The Goal Of Life
Life is a maze with many forks
At which one turns without rout maps.
In the maze, exit is the goal.
In the life, avoiding it is the goal.
poem by Rm. Shanmugam Chettiar
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Related quotes
The Brus Book XIII
[Douglas's division attacks]
Quhen thir twa fyrst bataillis wer
Assemblyt as I said you er,
The Stewart Walter that than was
And the gud lord als of Douglas
5 In a bataill, quhen that thai saw
The erle foroutyn dred or aw
Assembill with his cumpany
On all that folk sa sturdely
For till help him thai held thar way
10 And thar bataill in gud aray,
And assemblyt sa hardely
Besid the erle a litill by
That thar fayis feld thar cummyn wele,
For with wapynnys stalwart of stele
15 Thai dang apon with all thar mycht.
Thar fayis resavyt weile Ik hycht
With swerdis speris and with mase,
The bataill thar sa feloune was
And sua rycht gret spilling of blud
20 That on the erd the flousis stud.
The Scottismen sa weill thaim bar
And sua gret slauchter maid thai thar
And fra sa fele the lyvis revyt
That all the feld bludy wes levyt.
25 That tyme thar thre bataillis wer
All syd be sid fechtand weill ner,
Thar mycht men her mony dynt
And wapynnys apon armuris stynt,
And se tumble knychtis and stedis
30 And mony rich and reale wedis
Defoullyt foully under fete,
Sum held on loft sum tynt the suet.
A lang quhill thus fechtand thai war
That men na noyis mycht her thar,
35 Men hard nocht bot granys and dintis
That slew fyr as men slayis on flyntis,
Thai faucht ilk ane sa egerly
That thai maid nother moyis na cry
Bot dang on other at thar mycht
40 With wapnys that war burnyst brycht.
The arowys als sua thyk thar flaw
That thai mycht say wele that thaim saw
That thai a hidwys schour gan ma,
For quhar thai fell Ik undreta
45 Thai left efter thaim taknyng
That sall ned as I trow leching.
[Sir Robert Keith's cavalry disperses the English archers]
[...] Read more
poem by John Barbour
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Some Got a Battle On Their Maps
I use to hate to
Re-organize
My life
For someone...
Who did not know who to appreciate.
I use to hate to
Re-organize
My life
For someone...
Who did not know who to appreciate.
I use to hate to
Re-organize
My life
For someone...
Who did not know who to appreciate.
People are like that,
They do not appreciate.
Some can be so ruthless,
They do not appreciate.
People are like that.
Sad is the fact.
People are like that.
Some got a battle on their maps.
People are like that!
Some got a battle on their maps.
People are like that!
Sad is the fact.
People are like that!
Some got a battle on their maps.
People are like that!
Some got a battle on their maps.
People are like that!
Some got a battle on their maps.
People are like that!
Some got a battle on their maps.
I use to hate to
Re-organize
My life
For someone...
Who did not know who to appreciate.
People are like that,
They do not appreciate.
Some can be so ruthless,
[...] Read more
poem by Lawrence S. Pertillar
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The Maze of Life
Onward through the maze of life
Each day forward we trek
Choosing which turn to take
Choices made, through the maze of life
Onward through the maze of life
Enduring our life in pleasures we seek
Engulfed in our own, private world
Slicing a way through the maze of life
Onward through the maze of life
Choices made, yet with little thought
The impact on others, without inclination
No compassion, through the maze of life
Onward through the maze of life
Grasping for all we can gather
Clawing to enhance our fortunes
Monetary wealth, through the maze of life
Onward through the maze of life
Each soul, a world of one
Each world, a kingdom of its own
Wasted soul, through the maze of life
Onward through the maze of life
No thoughts for the future,
Enjoying life, only for today,
, Future ignored, through the maze of life
Onward through the maze of life
Picking the apples, devouring the fruit
Filling our bellies today
Living for today, through the maze of life
Onward through the maze of death
A choice not chosen, a choice not ours
To late for changes, no more choices
Souls in default, through the maze of death!
poem by B.J. Ayers
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The Cenci : A Tragedy In Five Acts
DRAMATIS PERSONÆ
Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.
The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.
ACT I
Scene I.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.
Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.
Cenci.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!
[...] Read more
poem by Percy Bysshe Shelley
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The Hunting of the Snark: An Agony in Eight Fits
Fit the First.
THE LANDING
"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.
"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
What I tell you three times is true."
The crew was complete: it included a Boots—
A maker of Bonnets and Hoods—
A Barrister, brought to arrange their disputes—
And a Broker, to value their goods.
A Billiard-marker, whose skill was immense,
Might perhaps have won more than his share—
But a Banker, engaged at enormous expense,
Had the whole of their cash in his care.
There was also a Beaver, that paced on the deck,
Or would sit making lace in the bow:
And had often (the Bellman said) saved them from wreck,
Though none of the sailors knew how.
There was one who was famed for the number of things
He forgot when he entered the ship:
His umbrella, his watch, all his jewels and rings,
And the clothes he had bought for the trip.
He had forty-two boxes, all carefully packed,
With his name painted clearly on each:
But, since he omitted to mention the fact,
They were all left behind on the beach.
The loss of his clothes hardly mattered, because
He had seven coats on when he came,
With three pairs of boots—but the worst of it was,
He had wholly forgotten his name.
He would answer to "Hi!" or to any loud cry,
Such as "Fry me!" or "Fritter my wig!"
To "What-you-may-call-um!" or "What-was-his-name!"
But especially "Thing-um-a-jig!"
While, for those who preferred a more forcible word,
He had different names from these:
[...] Read more
poem by Lewis Carroll (1876)
Added by Veronica Serbanoiu
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The Hunting of the Snark
Fit the First
THE LANDING
'Just the place for a Snark!' the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.
'Just the place for a Snark! I have said it twice:
That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
What i tell you three times is true.'
The crew was complete: it included a Boots--
A maker of Bonnets and Hoods--
A Barrister, brought to arrange their disputes--
And a Broker, to value their goods.
A Billiard-maker, whose skill was immense,
Might perhaps have won more than his share--
But a Banker, engaged at enormous expense,
Had the whole of their cash in his care.
There was also a Beaver, that paced on the deck,
Or would sit making lace in the bow:
And had often (the Bellman said) saved them from wreck,
Though none of the sailors knew how.
There was one who was famed for the number of things
He forgot when he entered the ship:
His umbrella, his watch, all his jewels and rings,
And the clothes he had bought for the trip.
He had forty-two boxes, all carefully packed,
With his name painted clearly on each:
But, since he omitted to mention the fact,
They were all left behind on the beach.
The loss of his clothes hardly mattered, because
He had seven coats on when he came,
With three pairs of boots--but the worst of it was,
He had wholly forgotten his name.
He would answer to 'Hi!' or to any loud cry,
Such as 'Fry me!' or 'Fritter my wig!'
To 'What-you-may-call-um!' or 'What-was-his-name!'
But especially 'Thing-um-a-jig!'
While, for those who preferred a more forcible word,
He had different names from these:
[...] Read more
poem by Lewis Carroll
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Maps And Legends
He's not to be reached he's to be reached.
He's not to be reached he's to be reached.
Called the fool and the company
On his own where he'd rather be.
Where he ought to be he sees what you can't see can't you see that?
Maybe he's caught in the legend
maybe he's caught in the mood.
Maybe these maps and legends
have been misunderstood.
Down the way the road's divided
Paint me the places you have seen.
Those who know what I don't know
refer to the yellow, red and green
Maybe he's caught in the legend,
maybe he's caught in the mood.
Maybe these maps and legends
have been misunderstood.
He's not to be reached, he's to be reached. (4 times)
The map that you painted didn't seem real.
He just sings whatever he's seen
Point to the legend, point to the east,
Point to the yellow, red and green
Maybe he's caught in the legend,
maybe he's caught in the mood.
Maybe these maps and legends
have been misunderstood, been misunderstood. (Maps and legends)
(Maps and legends) Is he to be reached? He's not to be reached.
(Maps and legends) Is he to be reached? He's not to be reached.
(Maps and legends) Is he to be reached? He's not to be reached anymore
song performed by REM
Added by Lucian Velea
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Maps & Legends
Hes not to be reached, hes to be reached.
Hes not to be reached, hes to be reached.
Called the fool and the company,
On his own where hed rather be.
Where he ought to be, he sees what you cant see,
Cant you see that?
Maybe hes caught in the legend,
Maybe hes caught in the mood.
Maybe these maps and legends
Have been misunderstood.
Down the way the roads divided,
Paint me the places you have seen.
Those who know what I dont know
Refer to the yellow, red and green
Maybe hes caught in the legend,
Maybe hes caught in the mood.
Maybe these maps and legends
Have been misunderstood.
Hes not to be reached, hes to be reached. (4 times)
The map that you painted didnt seem real.
He just sings whatever hes seen
Point to the legend, point to the east,
Point to the yellow, red and green
Maybe hes caught in the legend,
Maybe hes caught in the mood.
Maybe these maps and legends
Have been misunderstood, been misunderstood.
(maps and legends)
(maps and legends) is he to be reached?
Hes not to be reached.
(maps and legends) is he to be reached?
Hes not to be reached.
(maps and legends) is he to be reached?
Hes not to be reached anymore.
song performed by REM
Added by Lucian Velea
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Last Exit Brooklyn
When the sun crashes into your world
Look around and you try and find your girl
And youre daring, too sick of what you see
Out of town is the only place to be
When your life starts to run out of juice
Feel like dyin and you just want to get loose
Prayin moves dont make much sense to you
Seeing red before your feeling is blue
Last exit brooklyn....last exit brooklyn
Going back, getting out of this town
Stretch it lean and mean, it turns you around
Take your dreams and stretch them out on the street
Take your turn to get back on your feet
Feel the wheels singin over the ridge
Feel the song like oakland take you
All the time you knew you had the itch
All the girls were glad to see you
Last exit brooklyn....last exit brooklyn
Girl in ol v wont pray
Dont give you a hard time
All the girls from brooklyn say
Last exit brooklyn....last exit brooklyn
Do you remember the day you left the block
Your mama said you would live to regret it
Coming home, coming stoned, come in hope, coming ready
Are you holding steady
Last exit brooklyn....last exit brooklyn....last exit brooklyn
(mccafferty, agnew, charlton, sweet)
1984 fool circle music
song performed by Nazareth
Added by Lucian Velea
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Soccer–Passion Song
Soccer–Passion Song
Soccer in the evening;
Soccer in the morning;
Soccer in spring and fall.
Soccer in the raining;
Soccer in the snowing;
Soccer in winter and summer.
Soccer in between my feet,
where I walk;
Soccer in my heart and mind,
how I live;
Soccer my love and life.
Soccer I wake up and play;
Soccer I hold it to sleep;
Soccer my work and rest.
Soccer I sing a new song;
Soccer I dance the magic steps;
Soccer my tears and joy.
Soccer my Mom buys it for me to play;
Soccer my Dad brings me to the game;
Soccer my dear Love watches me to score.
Soccer I dribble and shoot;
Soccer I pass and fall;
Soccer my glory and downfall.
Soccer I strike to attack;
Soccer I tackle to defend;
Soccer my struggle and survival.
Soccer I receive the flags and the whistles;
Soccer I get the yellow and red card;
Soccer my moves and stop.
Soccer I meet my friends;
Soccer I make my enemies;
Soccer my conflict and peace.
Soccer I play and watch;
Soccer I watch but cannot play;
Soccer my dream and reality.
Soccer I learn the rights;
Soccer I confess the fouls;
[...] Read more
poem by Laijon Liu
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The Brus Book XI
[Criticism of the compact about Stirling Castle]
And quhen this connand thus wes mad
Schir Philip intill Ingland raid
And tauld the king all haile his tale,
How he a tuelf moneth all hale
5 Had as it writyn wes in thar taile
To reskew Strevillyne with bataill.
And quhen he hard Schyr Philip say
That Scottismen had set a day
To fecht and that sic space he had
10 To purvay him he wes rycht glaid,
And said it wes gret sukudry
That set thaim apon sic foly,
For he thocht to be or that day
Sa purvayit and in sic aray
15 That thar suld nane strenth him withstand,
And quhen the lordis off Ingland
Herd that this day wes set planly
Thai jugyt all to gret foly,
And thoucht to haiff all thar liking
20 Giff men abaid thaim in fechting,
Bot oft faillys the fulis thocht
And yeit wys mennys ay cummys nocht
To sic end as thai wene allwayis.
A litill stane oft, as men sayis,
25 May ger weltyr a mekill wayn,
Na mannys mycht may stand agayn
The grace off God that all thing steris,
He wate quhat till all thing afferis
And disponys at his liking
30 Efter his ordynance all thing.
[King Robert criticises his brother]
Quhen Schyr Edward, as I you say,
Had gevyn sa outrageous a day
To yeld or reskew Strevillyne,
Rycht to the king he went him syne
35 And tauld quhat tretys he had mad
And quhat day he thaim gevyn had.
The king said quhen he hard the day,
'That wes unwisly doyn, perfay.
Ik herd never quhar sa lang warnyng
40 Wes gevyn to sa mychty a king
As is the king off Ingland,
For he has now intill hand
Ingland, Ireland and Walis alsua
And Aquitayngne yeit with all tha,
45 And off Scotland yeit a party
[...] Read more
poem by John Barbour
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The Mouse In The Maze
You did not
need to telephone today
to tell me
that you would not see me.
Today.
I already knew.
You left your job
I knew
you would not see me
very often.
If at all.
From this point on.
You live in the country
you can go nowhere.
Without justifying your time
people knowing.
Letting people know
paying for petrol.
You pay for petrol
money you no longer earn.
Where do you go?
Account for the petrol!
You do not realize yet
that you live in a maze.
You live in a maze
you are a mouse.
Merv runs the maze
you may run the house.
Or your own treadmill
you may run both.
You may run both
but both lead to nowhere.
You are the trained tame pet
caged laboratory mouse.
You may only run the house
and your children's home.
You are a mouse.
Merv the perve runs the maze.
The really sad thing is
he does not even bait you.
With a whole piece of cheese.
You run his prison maze
craving crumbs of affection.
[...] Read more
poem by Terence George Craddock
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Muse A Maze Sings Dreams through Sleep's Haze 1965
Warp and weft, bereft of self-references, dream dance double helix above, beneath and around the sum of understanding, st[r]anding both apart from and a part of the spiral hole swirling, curling and whirling through the whole into and out of itself. A state_mental line, desperate to [t]race light, as if its existence depended upon its speed seed, soars arching, starching star I Ching through sliding parallel word worlds, trying to reach, underscore, underline and define itself. Is everything relativity maze one [m]asks laughingly, muse intent upon making an intact exit from channelled dream tunnel.
Muse maze amusing seems to spring
from creativity that night
brings into fractal firework focus fling.
Here flames, there names, door to delight
perception tunes, reads runes, insight
cues into clues, amazing bells ring,
distinguished details recondite
subconsciously, persist despite
approaching daylight blanketing
precise recall of everything.
Swift spinning wheel revolves within,
revel keyed to rainbow bright,
now wing weft warps, now weaves from sight,
enters, leaves as senses spin.
What is end when things begin
from finish, swing new day from night,
wind sings chains free, both slack and tight,
yet what is joy without chagrin?
What is sense, what static din?
Some wavelengths ultraviolet light
funnel, infra-red some, - sight
depends more on expected whim
than on the rods and cones within
retinal lining - photons' rite
when redefined as ‘wrong' or ‘right',
pre-expectations underpin.
Neurons nitroglycerin
polychromatic dynamite,
synaptic leaps reject rein tight
upon emotions sybilline.
Cyclone eye churns Yang and Yin
while wings gain height wild winds unite,
tension rises, satellite
impressions signal ‘hurry…kin'.
Dream maze replays what yesterday
dissolves in fluids that today
fleet flow to meet tomorrow, greet
completion leaving soul replete
ignoring bias fools always
portray.
There are no dreams that go astray,
there is no duty one must pay,
[...] Read more
poem by Jonathan Robin
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Metamorphoses: Book The Third
WHEN now Agenor had his daughter lost,
He sent his son to search on ev'ry coast;
And sternly bid him to his arms restore
The darling maid, or see his face no more,
But live an exile in a foreign clime;
Thus was the father pious to a crime.
The Story of The restless youth search'd all the world around;
of Cadmus But how can Jove in his amours be found?
When, tir'd at length with unsuccessful toil,
To shun his angry sire and native soil,
He goes a suppliant to the Delphick dome;
There asks the God what new appointed home
Should end his wand'rings, and his toils relieve.
The Delphick oracles this answer give.
"Behold among the fields a lonely cow,
Unworn with yokes, unbroken to the plow;
Mark well the place where first she lays her down,
There measure out thy walls, and build thy town,
And from thy guide Boeotia call the land,
In which the destin'd walls and town shall stand."
No sooner had he left the dark abode,
Big with the promise of the Delphick God,
When in the fields the fatal cow he view'd,
Nor gall'd with yokes, nor worn with servitude:
Her gently at a distance he pursu'd;
And as he walk'd aloof, in silence pray'd
To the great Pow'r whose counsels he obey'd.
Her way thro' flow'ry Panope she took,
And now, Cephisus, cross'd thy silver brook;
When to the Heav'ns her spacious front she rais'd,
And bellow'd thrice, then backward turning gaz'd
On those behind, 'till on the destin'd place
She stoop'd, and couch'd amid the rising grass.
Cadmus salutes the soil, and gladly hails
The new-found mountains, and the nameless vales,
And thanks the Gods, and turns about his eye
To see his new dominions round him lye;
Then sends his servants to a neighb'ring grove
For living streams, a sacrifice to Jove.
O'er the wide plain there rose a shady wood
Of aged trees; in its dark bosom stood
A bushy thicket, pathless and unworn,
O'er-run with brambles, and perplex'd with thorn:
Amidst the brake a hollow den was found,
With rocks and shelving arches vaulted round.
Deep in the dreary den, conceal'd from day,
Sacred to Mars, a mighty dragon lay,
Bloated with poison to a monstrous size;
Fire broke in flashes when he glanc'd his eyes:
His tow'ring crest was glorious to behold,
[...] Read more
The Four Seasons : Autumn
Crown'd with the sickle and the wheaten sheaf,
While Autumn, nodding o'er the yellow plain,
Comes jovial on; the Doric reed once more,
Well pleased, I tune. Whate'er the wintry frost
Nitrous prepared; the various blossom'd Spring
Put in white promise forth; and Summer-suns
Concocted strong, rush boundless now to view,
Full, perfect all, and swell my glorious theme.
Onslow! the Muse, ambitious of thy name,
To grace, inspire, and dignify her song,
Would from the public voice thy gentle ear
A while engage. Thy noble cares she knows,
The patriot virtues that distend thy thought,
Spread on thy front, and in thy bosom glow;
While listening senates hang upon thy tongue,
Devolving through the maze of eloquence
A roll of periods, sweeter than her song.
But she too pants for public virtue, she,
Though weak of power, yet strong in ardent will,
Whene'er her country rushes on her heart,
Assumes a bolder note, and fondly tries
To mix the patriot's with the poet's flame.
When the bright Virgin gives the beauteous days,
And Libra weighs in equal scales the year;
From Heaven's high cope the fierce effulgence shook
Of parting Summer, a serener blue,
With golden light enliven'd, wide invests
The happy world. Attemper'd suns arise,
Sweet-beam'd, and shedding oft through lucid clouds
A pleasing calm; while broad, and brown, below
Extensive harvests hang the heavy head.
Rich, silent, deep, they stand; for not a gale
Rolls its light billows o'er the bending plain:
A calm of plenty! till the ruffled air
Falls from its poise, and gives the breeze to blow.
Rent is the fleecy mantle of the sky;
The clouds fly different; and the sudden sun
By fits effulgent gilds the illumined field,
And black by fits the shadows sweep along.
A gaily chequer'd heart-expanding view,
Far as the circling eye can shoot around,
Unbounded tossing in a flood of corn.
These are thy blessings, Industry! rough power!
Whom labour still attends, and sweat, and pain;
Yet the kind source of every gentle art,
And all the soft civility of life:
Raiser of human kind! by Nature cast,
Naked, and helpless, out amid the woods
And wilds, to rude inclement elements;
With various seeds of art deep in the mind
[...] Read more
poem by James Thomson
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Orlando Furioso Canto 18
ARGUMENT
Gryphon is venged. Sir Mandricardo goes
In search of Argier's king. Charles wins the fight.
Marphisa Norandino's men o'erthrows.
Due pains Martano's cowardice requite.
A favouring wind Marphisa's gallery blows,
For France with Gryphon bound and many a knight.
The field Medoro and Cloridano tread,
And find their monarch Dardinello dead.
I
High minded lord! your actions evermore
I have with reason lauded, and still laud;
Though I with style inapt, and rustic lore,
You of large portion of your praise defraud:
But, of your many virtues, one before
All others I with heart and tongue applaud,
- That, if each man a gracious audience finds,
No easy faith your equal judgment blinds.
II
Often, to shield the absent one from blame,
I hear you this, or other, thing adduce;
Or him you let, at least, an audience claim,
Where still one ear is open to excuse:
And before dooming men to scaith and shame,
To see and hear them ever is your use;
And ere you judge another, many a day,
And month, and year, your sentence to delay.
III
Had Norandine been with your care endued,
What he by Gryphon did, he had not done.
Profit and fame have from your rule accrued:
A stain more black than pitch he cast upon
His name: through him, his people were pursued
And put to death by Olivero's son;
Who at ten cuts or thrusts, in fury made,
Some thirty dead about the waggon laid.
IV
Whither fear drives, in rout, the others all,
Some scattered here, some there, on every side,
Fill road and field; to gain the city-wall
Some strive, and smothered in the mighty tide,
One on another, in the gateway fall.
Gryphon, all thought of pity laid aside,
Threats not nor speaks, but whirls his sword about,
Well venging on the crowd their every flout.
[...] Read more
poem by Ludovico Ariosto
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An Alliterative Amorous Answer
Alliterative Love Letter
Adored and angelic Amelia. Accept an ardent and artless amourist’s affections, alleviate an anguished admirer’s alarms, and answer an amorous applicant’s avowed ardour. Ah, Amelia! all appears an awful aspect! Ambition, avarice and arrogance, alas are attractive allurements, and abase an ardent attachement. Appease an aching and affectionate adorer’s alarms, and anon acknowledge affianced Albert’s alliance as agreeable and acceptable.
Anxiously awaiting an affectionate and affirmative answer, accept an ardent admirer’s aching adieu. Always angelic and admirable Amelia’s admiring and affectionate amourist, Albert
Wit and Wisdom 1826
An Alliterative Answer
Artless Amelia Acme’s answer adamantly admonishing artful Albert Acne’s announced amorous ambitions, and assertive advances, actively advocates appropriate alternatives. Also, attesting abhorrent Albert’s attempted abduction, Amelia asks an adequate aureate award. Advance “ amical ” arrangements are altogether abjured.
Adieu Albert!
Abused Amelia, an adorable angel, aghast and askance, acknowledges agile apostate Albert’s apparently avuncular, albeit astonishingly audacious application, and, as alleged affiancement alliances and anticipations are absent, appends an acceptable, accurate answer.
Aggressively accosted, Amelia acts advisedly, asking an acceptably authentic apology affirming all Albert’s avowed affiancement allegations as archetypal authoritarian autocratic attempts at annulling Amelia’s autonomy. Also, Albert’s absolutely alarmingly acquisitive ambitions afford anguish, anxiety, and, afterall, acute anger. All are anathema, as Albert, an adder, assumed angelic approbation after an abject attempt at abrogating and appropriating all Amelia’s assets.
Agamous Albert’s age, adiposity, and abnormally abrasive accents also argued against amorous agglutination. Agamy appeared advisable as Amelia always aspired at attaining an absolute amour, assiduously avoiding ambiguity. Ardent admiration activated Albert’s appetite as Amelia’s allure and accomplishments attracted all-round applause.
Amelia and Albert are at an apogee. Alliance anticipations are antilogical as Amelia’s aplomb and articulateness, and Albert ’s anthropomorphic antics are as antipodes apart as Aphrodite and an anthropoid ape. Acataleptic Albert, Amelia’s antithesis, acting almost as an aggressive animal, abused Amelia’s adolescent acquaintance, Anabelle, an alluring afro actress, - actually auditionning as an aria alto, - adventuring affront abruptly abbreviated.
Albert’s apologists are accomplices aiding and abetting an attack (after anticipating advantages agreed aforehand) .... At Ashcloth Abbey altar agnostic Albert asked Assyriac Abyssinian Archdeacon Ahasuerus and Arabian acolyte Abdul abn Abdulaziz abn Abdullah Abu an aboveboard absolution although Abbott Abraham Allsaints’ anterior abjuration altered all accomodating actions.
Apprehending arrogant acquiline Albert’s arbitrary approach, Amelia appositely acted appropriately, adjusting apparel. Applause and approbation are apropos.
Albert abusively alledges aristocratic alabaster Amelia’s assent - an assumption as absurd as an ass astride an advocate assiduously assembling an ascorbic acid apparatus!
Abstemious Amelia’s abilities attract acclaim - above all admirable administrative aptitudes, artistic aims, analytical assurance, amiability and amenability. Altruistic Amelia amalgamating agreeableness and authority, always assists aliens.
Alcoholic Albert’s abominations abound, as aforementioned as all adults agree, admonishing an aggressive ambiance........Albert apes affability!
Abusive adulation appalls, accelerates aversion and attracts adverse acknowledgements alienating affirmative adhesions. Allegorical accolades, artificially addressed, accumulate absurdities. although amiable acolytes are acceptable additions. Argot argues against acceptance as avid adventurers assume affected accents -, acquiring added artificial accomplishments.
Addressing amoral Albert, and apprehending amorphous arrangements, Amelia advises acrimonious Albert’s accepting any alternative Abigail, Alice and Anabella, as affianced amourette. Auburns are also admired as are armed assegaie’d ashanti, andalousian, algonquin, anabaptist and amerindian amours:
Abigail, Ada, Adrienne, Adriana, Adelaide, Agatha, Aglaë, Alice, Aliette, await Albert,
Aline, Alison, Amy Amanda, Amandine Andrea, Angela, Angelica, Ann, anticipate Albert
Anna, Annabelle, Anne, Annette, Angelina, Annick, Annie, Andrée, Anthea, alleviate Albert
April, Ariane, Ariane, Arlette, Armande, Armelle, Ashley, Astarte, Ava, appreciate Albert
.....And Albert annoys Amelia! - aggravating!
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poem by Jonathan Robin
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Hudibras: Part 1 - Canto III
THE ARGUMENT
The scatter'd rout return and rally,
Surround the place; the Knight does sally,
And is made pris'ner: Then they seize
Th' inchanted fort by storm; release
Crowdero, and put the Squire in's place;
I should have first said Hudibras.
Ah me! what perils do environ
The man that meddles with cold iron!
What plaguy mischiefs and mishaps
Do dog him still with after-claps!
For though dame Fortune seem to smile
And leer upon him for a while,
She'll after shew him, in the nick
Of all his glories, a dog-trick.
This any man may sing or say,
I' th' ditty call'd, What if a Day?
For HUDIBRAS, who thought h' had won
The field, as certain as a gun;
And having routed the whole troop,
With victory was cock a-hoop;
Thinking h' had done enough to purchase
Thanksgiving-day among the Churches,
Wherein his mettle, and brave worth,
Might be explain'd by Holder-forth,
And register'd, by fame eternal,
In deathless pages of diurnal;
Found in few minutes, to his cost,
He did but count without his host;
And that a turn-stile is more certain
Than, in events of war, dame Fortune.
For now the late faint-hearted rout,
O'erthrown, and scatter'd round about,
Chas'd by the horror of their fear
From bloody fray of Knight and Bear,
(All but the dogs, who, in pursuit
Of the Knight's victory, stood to't,
And most ignobly fought to get
The honour of his blood and sweat,)
Seeing the coast was free and clear
O' th' conquer'd and the conqueror,
Took heart again, and fac'd about,
As if they meant to stand it out:
For by this time the routed Bear,
Attack'd by th' enemy i' th' rear,
Finding their number grew too great
For him to make a safe retreat,
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poem by Samuel Butler
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The Shift
Check out the chick with the new dress on
(wearin a shift and it looks real fine)
The call it a shift and it comes on strong
(wearin a shift and it looks real fine)
When shes got it on, well she cant do no wrong
(wearin a shift, wearin a shift)
You may think a dress cant do very much
(wearin a shift really turns me on)
With the slit up the side, you cant resist that touch
(wearin a shift really turns me on)
Its tighter than a moo-moo and its just too much
(wearin a shift, wearin a shift)
(turns me on now) (get a shift now)
(cant go wrong now) (go wrong now)
(turns me on now) (get a shift now)
(turns me on now) (turns me on now)
Get your girl a shift and shell look real fine
(wearin a shift and its just too much)
It fits like a glove and drives you outta your mind
(wearin a shift and its just too much)
Shell ball it with her shift on and well have a good time
(wearin a shift, wearin a shift)
(turns me on now) (get a shift now)
(turns me on now) (get a shift now)
(turns me on now) (get a shift now)
(turns me on now) (get a shift now)
(turns me on now) (get a shift now)
(turns me on now) (get a shift now)
song performed by Beach Boys
Added by Lucian Velea
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The Brus Book 18
[Edward Bruce marches toward Dundalk; he debates whether to fight]
Bot he that rest anoyit ay
And wald in travaill be alway,
A day forouth thar aryving
That war send till him fra the king,
5 He tuk his way southwart to far
Magre thaim all that with him war,
For he had nocht than in that land
Of all men I trow twa thousand,
Outane the kingis off Irchery
10 That in gret routis raid him by.
Towart Dundalk he tuk the way,
And quhen Richard of Clar hard say
That he come with sa few menye
All that he mycht assemblit he
15 Off all Irland off armyt men,
Sua that he had thar with him then
Off trappyt hors twenty thousand
But thai that war on fute gangand,
And held furth northward on his way.
20 And quhen Schyr Edward has hard say
That cummyn ner till him wes he
He send discouriouris him to se,
The Soullis and the Stewart war thai
And Schyr Philip the Mowbray,
25 And quhen thai sene had thar cummyng
Thai went agayne to tell tithing,
And said weill thai war mony men.
In hy Schyr Edward answerd then
And said that he suld fecht that day
30 Thoucht tribill and quatribill war thai.
Schyr Jhone Stewart said, 'Sekyrly
I reid nocht ye fecht on sic hy,
Men sayis my brother is cummand
With fyften thousand men ner-hand,
35 And war thai knyt with you ye mycht
The traistlyer abid to fycht.'
Schyr Edward lukyt all angrely
And till the Soullis said in hy,
'Quhat sayis thou?' 'Schyr,' he said, 'Perfay
40 As my falow has said I say.'
And than to Schyr Philip said he.
'Schyr,' said he, 'sa our Lord me se
Me think na foly for to bid
Your men that spedis thaim to rid,
45 For we ar few, our fayis ar fele,
God may rycht weill our werdis dele,
Bot it war wondre that our mycht
Suld our-cum sa fele in fycht.'
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poem by John Barbour
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