and what did the Red Queen say to alice?
she says,
move on
alice, find yourself.
poem by Ric S. Bastasa
Added by Poetry Lover
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Related quotes
Z. Comments
CRYSTAL GLOW
Madhur Veena Comment: Who is she? ? ? ? ? ? ? ? ? ? ? ....You write good!
Margaret Alice Comment: Beautiful, it stikes as heartfelt words and touches the heart, beautiful sentiments, sorry, I repeat myself, but I am delighted. Your poem is like the trinkets I collect to adorn my personal space, pure joy to read, wonderful! Only a beautiful mind can harbour such sentiments, you have a beautiful mind. I am glad you have found someone that inspires you to such heights and that you share it with us, you make the world a mroe wonderful place.
Margaret Alice Comment: Within the context set by the previous poem, “Cosmic Probe”, the description of a lover’s adoration for his beloved becomes a universal ode sung to the abstract values of love, joy and hope personified by light, colours, fragrance and beauty, qualities the poet assigns to his beloved, thus elevating her to the status of an uplifting force because she brings all these qualities to his attention. The poet recognises that these personified values brings him fulfilment and chose the image of a love relationship to illustrate how this comes about; thus a love poem becomes the vehicle to convey spiritual epiphany.
FRAGRANT JASMINE
Margaret Alice Comment: Your words seem to be directed to a divine entity, you seem to be addressing your adoration to a divinity, and it is wonderful to read of such sublime sentiments kindled in a human soul. Mankind is always lifted up by their vision and awareness of divinity, thank you for such pure, clear diction and sharing your awareness of the sublime with us, you have uplifted me so much by this vision you have created!
Margaret Alice Comment: The poet’s words seem to be directed to a divine entity, express adoration to a divinity who is the personification of wonderful qualities which awakens a sense of the sublime in the human soul. An uplifting vision and awareness of uplifting qualities of innocence represented by a beautiful person.
I WENT THERE TO BID HER ADIEU
Kente Lucy Comment: wow great writing, what a way to bid farewell
Margaret Alice Comment: Sensory experience is elevated by its symbolical meaning, your description of the scene shows two souls becoming one and your awareness of the importance of tempory experience as a symbol of the eternal duration of love and companionship - were temporary experience only valid for one moment in time, it would be a sad world, but once it is seen as a symbol of eternal things, it becomes enchanting.
I’M INCOMPLETE WITHOUT YOU
Margaret Alice Comment: You elevate the humnan experience of longing for love to a striving for sublimity in uniting with a beloved person, and this poem is stirring, your style of writing is effective, everything flows together perfectly.
Margaret Alice Comment:
'To a resplendent glow of celestial flow
And two split halves unite never to part.'
Reading your fluent poems is a delight, I have to tear myself away and return to the life of a drudge, but what a treasure trove of jewels you made for the weary soul who needs to contemplate higher ideals from time to time!
IN CELESTIAL WINGS
Margaret Alice Comment: When you describe how you are strengthened by your loved one, it is clear that your inner flame is so strong that you need not fear growing old, your spirit seems to become stronger, you manage to convey this impression by your striking poetry. It is a privilege to read your work.
Obed Dela Cruz Comment: wow.... i remembered will shakespeare.... nice poem!
Margaret Alice Comment: The poet has transcended the barriers of time and space by becoming an image of his beloved and being able to find peace in the joy he confers to his beloved.
'You transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.'
Margaret Alice Comment: You are my peace and solace, I know, I am, yours too; A mere flash of your thoughts Enlivens my tired soul And fills me with light, peace and solace, A giant in new world, I become, I rise to divine heights in celestial wings. How I desire to reciprocate To fill you with light and inner strength raise you to divine heights; I must cross over nd hold you in arms, light up your soul, Fill you with strength from my inner core, Wipe away your tears burst out in pure joy How I yearn to instill hope and confidence in you we never part And we shall wait, till time comes right. the flame in my soul always seeks you, you transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.
RAGING FIRE
[...] Read more
poem by Praveen Kumar
Added by Poetry Lover
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Acid 8000
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move
- its so easy to get acid, you can get it anywhere.
If you dont make your booty move, your booty must be dead
If you dont make your booty move, your booty must be dead
If you dont make your booty move, your booty must be dead
If you dont make your booty move, your booty must be dead
If you dont make your booty move, your booty must be dead
If you dont make your booty move, your booty must be dead
If you dont make your booty move, your booty move, your booty move
Your booty move, your booty move, your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move, your booty move
Your booty move
If you dont make your booty move, your booty must be dead
If you dont make your booty move, your booty must be dead
If you dont make your booty move, your booty must be dead
If you dont make your booty move, your booty must be dead
[...] Read more
song performed by Fatboy Slim
Added by Lucian Velea
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To My Godchild Alice
ALICE, Alice, little Alice,
My new-christened baby Alice,
Can there ever rhymes be found
To express my wishes for thee
In a silvery flowing, worthy
Of that silvery sound?
Bonnie Alice, Lady Alice,
Sure, this sweetest name must be
A true omen to thee, Alice,
Of a life's long melody.
Alice, Alice, little Alice,
Mayst thou prove a golden chalice,
Filled with holiness like wine:
With rich blessings running o'er
Yet replenished evermore
From a fount divine:
Alice, Alice, little Alice,
When this future comes to thee,
In thy young life's brimming chalice
Keep some drops of balm for me!
Alice, Alice, little Alice,
Mayst thou grow a goodly palace,
Fitly framed from roof to floors,
Pure unto the inmost centre,
While high thoughts like angels enter
At the open doors:
Alice, Alice, little Alice,
When this beauteous sight I see,
In thy woman-heart's wide palace
Keep one nook of love for me.
Alice, Alice, little Alice,--
Sure the verse halts out of malice
To the thoughts it feebly bears,
And thy name's soft echoes, ranging
From quaint rhyme to rhyme, are changing
Into silent prayers.
God be with thee, little Alice,
Of His bounteousness may He
Fill the chalice, build the palace,
Here, unto eternity!
poem by Dinah Maria Mulock Craik
Added by Poetry Lover
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Alice Deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
I close my eyes
Im music
Im rhythm
Im a dj, I am alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
I close my eyes
Im music
Im rhythm
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
I am alice deejay
song performed by Alice Deejay
Added by Lucian Velea
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Sir Peter Harpdon's End
In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.
John Curzon
Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.
Sir Peter
So-
What are their names?
John Curzon
Why, Jacques Aquadent,
And Peter Plombiere, but-
Sir Peter
What colour'd hair
Has Peter now? has Jacques got bow legs?
John Curzon
Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?
Sir Peter
O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.
John Curzon
going.
Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.
[...] Read more
poem by William Morris
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Acid Bomb
Yeah
Move on up
Were going to the wild wild side
Ready
Hey you bomb bomb
Hey you bomb bomb
Hey you bomb bomb
Acid acid bomb (4 times)
Yeah
Move on up
Were going to the wild side
Yeah
Move on up
Were going to the wild side
Yeah
Move on up
Move on up
Move on
Going to the
Yeah
Move on up
Move on up
Move on
Wild side
Yeah
Move on up
Move on up
Move on
Going to the
Yeah
Move on up
Move on
Going to the wild side
Yeah
Move on up
Were going to the wild side
Yeah
Move on up
Were going to the wild side
Yeah
Move on up
Move on up
Move on
Going to the
Yeah
Move on up
Move on up
Move on
Wild side
Yeah
[...] Read more
song performed by Scooter
Added by Lucian Velea
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Buckingham Palace
They're changing guard at Buckingham Palace -
Christopher Robin went down with Alice.
Alice is marrying one of the guard.
"A soldier's life is terrible hard,"
Says Alice.
They're changing guard at Buckingham Palace -
Christopher Robin went down with Alice.
We saw a guard in a sentry-box.
"One of the sergeants looks after their socks,"
Says Alice.
They're changing guard at Buckingham Palace -
Christopher Robin went down with Alice.
We looked for the King, but he never came.
"Well, God take care of him, all the same,"
Says Alice.
They're changing guard at Buckingham Palace -
Christopher Robin went down with Alice.
They've great big parties inside the grounds.
"I wouldn't be King for a hundred pounds,"
Says Alice.
They're changing guard at Buckingham Palace -
Christopher Robin went down with Alice.
A face looked out, but it wasn't the King's.
"He's much too busy a-signing things,"
Says Alice.
They're changing guard at Buckingham Palace -
Christopher Robin went down with Alice.
"Do you think the King knows all about me?"
"Sure to, dear, but it's time for tea,"
Says Alice.
poem by Alan Alexander Milne
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The Grocery
'Hullo, Alice!'
'Hullo, Leon!'
'Say, Alice, gi' me a couple
O' them two for five cigars,
Will yer?'
'Where's your nickel?'
'My! Ain't you close!
Can't trust a feller, can yer.'
'Trust you! Why
What you owe this store
Would set you up in business.
I can't think why Father 'lows it.'
'Yer Father's a sight more neighbourly
Than you be. That's a fact.
Besides, he knows I got a vote.'
'A vote! Oh, yes, you got a vote!
A lot o' good the Senate'll be to Father
When all his bank account
Has run away in credits.
There's your cigars,
If you can relish smokin'
With all you owe us standin'.'
'I dunno as that makes 'em taste any diff'rent.
You ain't fair to me, Alice, 'deed you ain't.
I work when anythin's doin'.
I'll get a carpenterin' job next Summer sure.
Cleve was tellin' me to-day he'd take me on come Spring.'
'Come Spring, and this December!
I've no patience with you, Leon,
Shilly-shallyin' the way you do.
Here, lift over them crates o' oranges
I wanter fix 'em in the winder.'
'It riles yer, don't it, me not havin' work.
You pepper up about it somethin' good.
You pick an' pick, and that don't help a mite.
Say, Alice, do come in out o' that winder.
Th' oranges c'n wait,
An' I don't like talkin' to yer back.'
'Don't you! Well, you'd better make the best o' what
you can git.
Maybe you won't have my back to talk to soon.
They look good in pyramids with the 'lectric light on 'em,
Don't they?
Now hand me them bananas
An' I'll string 'em right acrost.'
'What do yer mean
'Bout me not havin' you to talk to?
Are yer springin' somethin' on me?'
'I don't know 'bout springin'
When I'm tellin' you right out.
[...] Read more
poem by Amy Lowell
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You Move Me
I like my coffee in the mornin,
Crazy bout my tea at night.
I like my coffee in the mornin,
Crazy bout my tea at night.
If I dont get my sugar three times a day,
Boy, you know I dont feel right.
Well, I know my hound dog
When I hear him bark.
Well, I know my hound dog
When I hear him bark.
And I know my baby when I feel her
In the dark.
Ya move me,
Ya move me, ya move me, ya move me baby.
Ow!
Ya move me,
Ya move me, ya move me, ya move me baby.
Ya move me,
Ya move me, ya move me, ya move me baby.
Ya move me,
Ya move me, ya move me, ya move me baby.
Well, Im here
And Im ready and able to move.
Every thing that I need,
Ya know Im ready to groove,
Even though Im tired,
Im weary and wasted and worn.
Well, I just cant seem,
I cant seem to leave you alone.
Know why?
Ya move me,
Ya move me, ya move me, ya move me baby.
Ow!
Ya move me,
Ya move me, ya move me, ya move me baby.
Ya move me,
Ya move me, ya move me, ya move me baby.
Ya move me,
Ya move me, ya move me, ya move me baby.
[break it down boy.]
Well, Im a secretive guy,
Ya know I like to keep things hid.
Well, Im a secretive guy,
Ya know I like to keep things hid.
Well, I love you baby
When ya call me the jellyroll kid.
Ow!
Ya move me,
Ya move me, ya move me, ya move me baby.
Ow!
[...] Read more
song performed by Van Morrison
Added by Lucian Velea
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Wat Tyler - Act I
ACT I.
SCENE, A BLACKSMITH'S-SHOP
Wat Tyler at work within. A May-pole
before the Door.
ALICE, PIERS, &c.
SONG.
CHEERFUL on this holiday,
Welcome we the merry May.
On ev'ry sunny hillock spread,
The pale primrose rears her head;
Rich with sweets the western gale
Sweeps along the cowslip'd dale.
Every bank with violets gay,
Smiles to welcome in the May.
The linnet from the budding grove,
Chirps her vernal song of love.
The copse resounds the throstle's notes,
On each wild gale sweet music floats;
And melody from every spray,
Welcomes in the merry May.
Cheerful on this holiday,
Welcome we the merry May.
[Dance.
During the Dance, Tyler lays down his
Hammer, and sits mournfully down before
his Door.
[To him.
HOB CARTER.
Why so sad, neighbour?—do not these gay sports,
This revelry of youth, recall the days
When we too mingled in the revelry;
And lightly tripping in the morris dance
Welcomed the merry month?
TYLER.
[...] Read more
poem by Robert Southey
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The Lady of the Lake: Canto IV. - The Prophecy
I.
The rose is fairest when 't is budding new,
And hope is brightest when it dawns from fears;
The rose is sweetest washed with morning dew
And love is loveliest when embalmed in tears.
O wilding rose, whom fancy thus endears,
I bid your blossoms in my bonnet wave,
Emblem of hope and love through future years!'
Thus spoke young Norman, heir of Armandave,
What time the sun arose on Vennachar's broad wave.
II.
Such fond conceit, half said, half sung,
Love prompted to the bridegroom's tongue.
All while he stripped the wild-rose spray,
His axe and bow beside him lay,
For on a pass 'twixt lake and wood
A wakeful sentinel he stood.
Hark!-on the rock a footstep rung,
And instant to his arms he sprung.
'Stand, or thou diest!-What, Malise?-soon
Art thou returned from Braes of Doune.
By thy keen step and glance I know,
Thou bring'st us tidings of the foe.'-
For while the Fiery Cross tried on,
On distant scout had Malise gone.-
'Where sleeps the Chief?' the henchman said.
'Apart, in yonder misty glade;
To his lone couch I'll be your guide.'-
Then called a slumberer by his side,
And stirred him with his slackened bow,-
'Up, up, Glentarkin! rouse thee, ho!
We seek the Chieftain; on the track
Keep eagle watch till I come back.'
III.
Together up the pass they sped:
'What of the foeman?' Norman said.-
'Varying reports from near and far;
This certain,-that a band of war
Has for two days been ready boune,
At prompt command to march from Doune;
King James the while, with princely powers,
Holds revelry in Stirling towers.
Soon will this dark and gathering cloud
Speak on our glens in thunder loud.
Inured to bide such bitter bout,
The warrior's plaid may bear it out;
But, Norman, how wilt thou provide
A shelter for thy bonny bride?''-
[...] Read more
poem by Sir Walter Scott
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A Confidant Without Knowing It; Or The Stratagem
NO master sage, nor orator I know,
Who can success, like gentle Cupid show;
His ways and arguments are pleasing smiles,
Engaging looks, soft tears, and winning wiles.
Wars in his empire will at times arise,
And, in the field, his standard meet the eyes;
Now stealing secretly, with skilful lure.
He penetrates to hearts supposed secure,
O'erleaps the ramparts that protect around,
And citadels reduces, most renowned.
I DARE engage, two fortresses besiege
Leave one to Mars, and t'other to this liege.
And though the god of war should numbers bring,
With all the arms that can his thunders fling,
Before the fort he'll vainly waste his time,
While Cupid, unattended, in shall climb,
Obtain possession perfectly at ease,
And grant conditions just as he shall please.
I NOW propose to give a fav'rite tale :--
The god of Love was never known to fail,
In finding stratagems, as I have read,
And many have I seen most nicely spread.
THE young Aminta was Gerontes' wife,
With whom she lived, it seems, a wretched life.
Far better she deserved than what she had,
For he was jealous, and his temper bad:
An aged hunks, while she was in the hour
When hearts, that never felt LOVE'S mighty pow'r,
Are presently by tender objects caught,
Which ne'er before had entered in the thought.
WHEN first Aminta saw young Cleon's face,
A lad possessing all engaging grace,
Much prudence then she ev'ry way displayed,
E'en more perhaps than necessary made.
For though we may suppose the lovely fair,
Would ev'ry effort use to 'scape the snare,
Yet when the god of soft persuasion takes
The fatal moment, havock soon he makes,
In vain his duty, any thing opposed,
If once the tender sentiment's disclosed.
Aminta consolation had in view
'Twas that alone the passion from her drew,
A meeting innocent, to vent her tears,
And, to a feeling friend, express her fears.
'Tis represented thus I cannot doubt;
But sight of meat brings appetite about;
[...] Read more
poem by La Fontaine
Added by Poetry Lover
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The Progress Of Wit
DIVERTING in extreme there is a play,
Which oft resumes its fascinating sway;
Delights the sex, or ugly, fair, or sour;
By night or day:--'tis sweet at any hour.
The frolick, ev'ry where is known to fame;
Conjecture if you can, and tells its name.
THIS play's chief charm to husbands is unknown;
'Tis with the lover it excels alone;
No lookers-on, as umpires, are required;
No quarrels rise, though each appears inspired;
All seem delighted with the pleasing game:--
Conjecture if you can, and tell its name.
BE this as 'twill, and called whate'er it may;
No longer trifling with it I shall stay,
But now disclose a method to transmit
(As oft we find) to ninnies sense and wit.
Till Alice got instruction in this school,
She was regarded as a silly fool,
Her exercise appeared to spin and sew:--
Not hers indeed, the hands alone would go;
For sense or wit had in it no concern;
Whate'er the foolish girl had got to learn,
No part therein could ever take the mind;
Her doll, for thought, was just as well designed.
The mother would, a hundred times a day,
Abuse the stupid maid, and to her say
Go wretched lump and try some wit to gain.
THE girl, quite overcome with shame and pain;
Her neighbours asked to point her out the spot,
Where useful wit by purchase might be got.
The simple question laughter raised around;
At length they told her, that it might be found
With father Bonadventure, who'd a stock,
Which he at times disposed of to his flock.
AWAY in haste she to the cloister went,
To see the friar she was quite intent,
Though trembling lest she might disturb his ease;
And one of his high character displease.
The girl exclaimed, as on she moved,--Will he
Such presents willingly bestow on me,
Whose age, as yet, has scarcely reached fifteen?
With such can I be worthy to be seen?
Her innocence much added to her charms,
The gentle wily god of soft alarms
Had not a youthful maiden in his book,
That carried more temptation in her look.
[...] Read more
poem by La Fontaine
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Your Move
Written by terry shaddick and steve kipner, 1983
Found on your move and the very best of america.
I don't understand it 'cause you won't say yes
But you don't say no
Sayin' no we shouldn't you keep holdin' out
But you don't let go
I'm givin' up on trying
To sell you things that you ain't buying
It's your move (your move)
I played all of mine
Time (ah) is running out
Make your move (your move)
Or we can't go on
Till (ah) you understand
It's all in your hands
It's your move
You're giving me the business with that old come on
But you don't come across
You get me so excited don't you know you're such a tease
When i think you're gettin' hot, you're not
(oo) so what's the problem, what's wrong
This kiss and miss you know it can't go on
It's your move (your move)
I played all of mine
Time (ah) is running out
Make your move (your move)
Or we can't go on
Till (ah) you understand
It's all in your hands
It's your move
(know it can't go on) go on
I'm givin' up on trying now it's (your move)
Girl, if you ain't buyin' now it's (your move)
I gave it all i got now it's (your move)
I thought you were hot but you're not so it's (your move, your move, your move)
It's your move (your move, ah)
I played all of mine
Time is running out
Make your move (ah, oh)
Or we can't go on
Till you understand
It's all in your hands
It's your move
It's your move (your move, ah)
I played all of mine
Time is running out
Make your move (ah, oh)
Or we can't go on
Till you understand
It's all in your hands
[...] Read more
song performed by America
Added by Lucian Velea
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She Said
One - two - three - four - five - six - seven -
Eight - nine - ten - eleven - twelve - yes!
Yeeah! yeeah! yeeah! yeah! yeah! yeah! yeah! yeah! yeah! yeah! yeah!
She said move, move, move to the rythm!
She said move, move, move to the rythm!
She said move, move, move to the rythm!
She said move, move, move to the rythm!
She said move to the rhythm!
Get down!
She said move!
Allright!
Im just rocking to the, rocking to the rythm of a groovy,
Rocking to the, rocking to the beat i, beat i,
Rocking to the, rocking to the, rocking to the beat i,
Rocking to the rythm of a groovy beat, beat, beat, beat,
Beat, beat, beat, beat, beat, beat, beat, beat, beat, beat, beat, beat, beat.
Rocking to the, rocking to the beat i, beat i,
Rocking to the, rocking to the, rocking to the beat i,
Rocking to the rythm of a groovy beat, beat, beat, beat,
Beat, beat, beat, beat, beat, beat, beat, beat, beat, beat, beat, beat, beat.
Im just rocking to the, rocking to the rythm of a groovy,
Rocking to the, rocking to the beat i, beat i,
Rocking to the, rocking to the, rocking to the beat i,
Rocking to the rythm of a groovy beat, beat, beat, beat,
Beat, beat, beat, beat, beat, beat, beat, beat, beat, beat, beat, beat, beat.
She said move, move, move to the rythm!
She said move, move, move to the rythm!
She said move to the rythm!
Get down!
She said move!
Shake it, shake it, shake it, shake it,
Shake it, shake it, shake it, shake it!
Shake it, shake it, shake it, shake it,
Shake it, shake it, shake it, shake it!
She said move, move, move to the rythm!
She said move, move, move to the rythm!
She said move to the rythm!
She said move!
Are there any questions?
song performed by Scooter
Added by Lucian Velea
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The Ear-Maker And The Mould-Mender
WHEN William went from home (a trader styled):
Six months his better half he left with child,
A simple, comely, modest, youthful dame,
Whose name was Alice; from Champaign she came.
Her neighbour Andrew visits now would pay;
With what intention, needless 'tis to say:
A master who but rarely spread his net,
But, first or last, with full success he met;
And cunning was the bird that 'scaped his snare;
Without surrendering a feather there.
QUITE raw was Alice; for his purpose fit;
Not overburdened with a store of wit;
Of this indeed she could not be accused,
And Cupid's wiles by her were never used;
Poor lady, all with her was honest part,
And naught she knew of stratagem or art.
HER husband then away, and she alone,
This neighbour came, and in a whining tone,
To her observed, when compliments were o'er:--
I'm all astonishment, and you deplore,
To find that neighbour William's gone from hence,
And left your child's completing in suspense,
Which now you bear within, and much I fear,
That when 'tis born you'll find it wants an ear.
Your looks sufficiently the fact proclaim,
For many instances I've known the same.
Good heav'ns! replied the lady in a fright;
What say you, pray?--the infant won't be right!
Shall I be mother to a one-eared child?
And know you no relief that's certain styled?
Oh yes, there is, rejoined the crafty knave,
From such mishap I can the baby save;
Yet solemnly I vow, for none but you
I'd undertake the toilsome job to do.
The ills of others, if I may be plain,
Except your husband's, never give me pain;
But him I'd serve for ever, while I've breath;
To do him good I'd e'en encounter death.
Now let us see, without more talk or fears,
If I know how to forge the bantling ears.
Remember, cried the wife, to make them like.
Leave that to me, said he, I'll justly strike.
Then he prepared for work; the dame gave way;
Not difficult she proved:--well pleased she lay;
Philosophy was never less required,
And Andrew's process much the fair admired,
Who, to his work extreme attention paid;
'Twas now a tendon; then a fold he made,
[...] Read more
poem by La Fontaine
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Exodus (Laswell Mix)
[Bob Marley]
Exodus: Movement of Jah people! Oh-oh-oh, yea-eah!
.......
Men and people will fight ya down (Tell me why!)
When ya see Jah light. (Ha-ha-ha-ha-ha-ha-ha!)
Let me tell you if you're not wrong; (Then, why?)
Everything is all right.
So we gonna walk - all right! - through de roads of creation:
We the generation (Tell me why!)
(Trod through great tribulation) trod through great tribulation.
Exodus, all right! Movement of Jah people!
Oh, yeah! O-oo, yeah! All right!
Exodus: Movement of Jah people! Oh, yeah!
Yeah-yeah-yeah, well!
Uh! Open your eyes and look within:
Are you satisfied (with the life you're living)? Uh!
We know where we're going, uh!
We know where we're from.
We're leaving Babylon,
We're going to our Father land.
2, 3, 4: Exodus: movement of Jah people! Oh, yeah!
(Movement of Jah people!) Send us another brother Moses!
(Movement of Jah people!) From across the Red Sea!
(Movement of Jah people!) Send us another brother Moses!
(Movement of Jah people!) From across the Red Sea!
Movement of Jah people!
---
/Instrumental break/
---
Exodus, all right! Oo-oo-ooh! Oo-ooh!
Movement of Jah people! Oh, yeah!
Exodus!
Exodus! All right!
Exodus! Now, now, now, now!
Exodus!
Exodus! Oh, yea-ea-ea-ea-ea-ea-eah!
Exodus!
Exodus! All right!
Exodus! Uh-uh-uh-uh!
Move! Move! Move! Move! Move! Move!
Open your eyes and look within:
Are you satisfied with the life you're living?
We know where we're going;
We know where we're from.
We're leaving Babylon, y'all!
We're going to our Father's land.
Exodus, all right! Movement of Jah people!
Exodus: movement of Jah people!
Movement of Jah people!
Movement of Jah people!
[...] Read more
song performed by Bob Marley
Added by Lucian Velea
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Move In
Move in, move in
Move in, watch me move in
Invite me to a party
Hang some colour on the walls
It makes me feel like eighteen
Im gonna change things for us all
Sooner or later the music goes
I see a trace of sweat on your face
Move in, move in
Remember now the times we had
Move in, watch me move in
Remember now the times we had
Our worlds turned round but thats okay
Yet, things still look the same
People dancing so much
Keep it pushing come what may
Sooner or later the music goes
I see a trace of sweat on your face
Move in, move in
Remember now the times we had
Move in, watch me move in
Remember now the times we had
I see the lights are low now
But still the faces glow
A year thats full of zeros
Yet who knows what that holds
Sooner or later the music goes
I see a trace of sweat on your face
Move in, move in
Remember now the times we had
Move in, watch me move in
Remember now the times we had
Move in, move in
Remember now the times we had
Move in, watch me move in
Remember now the times we had
Move in, move in
Remember now the times we had
Move in, watch me move in
Remember now the times we had
Lead on
Oh the music goes
And I feel it pushing on, baby
I feel its pushing
Push against me
Please, stop
I feel the music
Inside me
song performed by Texas
Added by Lucian Velea
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Alice And The White Knight
Alice was walking beside the White Knight in Looking Glass Land.
'You are sad.' the Knight said in an anxious tone: 'let me sing you a song to comfort you.'
'Is it very long?' Alice asked, for she had heard a good deal of poetry that day.
'It's long.' said the Knight, 'but it's very, very beautiful. Everybody that hears me sing it -
either it brings tears to their eyes, or else -'
'Or else what?' said Alice, for the Knight had made a sudden pause.
'Or else it doesn't, you know. The name of the song is called 'Haddocks' Eyes.''
'Oh, that's the name of the song, is it?' Alice said, trying to feel interested.
'No, you don't understand,' the Knight said, looking a little vexed. 'That's what the name
is called. The name really is 'The Aged, Aged Man.''
'Then I ought to have said 'That's what the song is called'?' Alice corrected herself.
'No you oughtn't: that's another thing. The song is called 'Ways and Means' but that's only
what it's called, you know!'
'Well, what is the song then?' said Alice, who was by this time completely bewildered.
'I was coming to that,' the Knight said. 'The song really is 'A-sitting On a Gate': and the
tune's my own invention.'
So saying, he stopped his horse and let the reins fall on its neck: then slowly beating time
with one hand, and with a faint smile lighting up his gentle, foolish face, he began:
I'll tell thee everything I can;
There's little to relate.
I saw an aged, aged man,
A-sitting on a gate.
'Who are you, aged man?' I said,
' And how is it you live?'
And his answer trickled through my head
like water through a sieve.
He said 'I look for butterflies
That sleep among the wheat:
I make them into mutton pies,
And sell them in the street.
I sell them unto men,' he said,
'Who sail on stormy seas;
And that's the way I get my bread -
A trifle if you please.'
But I was thinking of a plan
[...] Read more
poem by Lewis Carroll
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Gentle Alice Brown
It was a robber's daughter, and her name was ALICE BROWN,
Her father was the terror of a small Italian town;
Her mother was a foolish, weak, but amiable old thing;
But it isn't of her parents that I'm going for to sing.
As ALICE was a-sitting at her window-sill one day,
A beautiful young gentleman he chanced to pass that way;
She cast her eyes upon him, and he looked so good and true,
That she thought, "I could be happy with a gentleman like you!"
And every morning passed her house that cream of gentlemen,
She knew she might expect him at a quarter unto ten;
A sorter in the Custom-house, it was his daily road
(The Custom-house was fifteen minutes' walk from her abode).
But ALICE was a pious girl, who knew it wasn't wise
To look at strange young sorters with expressive purple eyes;
So she sought the village priest to whom her family confessed,
The priest by whom their little sins were carefully assessed.
"Oh, holy father," ALICE said, "'t would grieve you, would it not,
To discover that I was a most disreputable lot?
Of all unhappy sinners I'm the most unhappy one!"
The padre said, "Whatever have you been and gone and done?"
"I have helped mamma to steal a little kiddy from its dad,
I've assisted dear papa in cutting up a little lad,
I've planned a little burglary and forged a little cheque,
And slain a little baby for the coral on its neck!"
The worthy pastor heaved a sigh, and dropped a silent tear,
And said, "You mustn't judge yourself too heavily, my dear:
It's wrong to murder babies, little corals for to fleece;
But sins like these one expiates at half-a-crown apiece.
"Girls will be girls - you're very young, and flighty in your mind;
Old heads upon young shoulders we must not expect to find:
We mustn't be too hard upon these little girlish tricks -
Let's see - five crimes at half-a-crown - exactly twelve-and-six."
"Oh, father," little Alice cried, "your kindness makes me weep,
You do these little things for me so singularly cheap -
Your thoughtful liberality I never can forget;
But, oh! there is another crime I haven't mentioned yet!
"A pleasant-looking gentleman, with pretty purple eyes,
I've noticed at my window, as I've sat a-catching flies;
He passes by it every day as certain as can be -
I blush to say I've winked at him, and he has winked at me!"
[...] Read more
poem by William Schwenck Gilbert
Added by Poetry Lover
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