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An Epitaph!

An Epitaph!
Brother Soldier!
Please convert your heavy machine gun
Into a soft guitar!
Let it be Maple, Red Oak,
Mahogany or Brazilian Rosewood
Anyway that rhythm should
Touch my wounded heart!

*for Paddy Martin in gratitude!

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The Rhythm (feat. Ice-T, Donald D & Diva)

The rythm is both the songs manicle and it's demonic charge charge
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
I'm Everlast born to be a caucassion but it makes no difference what persuasion you are
As long as you know how to get up on the floor and start workin' a sweat
To a musical measure that makes you move as soon as the needle drops into the groove
So get up and dance to the gift I'm giving, forget about your troubles get into the rhythm
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Talking 'bout the rhythm (all we need is rhythm)
Yo, yo, you know what the world needs...we need peace, rhythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
The rythm
You linger for the rap singer, when Donald D brings the party to the deal my presence is felt world wide
You don't dance to this it's suicide
Put your hands into the air on, the M.C. cop, the girlies are pipen' hot
Natorious Lama is how I'm livin' don't step to me step to the rhythm

[...] Read more

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The Tale of Gamelyn

Fitt 1

Lithes and listneth and harkeneth aright,
And ye shul here of a doughty knyght;
Sire John of Boundes was his name,
He coude of norture and of mochel game.
Thre sones the knyght had and with his body he wan,
The eldest was a moche schrewe and sone bygan.
His brether loved wel her fader and of hym were agast,
The eldest deserved his faders curs and had it atte last.
The good knight his fadere lyved so yore,
That deth was comen hym to and handled hym ful sore.
The good knyght cared sore sik ther he lay,
How his children shuld lyven after his day.
He had bene wide where but non husbonde he was,
Al the londe that he had it was purchas.
Fayn he wold it were dressed amonge hem alle,
That eche of hem had his parte as it myght falle.
Thoo sente he in to contrey after wise knyghtes
To helpen delen his londes and dressen hem to-rightes.
He sent hem word by letters thei shul hie blyve,
If thei wolle speke with hym whilst he was alyve.

Whan the knyghtes harden sik that he lay,
Had thei no rest neither nyght ne day,
Til thei come to hym ther he lay stille
On his dethes bedde to abide goddys wille.
Than seide the good knyght seke ther he lay,
'Lordes, I you warne for soth, without nay,
I may no lenger lyven here in this stounde;
For thorgh goddis wille deth droueth me to grounde.'
Ther nas noon of hem alle that herd hym aright,
That thei ne had routh of that ilk knyght,
And seide, 'Sir, for goddes love dismay you nought;
God may don boote of bale that is now ywrought.'
Than speke the good knyght sik ther he lay,
'Boote of bale God may sende I wote it is no nay;
But I beseche you knyghtes for the love of me,
Goth and dresseth my londes amonge my sones thre.
And for the love of God deleth not amyss,
And forgeteth not Gamelyne my yonge sone that is.
Taketh hede to that oon as wel as to that other;
Seelde ye seen eny hier helpen his brother.'

Thoo lete thei the knyght lyen that was not in hele,
And wenten into counselle his londes for to dele;
For to delen hem alle to on that was her thought.
And for Gamelyn was yongest he shuld have nought.
All the londe that ther was thei dalten it in two,
And lete Gamelyne the yonge without londe goo,

[...] Read more

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Paddy Malone In Australia

Och! my name's Pat Malone, and I'm from Tipperary.
Sure, I don't know it now I'm so bothered, Ohone!
And the gals that I danced with, light-hearted and airy,
It's scarcely they'd notice poor Paddy Malone.
'Tis twelve months or more since our ship she cast anchor
In happy Australia, the Emigrant's home,
And from that day to this there's been nothing but canker,
And grafe and vexation for Paddy Malone.
Oh, Paddy Malone! Oh, Paddy, Ohone!
Bad luck to the agent that coaxed ye to roam.

Wid a man called a squatter I soon got a place, sure,
He'd a beard like a goat, and such whiskers, Ohone!
And he said—as he peeped through the hair on his faitures
That he liked the appearance of Paddy Malone.
Wid him I agreed to go up to his station,
Saying abroad in the bush you'll find yourself at home.
I liked his proposal, and 'out hesitation
Signed my name wid a X that spelt Paddy Malone.
Oh, Paddy Malone, you're no scholard, Ohone!
Sure, I made a cris-crass that spelt Paddy Malone.

A-herding my sheep in the bush, as they call it
It was no bush at all, but a mighty great wood,
Wid all the big trees that were small bushes one time,
A long time ago, faith I 'spose 'fore the flood.
To find out this big bush one day I went further,
The trees grew so thick that I couldn't, Ohone!
I tried to go back then, but that I found harder,
And bothered and lost was poor Paddy Malone.
Oh, Paddy Malone, through the bush he did roam
What a Babe in the Wood was poor Paddy Malone.

I was soon overcome, sure, wid grafe and vexation,
And camped, you must know, by the side of a log;
I was found the next day by a man from the station,
For I coo-ey'd and roared like a bull in a bog.
The man said to me, "Arrah, Pat! where's the sheep now?"
Says I, "I dunno! barring one here at home,"
And the master began and kicked up a big row too,
And swore he'd stop the wages of Paddy Malone.
Arrah! Paddy Malone, you're no shepherd, Ohone!
We'll try you with bullocks now, Paddy Malone.

To see me dressed out with my team and my dray too,
Wid a whip like a flail and such gaiters, Ohone!
But the bullocks, as they eyed me, they seemed for to say too,
"You may do your best, Paddy, we're blest if we go."
"Gee whoa! Redman! come hither, Damper!
Hoot, Magpie! Gee, Blackbird! Come hither,

[...] Read more

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Rockafeller Skank

Intro
DJ: WBCN who's this?
Brad: Hey this is Brad (this is Brad this is)
DJ: Now uh who's your favorite artist, who
do you want to hear?
Brad: Well m my favorite artist right now is
Fatboy Slim, that guy kicks ass.
DJ: How tremendous is Fatboy Slim?
Brad: The band of the 90's, if you want to call
it a band because it's a one man name.
DJ: Wow...fatboy, and you want to hear that
new fatboy song?
Brad: Absolutely.
DJ: Which one?
Brad: The um funk soul brother check it out.
DJ: Sing it, I don't know which one.
Brad: Right about now, the funk soul brother
check it out now, the funk soul brother.
Right About Now
The Funk Soul Brother, Check It Out Now
The Funk Soul Brother, Right About Now
The Funk Soul Brother, Check It Out Now
The Funk Soul Brother, Right About Now
The Funk Soul Brother, Check It Out Now
The Funk Soul Brother, Right About Now
The Funk Soul Brother, Check It Out Now
The Funk Soul Brother, Right About Now
The Funk Soul Brother, Check It Out Now
The Funk Soul Brother, Right About Now
The Funk Soul Brother, Right About Now
'bout now
'bout now
'bout now
Right About Now
The Funk Soul Brother, Check It Out Now
The Funk Soul Brother, Right About Now
The Funk Soul Brother, Check It Out Now
The Funk Soul Brother, Right About Now
The Funk Soul Brother, Check It Out Now
The Funk Soul Brother, Right About Now
The Funk Soul Brother, Check It Out Now
The Funk Soul Brother
Right About Now
The Funk Soul Brother, Check It Out Now
The Funk Soul Brother, Right About Now
The Funk Soul Brother, Check It Out Now
The Funk Soul Brother
Right About Now
The Funk Soul Brother, Check It Out Now
The Funk Soul Brother, Right About Now

[...] Read more

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The Rockafeller Skank

Intro
Dj: wbcn whos this?
Brad: hey this is brad (this is brad this is)
Dj: now uh whos your favorite artist, who
Do you want to hear?
Brad: well m my favorite artist right now is
Fatboy slim, that guy kicks ass.
Dj: how tremendous is fatboy slim?
Brad: the band of the 90s, if you want to call
It a band because its a one man name.
Dj: wow...fatboy, and you want to hear that
New fatboy song?
Brad: absolutely.
Dj: which one?
Brad: the um funk soul brother check it out.
Dj: sing it, I dont know which one.
Brad: right about now, the funk soul brother
Check it out now, the funk soul brother.
Right about now
The funk soul brother, check it out now
The funk soul brother, right about now
The funk soul brother, check it out now
The funk soul brother, right about now
The funk soul brother, check it out now
The funk soul brother, right about now
The funk soul brother, check it out now
The funk soul brother, right about now
The funk soul brother, check it out now
The funk soul brother, right about now
The funk soul brother, right about now
bout now
bout now
bout now
Right about now
The funk soul brother, check it out now
The funk soul brother, right about now
The funk soul brother, check it out now
The funk soul brother, right about now
The funk soul brother, check it out now
The funk soul brother, right about now
The funk soul brother, check it out now
The funk soul brother
Right about now
The funk soul brother, check it out now
The funk soul brother, right about now
The funk soul brother, check it out now
The funk soul brother
Right about now
The funk soul brother, check it out now
The funk soul brother, right about now

[...] Read more

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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

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Rudyard Kipling

The Young British Soldier

When the 'arf-made recruity goes out to the East
'E acts like a babe an' 'e drinks like a beast,
An' 'e wonders because 'e is frequent deceased
Ere 'e's fit for to serve as a soldier.
Serve, serve, serve as a soldier,
Serve, serve, serve as a soldier,
Serve, serve, serve as a soldier,
So-oldier ~OF~ the Queen!

Now all you recruities what's drafted to-day,
You shut up your rag-box an' 'ark to my lay,
An' I'll sing you a soldier as far as I may:
A soldier what's fit for a soldier.
Fit, fit, fit for a soldier . . .

First mind you steer clear o' the grog-sellers' huts,
For they sell you Fixed Bay'nets that rots out your guts --
Ay, drink that 'ud eat the live steel from your butts --
An' it's bad for the young British soldier.
Bad, bad, bad for the soldier . . .

When the cholera comes -- as it will past a doubt --
Keep out of the wet and don't go on the shout,
For the sickness gets in as the liquor dies out,
An' it crumples the young British soldier.
Crum-, crum-, crumples the soldier . . .

But the worst o' your foes is the sun over'ead:
You ~must~ wear your 'elmet for all that is said:
If 'e finds you uncovered 'e'll knock you down dead,
An' you'll die like a fool of a soldier.
Fool, fool, fool of a soldier . . .

If you're cast for fatigue by a sergeant unkind,
Don't grouse like a woman nor crack on nor blind;
Be handy and civil, and then you will find
That it's beer for the young British soldier.
Beer, beer, beer for the soldier . . .

Now, if you must marry, take care she is old --
A troop-sergeant's widow's the nicest I'm told,
For beauty won't help if your rations is cold,
Nor love ain't enough for a soldier.
'Nough, 'nough, 'nough for a soldier . . .

If the wife should go wrong with a comrade, be loath
To shoot when you catch 'em -- you'll swing, on my oath! --
Make 'im take 'er and keep 'er: that's Hell for them both,
An' you're shut o' the curse of a soldier.
Curse, curse, curse of a soldier . . .

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Tale XX

THE BROTHERS.

Than old George Fletcher, on the British coast
Dwelt not a seaman who had more to boast:
Kind, simple and sincere--he seldom spoke,
But sometimes sang and chorus'd--'Hearts of Oak:'
In dangers steady, with his lot content,
His days in labour and in love were spent.
He left a Son so like him, that the old
With joy exclaim'd, ''Tis Fletcher we behold;'
But to his Brother, when the kinsmen came
And view'd his form, they grudged the father's

name.
George was a bold, intrepid, careless lad,
With just the failings that his father had;
Isaac was weak, attentive, slow, exact,
With just the virtues that his father lack'd.
George lived at sea: upon the land a guest -
He sought for recreation, not for rest;
While, far unlike, his brother's feebler form
Shrank from the cold, and shudder'd at the storm;
Still with the Seaman's to connect his trade,
The boy was bound where blocks and ropes were made.
George, strong and sturdy, had a tender mind,
And was to Isaac pitiful and kind;
A very father, till his art was gain'd,
And then a friend unwearied he remain'd;
He saw his brother was of spirit low,
His temper peevish, and his motions slow;
Not fit to bustle in a world, or make
Friends to his fortune for his merit's sake;
But the kind sailor could not boast the art
Of looking deeply in the human heart;
Else had he seen that this weak brother knew
What men to court--what objects to pursue;
That he to distant gain the way discern'd,
And none so crooked but his genius learn'd.
Isaac was poor, and this the brother felt;
He hired a house, and there the Landman dwelt,
Wrought at his trade, and had an easy home,
For there would George with cash and comforts come;
And when they parted, Isaac look'd around
Where other friends and helpers might be found.
He wish'd for some port-place, and one might

fall,
He wisely thought, if he should try for all;
He had a vote--and were it well applied,
Might have its worth--and he had views beside;

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Rhythm Of Youth

Things like explosions well they scare me half to death
But Id still like to sit one right through
Nuclear warfare has got me holding my breath
But the army plan has to go through
With the rhythm of youth
Things like explosions well they scare me half to death
But Id still like to sit one right through
Nuclear warfare has got me holding my breath
But the army plan has to go through
Somehow I do not feel safe around cars
But I still like the feeling of speed
The rhythm is all that I have for me now
The rhythm is all that I need
Youve got your own commitments, your own complaints
Your own religion with its own funny saints
Your own reaction, your own raves and reviews
With the rhythm of youth youve got nothing to lose
The rhythm of youth is the rhythm of life
And the rhythm of life is the rhythm of youth
The rhythm of youth is the rhythm of life
The rhythm of life is the rhythm of youth
The rhythm of youth
Things like explosions well they scare me half to death
But Id still like to sit one right through
Nuclear warfare has got me holding my breath
But the army plan has to go through
Somehow I do not feel safe around cars
But I still like the feeling of speed
The rhythm is all that I have for me now
But the rhythm is all that I need
Youve got your own commitments, your own complaints
Your own religion with its own funny saints
Your own reaction, your own raves and reviews
With the rhythm of youth youve got nothing to lose
Youve got your own commitments, your own complaints
Your own religion with its own funny saints
Your own reaction, your own raves and reviews
With the rhythm of youth you have nothing to lose
Cause the rhythm of youth is the rhythm of life
The rhythm of life is the rhythm of youth
The rhythm of youth is the rhythm of life
And the rhythm of life is the rhythm of youth
The rhythm of youth is the rhythm of life
And the rhythm of life is the rhythm of youth
The rhythm of youth is the rhythm of life
The rhythm of life is the rhythm of youth

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Poor Paddy

[the pogues version]
-----------------------------------------
In eighteen hundred and forty-one
The corduroy breeches I put on
Me corduroy breeches I put on
To work upon the railway, the railway
Im weary of the railway
Poor paddy works on the railway
In eighteen hundred and forty-two
From hartlepool I moved to crewe
Found myself a job to do
A working on the railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-three
I broke the shovel across me knee
I went to work for the company
On the leeds to selby railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-four
I landed on the liverpool shore
My belly was empty me hands were raw
With working on the railway, the railway
Im sick to my guts of the railway
Poor paddy works on the railway
In eighteen hundred and forty-five
When daniel oconnell he was alive
When daniel oconnell he was alive
And working on the railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-six
I changed my trade to carrying bricks
I changed my trade to carrying bricks
To work upon the railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-seven
Poor paddy was thinking of going to heaven
The old bugger was thinking of going to heaven
To work upon the railway, the railway

[...] Read more

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Mother’s Cry of Late

Where for art thou, soldier?
Out East? West? –
And when? –
What part your rabid history?
And why? –
What wrought your destiny? –
For whom
You’d wreak your enmity –
I crave your fate to pen!

What comprehension of the
Order? –
‘Listen up! you men!
Raze to ground the taken land!
See they die and e’er you’ll stand, for
Death is but a grain of sand –
The mighty triumph, medal grand!

Now go you well!
Amen! ’

What sight upon the bloody lie
Of war? – your doubtful fate.

‘Where for art thou, soldier? ’ –
Your mother’s cry of late.

Copyright © Mark R Slaughter 2011

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Soldier's Ghost

I bled for you - would you for me?

I blessed a skin in blazing fuel
Then took a bullet in a duel of
‘He or I to Die.'

I often question ‘Why? '
Do you?

My country was my life to give -
Would you for country cease to live?
Sinking in a mire of death,
You have no choice -
So while you're still alive,
Rejoice!

I cried in failure - did you care?
And as I waned, were you aware of
What I did -?
Fighting for my country while you hid
Behind your comfort back at home?

Still relaxed?
My wife and child are fading at the tomb.


Copyright © Mark R Slaughter 2009


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The Troubadour. Canto 3

LAND of the olive and the vine,
The saint and soldier, sword and shrine!
How glorious to young RAYMOND'S eye
Swell'd thy bold heights, spread thy clear sky,
When first he paused upon the height
Where, gather'd, lay the Christian might.
Amid a chesnut wood were raised
Their white tents, and the red cross blazed
Meteor-like, with its crimson shine,
O'er many a standard's scutcheon'd line.

On the hill opposite there stood
The warriors of the Moorish blood,--
With their silver crescents gleaming,
And their horse-tail pennons streaming;
With cymbals and the clanging gong,
The muezzin's unchanging song,
The turbans that like rainbows shone,
The coursers' gay caparison,
As if another world had been
Where that small rivulet ran between.

And there was desperate strife next day:
The little vale below that lay
Was like a slaughter-pit, of green
Could not one single trace be seen;
The Moslem warrior stretch'd beside
The Christian chief by whom he died;
And by the broken falchion blade
The crooked scymeter was laid.

And gallantly had RAYMOND borne
The red cross through the field that morn,
When suddenly he saw a knight
Oppress'd by numbers in the fight:
Instant his ready spear was flung,
Instant amid the band he sprung;--
They fight, fly, fall,--and from the fray
He leads the wounded knight away!
Gently he gain'd his tent, and there
He left him to the leech's care;
Then sought the field of death anew,--
Little was there for knight to do.

That field was strewn with dead and dying;
And mark'd he there DE VALENCE lying
Upon the turbann'd heap, which told
How dearly had his life been sold.
And yet on his curl'd lip was worn
The impress of a soldier's scorn;

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Sister Helen

"Why did you melt your waxen man
Sister Helen?
To-day is the third since you began."
"The time was long, yet the time ran,
Little brother."
(O Mother, Mary Mother,
Three days to-day, between Hell and Heaven!)

"But if you have done your work aright,
Sister Helen,
You'll let me play, for you said I might."
"Be very still in your play to-night,
Little brother."
(O Mother, Mary Mother,
Third night, to-night, between Hell and Heaven!)

"You said it must melt ere vesper-bell,
Sister Helen;
If now it be molten, all is well."
"Even so,--nay, peace! you cannot tell,
Little brother."
(O Mother, Mary Mother,
O what is this, between Hell and Heaven?)

"Oh the waxen knave was plump to-day,
Sister Helen;
How like dead folk he has dropp'd away!"
"Nay now, of the dead what can you say,
Little brother?"
(O Mother, Mary Mother,
What of the dead, between Hell and Heaven?)

"See, see, the sunken pile of wood,
Sister Helen,
Shines through the thinn'd wax red as blood!"
"Nay now, when look'd you yet on blood,
Little brother?"
(O Mother, Mary Mother,
How pale she is, between Hell and Heaven!)

"Now close your eyes, for they're sick and sore,
Sister Helen,
And I'll play without the gallery door."
"Aye, let me rest,--I'll lie on the floor,
Little brother."
(O Mother, Mary Mother,
What rest to-night, between Hell and Heaven?)

"Here high up in the balcony,
Sister Helen,

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Guitar & Pen

Youre alone above the street somewhere
Youre alone above the street somewhere
Wondering how youll ever count out there
Wondering how youll ever count out there
You can walk, you can talk, you can fight
You can walk, you can talk, you can fight
But inside youve got something to write
But inside youve got something to write
In your hand you hold your only friend
In your hand you hold your only friend
Never spend your guitar or your pen
Never spend your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
Your guitar or your pen
When you take up a pencil and sharpen it up
When you take up a pencil and sharpen it up
When youre kicking the fence and still nothing will budge
When youre kicking the fence and still nothing will budge
When the words are immobile until you sit down
When the words are immobile until you sit down
Never feel theyre worth keeping, theyre not easily found
Never feel theyre worth keeping, theyre not easily found
Then you know in some strange, unexplainable way
Then you know in some strange, unexplainable way
You must really have something
You must really have something
Jumping, thumping, fighting, hiding away
Jumping, thumping, fighting, hiding away
Important to say
Important to say
When you sing through the verse and you end in a scream
When you sing through the verse and you end in a scream
And you swear and you curse cause the rhyming aint clean
And you swear and you curse cause the rhyming aint clean
But it suddenly comes after years of delay
But it suddenly comes after years of delay
You pick up your guitar, you can suddenly play
You pick up your guitar, you can suddenly play
When your fingers are bleeding and the knuckles are white
When your fingers are bleeding and the knuckles are white
Then you can be sure, you can open the door
Then you can be sure, you can open the door
Get off of the floor tonight
Get off of the floor tonight

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Bury My Heart At Wounded Knee

Indian legislation's on the desk of the do right congressman
Now he don't know much about the issues so he picks up the phone
And asks the advice of the senator out in indian country
A darling of the energy companies their ripping off
What's left of the reservation
I learned the safety rule
I don't know who to thank
Don't stand between the reservation
And the corporate bank
They're sending federal tanks
It isn't nice but it's reality
Bury my heart at wounded knee
Deep in the earth
I said cover me with pretty lies
Bury my heart at wounded knee
They got these energy companies
Who want to take the land
And they got churches by the dozens
Trying to guide our hands
And turn our mother earth
Over to pollution war and greed
Well
Bury my heart at wounded knee
Bury my heart at wounded knee
I said deep in the earth
Bury my heart at wounded knee
Won't you cover me with your pretty lies
Bury my heart at wounded knee
Bury my heart at wounded knee
They got the federal marshalls
We get the covert spies
We get the liars by fire
We get the fbi
They lie in court and get nailed
And still leonard peltier goes off to jail
(the bullets don't match the gun)
Bury my heart at wounded knee
An eighth of the reservation
Bury my heart at wounded knee
It was transferred in secret
Bury my heart at wounded knee
We got your murder and intimidation
Bury my heart at wounded knee
My girlfriend anna may
Talked about uranium
Her head was full of bullets
And her body dumped
The fbi cut off her hands
And told us she died of exposure
Yeah right

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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Love Gun

I really love you baby
I love what youve got
Lets get together, we can
Get hot
No more tomorrow, baby
Time is today
Girl, I can make you feel
Okay
No place for hidin baby
No place to run
You pull the trigger of my
Love gun, (love gun), love gun
Love gun, (love gun), love gun
You cant forget me baby
Dont try to lie
Youll never leave me, mama
So dont try
Ill be a gambler, baby
Lay down the bet
We get together, mama
Youll sweat
No place for hidin baby
No place to run
You pull the trigger of my
Love gun, (love gun), love gun
Love gun, (love gun), love gun
Love gun, love gun
Love gun, (love gun), love gun
Love gun, (love gun)
Love gun, (love gun), love gun
Love gun, (love gun), love gun
Love gun, (love gun)
Love gun, (love gun)
Love gun, (love gun)
Love gun, (love)

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John Dryden

The Hind And The Panther, A Poem In Three Parts : Part III.

Much malice, mingled with a little wit,
Perhaps may censure this mysterious writ;
Because the muse has peopled Caledon
With panthers, bears, and wolves, and beasts unknown,
As if we were not stocked with monsters of our own.
Let Æsop answer, who has set to view
Such kinds as Greece and Phrygia never knew;
And Mother Hubbard, in her homely dress,
Has sharply blamed a British lioness;
That queen, whose feast the factious rabble keep,
Exposed obscenely naked, and asleep.
Led by those great examples, may not I
The wonted organs of their words supply?
If men transact like brutes, 'tis equal then
For brutes to claim the privilege of men.
Others our Hind of folly will indite,
To entertain a dangerous guest by night.
Let those remember, that she cannot die,
Till rolling time is lost in round eternity;
Nor need she fear the Panther, though untamed,
Because the Lion's peace was now proclaimed;
The wary savage would not give offence,
To forfeit the protection of her prince;
But watched the time her vengeance to complete,
When all her furry sons in frequent senate met;
Meanwhile she quenched her fury at the flood,
And with a lenten salad cooled her blood.
Their commons, though but coarse, were nothing scant,
Nor did their minds an equal banquet want.
For now the Hind, whose noble nature strove
To express her plain simplicity of love,
Did all the honours of her house so well,
No sharp debates disturbed the friendly meal.
She turned the talk, avoiding that extreme,
To common dangers past, a sadly-pleasing theme;
Remembering every storm which tossed the state,
When both were objects of the public hate,
And dropt a tear betwixt for her own children's fate.
Nor failed she then a full review to make
Of what the Panther suffered for her sake;
Her lost esteem, her truth, her loyal care,
Her faith unshaken to an exiled heir,
Her strength to endure, her courage to defy,
Her choice of honourable infamy.
On these, prolixly thankful, she enlarged;
Then with acknowledgments herself she charged;
For friendship, of itself an holy tie,
Is made more sacred by adversity.
Now should they part, malicious tongues would say,
They met like chance companions on the way,

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