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Wordsworth

You sure get your words worth
With this Wordsworth,
I wonder,
How much are his words worth?
So many worthy words,
Are his words worthy?
This Wordsworth.

poem by Paul Brookes
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The Example of Vertu : Cantos I.-VII.

Here begynneth the boke called the example of vertu.

The prologe.

Whan I aduert in my remembraunce
The famous draughtes of poetes eloquent
Whiche theyr myndes dyd well enhaunce
Bokes to contryue that were expedyent
To be remembred without Impedyment
For the profyte of humanyte
This was the custume of antyquyte.
I now symple and moost rude
And naked in depured eloquence
For dulnes rethoryke doth exclude
Wherfore in makynge I lake intellygence
Also consyderynge my grete neglygence
It fereth me sore for to endyte
But at auenture I wyll now wryte.
As very blynde in the poetys art
For I therof can no thynge skyll
Wherfore I lay it all a part
But somwhat accordynge to my wyll
I wyll now wryte for to fulfyll
Saynt Powles wordes and true sentement
All that is wryten is to oure document
O prudent Gower in langage pure
Without corrupcyon moost facundyous
O noble Chauser euer moost sure
Of frutfull sentence ryght delycyous
O vertuous Lydgat moche sentencyous
Unto you all I do me excuse
Though I your connynge do now vse
Explicit prologus.

Capitulum Primsi.
In Septembre in fallynge of the lefe
Whan phebus made his declynacyon
And all the whete gadred was in the shefe
By radyaunt hete and operacyon
Whan the vyrgyn had full domynacyon
And Dyane entred was one degre
Into the sygne of Gemyne
Whan the golden sterres clere were splendent
In the firmament puryfyed clere as crystall
By imperyall course without incombrement
As Iuppyter and Mars that be celestyall
With Saturne and Mercury that wer supernall
Myxt with venus that was not retrograte
That caused me to be well fortunate
In a slombrynge slepe with slouth opprest

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poem by Stephen Hawes
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Oh Wordsworth! Wordsworth!

Oh Wordsworth! Wordsworth!
In vain you have scattered thy heavy words
Unanchored by human character, sighing, suffering or thought
They to be scudded by the winds towards
Nothing, but a pile of chaffs and morsels in midfield of naught
 
But once you did captivate the heart of a lad and lass
When you wrote about the splendor in the grass
Tented with the canopy of the glory of the flower
Since then your prose froze, sank never again to tower

Yet to the above well deserved praise
one small correction I am obliged to raise
This is done without any malice or bad intention
but the fact of truth should not be snaffled its mention
 
That these soft lines of human treasure
were buried in 'ode' beyond any measure
under the weight of ten stanzas that ware wilt any reader pleasure
Oh Wordsworth if you had just written half less
your message and verse would have so much more grace
 
Failing to recite your long lines of 'nature' at school
The teacher called me loud and clear ‘You damned fool’
Stone cold at heart she could never feel or tell
How arid, dull to death and ludicrous was ‘Peter bell’

Oh Wordsworth! Wordsworth!
In your rather long and tedious “Excursion”
A quarto that hold several hundreds pages
You have given a sample from the vasty version
Of your “new system” to perplex the sages
I assume that he who understands it would be able
To resolve the confusion at the tower of Babel
 

Oh Wordsworth! Wordsworth!
In vain you have summoned the earth, sun and creeks
That rush in the maze of forest gloom
Your verse is doused with heavy dunce to be a doom
And never your pen treads with your colleagues peaks
 
The wording of your prose in human aspect is low
It teaches me the nothingness of things
Word after word line by line about nothing
You gathered winds and storms but never let them see a show
The anticipated climax that never culminated into its conclusion
The converging clouds dissipated leaving the reader struck with illusion

[...] Read more

poem by Isaac Ziv
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A Fable For Critics

Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'

Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.

Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,

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poem by James Russell Lowell
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Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

[...] Read more

poem by Byron from Don Juan (1824)
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Praise Your Holy Name

For all youve done -- Thank you
With my hands, I applaud the maker of creation, Holy Father
With my mouth, I extol, shouts of jubilation, Hallelujah
(You satisfy my hearts desire) With many good things,
I gotta thank ya
(You redeemed my very life) To you my heart sings
(With everything, I lift you up high)
(Let everything within praise your holy name )
With everything I,
(With everything, I lift you up high)
Lift you up Lord,Everything within me
(Let everything within praise Your holy name)
With the dance, I will praise, rejoicing in my Savior
Oh Lord, Youve been good
For Your everlasting love and unmerited favor,
Grace and mercy to me
(The Glory of Your majesty), even the skies have to display,
Yeah, yeah
(Day and night, and night and day) Youre worthy of praise
(With everything, I lift you up high)
I lift you, oh Lord I thank you, I gotta praise your Holy Name
(with everything I lift you up high)
I lift you Lord, so wonderful, I gotta, (praise your name)
Everything I do I wanna do it all for you
Let me be calm when Im there, praising your holy name
I wanna lift you up so high for the world to see
(Bridge)
I lift my hands, my hands I raise
To give You glory, to give You praise
I wanna live, so I can give all of my service unto You
Because Youre worthy Oh Lord your worthy
Oh yes, Youre worthy, worthy of the praise,
And the honor and the glory
And all majesty belongs to you.
With everything I do, everywhere I go,
I gotta tell everybody about your goodness,
About your goodness, about your goodness
Oh yeah, Yeah, youve been good, Lord,
Youve been good Lord, Youve been good Lord
You've been good Oh
Better to me, better to me, better to me than I could ever
be to myself
Youve been good Lord, thats why I thank you, thats why I praise ya
Hey
My hands are lifted, my voice is raised, to give you glory,
to give you praise
Huh, huh, praise ya,Huh, huh, praise ya
Oh I praise ya, Oh I praise ya
Oh, only you Lord, Only You Lord
Only you are worthy of the glory

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song performed by Yolanda Adams
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The Canterbury Tales; Prologue

Whan that Aprille, with hise shoures soote,
The droghte of March hath perced to the roote
And bathed every veyne in swich licour,
Of which vertu engendred is the flour;
Whan Zephirus eek with his swete breeth

Inspired hath in every holt and heeth
The tendre croppes, and the yonge sonne
Hath in the Ram his halfe cours yronne,
And smale foweles maken melodye,
That slepen al the nyght with open eye-

So priketh hem Nature in hir corages-
Thanne longen folk to goon on pilgrimages
And palmeres for to seken straunge strondes
To ferne halwes, kowthe in sondry londes;
And specially, from every shires ende

Of Engelond, to Caunturbury they wende,
The hooly blisful martir for the seke
That hem hath holpen, whan that they were seeke.
Bifil that in that seson, on a day,
In Southwerk at the Tabard as I lay,

Redy to wenden on my pilgrymage
To Caunterbury, with ful devout corage,
At nyght were come into that hostelrye
Wel nyne and twenty in a compaignye
Of sondry folk, by aventure yfalle

In felaweshipe, and pilgrimes were they alle,
That toward Caunterbury wolden ryde.
The chambres and the stables weren wyde,
And wel we weren esed atte beste;
And shortly, whan the sonne was to reste,

So hadde I spoken with hem everychon
That I was of hir felaweshipe anon,
And made forward erly for to ryse
To take our wey, ther as I yow devyse.
But nathelees, whil I have tyme and space,

Er that I ferther in this tale pace,
Me thynketh it acordaunt to resoun
To telle yow al the condicioun
Of ech of hem, so as it semed me,
And whiche they weren, and of what degree,

And eek in what array that they were inne;
And at a knyght than wol I first bigynne.

[...] Read more

poem by Geoffrey Chaucer
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Our Wordsworth

Oh! Wordsworth, Oh! Wordsworth …
We are still in debt to you, and we will have to be.
You enhanced the strength of poetry.
You made a marvelous tune to enrich poetry.
Oh! Wordsworth …
We can now clarify our thoughts with extend because of you, Wordsworth.
You euphonized poetry without the indenture- but with moderation,
and it's decorous.
This will be evergreen, and everlasting.
It's a mnemonics and I always follow it.
Oh! Wordsworth…

poem by Bibhakar Dutta
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The Lake Poets

You have heard of William Wordsworth he was bard of Cockermouth
And he truly was a great poet if that ever was in doubt
And with Southey and With Coleridge they became known as the lake poets
And they made the Lake District famous and some famous poems they wrote.

Robert Southey was a fine poet he was slave to poetry
And he was for awhile Poet Laureate proves the great poet he must be
And though he is not well known as Coleridge and Wordsworth's is a greater name
He tends to be under rated and deserve a better fame.

And as for Samuel Taylor Coleridge a name verse critics celebrate
His works were born of genius a poetic all time great
The Rhyme Of The Ancient Mariner his masterpiece and some say
Is even greater than the famous elegy of Gray

And as for himself Will Wordsworth his fame seem to grow and grow
He has fifty times as many readers nowadays as he had one hundred years ago
When one talks of poets and poetry Wordsworth's name can't be left out
A testimony to the greatness of the Bard of Cockermouth.

Coleridge, Southey and Wordsworth geniuses all three
Their names inscribed in glory and poetic history
They lived in the Lake District that beautiful English country side
And due to the fame of these men the Lake District is known World wide.

poem by Francis Duggan
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Was It Worth It?

(tennant/lowe)
--------------------
Well I dont know why I was dreaming about you
But I do know that I was dancing without you
Then you smiled, and I was lost
You fall in love, why count the cost?
All I gave to you
All you made me do
I react when I hear people ask
Was it worth it?
Yes its worth living for
Was it worth it?
Yes its worth giving more
If Id had my way this would have happened much sooner
But until that day it was only a rumour
All at once you changed my life
And led me in to paradise
Where I had to do
What I wanted to
I react when I hear people ask
Was it worth it?
Yes its worth living for
Was it worth it?
Yes its worth giving more
I reserve the right to live
My life this way, and I dont give
A damn when I hear people say
Ill pay the price that others pay
cause its worth it
Yes its worth living for
cause its worth it
Yes its worth living for
All I gave to you
All you made me do
I react when I hear people ask
Was it worth it?
Yes its worth living for
Was it worth it?
Yes its worth giving more
And I reserve (what? )
The right to live (where? )
My life this way (how? )
I couldnt give
A damn when I (what? )
Hear people say (who? )
Ill pay the price
That others pay
cause its worth it
Yes its worth living for
cause its worth it

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song performed by Pet Shop Boys
Added by Lucian Velea
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With Rose In Hand

Prayer is worth more than a rose
in my hand where love grows
for God and all he knows
The rose has a thorn
which Jesus felt on the crown he had worn.
the rose is red as the blood from his head
when he was crucifed before we were born.

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poem by Meg Harrison
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Canto the Third

I
Hail, Muse! et cetera.—We left Juan sleeping,
Pillow'd upon a fair and happy breast,
And watch'd by eyes that never yet knew weeping,
And loved by a young heart, too deeply blest
To feel the poison through her spirit creeping,
Or know who rested there, a foe to rest,
Had soil'd the current of her sinless years,
And turn'd her pure heart's purest blood to tears!

II
Oh, Love! what is it in this world of ours
Which makes it fatal to be loved? Ah, why
With cypress branches hast thou wreathed thy bowers,
And made thy best interpreter a sigh?
As those who dote on odours pluck the flowers,
And place them on their breast—but place to die—
Thus the frail beings we would fondly cherish
Are laid within our bosoms but to perish.

III
In her first passion woman loves her lover,
In all the others all she loves is love,
Which grows a habit she can ne'er get over,
And fits her loosely—like an easy glove,
As you may find, whene'er you like to prove her:
One man alone at first her heart can move;
She then prefers him in the plural number,
Not finding that the additions much encumber.

IV
I know not if the fault be men's or theirs;
But one thing's pretty sure; a woman planted
(Unless at once she plunge for life in prayers)
After a decent time must be gallanted;
Although, no doubt, her first of love affairs
Is that to which her heart is wholly granted;
Yet there are some, they say, who have had none,
But those who have ne'er end with only one.

V
'T is melancholy, and a fearful sign
Of human frailty, folly, also crime,
That love and marriage rarely can combine,
Although they both are born in the same clime;
Marriage from love, like vinegar from wine—
A sad, sour, sober beverage—by time
Is sharpen'd from its high celestial flavour
Down to a very homely household savour.

[...] Read more

poem by Byron from Don Juan (1824)
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Don Juan: Canto The Third

Hail, Muse! et cetera.--We left Juan sleeping,
Pillow'd upon a fair and happy breast,
And watch'd by eyes that never yet knew weeping,
And loved by a young heart, too deeply blest
To feel the poison through her spirit creeping,
Or know who rested there, a foe to rest,
Had soil'd the current of her sinless years,
And turn'd her pure heart's purest blood to tears!

Oh, Love! what is it in this world of ours
Which makes it fatal to be loved? Ah, why
With cypress branches hast thou Wreathed thy bowers,
And made thy best interpreter a sigh?
As those who dote on odours pluck the flowers,
And place them on their breast- but place to die-
Thus the frail beings we would fondly cherish
Are laid within our bosoms but to perish.

In her first passion woman loves her lover,
In all the others all she loves is love,
Which grows a habit she can ne'er get over,
And fits her loosely- like an easy glove,
As you may find, whene'er you like to prove her:
One man alone at first her heart can move;
She then prefers him in the plural number,
Not finding that the additions much encumber.

I know not if the fault be men's or theirs;
But one thing 's pretty sure; a woman planted
(Unless at once she plunge for life in prayers)
After a decent time must be gallanted;
Although, no doubt, her first of love affairs
Is that to which her heart is wholly granted;
Yet there are some, they say, who have had none,
But those who have ne'er end with only one.

'T is melancholy, and a fearful sign
Of human frailty, folly, also crime,
That love and marriage rarely can combine,
Although they both are born in the same clime;
Marriage from love, like vinegar from wine-
A sad, sour, sober beverage- by time
Is sharpen'd from its high celestial flavour
Down to a very homely household savour.

There 's something of antipathy, as 't were,
Between their present and their future state;
A kind of flattery that 's hardly fair
Is used until the truth arrives too late-
Yet what can people do, except despair?

[...] Read more

poem by Byron
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You Are Holy

You are holy (you are holy)
You are mighty (you are mighty)
You are worthy (you are worthy)
Worthy of praise (worthy of praise)
I will follow (I will follow)
I will listen (I will listen)
I will love you (I will love You)
All of my days (all of my days)
Chorus:
I will sing to
And worship
The King who is worthy
I will love and adore Him
And I will bow down before Him
And I will sing to and worship the King who is worthy
And I will love and adore him
And I will bow down before Him
You're my prince of peace
And I will live my life for You
(Girls behind guys:)
You are lord of lords
You are king of kinds
You are mighty God
Lord of everything
You are Emmanuel
Lord of great I am
Noble prince of peace
Who is the lamb
You are the saving god
You are my saving grace
You will reign forever
You are ancient and great
You are alpha, omega, beginning and end
You are my savior, messiah, redeemer, and friend
(Both:)
You are my prince of peace and I will live my life for you.
You are holy (you are holy)
You are mighty (you are mighty)
You are worthy (you are worthy)
Worthy of praise (worthy of praise)
I will follow (I will follow)
I will listen (I will listen)
I will love you (I will love You)
All of my days (all of my days)
Chorus X2

song performed by Michael W. Smith
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Drawing a Purple Blank Verse after Gelett BURGESS Purple Cow

DRAWING A PURPLE BLANK VERSE
Kindly refer to notes

I've never cowed to purple prose
know now I'll never write it,
for anyhow true writer knows
hand stretched finds critics bite it.

I've never wowed, and goodness knows
hacks lack the knack of versing,
won't bow, kowtow to backhand blows,
preferring role reverse_sing.

Ah, yes, I wrote on purple prose,
yet can't regret I penned it,
one far prefers rhyme's timeless flows,
no blush need rush defend it.

10 February 2009
robi03_1856_burg01_0001 PWX_IXX

Parody Gelett BURGESS The Purple Cow

Author notes

For original and variations on a theme see bekiw
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THE PURPLE COW

I never saw a Purple Cow,
I never hope to see one,
But I can tell you anyhow,
I’d rather see than be one.

Gelett BURGESS 1866_1951
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CONFESSION

Ah, yes! I wrote the « Purple Cow » -
I’m Sorry, now, I Wrote it,
But I can Tell you Anyhow
I’ll Kill you if you Quote it.

Gelett BURGESS 1866_1951
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIIIII
A Perfect Woman

[...] Read more

poem by Jonathan Robin
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I remember, I remember - Past and Present after Thomas Hood and William Wordsworth - Lucy

I remember, I remember
the house where I was born
before foreclosure took away
the homestead I had sworn
in good faith, all attest 'tis true,
to leave grandchildren three: -
times change, leave little rest, I rue
that difference to me!

It seems so very long ago
the liberating Yanks
found welcome everywhere they'd go -
though some were pita swanks,
but since the Shah announced 'I ran'
our bearings all at sea
became - time reeled again would ban
all difference for me!

I remember, I remember
the sun porch, now in pawn,
proud flag a flying red, white, blue,
which now hangs so forlorn
Sun, moon spun round each priceless day,
or so I seemed to see,
four bucks a gallon gas I pay -
what difference to me!

My mind thought then nostalgic ease
eternally could last,
all my desires, priorities
seemed sated very fast,
The fever on my brow shoots higher
now Sheiks of Araby,
up ante for crude imports, tire -
what difference to me!

I remember, I remember
before Alaskan oil
had spilled upon once pristine shore,
polluting fauna, soil.
With climate change I'm feeling sore,
note each commodity
continues rising more and more -
what difference to me!

Back then I'd travel aimlessly,
cared not I ran Iraq,
from dawn till dark, from sea to sea
could, rising with the lark,
ignore the cost of gasoline

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poem by Jonathan Robin
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Expostulation and Reply after Wordsworth

EXPOSTULATION AND REPLY AFTER WORDSWORTH
'Why, Rachel, on this online site,
thus for the length of five full years,
why, Rachel, archive, when your light
and dreams deserve three cheers?

Where is your Ph.D. well earned
now being well formed body, mind?
Down! downstream paddle, channel churned,
to Paris, Sorbonne find.

You look round on your Nottingham,
while reading Reading is too small,
while Oxenforde and Bridge on Cam,
slight fame may offer if at all! '

'One day near Sherwood Forest green,
saw sweet life vanished with the deer,
Good Robin's phantom moonlit seen,
one midnight did appear.

The inner eye beyond the sea
must list to voice for choice few hear;
our astral bodies feel they be,
blown to a fresh career.

More heed! Deem dreams of unseen Powers
impressed upon our minds may show
the way to active growth, joy's flowers
spurn passive wait, must grow..

The sober tenor of old ways,
their universal hustle, bustle,
seems too self-centered, time peels days
fresh challenge seek, mind muscle.

Ask no longer why, alone,
through contest answer's sought,
but act, abandon old grey stone,
spend time in play, ball caught...'

24 January 2010
Parody William Wordsworth 1770_1850 Expostulation and Reply

robi03_1960_robi03_0000 PWX_MXX
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EXPOSTULATION AND REPLY
'Why, William, on that old grey stone,
Thus for the length of half a day,
Why, William, sit you thus alone,

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poem by Jonathan Robin
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Memorial Verses

Goethe in Weimar sleeps, and Greece,
Long since, saw Byron's struggle cease.
But one such death remain'd to come;
The last poetic voice is dumb--
We stand to-day by Wordsworth's tomb.

When Byron's eyes were shut in death,
We bow'd our head and held our breath.
He taught us little; but our soul
Had felt him like the thunder's roll.
With shivering heart the strife we saw
Of passion with eternal law;
And yet with reverential awe
We watch'd the fount of fiery life
Which served for that Titanic strife.

When Goethe's death was told, we said:
Sunk, then, is Europe's sagest head.
Physician of the iron age,
Goethe has done his pilgrimage.
He took the suffering human race,
He read each wound, each weakness clear;
And struck his finger on the place,
And said: Thou ailest here, and here!

He look'd on Europe's dying hour
Of fitful dream and feverish power;
His eye plunged down the weltering strife,
The turmoil of expiring life--
He said: The end is everywhere,
Art still has truth, take refuge there!
And he was happy, if to know
Causes of things, and far below
His feet to see the lurid flow
Of terror, and insane distress,
And headlong fate, be happiness.

And Wordsworth!--Ah, pale ghosts, rejoice!
For never has such soothing voice
Been to your shadowy world convey'd,
Since erst, at morn, some wandering shade
Heard the clear song of Orpheus come
Through Hades, and the mournful gloom.
Wordsworth has gone from us--and ye,
Ah, may ye feel his voice as we!
He too upon a wintry clime
Had fallen--on this iron time
Of doubts, disputes, distractions, fears.
He found us when the age had bound
Our souls in its benumbing round;

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poem by Matthew Arnold
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English Bards and Scotch Reviewers: A Satire

'I had rather be a kitten, and cry mew!
Than one of these same metre ballad-mongers'~Shakespeare

'Such shameless bards we have; and yet 'tis true,
There are as mad, abandon'd critics too,'~Pope.

Still must I hear? -- shall hoarse Fitzgerald bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch reviews
Should dub me scribbler, and denounce my muse?
Prepare for rhyme -- I'll publish, right or wrong:
Fools are my theme, let satire be my song.

O nature's noblest gift -- my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoom'd to aid the mental throes
Of brains that labour, big with verse or prose,
Though nymphs forsake, and critics may deride,
The lover's solace, and the author's pride.
What wits, what poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemn'd at length to be forgotten quite,
With all the pages which 'twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet's shall be free;
Though spurn'd by others, yet beloved by me:
Then let us soar today, no common theme,
No eastern vision, no distemper'd dream
Inspires -- our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.

When Vice triumphant holds her sov'reign sway,
Obey'd by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every clime;
When knaves and fools combined o'er all prevail,
And weigh their justice in a golden scale;
E'en then the boldest start from public sneers,
Afraid of shame, unknown to other fears,
More darkly sin, by satire kept in awe,
And shrink from ridicule, though not from law.

Such is the force of wit! but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.

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poem by Byron
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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

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poem by Charles Churchill
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Paradise Regained

THE FIRST BOOK

I, WHO erewhile the happy Garden sung
By one man's disobedience lost, now sing
Recovered Paradise to all mankind,
By one man's firm obedience fully tried
Through all temptation, and the Tempter foiled
In all his wiles, defeated and repulsed,
And Eden raised in the waste Wilderness.
Thou Spirit, who led'st this glorious Eremite
Into the desert, his victorious field
Against the spiritual foe, and brought'st him thence 10
By proof the undoubted Son of God, inspire,
As thou art wont, my prompted song, else mute,
And bear through highth or depth of Nature's bounds,
With prosperous wing full summed, to tell of deeds
Above heroic, though in secret done,
And unrecorded left through many an age:
Worthy to have not remained so long unsung.
Now had the great Proclaimer, with a voice
More awful than the sound of trumpet, cried
Repentance, and Heaven's kingdom nigh at hand 20
To all baptized. To his great baptism flocked
With awe the regions round, and with them came
From Nazareth the son of Joseph deemed
To the flood Jordan--came as then obscure,
Unmarked, unknown. But him the Baptist soon
Descried, divinely warned, and witness bore
As to his worthier, and would have resigned
To him his heavenly office. Nor was long
His witness unconfirmed: on him baptized
Heaven opened, and in likeness of a Dove 30
The Spirit descended, while the Father's voice
From Heaven pronounced him his beloved Son.
That heard the Adversary, who, roving still
About the world, at that assembly famed
Would not be last, and, with the voice divine
Nigh thunder-struck, the exalted man to whom
Such high attest was given a while surveyed
With wonder; then, with envy fraught and rage,
Flies to his place, nor rests, but in mid air
To council summons all his mighty Peers, 40
Within thick clouds and dark tenfold involved,
A gloomy consistory; and them amidst,
With looks aghast and sad, he thus bespake:--
"O ancient Powers of Air and this wide World
(For much more willingly I mention Air,
This our old conquest, than remember Hell,
Our hated habitation), well ye know
How many ages, as the years of men,

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poem by John Milton
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