounds. There, far remote, I shall lie unknown. No bard shall hear of me. No gray stone shall rise to my renown. Mourn me with the dead, O Bragéla! departed is my fame." Such were the words of Cuthullin, when he sunk in the woods of Cromla!

Fingal, tall in his ship, stretched his bright lance before him. Terrible was the gleam of his steel: It was like the green meteor of death, setting in the heath of Malmor, when the traveller is alone, and the broad moon is darkened in heaven.

"The battle is past," said the king. "I behold the blood of my friends. Sad is the heath of Lena! mournful the oaks of Cromla! The hunters have fallen in their strength: the son of Semo is no more! Ryno and Fillan, my sons, sound the horn of Fingal! Ascend that hill on the shore; call the children of the foe. Call them from the grave of Lamderg, the chief of other times. Be your voice like that of your father, when he enters the battles of his strength! I wait for the mighty stranger. I wait on Lena's shore for Swaran. Let him come with all his race; strong in battle are the friends of the dead!"

Fair Ryno as lightning gleamed along: dark Fillan rushed like the shade of autumn. On Lena's heath their voice is heard. The sons of ocean heard the horn of Fingal. As the roaring eddy of ocean returning from the kingdom of snows: so strong, so dark, so sudden, came down the sons of Lochlin. The king in their front appears, in the dismal pride of his arms! Wrath burns on his dark-brown face; his eyes roll in the fire of his valor. Fingal beheld the son of Starno: he remembered Agandecca. For Swaran with tears of youth had mourned his white-bosomed sister. He sent Ullin of songs to bid him to the feast of shells: for pleasant on Fingal's soul returned the memory of the first of his loves!

Ullin came with aged steps, and spoke to Starno's son. "O thou that dwellest afar, surrounded, like a rock, with thy waves! come to the feast of the king, and pass the day in rest. To-morrow let us fight, O Swaran, and break the echoing shields." — "To-day," said Starno's wrathful son, "we break the echoing shields: to-morrow my feast shall be spread; but Fingal shall lie on earth." — "To-morrow let his feast be spread," said Fingal, with a smile. "To-day, O my sons! we shall break the echoing shields. Ossian, stand thou near my arm. Gaul, lift thy terrible sword. Fergus, bend thy crooked yew. Throw, Fillan, thy lance through heaven. Lift your shields, like the darkened moon. Be your spears the meteors of death. Follow me in the path of my fame. Equal my deeds in battle."

As a hundred winds on Morven; as the streams of a hundred hills; as clouds fly successive over heaven; as the dark ocean assails the shore of the desert: so roaring, so vast, so terrible, the armies mixed on Lena's echoing heath. The groans of the people spread over the hills: it was like the thunder of night, when the cloud bursts on Cona; and a thousand ghosts shriek at once on the hollow wind. Fingal rushed on in his strength, terrible as the spirit of Trenmor; when in a whirlwind he comes to Morven, to see the children of his pride. The oaks resound on their mountains, and the rocks fall down before him. Dimly seen as lightens the night, he strides largely from hill to hill. Bloody was the hand of my father, when he whirled the gleam of his sword. He remembers the battles of his youth. The field is wasted in its course!

Ryno went on like a pillar of fire. Dark is the brow of Gaul. Fergus rushed forward with feet of wind; Fillin like the mist of the hill. Ossian, like a rock, came down. I exulted in the strength of the king. Many were the deaths of my arm! dismal the gleam of my sword! My locks were not then so gray; nor trembled my hands with age. My eyes were not closed in darkness; my feet failed not in the race!

Who can relate the deaths of the people? who the deeds of mighty heroes? when Fingal, burning in his wrath, consumed the sons of Lochlin? Groans swelled on groans from hill to hill, till night had covered all. Pale, staring like a herd of deer, the sons of Lochlin convene on Lena. We sat and heard the sprightly harp, at Lubar's gentle stream. Fingal himself was next to the foe. He listened to the tales of his bards. His godlike race were in the song, the chiefs of other times. Attentive, leaning on his shield, the king of Morven sat. The wind whistled through his locks; his thoughts are of the days of other years. Near him, on his bending spear, my young, my valiant Oscar stood. He admired the king of Morven: his deeds were swelling in his soul.

"Son of my son," began the king, "O Oscar, pride of youth: I saw the shining of the sword. I gloried in my race. Pursue the fame of our fathers; be thou what they have been, when Trenmor lived, the first of men, and Trathal, the father of heroes! They fought the battle in their youth. They are the song of bards. O Oscar! bend the strong in arm; but spare the feeble hand. Be thou a stream of many tides against the foes of thy people; but like the gale, that moves the grass. to those who ask thine aid. So Trenmor lived; such Trathal was; and such has Fingal been. My arm was the support of the injured; the weak rested behind the lightning of my steel.

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Intro

O-U-T-K-A-S-T
Live, from the center of the earth, 7 light-years below sea level we go,
welcome to Stankonia. The place from which all funky things come. Would you
like to come?
(girl moaning, lasts throughout intro)
Bounce baby. (We're bouncing)
Bounce.
Bounce. (We're bouncing)
2 times bounce bounce. (We're bouncing)
We bouncing. (We're bouncing)
BOUNCE... (We bouncing baby)
(We're bouncing!) C'mon, bounce.
(Bouncing! Bounce baby) Bounce!
Bounce bounce. (Baby!) Bounce bounce.
(Let's bounce) C'mon bounce. (Everybody let's bounce)
(Let's bounce) We bouncing now.
All that bouncing, niggaz be from the H-L. We got Bankhead right here,
southwest and 92 strong.
BREAK!! -clap-

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Heavenly Poetry

It was my incessant inspiration; to diffuse into an
unfathomable valley of goodness; perpetually coalesce
with my bountiful rudiments; irrespective of the
contemporarily bombastic slang and slime,

It was my tireless inspiration; to float in the aisles
of untamed sensuousness; assimilate all fathomless
beauty of this resplendent Universe; in every
ingredient of my agonizingly famished blood,

It was my unrelenting inspiration; to embrace the
winds of timeless fantasy; let the spirit of
euphorically rhapsodic existence; take wholesome
control upon my countenance from all sides,

It was my limitless inspiration; to blazingly surge
forward in the chapter of vibrantly enthralling life;
gloriously emerge as a triumphant winner in every
direction that I even remotely conceived to tread,

It was my boundless inspiration; to poignantly break
the heinous shackles of crippling monotony;
uninhibitedly liberate each of my senses to blend with
the unparalleled ecstasy of this Omnipotent cosmos,

It was my unprecedented inspiration; to unfurl into an
insatiable civilization of creativity every unfurling
instant of the day; fabulously decipher the enigmatic
meanings of survival; with the silken dexterity of an
embellished prince,

It was my indefatigable inspiration; to coin new
benchmarks on even the most diminutive step that I
transgressed; digressing from conventionally
treacherous turgidity; to sparklingly enhance the
fireballs of optimism in every tomorrow,

It was my profuse inspiration; to unstoppably
reminisce the caverns of mischief of my innocuous
childhood; Omnisciently cherish the compassionate lap
of my divinely mother; for infinite more births of
mine,

It was my undaunted inspiration; to philanthropically
serve all bereaved humanity till the very last breath
of mine; assiduously persevere all day and twinkling
night; to unite all religion; caste; creed and tribe;
handsomely alike,

It was my incorrigible inspiration; to romantically

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Dar-Thula

ARGUMENT.

It may not be improper here to give the story which is the foundation of this poem, as it is handed down by tradition. Usnoth, lord of Etha, which is probably that part of Argyleshire which is near Loch Eta, an arm of the sea in Lorn, had three sons, Nathos, Althos, and Ardan, by Slissáma, the daughter of Semo, and sister to the celebrated Cuthullin. The three brothers, when very young, were sent over to Ireland by their father, to learn the use of arms under their uncle Cuthullin, who made a great figure in that kingdom. They were just landed in Ulster, when the news of Cuthullin's death arrived. Nathos, though very young, took the command of Cuthullin's army, made head against Cairbar the usurper, and defeated him in several battles. Cairbar at last, having found means to murder Cormac, the lawful king, the army of Nathos shifted sides, and he himself was obliged to return into Ulster, in order to pass over into Scotland.

Dar-thula, the daughter of Colla, with whom Cairbar was in love, resided at that time in Seláma, a castle in Ulster. She saw, fell in love, and fled with Nathos; but a storm rising at sea, they were unfortunately driven back on that part of the coast of Ulster, where Cairbar was encamped with his army. The three brothers, after having defended themselves for some time with great bravery, were overpowered and slain, and the unfortunate Dar-thula killed herself upon the body of her beloved Nathos.

The poem opens, on the night preceding the death of the sons of Usnoth, and brings in, by way of episode, what passed before. it relates the death of Dar-thula differently from the common tradition. This account, is the most probable, as suicide seems to have been unknown in those early times, for no traces of it are found in the old poetry.

DAUGHTER of heaven, fair art thou! the silence of thy face is pleasant! Thou comest forth in loveliness. The stars attend thy blue course in the east. The clouds rejoice in thy presence, O moon! They brighten their dark-brown sides. Who is like thee in heaven, light of the silent night? The stars are shamed in thy presence. They turn away their sparkling eyes. Whither dost thou retire from thy course when the darkness of thy countenance grows? Hast thou thy hall, like Ossian? Dwellest thou in the shadow of grief? Have thy sisters fallen from heaven? Are they who rejoiced with thee, at night, no more? Yes, they have fallen, fair light! and thou dost often retire to mourn. But thou thyself shalt fail one night and leave thy blue path in heaven. The stars will then lift their heads: they who were ashamed in thy presence, will rejoice. Thou art now clothed with thy brightness. Look from thy gates in the sky. Burst the cloud, O wind! that the daughters of night may look forth; that the shaggy mountains may brighten, and the ocean roll its white waves in light!

Nathos is on the deep, and Althos, that beam of youth! Ardan is near his brothers. They move in the gloom of their course. The sons of Usnoth move in darkness, from the wrath of Cairbar of Erin. Who is that, dim by their side? The night has covered her beauty! Her hair sighs on ocean's wind. Her robe streams in dusky wreaths. She is like the fair spirit of heaven in the midst of the shadowy mist. Who is it but Dar-thula, the first of Erin's maids? She has fled from the love of Cairbar, with blue-shielded Nathos. But the winds deceive thee, O Dar-thula! They deny the woody Etha to thy sails. These are not the mountains of Nathos; nor is that the roar of his climbing waves. The halls of Cairbar are near: the towers of the foe lift their heads! Erin stretches its green head into the sea. Tura's bay receives the ship. Where have ye been, ye southern Winds, when the sons of my love were deceived? But ye have been sporting on the plains, pursuing the thistle's beard. O that ye had been rustling in the sails of Nathos, till the hills of Etha arose! till they arose in their clouds, and saw their returning chief! Long hast thou been absent, Nathos! the day of thy return is past!

But the land of strangers saw thee lovely! thou wast lovely in the eyes of Dar-thula. Thy face was like the light of the morning. Thy hair like the raven's wing. Thy soul was generous and mild, like tho hour of the setting sun. Thy words were the gale of the reeds; the gliding stream of Lora! But when the rage of battle rose, thou wast a sea in a storm. The clang of thy arms was terrible: the host vanished at the sound of thy course. It was then Dar-thula beheld thee, from the top of her mossy tower; from the tower of Seláma, where her fathers dwelt.

"Lovely art thou, O stranger!" she said, for her trembling soul arose. "Fair art thou in thy battles, friend of the fallen Cormac! Why dost thou rush on in thy valor, youth of the ruddy look? Few are thy hands in fight against the dark-brown Cairbar! O that I might be freed from his love, that I might rejoice in the presence of Nathos! Blest are the rocks of Etha! they will behold his steps at the chase; they will see his white bosom, when the winds lift his flowing hair!" Such were thy words, Dar-thula, in Seláma's mossy towers. But now the night is around thee. The winds have deceived thy sails- — the winds have deceived thy sails, Dar-thula! Their blustering sound is high. Cease a little while, O north wind! Let me hear the voice of the lovely. Thy voice is lovely, Dar-thula, between the rustling blasts!

"Are these the rocks of Nathos?" she said, "this the roaring of his mountain streams? Comes that beam of light from Usnoth's nightly hall? The mist spreads around; the beam is feeble and distant far. But the light of Dar-thula's soul dwells in the chief of Etha! Son of the generous Usnoth, why that broken sigh? Are we in the land of strangers, chief of echoing Etha?"

"These are not the rocks of Nathos," he replied, "nor this the roar of his stream. No light comes from Etha's hall, for they are distant far. We are in the land of strangers, in the land of cruel Cairbar. The winds have deceived us, Dar-thula. Erin lifts here her hills. Go towards the north, Althos: be thy steps, Ardan, along the coast; that the foe may not come in darkness, and our hopes of Etha fail. I will go towards that mossy tower, to see who dwells about the beam. Rest, Dar-thula, on the shore! rest in peace, thou lovely light! the sword of Nathos is around thee, like the lightning of heaven!"

He went. She sat alone: she heard the roiling of the wave. The big tear is in her eye. She looks for returning Nathos. Her soul trembles at the bast. She turns her ear towards the tread of his feet. The tread of his feet is not heard. "Where art thou, son of my love! The roar of the blast is around me. Dark is the cloudy night. But Nathos does not return. What detains thee, chief of Etha? Have the foes met the hero in the strife of the night?"

He returned; but his face was dark. He had seen his departed friend! it was the wall of Tura. The ghost of Cuthullin stalked there alone; the sighing of his breast was frequent. The decayed flame of his eyes was terrible! His spear was a column of mist. The stars looked dim through his form. His voice was like hollow wind in a cave: his eye a light seen afar. He told the tale of grief. The soul of Nathos was sad, like the sun in the day of mist, when his face watery and dim.

"Why art thou sad, O Nathos!" said the lovely daughter of Colla. "Thou art a pillow of light to Dar-thula. The joy of her eyes is in Etha's chief. Where is my friend, but Nathos? My father, my brother is fallen! Silence dwells on Seláma. Sadness spreads on the blue streams of my land. My friends have fallen with Cormac. The mighty were slain in the battles of Erin. Hear, son of Usnoth! hear, O Nathos! my tale of grief.

"Evening darkened on the plain. The blue streams failed before mine eyes. The unfrequent blast came rustling in the tops of Seláma's groves. My seat was beneath a tree, on the walls of my fathers. Truthil past before my soul; the brother of my love: he that was absent in battle against the haughty Cairbar! Bending on his spear, the gray-haired Colla came. His downcast face is dark, and sorrow dwells in his soul. His sword is on the side of the hero; the helmet of his fathers on his head. The battle grows in his breast. He strives to hide the tear.

"'Dar-thula, my daughter,' he said, 'thou art the last of Colla's race! Truthil is fallen in battle. The chief of Seláma is no more! Cairbar comes, with his thousands, towards Seláma's walls. Colla will meet his pride, and revenge his son. But where shall I find thy safety, Dar-thula with the dark-brown hair! thou art lovely as the sunbeam of heaven, and thy friends are low!' 'Is the son of battle fallen?' I said, with a bursting sigh. 'Ceased the generous soul of Truthil to lighten through the field? My safety, Colla, is in that bow. I have learned to pierce the deer. Is not Cairbar like the hart of the desert, father of fallen Truthil?'

"The face of age brightened with joy. The crowded tears of his eyes poured down. The lips of Colla trembled. His gray beard whistled in the blast. 'Thou art the sister of Truthil,' he said; 'thou burnest in the fire of his soul. Take, Dar-thula, take that spear, that brazen shield, that burnished helm; they are the spoils of a warrior, a son of early youth! When the light rises on Seláma, we go to meet the car-borne Cairbar. But keep thou near the arm of Colla, beneath the shadow of my shield. Thy father, Dar-thula, could once defend thee; but age is trembling On his hand. The strength of his arm has failed. His soul is darkened with grief.'

"We passed the night in sorrow. The light of morning rose. I shone in the arms of battle. The gray haired hero moved before. The sons of Seláma convened around the sounding shield of Colla. But few were they in the plain, and their locks were gray. The youths had fallen with Truthil, in the battle of car-borne Cormac. 'Friends of my youth,' said Colla, 'it was not thus you have seen me in arms. It was not thus I strode to battle when the great Confaden fell. But ye are laden with grief. The darkness of age comes like the mist of the desert. My shield is worn with years! my sword is fixed in its place! I said to my soul, Thy evening shall be calm; thy departure like a fading light. But the storm has returned. I bend like an aged oak. My boughs are fallen on Seláma. I tremble in my place. Where art thou, with thy fallen heroes, O my beloved Truthil! Thou answerest not from thy rushing blast. The soul of thy father is sad. But I will be sad no more! Cairbar or Colla must fall! I feel the returning strength of my arm. My heart leaps at the sound of war.'

"The hero drew his sword. The gleaming blades of his people rose. They moved along the plain. Their gray hair streamed in the wind. Cairbar sat at the feast, in the silent plain of Lena. He saw the coming of the heroes. He called his chiefs to war. Why should I tell to Nathos how the strife of battle grew? I have seen thee in the midst of thousands, like the beam of heaven's fire: it is beautiful, but terrible; the people fall in its dreadful course. The spear of Colla flew. He remembered the battles of his youth. An arrow came with its sound. It pierced the hero's side. He fell on his echoing shield. My soul started with fear. I stretched my buckler over him: but my heaving breast was seen! Cairbar came with his spear. He beheld Seláma's maid. Joy rose on his dark-brown Taco. He stayed his lifted steel. He raised the tomb of Colla. He brought me weeping to Seláma. He spoke the words of love, but my soul was sad. I saw the shields of my fathers; the sword of car-borne Truthil. I saw the arms of the dead; the tear was on my cheek! Then thou didst come, O Nathos! and gloomy Cairbar fled. He fled like the ghost of the desert before the morning's beam. His host was not near; and feeble was his arm against thy steel! Why art thou sad, O Nathos?" said the lovely daughter of Colla.

"I have met," replied the hero, "the battle in my youth. My arm could not lift the spear when danger first arose. My soul brightened in the presence of war, as the green narrow vale, when the sun pours his streamy beams, before he hides his head in a storm. The lonely traveller feels a mournful joy. He sees the darkness that slowly comes. My soul brightened in danger before I saw Seláma's fair; before I saw thee, like a star that shines on the hill at night; the cloud advances, and threatens the lovely light! We are in the land of foes. The winds have deceived us, Dar-thula! The strength of our friends is not near, nor the mountains of Etha. Where shall I find thy peace, daughter of mighty Colla! The brothers of Nathos are brave, and his own sword has shone in fight. But what are the sons of Usnoth to the host of dark-brown Cairbar! O that the winds had brought thy sails, Oscar king of men! Thou didst promise to come to the battles of fallen Cormac! Then would my hand be strong as the flaming arm of death. Cairbar would tremble in his halls, and peace dwell round the lovely Dar-thula. But why dost thou fall, my soul? The sons of Usnoth may prevail!"

"And they will prevail, O Nathos!" said the rising soul of the maid. "Never shall Dar-thula behold the halls of gloomy Cairbar. Give me those arms of brass, that glitter to the passing meteor. I see them dimly in the dark-bosomed ship. Dar-thula will enter the battles of steel. Ghost of the noble Colla! do I behold thee on that cloud! Who is that dim beside thee? Is it the car-borne Truthil? Shall I behold the halls of him that slew Seláma's chief? No: I will not behold them, spirits of my love!"

Joy rose in the face of Nathos when he heard the white-bosomed maid. "Daughter of Seláma! thou shinest along my soul. Come, with thy thousands, Cairbar! the strength of Nathos is returned! Thou O aged Usnoth! shalt not hear that thy son has fled. I remembered thy words on Etha, when my sails began to rise: when I spread them towards Erin, towards the mossy walls of Tura! 'Thou goest,' he said, 'O Nathos, to the king of shields! Thou goest to Cuthullin, chief of men, who never fled from danger. Let not thine arm be feeble: neither be thy thoughts of flight; lest the son of Semo should say that Etha's race are weak. His words may come to Usnoth, and sadden his soul in the hall.' The tear was on my father's cheek. He gave this shining sword!

"I came to Tura's bay; but the halls of Tara were silent. I looked around, and there was none to tell of the son of generous Semo. I went to the hall of shells, where the arms of his fathers hung. But the arms were gone, and aged Lamhor sat in tears. 'Whence are the arms of steel?' said the rising Lamhor. 'The light of the spear has long been absent from Tura's dusky walls. Come ye from the rolling sea? or from Temora's mournful halls?'

"'We come from the sea,' I said, 'from Usnoth's rising towers. We are the sons of Slissáma, the daughter of car-borne Semo. Where is Tura's chief, son of the silent hall? But why should Nathos ask? for I behold thy tears. How did the mighty fall, son of the lonely Tura?' 'He fell not,' Lamhor replied, 'like the silent star of night, when it flies through darkness and is no more. But he was like a meteor that shoots into a distant land. Death attends its dreary course. Itself is the sign of wars. Mournful are the banks of Lego; and the roar of streamy Lara! There the hero fell, son of the noble Usnoth!' 'The hero fell in the midst of slaughter,' I said with a bursting sigh. 'His hand was strong in war. Death dimly sat behind his sword.'

"We came to Lego's sounding banks. We found his rising tomb. His friends in battle are there: his bards of many songs. Three days we mourned over the hero: on the fourth I struck the shield of Caithbat. The heroes gathered around with joy, and shook their beamy spears. Corlath was near with his host, the friend of car-borne Cairbar. We came like a stream by night. His heroes fell before us. When the people of the valley rose, they saw their blood with morning's light. But we rolled away, like wreaths of mist, to Cormac's echoing hall. Our swords rose to defend the king. But Temora's halls were empty. Cormac had fallen in his youth. The king of Erin was no more!

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Elizabeth Barrett Browning

First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

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poem by from Aurora Leigh (1856)Report problemRelated quotes
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