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In this life he laughs longest who laughs last.

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The Longest Night

What passing-bells for these who die as cattle?
- only the monstrous anger of the guns.
Only the stuttering rifles rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells;
Nor any voice of mourning save the choirs, -
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.
(wilfred owen, 1918)
Now the day has run
When the cover comes
But any fool can see
Ahead
Silence is my friend
But it has to end
Any fool can see
Ahead
Its the longest night
Its the longest night
Cold winds may blow
On the longest night
So we write our letters
To those far away
Any fool can see
Ahead
The distant sound of thunder
A choir of wailing shells
Any fool can see
Ahead
Its the longest night
Its the longest night
Cold winds may blow
On the longest night
I dont want to fight
I dont know whos right
Cold winds they blow
On this longest night
Its the longest night
Its the longest night
Cold winds may blow
On this longest night
Music & lyrics by: geoff downes, john payne & ben woolfenden

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For The Longest Time

whoa, whoa, whoa, whoa
For the longest time
whoa, whoa, whoa, whoa
For the longest time
If u said good-bye to me tonight
There would still be music enough to write
What else can I do, I'm so inspired by you
You haven't been there
For the longest time
If you said that I was the one that was wrong
Would I have the strength to carry on?
That's why you found me
When u put u arms around me
You haven't been there
For the longest time
whoa, whoa, whoa, whoa
For the longest time
whoa, whoa, whoa, whoa
For the longest time
That voice your hearing in the hall
When the greatest miracle of all
That's where you found me
When you put your arms around me
You haven't been there,
For the longest time
If you said that I was the one that was wrong
Would I have the strength to carry on?
I'll take my chances
I almost got us sweet romances
You haven't been there for the longest time
whoa, whoa, whoa, whoa
For the longest time(4x)

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For The Longest Time

whoa, whoa, whoa, whoa
For the longest time
whoa, whoa, whoa, whoa
For the longest time
If u said good-bye to me tonight
There would still be music enough to write
What else can I do, I'm so inspired by you
You haven't been there
For the longest time
If you said that I was the one that was wrong
Would I have the strength to carry on?
That's why you found me
When u put u arms around me
You haven't been there
For the longest time
whoa, whoa, whoa, whoa
For the longest time
whoa, whoa, whoa, whoa
For the longest time
That voice your hearing in the hall
When the greatest miracle of all
That's where you found me
When you put your arms around me
You haven't been there,
For the longest time
If you said that I was the one that was wrong
Would I have the strength to carry on?
I'll take my chances
I almost got us sweet romances
You haven't been there for the longest time
whoa, whoa, whoa, whoa
For the longest time(4x)

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Hundreds Of Tears

I stood in the warmth of the light
Chilled to the bone
Hundreds of faces in sight
Still I was alone
Door after door
And room after empty room
Ive stood here before
But under a different moon
In the longest days and the darkest nights
Down the longest road theres a presence of light
I hear a voice that calls me
Its loves name I call
In the end
Ive walked in and out of the fire
Between truth and lies
Now how many children watch
While one child crys
Ill tear down these walls
And watch while their souls are freed
Ill throw away pride
To drown in this endless sea
In the longest days and the darkest nights
Down the longest road theres a presence of light
I hear a voice that calls me
Its loves name I call
In the end
Hundreds of tears on the water
Mercy come rain down on me
In the longest days and the darkest nights
Down the longest road theres a presence of light
In the longest days and the darkest nights
Down the longest road theres a presence of light
I hear a voice that calls me
Its loves name I call
In the end
Hundreds of tears on the water
Mercy come rain down on me
Hundreds of tears on the water
Mercy come rain down on me
Hundreds of tears on the water
Mercy come rain down on me
Hundreds of tears on the water
Mercy come rain down on me

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Mere Shadows March

Welcome to the shadow march
Longer then longest lines of the undying
To many reasons never enough answer
here another
here another
why the did this happen to me
why did everybody give up
when i was at my weakest
now ill shall surround myself with those who are silent
no ill intent
none want revenge
they just want to be avenged
given the respect do'ly deserved
as we all do we want those who wrong us to make it right
a little give then a little take
welcome to the shadow march
Longer then the longest lines of the undying
to many reasons never enough answers
here's another
here's another
why did you screw me over
was it out of pride
were you looking for a fight
was it just not my night
or was it not yours
doesn't matter who's right
you still weren't the friend in the end
traitor like many by the color within
the true ignorant
are those who believe there's something for nothing
every thing comes at price
even the best gambling man
still has to roll the dice
so tell me what did you sacrifice
what did you lose this time
welcome to my shadow march
longer then longest lines of the undying
to many reason never enough answers
here's another
here's another
who's to say what i would have really said
inserted words are as common as your daily bread
open your mouth get ready to be fed
all the lies, all the cheap shots
enough is enough
lets see what you really got tough guy
are you really ready to die for the small things
the minuscule things
Welcome to the shadow march
Longer then longest lines of the undying

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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

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Bad Side Of The Moon

(bernie taupin/elton john)
Published by songs of polygram international - bmi
Seems as though Ive lived my life on the bad side of the moon
To stir your dregs, and sittin still, without a rustic spoon
Now come on people, live with me, where the light has never shone
And the harlots flock like hummingbirds, speakin in a foreign tongue
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
It seems as though Ive lived my life on the bad side of the moon
To stir your dregs, and sittin still, without a rustic spoon
Now come on people, live with me, where the light has never shone
And the harlots flock like hummingbirds, speakin in a foreign tongue
Im a light world away, from the people who make me stay
Sittin on the bad side of the moon
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
There aint no need for watchdogs here, to justify our ways
We lived our lives in manacles, the main cause of our stay
And exiled here from other worlds, my sentence comes to soon
Why should I be made to pay on the bad side of the moon
Im a light world away, from the people who make me stay
Sittin on the bad side of the moon
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life

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Willie Nelson

Forgiving You Was Easy

Forgiving you was easy but forgetting seems to take the longest time
I just keep thinking and your memory is forever on my mind
You know I'll always love you and I can't forget the days when you were mine
Forgiving you is easy but forgetting seems to take the longest time
The bitter fruit of anger growing from the seeds of jealousy
Oh what a heartache but I forgive the things you said to me
Cause I believe forgiving is the only way that I'll find peace of mind
And forgiving you is easy but forgetting seems to take the longest time
The years have passed so quickly as once again fate steals a young man's dreams
Of all the golden years and growing old together you and me
You asked me to forgive you-you said there was another on your mind
Forgiving you is easy but forgetting seems to take the longest time
Forgiving you is easy but forgetting seems to take the longest time

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Elizabeth Barrett Browning

First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

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The happy household

It's when the birds go piping and the daylight slowly breaks,
That, clamoring for his dinner, our precious baby wakes;
Then it's sleep no more for baby, and it's sleep no more for me,
For, when he wants his dinner, why it's dinner it must be!
And of that lacteal fluid he partakes with great ado,
While gran'ma laughs,
And gran'pa laughs,
And wife, she laughs,
And I - well, I laugh, too!

You'd think, to see us carrying on about that little tad,
That, like as not, that baby was the first we'd ever had;
But, sakes alive! he isn't, yet we people make a fuss
As if the only baby in the world had come to us!
And, morning, noon, and night-time, whatever he may do,
Gran'ma, she laughs,
Gran'pa, he laughs,
Wife, she laughs,
And I, of course, laugh, too!

But once - a likely spell ago - when that poor little chick
From teething or from some such ill of infancy fell sick,
You wouldn't know us people as the same that went about
A-feelin' good all over, just to hear him crow and shout;
And, though the doctor poohed our fears and said he'd pull him through,
Old gran'ma cried,
And gran'pa cried,
And wife, she cried,
And I - yes, I cried, too!

It makes us all feel good to have a baby on the place,
With his everlastin' crowing and his dimpling, dumpling face;
The patter of his pinky feet makes music everywhere,
And when he shakes those fists of his, good-by to every care!
No matter what our trouble is, when he begins to coo,
Old gran'ma laughs,
And gran'pa laughs,
Wife, she laughs,
And I - you bet, I laugh, too!

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Our last Swim (R.I.P. Anne Mary Simon)

Our last Swim
By Renee’
For my beloved Anne Mary Simon

An Image of you in a cloud rolls by
The sky opens up, somewhere in my mind
A vision of you in a pale blue dress
Tears falling down, you took my breath
Memories of you...

Rain will always hide these tears in my eyes
When the thunder laughs my soul will die
Will I hear your voice?
Will I touch your skin?
Will the ocean waves let me in?

The time is near, the time is nigh
To answer the call, to answer the cry
My head still spins, my body aches
The wind stings my eyes, my face
I look around, no one’s there
Will anybody notice, will anyone care...

Rain will always hide these tears in my eyes
When the thunder laughs my soul will die
Will I hear your voice?
Will I touch your skin?
Will the ocean waves let me in?

I sit on this beach, your beach
I see the waves roll in endlessly
I hold you tight against my bosom
Tears fill my eyes as I see you running into the ocean
You are laughing and so happy
Memories of you...

Rain will always hide these tears in my eyes
When the thunder laughs my soul will die
Will I hear your voice?
Will I touch your skin?
Will the ocean waves let me in?

It’s time to take our final swim
My eyes fill with tears
I can’t move, but I must
You are waiting for me
My legs ache, my body is frozen
You are calling me, “come swim Renee’ “
Memories of you…

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Bishop Blougram's Apology

No more wine? then we'll push back chairs and talk.
A final glass for me, though: cool, i' faith!
We ought to have our Abbey back, you see.
It's different, preaching in basilicas,
And doing duty in some masterpiece
Like this of brother Pugin's, bless his heart!
I doubt if they're half baked, those chalk rosettes,
Ciphers and stucco-twiddlings everywhere;
It's just like breathing in a lime-kiln: eh?
These hot long ceremonies of our church
Cost us a little—oh, they pay the price,
You take me—amply pay it! Now, we'll talk.

So, you despise me, Mr. Gigadibs.
No deprecation—nay, I beg you, sir!
Beside 't is our engagement: don't you know,
I promised, if you'd watch a dinner out,
We'd see truth dawn together?—truth that peeps
Over the glasses' edge when dinner's done,
And body gets its sop and holds its noise
And leaves soul free a little. Now's the time:
Truth's break of day! You do despise me then.
And if I say, "despise me"—never fear!
1 know you do not in a certain sense—
Not in my arm-chair, for example: here,
I well imagine you respect my place
(Status, entourage, worldly circumstance)
Quite to its value—very much indeed:
—Are up to the protesting eyes of you
In pride at being seated here for once—
You'll turn it to such capital account!
When somebody, through years and years to come,
Hints of the bishop—names me—that's enough:
"Blougram? I knew him"—(into it you slide)
"Dined with him once, a Corpus Christi Day,
All alone, we two; he's a clever man:
And after dinner—why, the wine you know—
Oh, there was wine, and good!—what with the wine . . .
'Faith, we began upon all sorts of talk!
He's no bad fellow, Blougram; he had seen
Something of mine he relished, some review:
He's quite above their humbug in his heart,
Half-said as much, indeed—the thing's his trade.
I warrant, Blougram's sceptical at times:
How otherwise? I liked him, I confess!"
Che che, my dear sir, as we say at Rome,
Don't you protest now! It's fair give and take;
You have had your turn and spoken your home-truths:
The hand's mine now, and here you follow suit.

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Snobbery

A solitary rose in red attire
Condescended:
A fleeting glance -
She apprehended
My affections,
Turned away
From me, a stray -

Stubble weed -
Genes to build an oddity:
Common seed -
Happy-go-lucky entity
In dull array.

The rose glowered,
But in ascension
Slipped a view of blight
Upon her regal greenery:
Black spot!

In all her bold perfumery
And blushing flower,
The sheen of vulnerability in jet
Reminded me how snobbery
And haughty shower
Tarnish with an underlying debt!

She wavered in her shallow play -
Man-bred -
Hardiness foregone.

The rose no longer shone.


Copyright © Mark R Slaughter 2010
From: Poetry Rivals 2010 - A New Dawn Breaks
Forward Press


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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.

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Miss You Nights

Ive had many times
I can tell you
Times when innocence Id trade for company
And children saw me crying
I thought Id had my share of that
But these miss you nights
Are the longest
Midnight diamonds
Stud my heaven
Southward burning
Lie the jewels that eye my place
And the warm winds
That embrace me
Jst as surely kissed your face
Yeah these miss you nights
Are the longest
How I miss you
Im not likely to tell
Im a man and cold day light
Buys the pride Id rather sell
All my secrets
Are wasted affair
You know them well
Thinking of my going
How to cut the thread
And leave it all behind
Looking windward for my compass
I take each day as it arrives
But these miss you nights
Are the longest
Lay down all thought of your surrender
Its only me whos killing time
Lay down all dreams and themes once remembered
Its just the same
This miss you game
Yeah these miss you nights
Are the longest

song performed by Cliff RichardReport problemRelated quotes
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Indian Summer Sky

In the ocean
Cut, swim, deep the sky
Like there, I dont know why
In the forest, theres a clearing
I run there towards the light
Sky...
Its a blue sky
In the earth a hole dig deep, decide
If I could, I would
Up for air to swim against the tide
Hey, hey, hey
Up toward the sky
Its a blue sky
To lose along the way
The spark that set the flame
To flicker and to fade
On this the longest day
So wind blow through to my heart
So wind blow through my soul
So wind blow through to my heart
So wind blow through my soul
So wind blow through to my heart...
You give yourself to this the longest day
You give yourself, you give it all away
Two rivers run too deep
The seasons change and so do i
The light that strikes the tallest trees
Will light a way for i
Will light a way
Up toward the sky
Its a blue sky
To lose along the way
The spark that set the flame
To flicker and to fade
On this the longest day
So wind go through to my heart
So wind blow through my soul
So wind go through to my heart
So wind blow through my soul
So wind go through to my heart
So wind blow through my soul
So wind go through to my heart...
You give yourself to this the longest day
You give yourself, you give it all away

song performed by U2Report problemRelated quotes
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Miss You Nights

[Shane:]
I've had many times I can tell you
Times when innocence I'd trade for company
And children saw me crying
I thought I'd had my share of that
But these miss you nights are the longest
[Bryan:]
Midnight diamonds stud my heaven
Southward burning like the jewels that are your face
And the warm winds that embrace me
Just as surely kissed your face
Yet these miss you nights they're the longest
[(Mark) Shane:]
(Lay down) Lay down all thoughts of your surrender
It's only me who's killing time
(Lay down) Lay down all dreams and feelings once remembered
It's just the same this miss you game
[Mark:]
Thinking of my going
How to cut the thread and leave it all behind
Looking windward for my comfort
I take each day as it arrives
But these miss you nights are the longest
[Shane:]
But these miss you nights are the longest

song performed by WestlifeReport problemRelated quotes
Added by Lucian Velea
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Miss You Night

[shane:]
Ive had many times I can tell you
Times when innocence Id trade for company
And children saw me crying
I thought Id had my share of that
But these miss you nights are the longest
[bryan:]
Midnight diamonds stud my heaven
Southward burning like the jewels that are your face
And the warm winds that embrace me
Just as surely kissed your face
Yet these miss you nights theyre the longest
[(mark) shane:]
(lay down) lay down all thoughts of your surrender
Its only me whos killing time
(lay down) lay down all dreams and feelings once remembered
Its just the same this miss you game
[mark:]
Thinking of my going
How to cut the thread and leave it all behind
Looking windward for my comfort
I take each day as it arrives
But these miss you nights are the longest
[shane:]
But these miss you nights are the longest

song performed by WestlifeReport problemRelated quotes
Added by Lucian Velea
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