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Unheard Elegy of a Widow Pianist

In a quadrille of his flimsy fingers
He lambently imposed tranquility
In between the brunt of his calloused soldiers
That the phalanges strangulated in a knot
And trudged and snapped and broke
With the heart of the widow pianist
Whistling his vapid tune from weaker towers

With the streets teeming of faceless strangers
He played the elude of his phantasmagoria
And groveled with a bleeding sonata
With shambling notes of empty words
That singed brusquely in a queue
Among their empty swollen ears
The schmaltz plea died with the violins

He sedated himself with the picture
Of familiar peoples crammed in a rotogravure
And the melancholy disembogued of verve
When the pictures pranced with deluded scherzos
And the listening thawed unto their toes
As he gnawed upon a drunken smile
The pianist's elegy strode a thousand mile

The widow pianist crooned to bargain
For an audience to the unfurling morsels
Of his slivered mind and its elegy
And ferry the silver euphonic melody
In a place divorced of harsh veracity,
Where triviality would be unwelcomed,
And benediction is in a saccharine orchestra.

poem by Norman Santos
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Whistling In The Dark

A woman came up to me and said
Id like to poison your mind
With wrong ideas that appeal to you
Though I am not unkind
She looked at me, I looked at something
Written across her scalp
And these are the words that it faintly said
As I tried to call for help:
Theres only one thing that I know how to do well
And Ive often been told that you only can do
What you know how to do well
And thats be you,
Be what youre like,
Be like yourself,
And so Im having a wonderful time
But Id rather be whistling in the dark
Whistling in the dark
Whistling in the dark
Whistling in the dark
Whistling in the dark
Whistling in the dark
Theres only one thing that I like
And that is whistling in the dark
A man came up to me and said
Id like to change your mind
By hitting it with a rock, he said,
Though I am not unkind.
We laughed at his little joke
And then I happily walked away
And hit my head on the wall of the jail
Where the two of us live today.
Theres only one thing that I know how to do well
And Ive often been told that you only can do
What you know how to do well
And thats be you,
Be what youre like,
Be like yourself,
And so Im having a wonderful time
But Id rather be whistling in the dark
Whistling in the dark
Whistling in the dark
Whistling in the dark
Whistling in the dark
Whistling in the dark
Theres only one thing that I like
And that is whistling in the dark
Theres only one thing that I know how to do well
And Ive often been told that you only can do
What you know how to do well
And thats be you,

[...] Read more

song performed by They Might Be Giants
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

[...] Read more

poem by Conrad Potter Aiken
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Gettin In Tune

Im singing this note cause it fits in well
Im singing this note cause it fits in well
With the chords Im playing
With the chords Im playing
I cant pretend theres any meaning here
I cant pretend theres any meaning here
Or in the things Im saying
Or in the things Im saying
But Im in tune
But Im in tune
Right in tune
Right in tune
Im in tune
Im in tune
And Im gonna tune
And Im gonna tune
Right in on you
Right in on you
Right in on you
Right in on you
Right in on you
Right in on you
I get a little tired of having to say
I get a little tired of having to say
do you come here often?
Do you come here often?
But when I look in your eyes and see the harmonies
But when I look in your eyes and see the harmonies
And the heartaches soften
And the heartaches soften
Im getting in tune
Im getting in tune
Right in tune
Right in tune
Im in tune
Im in tune
And Im gonna tune
And Im gonna tune
Right in on you (right in on you)
Right in on you (right in on you)
Right in on you (right in on you)
Right in on you (right in on you)
Right in on you
Right in on you
Ive got it all here in my head
Ive got it all here in my head
Theres nothing more needs to be said
Theres nothing more needs to be said
Im just bangin on my old piano
Im just bangin on my old piano

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song performed by Who
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The Dream

'TWAS summer eve; the changeful beams still play'd
On the fir-bark and through the beechen shade;
Still with soft crimson glow'd each floating cloud;
Still the stream glitter'd where the willow bow'd;
Still the pale moon sate silent and alone,
Nor yet the stars had rallied round her throne;
Those diamond courtiers, who, while yet the West
Wears the red shield above his dying breast,
Dare not assume the loss they all desire,
Nor pay their homage to the fainter fire,
But wait in trembling till the Sun's fair light
Fading, shall leave them free to welcome Night!

So when some Chief, whose name through realms afar
Was still the watchword of succesful war,
Met by the fatal hour which waits for all,
Is, on the field he rallied, forced to fall,
The conquerors pause to watch his parting breath,
Awed by the terrors of that mighty death;
Nor dare the meed of victory to claim,
Nor lift the standard to a meaner name,
Till every spark of soul hath ebb'd away,
And leaves what was a hero, common clay.

Oh! Twilight! Spirit that dost render birth
To dim enchantments; melting Heaven with Earth,
Leaving on craggy hills and rumning streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, tho' such radliance round him brightly glows,
Marks the small spark his cottage window throws.
Still as his heart forestals his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life,
His rosy children, and his sunburnt wife,

To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And those poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fond sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,

[...] Read more

poem by Caroline Elizabeth Sarah Norton
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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

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poem by Mahendra Bhatnagar
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The Cremona Violin

Part First

Frau Concert-Meister Altgelt shut the door.
A storm was rising, heavy gusts of wind
Swirled through the trees, and scattered leaves before
Her on the clean, flagged path. The sky behind
The distant town was black, and sharp defined
Against it shone the lines of roofs and towers,
Superimposed and flat like cardboard flowers.

A pasted city on a purple ground,
Picked out with luminous paint, it seemed. The cloud
Split on an edge of lightning, and a sound
Of rivers full and rushing boomed through bowed,
Tossed, hissing branches. Thunder rumbled loud
Beyond the town fast swallowing into gloom.
Frau Altgelt closed the windows of each room.

She bustled round to shake by constant moving
The strange, weird atmosphere. She stirred the fire,
She twitched the supper-cloth as though improving
Its careful setting, then her own attire
Came in for notice, tiptoeing higher and higher
She peered into the wall-glass, now adjusting
A straying lock, or else a ribbon thrusting

This way or that to suit her. At last sitting,
Or rather plumping down upon a chair,
She took her work, the stocking she was knitting,
And watched the rain upon the window glare
In white, bright drops. Through the black glass a flare
Of lightning squirmed about her needles. 'Oh!'
She cried. 'What can be keeping Theodore so!'

A roll of thunder set the casements clapping.
Frau Altgelt flung her work aside and ran,
Pulled open the house door, with kerchief flapping
She stood and gazed along the street. A man
Flung back the garden-gate and nearly ran
Her down as she stood in the door. 'Why, Dear,
What in the name of patience brings you here?

Quick, Lotta, shut the door, my violin
I fear is wetted. Now, Dear, bring a light.
This clasp is very much too worn and thin.
I'll take the other fiddle out to-night
If it still rains. Tut! Tut! my child, you're quite
Clumsy. Here, help me, hold the case while I -
Give me the candle. No, the inside's dry.

[...] Read more

poem by Amy Lowell
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Peter Bell, A Tale

PROLOGUE

There's something in a flying horse,
There's something in a huge balloon;
But through the clouds I'll never float
Until I have a little Boat,
Shaped like the crescent-moon.

And now I 'have' a little Boat,
In shape a very crescent-moon
Fast through the clouds my boat can sail;
But if perchance your faith should fail,
Look up--and you shall see me soon!

The woods, my Friends, are round you roaring,
Rocking and roaring like a sea;
The noise of danger's in your ears,
And ye have all a thousand fears
Both for my little Boat and me!

Meanwhile untroubled I admire
The pointed horns of my canoe;
And, did not pity touch my breast,
To see how ye are all distrest,
Till my ribs ached, I'd laugh at you!

Away we go, my Boat and I--
Frail man ne'er sate in such another;
Whether among the winds we strive,
Or deep into the clouds we dive,
Each is contented with the other.

Away we go--and what care we
For treasons, tumults, and for wars?
We are as calm in our delight
As is the crescent-moon so bright
Among the scattered stars.

Up goes my Boat among the stars
Through many a breathless field of light,
Through many a long blue field of ether,
Leaving ten thousand stars beneath her:
Up goes my little Boat so bright!

The Crab, the Scorpion, and the Bull--
We pry among them all; have shot
High o'er the red-haired race of Mars,
Covered from top to toe with scars;
Such company I like it not!

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poem by William Wordsworth
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Tom Zart's 52 Best Of The Rest America At War Poems

SONS AND DAUGHTERS OF WORLD WAR III

The White House
Washington
Tom Zart's Poems

March 16,2007
Ms. Lillian Cauldwell
President and Chief Executive Officer
Passionate Internet Voices Radio
Ann Arbor Michigan

Dear Lillian:
Number 41 passed on the CDs from Tom Zart. Thank you for thinking of me. I am thankful for your efforts to honor our brave military personnel and their families. America owes these courageous men and women a debt of gratitude, and I am honored to be the commander in chief of the greatest force for freedom in the history of the world.
Best Wishes.

Sincerely,

George W. Bush

SONS AND DAUGHTERS OF WORLD WAR III

Our sons and daughters serve in harm's way
To defend our way of life.
Some are students, some grandparents
Many a husband or wife.

They face great odds without complaint
Gambling life and limb for little pay.
So far away from all they love
Fight our soldiers for whom we pray.

The plotters and planners of America's doom
Pledge to murder and maim all they can.
From early childhood they are taught
To kill is to become a man.

They exploit their young as weapons of choice
Teaching in heaven, virgins will await.
Destroying lives along with their own
To learn of their falsehoods too late.

The fearful cry we must submit
And find a way to soothe them.
Where defenders worry if we stand down
The future for America is grim.

[...] Read more

poem by Tom Zart
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The Guitar

Who's that playing
Hey
The guitar?
Is it jim?
I don't know
Is it jim?
I don't know
In the spaceship, the silver space ship, the lion takes control
In the spaceship, the silver space ship, the lion takes control
Hey
Who's that playing
Hey
The guitar?
Hush my darling, be still my darling, the lion's on the phone
Hush my darling, be still my darling, the lion's on the phone
Hush my darling, be still my darling
Hey
Hush my darling, be still my darling
Hey
Turn it up
The guitar
I can't hear
The guitar
In the spaceship, the silver space ship, the lion waves good-bye
In the spaceship, the silver space ship, the lion waves good-bye
Hey
Who's that playing
Hey
The guitar?
Hey
Hey
Hey
Hey
Notes
The following are the lyrics to the even further outer planet mix. for outer planet mix lyrics, insert these into the original song where appropriate.
I'd like to take this opportunity to ask every person listening in, whoever and wherever they may be, to pause for a moment and to give thanks in his or her own way
All the people on this earth are truly one
All the people on this earth are truly one
Peace and tranquility
Peace and tranquility
Peace and tranquility
Peace and tranquility
Peace and tranquility
Tranquility base
That's one small step for man, one giant leap for mankind
All the people on this earth are truly one
All the people on this earth are truly one
Peace and tranquility
Peace and tranquility
Peace and tranquility

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song performed by They Might Be Giants
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Tale XXI

The Learned Boy

An honest man was Farmer Jones, and true;
He did by all as all by him should do;
Grave, cautious, careful, fond of gain was he,
Yet famed for rustic hospitality:
Left with his children in a widow'd state,
The quiet man submitted to his fate;
Though prudent matrons waited for his call,
With cool forbearance he avoided all;
Though each profess'd a pure maternal joy,
By kind attention to his feeble boy;
And though a friendly Widow knew no rest,
Whilst neighbour Jones was lonely and distress'd;
Nay, though the maidens spoke in tender tone
Their hearts' concern to see him left alone,
Jones still persisted in that cheerless life,
As if 'twere sin to take a second wife.
Oh! 'tis a precious thing, when wives are dead,
To find such numbers who will serve instead;
And in whatever state a man be thrown,
'Tis that precisely they would wish their own;
Left the departed infants--then their joy
Is to sustain each lovely girl and boy:
Whatever calling his, whatever trade,
To that their chief attention has been paid;
His happy taste in all things they approve,
His friends they honour, and his food they love;
His wish for order, prudence in affairs,
An equal temper (thank their stars!), are theirs;
In fact, it seem'd to be a thing decreed,
And fix'd as fate, that marriage must succeed:
Yet some, like Jones, with stubborn hearts and

hard,
Can hear such claims and show them no regard.
Soon as our Farmer, like a general, found
By what strong foes he was encompass'd round,
Engage he dared not, and he could not fly,
But saw his hope in gentle parley lie;
With looks of kindness then, and trembling heart,
He met the foe, and art opposed to art.
Now spoke that foe insidious--gentle tones,
And gentle looks, assumed for Farmer Jones:
'Three girls,' the Widow cried, 'a lively three
To govern well--indeed it cannot be.'
'Yes,' he replied, 'it calls for pains and care:
But I must bear it.'--'Sir, you cannot bear;
Your son is weak, and asks a mother's eye:'
'That, my kind friend, a father's may supply.'

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poem by George Crabbe
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I Want to be a Soldier

I will be a soldier
Only when soldiers realize
They are not animals or
cattles
Only if soldiers can ask
'Why should I shoot that
innocent man? '
I would be a soldier
If soldiers can ask the
commander
'Why should we shoot at
the children? '
I would be a soldier
If soldiers know that
The red blood that runs
through their veins
Runs in the rest peopl's too.
I would be a soldier if
Soldiers know they aren't
what they ask them to be
When they know that
The Emperor will never ask
them to kill his children
I would be a soldier
When soldiers realize war
is inhuman
When soldiers know war
always starts war
When they know that
World peace can not be
reached through war
When United Nations can
ask themselves
Is war the only way to end
corruption in the globe?
When soldiers know the
distance between peace and
war.
When soldiers realize how
intoxicative the gun is.
When soldiers realize
that gun does not control
them, but they control it.
I would be a soldier only if
soldiers know
why Martin Luther King jnr.
was killed.
If they know Adolf Hitler
also tried to make peace
through war.

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poem by Idris Adesina
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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

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poem by Robinson Jeffers
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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst

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poem by Caroline Elizabeth Sarah Norton
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Through the eyes of a Field Coronet (Epic)

Introduction

In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.

Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.

Prologue

The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain

mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact

that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals

becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,

who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight

in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.

Let them then also be patriotic
into their souls,
believe in and read
out of the word of God

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poem by Gert Strydom
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Dancing In The Streets

Keep on dancing in the streets
Keep on dancing in the streets
Keep on dancing in the streets
Keep on dancing in the streets
Dancing in the streets
With any one you got to meet
Moving to the rhythm
Let your body feel the beat
Dancing in the streets
Let your feelings hanging out
Give it all youve got
Keep on dancing, sing and shout!
Keep on dancing in the streets
Keep on dancing in the streets
Keep on dancing in the streets
Keep on dancing in the streets
Dancing in the streets
With any one you got to meet
Moving to the rhythm
Let your body feel the beat
Dancing in the streets
Let your feelings hanging out
Give it all youve got
Keep on dancing, sing and shout!
Keep on dancing in the streets
Keep on dancing in the streets
Keep on dancing in the streets
Keep on dancing in the streets
Keep on, keep on, keep on dancing
Keep on, keep on, keep on dancing
Keep on, keep on, keep on dancing
Keep on, keep on, keep on dancing
Keep on, keep on, keep on dancing
Keep on, keep on, keep on dancing
Keep on dancing in the streets
Keep on dancing in the streets
Keep on dancing in the streets
Keep on dancing in the streets
Keep on dancing in the streets
Keep on dancing in the streets
Keep on dancing in the streets
Keep on dancing in the streets
Keep on dancing in the streets
Keep on dancing in the streets
Keep on...

song performed by Boney M.
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Réversibilité (Reversability)

Ange plein de gaieté, connaissez-vous l'angoisse,
La honte, les remords, les sanglots, les ennuis,
Et les vagues terreurs de ces affreuses nuits
Qui compriment le coeur comme un papier qu'on froisse?
Ange plein de gaieté, connaissez-vous l'angoisse?

Ange plein de bonté, connaissez-vous la haine,
Les poings crispés dans l'ombre et les larmes de fiel,
Quand la Vengeance bat son infernal rappel,
Et de nos facultés se fait le capitaine?
Ange plein de bonté connaissez-vous la haine?

Ange plein de santé, connaissez-vous les Fièvres,
Qui, le long des grands murs de l'hospice blafard,
Comme des exilés, s'en vont d'un pied traînard,
Cherchant le soleil rare et remuant les lèvres?
Ange plein de santé, connaissez-vous les Fièvres?

Ange plein de beauté, connaissez-vous les rides,
Et la peur de vieillir, et ce hideux tourment
De lire la secrète horreur du dévouement
Dans des yeux où longtemps burent nos yeux avide!
Ange plein de beauté, connaissez-vous les rides?

Ange plein de bonheur, de joie et de lumières,
David mourant aurait demandé la santé
Aux émanations de ton corps enchanté;
Mais de toi je n'implore, ange, que tes prières,
Ange plein de bonheur, de joie et de lumières!

Reversibility

Angel full of gaiety, do you know anguish,
Shame, remorse, sobs, vexations,
And the vague terrors of those frightful nights
That compress the heart like a paper one crumples?
Angel full of gaiety, do you know anguish?

Angel full of kindness, do you know hatred,
The clenched fists in the darkness and the tears of gall,
When Vengeance beats out his hellish call to arms,
And makes himself the captain of our faculties?
Angel full of kindness, do you know hatred?

Angel full of health, do you know Fever,
Walking like an exile, moving with dragging steps,
Along the high, wan walls of the charity ward,
And with muttering lips seeking the rare sunlight?
Angel full of health, do you know Fever?

[...] Read more

poem by Charles Baudelaire
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My Needs Not Met

I'm manifesting something brittle.
Something needing special company.
I fiddle-faddled in the middle.
And weakened both batteries.

I'm manifesting something brittle.
And I'm seeking from you empathy...
Cause my baby has had it with me.
And now I find myself...
Walking up and down the streets.

I'm manifesting something brittle.
Something needing special company.
I fiddle-faddled in the middle.
And weakened both batteries.

I'm manifesting something brittle.
And I'm seeking from you empathy...
Cause my baby has had it with me.
And now I find myself...
Walking up and down the streets.

Never thought I'd be the one.
Living on the streets.
Disbelieving...
And living on the streets.
And seeing...
Living on the streets,
My needs not met!
Living on the streets.
And regretting.
Living on the streets.

Never thought I'd be the one.
Living on the streets.
Disbelieving...
And living on the streets.
And seeing...
Living on the streets,
My needs not met!
Living on the streets.
And regretting.
Living on the streets.

Never thought I'd be the one.
Living on the streets.
And seeing...
Living on the streets,
My needs...
Living on the streets,

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poem by Lawrence S. Pertillar
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Edge to Edge (Post post modern poetry)

When I slept in the afternoon after going through the ordeal of riding a cab in the heat only my Donna Karan glasses less by one degree in darkness and covering all my eyes protected me from fainting I wore my shirt which was stinking from sweat when I threw myself on the bed escaping the eyes of the old widow in the other room the fan went off I concentrated to sleep even without and I did after intense fantasies remembering the movie “The Pianist” I had watched the last night and the inspired soldier who let the soul of the pianist survive and himself landed in the war prison camp because he wanted to contact that other foolish violinist who instead spat on him being German and he could not be saved by the pianist as the pianist did not know his name because when the German soldier was getting inspired by the music in ruins he forgot telling him his name we are all victims of romance the German soldier could have made a bargain the pianist was too hungry to know about him and terrified for what he had seen when I woke up I got hold of my guitar similarly inspired as the German soldier was I entered into a black shirt on whose collar is written ‘edge to edge’ with an emblem of an animal having one long horn I went to drink coffee before I took a bath when I picked my phone to make a call one dear number of mine with me since a decade I found that it was stolen by someone my dreams shattered suddenly in the wake of reality of the number from the pianist now I was in deep trouble I came out my appetite was no more I entered a bakery to buy myself a burger that was wrapped in polythene there was no place to sit the burger was put in oven some of the polythene melted into the sauce my fingers burned to open the ketchup sachet I came into the dark corner a dog was sleeping I preferred sharing my burger with a cat on small concrete steps the cat could not take diet coke pieces of chicken slipped down and she was eating I rubbed my hands on my shorts and thanked the cat for she was my friend on dinner

8/8/2009
PS: These are real events narration in what I call 'post post modern poetry' writing straight what you feel without giving it a form or even punctuation

poem by Sadiqullah Khan
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Pharsalia - Book VII: The Battle

Ne'er to the summons of the Eternal laws
More slowly Titan rose, nor drave his steeds,
Forced by the sky revolving, up the heaven,
With gloomier presage; wishing to endure
The pangs of ravished light, and dark eclipse;
And drew the mists up, not to feed his flames,
But lest his light upon Thessalian earth
Might fall undimmed.

Pompeius on that morn,
To him the latest day of happy life,
In troubled sleep an empty dream conceived.
For in the watches of the night he heard
Innumerable Romans shout his name
Within his theatre; the benches vied
To raise his fame and place him with the gods;
As once in youth, when victory was won
O'er conquered tribes where swift Iberus flows,
And where Sertorius' armies fought and fled,
The west subdued, with no less majesty
Than if the purple toga graced the car,
He sat triumphant in his pure white gown
A Roman knight, and heard the Senate's cheer.
Perhaps, as ills drew near, his anxious soul,
Shunning the future wooed the happy past;
Or, as is wont, prophetic slumber showed
That which was not to be, by doubtful forms
Misleading; or as envious Fate forbade
Return to Italy, this glimpse of Rome
Kind Fortune gave. Break not his latest sleep,
Ye sentinels; let not the trumpet call
Strike on his ear: for on the morrow's night
Shapes of the battle lost, of death and war
Shall crowd his rest with terrors. Whence shalt thou
The poor man's happiness of sleep regain?
Happy if even in dreams thy Rome could see
Once more her captain! Would the gods had given
To thee and to thy country one day yet
To reap the latest fruit of such a love:
Though sure of fate to come! Thou marchest on
As though by heaven ordained in Rome to die;
She, conscious ever of her prayers for thee
Heard by the gods, deemed not the fates decreed
Such evil destiny, that she should lose
The last sad solace of her Magnus' tomb.
Then young and old had blent their tears for thee,
And child unbidden; women torn their hair
And struck their bosoms as for Brutus dead.
But now no public woe shall greet thy death
As erst thy praise was heard: but men shall grieve

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poem by Marcus Annaeus Lucanus
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Annals of Assur-Nasir-Pal column I

To Ninip most powerful hero, great, chief of the gods, warrior, powerful Lord, whose onset in battle has not been opposed, eldest son,

crusher of opponents, first-born son of Nukimmut, supporter of the seven, noble ruler, King of the gods the producers, governor, he who rolls along the mass

of heaven and earth, opener of canals, treader of the wide earth, the god who in his divinity nourishes heaven and earth, the beneficent,

the exalted, the powerful, who has not lessened the glory of his face, head of nations, bestower of sceptres, glorious, over all cities a ruler,

valiant, the renown of whose sceptre is not approached, chief of widespread influence, great among the gods, shading from the southern sun, Lord of Lords, whose hand the vault of heaven

(and) earth has controlled, a King in battle mighty who has vanquished opposition, victorious, powerful, Lord of water-courses and seas,

strong, not yielding, whose onset brings down the green corn, smiting the land of the enemy, like the cutting of reeds, the deity who changes not his purposes,

the light of heaven and earth, a bold leader on the waters, destroyer of them that hate (him), a spoiler (and) Lord of the disobedient, dividing enemies, whose name in the speech of the gods

no god has ever disregarded, the gatherer of life, the god(?) whose prayers are good, whose abode is in the city of Calah, a great Lord, my Lord - (who am) Assur-nasir-pal, the mighty King,

King of multitudes, a Prince unequalled, Lord of all the four countries, powerful over hosts of men, the possession of Bel and Ninip the exalted and Anu

and of Dakan, a servant of the great gods in the lofty shrine for great (O Ninip) is thy heart; a worshipper of Bel whose might upon

thy great deity is founded, and thou makest righteous his life, valiant, warrior, who in the service of Assur his Lord hath proceeded, and among the Kings

of the four regions who has not his fellow, a Prince for admiration, not sparing opponents, mighty leader, who an equal

has not, a Prince reducing to order his disobedient ones, who has subdued whole multitudes of men, a strong worker, treading down

the heads of his enemies, trampling on all foes, crushing assemblages of rebels, who in the service of the great gods his Lords

marched vigorously and the lands of all of them his hand captured, caused the forests of all of them to fall, and received their tribute, taking

securities, establishing laws over all lands, when Assur the Lord who proclaims my name and augments my Royalty

laid hold upon his invincible power for the forces of my Lordship, for Assur-nasir-pal, glorious Prince, worshipper of the great gods

the generous, the great, the powerful, acquirer of cities and forests and the territory of all of them, King of Lords, destroying the wicked, strengthening

the peaceful, not sparing opponents, a Prince of firm will(?) one who combats oppression, Lord of all Kings,

Lord of Lords, the acknowledged, King of Kings, seated gloriously, the renown of Ninip the warrior, worshipper of the great gods, prolonging the benefits (conferred by) his fathers:

a Prince who in the service of Assur and the Sun-god, the gods in whom he trusted, royally marched to turbulent lands, and Kings who had rebelled against him

[he cut off like grass, all their lands to his feet he subjected, restorer of the worship of the goddesses and that of the great gods,

Chief unwavering, who for the guidance of the heads (and) elders of his land is a steadfast guardian, the work of whose hands and

the gift of whose finger the great gods of heaven and earth have exalted, and his steps over rulers have they established forever;

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poem by King Assur-Bani-Pal
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