AMIDST A MULTITUDE, I AM LONELY!
AMIDST A LAND OF PLENTY, I AM IN WANT!
AMIDST AN OCEAN OF LOVE, HATE IS ALL I GET!
I AM LIKE A THIRSTY MAN ADRIFT AT SEA!
WATER, WATER EVERYWHERE, BUT NONE TO DRINK!
1015 Water Water - Everywhere? ? ?
STRUCTURE & FORM IN POETRY. Classical Poetry always has Structure even though it does not always rhyme. The Structure gives it metere and flow which facilitates reading and recitation. In my book - recitability is an essential character of a good Poem! . A lesser know Poetical Structure is RHYME ROYAL which inposes a strict metre (usually imabic pentameter) and a strict rhyming pattern a b a b b c c. Each verse must consist of seven lines. The number of verses is optional! As an Environmental Scientist I am concerned with the Conservation of Water which is the subject of this Rhyme Royal
Whence comes this water that we need for life?
Where does it go when we flush it away?
A shortage in some countries causes strife
Will it run out like coal and oil one day?
For all resources there's a price to pay.
We all use water - like it was for free
Just turn the tap - it's there for you and me.
God touched the clouds and made the rain - from the rain
Formed the sea and from the sea formed the clouds
To rise and cool and give us rain again.
The rain provides the water for the crowds.
When it evaporates it goes back to the clouds.
Each dropp of water makes our lives secure
But every day we're using more and more.
The Planet Earth has water everywhere
Liquid or a solid or a vapour
In oceans - rivers - lakes and in the air
Icecaps or on frozen lakes like paper.
We scrape it off our windscreens with a scraper!
Mountain stream - boiling steam and freezing snow
A lolly ice? Thanks very nice - It is all H 2 O.
The Water Cycle keeps the water going
Round and round - none's lost to outer space
Precipitation - raining - hailing - snowing
Moves the water round from place to place.
Especially when a snowball hits your face.
Streams and rushing rivers keep it all in motion
Then water falls down waterfalls and ends up in the ocean!
Water Water everywhere - for our daily needs
Turn the tap and use the river and the well
Don't pollute - don't dam the spring that feeds
Without 'clean water' life on Earth is Hell!
Clean Water has no taste - no clour and no smell.
Water Water everywhere - please please stop and think
Water Water everywhere - but not one dropp to drink! ! ! ! !
(John Knight - Frozen Colchester - December 2009)
The girls varsity swimming team at Trinity High School in NYC has just completed an undefeated season and won the All-Ivy meet. This is dedicated to their excellent coach and team.
Water, water everywhere - but not the kind to drink;
the arid lands of Trinity sports forces one to think:
will we find the focus, so truly we can say,
'we give our all at every practice, every meet, on every day...'
Or are we disconnected and slightly out-of-sync?
On the stormy sea of swimming, an ardent coach supplies,
a simple set of precepts that to life and sports applies.
Hard work! performance! who can get the win? !
Focus on the present; forget the might-have-been.
And thus achieve the greatness, of capturing the Prize.
- quotes about New York
- quotes about swimming
- quotes about performance
- quotes about time
- quotes about seasons
- quotes about girls
- quotes about school
- quotes about television
Lavender, sea lavender!
Pale sweet flower how full of her!
Flower discreet, with your priest's eyes
Trained in all time's mysteries,
Yet how chastely calmly sealed!
Flower of passions unrevealed,
Stainless eyes, but none the less
Wise in life's most nakedness,
With its inward hours of sin,
Known to thee, and all therein;
And how soul with soul found might,
In the watches of the night,
Cherishing an unseen joy,
Man with woman, girl with boy,
Under the sky's multitude,
Till the pulsings of their blood
Led them into ways unknown,
Flesh of flesh and bone of bone
Clasped in one, till doubt was over,
And they went forth loved and lover
Bride and groom to their new home.
See, to--day to you I come,
Flower of wisdom who know all,
To your mute confessional,
Wanting love and wanting her,
(Lavender, sea lavender!)
In a world where she is not,
Mined with plot and counterplot
Built against our happiness.
You, who know her most, can guess
What her thought is far from me,
What soft wind of memory
Fans her with a scent of pleasure,
What sweet song in what sweet measure
Trilled by birds when day was breaking
And each tremulous throat awaking
Strained to make its passion heard
Louder there than other bird,
While we listened, we too, straining
Heart to heart, and watched the waning
Moon fade slowly like a feather
In the red East, close together,
Near, how near, who now are far.
Tell me what her fancies are.
Does she love still? Does she cherish,
In the waste of days that perish
That one dawn, which cannot die?
Nay, I know it, nor will I
Doubt of love or doubt of her,
(Lavender, sea lavender!)
Since she knows and understands
That my hands still hold her hands.
Goldilocks And Goldilocks
It was Goldilocks woke up in the morn
At the first of the shearing of the corn.
There stood his mother on the hearth
And of new-leased wheat was little dearth.
There stood his sisters by the quern,
For the high-noon cakes they needs must earn.
“O tell me Goldilocks my son,
Why hast thou coloured raiment on?”
“Why should I wear the hodden grey
When I am light of heart to-day?”
“O tell us, brother, why ye wear
In reaping-tide the scarlet gear?
Why hangeth the sharp sword at thy side
When through the land ’tis the hook goes wide?”
“Gay-clad am I that men may know
The freeman’s son where’er I go.
The grinded sword at side I bear
Lest I the dastard’s word should hear.”
“O tell me Goldilocks my son,
Of whither away thou wilt be gone?”
“The morn is fair and the world is wide
And here no more will I abide.”
“O Brother, when wilt thou come again?”
“The autumn drought, and the winter rain,
The frost and the snow, and St. David’s wind,
All these that were time out of mind,
All these a many times shall be
Ere the Upland Town again I see.”
“O Goldilocks my son, farewell,
As thou wendest the world ’twixt home and hell!”
“O brother Goldilocks, farewell,
Come back with a tale for men to tell!”
So ’tis wellaway for Goldilocks,
As he left the land of the wheaten shocks.
He’s gotten him far from the Upland Town,
And he’s gone by Dale and he’s gone by Down.
He’s come to the wild-wood dark and drear,
Where never the bird’s song doth he hear.
He has slept in the moonless wood and dim
With never a voice to comfort him.
He has risen up under the little light
Where the noon is as dark as the summer night.
Six days therein has he walked alone
Till his scrip was bare and his meat was done.
On the seventh morn in the mirk, mirk wood,
He saw sight that he deemed was good.
It was as one sees a flower a-bloom
In the dusky heat of a shuttered room.
He deemed the fair thing far aloof,
And would go and put it to the proof.
But the very first step he made from the place
He met a maiden face to face.
Face to face, and so close was she
That their lips met soft and lovingly.
Sweet-mouthed she was, and fair he wist;
And again in the darksome wood they kissed.
Then first in the wood her voice he heard,
As sweet as the song of the summer bird.
“O thou fair man with the golden head,
What is the name of thee?” she said.
“My name is Goldilocks,” said he;
“O sweet-breathed, what is the name of thee?”
“O Goldilocks the Swain,” she said,
“My name is Goldilocks the Maid.”
He spake, “Love me as I love thee,
And Goldilocks one flesh shall be.”
She said, “Fair man, I wot not how
Thou lovest, but I love thee now.
But come a little hence away,
That I may see thee in the day.
For hereby is a wood-lawn clear
And good for awhile for us it were.”
Therewith she took him by the hand
And led him into the lighter land.
There on the grass they sat adown.
Clad she was in a kirtle brown.
In all the world was never maid
So fair, so evilly arrayed.
No shoes upon her feet she had
And scantly were her shoulders clad;
Through her brown kirtle’s rents full wide
Shone out the sleekness of her side.
An old scrip hung about her neck,
Nought of her raiment did she reck.
No shame of all her rents had she;
She gazed upon him eagerly.
She leaned across the grassy space
And put her hands about his face.
She said: “O hunger-pale art thou,
Yet shalt thou eat though I hunger now.”
She took him apples from her scrip,
She kissed him, cheek and chin and lip.
She took him cakes of woodland bread:
“Whiles am I hunger-pinched,” she said.
She had a gourd and a pilgrim shell;
She took him water from the well.
She stroked his breast and his scarlet gear;
She spake, “How brave thou art and dear!”
Her arms about him did she wind;
He felt her body dear and kind.
“O love,” she said, “now two are one,
And whither hence shall we be gone?”
“Shall we fare further than this wood,”
Quoth he, “I deem it dear and good?”
She shook her head, and laughed, and spake;
“Rise up! For thee, not me, I quake.
Had she been minded me to slay
Sure she had done it ere to-day.
But thou: this hour the crone shall know
That thou art come, her very foe.
No minute more on tidings wait,
Lest e’en this minute be too late.”
She led him from the sunlit green,
Going sweet-stately as a queen.
There in the dusky wood, and dim,
As forth they went, she spake to him:
“Fair man, few people have I seen
Amidst this world of woodland green:
But I would have thee tell me now
If there be many such as thou.”
“Betwixt the mountains and the sea,
O Sweet, be many such,” said he.
Athwart the glimmering air and dim
With wistful eyes she looked on him.
“But ne’er an one so shapely made
Mine eyes have looked upon,” she said.
He kissed her face, and cried in mirth:
“Where hast thou dwelt then on the earth?”
“Ever,” she said, “I dwell alone
With a hard-handed cruel crone.
And of this crone am I the thrall
To serve her still in bower and hall;
And fetch and carry in the wood,
And do whate’er she deemeth good.
But whiles a sort of folk there come
And seek my mistress at her home;
But such-like are they to behold
As make my very blood run cold.
Oft have I thought, if there be none
On earth save these, would all were done!
Forsooth, I knew it was nought so,
But that fairer folk on earth did grow.
But fain and full is the heart in me
To know that folk are like to thee.”
Then hand in hand they stood awhile
Till her tears rose up beneath his smile.
And he must fold her to his breast
To give her heart a while of rest.
Till sundered she and gazed about,
And bent her brows as one in doubt.
She spake: “The wood is growing thin,
Into the full light soon shall we win.
Now crouch we that we be not seen,
Under yon bramble-bushes green.”
Under the bramble-bush they lay
Betwixt the dusk and the open day.
“O Goldilocks my love, look forth
And let me know what thou seest of worth.”
He said: “I see a house of stone,
A castle excellently done.”
“Yea,” quoth she, “There doth the mistress dwell
What next thou seest shalt thou tell.”
“What lookest thou to see come forth?”
“Maybe a white bear of the North.”
“Then shall my sharp sword lock his mouth.”
“Nay,” she said, “or a worm of the South.”
“Then shall my sword his hot blood cool.”
“Nay, or a whelming poison-pool.”
“The trees its swelling flood shall stay,
And thrust its venomed lip away.”
“Nay, it may be a wild-fire flash
To burn thy lovely limbs to ash.”
“On mine own hallows shall I call,
And dead its flickering flame shall fall.”
“O Goldilocks my love, I fear
That ugly death shall seek us here.
Look forth, O Goldilocks my love,
That I thine hardy heart may prove.
What cometh down the stone-wrought stair
That leadeth up to the castle fair?”
“Adown the doorward stair of stone
There cometh a woman all alone.”
“Yea, that forsooth shall my mistress be:
O Goldilocks, what like is she?”
“O fair she is of her array,
As hitherward she wends her way.”
“Unlike her wont is that indeed:
Is she not foul beneath her weed?”
“O nay, nay! But most wondrous fair
Of all the women earth doth bear.”
“O Goldilocks, my heart, my heart!
Woe, woe! for now we drift apart.”
But up he sprang from the bramble-side,
And “O thou fairest one!” he cried:
And forth he ran that Queen to meet,
And fell before her gold-clad feet.
About his neck her arms she cast,
And into the fair-built house they passed.
And under the bramble-bushes lay
Unholpen, Goldilocks the may.
Thenceforth a while of time there wore,
And Goldilocks came forth no more.
Throughout that house he wandered wide,
Both up and down, from side to side.
But never he saw an evil crone,
But a full fair Queen on a golden throne.
Never a barefoot maid did he see,
But a gay and gallant company.
He sat upon the golden throne,
And beside him sat the Queen alone.
Kind she was, as she loved him well,
And many a merry tale did tell.
But nought he laughed, nor spake again,
For all his life was waste and vain.
Cold was his heart, and all afraid
To think on Goldilocks the Maid.
Withal now was the wedding dight
When he should wed that lady bright.
The night was gone, and the day was up
When they should drink the bridal cup.
And he sat at the board beside the Queen,
Amidst of a guest-folk well beseen.
But scarce was midmorn on the hall,
When down did the mirk of midnight fall.
Then up and down from the board they ran,
And man laid angry hand on man.
There was the cry, and the laughter shrill,
And every manner word of ill.
Whoso of men had hearkened it,
Had deemed he had woke up over the Pit.
Then spake the Queen o’er all the crowd,
And grim was her speech, and harsh, and loud:
“Hold now your peace, ye routing swine,
While I sit with mine own love over the wine!
For this dusk is the very deed of a foe,
Or under the sun no man I know.”
And hard she spake, and loud she cried
Till the noise of the bickering guests had died.
Then again she spake amidst of the mirk,
In a voice like an unoiled wheel at work:
“Whoso would have a goodly gift,
Let him bring aback the sun to the lift.
Let him bring aback the light and the day,
And rich and in peace he shall go his way.”
Out spake a voice was clean and clear:
“Lo, I am she to dight your gear;
But I for the deed a gift shall gain,
To sit by Goldilocks the Swain.
I shall sit at the board by the bride-groom’s side,
And be betwixt him and the bride.
I shall eat of his dish and drink of his cup,
Until for the bride-bed ye rise up.”
Then was the Queen’s word wailing-wild:
“E’en so must it be, thou Angel’s child.
Thou shalt sit by my groom till the dawn of night,
And then shalt thou wend thy ways aright.”
Said the voice, “Yet shalt thou swear an oath
That free I shall go though ye be loth.”
“How shall I swear?” the false Queen spake:
“Wherewith the sure oath shall I make?”
“Thou shalt swear by the one eye left in thine head,
And the throng of the ghosts of the evil dead.”
She swore the oath, and then she spake:
“Now let the second dawn awake.”
And e’en therewith the thing was done;
There was peace in the hall, and the light of the sun.
And again the Queen was calm and fair,
And courteous sat the guest-folk there.
Yet unto Goldilocks it seemed
As if amidst the night he dreamed;
As if he sat in a grassy place,
While slim hands framed his hungry face;
As if in the clearing of the wood
One gave him bread and apples good;
And nought he saw of the guest-folk gay,
And nought of all the Queen’s array.
Yet saw he betwixt board and door,
A slim maid tread the chequered floor.
Her gown of green so fair was wrought,
That clad her body seemed with nought
But blossoms of the summer-tide,
That wreathed her, limbs and breast and side.
And, stepping towards him daintily,
A basket in her hand had she.
And as she went, from head to feet,
Surely was she most dainty-sweet.
Love floated round her, and her eyes
Gazed from her fairness glad and wise;
But babbling-loud the guests were grown;
Unnoted was she and unknown.
Now Goldilocks she sat beside,
But nothing changed was the Queenly bride;
Yea too, and Goldilocks the Swain
Was grown but dull and dazed again.
The Queen smiled o’er the guest-rich board,
Although his wine the Maiden poured;
Though from his dish the Maiden ate,
The Queen sat happy and sedate.
But now the Maiden fell to speak
From lips that well-nigh touched his cheek:
“O Goldilocks, dost thou forget?
Or mindest thou the mirk-wood yet?
Forgettest thou the hunger-pain
And all thy young life made but vain?
How there was nought to help or aid,
But for poor Goldilocks the Maid?”
She murmured, “Each to each we two,
Our faces from the wood-mirk grew.
Hast thou forgot the grassy place,
And love betwixt us face to face?
Hast thou forgot how fair I deemed
Thy face? How fair thy garment seemed?
Thy kisses on my shoulders bare,
Through rents of the poor raiment there?
My arms that loved thee nought unkissed
All o’er from shoulder unto wrist?
Hast thou forgot how brave thou wert,
Thou with thy fathers’ weapon girt;
When underneath the bramble-bush
I quaked like river-shaken rush,
Wondering what new-wrought shape of death
Should quench my new love-quickened breath?
Or else: forget’st thou, Goldilocks,
Thine own land of the wheaten shocks?
Thy mother and thy sisters dear,
Thou said’st would bide thy true-love there?
Hast thou forgot? Hast thou forgot?
O love, my love, I move thee not.”
Silent the fair Queen sat and smiled
And heeded nought the Angel’s child,
For like an image fashioned fair
Still sat the Swain with empty stare.
These words seemed spoken not, but writ
As foolish tales through night-dreams flit.
Vague pictures passed before his sight,
As in the first dream of the night.
But the Maiden opened her basket fair,
And set two doves on the table there.
And soft they cooed, and sweet they billed
Like man and maid with love fulfilled.
Therewith the Maiden reached a hand
To a dish that on the board did stand;
And she crumbled a share of the spice-loaf brown,
And the Swain upon her hand looked down;
Then unto the fowl his eyes he turned;
And as in a dream his bowels yearned
For somewhat that he could not name;
And into his heart a hope there came.
And still he looked on the hands of the Maid,
As before the fowl the crumbs she laid.
And he murmured low, “O Goldilocks!
Were we but amid the wheaten shocks!”
Then the false Queen knit her brows and laid
A fair white hand by the hand of the Maid.
He turned his eyes away thereat,
And closer to the Maiden sat.
But the queen-bird now the carle-bird fed
Till all was gone of the sugared bread.
Then with wheedling voice for more he craved,
And the Maid a share from the spice-loaf shaved;
And the crumbs within her hollow hand
She held where the creeping doves did stand.
But Goldilocks, he looked and longed,
And saw how the carle the queen-bird wronged.
For when she came to the hand to eat
The hungry queen-bird thence he beat.
Then Goldilocks the Swain spake low:
“Foul fall thee, bird, thou doest now
As I to Goldilocks, my sweet,
Who gave my hungry mouth to eat.”
He felt her hand as he did speak,
He felt her face against his cheek.
He turned and stood in the evil hall,
And swept her up in arms withal.
Then was there hubbub wild and strange,
And swiftly all things there ’gan change.
The fair Queen into a troll was grown,
A one-eyed, bow-backed, haggard crone.
And though the hall was yet full fair,
And bright the sunshine streamed in there,
On evil shapes it fell forsooth:
Swine-heads; small red eyes void of ruth;
And bare-boned bodies of vile things,
And evil-feathered bat-felled wings.
And all these mopped and mowed and grinned,
And sent strange noises down the wind.
There stood those twain unchanged alone
To face the horror of the crone;
She crouched against them by the board;
And cried the Maid: “Thy sword, thy sword!
Thy sword, O Goldilocks! For see
She will not keep her oath to me.”
Out flashed the blade therewith. He saw
The foul thing sidelong toward them draw,
Holding within her hand a cup
Wherein some dreadful drink seethed up.
Then Goldilocks cried out and smote,
And the sharp blade sheared the evil throat.
The head fell noseling to the floor;
The liquor from the cup did pour,
And ran along a sparkling flame
That nigh unto their footsoles came.
Then empty straightway was the hall,
Save for those twain, and she withal.
So fled away the Maid and Man,
And down the stony stairway ran.
Fast fled they o’er the sunny grass
Yet but a little way did pass
Ere cried the Maid: “Now cometh forth
The snow-white ice-bear of the North;
Turn Goldilocks, and heave up sword!”
Then fast he stood upon the sward,
And faced the beast, that whined and cried,
And shook his head from side to side.
But round him the Swain danced and leaped,
And soon the grisly head he reaped.
And then the ancient blade he sheathed,
And ran unto his love sweet-breathed;
And caught her in his arms and ran
Fast from that house, the bane of man.
Yet therewithal he spake her soft
And kissed her over oft and oft,
Until from kissed and trembling mouth
She cried: “The Dragon of the South!”
He set her down and turned about,
And drew the eager edges out.
And therewith scaly coil on coil
Reared ’gainst his face the mouth aboil:
The gaping jaw and teeth of dread
Was dark ’twixt heaven and his head.
But with no fear, no thought, no word,
He thrust the thin-edged ancient sword.
And the hot blood ran from the hairy throat,
And set the summer grass afloat.
Then back he turned and caught her hand,
And never a minute did they stand.
But as they ran on toward the wood,
He deemed her swift feet fair and good.
She looked back o’er her shoulder fair:
“The whelming poison-pool is here;
And now availeth nought the blade:
O if my cherished trees might aid!
But now my feet fail. Leave me then!
And hold my memory dear of men.”
He caught her in his arms again;
Of her dear side was he full fain.
Her body in his arms was dear:
“Sweet art thou, though we perish here!”
Like quicksilver came on the flood:
But lo, the borders of the wood!
She slid from out his arms and stayed;
Round a great oak her arms she laid.
“If e’er I saved thee, lovely tree,
From axe and saw, now, succour me:
Look how the venom creeps anigh,
Help! lest thou see me writhe and die.”
She crouched beside the upheaved root,
The bubbling venom touched her foot;
Then with a sucking gasping sound
It ebbed back o’er the blighted ground.
Up then she rose and took his hand
And never a moment did they stand.
“Come, love,” she cried, “the ways I know,
How thick soe’er the thickets grow.
O love, I love thee! O thine heart!
How mighty and how kind thou art!”
Therewith they saw the tree-dusk lit,
Bright grey the great boles gleamed on it.
“O flee,” she said, “the sword is nought
Against the flickering fire-flaught.”
“But this availeth yet,” said he,
“That Hallows All our love may see.”
He turned about and faced the glare:
“O Mother, help us, kind and fair!
Now help me, true St. Nicholas,
If ever truly thine I was!”
Therewith the wild-fire waned and paled
And in the wood the light nigh failed;
And all about ’twas as the night.
He said: “Now won is all our fight,
And now meseems all were but good
If thou mightst bring us from the wood.”
She fawned upon him, face and breast;
She said: “It hangs ’twixt worst and best.
And yet, O love, if thou be true,
One thing alone thou hast to do.”
Sweetly he kissed her, cheek and chin:
“What work thou biddest will I win.”
“O love, my love, I needs must sleep;
Wilt thou my slumbering body keep,
And, toiling sorely, still bear on
The love thou seemest to have won?”
“O easy toil,” he said, “to bless
Mine arms with all thy loveliness.”
She smiled; “Yea, easy it may seem,
But harder is it than ye deem.
For hearken! Whatso thou mayst see,
Piteous as it may seem to thee,
Heed not nor hearken! bear me forth,
As though nought else were aught of worth,
For all earth’s wealth that may be found
Lay me not sleeping on the ground,
To help, to hinder, or to save!
Or there for me thou diggest a grave.”
He took her body on his arm,
Her slumbering head lay on his barm.
Then glad he bore her on the way,
And the wood grew lighter with the day.
All still it was, till suddenly
He heard a bitter wail near by.
Yet on he went until he heard
The cry become a shapen word:
“Help me, O help, thou passer by!
Turn from the path, let me not die!
I am a woman; bound and left
To perish; of all help bereft.”
Then died the voice out in a moan;
He looked upon his love, his own,
And minding all she spake to him
Strode onward through the wild-wood dim.
But lighter grew the woodland green
Till clear the shapes of things were seen.
And therewith wild halloos he heard,
And shrieks, and cries of one afeard.
Nigher it grew and yet more nigh
Till burst from out a brake near by
A woman bare of breast and limb,
Who turned a piteous face to him
E’en as she ran: for hard at heel
Followed a man with brandished steel,
And yelling mouth. Then the swain stood
One moment in the glimmering wood
Trembling, ashamed: Yet now grown wise
Deemed all a snare for ears and eyes.
So onward swiftlier still he strode
And cast all thought on his fair load.
And yet in but a little space
Back came the yelling shrieking chase,
And well-nigh gripped now by the man,
Straight unto him the woman ran;
And underneath the gleaming steel
E’en at his very feet did kneel.
She looked up; sobs were all her speech,
Yet sorely did her face beseech.
While o’er her head the chaser stared,
Shaking aloft the edges bared.
Doubted the swain, and a while did stand
As she took his coat-lap in her hand.
Upon his hand he felt her breath
Hot with the dread of present death.
Sleek was her arm on his scarlet coat,
The sobbing passion rose in his throat.
But e’en therewith he looked aside
And saw the face of the sleeping bride.
Then he tore his coat from the woman’s hand,
And never a moment there did stand.
But swiftly thence away he strode
Along the dusky forest road.
And there rose behind him laughter shrill,
And then was the windless wood all still,
He looked around o’er all the place,
But saw no image of the chase.
And as he looked the night-mirk now
O’er all the tangled wood ’gan flow.
Then stirred the sweetling that he bore,
And she slid adown from his arms once more.
Nought might he see her well-loved face;
But he felt her lips in the mirky place.
“’Tis night,” she said, “and the false day’s gone,
And we twain in the wild-wood all alone.
Night o’er the earth; so rest we here
Until to-morrow’s sun is clear.
For overcome is every foe
And home to-morrow shall we go.”
So ’neath the trees they lay, those twain,
And to them the darksome night was gain.
But when the morrow’s dawn was grey
They woke and kissed whereas they lay.
And when on their feet they came to stand
Swain Goldilocks stretched out his hand.
And he spake: “O love, my love indeed,
Where now is gone thy goodly weed?
For again thy naked feet I see,
And thy sweet sleek arms so kind to me.
Through thy rent kirtle once again
Thy shining shoulder showeth plain.”
She blushed as red as the sun-sweet rose:
“My garments gay were e’en of those
That the false Queen dight to slay my heart;
And sore indeed was their fleshly smart.
Yet must I bear them, well-beloved,
Until thy truth and troth was proved.
And this tattered coat is now for a sign
That thou hast won me to be thine.
Now wilt thou lead along thy maid
To meet thy kindred unafraid.”
As stoops the falcon on the dove
He cast himself about her love.
He kissed her over, cheek and chin,
He kissed the sweetness of her skin.
Then hand in hand they went their way
Till the wood grew light with the outer day.
At last behind them lies the wood,
And before are the Upland Acres good.
On the hill’s brow awhile they stay
At midmorn of the merry day.
He sheareth a deal from his kirtle meet,
To make her sandals for her feet.
He windeth a wreath of the beechen tree,
Lest men her shining shoulders see.
And a wreath of woodbine sweet, to hide
The rended raiment of her side;
And a crown of poppies red as wine,
Lest on her head the hot sun shine.
She kissed her love withal and smiled:
“Lead forth, O love, the Woodland Child!
Most meet and right meseems it now
That I am clad with the woodland bough.
For betwixt the oak-tree and the thorn
Meseemeth erewhile was I born.
And if my mother aught I knew
It was of the woodland folk she grew.
And O that thou art well at ease
To wed the daughter of the trees!”
Now Goldilocks and Goldilocks
Go down amidst the wheaten shocks,
But when anigh to the town they come,
Lo there is the wain a-wending home,
And many a man and maid beside,
Who tossed the sickles up, and cried:
“O Goldilocks, now whither away?
And what wilt thou with the woodland may?”
“O this is Goldilocks my bride,
And we come adown from the wild-wood side,
And unto the Fathers’ House we wend
To dwell therein till life shall end.”
“Up then on the wain, that ye may see
From afar how thy mother bideth thee.
That ye may see how kith and kin
Abide thee, bridal brave to win.”
So Goldilocks and Goldilocks
Sit high aloft on the wheaten shocks,
And fair maids sing before the wain,
For all of Goldilocks are fain.
But when they came to the Fathers’ door,
There stood his mother old and hoar.
Yet was her hair with grey but blent,
When forth from the Upland Town he went.
There by the door his sisters stood;
Full fair they were and fresh of blood;
Little they were when he went away;
Now each is meet for a young man’s may.
“O tell me, Goldilocks, my son,
What are the deeds that thou hast done?”
“I have wooed me a wife in the forest wild,
And home I bring the Woodland Child.”
“A little deed to do, O son,
So long a while as thou wert gone.”
“O mother, yet is the summer here
Now I bring aback my true-love dear.
And therewith an Evil Thing have I slain;
Yet I come with the first-come harvest-wain.”
“O Goldilocks, my son, my son!
How good is the deed that thou hast done?
But how long the time that is worn away!
Lo! white is my hair that was but grey.
And lo these sisters here, thine own,
How tall, how meet for men-folk grown!
Come, see thy kin in the feasting-hall,
And tell me if thou knowest them all!
O son, O son, we are blithe and fain;
But the autumn drought, and the winter rain,
The frost and the snow, and St. David’s wind,
All these that were, time out of mind,
All these a many times have been
Since thou the Upland Town hast seen.”
Then never a word spake Goldilocks
Till they came adown from the wheaten shocks.
And there beside his love he stood
And he saw her body sweet and good.
Then round her love his arms he cast:
“The years are as a tale gone past.
But many the years that yet shall be
Of the merry tale of thee and me.
Come, love, and look on the Fathers’ Hall,
And the folk of the kindred one and all!
For now the Fathers’ House is kind,
And all the ill is left behind.
And Goldilocks and Goldilocks
Shall dwell in the land of the Wheaten Shocks.”
- quotes about kiss
- quotes about promises
- quotes about screams
- quotes about grey
- quotes about words
- quotes about voice
- quotes about death
- quotes about art
Water and woman
‘Water, water, everywhere,
But not a dropp to drink’. It is the ocean
Women, women, everywhere,
But not a bit to touch. It is the society
Ocean water is salty and open.
Women water is sweet and seald.
Water, Water Everywhere
Water, water everywhere,
Over here and over there,
From the sky unto the ground,
Water, water all around.
Water, water everywhere,
There is just too much of it,
Why Lord, do you give so much?
We only asked you for a bit!
Fish and Water
Me, very fishy, unable to understand water
Move about in search of an answer
They say water, water everywhere
But what is water they don’t say
Where is water, I don’t see, don’t feel
I move all right, so what?
Water, water everywhere
I don’t drink a drop
Let me ask the giant fish
The grand sire, who knows better
And he tells without water
You can live not a moment …
A Wet Day In July
Such wild and chilly weather with heavy showers of sleety rain
That flood the spouting and the creek and the storm water drain
And the paddocks around the Powlett river seem like an inland sea
And water everywhere about as far as the eyes can see.
The old bloke Mick scratches his head as he looks up at the sky
Saying more rain clouds o'er the ocean 'twill make a wet
On either side of the highway from Bass into Wonthaggi there's water everywhere
The paddock by our house is waterlogged 'tis like a quagmire there.
In July in south west Gippsland the weather often wild and cold and wet
But according to Mick from Bass this one the wettest yet
In more than sixty years of life he has known big rainfall
But yesterday is the wettest day he ever can recall.
In the paddocks between Kilcunda and Dalyston water everywhere about
And the Powlett river is overflowing it's banks and it's surplus water is flooding out
Making the land look like an inland sea and cattle on the hill bellow for hay
And in the coastal lands of south west Gippsland another rainy July day.
Youve got to see me in the cold light of day
You gotta see me as I am but thats the only way
But its often the way when you try to make amends
Come up too fast and youre sure to get the bends
It never ends
Ive been diving, deeper than you think
Water, water everywhere but not a drop to drink
The long wave return makes it harder to be friends
Come up too fast and youre sure to get the bends
Oh nobody knows, nobody knows
Why were chained to our first impression
Oh nobody knows, nobody knows
How were changed by decompression
Look at the crazy people heading for the bay
(youre telling me Im crazy)
Its a drop in the ocean but were growing by the day
The long wave returns and its hard to comprehend
(you realy do amaze me)
Come up too fast and youll be sure to get the bends
Oh nobody knows, nobody knows
Why were chained to our first impression
Oh nobody knows, nobody knows
How were changed by decompression
Look at the crazy people
All heading for the bay
Some keeping it together
Some falling by the way
Way down below the surface
Its easy to pretend
Gotta get up off the seabed
Its time to make amends
People like a river
Flowing to the sea
Making a stand to deliver
A new philosophy
No need to be defensive
When theres nothing to defend
Better make it last, come up too fast
And youre sure to get the bends
It never ends
The Sea has Many Moods
poetry in progress
the sea has many moods
you need more than one
canvas to paint them all
and an imagination cresting
like waves sweeping onto shores
the sea has many moods
it presents dawn with
streaks of luminous hope
and slowly breaks through
the menacing bleakness of night
to give us a new day -
a fresh new born, his eyes
gleaming like angel and that
first cry which opens to us
a new terrace for love - a chill
that slowly builds into a warmth
between us knowing that it
is a blessing from beyond
- tears or cheers
the sea has many moods
you need to see them all
to portray them on your canvas
there is a hint of melancholy
especially after a tempest when the beach
is strewn with all things from the
bowels of the sea; old coins,
broken porcelains, dead little turtles,
wine bottles that have crossed continents,
one shoe, slipper, sandal like partners
lost in war, and shells of all kinds,
some shining with a strain of hynotism
you wish they have not been torn
by the force of the sea
bits and pieces of everything here and
there to remind us of how life can be
as turbulent when the mighty tide works against us
the sea has many moods
you have to live by one to
experience them all
the cheers that brighten up the day
when every beach feels like a fresh
new summer, another mediterranean
the waves gallop like horses on
an an emerald to take us to their
adventures of mermaids in love,
of palace made of beautiful corals,
of gold and diamonds in sunken ships,
of romances, of aliens, of
finding a new angle to life,
so that the past is just another
wave disappearing on the beach
to recharge the self that has been
left to vegetate and muffled
in the race for survival
the sea has many moods
you need more than one canvas
to paint them all
the tide turns low on some days
enabling walks on seabed, and
to the next shore, before inch
by inch, the tide starts coming in
water swirling like a man sipping
and blowing onto his tea, inch by inch
like a hungry animal, the sea starts to
swallow up old territories as its own,
and in such haste, rage and chagrin,
one hour is all it needs to take it all in
there are those who, lost in their fun,
forget about the tide and are trapped
and swept away forever remaining on the
chiling and heartwrenching lost-at-sea list
walking the seabed is a walk through
the backstage of a theatre
you see all the theatrics of the sea
anemones in a range of red stick
their heads out on the sand like a vulgar thing
and here and there are broken corals
after having served as colourful dancers swaying
gracefully and serenading fishes
now with faded lustre they surrender to their fate
on the sand, a mound here and there
in the rhythm of the waves
as you walk, a pensive mood envelops you, a peace
and a quiet you dont savour on ordinary days by the beach
the wind feels like God caressing and whispering
to you his story of creation, his joy when everything is over
so that you can walk on a seabed to take it all in
the sea may be rough but it too, affords a time
and a space when it bares all to help you meditate on
its enlightened side, something it does not unveil to us
unless the tide takes an all about turn to the sea
it is a blessing for those who happen to chance
upon it and take it to its full advantage
the sea has many moods
you have to live by one to see them all
there are one thousand and one creatures
who are ever ready to share with you their fun
tenants of the white sand, sea, and breeze
and an occasional full moon, oh no two moons
the plovers and starfishes are friends
coral fishes sprint to and fro under a branch
waiting for the tide to ferry them out
mudskippers hop on the tail of the waves
like clowns at a circus, a head so huge and two short fins
one wonders how they anchor themselves so well at sea
little crabs run the lightness of breeze
and here and there little holes that gently
remind me of the tenants with claws
they are all so round these crabs
of orange, brown, green, yellow must have
been well trained by the divinity of their task
a conical shell is a soul in medtiation
an ear listening to its own sacred calling
seaweeds paint some parts a bright green
while an outcast the jellyfish is always
a sorry affair, sprawled and helpless
its see-through mass of shrunken body
transmit a fetid scent no one would love to have
children are told not to play around with them
as the toxins in the soft textured creature
can be just the opposite of its appearance
like the setting sun over the hill
that turn the whole
like the poet swept with
a hope for that
one poem that would land
on the print to meet all
the sea has many moods
you have live by her to
see them all
The King of the Vasse
A LEGEND OF THE BUSH.
MY tale which I have brought is of a time
Ere that fair Southern land was stained with crime,
Brought thitherward in reeking ships and cast
Like blight upon the coast, or like a blast
From angry levin on a fair young tree,
That stands thenceforth a piteous sight to see.
So lives this land to-day beneath the sun,—
A weltering plague-spot, where the hot tears run,
And hearts to ashes turn, and souls are dried
Like empty kilns where hopes have parched and died.
Woe's cloak is round her,—she the fairest shore
In all the Southern Ocean o'er and o'er.
Poor Cinderella! she must bide her woe,
Because an elder sister wills it so.
Ah! could that sister see the future day
When her own wealth and strength are shorn away,
A.nd she, lone mother then, puts forth her hand
To rest on kindred blood in that far land;
Could she but see that kin deny her claim
Because of nothing owing her but shame,—
Then might she learn 'tis building but to fall,
If carted rubble be the basement-wall.
But this my tale, if tale it be, begins
Before the young land saw the old land's sins
Sail up the orient ocean, like a cloud
Far-blown, and widening as it neared,—a shroud
Fate-sent to wrap the bier of all things pure,
And mark the leper-land while stains endure.
In the far days, the few who sought the West
Were men all guileless, in adventurous quest
Of lands to feed their flocks and raise their grain,
And help them live their lives with less of pain
Than crowded Europe lets her children know.
From their old homesteads did they seaward go,
As if in Nature's order men must flee
As flow the streams,—from inlands to the sea.
In that far time, from out a Northern land,
With home-ties severed, went a numerous band
Of men and wives and children, white-haired folk:
Whose humble hope of rest at home had broke,
As year was piled on year, and still their toil
Had wrung poor fee from -Sweden's rugged soil.
One day there gathered from the neighboring steads,
In Jacob Eibsen's, five strong household heads,—
Five men large-limbed and sinewed, Jacob's sons,
Though he was hale, as one whose current runs
In stony channels, that the streamlet rend,
But keep it clear and full unto the end.
Eight sons had Jacob Eibsen,—three still boys,
And these five men, who owned of griefs and joys
The common lot; and three tall girls beside,
Of whom the eldest was a blushing bride
One year before. Old-fashioned times and men,
And wives and maidens, were in Sweden then.
These five came there for counsel: they were tired
Of hoping on for all the heart desired;
And Jacob, old but mighty-thewed as youth,
In all their words did sadly own the truth,
And said unto them, 'Wealth cannot be found
In Sweden now by men who till the ground.
I've thought at times of leaving this bare place,
And holding seaward with a seeking face
For those new lands they speak of, where men thrive.
Alone .I've thought of this-; but now you five—
Five brother men of Eibsen blood—shall say
If our old stock from here must wend their way,
And seek a home where anxious sires can give
To every child enough whereon to live.'
Then each took thought in silence. Jacob gazed
Across them at the pastures worn and grazed
By ill-fed herds; his glance to corn-fields passed,
Where stunted oats, worse each year than the last,
And blighted barley, grew amongst the stones,
That showed ungainly, like earth's fleshless bones.
He sighed, and turned away. 'Sons, let me know
What think you?'
Each one answered firm, 'We go.'
And then they said, 'We want no northern wind
To chill us more, or driving hail to blind.
But let us sail where south winds fan the sea,
And happier we and all our race shall be.'
And so in time there started for the coast,
With farm and household gear, this Eibsen host;
And there, with others, to a good ship passed,
Which soon of Sweden's hills beheld the last.
I know not of their voyage, nor how they
Did wonder-stricken sit, as day by day,
'Neath tropic rays, they saw the smooth sea swell
And heave; while night by night the north-star fell,
Till last they watched him burning on the sea;
Nor how they saw, and wondered it could be,
Strange beacons rise before them as they gazed:
Nor how their hearts grew light when southward blazed
Five stars in blessed shape,—the Cross! whose flame
Seemed shining welcome as the wanderers came.
My story presses from this star-born hope
To where on young New Holland's western slope
These Northern-farming folk found homes at last,
And all their thankless toil seemed now long past.
Nine fruitful years chased over, and nigh all
Of life was sweet. But one dark dropp of gall
Had come when first they landed, like a sign
Of some black woe; and deep in Eibsen's wine
Of life it hid, till in the sweetest cup
The old man saw its shape come shuddering up.
And first it came in this wise: when their ship
Had made the promised land, and every lip
Was pouring praise for what the eye did meet,—
For all the air was yellow as with heat
Above the peaceful sea and dazzling sand
That wooed each other round the beauteous land,
Where inward stretched the slumbering forest's green,—
When first these sights from off the deck were seen,
There rose a wailing stern wards, and the men
Who dreamt of heaven turned to earth agen,
And heard the direful cause with bated breath,—
The land's first gleam had brought the blight of death!
The wife of Eibsen held her six-years' son,
Her youngest, and in secret best-loved one,
Close to her lifeless: his had been the cry
That first horizonwards bent every eye;
And from that opening sight of sand and tree
Like one deep spell-bound did he seem to be,
And moved by some strange phantasy; his eyes
Were wide distended as in glad surprise
At something there he saw; his arms reached o'er
The vessel's side as if to greet the shore,
And sounds came from his lips like sobs of joy.
A brief time so; and then the blue-eyed boy
Sank down convulsed, as if to him appeared
Strange sights that they saw not; and all afeard
Grew the late joyous people with vague dread;
And loud the mother wailed above her dead.
The ship steered in and found a bay, and then
The anchor plunged aweary-like: the men
Breathed breaths of rest at treading land agen.
Upon the beach by Christian men untrod
The wanderers kneeling offered up to God
The land's first-fruits; and nigh the kneeling band
The burdened mother sat upon the sand,
And still she wailed, not praying.
'Neath the wood
That lined the beach a crowd of watchers stood:
Tall men spear-armed, with skins like dusky night,
And aspect blended of deep awe and fright.
The ship that morn they saw, like some vast bird,
Come sailing toward their country; and they heard
The voices now of those strange men whose eyes
Were turned aloft, who spake unto the skies!
They heard and feared, not knowing, that first prayer,
But feared not when the wail arose, for there
Was some familiar thing did not appall,—
Grief, common heritage and lot of all.
They moved and breathed more freely at the cry,
And slowly from the wood, and timorously,
They one by one emerged upon the beach.
The white men saw, and like to friends did reach
Their hands unarmed; and soon the dusky crowd
Drew nigh and stood where wailed the mother loud.
They claimed her kindred, they could understand
That woe was hers and theirs; whereas the band
Of white-skinned men did not as brethren seem.
But now, behold! a man, whom one would deem
From eye and mien, wherever met, a King,
Did stand beside the woman. No youth's spring
Was in the foot that naked pressed the sand;
No warrior's might was in the long dark hand
That waved his people backward; no bright gold.
Of lace or armor glittered; gaunt and old,—
A belt, half apron, made of emu-down,
Upon his loins; upon his head no crown
Save only that which eighty years did trace
In whitened hair above his furrowed face.
Nigh nude he was: a short fur boka hung
In toga-folds upon his back, but flung
From his right arm and shoulder,—ever there
The spear-arm of the warrior is bare.
So stood he nigh the woman, gaunt and wild
But king-like, spearless, looking on the child
That lay with livid face upon her knees.
Thus long and fixed he gazed, as one who sees
A symbol hidden in a simple thing,
And trembles at its meaning: so the King
Fell trembling there, and from his breast there broke
A cry, part joy, part fear; then to his folk
With upraised hands he spoke one guttural word,
And said it over thrice; and when they heard,
They, too, were stricken with strange fear and joy.
The white-haired King then to the breathless boy
Drew closer still, while all the dusky crowd
In weird abasement to the earth were bowed.
Across his breast the aged ruler wore
A leathern thong or belt; whate'er it bore
Was hidden 'neath the boka. As he drew
Anigh the mother, from his side he threw
Far back the skin that made his rich-furred robe,
And showed upon the belt a small red globe
Of carven wood, bright-polished, as with years:
When this they saw, deep grew his people's fears,
And to the white sand were their foreheads pressed.
The King then raised his arms, as if he blest
The youth who lay there seeming dead and cold;
Then took the globe and oped it, and behold!
Within it, bedded in the carven case,
There lay a precious thing for that rude race
To hold, though it as God they seemed to prize, —
A Pearl of purest hue and wondrous size!
And as the sunbeams kissed it, from the dead
The dusk King looked, and o'er his snowy head
With both long hands he raised the enthroned gem,
And turned him toward the strangers: e'en on them
Before the lovely Thing, an awe did fall
To see that worship deep and mystical,
That King with upraised god, like rev' rent priest
With elevated Host at Christian feast.
Then to the mother turning slow, the King
Took out the Pearl, and laid the beauteous Thing
Upon the dead boy's mouth and brow and breast,
And as it touched him, lo! the awful rest
Of death was broken, and the youth uprose!
* * * * * * *
Nine years passed over since on that fair shore
The wanderers knelt,—but wanderers they no more.
With hopeful hearts they bore the promise-pain
Of early labor, and soon bending grain
And herds and homesteads and a teeming soil
A thousand-fold repaid their patient toil.
Nine times the sun's high glory glared above,
As if his might set naught on human love,
But yearned to scorn and scorch the things that grew
On man's poor home, till all the forest's hue
Of blessed green was burned to dusty brown;
And still the ruthless rays rained fiercely down,
Till insects, reptiles, shriveled as they lay,
And piteous cracks, like lips, in parching clay
Sent silent pleadings skyward,—as if she,
The fruitful, generous mother, plaintively
Did wail for water. Lo! her cry is heard,
And swift, obedient to the Ruler's word,
From Southern Iceland sweeps the cool sea breeze,
To fan the earth and bless the suffering trees,
And bear dense clouds with bursting weight of rain
To soothe with moisture all the parching pain.
Oh, Mercy's sweetest symbol! only they
Who see the earth agape in burning day,
Who watch its living things thirst-stricken lie,
And turn from brazen heaven as they die,—
Their hearts alone, the shadowy cloud can prize
That veils the sun,—as to poor earth-dimmed eyes
The sorrow comes to veil our joy's dear face,
All rich-in mercy and in God's sweet grace!
Thrice welcome, clouds from seaward, settling down
O'er thirsting nature! Now the trees' dull brown
Is washed away, and leaflet buds appear,
And youngling undergrowth, and far and near
The bush is whispering in her pent-up glee,
As myriad roots bestir them to be free,
And drink the soaking moisture; while bright heaven
Shows clear, as inland are the spent clouds driven;
And oh! that arch, that sky's intensate hue!
That deep, God-painted, unimagined blue
Through which the golden sun now smiling sails,
And sends his love to fructify the vales
That late he seemed to curse! Earth throbs and heaves
With pregnant prescience of life and leaves;
The shadows darken 'neath the tall trees' screen,
While round their stems the rank and velvet green
Of undergrowth is deeper still; and there,
Within the double shade and steaming air,
The scarlet palm has fixed its noxious root,
And hangs the glorious poison of its fruit;
And there, 'mid shaded green and shaded light,
The steel-blue silent birds take rapid flight
From earth to tree and tree to earth; and there
The crimson-plumaged parrot cleaves the air
Like flying fire, and huge brown owls awake
To watch, far down, the stealing carpet snake,
Fresh-skinned and glowing in his changing dyes,
With evil wisdom in the cruel eyes
That glint like gems as o'er his head flits by
The blue-black armor of the emperor-fly;
And all the humid earth displays its powers
Of prayer, with incense from the hearts of flowers
That load the air with beauty and with wine
Of mingled color, as with one design
Of making there a carpet to be trod,
In woven splendor, by the feet of God!
And high o'erhead is color: round and round
The towering gums and tuads, closely wound
Like cables, creep the climbers to the sun,
And over all the reaching branches run
And hang, and still send shoots that climb and wind
Till every arm and spray and leaf is twined,
And miles of trees, like brethren joined in love,
Are drawn and laced; while round them and above,
When all is knit, the creeper rests for days
As gathering might, and then one blinding blaze
Of very glory sends, in wealth and strength,
Of scarlet flowers o'er the forest's length!
Such scenes as these have subtile power to trace
Their clear-lined impress on the mind and face;
And these strange simple folk, not knowing why,
Grew more and more to silence; and the eye,
The quiet eye of Swedish gray, grew deep
With listening to the solemn rustling sweep
From wings of Silence, and the earth's great psalm
Intoned forever by the forest's calm.
But most of all was younger Jacob changed:
From morn till night, alone, the woods he ranged,
To kindred, pastime, sympathy estranged.
Since that first day of landing from the ship
When with the Pearl on brow and breast and lip
The aged King had touched him and he rose,
His former life had left him, and he chose
The woods as home, the wild, uncultured men
As friends and comrades. It were better then,
His brethren said, the boy had truly died
Than they should live to be by him denied,
As now they were. He lived in somber mood,
He spoke no word to them, he broke no food
That they did eat: his former life was dead,—
The soul brought back was not the soul that fled!
'Twas Jacob's form and feature, but the light
Within his eyes was strange unto their sight.
His mother's grief was piteous to see;
Unloving was he to the rest, but she
Held undespairing hope that deep within
Her son's changed heart was love that she might win
By patient tenderness; and so she strove
For nine long years, but won no look of love!
At last his brethren gazed on him with awe,
And knew untold that from the form they saw
Their brother's gentle mind was sure dispelled,
And now a gloomy savage soul it held.
From that first day, close intercourse he had
With those who raised him up,—fierce men, unclad,
Spear-armed and wild, in all their ways uncouth,
And strange to every habit of his youth.
His food they brought, his will they seemed to crave,
The wildest bushman tended like a slave;
He worked their charms, their hideous chants he sung;
Though dumb to all his own, their guttural tongue
He often spoke in tones of curt command,
And kinged it proudly o'er the dusky band.
And once each year there gathered from afar
A swarming host, as if a sudden war
Had called them forth, and with them did they bring
In solemn, savage pomp the white-haired King,
Who year by year more withered was and weak;
And he would lead the youth apart and speak
Some occult words, and from the carven case
Would take the Pearl and touch the young man's face,
And hold it o'er him blessing; while the crowd,
As on the shore, in dumb abasement bowed.
And when the King had closed the formal rite,
The rest held savage revelry by night,
Round blazing fires, with dance and orgies base,
That roused the sleeping echoes of the place,
Which down the forest vistas moaned the din,
Like spirits pure beholding impious sin.
Nine times they gathered thus; but on the last
The old king's waning life seemed well-nigh past.
His feeble strength had failed: he walked no more,
But on a woven spear-wood couch they bore
With careful tread the form that barely gasped,
As if the door of death now hung unhasped,
Awaiting but a breath to swing, and show
The dim eternal plain that stretched below.
The tenth year waned: the cloistered bush was stilled,
The earth lay sleeping, while the clouds distilled
In ghostly veil their blessing. Thin and white,
Through opening trees the moonbeams cleft the night,
And showed the somber arches, taller far
Than grandest aisles of built cathedrals are.
And up those dim-lit aisles in silence streamed
Tall men with trailing spears, until it seemed,
So many lines converged of endless length,
A nation there was gathered in its strength.
Around one spot was kept a spacious ring,
Where lay the body of the white-haired King,
Which all the spearmen gathered to behold
Upon its spear-wood litter, stiff and cold.
All naked, there the dusky corse was laid
Beneath a royal tuad's mourning shade;
Upon the breast was placed the carven case
That held the symbol of their ancient race,
And eyes awe-stricken saw the mystic Thing
That soon would clothe another as their King!
The midnight moon was high and white o'erhead,
And threw a ghastly pallor round the dead
That heightened still the savage pomp and state
In which they stood expectant, as for Fate
To move and mark with undisputed hand
The one amongst them to the high command.
And long they stood unanswered; each on each
Had looked in vain for motion or for speech:
Unmoved as ebon statues, grand and tall,
They ringed the shadowy circle, silent all.
Then came a creeping tremor, as a breeze
With cooling rustle moves the summer trees
Before the thunder crashes on the ear;
The dense ranks turn expectant, as they hear
A sound, at first afar, but nearing fast;
The outer crowd divides, as waves are cast
On either side a tall ship's cleaving bow,
Or mold is parted by the fearless plow
That leaves behind a passage clear and broad:
So through the murmuring multitude a road
Was cleft with power, up which in haughty swing
A figure stalking broke the sacred ring.
And stood beside the body of the King!
'Twas Jacob Eibsen, sad and gloomy-browed,
Who bared his neck and breast, one moment bowed
Above the corse, and then stood proud and tall,
And held the carven case before them all!
A breath went upward like a smothered fright
From every heart, to see that face, so white,
So foreign to their own, but marked with might
From source unquestioned, and to them divine;
Whilst he, the master of the mystic sign,
Then oped the case and took the Pearl and raised,
As erst the King had done, and upward gazed,
As swearing fealty to God on high!
But ere the oath took form, there thrilled a cry
Of shivering horror through the hush of night;
And there before him, blinded by the sight
Of all his impious purpose, brave with love,
His mother stood, and stretched her arms above
To tear the idol from her darling's hand;
But one fierce look, and rang a harsh command
In Jacob's voice, that smote her like a sword.
A thousand men sprang forward at the word,
To tear the mother from the form of stone,
And cast her forth; but, as he stood alone,
The keen, heart-broken wail that cut the air
Went two-edged through him, half reproach, half prayer.
But all unheeding, he nor marked her cry
By sign or look within the gloomy eye;
But round his body bound the carven case,
And swore the fealty with marble face.
As fades a dream before slow-waking sense,
The shadowy host, that late stood fixed and dense,
Began to melt; and as they came erewhile,
The streams flowed backward through each moonlit aisle;
And soon he stood alone within the place,
Their new-made king,—their king with pallid face,
Their king with strange foreboding and unrest,
And half-formed thoughts, like dreams, within his breast.
Like Moses' rod, that mother's cry of woe
Had struck for water; but the fitful flow
That weakly welled and streamed did seem to mock
Before it died forever on the rock.
The sun rose o'er the forest, and his light
Made still more dreamlike all the evil night.
Day streamed his glory down the aisles' dim arch,
All hushed and shadowy like a pillared church;
And through the lonely bush no living thing
Was seen, save now and then a garish wing
Of bird low-flying on its silent way.
But woeful searchers spent the weary day
In anxious dread, and found not what they sought,—
Their mother and their brother: evening brought
A son and father to the lonesome place
That saw the last night's scene; and there, her face
Laid earthward, speaking dumbly to her heart,
They found her, as the hands that tore apart
The son and mother flung her from their chief,
And with one cry her heart had spent its grief.
They bore the cold earth that so late did move
In household happiness and works of love,
Unto their rude home, lonely now; and he
Who laid her there, from present misery
Did turn away, half-blinded by his tears,
To see with inward eye the far-off years
When Swedish toil was light and hedgerows sweet;
Where, when the toil was o'er, he used to meet
A simple gray-eyed girl, with sun-browned face,
Whose love had won his heart, and whose sweet grace
Had blessed for threescore years his humble life.
So Jacob Eibsen mourned his faithful wife,
And found the world no home when she was gone.
The days that seemed of old to hurry on
Now dragged their course, and marred the wish that grew,
When first he saw her grave, to sleep there too.
But though to him, whose yearning hope outran
The steady motion of the seasons' plan,
The years were slow in coming, still their pace
With awful sureness left a solemn trace,
Like dust that settles on an open page,
On Jacob Eibsen's head, bent down with age;
And ere twice more the soothing rains had come,
The old man had his wish, and to his home,
Beneath the strange trees' shadow where she lay,
They bore the rude-made bier; and from that day,
When round the parent graves the brethren stood,
Their new-made homesteads were no longer good,
But marked they seemed by some o'erhanging dread
That linked the living with the dreamless dead.
Grown silent with the woods the men were all,
But words were needed not to note the pall
That each one knew hung o'er them. Duties now,
With straying herds or swinging scythe, or plow,
Were cheerless tasks: like men they were who wrought
A weary toil that no repayment brought.
And when the seasons came and went, and still
The pall was hanging o'er them, with one will
They yoked their oxen teams and piled the loads
Of gear selected for the aimless roads
That nature opens through the bush; and when
The train was ready, women-folk and men
Went over to the graves and wept and prayed,
Then rose and turned away, but still delayed
Ere leaving there forever those poor mounds.
The next bright sunrise heard the teamsters' sounds
Of voice and whip a long day's march away;
And wider still the space grew day by day
From their old resting-place: the trackless wood
Still led them on with promises of good,
As when the mirage leads a thirsty band
With palm-tree visions o'er the arid sand.
I Snow not where they settled down at last:
Their lives and homes from out my tale have passed,
And left me naught, or seeming naught, to trace
But cheerless record of the empty place,
Where long unseen the palm-thatched cabins stood,
And made more lonely still the lonesome wood.
Long lives of men passed over; but the years
That line men's faces with hard cares and tears,
Pass lightly o'er a forest, leaving there
No wreck of young disease or old despair;
For trees are mightier than men, and Time,
When left by cunning Sin and dark-browed Crime
To work alone, hath ever gentle mood.
Unchanged the pillars and the arches stood,
But shadowed taller vistas; and the earth,
That takes and gives the ceaseless death and birth,
Was blooming still, as once it bloomed before
When sea-tired eyes beheld the beauteous shore.
But man's best work is weak, nor stands nor grows
Like Nature's simplest. Every breeze that blows,
Health-bearing to the forest, plays its part
In hasting graveward all his humble art.
Beneath the trees the cabins still remained,
By all the changing seasons seared and stained;
Grown old and weirdlike, as the folk might grow
In such a place, who left them long ago.
Men came, and wondering found the work of men
Where they had deemed them first. The savage then
Heard through the wood the axe's death watch stroke
For him and all his people: odorous smoke
Of burning sandal rose where white men dwelt,
Around the huts; but they had shuddering felt
The weird, forbidden aspect of the spot,
And left the place untouched to mold and rot.
The woods grew blithe with labor: all around,
From point to point, was heard the hollow sound,
The solemn, far-off clicking on the ear
That marks the presence of the pioneer.
And children came like flowers to bless the toil
That reaped rich fruitage from the virgin soil;
And through, the woods they wandered fresh and fair,
To feast on all the beauties blooming there.
But always did they shun the spot where grew,
From earth once tilled, the flowers of rarest hue.
There wheat grown wild in rank luxuriance spread,
And fruits grown native; but a sudden tread
Or bramble's fall would foul goanos wake,
Or start the chilling rustle of the snake;
And diamond eyes of these and thousand more
Gleamed out from ruined roof and wall and floor.
The new-come people, they whose axes rung
Throughout the forest, spoke the English tongue,
And never knew that men of other race
From Europe's fields had settled in the place;
But deemed these huts were built some long-past day
By lonely seamen who were cast away
And thrown upon the coast, who there had built
Their homes, and lived until some woe or guilt
Was bred among them, and they fled the sight
Of scenes that held a horror to the light.
But while they thought such things, the spell that hung,
And cast its shadow o'er the place, was strung
To utmost tension that a breath would break,
And show between the rifts the deep blue lake
Of blessed peace,—as next to sorrow lies
A stretch of rest, rewarding hopeful eyes.
And while such things bethought this 'new-come folk,
That breath was breathed, the olden spell was broke:
From far away within the unknown land,
O'er belts of forest and o'er wastes of sand,
A cry came thrilling, like a cry of pain
From suffering heart and half-awakened brain;
As one thought dead who wakes within the tomb,
And, reaching, cries for sunshine in the gloom.
In that strange country's heart, whence comes the breath
Of hot disease and pestilential death,
Lie leagues of wooded swamp, that from the hills
Seem stretching meadows; but the flood that fills
Those valley-basins has the hue of ink,
And dismal doorways open on the brink,
Beneath the gnarled arms of trees that grow
All leafless to the top, from roots below
The Lethe flood; and he who enters there
Beneath their screen sees rising, ghastly-bare,
Like mammoth bones within a charnel dark,
The white and ragged stems of paper-bark,
That drip down moisture with a ceaseless drip,
From lines that run like cordage of a ship;
For myriad creepers struggle to the light,
And twine and mat o'erhead in murderous fight
For life and sunshine, like another race
That wars on brethren for the highest place.
Between the water and the matted screen,
The baldhead vultures, two and two, are seen
In dismal grandeur, with revolting face
Of foul grotesque, like spirits of the place;
And now and then a spear-shaped wave goes by,
Its apex glittering with an evil eye
That sets above its enemy and prey,
As from the wave in treacherous, slimy way
The black snake winds, and strikes the bestial bird,
Whose shriek-like wailing on the hills is heard.
Beyond this circling swamp, a circling waste
Of baked and barren desert land is placed,—
A land of awful grayness, wild and stark,
Where man will never leave a deeper mark,
On leagues of fissured clay and scorching stones,
Than may be printed there by bleaching bones.
Within this belt, that keeps a savage guard,
As round a treasure sleeps a dragon ward,
A forest stretches far of precious trees;
Whence came, one day, an odor-laden breeze
Of jam-wood bruised, and sandal sweet in smoke.
For there long dwelt a numerous native folk
In that heart-garden of the continent,—
There human lives with aims and fears were spent,
And marked by love and hate and peace and pain,
And hearts well-filled and hearts athirst for gain,
And lips that clung, and faces bowed in shame;
For, wild or polished, man is still the same,
And loves and hates and envies in the wood,
With spear and boka and with manners rude,
As loves and hates his brother shorn and sleek,
Who learns by lifelong practice how to speak
With oily tongue, while in his heart below
Lies rankling poison that he dare not show.
Afar from all new ways this people dwelt,
And knew no books, and to no God had knelt,
And had no codes to rule them writ in blood;
But savage, selfish, nomad-lived and rude,
With human passions fierce from unrestraint,
And free as their loose limbs; with every taint
That earth can give to that which God has given;
Their nearest glimpse of Him, o'er-arching heaven,
Where dwelt the giver and preserver,—Light,
Who daily slew and still was slain by Night.
A savage people they, and prone to strife;
Yet men grown weak with years had spent a life
Of peace unbroken, and their sires, long dead,
Had equal lives of peace unbroken led.
It was no statute's bond or coward fear
Of retribution kept the shivering spear
In all those years from fratricidal sheath;
But one it was who ruled them,—one whom Death
Had passed as if he saw not,—one whose word
Through all that lovely central land was heard
And bowed to, as of yore the people bent,
In desert wanderings, to a leader sent
To guide and guard them to a promised land.
O'er all the Austral tribes he held command,—
A man unlike them and not of their race,
A man of flowing hair and pallid face,
A man who strove by no deft juggler's art
To keep his kingdom in the people's heart,
Nor held his place by feats of brutal might
Or showy skill, to please the savage sight;
But one who ruled them as a King of kings,
A man above, not of them,—one who brings,
To prove his kingship to the low and high,
The inborn power of the regal eye.
Like him of Sinai with the stones of law,
Whose people almost worshiped when they saw
The veiled face whereon God's glory burned;
But yet who, mutable as water, turned
From that veiled ruler who had talked with God,
To make themselves an idol from a clod:
So turned one day this savage Austral race
Against their monarch with the pallid face.
The young men knew him not, the old had heard
In far-off days, from men grown old, a word
That dimly lighted up the mystic choice
Of this their alien King,—how once a voice
Was heard by their own monarch calling clear,
And leading onward, where as on a bier
A dead child lay upon a woman's knees;
Whom when the old King saw, like one who sees
Far through the mist of common life, he spoke
And touched him with the Pearl, and he awoke,
And from that day the people owned his right
To wear the Pearl and rule them, when the light
Had left their old King's eyes. But now, they said,
The men who owned that right were too long dead;
And they were young and strong and held their spears
In idle resting through this white King's fears,
Who still would live to rule them till they changed
Their men to puling women, and estranged
To Austral hands the spear and coila grew.
And so they rose against him, and they slew
The white-haired men who raised their hands to warn,
And true to ancient trust in warning fell,
While o'er them rang the fierce revolters' yell.
Then midst the dead uprose the King in scorn,
Like some strong, hunted thing that stands at bay
To win a brief but desperate delay.
A moment thus, and those within the ring
'Gan backward press from their unarmed King,
Who swept his hand as though he bade them fly,
And brave no more the anger of his eye.
The heaving crowd grew still before that face,
And watched him take the ancient carven case,
And ope it there, and take the Pearl and stand
As once before he stood, with upraised hand
And upturned eyes of inward worshiping.
Awe-struck and dumb, once more they owned him King,
And humbly crouched before him; when a sound,
A whirring sound that thrilled them, passed o'erhead,
And with a spring they rose. a spear had sped
With aim unerring and with deathful might,
And split the awful center of their sight,—
The upraised Pearl! A moment there it shone
Before the spear-point,—then forever gone!
* * * * * * *
The spell that long the ruined huts did shroud
Was rent and scattered, as a hanging cloud
In moveless air is torn and blown away
By sudden gust uprising; and one day
When evening's lengthened shadows came to hush
The children's voices, and the awful bush
Was lapt in somber stillness, and on high
Above the arches stretched the frescoed sky,—
When all the scene such chilling aspect wore
As marked one other night long years before,
When through the reaching trees the moonlight shone
Upon a prostrate form, and o'er it one
With kingly gesture. Now the light is shed
No more on youthful brow and daring head,
But on a man grown weirdly old, whose face
Keeps turning ever to some new-found place
That rises up before him like a dream;
And not unlike a dreamer does he seem,
Who might have slept, unheeding time's sure flow,
And woke to find a world he does not know.
His long white hair flows o'er a form low bowed
By wondrous weight of years: he speaks aloud
In garbled Swedish words, with piteous wist,
As long-lost objects rise through memory's mist.
Again and once again his pace he stays,
As crowding images of other days
Loom up before him dimly, and he sees
A vague, forgotten friendship in the trees
That reach their arms in welcome; but agen
These olden glimpses vanish, and dark men
Are round him, dumb and crouching, and he stands
With guttural sentences and upraised hands,
That hold a carven case,—but empty now,
Which makes more pitiful the aged brow
Full-turned to those tall tuads that did hear
A son's fierce mandate and a mother's prayer.
Ah, God! what memories can live of these,
Save only with the half-immortal trees
That saw the death of one, the other lost!
The weird-like figure now the bush has crost
And stands within the ring, and turns and moans,
With arms out-reaching and heart-piercing tones,
And groping hands, as one a long time blind
Who sees a glimmering light on eye and mind.
From tree to sky he turns, from sky to earth,
And gasps as one to whom a second birth
Of wondrous meaning is an instant shown.
Who is this wreck of years, who all alone,
In savage raiment and with words unknown,
Bows down like some poor penitent who fears
The wrath of God provoked?—this man who hears
Around him now, wide circling through the wood,
The breathing stillness of a multitude?
Who catches dimly through his straining sight
The misty vision of an impious rite?
Who hears from one a cry that rends his heart,
And feels that loving arms are torn apart,
And by his mandate fiercely thrust aside?
Who is this one who crouches where she died,
With face laid earthward as her face was laid,
And prays for her as she for him once prayed?
'Tis Jacob Eibsen, Jacob Eibsen's son,
Whose occult life and mystic rule are done,
And passed away the memory from his brain.
'Tis Jacob Eibsen, who has come again
To roam the woods, and see the mournful gleams
That flash and linger of his old-time dreams.
The morning found him where he sank to rest
Within the mystic circle: on his breast
With withered hands, as to the dearest place,
He held and pressed the empty carven case.
That day he sought the dwellings of his folk;
And when he found them, once again there broke
The far-off light upon him, and he cried
From that wrecked cabin threshold for a guide
To lead him, old and weary, to his own.
And surely some kind spirit heard his moan,
And led him to the graves where they were laid.
The evening found him in the tuads' shade,
And like a child at work upon the spot
Where they were sleeping, though he knew it not.
Next day the children found him, and they gazed
In fear at first, for they were sore amazed
To see a man so old they never knew,
Whose garb was savage, and whose white hair grew
And flowed upon his shoulders; but their awe
Was changed to love and pity when they saw
The simple work he wrought at; and they came
And gathered flowers for him, and asked his name,
And laughed at his strange language; and he smiled
To hear them laugh, as though himself a child.
Ere that brief day was o'er, from far and near
The children gathered, wondering; and though fear
Of scenes a long time shunned at first restrained,
The spell was broken, and soon naught remained
But gladsome features,, where of old was dearth
Of happy things and cheery sounds of mirth.
The lizards fled, the snakes and bright-eyed things
Found other homes, where childhood never sings;
And all because poor Jacob, old and wild,
White-haired and fur-clad, was himself a child.
Each day he lived amid these scenes, his ear
Heard far-off voices growing still more clear;
And that dim light that first he saw in gleams
Now left him only in his troubled dreams.
From far away the children loved to come
And play and work with Jacob at his home.
He learned their simple words with childish lip,
And told them often of a white-sailed ship
That sailed across a mighty sea, and found
A beauteous harbor, all encircled round
With flowers and tall green trees; but when they asked
What did the shipmen then, his mind was tasked
Beyond its strength, and Jacob shook his head,
And with them laughed, for all he knew was said.
The brawny sawyers often ceased their toil,
As Jacob with the children passed, to smile
With rugged pity on their simple play;
Then, gazing after the glad group, would say
How strange it was to see that snowy hair
And time-worn figure with the children fair.
So Jacob Eibsen lived through years of joy,—
A patriarch in age, in heart a boy.
Unto the last he told them of the sea
And white-sailed ship; and ever lovingly,
Unto the end, the garden he had made
He tended daily, 'neath the tuads' shade.
But one bright morning, when the children came
And roused the echoes calling Jacob's name,
The echoes only answered back the sound.
They sought within the huts, but nothing found
Save loneliness and shadow, falling chill
On every sunny searcher: boding ill,
They tried each well-known haunt, and every throat
Sent far abroad the bush man's cooing note.
But all in vain their searching: twilight fell,
And sent them home their sorrowing tale to tell.
That night their elders formed a torch-lit chain
To sweep the gloomy bush; and not in vain,—
For when the moon at midnight hung o'erhead,
The weary searchers found poor Jacob—dead!
He lay within the tuad ring, his face
Laid earthward on his hands; and all the place
Was dim with shadow where the people stood.
And as they gathered there, the circling wood
Seemed filled with awful whisperings, and stirred
By things unseen; and every bushman heard,
From where the corse lay plain within their sight,
A woman's heart-wail rising on the night.
For over all the darkness and the fear
That marked his life from childhood, shining clear,
An arch, like God's bright rainbow, stretched above,
And joined the first and last,—his mother's love.
They dug a grave beneath the tuads' shade,
Where all unknown to them the bones were laid
Of Jacob's kindred; and a prayer was said
In earnest sorrow for the unknown dead,
Hound which the children grouped.
Upon the breast
The hands were folded in eternal rest;
But still they held, as dearest to that place
Where life last throbbed, the empty carven case.
Bishop Blougram's Apology
No more wine? then we'll push back chairs and talk.
A final glass for me, though: cool, i' faith!
We ought to have our Abbey back, you see.
It's different, preaching in basilicas,
And doing duty in some masterpiece
Like this of brother Pugin's, bless his heart!
I doubt if they're half baked, those chalk rosettes,
Ciphers and stucco-twiddlings everywhere;
It's just like breathing in a lime-kiln: eh?
These hot long ceremonies of our church
Cost us a little—oh, they pay the price,
You take me—amply pay it! Now, we'll talk.
So, you despise me, Mr. Gigadibs.
No deprecation—nay, I beg you, sir!
Beside 't is our engagement: don't you know,
I promised, if you'd watch a dinner out,
We'd see truth dawn together?—truth that peeps
Over the glasses' edge when dinner's done,
And body gets its sop and holds its noise
And leaves soul free a little. Now's the time:
Truth's break of day! You do despise me then.
And if I say, "despise me"—never fear!
1 know you do not in a certain sense—
Not in my arm-chair, for example: here,
I well imagine you respect my place
(Status, entourage, worldly circumstance)
Quite to its value—very much indeed:
—Are up to the protesting eyes of you
In pride at being seated here for once—
You'll turn it to such capital account!
When somebody, through years and years to come,
Hints of the bishop—names me—that's enough:
"Blougram? I knew him"—(into it you slide)
"Dined with him once, a Corpus Christi Day,
All alone, we two; he's a clever man:
And after dinner—why, the wine you know—
Oh, there was wine, and good!—what with the wine . . .
'Faith, we began upon all sorts of talk!
He's no bad fellow, Blougram; he had seen
Something of mine he relished, some review:
He's quite above their humbug in his heart,
Half-said as much, indeed—the thing's his trade.
I warrant, Blougram's sceptical at times:
How otherwise? I liked him, I confess!"
Che che, my dear sir, as we say at Rome,
Don't you protest now! It's fair give and take;
You have had your turn and spoken your home-truths:
The hand's mine now, and here you follow suit.
Thus much conceded, still the first fact stays—
You do despise me; your ideal of life
Is not the bishop's: you would not be I.
You would like better to be Goethe, now,
Or Buonaparte, or, bless me, lower still,
Count D'Orsay—so you did what you preferred,
Spoke as you thought, and, as you cannot help,
Believed or disbelieved, no matter what,
So long as on that point, whate'er it was,
You loosed your mind, were whole and sole yourself.
—That, my ideal never can include,
Upon that element of truth and worth
Never be based! for say they make me Pope—
(They can't—suppose it for our argument!)
Why, there I'm at my tether's end, I've reached
My height, and not a height which pleases you:
An unbelieving Pope won't do, you say.
It's like those eerie stories nurses tell,
Of how some actor on a stage played Death,
With pasteboard crown, sham orb and tinselled dart,
And called himself the monarch of the world;
Then, going in the tire-room afterward,
Because the play was done, to shift himself,
Got touched upon the sleeve familiarly,
The moment he had shut the closet door,
By Death himself. Thus God might touch a Pope
At unawares, ask what his baubles mean,
And whose part he presumed to play just now.
Best be yourself, imperial, plain and true!
So, drawing comfortable breath again,
You weigh and find, whatever more or less
I boast of my ideal realized
Is nothing in the balance when opposed
To your ideal, your grand simple life,
Of which you will not realize one jot.
I am much, you are nothing; you would be all,
I would be merely much: you beat me there.
No, friend, you do not beat me: hearken why!
The common problem, yours, mine, every one's,
Is—not to fancy what were fair in life
Provided it could be—but, finding first
What may be, then find how to make it fair
Up to our means: a very different thing!
No abstract intellectual plan of life
Quite irrespective of life's plainest laws,
But one, a man, who is man and nothing more,
May lead within a world which (by your leave)
Is Rome or London, not Fool's-paradise.
Embellish Rome, idealize away,
Make paradise of London if you can,
You're welcome, nay, you're wise.
We mortals cross the ocean of this world
Each in his average cabin of a life;
The best's not big, the worst yields elbow-room.
Now for our six months' voyage—how prepare?
You come on shipboard with a landsman's list
Of things he calls convenient: so they are!
An India screen is pretty furniture,
A piano-forte is a fine resource,
All Balzac's novels occupy one shelf,
The new edition fifty volumes long;
And little Greek books, with the funny type
They get up well at Leipsic, fill the next:
Go on! slabbed marble, what a bath it makes!
And Parma's pride, the Jerome, let us add!
'T were pleasant could Correggio's fleeting glow
Hang full in face of one where'er one roams,
Since he more than the others brings with him
Italy's self—the marvellous Modenese!—
Yet was not on your list before, perhaps.
—Alas, friend, here's the agent . . . is 't the name?
The captain, or whoever's master here—
You see him screw his face up; what's his cry
Ere you set foot on shipboard? "Six feet square!"
If you won't understand what six feet mean,
Compute and purchase stores accordingly—
And if, in pique because he overhauls
Your Jerome, piano, bath, you come on board
Bare—why, you cut a figure at the first
While sympathetic landsmen see you off;
Not afterward, when long ere half seas over,
You peep up from your utterly naked boards
Into some snug and well-appointed berth,
Like mine for instance (try the cooler jug—
Put back the other, but don't jog the ice!)
And mortified you mutter "Well and good;
He sits enjoying his sea-furniture;
'Tis stout and proper, and there's store of it;
Though I've the better notion, all agree,
Of fitting rooms up. Hang the carpenter,
Neat ship-shape fixings and contrivances—
I would have brought my Jerome, frame and all!"
And meantime you bring nothing: never mind—
You've proved your artist-nature: what you don't
You might bring, so despise me, as I say.
Now come, let's backward to the starting-place.
See my way: we're two college friends, suppose.
Prepare together for our voyage, then;
Each note and check the other in his work—
Here's mine, a bishop's outfit; criticise!
What's wrong? why won't you be a bishop too?
Why first, you don't believe, you don't and can't,
(Not statedly, that is, and fixedly
And absolutely and exclusively)
In any revelation called divine.
No dogmas nail your faith; and what remains
But say so, like the honest man you are?
First, therefore, overhaul theology!
Nay, I too, not a fool, you please to think,
Must find believing every whit as hard:
And if I do not frankly say as much,
The ugly consequence is clear enough.
Now wait, my friend: well, I do not believe—
If you'll accept no faith that is not fixed,
Absolute and exclusive, as you say.
You're wrong—I mean to prove it in due time.
Meanwhile, I know where difficulties lie
I could not, cannot solve, nor ever shall,
So give up hope accordingly to solve—
(To you, and over the wine). Our dogmas then
With both of us, though in unlike degree,
Missing full credence—overboard with them!
I mean to meet you on your own premise:
Good, there go mine in company with yours!
And now what are we? unbelievers both,
Calm and complete, determinately fixed
To-day, to-morrow and forever, pray?
You'll guarantee me that? Not so, I think!
In no wise! all we've gained is, that belief,
As unbelief before, shakes us by fits,
Confounds us like its predecessor. Where's
The gain? how can we guard our unbelief,
Make it bear fruit to us?—the problem here.
Just when we are safest, there's a sunset-touch,
A fancy from a flower-bell, some one's death,
A chorus-ending from Euripides—
And that's enough for fifty hopes and fears
As old and new at once as nature's self,
To rap and knock and enter in our soul,
Take hands and dance there, a fantastic ring,
Round the ancient idol, on his base again—
The grand Perhaps! We look on helplessly.
There the old misgivings, crooked questions are—
This good God—what he could do, if he would,
Would, if he could—then must have done long since:
If so, when, where and how? some way must be—
Once feel about, and soon or late you hit
Some sense, in which it might be, after all.
Why not, "The Way, the Truth, the Life?"
Over the mountain, which who stands upon
Is apt to doubt if it be meant for a road;
While, if he views it from the waste itself,
Up goes the line there, plain from base to brow,
Not vague, mistakable! what's a break or two
Seen from the unbroken desert either side?
And then (to bring in fresh philosophy)
What if the breaks themselves should prove at last
The most consummate of contrivances
To train a man's eye, teach him what is faith?
And so we stumble at truth's very test!
All we have gained then by our unbelief
Is a life of doubt diversified by faith,
For one of faith diversified by doubt:
We called the chess-board white—we call it black.
"Well," you rejoin, "the end's no worse, at least;
We've reason for both colors on the board:
Why not confess then, where I drop the faith
And you the doubt, that I'm as right as you?"
Because, friend, in the next place, this being so,
And both things even—faith and unbelief
Left to a man's choice—we'll proceed a step,
Returning to our image, which I like.
A man's choice, yes—but a cabin-passenger's—
The man made for the special life o' the world—
Do you forget him? I remember though!
Consult our ship's conditions and you find
One and but one choice suitable to all;
The choice, that you unluckily prefer,
Turning things topsy-turvy—they or it
Going to the ground. Belief or unbelief
Bears upon life, determines its whole course,
Begins at its beginning. See the world
Such as it is—you made it not, nor I;
I mean to take it as it is—and you,
Not so you'll take it—though you get naught else.
I know the special kind of life I like,
What suits the most my idiosyncrasy,
Brings out the best of me and bears me fruit
In power, peace, pleasantness and length of days.
I find that positive belief does this
For me, and unbelief, no whit of this.
—For you, it does, however?—that, we'll try!
'T is clear, I cannot lead my life, at least,
Induce the world to let me peaceably,
Without declaring at the outset, "Friends,
I absolutely and peremptorily
Believe!"—I say, faith is my waking life:
One sleeps, indeed, and dreams at intervals,
We know, but waking's the main point with us,
And my provision's for life's waking part.
Accordingly, I use heart, head and hand
All day, I build, scheme, study, and make friends;
And when night overtakes me, down I lie,
Sleep, dream a little, and get done with it,
The sooner the better, to begin afresh.
What's midnight's doubt before the dayspring's faith?
You, the philosopher, that disbelieve,
That recognize the night, give dreams their weight—
To be consistent you should keep your bed,
Abstain from healthy acts that prove you man,
For fear you drowse perhaps at unawares!
And certainly at night you'll sleep and dream,
Live through the day and bustle as you please.
And so you live to sleep as I to wake,
To unbelieve as I to still believe?
Well, and the common sense o' the world calls you
Bed-ridden—and its good things come to me.
Its estimation, which is half the fight,
That's the first-cabin comfort I secure:
The next . . . but you perceive with half an eye!
Come, come, it's best believing, if we may;
You can't but own that!
Next, concede again,
If once we choose belief, on all accounts
We can't be too decisive in our faith,
Conclusive and exclusive in its terms,
To suit the world which gives us the good things.
In every man's career are certain points
Whereon he dares not be indifferent;
The world detects him clearly, if he dare,
As baffled at the game, and losing life.
He may care little or he may care much
For riches, honor, pleasure, work, repose,
Since various theories of life and life's
Success are extant which might easily
Comport with either estimate of these;
And whoso chooses wealth or poverty,
Labor or quiet, is not judged a fool
Because his fellow would choose otherwise;
We let him choose upon his own account
So long as he's consistent with his choice.
But certain points, left wholly to himself,
When once a man has arbitrated on,
We say he must succeed there or go hang.
Thus, he should wed the woman he loves most
Or needs most, whatsoe'er the love or need—
For he can't wed twice. Then, he must avouch,
Or follow, at the least, sufficiently,
The form of faith his conscience holds the best,
Whate'er the process of conviction was:
For nothing can compensate his mistake
On such a point, the man himself being judge:
He cannot wed twice, nor twice lose his soul.
Well now, there's one great form of Christian faith
I happened to be born in—which to teach
Was given me as I grew up, on all hands,
As best and readiest means of living by;
The same on examination being proved
The most pronounced moreover, fixed, precise
And absolute form of faith in the whole world—
Accordingly, most potent of all forms
For working on the world. Observe, my friend!
Such as you know me, I am free to say,
In these hard latter days which hamper one,
Myself—by no immoderate exercise
Of intellect and learning, but the tact
To let external forces work for me,
—Bid the street's stones be bread and they are bread;
Bid Peter's creed, or rather, Hildebrand's,
Exalt me o'er my fellows in the world
And make my life an ease and joy and pride;
It does so—which for me 's a great point gained,
Who have a soul and body that exact
A comfortable care in many ways.
There's power in me and will to dominate
Which I must exercise, they hurt me else:
In many ways I need mankind's respect,
Obedience, and the love that's born of fear:
While at the same time, there's a taste I have,
A toy of soul, a titillating thing,
Refuses to digest these dainties crude.
The naked life is gross till clothed upon:
I must take what men offer, with a grace
As though I would not, could I help it, take
An uniform I wear though over-rich—
Something imposed on me, no choice of mine;
No fancy-dress worn for pure fancy's sake
And despicable therefore! now folk kneel
And kiss my hand—of course the Church's hand.
Thus I am made, thus life is best for me,
And thus that it should be I have procured;
And thus it could not be another way,
I venture to imagine.
So far my choice, no doubt, is a success;
But were I made of better elements,
With nobler instincts, purer tastes, like you,
I hardly would account the thing success
Though it did all for me I say.
We speak of what is; not of what might be,
And how 'twere better if 'twere otherwise.
I am the man you see here plain enough:
Grant I'm a beast, why, beasts must lead beasts' lives!
Suppose I own at once to tail and claws;
The tailless man exceeds me: but being tailed
I'll lash out lion fashion, and leave apes
To dock their stump and dress their haunches up.
My business is not to remake myself,
But make the absolute best of what God made.
Or—our first simile—though you prove me doomed
To a viler berth still, to the steerage-hole,
The sheep-pen or the pig-stye, I should strive
To make what use of each were possible;
And as this cabin gets upholstery,
That hutch should rustle with sufficient straw.
But, friend, I don't acknowledge quite so fast
I fail of all your manhood's lofty tastes
Enumerated so complacently,
On the mere ground that you forsooth can find
In this particular life I choose to lead
No fit provision for them. Can you not?
Say you, my fault is I address myself
To grosser estimators than should judge?
And that's no way of holding up the soul,
Which, nobler, needs men's praise perhaps, yet knows
One wise man's verdict outweighs all the fools'—
Would like the two, but, forced to choose, takes that.
I pine among my million imbeciles
(You think) aware some dozen men of sense
Eye me and know me, whether I believe
In the last winking Virgin, as I vow,
And am a fool, or disbelieve in her
And am a knave—approve in neither case,
Withhold their voices though I look their way:
Like Verdi when, at his worst opera's end
(The thing they gave at Florence—what's its name?)
While the mad houseful's plaudits near outbang
His orchestra of salt-box, tongs and bones,
He looks through all the roaring and the wreaths
Where sits Rossini patient in his stall.
Nay, friend, I meet you with an answer here—
That even your prime men who appraise their kind
Are men still, catch a wheel within a wheel,
See more in a truth than the truth's simple self,
Confuse themselves. You see lads walk the street
Sixty the minute; what's to note in that?
You see one lad o'erstride a chimney-stack;
Him you must watch—he's sure to fall, yet stands!
Our interest's on the dangerous edge of things.
The honest thief, the tender murderer,
The superstitious atheist, demirep
That loves and saves her soul in new French books—
We watch while these in equilibrium keep
The giddy line midway: one step aside,
They're classed and done with. I, then, keep the line
Before your sages—just the men to shrink
From the gross weights, coarse scales and labels broad
You offer their refinement. Fool or knave?
Why needs a bishop be a fool or knave
When there's a thousand diamond weights between?
So, I enlist them. Your picked twelve, you'll find,
Profess themselves indignant, scandalized
At thus being held unable to explain
How a superior man who disbelieves
May not believe as well: that's Schelling's way!
It's through my coming in the tail of time,
Nicking the minute with a happy tact.
Had I been born three hundred years ago
They'd say, "What's strange? Blougram of course believes;"
And, seventy years since, "disbelieves of course."
But now, "He may believe; and yet, and yet
How can he?" All eyes turn with interest.
Whereas, step off the line on either side—
You, for example, clever to a fault,
The rough and ready man who write apace,
Read somewhat seldomer, think perhaps even less—
You disbelieve! Who wonders and who cares?
Lord So-and-so—his coat bedropped with wax,
All Peter's chains about his waist, his back
Brave with the needlework of Noodledom—
Believes! Again, who wonders and who cares?
But I, the man of sense and learning too,
The able to think yet act, the this, the that,
I, to believe at this late time of day!
Enough; you see, I need not fear contempt.
—Except it's yours! Admire me as these may,
You don't. But whom at least do you admire?
Present your own perfection, your ideal,
Your pattern man for a minute—oh, make haste,
Is it Napoleon you would have us grow?
Concede the means; allow his head and hand,
(A large concession, clever as you are)
Good! In our common primal element
Of unbelief (we can't believe, you know—
We're still at that admission, recollect!)
Where do you find—apart from, towering o'er
The secondary temporary aims
Which satisfy the gross taste you despise—
Where do you find his star?—his crazy trust
God knows through what or in what? it's alive
And shines and leads him, and that's all we want.
Have we aught in our sober night shall point
Such ends as his were, and direct the means
Of working out our purpose straight as his,
Nor bring a moment's trouble on success
With after-care to justify the same?
—Be a Napoleon, and yet disbelieve—
Why, the man's mad, friend, take his light away!
What's the vague good o' the world, for which you dare
With comfort to yourself blow millions up?
We neither of us see it! we do see
The blown-up millions—spatter of their brains
And writhing of their bowels and so forth,
In that bewildering entanglement
Of horrible eventualities
Past calculation to the end of time!
Can I mistake for some clear word of God
(Which were my ample warrant for it all)
His puff of hazy instinct, idle talk,
"The State, that's I," quack-nonsense about crowns,
And (when one beats the man to his last hold)
A vague idea of setting things to rights,
Policing people efficaciously,
More to their profit, most of all to his own;
The whole to end that dismallest of ends
By an Austrian marriage, cant to us the Church,
And resurrection of the old regime?
Would I, who hope to live a dozen years,
Fight Austerlitz for reasons such and such?
No: for, concede me but the merest chance
Doubt may be wrong—there's judgment, life to come
With just that chance, I dare not. Doubt proves right?
This present life is all?—you offer me
Its dozen noisy years, without a chance
That wedding an archduchess, wearing lace,
And getting called by divers new-coined names,
Will drive off ugly thoughts and let me dine,
Sleep, read and chat in quiet as I like!
Therefore I will not.
Take another case;
Fit up the cabin yet another way.
What say you to the poets? shall we write
Hamlet, Othello—make the world our own,
Without a risk to run of either sort?
I can't!—to put the strongest reason first.
"But try," you urge, "the trying shall suffice;
The aim, if reached or not, makes great the life:
Try to be Shakespeare, leave the rest to fate!"
Spare my self-knowledge—there's no fooling me!
If I prefer remaining my poor self,
I say so not in self-dispraise but praise.
If I'm a Shakespeare, let the well alone;
Why should I try to be what now I am?
If I'm no Shakespeare, as too probable—
His power and consciousness and self-delight
And all we want in common, shall I find—
Trying forever? while on points of taste
Wherewith, to speak it humbly, he and I
Are dowered alike—I'll ask you, I or he,
Which in our two lives realizes most?
Much, he imagined—somewhat, I possess.
He had the imagination; stick to that!
Let him say, "In the face of my soul's works
Your world is worthless and I touch it not
Lest I should wrong them"—I'll withdraw my plea.
But does he say so? look upon his life!
Himself, who only can, gives judgment there.
He leaves his towers and gorgeous palaces
To build the trimmest house in Stratford town;
Saves money, spends it, owns the worth of things,
Giulio Romano's pictures, Dowland's lute;
Enjoys a show, respects the puppets, too,
And none more, had he seen its entry once,
Than "Pandulph, of fair Milan cardinal."
Why then should I who play that personage,
The very Pandulph Shakespeare's fancy made,
Be told that had the poet chanced to start
From where I stand now (some degree like mine
Being just the goal he ran his race to reach)
He would have run the whole race back, forsooth,
And left being Pandulph, to begin write plays?
Ah, the earth's best can be but the earth's best!
Did Shakespeare live, he could but sit at home
And get himself in dreams the Vatican,
Greek busts, Venetian paintings, Roman walls,
And English books, none equal to his own,
Which I read, bound in gold (he never did).
—Terni's fall, Naples' bay and Gothard's top—
Eh, friend? I could not fancy one of these;
But, as I pour this claret, there they are:
I've gained them—crossed St. Gothard last July
With ten mules to the carriage and a bed
Slung inside; is my hap the worse for that?
We want the same things, Shakespeare and myself,
And what I want, I have: he, gifted more,
Could fancy he too had them when he liked,
But not so thoroughly that, if fate allowed,
He would not have them ...also in my sense.
We play one game; I send the ball aloft
No less adroitly that of fifty strokes
Scarce five go o'er the wall so wide and high
Which sends them back to me: I wish and get.
He struck balls higher and with better skill,
But at a poor fence level with his head,
And hit—his Stratford house, a coat of arms,
Successful dealings in his grain and wool—
While I receive heaven's incense in my nose
And style myself the cousin of Queen Bess.
Ask him, if this life's all, who wins the game?
Believe—and our whole argument breaks up.
Enthusiasm's the best thing, I repeat;
Only, we can't command it; fire and life
Are all, dead matter's nothing, we agree:
And be it a mad dream or God's very breath,
The fact's the same—belief's fire, once in us,
Makes of all else mere stuff to show itself;
We penetrate our life with such a glow
As fire lends wood and iron—this turns steel,
That burns to ash—all's one, fire proves its power
For good or ill, since men call flare success.
But paint a fire, it will not therefore burn.
Light one in me, I'll find it food enough!
Why, to be Luther—that's a life to lead,
Incomparably better than my own.
He comes, reclaims God's earth for God, he says,
Sets up God's rule again by simple means,
Re-opens a shut book, and all is done.
He flared out in the flaring of mankind;
Such Luther's luck was: how shall such be mine?
If he succeeded, nothing's left to do:
And if he did not altogether—well,
Strauss is the next advance. All Strauss should be
I might be also. But to what result?
He looks upon no future: Luther did.
What can I gain on the denying side?
Ice makes no conflagration. State the facts,
Read the text right, emancipate the world—
The emancipated world enjoys itself
With scarce a thank-you: Blougram told it first
It could not owe a farthing—not to him
More than Saint Paul! 't would press its pay, you think?
Then add there's still that plaguy hundredth chance
Strauss may be wrong. And so a risk is run—
For what gain? not for Luther's, who secured
A real heaven in his heart throughout his life,
Supposing death a little altered things.
"Ay, but since really you lack faith," you cry,
"You run the same risk really on all sides,
In cool indifference as bold unbelief.
As well be Strauss as swing 'twixt Paul and him.
It's not worth having, such imperfect faith,
No more available to do faith's work
Than unbelief like mine. Whole faith, or none!"
Softly, my friend! I must dispute that point.
Once own the use of faith, I'll find you faith.
We're back on Christian ground. You call for faith;
I show you doubt, to prove that faith exists.
The more of doubt, the stronger faith, I say,
If faith o'ercomes doubt. How I know it does?
By life and man's free will. God gave for that!
To mould life as we choose it, shows our choice:
That's our one act, the previous work's his own.
You criticise the soul? it reared this tree—
This broad life and whatever fruit it bears!
What matter though I doubt at every pore,
Head-doubts, heart-doubts, doubts at my fingers' ends,
Doubts in the trivial work of every day,
Doubts at the very bases of my soul
In the grand moments when she probes herself—
If finally I have a life to show,
The thing I did, brought out in evidence
Against the thing done to me underground
By hell and all its brood, for aught I know?
I say, whence sprang this? shows it faith or doubt?
All's doubt in me; where's break of faith in this?
It is the idea, the feeling and the love,
God means mankind should strive for and show forth
Whatever be the process to that end—
And not historic knowledge, logic sound,
And metaphysical acumen, sure!
"What think ye of Christ," friend? when all's done and said,
Like you this Christianity or not?
It may be false, but will you wish it true?
Has it your vote to be so if it can?
Trust you an instinct silenced long ago
That will break silence and enjoin you love
What mortified philosophy is hoarse,
And all in vain, with bidding you despise?
If you desire faith—then you've faith enough:
What else seeks God—nay, what else seek ourselves?
You form a notion of me, we'll suppose,
On hearsay; it's a favorable one:
"But still" (you add) "there was no such good man,
Because of contradiction in the facts.
One proves, for instance, he was born in Rome,
This Blougram; yet throughout the tales of him
I see he figures as an Englishman."
Well, the two things are reconcilable.
But would I rather you discovered that,
Subjoining—"Still, what matter though they be?
Blougram concerns me naught, born here or there."
Pure faith indeed—you know not what you ask!
Naked belief in God the Omnipotent,
Omniscient, Omnipresent, sears too much
The sense of conscious creatures to be borne.
It were the seeing him, no flesh shall dare.
Some think, Creation's meant to show him forth:
I say it's meant to hide him all it can,
And that's what all the blessed evil's for.
Its use in Time is to environ us,
Our breath, our drop of dew, with shield enough
Against that sight till we can bear its stress.
Under a vertical sun, the exposed brain
And lidless eye and disemprisoned heart
Less certainly would wither up at once
Than mind, confronted with the truth of him.
But time and earth case-harden us to live;
The feeblest sense is trusted most; the child
Feels God a moment, ichors o'er the place,
Plays on and grows to be a man like us.
With me, faith means perpetual unbelief
Kept quiet like the snake 'neath Michael's foot
Who stands calm just because he feels it writhe.
Or, if that's too ambitious—here's my box—
I need the excitation of a pinch
Threatening the torpor of the inside-nose
Nigh on the imminent sneeze that never comes.
"Leave it in peace" advise the simple folk:
Make it aware of peace by itching-fits,
Say I—let doubt occasion still more faith!
You 'll say, once all believed, man, woman, child,
In that dear middle-age these noodles praise.
How you'd exult if I could put you back
Six hundred years, blot out cosmogony,
Geology, ethnology, what not,
(Greek endings, each the little passing-bell
That signifies some faith's about to die)
And set you square with Genesis again—
When such a traveller told you his last news,
He saw the ark a-top of Ararat
But did not climb there since 'twas getting dusk
And robber-bands infest the mountain's foot!
How should you feel, I ask, in such an age,
How act? As other people felt and did;
With soul more blank than this decanter's knob,
Believe—and yet lie, kill, rob, fornicate
Full in belief's face, like the beast you'd be!
No, when the fight begins within himself,
A man's worth something. God stoops o'er his head,
Satan looks up between his feet—both tug—
He's left, himself, i' the middle: the soul wakes
And grows. Prolong that battle through his life!
Never leave growing till the life to come!
Here, we've got callous to the Virgin's winks
That used to puzzle people wholesomely:
Men have outgrown the shame of being fools.
What are the laws of nature, not to bend
If the Church bid them?—brother Newman asks.
Up with the Immaculate Conception, then—
On to the rack with faith!—is my advice.
Will not that hurry us upon our knees,
Knocking our breasts, "It can't be—yet it shall!
Who am I, the worm, to argue with my Pope?
Low things confound the high things!" and so forth.
That's better than acquitting God with grace
As some folk do. He's tried—no case is proved,
Philosophy is lenient—he may go!
You'll say, the old system's not so obsolete
But men believe still: ay, but who and where?
King Bomba's lazzaroni foster yet
The sacred flame, so Antonelli writes;
But even of these, what ragamuffin-saint
Believes God watches him continually,
As he believes in fire that it will burn,
Or rain that it will drench him? Break fire's law,
Sin against rain, although the penalty
Be just a singe or soaking? "No," he smiles;
"Those laws are laws that can enforce themselves."
The sum of all is—yes, my doubt is great,
My faith's still greater, then my faith's enough.
I have read much, thought much, experienced much,
Yet would die rather than avow my fear
The Naples' liquefaction may be false,
When set to happen by the palace-clock
According to the clouds or dinner-time.
I hear you recommend, I might at least
Eliminate, decrassify my faith
Since I adopt it; keeping what I must
And leaving what I can—such points as this.
I won't—that is, I can't throw one away.
Supposing there's no truth in what I hold
About the need of trial to man's faith,
Still, when you bid me purify the same,
To such a process I discern no end.
Clearing off one excrescence to see two,
There's ever a next in size, now grown as big,
That meets the knife: I cut and cut again!
First cut the Liquefaction, what comes last
But Fichte's clever cut at God himself?
Experimentalize on sacred things!
I trust nor hand nor eye nor heart nor brain
To stop betimes: they all get drunk alike.
The first step, I am master not to take.
You'd find the cutting-process to your taste
As much as leaving growths of lies unpruned,
Nor see more danger in it—you retort.
Your taste's worth mine; but my taste proves more wise
When we consider that the steadfast hold
On the extreme end of the chain of faith
Gives all the advantage, makes the difference
With the rough purblind mass we seek to rule:
We are their lords, or they are free of us,
Justas we tighten or relax our hold.
So, other matters equal, we'll revert
To the first problem—which, if solved my way
And thrown into the balance, turns the scale—
How we may lead a comfortable life,
How suit our luggage to the cabin's size.
Of course you are remarking all this time
How narrowly and grossly I view life,
Respect the creature-comforts, care to rule
The masses, and regard complacently
"The cabin," in our old phrase. Well, I do.
I act for, talk for, live for this world now,
As this world prizes action, life and talk: 770
No prejudice to what next world may prove,
Whose new laws and requirements, my best pledge
To observe then, is that I observe these now,
Shall do hereafter what I do meanwhile.
Let us concede (gratuitously though)
Next life relieves the soul of body, yields
Pure spiritual enjoyment: well, my friend,
Why lose this life i' the meantime, since its use
May be to make the next life more intense?
Do you know, I have often had a dream
(Work it up in your next month's article)
Of man's poor spirit in its progress, still
Losing true life forever and a day
Through ever trying to be and ever being—
In the evolution of successive spheres—
Before its actual sphere and place of life,
Halfway into the next, which having reached,
It shoots with corresponding foolery
Halfway into the next still, on and off!
As when a traveller, bound from North to South,
Scouts far in Russia: what's its use in France?
In France spurns flannel: where's its need in Spain?
In Spain drops cloth, too cumbrous for Algiers!
Linen goes next, and last the skin itself,
A superfluity at Timbuctoo.
When, through his journey, was the fool at ease?
I'm at ease now, friend; worldly in this world,
I take and like its way of life; I think
My brothers, who administer the means,
Live better for my comfort—that's good too;
And God, if he pronounce upon such life,
Approves my service, which is better still.
If he keep silence—why, for you or me
Or that brute beast pulled-up in to-day's "Times,"
What odds is 't, save to ourselves, what life we lead?
You meet me at this issue: you declare—
All special-pleading done with—truth is truth,
And justifies itself by undreamed ways.
You don't fear but it's better, if we doubt,
To say so, act up to our truth perceived
However feebly. Do then—act away!
'T is there I'm on the watch for you. How one acts
Is, both of us agree, our chief concern:
And how you 'll act is what I fain would see
If, like the candid person you appear,
You dare to make the most of your life's scheme
As I of mine, live up to its full law
Since there's no higher law that counterchecks.
Put natural religion to the test
You've just demolished the revealed with—quick,
Down to the root of all that checks your will,
All prohibition to lie, kill and thieve,
Or even to be an atheistic priest!
Suppose a pricking to incontinence—
Philosophers deduce you chastity
Or shame, from just the fact that at the first
Whoso embraced a woman in the field,
Threw club down and forewent his brains beside,
So, stood a ready victim in the reach
Of any brother savage, club in hand;
Hence saw the use of going out of sight
In wood or cave to prosecute his loves:
I read this in a French book t' other day.
Does law so analyzed coerce you much?
Oh, men spin clouds of fuzz where matters end,
But you who reach where the first thread begins,
You'll soon cut that!—which means you can, but won't,
Through certain instincts, blind, unreasoned-out,
You dare not set aside, you can't tell why,
But there they are, and so you let them rule.
Then, friend, you seem as much a slave as I,
A liar, conscious coward and hypocrite,
Without the good the slave expects to get,
In case he has a master after all!
You own your instincts? why, what else do I,
Who want, am made for, and must have a God
Ere I can be aught, do aught?—no mere name
Want, but the true thing with what proves its truth,
To wit, a relation from that thing to me,
Touching from head to foot—which touch I feel,
And with it take the rest, this life of ours!
I live my life here; yours you dare not live,
—Not as I state it, who (you please subjoin)
Disfigure such a life and call it names.
While, to your mind, remains another way
For simple men: knowledge and power have rights,
But ignorance and weakness have rights too.
There needs no crucial effort to find truth
If here or there or anywhere about:
We ought to turn each side, try hard and see,
And if we can't, be glad we've earned at least
The right, by one laborious proof the more,
To graze in peace earth's pleasant pasturage.
Men are not angels, neither are they brutes:
Something we may see, all we cannot see.
What need of lying? I say, I see all,
And swear to each detail the most minute
In what I think a Pan's face—you, mere cloud:
I swear I hear him speak and see him wink,
For fear, if once I drop the emphasis,
Mankind may doubt there's any cloud at all.
You take the simple life—ready to see,
Willing to see (for no cloud 's worth a face)—
And leaving quiet what no strength can move,
And which, who bids you move? who has the right?
I bid you; but you are God's sheep, not mine;
"Pastor est tui Dominus." You find
In this the pleasant pasture of our life
Much you may eat without the least offence,
Much you don't eat because your maw objects,
Much you would eat but that your fellow-flock
Open great eyes at you and even butt,
And thereupon you like your mates so well
You cannot please yourself, offending them;
Though when they seem exorbitantly sheep,
You weigh your pleasure with their butts and bleats
And strike the balance. Sometimes certain fears
Restrain you, real checks since you find them so;
Sometimes you please yourself and nothing checks:
And thus you graze through life with not one lie,
And like it best.
But do you, in truth's name?
If so, you beat—which means you are not I—
Who needs must make earth mine and feed my fill
Not simply unbutted at, unbickered with,
But motioned to the velvet of the sward
By those obsequious wethers' very selves.
Look at me. sir; my age is double yours:
At yours, I knew beforehand, so enjoyed,
What now I should be—as, permit the word,
I pretty well imagine your whole range
And stretch of tether twenty years to come.
We both have minds and bodies much alike:
In truth's name, don't you want my bishopric,
My daily bread, my influence and my state?
You're young. I'm old; you must be old one day;
Will you find then, as I do hour by hour,
Women their lovers kneel to, who cut curls
From your fat lap-dog's ear to grace a brooch—
Dukes, who petition just to kiss your ring—
With much beside you know or may conceive?
Suppose we die to-night: well, here am I,
Such were my gains, life bore this fruit to me,
While writing all the same my articles
On music, poetry, the fictile vase
Found at Albano, chess, Anacreon's Greek.
But you—the highest honor in your life,
The thing you'll crown yourself with, all your days,
Is—dining here and drinking this last glass
I pour you out in sign of amity
Before we part forever. Of your power
And social influence, worldly worth in short,
Judge what's my estimation by the fact,
I do not condescend to enjoin, beseech,
Hint secrecy on one of all these words!
You're shrewd and know that should you publish one
The world would brand the lie—my enemies first,
Who'd sneer—"the bishop's an arch-hypocrite
And knave perhaps, but not so frank a fool."
Whereas I should not dare for both my ears
Breathe one such syllable, smile one such smile,
Before the chaplain who reflects myself—
My shade's so much more potent than your flesh.
What's your reward, self-abnegating friend?
Stood you confessed of those exceptional
And privileged great natures that dwarf mine—
A zealot with a mad ideal in reach,
A poet just about to print his ode,
A statesman with a scheme to stop this war,
An artist whose religion is his art—
I should have nothing to object: such men
Carry the fire, all things grow warm to them,
Their drugget's worth my purple, they beat me.
But you—you 're just as little those as I—
You, Gigadibs, who, thirty years of age,
Write statedly for Blackwood's Magazine,
Believe you see two points in Hamlet's soul
Unseized by the Germans yet—which view you'll print—
Meantime the best you have to show being still
That lively lightsome article we took
Almost for the true Dickens—what's its name?
"The Slum and Cellar, or Whitechapel life
Limned after dark!" it made me laugh, I know,
And pleased a month, and brought you in ten pounds.
—Success I recognize and compliment,
And therefore give you, if you choose, three words
(The card and pencil-scratch is quite enough)
Which whether here, in Dublin or New York,
Will get you, prompt as at my eyebrow's wink,
Such terms as never you aspired to get
In all our own reviews and some not ours.
Go write your lively sketches! be the first
"Blougram, or The Eccentric Confidence"—
Or better simply say, "The Outward-bound."
Why, men as soon would throw it in my teeth
As copy and quote the infamy chalked broad
About me on the church-door opposite.
You will not wait for that experience though,
I fancy, howsoever you decide,
To discontinue—not detesting, not
Defaming, but at least—despising me!
Over his wine so smiled and talked his hour
Sylvester Blougram, styled in partibus
Episcopus, nec non—(the deuce knows what
It's changed to by our novel hierarchy)
With Gigadibs the literary man,
Who played with spoons, explored his plate's design,
And ranged the olive-stones about its edge,
While the great bishop rolled him out a mind
Long crumpled, till creased consciousness lay smooth.
For Blougram, he believed, say, half he spoke.
The other portion, as he shaped it thus
For argumentatory purposes,
He felt his foe was foolish to dispute.
Some arbitrary accidental thoughts
That crossed his mind, amusing because new,
He chose to represent as fixtures there,
Invariable convictions (such they seemed
Beside his interlocutor's loose cards
Flung daily down, and not the same way twice)
While certain hell-deep instincts, man's weak tongue
Is never bold to utter in their truth
Because styled hell-deep ('t is an old mistake
To place hell at the bottom of the earth)
He ignored these—not having in readiness
Their nomenclature and philosophy:
He said true things, but called them by wrong names.
"On the whole," he thought, "I justify myself
On every point where cavillers like this
Oppugn my life: he tries one kind of fence,
I close, he's worsted, that's enough for him.
He's on the ground: if ground should break away
I take my stand on, there's a firmer yet
Beneath it, both of us may sink and reach.
His ground was over mine and broke the first:
So, let him sit with me this many a year!"
He did not sit five minutes. Just a week
Sufficed his sudden healthy vehemence.
Something had struck him in the "Outward-bound"
Another way than Blougram's purpose was:
And having bought, not cabin-furniture
But settler's-implements (enough for three)
And started for Australia—there, I hope,
By this time he has tested his first plough,
And studied his last chapter of St. John.
‘Water, water, everywhere;
Mostly unfit to drink;
Rivers, lakes get polluted;
Nobody seems to care! ’
‘Fresh-water is scarcely found;
Most mouths, much land remains so parched;
Much water seems to go awaste;
Whither our earth is bound? ’
‘The glaciers, ice-caps are melting;
Gone down are water-tables;
Fresh-water is sold in bottles;
To where are we earthlings heading? ’
Copyright by Dr John Celes 7-25-2008
Where Are You Now
Key:-a - anita r - ray
A: I watch the door but no one comes through
I watch the sun painting pictures of you
Nothing I do can kill the chill inside
Siliver days, wishes come true
Simple thoughts, enough love for two
Sharing a dream, sharing the warmth we had
Wheres the flame that kept us in motion
Did it burn out as well
Wheres the flame, did you take it with you
A: where are you now
Do you think of us
Do you think that it was worth it
Where are you now
Are you alone
Do you know that Ive be waiting
Ive been waiting when the sun goes down
A: all the roads, you taking alot
Stretch of sea a thousands times
But none of them roads bring you to my door
Wheres the flame that kept us in motion
Did it burn out as well
Wheres the flame, could you take it with you
A: where are you now
Do you think of us
Do you think that it was worth it
Where are you now
Are you alone
Should I hope that you are waiting
Where are you now
Do you think of us
Do you think that it was worth it
Where are you now
Are you alone
Can you see that Ive been waiting
Ive been waiting while the sun goes down
R: if you listen
You will hear
Close your eyes
Let light is near
A: wheres the flame that kept you in motion
Did it burn out as well
Wheres the flame could you take it with you
A: where are you now
Do you think of us
Do you think that it was worth it
Where are you now
Will I ever know
Its somewhere I can find you
Somewhere the sun always shines
Killing Andy Warhol
Did you ever see the sun rise up
Above this blackened hole
Did you ever feel that what you wants
Not under your control
Ever think that how you feel
Is not quite what you are
Some of us are satellites
Some are superstars
Theyre killing andy warhol
Hes a saint and hes a thief
Well all die a million times
Thats what I believe
Killing andy warhol
Killing andy warhol
They say the rain in europe
Cools you down and helps you think
Water, water everywhere
Nothing you can drink
Kissing andy warhol
His skin feels like a shark
White hair sits so beautiful
Eyelids are so dark
And Im trying to get ahead
Like any boy or girl
Thered be no dictators anywhere
If I could rule the world
Killing andy warhol
Killing andy warhol
Thats impossible - he got all that money
Adorable - having all that money
Feasable - that its all black money
Its so criminal - making all that money
All I want, is what Id want
But I dont want that now
Theyre dressing andy warhol up
If only thay knew how
Jesus on the neon sign
Turns and starts to laugh
And Im thinking about this oxygen
And how Ill make it last
Killing andy warhol
Hes a saint - yeah hes a thief
Motorways are everywhere
With no clean air to breathe
Killing andy warhol
Killing andy warhol
Till the end of time
Till the end of time
Having all that money
Killing andy warhol
Hes got all that money
And its real black money
Making all that money
Killing andy warhol
Killing andy warhol
Written by : kerr/burchill reproduced without permission
The Non Swimming Man Of The Sea
He had his own fishing boat for many years though he never ventured far out to sea
And from fishing he made a good living enough to upkeep his family
He was born and he still lives near the ocean and the ocean holds no fears for him
But to many it may seem a bit strange that he's never learned how to swim.
Though he left school young for to fish with his father he's a bright man and nobody's fool
And his son and daughter live in the big city their children in Primary school
Two years ago his wife she died suddenly they had been married for thirty five years
And though for her his grieving is over thoughts of her still move him to tears.
A year younger than him she felt quite well till a massive heart attack struck her down
And one day he too will go to join her in the grave yard in the sea side Town
He had a wish to be cremated and his ashes spread on the sea shore
But to his wife he must remain true and with her he will lay forever more.
He sold his fishing boat when his wife died his great zest for life with her died
He now lives on the old age pension and from his cottage he can hear the tide
Rage against the rocks on the fore shore the huge waves they rumble and roll
The immortal voice of the ocean is ever soothing to his soul.
Last February he turned seventy and the years have left him gray and slow
Still he finds comfort in his good memories of his better days decades ago
Of his beautiful wife and their children but life part of mortality
And the Reaper is now quietly waiting for the non swimming man of the sea.
The Old Man Of The Sea
A NIGHTMARE DREAM BY DAYLIGHT
Do you know the Old Man of the Sea, of the Sea?
Have you met with that dreadful old man?
If you have n't been caught, you will be, you will be;
For catch you he must and he can.
He does n't hold on by your throat, by your throat,
As of old in the terrible tale;
But he grapples you tight by the coat, by the coat,
Till its buttons and button-holes fail.
There's the charm of a snake in his eye, in his eye,
And a polypus-grip in his hands;
You cannot go back, nor get by, nor get by,
If you look at the spot where he stands.
Oh, you're grabbed! See his claw on your sleeve, on your sleeve!
It is Sinbad's Old Man of the Sea!
You're a Christian, no doubt you believe, you believe
You're a martyr, whatever you be!
Is the breakfast-hour past? They must wait, they must wait,
While the coffee boils sullenly down,
While the Johnny-cake burns on the grate, on the grate,
And the toast is done frightfully brown.
Yes, your dinner will keep; let it cool, let it cool,
And Madam may worry and fret,
And children half-starved go to school, go to school;
He can't think of sparing you yet.
Hark! the bell for the train! 'Come along! Come along!
For there is n't a second to lose.'
'ALL ABOARD!' (He holds on.) 'Fsht I ding-dong! Fsht! ding-dong!'--
You can follow on foot, if you choose.
There's a maid with a cheek like a peach, like a peach,
That is waiting for you in the church;--
But he clings to your side like a leech, like a leech,
And you leave your lost bride in the lurch.
There's a babe in a fit,--hurry quick! hurry quick!
To the doctor's as fast as you can!
The baby is off, while you stick, while you stick,
In the grip of the dreadful Old Man!
I have looked on the face of the Bore, of the Bore;
The voice of the Simple I know;
I have welcomed the Flat at my door, at my door;
I have sat by the side of the Slow;
I have walked like a lamb by the friend, by the friend,
That stuck to my skirts like a bur;
I have borne the stale talk without end, without end,
Of the sitter whom nothing could stir.
But my hamstrings grow loose, and I shake, and I shake,
At the sight of the dreadful Old Man;
Yea, I quiver and quake, and I take, and I take,
To my legs with what vigor I can!
Oh the dreadful Old Man of the Sea, of the Sea
He's come back like the Wandering Jew!
He has had his cold claw upon me, upon me,--
And be sure that he'll have it on you!
L'Homme Et La Mer (Man And The Sea)
Homme libre, toujours tu chériras la mer!
La mer est ton miroir; tu contemples ton âme
Dans le déroulement infini de sa lame,
Et ton esprit n'est pas un gouffre moins amer.
Tu te plais à plonger au sein de ton image;
Tu l'embrasses des yeux et des bras, et ton coeur
Se distrait quelquefois de sa propre rumeur
Au bruit de cette plainte indomptable et sauvage.
Vous êtes tous les deux ténébreux et discrets:
Homme, nul n'a sondé le fond de tes abîmes;
Ô mer, nul ne connaît tes richesses intimes,
Tant vous êtes jaloux de garder vos secrets!
Et cependant voilà des siècles innombrables
Que vous vous combattez sans pitié ni remords,
Tellement vous aimez le carnage et la mort,
Ô lutteurs éternels, ô frères implacables!
Man and the Sea
Free man, you will always cherish the sea!
The sea is your mirror; you contemplate your soul
In the infinite unrolling of its billows;
Your mind is an abyss that is no less bitter.
You like to plunge into the bosom of your image;
You embrace it with eyes and arms, and your heart
Is distracted at times from its own clamoring
By the sound of this plaint, wild and untamable.
Both of you are gloomy and reticent:
Man, no one has sounded the depths of your being;
O Sea, no person knows your most hidden riches,
So zealously do you keep your secrets!
Yet for countless ages you have fought each other
Without pity, without remorse,
So fiercely do you love carnage and death,
O eternal fighters, implacable brothers!
— Translated by William Aggeler
Man and the Sea
Free man, you'll always love the sea — for this,
That it's a mirror, where you see your soul
In its eternal waves that chafe and roll;
Nor is your soul less bitter an abyss.
in your reflected image there to merge,
You love to dive, its eyes and limbs to match.
Sometimes your heart forgets its own, to catch
The rhythm of that wild and tameless dirge.
The two of you are shadowy, deep, and wide.
Man! None has ever plummeted your floor —
Sea! None has ever known what wealth you store —
Both are so jealous of the things you hide!
Yet age on age is ended, or begins,
While you without remorse or pity fight.
So much in death and carnage you delight,
Eternal wrestlers! Unrelenting twins!
— Translated by Roy Campbell
Man and the Sea
Free man, you shall forever cherish the vast sea,
The sea, that image where you contemplate your soul
As everlastingly its mighty waves unroll.
Your mind a yawning gulf seasoned as bitterly.
You love to plunge into your image to the core,
Embracing it with eyes and arms; your very heart
Sometimes finds a distraction from its urgent smart
In the wild sea's untamable and plaintive roar.
Both of you live in darkness and in mystery:
Man, who has ever plumbed the far depths of your being?
O Sea, who knows your private hidden riches, seeing
How strange the secrets you preserve so jealously?
And yet for countless ages you have fought each other
With hands unsparing and with unforbearing breath,
Each an eternal foe to his relentless brother,
So avid are you both of slaughter and of death.
— Translated by Jacques LeClercq
L'Homme et le Mer
love Ocean always, Man: ye both are free!
the Sea, thy mirror: thou canst find thy soul
in the unfurling billows' surging roll,
they mind's abyss is bitter as the sea.
thou doest rejoice thy mirrored face to pierce,
plunging, and clasp with eyes and arms; thy heart
at its own mutter oft forgets to start,
lulled by that plaint indomitably fierce.
discreet ye both are; both are taciturn:
Man, none has measured all thy dark abyss,
none, Sea, knows where thy hoarded treasure is,
so jealously your secrets ye inurn!
and yet for countless ages, trucelessly,
— o ruthless warriors! — ye have fought and striven:
brothers by lust for death and carnage driven,
twin wrestlers, gripped for all eternity!
— Translated by Lewis Piaget Shanks
The Angel In The House. Book II. Canto XI.
I Platonic Love
Right art thou who wouldst rather be
A doorkeeper in Love's fair house,
Than lead the wretched revelry
Where fools at swinish troughs carouse.
But do not boast of being least;
And if to kiss thy Mistress' skirt
Amaze thy brain, scorn not the Priest
Whom greater honours do not hurt.
Stand off and gaze, if more than this
Be more than thou canst understand,
Revering him whose power of bliss,
Angelic, dares to seize her hand,
Or whose seraphic love makes flight
To the apprehension of her lips;
And think, the sun of such delight
From thine own darkness takes eclipse.
And, wouldst thou to the same aspire,
This is the art thou must employ,
Live greatly; so shalt thou acquire
Unknown capacities of joy.
II A Demonstration
Nature, with endless being rife,
Parts each thing into ‘him’ and ‘her,’
And, in the arithmetic of life,
The smallest unit is a pair;
And thus, oh, strange, sweet half of me,
If I confess a loftier flame,
If more I love high Heaven than thee,
I more than love thee, thee I am;
And, if the world's not built of lies,
Nor all a cheat the Gospel tells,
If that which from the dead shall rise
Be I indeed, not something else,
There's no position more secure
In reason or in faith than this,
That those conditions must endure,
Which, wanting, I myself should miss.
III The Symbol
As if I chafed the sparks from glass,
And said, ‘It lightens,’ hitherto
The songs I've made of love may pass
For all but for proportion true;
But likeness and proportion both
Now fail, as if a child in glee,
Catching the flakes of the salt froth,
Cried, ‘Look, my mother, here's the sea.’
Yet, by the help of what's so weak,
But not diverse, to those who know,
And only unto those I speak,
May far-inferring fancy show
Love's living sea by coasts uncurb'd,
Its depth, its mystery, and its might,
Its indignation if disturb'd,
The glittering peace of its delight.
IV Constancy rewarded
I vow'd unvarying faith, and she,
To whom in full I pay that vow,
Rewards me with variety
Which men who change can never know.
Life smitten with a feverish chill,
The brain too tired to understand,
In apathy of heart and will,
I took the woman from the hand
Of him who stood for God, and heard
Of Christ, and of the Church his Bride;
The Feast, by presence of the Lord
And his first Wonder, beautified;
The mystic sense to Christian men;
The bonds in innocency made,
And gravely to be enter'd then
For children, godliness, and aid,
And honour'd, and kept free from smirch;
And how a man must love his wife
No less than Christ did love His Church,
If need be, giving her his life;
And, vowing then the mutual vow,
The tongue spoke, but intention slept.
'Tis well for us Heaven asks not how
We take this oath, but how 'tis kept.
O, bold seal of a bashful bond,
Which makes the marriage-day to be,
To those before it and beyond,
An iceberg in an Indian sea!
‘Now, while she's changing,’ said the Dean,
‘Her bridal for her travelling dress,
‘I'll preach allegiance to your queen!
‘Preaching's the thing which I profess;
‘And one more minute's mine! You know
‘I've paid my girl a father's debt,
‘And this last charge is all I owe.
‘She's your's; but I love more than yet
‘You can; such fondness only wakes
‘When time has raised the heart above
‘The prejudice of youth, which makes
‘Beauty conditional to love.
‘Prepare to meet the weak alarms
‘Of novel nearness: recollect
‘The eye which magnifies her charms
‘Is microscopic for defect.
‘Fear comes at first; but soon, rejoiced,
‘You'll find your strong and tender loves,
‘Like holy rocks by Druids poised,
‘The least force shakes, but none removes.
‘Her strength is your esteem; beware
‘Of finding fault; her will's unnerv'd
‘By blame; from you 'twould be despair;
‘But praise that is not quite deserv'd
‘Will all her noble nature move
‘To make your utmost wishes true.
‘Yet think, while mending thus your Love,
‘Of matching her ideal too!
‘The death of nuptial joy is sloth:
‘To keep your mistress in your wife,
‘Keep to the very height your oath,
‘And honour her with arduous life.
‘Lastly, no personal reverence doff.
‘Life's all externals unto those
‘Who pluck the blushing petals off,
‘To find the secret of the rose.—
‘How long she's tarrying! Green's Hotel
‘I'm sure you'll like. The charge is fair,
‘The wines good. I remember well
‘I stay'd once, with her Mother, there.
‘A tender conscience of her vow
‘That Mother had! She's so like her!’
But Mrs. Fife, much flurried, now
Whisper'd, ‘Miss Honor's ready, Sir.’
Whirl'd off at last, for speech I sought,
To keep shy Love in countenance;
But, whilst I vainly tax'd my thought,
Her voice deliver'd mine from trance:
‘Look, is not this a pretty shawl,
‘Aunt's parting gift.’ ‘She's always kind,’
‘The new wing spoils Sir John's old Hall:
‘You'll see it, if you pull the blind.’
I drew the silk: in heaven the night
Was dawning; lovely Venus shone,
In languishment of tearful light,
Swathed by the red breath of the sun.
Jerusalem Delivered - Book 01 - part 02
Thus when the Lord discovered had, and seen
The hidden secrets of each worthy's breast,
Out of the hierarchies of angels sheen
The gentle Gabriel called he from the rest,
'Twixt God and souls of men that righteous been
Ambassador is he, forever blest,
The just commands of Heaven's Eternal King,
'Twixt skies and earth, he up and down doth bring.
To whom the Lord thus spake: "Godfredo find,
And in my name ask him, why doth he rest?
Why be his arms to ease and peace resigned?
Why frees he not Jerusalem distrest?
His peers to counsel call, each baser mind
Let him stir up; for, chieftain of the rest
I choose him here, the earth shall him allow,
His fellows late shall be his subjects now."
This said, the angel swift himself prepared
To execute the charge imposed aright,
In form of airy members fair imbared,
His spirits pure were subject to our sight,
Like to a man in show and shape he fared,
But full of heavenly majesty and might,
A stripling seemed he thrive five winters old,
And radiant beams adorned his locks of gold.
Of silver wings he took a shining pair,
Fringed with gold, unwearied, nimble, swift;
With these he parts the winds, the clouds, the air,
And over seas and earth himself doth lift,
Thus clad he cut the spheres and circles fair,
And the pure skies with sacred feathers clift;
On Libanon at first his foot he set,
And shook his wings with rory May dews wet.
Then to Tortosa's confines swiftly sped
The sacred messenger, with headlong flight;
Above the eastern wave appeared red
The rising sun, yet scantly half in sight;
Godfrey e'en then his morn-devotions said,
As was his custom, when with Titan bright
Appeared the angel in his shape divine,
Whose glory far obscured Phoebus' shine.
"Godfrey," quoth he, "behold the season fit
To war, for which thou waited hast so long,
Now serves the time, if thou o'erslip not it,
To free Jerusalem from thrall and wrong:
Thou with thy Lords in council quickly sit;
Comfort the feeble, and confirm the strong,
The Lord of Hosts their general doth make thee,
And for their chieftain they shall gladly take thee.
"I, messenger from everlasting Jove,
In his great name thus his behests do tell;
Oh, what sure hope of conquest ought thee move,
What zeal, what love should in thy bosom dwell!"
This said, he vanished to those seats above,
In height and clearness which the rest excel,
Down fell the Duke, his joints dissolved asunder,
Blind with the light, and strucken dead with wonder.
But when recovered, he considered more,
The man, his manner, and his message said;
If erst he wished, now he longed sore
To end that war, whereof he Lord was made;
Nor swelled his breast with uncouth pride therefore,
That Heaven on him above this charge had laid,
But, for his great Creator would the same,
His will increased: so fire augmenteth flame.
The captains called forthwith from every tent,
Unto the rendezvous he them invites;
Letter on letter, post on post he sent,
Entreatance fair with counsel he unites,
All, what a noble courage could augment,
The sleeping spark of valor what incites,
He used, that all their thoughts to honor raised,
Some praised, some paid, some counselled, all pleased.
The captains, soldiers, all, save Boemond, came,
And pitched their tents, some in the fields without,
Some of green boughs their slender cabins frame,
Some lodged were Tortosa's streets about,
Of all the host the chief of worth and name
Assembled been, a senate grave and stout;
Then Godfrey, after silence kept a space,
Lift up his voice, and spake with princely grace:
"Warriors, whom God himself elected hath
His worship true in Sion to restore,
And still preserved from danger, harm and scath,
By many a sea and many an unknown shore,
You have subjected lately to his faith
Some provinces rebellious long before:
And after conquests great, have in the same
Erected trophies to his cross and name.
"But not for this our homes we first forsook,
And from our native soil have marched so far:
Nor us to dangerous seas have we betook,
Exposed to hazard of so far sought war,
Of glory vain to gain an idle smook,
And lands possess that wild and barbarous are:
That for our conquests were too mean a prey,
To shed our bloods, to work our souls' decay.
"But this the scope was of our former thought, --
Of Sion's fort to scale the noble wall,
The Christian folk from bondage to have brought,
Wherein, alas, they long have lived thrall,
In Palestine an empire to have wrought,
Where godliness might reign perpetual,
And none be left, that pilgrims might denay
To see Christ's tomb, and promised vows to pay.
"What to this hour successively is done
Was full of peril, to our honor small,
Naught to our first designment, if we shun
The purposed end, or here lie fixed all.
What boots it us there wares to have begun,
Or Europe raised to make proud Asia thrall,
If our beginnings have this ending known,
Not kingdoms raised, but armies overthrown?
"Not as we list erect we empires new
On frail foundations laid in earthly mould,
Where of our faith and country be but few
Among the thousands stout of Pagans bold,
Where naught behoves us trust to Greece untrue,
And Western aid we far removed behold:
Who buildeth thus, methinks, so buildeth he,
As if his work should his sepulchre be.