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ja Sam Tek Danas Ovo Otvorila

, taman mi je pasalo vidjet ovu ljepotu i sklad nakon sivila kojim me ispunil kineski film kojeg sam gledala ovaj vikend 'Zvijezda koja nedostaje '...putovanje kroz unutrašnjost Kine koje mi je totalno ubilo volju da idem to ikad vidjeti...prašina, prljavština, bijeda....jedina živa boja u cijelom filmu su crveni šljemovi radnika u č elić ani: D...no, ono po ć emu ga želim pamtiti je..... 'Kinezi te prvo sruše a onda ti pomognu da ustaneš'

Kinezi jesu gadni, jako su krvoloč ni i život ne znač i puno. al imaju jaku reakciju na to, Lao-Tsea, slič no kak i Japanci imaju Zen kak reakciju na njihov gadni život. Japanci su kak Niemci, sam kaj su Niemci ostali bez te reakcije ljudskosti, bez profinjesti Zena.
Isto tak se i Kinezi gadno trude prevladati vse te pese koje tisuč lječ ima kolju i jedu, kroz sakralizaciju svieta oko sebe na vse te vsoje razne nač ine, i ta sakralizacija je jako jaka.

Mene v zadnjej vrieme drži Nick Drake, imam ta 4 cdeja od njega,3 albuma i 1 demoi i neizdano, i od gda sem nabavil ove kable sam gitara i glas, i malo gudala v pozadini...nevjerojatna svežina neposrednosti.

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Rudyard Kipling

The Sacrifice Of Er-Heb

Er-Heb beyond the Hills of Ao-Safai
Bears witness to the truth, and Ao-Safai
Hath told the men of Gorukh. Thence the tale
Comes westward o'er the peaks to India.

The story of Bisesa, Armod's child, --
A maiden plighted to the Chief in War,
The Man of Sixty Spears, who held the Pass
That leads to Thibet, but to-day is gone
To seek his comfort of the God called Budh
The Silent -- showing how the Sickness ceased
Because of her who died to save the tribe.

Taman is One and greater than us all,
Taman is One and greater than all Gods:
Taman is Two in One and rides the sky,
Curved like a stallion's croup, from dusk to dawn,
And drums upon it with his heels, whereby
Is bred the neighing thunder in the hills.

This is Taman, the God of all Er-Heb,
Who was before all Gods, and made all Gods,
And presently will break the Gods he made,
And step upon the Earth to govern men
Who give him milk-dry ewes and cheat his Priests,
Or leave his shrine unlighted -- as Er-Heb
Left it unlighted and forgot Taman,
When all the Valley followed after Kysh
And Yabosh, little Gods but very wise,
And from the sky Taman beheld their sin.

He sent the Sickness out upon the hills,
The Red Horse Sickness with the iron hooves,
To turn the Valley to Taman again.

And the Red Horse snuffed thrice into the wind,
The naked wind that had no fear of him;
And the Red Horse stamped thrice upon the snow,
The naked snow that had no fear of him;
And the Red Horse went out across the rocks,
The ringing rocks that had no fear of him;
And downward, where the lean birch meets the snow,
And downward, where the gray pine meets the birch,
And downward, where the dwarf oak meets the pine,
Till at his feet our cup-like pastures lay.

That night, the slow mists of the evening dropped,
Dropped as a cloth upon a dead man's face,
And weltered in the Valley, bluish-white
Like water very silent -- spread abroad,

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Hello, my name is Sarah

My name is Sarah
I am the one who is not
Who never is
These are the hands for my embraces
Mutilated in emptiness
Husked in the rings at twilight I take off
And throw into the dark.
They are writing a history of a plastic toy
Buried in the tombs of childhood
That never grew towards a cradle.

My name is Sarah
I am the one who is trying to be
These are the feet for my steps.
Frozen in the paths
Tied by tinkling jewelerry
At twilight I take off
And throw into the dark.

They walk the streets that there are no more
The streets trodden by mere silhouettes of paths
They go down the wells
To strangle in them
A swimming hope for the end.

My name is Sarah.
I am the one who wants.
This is the neck for your hands.
Slightly touch.
It's tied in thousands of necklaces
At twilight I take off
And throw into the dark.

The darkness greedily eats
The circles I push the dreams into
I let it touch.
It's all right.

My name is Sarah.
I am the one who does not consent.
This is the hair for my plaits.
The silver ribbons
And shiny pearls at twilight I take off
And throw it into the dark.
It's all right.

I have broken all the rules
I have broken cliches
Magic circles
I tore the pages

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Zdravo, Moje Ime Je Sara

Moje ime je Sara.
Ja sam ona koja nisam,
koja nikada nisam.
Ovo su ruke za moje zagrljaje.
Osakacene prazninom.
Okrunjene u prstenju koje sumrakom skidam
i u tmine bacam.
One pisu istoriju plasticne igracke
sahranjene u grobovima djetinjstva
koje nije doraslo do kolijevke.


Zovem se Sara.
Ja sam ona koja pokusava da bude.
Ovo su stopala za moje korake.
Ukocene putevima.
Vezana zveketavim nakitom
koji sumrakom skidam i u tmine bacam.


Ona hodaju nepostojecim ulicama
kojima gaze jos samo prividi staza.
Silaze u bunare
da u njima udave
proplivalu nadu za kraj.


Moje ime je Sara.
Ja sam ona koja bi htjela.
Ovo je vrat za vase ruke.
Dotaknite lagano.
Vezan je hiljadama lancica
koje sumrakom skidam
i u tmine bacam.

Ona jedu halapljivo,
krugove u koje sazimam snove
dozvoljavam da dira.
Neka je.


Zovem se Sara.
Ja sam ona koja ne pristaje.
Ovo je kosa za moje pletenice.
U njima trake od srebra
i bisere sjajne sumrakom skidam
i u tmine bacam. Neka ih.

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That's not it-To nije to

Excuse me sir
You look like someone I've met before
And I am sure it is like that
I'm sure everyone has met everyone before
In what's called preceding lives
Do you believe in that sir
I mean those karmas
Moving along cyclic zodiacs
Made of illiterate stars
Sounds quite familiar to me
A life through trials and errors
I think sir
When I outstretch the palm of my hand
(Do not worry you don't have to give me any
Of your monthly revenue
I am not that kind of a beggar)
When I outstretch the palm of my hand
And look at those divinely entangled lines
So cryptic
That are supposed to determine my fate
I think there's got to be some mistake there
That they are not there to determine me
But to tell me that this palm belongs to me only
That I am just like you sir
A creature born once a creature divine
Unrepeatable and free
For most when I outstretch the palm of my hand
To see my own geometry of the universe
Or to turn it into a fist
To strike the face of Fortune
Then I think sir
For sure we've all met before
In the faces of Adam and Eve
Hitting their foreheads against the ground
Once they vaguely hinted the Heaven is perhaps
Nothing but a wholeness of a soul in unity with its Creator
And Hell the lack of the same thing
Yes I am sure we've met before
In the face of Christ crucified on the cross
That redeemed us through his blood
For a dream in which an Idiot
Will not have to find a compartment
In which he would, with a roomful of thoughts
In his head just like me right now,
He would not have to repeat
That's not it that's not it until he cannot
Thinking perhaps about those marbles of lifeful life
Whose glimmer fades away once they break out on the surface
To dry in the fire of their own eyes
Thinking that's not it that's not it

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Quite Subsidiary / Sasvim Pritocno

diary pages i never wrote
due to some unknown individual intuition
a friend once explained to me
which i never really understood
they keep oozing in front of my eyes
a trailer from a movie long forgot
a midsummer's heat
pronounced at the tip of my tongue
that does not remember the language
but is ready to outriver the numbers
sliding down the covers
there's a painting perhaps
that i've never been up to
and i will never paint
a draft made of eyes and ears void
staring right at me from the broken sky
that knows each piece of its shatteredness
foretold by the mirror
i normally use to put lipstick only
or merely draft my eyes so as not to forget them
by the end of the day
and each time my fingers prolong into keyboards
there's a music played unheard humming oou of debris
the world would say it's time for itself to die
in the meaning of each word that's uttered about it
stubbornly defending its unutteredness
that always shakes me into an earthquake speech
and just like an earthquake i cannot stand still
there are too many cracks i made and need to fill


sascim pritocno
stranice dnevnika koje nikad nisam ispisala
zahvaljujuci jednoj individualnoj intuiciji
koju mi je prijatelj jednom objasnio
a nikad je nisam razumjela
cure mi pred ocima
trejler iz filma davno zaboravljenog
Jovanjdanja vrelina
izgovorena na vrhu jezika
koja je zaboravila jezik
ali je spremna da nadrijeci brojeve
što klize niz korice
postoji moždajedna slika
kojoj nikad nisam bila dorasla
koju nikad necu naslikati
slika napravljena od ociju i ušiju jaza
koja me posmatra pravo iz slomljenog neba
koje poznaje svaki komadic svoje polomljenosti
obrecene ogledalom

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Es Ist Nie Vorbei

Together:
Sam bo rom bom
Es ist nie vorbei
Sam bo rom bom
Sam bo rom bom
Ich denk' an dich
Sam bo rom bom
Ich hab sehnsucht nach dir
Blmchen:
Es ist nie vorbei
Es ist zauberei
Verliebt in alle ewigkeit
Manchmal gibt es streit
Aber mit der zeit
Kommt die sehnsucht wieder
Und ich denk' an dich
Und du an mich
Wir sehen uns beide magischen
Es ist nie vorbei
Es ist zauberei
Wie ein unsichtsbares paar
E-type:
We've come a long way
It's been a rough ride
Tell me why all the good things has to come to an end
We've left no stone unturned
Tell me what
How will i miss you already waiting for your return
Together:
Sam bo rom bom
Es ist nie vorbei
Sam bo rom bom
Sam bo rom bom
Ich denk' an dich
Sam bo rom bom
Ich hab sehnsucht nach dir
Blmchen:
Es ist nie vorbei
Es ist zauberei
Verliebt in alle ewigkeit
Manchmal gibt es streit
Aber mit der zeit
Kommt die sehnsucht wieder
Und ich denk' an dich
Und du an mich
Wir sehen uns beide magischen
Es ist nie vorbei
Es ist zauberei
Wie ein unsichtsbares paar
E-type:

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Sam

(john farrar/hank marvin/don black)
I heard that youre on your own now
So am i
Im living alone now
I was wrong
So were you
What will you do?
Are you glad to be free?
Are you feeling lost just like me?
Longing for company
Oh sam, sam, you know where I am
Come around and talk awhile
I need your smile
You need a shoulder
Oh sam, sam, you know where I am
And the door is open wide
Come on inside
Longing to see you
Oh sam, sam, you know where I am
I find the days hard to face now
Empty rooms
Theres much too much space now
And the nights go so slow
Im sure you know
Wish I knew what to do
It would be so nice seeing you
And it might help you too
Oh sam, sam, you know where I am
Come around and talk awhile
I need your smile
You need a shoulder
Oh sam, sam, you know where I am
And the door is open wide
Come on inside
Longing to see you
Oh sam, sam, you know where I am
Oh sam, you know where I am
Oh sam, ooh sam
You know, you know
You know where I am

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The Rivals

Look heah! Is I evah tole you 'bout de curious way I won
Anna Liza? Say, I nevah? Well heah's how de thing wuz done.

Lize, you know, wuz mighty purty —dat's been forty yeahs ago —
'N 'cos to look at her dis minit, you might'n spose dat it wuz so.

She wuz jes de greates' 'traction in de county, 'n bless de lam'!
Eveh darkey wuz a-co'tin, but it lay 'twix me an' Sam.

You know Sam. We both wuz wukin' on de ole John Tompkin's place.
'N evehbody wuz a-watchin' t' see who's gwine to win de race.

Hee! hee! hee! Now you mus' raley 'scuse me fu' dis snickering,
But I jes can't he'p f'om laffin' eveh time I tells dis thing.

Ez I wuz a-sayin', me an' Sam wuked daily side by side,
He a-studyin', me a-studyin', how to win Lize fu' a bride.

Well, de race was kinder equal. Lize wuz sorter on de fence;
Sam he had de mostes dollars, an' I had de mostes sense.

Things dey run along 'bout eben tel der come Big Meetin' day;
Sam den thought, to win Miss Liza, he had foun' de shoest way.

An' you talk about big meetin's! None been like it 'fore nor sence;
Der wuz sich a crowd o' people dat we had to put up tents.

Der wuz preachers f'om de Eas', an' 'der wuz preachers f'om de Wes';
Folks had kilt mos' eveh chicken, an' wuz fattenin' up de res'.

Gals had all got new w'ite dresses, an' bought ribbens fu' der hair,
Fixin' fu' de openin' Sunday, prayin' dat de day'd be fair.

Dat de Reveren' Jasper Jones of Mount Moriah, it wuz 'low'd,
Wuz to preach de openin' sermon; so you know der wuz a crowd.

Fu' dat man wuz sho a preacher; had a voice jes like a bull;
So der ain't no use in sayin' dat de meetin' house wuz full.

Folks wuz der f'om Big Pine Hollow, some come 'way f'om Muddy Creek,
Some come jes to stay fu' Sunday, but de crowd stay'd thoo de week.

Some come ridin' in top-buggies wid de w'eels all painted red,
Pulled by mules dat run like rabbits, each one tryin' to git ahead.

Othah po'rer folks come drivin' mules dat leaned up 'ginst de shaf',
Hitched to broke-down, creaky wagons dat looked like dey'd drap in half.

But de bigges' crowd come walkin', wid der new shoes on der backs;
'Scuse wuz dat dey couldn't weah em 'cause de heels wuz full o' tacks.

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A Beat Of Sorrow That Thinks Of Beauty/Otkucaj Tuge Sto Ljepotu Mni

it takes a memory that runs over itself
to get to learn and endless southern rhythm
it takes a fire that burns itself down
to get to know an ocean wave
it takes tender enough strong enough fingers
to summerize anything into a touch
so that the heard amidst the things could recognise
a beat of sorrow that thinks of beauty

it takes much more and reaches much stronger
to ask for more to search and look
so as to eventually know
the one in the seed of wake planted
the being cut off from itself
into the cliffs of the world pushed forever
it takes a huge knowledge an endless one
of this world's drama
for just one beat of sorrow that thinks of beauty

otkucaj tuge što ljepotu mni
potrebno je sjećanje koje samo sebe gazi
da bi se spoznao beskrajni ritam juga
potrebna je vatra koja samu sebe spaljuje
da bi se spoznao okeanov talas
potrebni su dovoljno nježni i snažni prsti
da bi se išta saželo u dodir
da bi srce u srži svega moglo da prepozna
otkucaj tuge što ljepotu mni

potrebno je mnogo više mnogo snažnije
da se ište dalje da se traži
da bi se najzad saznalo
ono u sjemenu buđenja začeto
od sebe samog otkinuto biće
u urvine svijeta zauvijek bačeno
potrebno je jedno veliko beskrajno veliko
poznavanje drame ovog svijeta
za samo jedan otkucaj tuge što ljepotu mni

1990.

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Sorry sorry

no road for this map
no train for this ticket
I've got nothing

sorry sorry
the colours for this dawn I still haven't found
the libreto for this twilight I still haven't written
neither the most difficult sonnet in the world
for an angel asleep
nor a drama for a lonely sideroad tree
a fragile shelter

sorry sorry
no road for this map
no ticket for this train
I've got nothing

za ovaj put nemam mapu
za ovu kartu nemam voz
nemam ništa

sorry sorry
za ovo svitanje još nisam pronašla boje
za ovaj sumrak još nisam napisala libreto
ni najteži sonet na svijetu
za usapavanog anđela
ni dramu za usamljeno drvo krajputaša
sklonište krhko

sorry sorry
za ovaj put nemam mapu
za ovaj voz nemam kartu
nemam ništa

2009.

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Uncle Sam

Here they come again hop scotching up to my door
One by one again knockety knock knocking upon my floor
Swinging on my gate they gain entry by the yard
Pulling at my hair they scream paint your thoughts upon my card
But not tonight Ive got studies to examine
Tomorrow Ill be watching all the queens men
A talent contest on monday with my uncle sam
Who now takes up all of my time he gives me things to do
cause hes a wonderful man
But Im sailing across the sea to see my uncle sam
Im sailing across the sea to be with my uncle sam
To be with my uncle sam
Silly little sniggers from the women liberators
But Ill stand and hold my post
Polished buttons and erect Ill raise the flag
Ill show those women whos the most
But not tonight Ive got studies to examine
Tomorrow Ill be watching all the queens men
A talent contest on monday with my uncle sam
Who now takes up all of my time, gives me things to do
Hes a wonderful man
But Im sailing across the sea to see my uncle sam
Im sailing across the sea to be with my uncle sam
Im sailing across the sea to see my uncle sam
Im sailing across the sea to be with my uncle sam
But not tonight Ive got studies to examine
Tomorrow ah ah ah
And tomorrow Ill be watching all the queens men
A talent contest on monday with my uncle sam
Who now takes up all of my time he gives me things to do
cause hes a wonderful man
Im sailing across the sea to see my uncle sam
Im sailing across the sea to be with my uncle sam
Im sailing across the sea to see my uncle sam
Im sailing across the sea to be with my uncle sam

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Three Ha'Pence a Foot

I'll tell you an old-fashioned story
That Grandfather used to relate,
Of a joiner and building contractor;
'Is name, it were Sam Oglethwaite.

In a shop on the banks of the Irwell,
Old Sam used to follow 'is trade,
In a place you'll have 'eard of, called Bury;
You know, where black puddings is made.

One day, Sam were filling a knot 'ole
Wi' putty, when in thro' the door
Came an old feller fair wreathed wi' whiskers;
T'ould chap said 'Good morning, I'm Noah.'

Sam asked Noah what was 'is business,
And t'ould chap went on to remark,
That not liking the look of the weather,
'E were thinking of building an Ark.

'E'd gotten the wood for the bulwarks,
And all t'other shipbuilding junk,
And wanted some nice Bird's Eye Maple
To panel the side of 'is bunk.

Now Maple were Sam's Monopoly;
That means it were all 'is to cut,
And nobody else 'adn't got none;
So 'e asked Noah three ha'pence a foot.

'A ha'penny too much,' replied Noah
'A Penny a foot's more the mark;
A penny a foot, and when t'rain comes,
I'll give you a ride in me Ark.'
But neither would budge in the bargain;
The whole daft thing were kind of a jam,
So Sam put 'is tongue out at Noah,
And Noah made 'Long Bacon ' at Sam

In wrath and ill-feeling they parted,
Not knowing when they'd meet again,
And Sam had forgot all about it,
'Til one day it started to rain.

It rained and it rained for a fortni't,
And flooded the 'ole countryside.
It rained and it kept' on raining,
'Til the Irwell were fifty mile wide.

The 'ouses were soon under water,

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This World Is Not Conclusion, By Emily Dickinson

This world is not a matter
A dead transition from an earth into a breath
From a breath into an earth

This world unmeasured by an eye
Is neither a view through a magnifying glass
Nor winking at sense

This world is not a game
Of a small and big intelligence

This world a strange link
Despite the chains
Won't go into a circle


Ovaj svijet nije tvar
Mrtvi prelazak iz zemlje u dah
Iz daha u zenlju

Ovaj svijet okom nesagledan
Nije pogled kroz uvecano staklo
Ni namigivanje smislu

Ovaj svijet nije igra
Male i velike pameti

Ovaj svijet karika cudna
Lancima u inat
Nece u krug

1996.

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Diplomatist

I live on Canada en Bas —
De fines' lan' you see —
An' Oncle Sam, a fr'en of mine,
He live nex' door to me.

Now, long tam' Sam an' me mak' trade,
W'enever that we meet,
An' Sam, he drive de bargain hard,
Sometime bigarre! he sheat.

I not say mooch about it, me,
I never t'ink no harm
Before I fin' mon Oncle Sam
He wan' my little farm.

An' w'en I not to heem will give
De lan' my fader hown,
Den Sam get mad an' say to me,
'I'll play my hand alone.

You kip away; I not will trade,
Don' come my place about!'
Ah! den I see hees leetle game
Was w'at you call 'freeze-hout.'

Mais, I can stan' de fros', for hice
To me is not'ing new;
Sir John mak' freeze agains' de Yanks —
See if dey lak' it, too.

But w'en Sir John t'row up his han'
An' die, 'twas change indeed;
No par'ner lef' could follow up
De fin' ole chieftain's lead.

An' de Canadian peup' was tire,
For dey was not mooch please
For pay big price for jus' to nurse
Les enfants industries.

Dey say, 'We wan' to buy our t'ing
On some mooch sheaper shop,
Dose enfants industries are sure
Long tam' for growing hup.'

For eighteen year dey pull l'argent
From bottom of de purse,
We t'ink it ees long tam' enough
For dem to be on nurse.

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Marksman Sam

When Sam Small joined the regiment,
'E were no' but a raw recruit,
And they marched 'im away one wint'ry day,
'Is musket course to shoot.

They woke 'im up at the crack o' dawn,
Wi' many a nudge and shake,
'E were dreaming that t' Sergeant 'ad broke 'is neck,
And 'e didn't want to wake.

Lieutenant Bird came on parade,
And chided the lads for mooning,
'E talked in a voice like a pound o' plums,
'Is tonsils needed pruning.

"Move to the right by fours," he said,
Crisp like but most severe,
But Sam didn't know 'is right from 'is left,
So pretended 'e didn't 'ear.

Said Lieutenant, "Sergeant, take this man's name."
The Sergeant took out 'is pencil,
'E were getting ashamed o' taking Sam's name,
And were thinking o' cutting a stencil.

Sam carried a musket, a knapsack and coat,
Spare boots that 'e'd managed to wangle,
A 'atchet, a spade... in fact, as Sam said,
'E'd got everything bar t'kitchen mangle.

"March easy men," Lieutenant cried,
As the musket range grew near,
"March easy me blushing Aunt Fanny," said Sam,
"What a chance with all this 'ere."

When they told 'im to fire at five 'undred yards,
Sam nearly 'ad a fit,
For a six foot wall, or the Albert 'All,
Were all 'e were likely to 'it.

'E'd fitted a cork in 'is musket end,
To keep 'is powder dry,
And 'e didn't remember to take it out,
The first time 'e let fly.

'Is gun went off with a kind o' pop,
Where 'is bullet went no-one knew,
But next day they spoke of a tinker's moke,
Being killed by a cork... in Crewe.

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Sir Wilfrid Laurier -- Diplomatist

I live on Canada en Bas --
De fines' lan' you see --
An' Oncle Sam, a fr'en of mine,
He live nex' door to me.

Now, long tam' Sam an' me mak' trade,
W'enever that we meet,
An' Sam, he drive de bargain hard,
Sometime bigarre! he sheat.

I not say mooch about it, me,
I never t'ink no harm
Before I fin' mon Oncle Sam
He wan' my little farm.

An' w'en I not to heem will give
De lan' my fader hown,
Den Sam get mad an' say to me,
"I'll play my hand alone.

You kip away; I not will trade,
Don' come my place about!"
Ah! den I see hees leetle game
Was w'at you call "freeze-hout."

Mais, I can stan' de fros', for hice
To me is not'ing new;
Sir John mak' freeze agains' de Yanks --
See if dey lak' it, too.

But w'en Sir John t'row up his han'
An' die, 'twas change indeed;
No par'ner lef' could follow up
De fin' ole chieftain's lead.

An' de Canadian peup' was tire,
For dey was not mooch please
For pay big price for jus' to nurse
Les enfants industries.

Dey say, "We wan' to buy our t'ing
On some mooch sheaper shop,
Dose enfants industries are sure
Long tam' for growing hup."

For eighteen year dey pull l'argent
From bottom of de purse,
We t'ink it ees long tam' enough
For dem to be on nurse.

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Sam's Christmas Pudding

It was Christmas Day in the trenches
In Spain in Penninsular War,
And Sam Small were cleaning his musket
A thing as he'd ne're done before.

They'd had 'em inspected that morning
And Sam had got into disgrace,
For when sergeant had looked down the barrel
A sparrow flew out in his face.

The sergeant reported the matter
To Lieutenant Bird then and there.
Said Lieutenant 'How very disgusting'
The Duke must be told of this 'ere.'

The Duke were upset when he heard
He said, 'I'm astonished, I am.
I must make a most drastic example
There'll be no Christmas pudding for Sam.'

When Sam were informed of his sentence
Surprise, rooted him to the spot.
'Twas much worse than he had expected,
He though as he'd only be shot.

And so he sat cleaning his musket
And polishing barrel and butt.
While the pudding his mother had sent him,
Lay there in the mud at his foot.

Now the centre that Sam's lot were holding
Ran around a place called Badajoz.
Where the Spaniards had put up a bastion
And ooh...! what a bastion it was.

They pounded away all the morning
With canister, grape shot and ball.
But the face of the bastion defied them,
They made no impression at all.

They started again after dinner
Bombarding as hard as they could.
And the Duke brought his own private cannon
But that weren't a ha'pence o' good.

The Duke said, 'Sam, put down thy musket
And help me lay this gun true.'
Sam answered, 'You'd best ask your favours
From them as you give pudding to.'

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Tough cat Sam is back

Tough cat Sam is making a comeback
he's out running and getting fit
but Jess reckons he's gone crazy
because he's getting on a bit.
A tough young moggy called Spike
has proclaimed that he's the best ever
he's also been bad mouthing Sam
saying that he's thick and not very clever.
So an angry Sam has said yes to a fight
but Spike has said he's going to lose
but Sam has got back into shape
due to his training and cutting out the booze.
The feline boxing world got really excited
and all the tickets quickly sold out
but Spike continued to taunt tough Sam
calling him an old cat and a washed up lout.
Spike was a stocky built Persian
and caught Sam with a fast uppercut
Sam replied with a flurry of jabs
and gave Spike a crafty headbutt.
The fight went on for ten bloody rounds
both cats were out on their feet
Spike tried hard to win the battle
but tough Sam just wouldn't get beat.
Then Sam threw over a mighty right hook
and Spike went out like a light
Sam was the champion once more
which meant he had never lost a fight.
Young Spike was no longer brash and cocky
and accepted that Sam was simply the best
so Sam put his winners cheque in the bank
and went home to Jess for a nice long rest!

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The Great Conch Train Robbery

'Twas sunset down in old Key West
The locals all were high.
The tourists snapped their photographs
And munched their Key Lime pie.
And meanwhile down at Sloppy Joe's
The drinks were standin' tall
With Buffett on the jukebox
And Hemingway on the wall.

Then up spoke Sam the Shrimper:
He said, 'I've been a shrimper all my life.
My daddy was a shrimper
And my mom's a shrimper's wife.
And I'm tired of bein' a shrimper
Cuz a shrimper's life's too tame
So I'm gonna ride the Conch Train, boys,
And be like Jesse James.
Gonna be like Jesse James, boy...
Gonna be like Jesse James.
Case you didn't hear me the first three times...
Gonna be like Jesse James.'

Now the Conch Train is a tourist toy
That rolls through Key West Town
Like some weird ride from Disneyland
It drives the tourists round and round
While the engineer on her P.A.
Points out all the sites
'Well, Tennessee did you-know-what
To you-know-who that night.'

'The tourists all have money', said Sam
'Their wives all have rings of gold.
Their mopeds all are pawnable.
Their cameras can be sold.
And think of all the glory, boys,
The money and the fame
To be the first and only man
To rob the Key West Train.'

Now the engineer of the Conch Train
Her name was Betsy Wright.
She drove the Conch Train all day long
And loved Shrimper Sam all night.
And with some sweet persuasion,
She agreed to join the game:
She'd slow it down and flag the lad
And let him ride the train.

The conch train made its turn

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Shadow Hawk episode 3

[Angela’s House] Tuesday Nov 25 9: 23 am
[Angela and her mom are conversating in living room with Sam lying on couch unconscience]
Angela: He’s been out for about four days now
Mom: Who is he?
Angela: I think his name is Sam
Mom: (Places hands on hips) You think! ?
Angela: Mom I found him in the street, he was hurt.
Mom: (outraged) In the street! Angela you don’t know this boy.
Angela: I had to bring him here he was badly wounded. Plus I’m a CN.
Mom: Angela you know your father would be upset. He’s been gone to a business trip in Tokyo for two weeks and He’ll want to sit on his new leather couch.
Angela: I returned the favor.
Mom: What favor? Did you have se……..
Angela: No, he saved my life!
Mom: What?
Angela: (begins to cry) Three men chased me down the street into an alley they were going to mug me or worse. He came to my aide, and even gave me dinner.
Mom: (Embraces Angela and starts crying) I’m glad your alright.
Angela: He saved me mom.
Mom: Well I couldn’t have chosen a better boy to stay in my house. (smiles warmly)
Angela: Thanks for understanding.
Mom: He looks so cute when he’s sleeping.
Angela: I know mom, he looks like a little teddy bear. (they both giggle)
(door bell rings)
Mom: That’s your dad, let me do the talking.
(Opens door)
Dad: Hey honey I’m home.
Mom: I’ve missed you so much. (they kiss)
Dad: So how’s my little angel doing?
Angela: Fine dad. (smiles)
Dad: Well I guess I’ll go watch tv on my new leather couch.
Mom: You know it’s been two weeks Roger mabey we should go up stairs and “talk”.
Dad: Not right now Sarah, I’m tired. (advances towards living room)
Mom: Roger let me give you a back message up stairs.
Dad: No, Sarah.
Angela: You look tired dad why don’t you take a nap.
Dad: I will once I watch a little……. Who the heck is that on my $2,000 couch! ! !
Mom: Calm down Roger.
Dad: There’s blood on my new couch! ! ! !
Angela: Let me explain.
Dad: Yes Angela explain to me why there is some random boy in my house lying on my couch which is blood stained at that!
Mom: The boy was hurt Roger she had to bring him her.
Dad: And you knew about it Sarah?
Mom: Yes.
Dad: I thought we discussed this already!
Angela: He’s hurt dad.
Dad: Hurt! You want hurt I’ll give you hurt! (grabs baseball bat)
Mom: Don’t Roger put it d…….
Dad: Stay out of this Sarah! (goes to hit Sam)
Angela: (Throws herself on Sam) If you hit him you have to hit me too!
Dad: Move Angela.
Angela: No.

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