The Sergeant's Weddin
'E was warned agin' 'er --
That's what made 'im look;
She was warned agin' 'im --
That is why she took.
'Wouldn't 'ear no reason,
'Went an' done it blind;
We know all about 'em,
They've got all to find!
Cheer for the Sergeant's weddin' --
Give 'em one cheer more!
Grey gun-'orses in the lando,
An' a rogue is married to, etc.
What's the use o' tellin'
'Arf the lot she's been?
'E's a bloomin' robber,
~An'~ 'e keeps canteen.
'Ow did 'e get 'is buggy?
Gawd, you needn't ask!
'Made 'is forty gallon
Out of every cask!
Watch 'im, with 'is 'air cut,
Count us filin' by --
Won't the Colonel praise 'is
Pop -- u -- lar -- i -- ty!
We 'ave scores to settle --
Scores for more than beer;
She's the girl to pay 'em --
That is why we're 'ere!
See the chaplain thinkin'?
See the women smile?
Twig the married winkin'
As they take the aisle?
Keep your side-arms quiet,
Dressin' by the Band.
Ho! You 'oly beggars,
Cough be'ind your 'and!
Now it's done an' over,
'Ear the organ squeak,
"~'Voice that breathed o'er Eden~" --
Ain't she got the cheek!
White an' laylock ribbons,
Think yourself so fine!
I'd pray Gawd to take yer
'Fore I made yer mine!
[...] Read more
poem by Rudyard Kipling
Added by Poetry Lover
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Related quotes
The Midnight Axe
I.
The red day sank as the Sergeant rode
Through the woods grown dim and brown,
One farewell flush on his carbine glowed,
And the veil of the dusk drew down.
No sound of life save the hoof-beats broke
The hush of the lonely place,
Or the short, sharp words that the Sergeant spoke
When his good horse slackened pace,
Or hungrily caught at the ti-tree shoots,
Or in tangled brushwood tripped
Faltered amid disrupted roots,
Or on porphyry outcrop slipped.
The woods closed in; through the vaulted dark
No ray of starlight shone,
But still o'er the crashing litter of bark
Trooper and steed tore on.
Night in the bush, and the bearings lost;
But the Sergeant took no heed,
For Fate that morn his will had crossed,
And his wrath was hot indeed.
The captured prey that his hands had gripped
Ere the dawn in his lone bush lair
The bonds from his pinioned wrists had slipped,
And was gone he knew not where.
Therefore the wrath of Sergeant Hume
Burned fiercely as on he fared,
And whither he rode through the perilous gloom
He neither knew nor cared,
But still, as the dense brush checked the pace,
Would drive the sharp spurs in,
Though the pendent parasites smote his face,
Or caught him beneath the chin.
The woodland dipped, or upward bent,
But he recked not of hollow or hill,
Till right on the brink of a sheer descent
His trembling horse stood still.
And when, in despite of word and oath,
He swerved from the darksome edge,
The unconscious man, dismounting loth,
Set foot on a yielding ledge.
[...] Read more
poem by James Brunton Stephens
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Pharaoh and the Sergeant
". . . Consider that the meritorious services of the Sergeant Instructors attached to the Egyptian Army haue been inadequately acknowledged. . . . To the excellence of their work is mainly due the great improvement that has taken place in the soldiers of H.H. the Khedive." -- Extract from Letter, 1897
Said England unto Pharaoh, "I must make a man of you,
That will stand upon his feet and play the game;
That will Maxim his oppressor as a Christian ought to do,"
And she sent old Pharaoh Sergeant Whatisname.
It was not a Duke nor Earl, nor yet a Viscount --
It was not a big brass General that came;
But a man in khaki kit who could handle men a bit,
With his bedding labelled Sergeant Whatisname.
Said England unto Pharaoh, "Though at present singing small,
You shall hum a proper tune before it ends,"
And she introduced old Pharaoh to the Sergeant once for all,
And left 'em in the desert making friends.
It was not a Crystal Palace nor Cathedral;
It was not a public-house of common fame;
But a piece of red-hot sand, with a palm on either hand,
And a little hut for Sergeant Whatisname.
Said England unto Pharaoh, "You 've had miracles before,
When Aaron struck your rivers into blood;
But if you watch the Sergeant he can show vou something more. '
He's a charm for making riflemen from mud."
It was neither Hindustani, French, nor Coptics;
It was odds and ends and leavings of the same,
Translated by a stick (which is really half the trick),
And Pharaoh harked to Sergeant Whatisname.
(There were y ears that no one talked of; there were times of horrid doubt --
There was faith and hope and whacking and despair --
While the Sergeant gave the Cautions and he combed old Pharaoh out,
And England didn't seem to know nor care.
That is England's awful way o' doing business --
She would serve her God (or Gordon) just the same --
For she thinks her Empire still is the Strand and Hol born Hill,
And she didn't think of Sergeant Whatisname.)
Said England to the Sergeant, "You can let my people go!"
(England used 'em cheap and nasty from the start),
And they entered 'em in battle on a most astonished foe --
But the Sergeant he had hardened Pharaoh's heart
Which was broke, along of all the plagues of Egypt,
Three thousand years before the Sergeant came
And he mended it again in a little more than ten,
Till Pharaoh fought like Sergeant Whatisname.
It was wicked bad campaigning (cheap and nasty from the first),
There was heat and dust and coolie-work and sun,
[...] Read more
poem by Rudyard Kipling
Added by Poetry Lover
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Tellin Me Lies
(myles goodwyn)
Published by northern goody two tunes, ltd./capac - ascap
Why should I be embarrassed
Say things I never mean
Worry too much for no reason
Cant last, not the way Im feelin
Tellin me lies, tellin me lies
Tellin me lies, tellin me lies
Tellin me lies, no alibis
You say youre feelin restless
Im sure thats what you said
Its alright, just be on the level
Theres no need playin with my head now (ooh yeah)
Tellin me lies, tellin me lies
Tellin me lies, tellin me lies
Tellin me lies, no alibis
Heartaches, always the same story
Heartaches, always the same story
No more sleepless nights alone
Last time, youre gonna lead me on heartaches
Two wrongs dont make it right girl
Someone has to be true
Come on, tell me how you want it
Just dont treat me like a fool (ooh yeah)
Tellin me lies, tellin me lies
Tellin me lies, tellin me lies
Tellin me lies, no alibis
Tellin me lies
Tellin me lies
Tellin me lies, tellin me lies
Tellin me lies
Tellin me lies
Tellin me lies, no alibis
song performed by April Wine
Added by Lucian Velea
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Blind
Signs
Signs are lost
Signs disappeared
Turn invisible
Got no sign
Somebody got busted
Got a face of stone
And a ghostwritten biography
Dogs start to run in,
Hungry for some food
Dogs start a-twitching
And theyre looking at you
It was light
By five
Torn all apart
All in the name of democracy
Hes hurt
Hes dying
Claimed he was a terrorist
Claimed to avert a catastrophe
Someone shoulda told him
That the buck stops here
No one ever said
That he was involved with thieves
And theyre blind, blind
Blind, blind, blind, blind, blind
Blind, blind
Blind, blind, blind, blind, blind
No sense of harmony, no sense of time,
Dont mention harmony,
Say: what is it? what is it? what is it?
Give a little shock, and he raises his hand
Somebody shouts out,
Says: what is it? what is it? what is it?
He was shot down in the night!
Peopple ride by but his bodys still alive
The girl in the window what has she done?
She looks down at me ...
Says: i dont want to die!
And Im blind, blind
Blind, blind, blind, blind, blind
Blind, blind
Blind, blind, blind, blind, blind
Somebody could have told us where they go
Crawling all around looking for foot, foot, footprints
Now tell me what the hell have we become?
Some dirty little bastards what the hell is going on? u
No sense of harmony, no sense of time,
Dont mention harmony,
Say: what is it? what is it? what is it?
[...] Read more
song performed by Talking Heads
Added by Lucian Velea
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V. Count Guido Franceschini
Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Give The Po Man A Break
Give po man a break
Give po man a break
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
Give po man a
[...] Read more
song performed by Fatboy Slim
Added by Lucian Velea
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Back to the Army Again
I'm 'ere in a ticky ulster an' a broken billycock 'at,
A-layin' on the sergeant I don't know a gun from a bat;
My shirt's doin' duty for jacket, my sock's stickin' out o' my boots,
An' I'm learnin' the damned old goose-step along o' the new recruits!
Back to Army again, sergeant,
Back to the Army again.
Don't look so 'ard, for I 'aven't no card,
I'm back to the Army again!
I done my six years' service. 'Er Majesty sez: "Good day --
You'll please to come when you're rung for, an' 'ere's your 'ole back-pay:
An' fourpence a day for baccy -- an' bloomin' gen'rous, too;
An' now you can make your fortune -- the same as your orf'cers do."
Back to the Army again, sergeant,
Back to the Army again.
'Ow did I learn to do right-about-turn?
I'm back to the Army again!
A man o' four-an'-twenty that 'asn't learned of a trade --
Beside "Reserve" agin' him -- 'e'd better be never made.
I tried my luck for a quarter, an' that was enough for me,
An' I thought of 'Er Majesty's barricks, an' I thought I'd go an' see.
Back to the Army again, sergeant,
Back to the Army again.
'Tisn't my fault if I dress when I 'alt --
I'm back to the Army again!
The sergeant arst no questions, but 'e winked the other eye,
'E sez to me, " 'Shun!" an' I shunted, the same as in days gone by;
For 'e saw the set o' my shoulders, an' I couldn't 'elp 'oldin' straight
When me an' the other rookies come under the barrik-gate.
Back to the Army again, sergeant,
Back to the Army again.
'Oo would ha' thought I could carry an' port?
I'm back to the Army again!
I took my bath, an' I wallered -- for, Gawd, I needed it so!
I smelt the smell o' the barricks, I 'eard the bugles go.
I 'eard the feet on the gravel -- the feet o' the men what drill --
An' I sez to my flutterin' 'eart-strings, I sez to 'em, "Peace, be still!"
Back to the Army again, sergeant,
Back to the Army again.
'Oo said I knew when the troopship was due?
I'm back to the Army again!
[...] Read more
poem by Rudyard Kipling
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Virginia's Story
Elizabeth Gates-Wooten is my Grand mom.
She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.
When she was old enough she got married.
First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.
Agnes was my mother.
Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.
Then they moved to West Virginia in the United States.
Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.
Anna was a maid and cook.
She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth
They were both good cooks
They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.
My moms name was Agnes Barrie Gates.
She married James Wright and moved to Cleveland.
[...] Read more
poem by Talile Ali
Added by Poetry Lover
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VII. Pompilia
I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.
All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.
Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Love Gun
I really love you baby
I love what youve got
Lets get together, we can
Get hot
No more tomorrow, baby
Time is today
Girl, I can make you feel
Okay
No place for hidin baby
No place to run
You pull the trigger of my
Love gun, (love gun), love gun
Love gun, (love gun), love gun
You cant forget me baby
Dont try to lie
Youll never leave me, mama
So dont try
Ill be a gambler, baby
Lay down the bet
We get together, mama
Youll sweat
No place for hidin baby
No place to run
You pull the trigger of my
Love gun, (love gun), love gun
Love gun, (love gun), love gun
Love gun, love gun
Love gun, (love gun), love gun
Love gun, (love gun)
Love gun, (love gun), love gun
Love gun, (love gun), love gun
Love gun, (love gun)
Love gun, (love gun)
Love gun, (love gun)
Love gun, (love)
song performed by Kiss
Added by Lucian Velea
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The Teacher Of Wisdom
From his childhood he had been as one filled with the perfect
knowledge of God, and even while he was yet but a lad many of the
saints, as well as certain holy women who dwelt in the free city of
his birth, had been stirred to much wonder by the grave wisdom of
his answers.
And when his parents had given him the robe and the ring of manhood
he kissed them, and left them and went out into the world, that he
might speak to the world about God. For there were at that time
many in the world who either knew not God at all, or had but an
incomplete knowledge of Him, or worshipped the false gods who dwell
in groves and have no care of their worshippers.
And he set his face to the sun and journeyed, walking without
sandals, as he had seen the saints walk, and carrying at his girdle
a leathern wallet and a little water-bottle of burnt clay.
And as he walked along the highway he was full of the joy that
comes from the perfect knowledge of God, and he sang praises unto
God without ceasing; and after a time he reached a strange land in
which there were many cities.
And he passed through eleven cities. And some of these cities were
in valleys, and others were by the banks of great rivers, and
others were set on hills. And in each city he found a disciple who
loved him and followed him, and a great multitude also of people
followed him from each city, and the knowledge of God spread in the
whole land, and many of the rulers were converted, and the priests
of the temples in which there were idols found that half of their
gain was gone, and when they beat upon their drums at noon none, or
but a few, came with peacocks and with offerings of flesh as had
been the custom of the land before his coming.
Yet the more the people followed him, and the greater the number of
his disciples, the greater became his sorrow. And he knew not why
his sorrow was so great. For he spake ever about God, and out of
the fulness of that perfect knowledge of God which God had Himself
given to him.
And one evening he passed out of the eleventh city, which was a
city of Armenia, and his disciples and a great crowd of people
followed after him; and he went up on to a mountain and sat down on
a rock that was on the mountain, and his disciples stood round him,
and the multitude knelt in the valley.
And he bowed his head on his hands and wept, and said to his Soul,
'Why is it that I am full of sorrow and fear, and that each of my
disciples is an enemy that walks in the noonday?' And his Soul
answered him and said, 'God filled thee with the perfect knowledge
of Himself, and thou hast given this knowledge away to others. The
[...] Read more
poem by Oscar Wilde
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Gun Love
{on this second of two new tracks, zz takes their cue from jimmy reeds
Blues classic real gone lover. despite the title, this ballistic
Track has more in common with traditional blues themes than the nra.
Recorded for this occasion, billys lead is played on a fender jaguar,
Standard side arm for surf music warriors of yore.}
She likes to shoot her gun,
Shootin at the target of love.
She likes to load her chamber,
Hot and tight like a black leather glove.
Shes a little freak, but shell take you in.
You might be sittin at the end of a firing pin.
Gun love, gun love, gun love,
Shes a real gun lover,
Gun love, gun love, gun love,
Shes a real gun lover tonight.
Shes so particular, she likes a smith and wesson or colt.
But shell give you some lovin as long as shes cockin the bolt.
Better hold on when shes up to her tricks
Playin russian roulette but shell load all six.
Gun love, gun love, gun love,
Shes a real gun lover,
Gun love, (gun love) gun love, (gun love) gun love,
Shes a real gun lover tonight.
She likes the punch deep down in her pistolero.
Running with the wild bunch, makin like a robert dinero.
Shes kinda shy but make no mistake,
Shell shoot you full of love till your love bone aches.
Gun love, gun love, gun love,
Shes a real gun lover,
Gun love, (gun love) gun love, gun love,
Shes a real gun lover tonight.
Shes a real gun lover.
Shes a real gun lover tonight.
song performed by ZZ Top
Added by Lucian Velea
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Im Your Gun
Im dressed in black
Im a heart attack
And my draw is lightning quick
If youre looking for a man with
Magic hands
I can really do the trick
And if you see me on the street
And youre burnin from the heat
Theres a fire down below
You be the target on the bed
Ill be shootin hot lead
Let me take control
Youre a scared little girl in this
Big, bad town
So easy to sink, so easy to drown
Pull my trigger, I get bigger
Then Im lots of fun
Im your gun
Im your gun, gun, gun
Bite my bullet
Push and pull it
Tell me Im the one
Im your gun
Im your gun, gun, gun
Hold on steady, always ready,
Yeah
Well, Im as hard as they come
Im a hit and run
Im a pistol packin boy
Better walk real slow
Im on the edge, yknow
And Im easily annoyed
If somethings giving you trouble
Ill be there on the double
Just call me on the line
Ive got a muscle I can flex
Itll fog your little specs
Till you think youre going blind
I know these streets like the scars
On my back
And I stay as loaded as this gun
On my back
Pull my trigger, I get bigger
Then Im lots of fun
Im your gun
Im your gun, gun, gun
Bite my bullet
Push and pull it
Tell me Im the one
Im your gun
[...] Read more
song performed by Alice Cooper
Added by Lucian Velea
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Roan Stallion
The dog barked; then the woman stood in the doorway, and hearing
iron strike stone down the steep road
Covered her head with a black shawl and entered the light rain;
she stood at the turn of the road.
A nobly formed woman; erect and strong as a new tower; the
features stolid and dark
But sculptured into a strong grace; straight nose with a high bridge,
firm and wide eyes, full chin,
Red lips; she was only a fourth part Indian; a Scottish sailor had
planted her in young native earth,
Spanish and Indian, twenty-one years before. He had named her
California when she was born;
That was her name; and had gone north.
She heard the hooves and
wheels come nearer, up the steep road.
The buckskin mare, leaning against the breastpiece, plodded into
sight round the wet bank.
The pale face of the driver followed; the burnt-out eyes; they had
fortune in them. He sat twisted
On the seat of the old buggy, leading a second horse by a long
halter, a roan, a big one,
That stepped daintily; by the swell of the neck, a stallion. 'What
have you got, Johnny?' 'Maskerel's stallion.
Mine now. I won him last night, I had very good luck.' He was
quite drunk, 'They bring their mares up here now.
I keep this fellow. I got money besides, but I'll not show you.'
'Did you buy something, Johnny,
For our Christine? Christmas comes in two days, Johnny.' 'By
God, forgot,' he answered laughing.
'Don't tell Christine it's Christmas; after while I get her something,
maybe.' But California:
'I shared your luck when you lost: you lost me once, Johnny, remember?
Tom Dell had me two nights
Here in the house: other times we've gone hungry: now that
you've won, Christine will have her Christmas.
We share your luck, Johnny. You give me money, I go down to
Monterey to-morrow,
Buy presents for Christine, come back in the evening. Next day
Christmas.' 'You have wet ride,' he answered
Giggling. 'Here money. Five dollar; ten; twelve dollar. You
buy two bottles of rye whiskey for Johnny.'
A11 right. I go to-morrow.'
He was an outcast Hollander; not
old, but shriveled with bad living.
The child Christine inherited from his race blue eyes, from his
life a wizened forehead; she watched
From the house-door her father lurch out of the buggy and lead
with due respect the stallion
To the new corral, the strong one; leaving the wearily breathing
buckskin mare to his wife to unharness.
[...] Read more
poem by Robinson Jeffers
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Marksman Sam
When Sam Small joined the regiment,
'E were no' but a raw recruit,
And they marched 'im away one wint'ry day,
'Is musket course to shoot.
They woke 'im up at the crack o' dawn,
Wi' many a nudge and shake,
'E were dreaming that t' Sergeant 'ad broke 'is neck,
And 'e didn't want to wake.
Lieutenant Bird came on parade,
And chided the lads for mooning,
'E talked in a voice like a pound o' plums,
'Is tonsils needed pruning.
"Move to the right by fours," he said,
Crisp like but most severe,
But Sam didn't know 'is right from 'is left,
So pretended 'e didn't 'ear.
Said Lieutenant, "Sergeant, take this man's name."
The Sergeant took out 'is pencil,
'E were getting ashamed o' taking Sam's name,
And were thinking o' cutting a stencil.
Sam carried a musket, a knapsack and coat,
Spare boots that 'e'd managed to wangle,
A 'atchet, a spade... in fact, as Sam said,
'E'd got everything bar t'kitchen mangle.
"March easy men," Lieutenant cried,
As the musket range grew near,
"March easy me blushing Aunt Fanny," said Sam,
"What a chance with all this 'ere."
When they told 'im to fire at five 'undred yards,
Sam nearly 'ad a fit,
For a six foot wall, or the Albert 'All,
Were all 'e were likely to 'it.
'E'd fitted a cork in 'is musket end,
To keep 'is powder dry,
And 'e didn't remember to take it out,
The first time 'e let fly.
'Is gun went off with a kind o' pop,
Where 'is bullet went no-one knew,
But next day they spoke of a tinker's moke,
Being killed by a cork... in Crewe.
[...] Read more
poem by Marriott Edgar
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Sgt. Pepper's Lonely Hearts Club Band
We're sergeant pepper's lonely hearts club band
We hope you have enjoyed the show
Sergeant pepper's lonely hearts club band
We're sorry but it's time to go.
Sergeant pepper's lonely.
Sergeant pepper's lonely.
Sergeant pepper's lonely.
Sergeant pepper's lonely.
Sergeant pepper's lonely hearts club band
We'd like to thank you once again
Sergeant pepper's one and only lonely hearts club band
It's getting very near the end
Sergeant pepper's lonely
Sergeant pepper's lonely
Sergeant pepper's lonely hearts club band.
song performed by Beatles
Added by Lucian Velea
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Danny Deever
"What are the bugles blowin' for?" said Files-on-Parade.
"To turn you out, to turn you out", the Colour-Sergeant said.
"What makes you look so white, so white?" said Files-on-Parade.
"I'm dreadin' what I've got to watch", the Colour-Sergeant said.
For they're hangin' Danny Deever, you can hear the Dead March play,
The regiment's in 'ollow square -- they're hangin' him to-day;
They've taken of his buttons off an' cut his stripes away,
An' they're hangin' Danny Deever in the mornin'.
"What makes the rear-rank breathe so 'ard?" said Files-on-Parade.
"It's bitter cold, it's bitter cold", the Colour-Sergeant said.
"What makes that front-rank man fall down?" said Files-on-Parade.
"A touch o' sun, a touch o' sun", the Colour-Sergeant said.
They are hangin' Danny Deever, they are marchin' of 'im round,
They 'ave 'alted Danny Deever by 'is coffin on the ground;
An' 'e'll swing in 'arf a minute for a sneakin' shootin' hound --
O they're hangin' Danny Deever in the mornin'!
"'Is cot was right-'and cot to mine", said Files-on-Parade.
"'E's sleepin' out an' far to-night", the Colour-Sergeant said.
"I've drunk 'is beer a score o' times", said Files-on-Parade.
"'E's drinkin' bitter beer alone", the Colour-Sergeant said.
They are hangin' Danny Deever, you must mark 'im to 'is place,
For 'e shot a comrade sleepin' -- you must look 'im in the face;
Nine 'undred of 'is county an' the regiment's disgrace,
While they're hangin' Danny Deever in the mornin'.
"What's that so black agin' the sun?" said Files-on-Parade.
"It's Danny fightin' 'ard for life", the Colour-Sergeant said.
"What's that that whimpers over'ead?" said Files-on-Parade.
"It's Danny's soul that's passin' now", the Colour-Sergeant said.
For they're done with Danny Deever, you can 'ear the quickstep play,
The regiment's in column, an' they're marchin' us away;
Ho! the young recruits are shakin', an' they'll want their beer to-day,
After hangin' Danny Deever in the mornin'.
poem by Rudyard Kipling
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Sam's Racehorse
When Sam Small retired from the Army
He'd a pension of ninepence a day,
And seven pounds fourteen and twopence
He'd saved from his rations and pay.
He knew this 'ere wasn't a fortune,
But reckoned with prudence and care
He'd find some investment to save him
From hard work and things like that there.
He thought he'd invest in a race orse,
As apart from excitement and fun
He'd be able to sit down in comfort
And live on the money he won.
He knew buying 'orses was tricky,
But that didn't daunt him at all;
He said "They must rise early 't mornin
As wants to play tricks on Sam Small!"
When he called on the local 'Orse-dealer
Surprise rooted him to the spot,
For he found 'twere his old Comp'ny Sergeant,
Whose kindness he'd never forgot.
'Twere a happy reunion on both sides,
Their pleasure at meeting was great,
For each hoped to diddle the other
And wipe a few grudges off slate.
The Sergeant brought out his race 'orses,
For which he asked various sums;
They hadn't a tooth left between them,
But Sam knew their age by their gums.
Sam studied their lines and deportment
As Sergeant were trotting them round,
And told him he reckoned their value
Were fourpence, per race 'orse, per pound.
Now the Sarg. had a filly called Buster
As he hadn't said nothing about,
But when Sam turned his nose up at t'others
He thought as he'd best trot her out.
Sam were struck with her youthful appearance,
Though there wasn't much light in the place,
For her teeth were all pearly and even
And there wasn't a line on her face.
[...] Read more
poem by Marriott Edgar
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