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The Network

All the watchers gather, eyes alight with lucid reflections
their pulse pounds together, their fingers fly as one
thousands and thousands, awaiting the latest and greatest
zoning out and staring in, they pretend they are alive

This story has the makings of an epic ghost, a festival-maker
or the ruined guts of terrorism if the watchers think in anger
'Who would take away my little place of peace in the pie
that person, the blinking blue terrorist, deserves to die.'

So many origins are among the free thinking eyes and ears
untarnished by the hum or buzz that makes slaves and saviors
they don’t know the true power of media or martial prowess
But throw themselves unthinking at the fray with hope as a shield

Smiling grains of pixilated magic, among the wordy corridors
that transform a man’s desperate hope into campaigns of horrors
they think that because they have the viral green thought
they should make what they will of the world with things bought

If prophecy is more than just an educated guessing game
and logic doesn’t fail or run to ruin and degradation,
then some events are there to erase the sins of shaded past
This empire, too, will crumble, and our eyes, too, will be opened

At our computer terminals, keyboards tapping away the frames
we languish among the heady lines of text and free games
When the screens of the world flash blue and say error,
will we blame the sins that made it happen, or blame terror?

poem by Poet Dragon
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Ghost Train

Here they come to steal my soul
(Ghost train)
Wait it out until I know
(Ghost train)
Trying not to feel I give it
(Ghost train)
Moving up until I go go
(Ghost train)
She was not to hear about me leaving
(Ghost train)
Trying to be near my heart
(Ghost train)
Trying not to feel like bleeding
(Ghost train)
Moving up until I'm taught to your side
(Ghost train)
Yeah yeah yeah
(Ghost train)
yeah yeah yeah
(Ghost train)
yeah yeah yeah
(Ghost train)
Got suicide for my baby
(Ghost train)
Living up until I wanted
(Ghost train)
Seeing like I'm out of bed, yeah
(Ghost train)
Moving up and taught I'm a weapon
(Ghost train)
Yeah yeah yeah yeah yeah
(Ghost train)
Yeah yeah yeah yeah yeah
(Ghost train)
I see myself pretend how to get there
(Ghost train)
Dripping down, I'm poisoned on the street
(Ghost train)
Come on come on come on!
(Ghost train)
Come on come on come on!
(Ghost train)
Come on come on come on!
(Ghost train)
Come on come on come on!
(Ghost train)
Come on come on come on!
(Ghost train)
Come on come on come on!
(Ghost train)

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song performed by Gorillaz
Added by Lucian Velea
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The Greatest

[Intro]
(The the, the the, the the, the the)
Don't throw no roses on my grave, boo
That's not a soldier, it's more like an angel
You got no where to run, no one to pray to
Jesus and Moses ain't comin' to save you
(The greatest, the the the greatest)
I flow like a butterfly, I sting like a hornet
They won't let me have it
Not even if no one else want it
And if I try to take it
They wanna break me down and strip me naked
They write a brand new rule and break it
They lie, they cheat, they steal, they fake it
But I'mma make it, Lord I can take it
I'm the (The greatest man alive)
Cut the drama boy, save it for your mama
I'm the (The greatest man alive)
I can't sweat it, know I got to get it
I'm the (The greatest man alive)
Without no doubt, my name will survive
(The greatest the the greatest man alive)
(The greatest man)
(The greatest, the the)
I'mma make it, Lord I can take it
I'm the (The greatest man alive)
Cut the drama boy, save it for your mama
I'm the (The gratest man alive)
I can't sweat it, I know I got to get it
I'm the (The greatest man alive)
Without no doubt, my name will survive
(The, the greatest man alive)
(The greatest, the the greatest man)
(The the, the greatest man alive)
(The, the the greatest, the the the greatest man)
(The greatest man alive)
I'mma make it, know that I can take it
I'm the (The greatest man alive)
Cut the drama boy, save it for your mama
I'm the (The greatest man alive)
I can't sweat it, I know I gotta get it
I'm the (The greatest man alive)
Without no doubt my name will survive
(The greatest man, the greatest man alive)
It only gets harder
It always seems so far away
The sky's getting darker
Another storm is on the way
(The the greatest, the the the greatest,the the)
Another storm is on the way

[...] Read more

song performed by Everlast
Added by Lucian Velea
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99 Lbs

Written by: d. bryant
Twenty-five pounds of pure cane sugar
Shes got in each and every kiss
You wouldnt know what Im talking bout
If you never had a love like this
Well, I dont mean to be frank with you all
Its a natural fact
Good things come wrapped up in small, small packages now
Well you cant argue with that
Oh, oh, yeah
Ninety-nine pounds of natural born goodness
Ninety-nine pounds of soul, oh, oh
Ninety-nine pounds of natural born goodness
Ninety-nine pounds of soul
Twenty-five pounds of tenderness
She got in each and every touch
Twenty-five pounds of understanding my woman
cause I was the one running round town worrying too much
Twenty-four pounds of sunday
That I cant see, yeah
And it all adds up to ninety-nine big pounds
Oh, Im talking about a feline friend
Ninety-nine pounds of natural born goodness
Ninety-nine pounds of soul
Ninety-nine pounds of natural born goodness
Ninety-nine pounds of soul
Ninety-nine pounds of natural born goodness
Ninety-nine pounds of soul
Ninety-nine pounds of natural born goodness
Ninety-nine pounds of soul
Ninety-nine pounds of natural born goodness
Ninety-nine pounds of soul
Ninety-nine pounds of natural born goodness
Ninety-nine pounds of soul

song performed by Black Crowes
Added by Lucian Velea
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Fly Away

Spread your wings
Flying over frozen mountains
Crystal rivers and geizer fountains
????
Float with the breeze and cross seas to shores
Deserts, cactus, and tumbleweed
Irish meadows and fields of green
Glide through cities of brick and stone
Broken arrows of ancient roan
Fly with me
Come on and fly with me
Come on and fly with me
Come on and fly with me
Come on and fly with me
Won't you come fly with me?
Come on and fly with me
Come on and fly with me
Everybody
Haunted woodlands, forbidden trails
?????
Castle halls, underwater falls
Pyramids crumble when nature calls
Skies of blue become black with stars
Lightning bugs kept within jars
Sand moves slowly through the hour glass
Wings spread, we can all fly last
Everybody come and fly away
You must believe that you can fly away
Spread your wings and come and fly away
Just believe that you will fly away
Rock will melt, coal crystalize
The clouds and skylines materialize
Wings spread take flights over northern lights
Wolves howl over blood-red moonlit nights
We're Kings and Queens within our dreams
The sky rains down into ruby rings
Oceans river lakes and ponds
Lions unicorns birds and ???
Fly with me
Come on and fly with me
Come on and fly with me
Come on and fly with me
Come on and fly with me
Won't you come fly with me?
Come on and fly with me
Come on and fly with me
Everybody
Martians travel to the land of Mecca
Atlantis hidden deep under forever
Iceland golden tombs of pharoah kings

[...] Read more

song performed by Insane Clown Posse
Added by Lucian Velea
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

[...] Read more

poem by Conrad Potter Aiken
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Props 'n Pounds

KURT LODER - MTV NEWS:
"Here is someone that's obviously playing rock and roll who is also a
funk artist, who covered a lot of categories that which artists have
been separating for so long and brought them together purposely ... ."
Props n pounds
Props n pounds
Love 4 one another is the only sound 2day
Positivity is the only way
Chorus:
Props n pounds
Props n pounds
Love 4 one another is the only sound 2day
Negative people don't get to play
Props n pounds
Props n pounds
Why you wanna holler when you know what the bible say
Positivity is the only way
Once again when the coin is tossed
And lands upon the sea
Unsuspecting lives are lost
They didn't have to be
When the book is opened
and The Son condemns them all
Pagan holidays,crucifixes
$100 tears will fall
Chorus :
(hey)
(no play)
(you know it)
All the ones still in the game
Never give me pounds
Egotists to proud to say the opposite of found
Worrying about the validity of the rulers crown
When everyone ought 2 be in line giving props n pounds
Chorus:
(hey hey hey)
(ooow)
Props n pounds
Props n pounds
Props n pounds
Once again when the money get tossed
Never gonna see npg floss
Keeping you happy is the only cost
Love God and everyone or your life will be lost
Listen to the words that will save every one
Safe sex campaign talking about a gun
With CON as the prefix, suffix be the DOM
(dumb)
Look at them both and tell me something
What's in the Trojan Horse? Lubrication.

[...] Read more

song performed by Prince
Added by Lucian Velea
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Canto the Sixteenth

I
The antique Persians taught three useful things,
To draw the bow, to ride, and speak the truth.
This was the mode of Cyrus, best of kings --
A mode adopted since by modern youth.
Bows have they, generally with two strings;
Horses they ride without remorse or ruth;
At speaking truth perhaps they are less clever,
But draw the long bow better now than ever.

II
The cause of this effect, or this defect, --
"For this effect defective comes by cause," --
Is what I have not leisure to inspect;
But this I must say in my own applause,
Of all the Muses that I recollect,
Whate'er may be her follies or her flaws
In some things, mine's beyond all contradiction
The most sincere that ever dealt in fiction.

III
And as she treats all things, and ne'er retreats
From any thing, this epic will contain
A wilderness of the most rare conceits,
Which you might elsewhere hope to find in vain.
'T is true there be some bitters with the sweets,
Yet mix'd so slightly, that you can't complain,
But wonder they so few are, since my tale is
"De rebus cunctis et quibusdam aliis."

IV
But of all truths which she has told, the most
True is that which she is about to tell.
I said it was a story of a ghost --
What then? I only know it so befell.
Have you explored the limits of the coast,
Where all the dwellers of the earth must dwell?
'T is time to strike such puny doubters dumb as
The sceptics who would not believe Columbus.

V
Some people would impose now with authority,
Turpin's or Monmouth Geoffry's Chronicle;
Men whose historical superiority
Is always greatest at a miracle.
But Saint Augustine has the great priority,
Who bids all men believe the impossible,
Because 't is so. Who nibble, scribble, quibble, he
Quiets at once with "quia impossibile."

[...] Read more

poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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Don Juan: Canto The Sixteenth

The antique Persians taught three useful things,
To draw the bow, to ride, and speak the truth.
This was the mode of Cyrus, best of kings--
A mode adopted since by modern youth.
Bows have they, generally with two strings;
Horses they ride without remorse or ruth;
At speaking truth perhaps they are less clever,
But draw the long bow better now than ever.

The cause of this effect, or this defect,--
'For this effect defective comes by cause,'--
Is what I have not leisure to inspect;
But this I must say in my own applause,
Of all the Muses that I recollect,
Whate'er may be her follies or her flaws
In some things, mine's beyond all contradiction
The most sincere that ever dealt in fiction.

And as she treats all things, and ne'er retreats
From any thing, this epic will contain
A wilderness of the most rare conceits,
Which you might elsewhere hope to find in vain.
'Tis true there be some bitters with the sweets,
Yet mix'd so slightly, that you can't complain,
But wonder they so few are, since my tale is
'De rebus cunctis et quibusdam aliis.'

But of all truths which she has told, the most
True is that which she is about to tell.
I said it was a story of a ghost--
What then? I only know it so befell.
Have you explored the limits of the coast,
Where all the dwellers of the earth must dwell?
'Tis time to strike such puny doubters dumb as
The sceptics who would not believe Columbus.

Some people would impose now with authority,
Turpin's or Monmouth Geoffry's Chronicle;
Men whose historical superiority
Is always greatest at a miracle.
But Saint Augustine has the great priority,
Who bids all men believe the impossible,
Because 'tis so. Who nibble, scribble, quibble, he
Quiets at once with 'quia impossibile.'

And therefore, mortals, cavil not at all;
Believe:--if 'tis improbable you must,
And if it is impossible, you shall:
'Tis always best to take things upon trust.
I do not speak profanely, to recall

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poem by Byron
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Avon's Harvest

Fear, like a living fire that only death
Might one day cool, had now in Avon’s eyes
Been witness for so long of an invasion
That made of a gay friend whom we had known
Almost a memory, wore no other name
As yet for us than fear. Another man
Than Avon might have given to us at least
A futile opportunity for words
We might regret. But Avon, since it happened,
Fed with his unrevealing reticence
The fire of death we saw that horribly
Consumed him while he crumbled and said nothing.

So many a time had I been on the edge,
And off again, of a foremeasured fall
Into the darkness and discomfiture
Of his oblique rebuff, that finally
My silence honored his, holding itself
Away from a gratuitous intrusion
That likely would have widened a new distance
Already wide enough, if not so new.
But there are seeming parallels in space
That may converge in time; and so it was
I walked with Avon, fought and pondered with him,
While he made out a case for So-and-so,
Or slaughtered What’s-his-name in his old way,
With a new difference. Nothing in Avon lately
Was, or was ever again to be for us,
Like him that we remembered; and all the while
We saw that fire at work within his eyes
And had no glimpse of what was burning there.

So for a year it went; and so it went
For half another year—when, all at once,
At someone’s tinkling afternoon at home
I saw that in the eyes of Avon’s wife
The fire that I had met the day before
In his had found another living fuel.
To look at her and then to think of him,
And thereupon to contemplate the fall
Of a dim curtain over the dark end
Of a dark play, required of me no more
Clairvoyance than a man who cannot swim
Will exercise in seeing that his friend
Off shore will drown except he save himself.
To her I could say nothing, and to him
No more than tallied with a long belief
That I should only have it back again
For my chagrin to ruminate upon,
Ingloriously, for the still time it starved;

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poem by Edwin Arlington Robinson
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The Four Seasons : Autumn

Crown'd with the sickle and the wheaten sheaf,
While Autumn, nodding o'er the yellow plain,
Comes jovial on; the Doric reed once more,
Well pleased, I tune. Whate'er the wintry frost
Nitrous prepared; the various blossom'd Spring
Put in white promise forth; and Summer-suns
Concocted strong, rush boundless now to view,
Full, perfect all, and swell my glorious theme.
Onslow! the Muse, ambitious of thy name,
To grace, inspire, and dignify her song,
Would from the public voice thy gentle ear
A while engage. Thy noble cares she knows,
The patriot virtues that distend thy thought,
Spread on thy front, and in thy bosom glow;
While listening senates hang upon thy tongue,
Devolving through the maze of eloquence
A roll of periods, sweeter than her song.
But she too pants for public virtue, she,
Though weak of power, yet strong in ardent will,
Whene'er her country rushes on her heart,
Assumes a bolder note, and fondly tries
To mix the patriot's with the poet's flame.
When the bright Virgin gives the beauteous days,
And Libra weighs in equal scales the year;
From Heaven's high cope the fierce effulgence shook
Of parting Summer, a serener blue,
With golden light enliven'd, wide invests
The happy world. Attemper'd suns arise,
Sweet-beam'd, and shedding oft through lucid clouds
A pleasing calm; while broad, and brown, below
Extensive harvests hang the heavy head.
Rich, silent, deep, they stand; for not a gale
Rolls its light billows o'er the bending plain:
A calm of plenty! till the ruffled air
Falls from its poise, and gives the breeze to blow.
Rent is the fleecy mantle of the sky;
The clouds fly different; and the sudden sun
By fits effulgent gilds the illumined field,
And black by fits the shadows sweep along.
A gaily chequer'd heart-expanding view,
Far as the circling eye can shoot around,
Unbounded tossing in a flood of corn.
These are thy blessings, Industry! rough power!
Whom labour still attends, and sweat, and pain;
Yet the kind source of every gentle art,
And all the soft civility of life:
Raiser of human kind! by Nature cast,
Naked, and helpless, out amid the woods
And wilds, to rude inclement elements;
With various seeds of art deep in the mind

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poem by James Thomson
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Click Your Heels Until Your Feet Numbs

It 'is' the greatest.
It 'is' the greatest.
It 'is' the greatest.

'Pretend it's steak.'

It 'is' the greatest.
It 'is' the greatest.

'Pretend that and vegetables,
Are on your plate.'

It 'is' the greatest.
It 'is' the greatest.

'Now 'see' yourself not homeless.
See yourself in a mansion,
High upon the hill!

Dance among the flowers scenting.
Go ahead,
Pick a few of those blooming daffodils.

Don't be discouraged,
By your sightings of those who have not!
Look upon them as the true victims.
And ignoring them will speed up your visions.
To forget you are jobless,
Helpless and your teeth rot!

Remember this,
Keep your need to greed wished.
Click your heels until your feet numbs.
And your deceit and thieving ways...
On this land 'will' return.
And those days of gluttony,
For you and everyone...
Will finally to all,
Someday come.

Close your eyes...
Repeat.
And pass me the pepper,
Gravy.
And salt to throw over my shoulder to toss!
Repeat,
With me...

It 'is' the greatest.
It 'is' the greatest.

[...] Read more

poem by Lawrence S. Pertillar
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Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

[...] Read more

poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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Open Your Eyes You Can Fly

Intro - speakout
Never be afraid to love
Never be afraid to just be
Just cast away the chains of doubt
Have the courage to be free
Dont cloud your rise with fathers lies
See only what you want to see
To stuplicate the simple truth
Have the courage to be free
Open your eyes you can fly
Open your eyes you can fly
You can fly (uh uh)
You can fly
Never be afraid to love (no, no, no...)
Never be afraid to just be
Cast away the chains of doubt
Have the courage to be free
Open your eyes you can fly (fly away)
Open your eyes you can fly
You can fly (fly, fly, fly)
Open your eyes (yeah) you can fly (fly away)
Open your eyes you can fly
You can fly (mhh)
You can fly (fly away mhhm)
Speakout:
Remember,
You cant wait for others to applaud what you do
So just congratulate youself
And start something new
Open your eyes you can fly (open your eyes)
Open your eyes you can fly (you can fly with me)
You can fly (fly)
Open your eyes (eyes) you can fly (baby yeah)
Open your eyes (fly away with never) you can fly (fly away with never)
You can fly
You can fly (mhh fly away way way)
Open your eyes (open your eyes) you can fly
Open your eyes (baby) you can fly
You can fly (no open this)
Open your eyes

song performed by Vanessa Williams
Added by Lucian Velea
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Sixth Book

THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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I'm Alive (That Was The Day My Dead Pet Returned To Save My Life)

I was just kicking down the street
And the sun was in my eyes
So I couldn't see the truck
That was sixty times my size
And just seconds off from splattering me
Let me tell you
I was so scared I couldn't move
Like my boots were full of glue
Then I felt a little tug
And I thought of good Old Blue
And he pulled me from that catastrophe
That was the day
My dead pet returned to save my life
I'm alive
He's alive
I'm alive
I was spitting in the canyon
Near the cliff up on the mountain
When an unexpected sneeze
Hung me in the breeze
At forty five degrees in the sky
Suddenly I felt something
Had me by the belt
And in between my praying
Swore I heard a stallion neighing
Was the ghost of my horse
And I cried, yes I cried
That was the day
My dead pet returned to save my life
That was the day
My dead pet returned to save my life
I'm alive
He's alive
Hey, I'm alive
Things were getting gory
Got caught on territory
Belonging to the Crutches
In an alley in their clutches
Looking kind of dismal that night
Well the leader's name was Fats
Swinging broken baseball bats
Things got really frantic
Starting jumping in their panic
That was the day
My dead pet returned to save my life
That was the day
My dead pet returned to save my life
I'm alive, I'm alive, real alive
That was the day my dead pet returned
That was the day my dead pet returned

[...] Read more

song performed by Alice Cooper
Added by Lucian Velea
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His Story

Yo, this is a story of a male female threat to society
You know being misjudged and not respected for what we are
But I want to send this special shout out to my girl tawana brawley
Cause no matter what we say or what we do
Theyll always believe his story (ow)
Chorus:
His story (yeahee, yeahee, yeahee)
Hist story (ow)
Theyre gonna believe
His story
His story
Why does it have to be that we get labeled for what we do
Its hard enough for us to be ourselves without being used
Girls have an image too
But when they get mad at you
There is no telling what theyll say to hurt you
This is a story of a male female threat to society
Why you wanna go and tell a lie on me? (yeahee, yeah, oooh)
His story over mine his story will be his story
And my story is a waste of time (aaaah-aah-aah)
Theyre gonna believe
Chorus
Sometimes I feel like there is no reason for me to explain
No matter how much we complain
You know it all stays the same
They try to call us freaks
Why does it have to be
We cant get justified until we speak up (oooh)
This is a story of a male female threat to society
Why you wanna go and tell a lie on me? (yeahee, yeah, oooh)
His story over mine his story will be his story
And my story is a waste of time (aaaah-aah-aah)
(you know its just a waste of my time)
Theyre gonna believe
His story over mine
So what you gonna do
Dont let it take over you (hey)
My story is a waste of time
Its hard enough to be ourselves without being used
So yo take it from me
Dont be a victim of society
You cant put yourself in a position to be neglected
And disrespected
You have to do whats not expected
Alright
Or all be his story
His story over mine
His story will be his story
(this is a story of) how could you do this to us
Theyre gonna believe

[...] Read more

song performed by TLC
Added by Lucian Velea
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Weigh

Id like to cut your head off so I could weigh it, what do ya say?
Five pounds, six, pounds, seven pounds
Id like to go to your house and gather all your razors and pick all the
Little prickly hairs so I can weigh them, what do ya say?
Five pounds, six pounds, seven pounds
Id like to gather all your friends and squish them all into a small
Swimming pool so I can weigh them, what do ya say?
Five pounds, six pounds, seven pounds
Why weigh on a sunny day?
So much to do so why, why weigh?
On a sunny day, why wei-igh-hey?
Why weigh, why weigh?
Id like to hear my options, so I can weigh them, what do ya say?
Five pounds, six pounds, seven pounds
Why weigh on a sunny day?
So much to do, so why, why weigh?
On a sunny day, why wei-gh-hey?
Why
Oh why[x11]
Why weigh?

song performed by Phish
Added by Lucian Velea
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Annus Mirabilis, The Year Of Wonders, 1666

1
In thriving arts long time had Holland grown,
Crouching at home and cruel when abroad:
Scarce leaving us the means to claim our own;
Our King they courted, and our merchants awed.

2
Trade, which, like blood, should circularly flow,
Stopp'd in their channels, found its freedom lost:
Thither the wealth of all the world did go,
And seem'd but shipwreck'd on so base a coast.

3
For them alone the heavens had kindly heat;
In eastern quarries ripening precious dew:
For them the Idumaean balm did sweat,
And in hot Ceylon spicy forests grew.

4
The sun but seem'd the labourer of the year;
Each waxing moon supplied her watery store,
To swell those tides, which from the line did bear
Their brimful vessels to the Belgian shore.

5
Thus mighty in her ships, stood Carthage long,
And swept the riches of the world from far;
Yet stoop'd to Rome, less wealthy, but more strong:
And this may prove our second Punic war.

6
What peace can be, where both to one pretend?
(But they more diligent, and we more strong)
Or if a peace, it soon must have an end;
For they would grow too powerful, were it long.

7
Behold two nations, then, engaged so far
That each seven years the fit must shake each land:
Where France will side to weaken us by war,
Who only can his vast designs withstand.

8
See how he feeds the Iberian with delays,
To render us his timely friendship vain:
And while his secret soul on Flanders preys,
He rocks the cradle of the babe of Spain.

9
Such deep designs of empire does he lay

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poem by John Dryden
Added by Poetry Lover
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The greatest sin

Having supremely spell binding eyes was simply not a sin at all; but
pretending that you were gruesomely blind; unable to see a step
further even after possessing them right since innocent childhood;
was the greatest sin,

Having robust complexioned feet was simply not a sin at all; but
pretending that you couldn't walk even an inch forward; had not the
slightest of capacity to run even after possessing them right since
innocent childhood; was the greatest sin,

Having tenaciously knotted fingers projecting from the palm was
simply not a sin at all; but pretending that you had grave difficulty
in hoisting objects; didn't posses the most minuscule of power to
defend yourself even after possessing them right since innocent
childhood; was the greatest sin,

Having dangling earlobes delectably cascading from the periphery of
your rubicund cheek was simply not a sin at all; but pretending that
you couldn't bear the tiniest of sound; floundered miserably to
decipher the intricacy of voice even after possessing them right
since innocent childhood; was the greatest sin,

Having a perfectly throbbing heart palpitating in marvellous
synchrony inside your chest was simply not a sin at all; but
pretending that you just didn't have the power to love; the virtue to
embrace other humans of your kind even after possessing it right
since innocent childhood; was the greatest sin,

Having dual pairs of luscious lips was simply not a sin at all; but
pretending that you couldn't speak a single word; abysmally stuttered
to convey the most infinitesimal of message to your compatriots even
after possessing them right since innocent childhood; was the
greatest sin,

Having ravishing clusters of hair on your scalp was simply not a sin
at all; but pretending that God had kept you disdainfully bald; that
your head shivered uncontrollably in cold even after possessing them
right since innocent childhood; was the greatest sin,

Having boundless lines on your glowing palm was simply not a sin at
all; but pretending that your entire life was ruined; your progress
had come to an abrupt standstill even after possessing them right
since innocent childhood; was the greatest sin,

Having pompously bulging muscle in your arms was simply not a sin at
all; but pretending that you were as feeble as a mosquito; couldn't
lift your very own body even after having them right since innocent
childhood; was the greatest sin,

Having thousands of voluptuously tantalizing eyelashes extruding from

[...] Read more

poem by Nikhil Parekh
Added by Poetry Lover
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