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Male and female aren’t exclusive.

There is no wholly masculine man;
Nor is there wholly feminine woman.
Fluids harden to solids;
Solids rush to fluids.
Man and woman interchange
Their masculinity and femininity.
29.01.2006.

poem by Rm. Shanmugam Chettiar
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Adrienne Vittadini

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poem by Caasder Fronds
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Masculine

Phonecall:
(this is one of the neighbors from down the street.
This record of this music has been goin on all afternoon
And Im sick and tired of it. if it doesnt stop Im calling the police!)
You got me on the run, you got it your way
Now Im feeling pretty good and Im beginning to sweat
Your love is so fine, its got me feelin alright
Going out of my mind, I got to have you tonight
The girls so deep inside, like blood in my veins
Never lets me hide, now Im going insane
It makes me climb the walls, bite my nails to the bone
Its always by my side, it never leaves me alone
Chorus:
When its time to get tough, Im masculine (masculine, masculine)
When she wants to play rough, Im masculine (masculine, masculine)
Masculine
I know that Im a man from the spark in my soul
It can make me so hot, you got out of control
Grab her by the hair, drag her back to your cave
Its what makes a man a man, people always stay the same
(chorus)
Im masculine
(masculine, masculine)
(repeats)
Anytime, anyplace, anyway, in the heat of the nite and in the dark of the day
Anytime, anyplace, anyway
When its time to get tough, Im masculine (masculine, masculine)
When she wants to make love, Im masculine - what dyou say?
When she wants to make love, Im masculine
When she wants to play rough, Im masculine (masculine, masculine)
When she wants to make love, Im masculine (masculine, masculine)
If you push me Ill shove, Im masculine
When she wants to play rough, Im masculine
When she wants to make love, Im masculine...
(to fade)

song performed by Meat Loaf
Added by Lucian Velea
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Fitration Bags

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poem by Rwetewrt Erwtwer
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Trash Bag

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[...] Read more

poem by Rwetewrt Erwtwer
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Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.

Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.

Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.

1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.

Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

[...] Read more

poem by Ella Wheeler Wilcox
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Chauvinist

I’d never really comprehended such a mighty range of
Shapes and sizes down behind, it’s really rather strange:
The buttock muscle in a woman, overlaid with fat
Is actually such a focal point for men to want to pat

Or squeeze, and then to tease her if it’s eminently stout,
Or even risk a stay in clink to sting it with a clout!
After all, we men are tuned to be that way inclined –
And tho’ our needs are varied, girls, they’re all perverse of mind!

Best of all, our sacred dream: to see her shed her gown
When gliding to the shower for the ritual sponging down.
But then alas! With body lathered, oops! she drops the soap;
‘Please! ’ we beg her, ‘bend and bare! ’ But we can only hope!

I’m sure by now you get the picture – like a rule of thumb –
That men like me obsess all day about the fairer bum.

Copyright © Mark R Slaughter 2010

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poem by Mark R Slaughter
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She alone can judge

.

Who is masculine?
He, with the muscles of Hercules,
Or he, with the valour of Ulysses.

Who is masculine?
He, who swayed like Asoka, the Emperor,
Or he, who bullied like Hitler, the Dictator

Who is masculine?
He, who seduced so many,
Or he, who reproduced many

Who is masculine?
He, who lived in many sweet-hearts,
Or he who loved many sweet-hearts

Who is masculine?
He, who sent her to orgasm,
Or he, who held her to his bosom

Who is masculine?
He, who courted anything feminine
Or he who excited anything feminine

Who is masculine?
She alone can define,
The Empress, of her domain.
27.06.97

.

poem by Rm. Shanmugam Chettiar
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Mabel Martin

A HARVEST IDYL.

PROEM.
I CALL the old time back: I bring my lay
in tender memory of the summer day
When, where our native river lapsed away,

We dreamed it over, while the thrushes made
Songs of their own, and the great pine-trees laid
On warm noonlights the masses of their shade.

And she was with us, living o'er again
Her life in ours, despite of years and pain,--
The Autumn's brightness after latter rain.

Beautiful in her holy peace as one
Who stands, at evening, when the work is done,
Glorified in the setting of the sun!

Her memory makes our common landscape seem
Fairer than any of which painters dream;
Lights the brown hills and sings in every stream;

For she whose speech was always truth's pure gold
Heard, not unpleased, its simple legends told,
And loved with us the beautiful and old.

I. THE RIVER VALLEY.
Across the level tableland,
A grassy, rarely trodden way,
With thinnest skirt of birchen spray

And stunted growth of cedar, leads
To where you see the dull plain fall
Sheer off, steep-slanted, ploughed by all

The seasons' rainfalls. On its brink
The over-leaning harebells swing,
With roots half bare the pine-trees cling;

And, through the shadow looking west,
You see the wavering river flow
Along a vale, that far below

Holds to the sun, the sheltering hills
And glimmering water-line between,
Broad fields of corn and meadows green,

And fruit-bent orchards grouped around

[...] Read more

poem by John Greenleaf Whittier
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Woman Power

Youve heard of woman nation,
Well, thats coming, baby.
What we need is the power of trust,
That its coming.
Youve heard of the law of selection,
Well, thats how were gonna do it, baby.
We allow men who wanna join us
The rest can just stay by themselves.
Woman power! (woman power!)
Woman power! (woman power!)
Two thousand years of male society,
Laying fear and tyranny.
Seeking grades and money,
Clinging to values vain and phony.
Woman power! (woman power!)
Woman power! (woman power!)
Do you know that one day you lost your way, man?
Do you know that some day you have to pay, man?
Have you anything to say, man, except
Make no mistake about it, Im the president, you hear?
I wanna make one thing clear, Im the president, you hear?
Woman power! (woman power!)
Woman power! (woman power!)
You dont hear them singing songs,
You dont see them living life,
cause theyve got nothing to say, but
Make no mistake about it, Im the president, you hear?
I wanna make one thing clear, Im the president, you hear?
Woman power! (woman power!)
Woman power! (woman power!)
You may be the president now,
You may still be a man.
But you must also be a human,
So open up and join us in living.
Woman power! (woman power!)
Woman power! (woman power!)
In the coming age of feminine society,
Well regain our human dignity.
Well lay some truth and clarity
And bring back natures beauty.
Woman power! (woman power!)
Woman power! (woman power!)
Evry woman has a song to sing,
Evry woman has a story to tell.
Make no mistake about it, brothers,
We women have the power to move mountains.
Woman power! (woman power!)
Woman power! (woman power!)
Did you have to cook the meals?
Did you have to knit?

[...] Read more

song performed by Yoko Ono
Added by Lucian Velea
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Sixth Book

THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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The wheels on the bus

‘The wheels on the bus
Go round and round
Round and round
Round and round
The wheels on the bus
Go round and round
Round and round
Round and round
All night long’

The driver on the bus goes
Rush rush rush
Rush rush rush
Rush rush rush
The driver on the bus goes
Rush rush rush
Rush rush rush
Rush rush rush
All night long

The children on the bus go
Wow wow wow
Wow wow wow
Wow wow wow
The children on the bus go
Wow wow wow
Wow wow wow
Wow wow wow
All night long

The fathers on the bus go
Blush blush blush
Blush blush blush
Blush blush blush
The fathers on the bus go
Blush blush blush
Blush blush blush
Blush blush blush
All night long

The mothers on the bus go
Hush hush shus
Hush hus hush
Hush hush
The mothers on the bus go
Hush hush hush
All night long

[...] Read more

poem by Miroslava Odalovic
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Ninth Book

EVEN thus. I pause to write it out at length,
The letter of the Lady Waldemar.–

'I prayed your cousin Leigh to take you this,
He says he'll do it. After years of love,
Or what is called so,–when a woman frets
And fools upon one string of a man's name,
And fingers it for ever till it breaks,–
He may perhaps do for her such thing,
And she accept it without detriment
Although she should not love him any more
And I, who do not love him, nor love you,
Nor you, Aurora,–choose you shall repent
Your most ungracious letter, and confess,
Constrained by his convictions, (he's convinced)
You've wronged me foully. Are you made so ill,
You woman–to impute such ill to me?
We both had mothers,–lay in their bosom once.
Why, after all, I thank you, Aurora Leigh,
For proving to myself that there are things
I would not do, . . not for my life . . nor him . .
Though something I have somewhat overdone,–
For instance, when I went to see the gods
One morning, on Olympus, with a step
That shook the thunder in a certain cloud,
Committing myself vilely. Could I think,
The Muse I pulled my heart out from my breast
To soften, had herself a sort of heart,
And loved my mortal? He, at least, loved her;
I heard him say so; 'twas my recompence,
When, watching at his bedside fourteen days,
He broke out ever like a flame at whiles
Between the heats of fever . . . 'Is it thou?
'Breathe closer, sweetest mouth!' and when at last
The fever gone, the wasted face extinct
As if it irked him much to know me there,
He said, Twas kind, 'twas good, 'twas womanly,'
(And fifty praises to excuse one love)
'But was the picture safe he had ventured for?'
And then, half wandering . . 'I have loved her well,
Although she could not love me.'–'Say instead,'
I answered, 'that she loves you.'–'Twas my turn
To rave: (I would have married him so changed,
Although the world had jeered me properly
For taking up with Cupid at his worst,
The silver quiver worn off on his hair.)
'No, no,' he murmured, 'no, she loves me not;
'Aurora Leigh does better: bring her book
'And read it softly, Lady Waldemar,
'Until I thank your friendship more for that,

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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The Witch's Daughter

It was the pleasant harvest time,
When cellar-bins are closely stowed,
And garrets bend beneath their load,

And the old swallow-haunted barns -
Brown-gabled, long, and full of seams
Through which the moted sunlight streams,

And winds blow freshly in, to shake
The red plumes of the roosted cocks,
And the loose hay-mow's scented locks -

Are filled with summer's ripened stores,
Its odorous grass and barley sheaves,
From their low scaffolds to their eaves.

On Esek Harden's oaken floor,
With many an autmn threshing worn,
Lay the heaped ears of unhusked corn.

And thither came young men and maids,
Beneath a moon that, large and low,
Lit that sweet eve of long ago.

They took their places; some by chance,
And others by a merry voice
Or sweet smile guided to their choice.

How pleasantly the rising moon,
Between the shadow of the mows,
Looked on them through the great elm-boughs! -

On sturdy boyhood sun-embrowned,
On girlhood with its solid curves
Of healthful strength and painless nerves!

And jests went round, and laughs that made
The house-dog answer with his howl,
And kept astir the barn-yard fowl;

And quaint old songs their fathers sung
In Derby dales and Yorkshire moors,
Ere Norman William trod their shores;

And tales, whose merry license shook
The fat sides of the Saxon thane,
Forgetful of the hovering Dane,—­

Rude plays to Celt and Cimbri known,
The charms and riddles that beguiled

[...] Read more

poem by John Greenleaf Whittier
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Harder Than A Coffin Nail

Harden than a coffin nail
Bend the heaven up into hell
Harden than a coffin nail
Hahahahahaha
Harden than a coffin nail
Harden than a coffin nail
Harden than a coffin nail
Harden than a coffin nail
Hahahaha
Harden than a coffin nail
Hahahahaha
Harden than a coffin nail
Avril Lavigne
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song performed by Papa Roach
Added by Lucian Velea
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This And/Or That

When my masculine talks to your masculine, watch out-
We wind up butting heads and can agree on nothing,
Both eager to lead, slow to follow.

When my feminine talks to your feminine, beware-
We horrify each other's apathy and get nothing done,
Each inclined to leave it up to the other.

But when my masculine talks to your feminine
Or when your masculine lectures my feminine
Then we have something, Bonnie. Then we walk together.

How rude of Western lore to say, sticking a pin in a map,
'Here-you are here.' As if our human hearts were a subway
And we needed to be told where we be.

It's not like what silly religions say-
Those murderous carry-overs from a former day
When everyone plowed or milked cows and dwelt on farms.

A little of this, a little of that
Is what we the people are. When will the West wake up?
People are neither gods, devils, boys, girls, white, black,

But in spite of Deuteronomy, a little of both:
Shame, ironically, an import from the East-
All neurosis rooted in the shame of being,

Or the trauma of being not.
You only live once. Make it good. Be of good cheer.
Man, learning this, may indeed survive.

Doing unto others as you'd have them do unto you
Is probably still the best basis for morality.
Oh, and Moderation in all things. Essentially Greek.

poem by Morgan Michaels
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F&M In Russian

Feminine and masculine nouns.
Please, don’t frown!
I am not going to teach.
I would like to show some nouns in Russian speech.
Tenderness and kindness, beauty and faith,
freedom and wisdom, love and dove….,
they are all females.
There are some in Russian tales:
a golden fish, which fulfills your wish,
a ginger fox with her cunning talks.
A slender birch is like a girl with her hair curled.
An apple tree in her blossom is awesome.
A light foot gazelle, a chanterelle are feminine nouns.
And even in English they sound like tender bells.
Our mother Earth is certainly a female.
She gives birth to males.
Some of them are heroes from fairy tales.
A strong oak spoke:
I am only three hundred years old,
Who told that I am old?
I am young and still strong,
to the long living family I belong.
Saturn, Jupiter, Pluto, Mars,
and many other planets and stars,
they are masculine, but…Venus is feminine.
If a man is clumsy we call him an elephant or a bear.
Sometimes we compare a man with a crocodile,
it means he eats a lot,
and a woman is a bird.
I’ve heard that only a man can be called an eagle,
and a woman is a seagull.
Feminine and masculine nouns.
They are all the compounds of our language,
no one has an advantage.
They always flock together,
like birds of a feather.

©Larisa Rzhepishevska
November 20th,2010

poem by Larisa Rzhepishevska
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Seventh Book

'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.

'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.

'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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poem by Robinson Jeffers
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Eighth Book

ONE eve it happened when I sate alone,
Alone upon the terrace of my tower,
A book upon my knees, to counterfeit
The reading that I never read at all,
While Marian, in the garden down below,
Knelt by the fountain (I could just hear thrill
The drowsy silence of the exhausted day)
And peeled a new fig from that purple heap
In the grass beside her,–turning out the red
To feed her eager child, who sucked at it
With vehement lips across a gap of air
As he stood opposite, face and curls a-flame
With that last sun-ray, crying, 'give me, give,'
And stamping with imperious baby-feet,
(We're all born princes)–something startled me,–
The laugh of sad and innocent souls, that breaks
Abruptly, as if frightened at itself;
'Twas Marian laughed. I saw her glance above
In sudden shame that I should hear her laugh,
And straightway dropped my eyes upon my book,
And knew, the first time, 'twas Boccaccio's tales,
The Falcon's,–of the lover who for love
Destroyed the best that loved him. Some of us
Do it still, and then we sit and laugh no more.
Laugh you, sweet Marian! you've the right to laugh,
Since God himself is for you, and a child!
For me there's somewhat less,–and so, I sigh.

The heavens were making room to hold the night,
The sevenfold heavens unfolding all their gates
To let the stars out slowly (prophesied
In close-approaching advent, not discerned),
While still the cue-owls from the cypresses
Of the Poggio called and counted every pulse
Of the skyey palpitation. Gradually
The purple and transparent shadows slow
Had filled up the whole valley to the brim,
And flooded all the city, which you saw
As some drowned city in some enchanted sea,
Cut off from nature,–drawing you who gaze,
With passionate desire, to leap and plunge,
And find a sea-king with a voice of waves,
And treacherous soft eyes, and slippery locks
You cannot kiss but you shall bring away
Their salt upon your lips. The duomo-bell
Strikes ten, as if it struck ten fathoms down,
So deep; and fifty churches answer it
The same, with fifty various instances.
Some gaslights tremble along squares and streets
The Pitti's palace-front is drawn in fire:

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

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poem by Robinson Jeffers
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