The Fourth Amendment
THERE IS always something
to say,
something that you may not
want to hear
and break the drums
of your ear,
the truths are always covered
and sealed
like pressurized champagne
which when finally
opened
in a surprising bang
bang
all attention is caught
to the scents of life
the smell of vapor from
the pine trees
the sparkles of champagne
on the glass
that you hold tenderly
and slowly
sip
poem by Ric S. Bastasa
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Related quotes
Bang It
'1-2-3-4'
Bang it.
Simply bang it!
Bang it.
Bang dat bang dé bang bang.
Bang it.
Simply bang it!
Bang it.
Bang dat bang dé bang bang.
Trouble leakin' creepin' seepin'
People weepin in the streets.
Even here and over there.
Walkin up on every stair.
Bubble up it starts to suckin'...
Lickin all the drippin guts.
Some are brave and wish to stop it!
But it doesn't give it up!
Bang it.
Ssssss
Simply bang it!
Ssssss
Bang it.
Ssssss
Bang dat bang bang dé bang.
Bang it.
Ssssss
Simply bang it!
Ssssss
Bang it.
Ssssss
Bang dat bang bang dé bang.
Bang it.
Oh...
Simply bang it!
Ooooh
Bang it.
Ooooooooh
Bang dat bang bang dé bang.
Trouble leakin' creepin' seepin'
People weepin in the streets.
Even here and over there.
Walkin up on every stair.
Bubble up it starts to suckin'...
[...] Read more
poem by Lawrence S. Pertillar
Added by Poetry Lover
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Bang Bang Lulu
Bang bang lulu
Lulus going away
Lu is going to bang bang
Now lulus going away
Lulu had a boyfriend
He could not get enough
She could never stop him
He was hooked on makin
Bang bang lulu
Lulus going away
Lu is going to bang bang
Now lulus going away
Bang bang lulu
Lulus going away
Lu is going to bang bang
Now lulus going away
Lulu had a red dress
When she put it on
Every man that she passed by
Thought she must be
Bang bang lulu
Lulus going away
Lu is going to bang bang
Now lulus going away
Lulu joined the army
She was fighting in a war
Stood in front of the enemy
Their weapons hit them
Bang bang lulu
Lulus going away
Lu is going to bang bang
Now lulus going away
Bang bang lulu
Lulus going away
Lu is going to bang bang
Now lulus going away
Lulu knew a singer
He had so many hits
She loved his voice
But she hated the way
He kept grabbin her
Bang bang lulu
Lulus going away
Lu is going to bang bang
Now lulus going away
Bang bang lulu
Lulus going away
Lu is going to bang bang
Now lulus going away
Lulu had a boyfriend
[...] Read more
song performed by Boney M.
Added by Lucian Velea
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Pow Pow Bang Bang
They make a raucous all the time.
And mock corruptness as a sign...
They are hand controlled muppets,
Or puppets on a line.
Eruptible in many ways.
How can this be day after day?
When people say they pray,
But their faith is delayed.
Pow pow bang bang.
The guns are heard just shooting.
People keep a looting...
And eluding police.
Pow pow bang bang.
Are gangs the ones insane?
Whose to blame for this game?
And who can be named.
They make a raucous all the time.
And mock corruptness as a sign...
They are hand controlled muppets,
Or puppets on a line.
Pow pow bang bang.
The guns are heard just shooting.
People keep a looting...
And eluding police.
Eruptible in many ways.
How can this be day after day?
When people say they pray,
But their faith is delayed.
Pow pow bang bang.
Are gangs the ones insane?
Pow pow bang bang.
Whose to blame for this game?
Pow pow bang bang.
Who can be named?
Pow pow bang bang.
We're all put to shame!
Pow pow bang bang.
Are gangs the ones insane?
Pow pow bang bang.
Whose to blame for this game?
Pow pow bang bang.
Who can be named?
[...] Read more
poem by Lawrence S. Pertillar
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Bang & Blame
If you could see yourself now, baby
Its not my fault
You used to be so in control
Youre going to roll right over this one
Just roll me over, let me go
Youre laying blame
Take this as no, no, no
You bang, bang, bang, bang and bang,
Blame, blame, blame
You bang, bang, bang, bang and bang,
Its not my thing so let it go.
If you could see yourself now baby,
The tables have turned
The whole world hinges on your swings
Your secret life of indiscreet discretions
Id turn the screw and leave the screen,
Dont point your finger,
You know thats not my thing
You came to bang, bang, bang, bang and bang,
Blame, blame, blame
You bang, bang, bang, bang and bang,
Its not my thing so let it go.
Youve got a little worry,
I know it all too well,
Ive got your number,
But so does every kiss-and-tell
Who dares to cross your threshold,
Or happens on your way,
Stop laying blame.
You know thats not my thing.
You know thats not my thing,
You came to bang, bang, bang, bang and bang,
Blame, blame, blame
You bang, bang, bang, bang and bang,
Its not my thing so let it go.
You bang, bang, bang, bang and bang,
Blame, blame, blame
You bang, bang, bang, bang and bang,
Its not my thing so let it go.
You kiss on me, tug on me, rub on me, jump on me,
You bang on me, beat on me, hit on me, let go on me,
You let go on me.
song performed by REM
Added by Lucian Velea
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You Came To Spend The Night
You came...
To spend the night!
I didn't think...
One night would last forever.
And,
You came...
To spend that night.
I didn't think...
You and me.
COULD BANG!
Tit-tit-tit-tit-tit.
Ka-bang!
Tit-tit-tit-tit-tit.
Could bang.
Tit-tit-tit-tit-tit.
Ka-bang!
Bang!
Ka-bang!
COULD BANG!
Tit-tit-tit-tit-tit.
Ka-bang!
Tit-tit-tit-tit-tit.
Could bang.
Tit-tit-tit-tit-tit.
Ka-bang!
Bang!
Ka-bang!
You came...
Tit-tit-tit-tit-tit.
To spend the night!
Tit-tit-tit-tit-tit.
I didn't think,
You and me would ever...
COULD BANG!
Tit-tit-tit-tit-tit.
Ka-bang!
Tit-tit-tit-tit-tit.
Could bang.
Tit-tit-tit-tit-tit.
Ka-bang!
Bang!
Ka-bang!
Could bang,
Tit-tit-tit-tit-tit.
[...] Read more
poem by Lawrence S. Pertillar
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Bang And Blame
If you could see yourself now, baby
Its not my fault
You used to be so in control
Youre going to roll right over this one
Just roll me over, let me go
Youre laying blame
Take this as no, no, no, no, no
You bang, bang, bang, bang, bang
Then blame, blame, blame
You bang, bang, bang, bang, bang
Its not my thing so let it go
If you could see yourself now, baby
The tables have turned
The whole world hinges on your swings
Your secret life of indiscreet discretions
Id turn the screw and leave the screen
Dont point your finger
You know thats not my thing
You came to bang, bang, bang, bang, bang
Then blame, blame, blame
You came to bang, bang, bang, bang, bang
Its not my thing so let it go now
Youve got a little worry
I know it all too well
Ive got your number
But so does every kiss and tell
Who dares to cross your threshold
Or happens on you way
Stop laying blame
You know thats not my thing
You came to bang, bang, bang, bang, bang
Then blame, blame, blame
Bang, bang, bang, bang, bang
Its not my thing so let it go
You bang, bang, bang, bang, bang
Then blame, blame, blame
Its not my thing so let it go
You kiss on me, tug one me
Rub on me, jump on me
You bang on me, beat on me
Hit on me, let go on me
You let go on me
song performed by REM
Added by Lucian Velea
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The Drums of Battersea
They can’t hear in West o’ London, where the worst dine with the best—
Deaf to all save lies and laughter, they can’t hear in London West—
Tailored brutes and splendid harlots, and the parasites that be—
They can’t hear the warning thunder of the Drums of Battersea.
More drums! War drums!
Drums of Misery—
Beating from the hearts of men—the Drums of Battersea.
Where the hearses hurry ever, and where man lives like a beast,
They can feel the war-drums beating—men of Hell! and London East.
And the far-off foreign farmers, fighting fiercely to be free,
Found new courage in the echo of the Drums of Battersea.
More drums! War drums!
Beating for the free—
Beating on the hearts of men—the Drums of Battersea.
And the drummers! Ah! the drummers!—stern and haggard men are those
Standing grimly at their meetings; and their washed and mended clothes
Speak of worn-out wives behind them and of grinding poverty—
But the English of the English beat the Drums of Battersea!
More drums! War drums!
Drums of agony—
The big bruised heart of England’s in the Drums of Battersea.
Where in fields slave Englishwomen, Oh! the sound of drums is there:
I have heard it in the laughter of the nights of Leicester Square—
Sailing southward with the summer, London but a dream to me,
Still I feel the distant thunder of the Drums of Battersea!
More drums! War drums!
Drums of Liberty—
Rolling round the English world—the Drums of Battersea.
Oh! I heard them in the Queen’s Hall—aye! and London heard that night—
While we formed up round the leaders while they struck one blow for right!
And the old strength, that old fire, that I thought was dead in me,
Blazed up fiercely at the beating of the Drums of Battersea!
More drums! War drums!
They beat for victory—
When above the roar of Jingoes rolled the Drums of Battersea.
And where’er my feet may wander, and howe’er I lay my head,
I shall hear them while I’m dreaming—I shall hear them when I’m dead!
For they beat for men and women, beat for Christ, and you and me:
There is hope and there is terror in the Drums of Battersea!
More drums! War drums!
Drums of destiny—
There’s hope!—there’s hope for England in the Drums of Battersea.
poem by Henry Lawson
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The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
[...] Read more
poem by Conrad Potter Aiken
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Tick, Tick, Bang
Ooh, I cant hold it
Ow! bang, b-b-bang, bang
Bang.
U, yeah.
Ure such a big tease, u get me all excited,
All excited then u go home.
Ure like ice cream,
Knew I got 2 getcha, got 2 getcha, before ure all gone.
Ure such a bombshell,
And if I ever get ya, ever get ya, ever get ya,
Theres no telling how long Id last
Before I tick, tick bang all over u
Tick, tick-a-tick, bang, bang all over u
Tick, tick-a-tick, bang, bang, bang, tick, bang, bang
U aint no cheap thrill,
Every time u tick Id rather u bang,
But u leave me in a fire sweat (leave me in a fire sweat)
Ure like a good pill
All I need is 2, and Im so into u, ure the best stuff that I could get.
Ure such a bombshell
If I ever get ya, ever get ya, ever get ya,
Theres no telling how long Id last.
Before I tick, tick, bang, all over u
All over u, tick, all over u, tick, bang, bang, bang, bang, bang, bang
Ooh, I cant hold it. ooh, its getting all over me.
Ooh, I cant hold it. ooh, its getting all over me.
Ure such a queen bee
Let me taste your honey, taste your honey, taste your honey, 4 it go bad
Youre so slippery
Like this chain around my hip, I want a 24k relationship.
So baby dont spit me out, tick, tick, bang, all over u.
Tick, tick-a-tick, bang
Ooh, I cant hold it. ooh, its getting all over me.
Ure such a bombshell
If I ever get ya, ever get ya, ever get ya,
Theres no telling how long Id last.
Before I tick, tick-a-tick, bang, bang, bang, bang, all over u
All over u, bang, all over u, tick, tick, bang, all over u
Tick, tick, bang, all over u. tick, tick, bang, all over u
All over, bang, all over, bang, all over, tick, bang
song performed by Prince
Added by Lucian Velea
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Bang-bang
Bang bang, you shot me down
Bang bang, I hit the ground
Bang bang, that awful sound
Bang bang, my baby shot me down
I was five and you were six
We rode on horses made of sticks
I wore black, you wore white
You would always win the fight
Bang bang, you shot me down
Bang bang, I hit the ground
Bang bang, that awful sound
Bang bang, my baby shot me down
Seasons came and changed the time
I grew up, I called you mine
You would always laugh and say
Remember when we used to play
Bang bang, you shot me down
Bang bang, I hit the ground
Bang bang, that awful sound
Bang bang, my baby shot me down
Music played and people sang
Just for me the church bells rang
After echoes from a gun
We both vowed that wed be one
Now youre gone I dont know why
Sometimes I cry
You didnt say goodbye
You didnt take the time to lie
Bang bang, you shot me down
Bang bang, I hit the ground
Bang bang, that awful sound
Bang bang, my baby shot me down
song performed by Cher
Added by Lucian Velea
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The Cremona Violin
Part First
Frau Concert-Meister Altgelt shut the door.
A storm was rising, heavy gusts of wind
Swirled through the trees, and scattered leaves before
Her on the clean, flagged path. The sky behind
The distant town was black, and sharp defined
Against it shone the lines of roofs and towers,
Superimposed and flat like cardboard flowers.
A pasted city on a purple ground,
Picked out with luminous paint, it seemed. The cloud
Split on an edge of lightning, and a sound
Of rivers full and rushing boomed through bowed,
Tossed, hissing branches. Thunder rumbled loud
Beyond the town fast swallowing into gloom.
Frau Altgelt closed the windows of each room.
She bustled round to shake by constant moving
The strange, weird atmosphere. She stirred the fire,
She twitched the supper-cloth as though improving
Its careful setting, then her own attire
Came in for notice, tiptoeing higher and higher
She peered into the wall-glass, now adjusting
A straying lock, or else a ribbon thrusting
This way or that to suit her. At last sitting,
Or rather plumping down upon a chair,
She took her work, the stocking she was knitting,
And watched the rain upon the window glare
In white, bright drops. Through the black glass a flare
Of lightning squirmed about her needles. 'Oh!'
She cried. 'What can be keeping Theodore so!'
A roll of thunder set the casements clapping.
Frau Altgelt flung her work aside and ran,
Pulled open the house door, with kerchief flapping
She stood and gazed along the street. A man
Flung back the garden-gate and nearly ran
Her down as she stood in the door. 'Why, Dear,
What in the name of patience brings you here?
Quick, Lotta, shut the door, my violin
I fear is wetted. Now, Dear, bring a light.
This clasp is very much too worn and thin.
I'll take the other fiddle out to-night
If it still rains. Tut! Tut! my child, you're quite
Clumsy. Here, help me, hold the case while I -
Give me the candle. No, the inside's dry.
[...] Read more
poem by Amy Lowell
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Senlin: His Futile Preoccupations
1
I am a house, says Senlin, locked and darkened,
Sealed from the sun with wall and door and blind.
Summon me loudly, and you'll hear slow footsteps
Ring far and faint in the galleries of my mind.
You'll hear soft steps on an old and dusty stairway;
Peer darkly through some corner of a pane,
You'll see me with a faint light coming slowly,
Pausing above some gallery of the brain . . .
I am a city . . . In the blue light of evening
Wind wanders among my streets and makes them fair;
I am a room of rock . . . a maiden dances
Lifting her hands, tossing her golden hair.
She combs her hair, the room of rock is darkened,
She extends herself in me, and I am sleep.
It is my pride that starlight is above me;
I dream amid waves of air, my walls are deep.
I am a door . . . before me roils the darkness,
Behind me ring clear waves of sound and light.
Stand in the shadowy street outside, and listen--
The crying of violins assails the night . . .
My walls are deep, but the cries of music pierce them;
They shake with the sound of drums . . . yet it is strange
That I should know so little what means this music,
Hearing it always within me change and change.
Knock on the door,--and you shall have an answer.
Open the heavy walls to set me free,
And blow a horn to call me into the sunlight,--
And startled, then, what a strange thing you will see!
Nuns, murderers, and drunkards, saints and sinners,
Lover and dancing girl and sage and clown
Will laugh upon you, and you will find me nowhere.
I am a room, a house, a street, a town.
2
It is morning, Senlin says, and in the morning
When the light drips through the shutters like the dew,
I arise, I face the sunrise,
And do the things my fathers learned to do.
Stars in the purple dusk above the rooftops
Pale in a saffron mist and seem to die,
And I myself on a swiftly tilting planet
Stand before a glass and tie my tie.
Vine leaves tap my window,
[...] Read more
poem by Conrad Potter Aiken
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The Origin Of The Universe -ten Questions Answered
1.How did the UNIVERSE originate?
It was from the bang, bang and the bang,
It was through the big bang
And you know it for certain.
Yes, the universe originated through the Big Bang.
2.What was the Big Bang?
An explosion of a particle was it
And the particle was smaller than an atom.
It was first explosion for our cause.
Yes, it was a causeless act of explosion of a small particle that resulted in the evolution of an ever expanding universe. Before the Big Bang the universe was smaller than an atom! There was only a point of time then and not a place! The Big Bang theory is the prevailing cosmological model that describes the early development of the Universe.According to the Big Bang theory, the Universe was once in an extremely hot and dense state which expanded rapidly.
3.What followed the act of expansion of the universe?
Then began the expansion,
An expansion that is still going on
And then and thus began the life of our universe.
The rapid expansion caused the Universe to cool and resulted in its present continuously expanding state. According to the most recent measurements and observations, the Big Bang occurred approximately 13.75 billion years ago, which is thus considered the age of the Universe.
4.What happened in the next stage?
There came the phases of energy
And the wonder of electrons, protons and neutrons.
We learnt about from the sweet mouth of our teacher first.
After its initial expansion from a singularity, the Universe cooled sufficiently to allow energy to be converted into various subatomic particles, including protons, neutrons, and electrons.While protons and neutrons combined to form the first atomic nuclei only a few minutes after the Big Bang, it would take thousands of years for electrons to combine with them and create electrically neutral atoms.The first element produced was hydrogen, along with traces of helium and lithium. Giant clouds of these primordial elements would coalesce through gravity to form stars and galaxies, and the heavier elements would be synthesized either within stars orduring supernovae.
5.What is the scientific theory/relevance of the Big Bang?
Truth is that matters much to us
And the core ideas have to lead us.
Or else we might go back to life darker still.
The Big Bang is a well-tested scientific theory and is widely accepted within the scientific community. It offers a comprehensive explanation for a broad range of observed phenomena. Since its conception, abundant evidence has been uncovered in support of the model. The core ideas of the Big Bang—the expansion, the early hot state, the formation of helium, and the formation of galaxies—are derived from many observations that are independent from any cosmological model; these include the abundance of light elements, the cosmic microwave background, large scale structure, and the Hubble diagram for Type I - a supernovae.
6.What will be the phases of the expansion of the universe?
An ever expanding mystery it is
Closer it was then and now it will be farther and farther.
And once begun it can`t go back ever.
As the distance between galaxy clusters is increasing today, it can be inferred that everything was closer together in the past. This idea has been considered in detail back in time to extreme densities and temperatures, and large particle accelerators have been built to experiment in such conditions, resulting in further development of the model. On the other hand, these accelerators have limited capabilities to probe into such high energy regimes.
7.Does the Big Bang theory explain everything?
[...] Read more
poem by M.d Dinesh Nair
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Bang Bang
Wow, this aint the right thing to do
So, so let, so lets go
Young girls they know what theyre after
Young girls dont kiss me goodbye
Rockets shooting up into space
Buildings they rise to the skies
Bang bang I got mine
Bang bang reach for the sky
I keep a good friend on videotape
Hell drive his sports car until its too late
But well have a hot time on the town tonight
Cause love is my bet and its the best yet
Bang bang I got mine
Bang bang sun dont shine
Bang bang you all angels
Bang bang now you all ought to be in pictures
Oh girl
Oh girl my problems cant follow me
Phone calls I take my machine
I wander lonely to the sea
Lonely-ha ha ha-what does it mean
Bang bang I got mine
Bang bang and you are next in line
Bang bang reach for the sky
Bang bang sun dont shine
Rise buildings
Rise to the sky
Well young girls they know what theyre after
I said, young girls dont kiss me goodbye
Bang bang
Then you close, then you should close, then you close down
You big man
Bang bang
Spot the brack
Just come in first
Bang bang
If praise had wings
Bang bang
And you next in line
song performed by David Bowie
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
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poem by Robert Browning (1871)
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V. Count Guido Franceschini
Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!
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poem by Robert Browning from The Ring and the Book
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The Ballad of the White Horse
DEDICATION
Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?
Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?
In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.
Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.
Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.
Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.
Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.
But who shall look from Alfred's hood
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poem by Gilbert Keith Chesterton
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
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poem by Robert Browning from The Ring and the Book
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Three Women
My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.
Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.
Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.
Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.
Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.
1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.
Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,
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poem by Ella Wheeler Wilcox
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