Loris Greaud' Poem Two Four Verses
horace
morris
dolores
genus chloris
poem by Nicolas Grenier
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The Latest Fashion
Performed by the time with prince
Fellas? yeah! hit me!
R we ready? I do believe we r ready!
What time is it? yount! its killing time, morris!
I know thats right, cause I am the latest fashion
(go morris, go morris, go morris, go morris, go morris, go morris, go morris,
Yount, go morris, go morris, go morris, go morris, go morris, go morris,
Go morris, go morris)
I know I said I loved u
I know I said I needed u
I know I said that Id b here always
But I what I didnt tell u is that
This year the latest fashion is 2 lie in the heat of passion
This year the latest fashion is 2 lie in the heat of passion
People tell us what we want 2 hear
(time) this time the tables r turned
This time were the ones thats painting fires
Instead of getting burned (yount)
This year the latest fashion is 2 lie in the heat of passion
This year the latest fashion is 2 lie in the heat of passion
(go morris, go morris, go morris, go morris, go morris)
Jellybean, (go morris) dont be so mean, (go morris)
Cowboy. heh heh, youre fired!
Jam jimmy jam jimmy jam jimmy jam jimmy jam jimmy jam jimmy jam jimmy jam!
People tell me what I want to hear
This time the tables r turned
Jerome, body language
{go morris chanted 16 times over}
Now do the horse (yeah)
Oak tree! (look out)
I like that, oak tree!
Get ready, chili sauce!
This year the latest fashion is 2 lie in the heat of passion
Fellas? (yeah) hit me, but dontcha lag
Tell me what dance to do...it starts with an m ... (murph drag)
I aint thru yet...band!
Whaa...hallelujah...whoa whoa whoa whoa
Everybody wanna tell me how to play the game
When I run it better than a madame runs dames
Trying to beat me like playing pool with a rope
My funk will leave ya dead cause its good and plenty dope
All in all Im still the king and all yall the court
If you thinking about ruling me ya better get abortions, yes!
Its jacked, cause Im back, and Im harder than a heart attack
And Im the cure for any disease cause there aint nobody funky like me!
(go morris go morris go morris)
Dont be a fool
(go morris, go morris, go morris)
This year the latest fashion is 2 lie in the heat of passion
The latest fashion
[...] Read more
song performed by Prince
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Dolores
How I love the kisses of Dolores
Aye-aye-aye Dolores
Not Marie or Emily or Doris
Only my Dolores.
From a balcony above me
She whispers "Love me" and throws a rose
Ah but she is twice as lovely
As the rose she throws.
I would die to be with my Dolores
Aye-aye-aye Dolores
I was made to serenade Dolores
Chorus after chorus.
Just imagine eyes like moonrise
A voice like music
song performed by Frank Sinatra from Sinatra In Hollywood 1940-1964
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Amyntor's Grove, His Chloris, Arigo, And Gratiana. An Elogie
It was Amyntor's Grove, that Chloris
For ever ecchoes, and her glories;
Chloris, the gentlest sheapherdesse,
That ever lawnes and lambes did blesse;
Her breath, like to the whispering winde,
Was calme as thought, sweet as her minde;
Her lips like coral gates kept in
The perfume and the pearle within;
Her eyes a double-flaming torch
That alwayes shine, and never scorch;
Her selfe the Heav'n in which did meet
The all of bright, of faire and sweet.
Here was I brought with that delight
That seperated soules take flight;
And when my reason call'd my sence
Back somewhat from this excellence,
That I could see, I did begin
T' observe the curious ordering
Of every roome, where 'ts hard to know,
Which most excels in sent or show.
Arabian gummes do breathe here forth,
And th' East's come over to the North;
The windes have brought their hyre of sweet
To see Amyntor Chloris greet;
Balme and nard, and each perfume,
To blesse this payre, chafe and consume;
And th' Phoenix, see! already fries!
Her neast a fire in Chloris eyes!
Next the great and powerful hand
Beckens my thoughts unto a stand
Of Titian, Raphael, Georgone
Whose art even Nature hath out-done;
For if weake Nature only can
Intend, not perfect, what is man,
These certainely we must prefer,
Who mended what she wrought, and her;
And sure the shadowes of those rare
And kind incomparable fayre
Are livelier, nobler company,
Then if they could or speake, or see:
For these I aske without a tush,
Can kisse or touch without a blush,
And we are taught that substance is,
If uninjoy'd, but th' shade of blisse.
Now every saint cleerly divine,
Is clos'd so in her severall shrine;
The gems so rarely, richly set,
For them wee love the cabinet;
So intricately plac't withall,
As if th' imbrordered the wall,
[...] Read more
poem by Richard Lovelace
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Diary Of Horace Wimp
= ===== == ====== ====
Monday:Late again,today,he'd be in trouble though
he'd say he was sorry,he'd have to hurry out the bus.
Tuesday:Horace was so sad,he'd never had a girl that he
could care for,and if he was late once more,he'd be out.
CHORUS
Don't be afraid,just knock on the door,
Well he just stood there mumblin' and fumblin'.
Then a voice from above said--
"Horace Wimp,this is your life,
Go out and find yourself a wife.
Make a stand and be a man,
And you will have a great life plan."
Wednesday:Horace met a girl,she was small and she
was very pretty,he thought he was in love,he was afraid.
Thursday:Asks her for a date,the cafe down the street
tomorrow evening,his head was reeling,
when she said "Yes O.K."
Repeat Chorus
Friday:Horace,this is it,he asks the girl if maybe they
could marry,when she says "gladly." Horace cries.
Sunday:Everybody's at the church,when Horace
rushes in and says "Now here come my wife,
for the rest of my life." and she did.
Repeat Chorus
song performed by Electric Light Orchestra
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The Diary Of Horace Wimp
Monday:late again,today,hed be in trouble though
Hed say he was sorry,hed have to hurry out the bus.
Tuesday:horace was so sad,hed never had a girl that he
Could care for,and if he was late once more,hed be out.
Chorus
Dont be afraid,just knock on the door,
Well he just stood there mumblin and fumblin.
Then a voice from above said--
Horace wimp,this is your life,
Go out and find yourself a wife.
Make a stand and be a man,
And you will have a great life plan.
Wednesday:horace met a girl,she was small and she
Was very pretty,he thought he was in love,he was afraid.
Thursday:asks her for a date,the cafe down the street
Tomorrow evening,his head was reeling,
When she said yes o.k.
Repeat chorus
Friday:horace,this is it,he asks the girl if maybe they
Could marry,when she says gladly. horace cries.
Sunday:everybodys at the church,when horace
Rushes in and says now here come my wife,
For the rest of my life. and she did.
Repeat chorus
song performed by Electric Light Orchestra
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Lines In Memory Of Edmund Morris
Dear Morris--here is your letter--
Can my answer reach you now?
Fate has left me your debtor,
You will remember how;
For I went away to Nantucket,
And you to the Isle of Orleans,
And when I was dawdling and dreaming
Over the ways and means
Of answering, the power was denied me,
Fate frowned and took her stand;
I have your unanswered letter
Here in my hand.
This--in your famous scribble,
It was ever a cryptic fist,
Cuneiform or Chaldaic
Meanings held in a mist.
Dear Morris, (now I'm inditing
And poring over your script)
I gather from the writing,
The coin that you had flipt,
Turned tails; and so you compel me
To meet you at Touchwood Hills:
Or, mayhap, you are trying to tell me
The sum of a painter's ills:
Is that Phimister Proctor
Or something about a doctor?
Well, nobody knows, but Eddie,
Whatever it is I'm ready.
For our friendship was always fortunate
In its greetings and adieux,
Nothing flat or importunate,
Nothing of the misuse
That comes of the constant grinding
Of one mind on another.
So memory has nothing to smother,
But only a few things captured
On the wing, as it were, and enraptured.
Yes, Morris, I am inditing--
Answering at last it seems,
How can you read the writing
In the vacancy of dreams?
I would have you look over my shoulder
Ere the long, dark year is colder,
And mark that as memory grows older,
The brighter it pulses and gleams.
And if I should try to render
The tissues of fugitive splendour
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poem by Duncan Campbell Scott
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No Siento Pena
No Siento Penas
Cuando tu me dices a media voz que me amas
Me siento tan sublime como el tibio sol de la maana
Y esto es lo que tu me haces sentir
Desde el dia en que te conoci
Cuando tu me dices a media voz que te ame
Me siento invencible como el huracan mas temible
Y esto es lo que tu me haces sentir
Desde el dia en que te conoci
No siento penas ni dolores de cabeza
Ni confusin de ninguna naturaleza
Ni tampoco siento mas tristeza
Solo siento amor solo siento amor
Solo siento amor solo siento amor
Que por supuesto es todo para ti
Desde el dia en que te conoci
Cuando tu me dices a media voz que no me vaya
Me siento indestructible como un ca n de metralla
Y esto es lo que tu me haces sentir
Desde el dia en que te conoci
No siento penas ni dolores de cabeza
Ni confusin de ninguna naturaleza
Ni tampoco siento mas tristeza
Solo siento amor
No siento penas ni dolores de cabeza
Ni confusin de ninguna naturaleza
Ni tampoco siento mas tristeza
Solo siento amor solo siento amor
Que por supuesto es todo para ti
Desde el dia en que te conoci
song performed by Juanes
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No Siento Penas
Cuando tu me dices a media voz que me amas
Me siento tan sublime como el tibio sol de la maana
Y esto es lo que tu me haces sentir
Desde el dia en que te conoci
Cuando tu me dices a media voz que te ame
Me siento invencible como el huracan mas terrible
Y esto es lo que tu me haces sentir
Desde el dia en que te conoci
No siento penas ni dolores de cabeza
Ni confusion de ninguna naturaleza
Ni tampoco siento mas tristeza
Solo siento amor solo siento amor
Que por supuestro es todo para ti
Desde el dia en que te conoci
---guitar solo---
Cuando tu me dices a media voz que no me vaya
Me siento indestuctible como un caon de metralla
Y esto es lo que tu me haces sentir
Desde el dia en que te conoci
No siento penas ni dolores de cabeza
Ni confusion de ninguna naturaleza
Ni tampoco siento mas tristeza
Solo siento amor
No siento penas ni dolores de cabeza
Ni confusion de ninguna naturaleza
Ni tampoco siento mas tristeza
Solo siento amor solo siento amor
Que por supuestro es todo para ti
Desde el dia en que te conoci
song performed by Juanes
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The Three Poets
Candidia has taken a new lover
And three poets are gone into mourning.
The first has written a long elegy to 'Chloris',
To 'Chloris chaste and cold,' his 'only Chloris'.
The second has written a sonnet
upon the mutability of woman,
And the third writes an epigram to Candidia.
poem by Ezra Pound
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A Song To A Fair Young Lady Going Out Of Town In The Spring
1.
Ask not the cause why sullen spring
So long delays her flowers to bear;
Why warbling birds forget to sing,
And winter storms invert the year;
Chloris is gone, and Fate provides
To make it spring where she resides.
2.
Chloris is gone, the cruel fair;
She cast not back a pitying eye;
But left her lover in despair,
To sigh, to languish, and to die:
Ah, how can those fair eyes endure
To give the wounds they will not cure!
3.
Great god of love, why hast thou made
A face that can all hearts command,
That all religions can invade,
And change the laws of every land?
Where thou hadst plac'd such pow'r before,
Thou shouldst have made her mercy more.
4.
When Chloris to the temple comes,
Adoring crowds before her fall;
She can restore the dead from tombs,
And ev'ry life but mine recall.
I only am by love designed
To be the victim for mankind.
poem by John Dryden
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Ask not the cause why sullen spring
Ask not the cause why sullen spring
So long delays her flow'rs to bear;
Why warbling birds forget to sing,
And winter storms invert the year?
Chloris is gone; and Fate provides
To make it spring where she resides.
Chloris is gone, the cruel fair;
She cast not back a pitying eye:
But left her lover in despair,
To sigh, to languish, and to die:
Ah, how can those fair eyes endure
To give the wounds they will not cure!
Great god of Love, why hast thou made
A face that can all hearts command,
That all religions can invade,
And change the laws of ev'ry land?
Where thou hadst plac'd such pow'r before,
Thou shouldst have made her mercy more.
When Chloris to the temple comes,
Adoring crowds before her fall;
She can restore the dead from tombs,
And ev'ry life but mine recall.
I only am by love design'd
To be the victim for mankind.Credits and CopyrightTogether with the editors, the Department ofEnglish (University of Toronto), and the University of Toronto Press,the following individuals share copyright for the work that wentinto this edition:Screen Design (Electronic Edition): Sian Meikle (University ofToronto Library)Scanning: Sharine Leung (Centre for Computing in the Humanities)
poem by John Dryden
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Song to a Fair Young Lady
Ask not the cause why sullen Spring
So long delays her flowers to bear;
Why warbling birds forget to sing,
And winter storms invert the year:
Chloris is gone; and fate provides
To make it Spring where she resides.
Chloris is gone, the cruel fair;
She cast not back a pitying eye:
But left her lover in despair
To sigh, to languish, and to die:
Ah! how can those fair eyes endure
To give the wounds they will not cure?
Great God of Love, why hast thou made
A face that can all hearts command,
That all religions can invade,
And change the laws of every land?
Where thou hadst placed such power before,
Thou shouldst have made her mercy more.
When Chloris to the temple comes,
Adoring crowds before her fall;
She can restore the dead from tombs
And every life but mine recall,
I only am by Love designed
To be the victim for mankind.
poem by John Dryden
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An Essay on Criticism
Part I
INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.
'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.
'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?
Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.
Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,
[...] Read more
poem by Alexander Pope
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The Doughboy's Horace
Horace: Book III, Ode 9
"Donec eram gratus tibi--"
HORACE, PVT. --TH INFANTRY, A.E.F., WRITES:
While I was fussing you at home
You put the notion in my dome
That I was the Molasses Kid.
I batted strong. I'll say I did.
LYDIA, ANYBURG U.S.A., WRITES:
While you were fussing me alone
To other boys my heart was stone.
When I was all that you could see
No girl had anything on me.
HORACE:
Well, say, I'm having some romance
With one Babette, of Northern France.
If that girl gave me the command
I'd dance a jig in No-Man's Land.
LYDIA:
I, too, have got a young affair
With Charley--say, that boy is there!
I'd just as soon go out and die
If I thought it'd please that guy
HORACE:
Suppose I can this foreign wren
And start things up with you again?
Suppose I promise to be good?
I'd love you Lyd. I'll say I would.
LYDIA:
Though Charley's good and handsome--oh, boy!
And you're a stormy fickle doughboy,
So give the Hun his final whack,
And I'll marry you when you come back.
poem by Franklin P. Adams
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Wild & Loose
What time is it!?
Hangin' by the backstage door
Decked out like a queen
Your body's sayin' 21
But your face says 17
My intuition tells me
That U're waitin' 4 the band
Before U get your hopes up
One thing understand (Oh, hey)
CHORUS:
Wild and loose, that's how it's got 2 be
Cuz that's the only kind of dame that appeals 2 me
Wild and loose, the only life I know
Just havin' one big party from show 2 show
Talkin' trash 2 Jimmy Jam
"Tell us where the party's at"
We don't care who U came with
We'll take care of that
Just meet us at the Gotel
Room 602, ooh
Tell your mama U won't be home
Cuz we got plans 4 U (Oh, yeah)
CHORUS
Universal freak delight, where'd U get those thighs?
Where did U get the nerve 2 wear that miniskirt so high?
Don't worry baby, I can keep a secret 4 as long as snow is white
Hey Jesse? (Yeah?) Come here man, guess what I did last night?
CHORUS
Baby, U ain't no saint {repeat verse twice}
Cuz there ain't no in-between
Either U come or U can't
Now get loose, let me hear U scream
CHORUS
(Wild and loose) {repeats in BG}
Ah pardon me, say it one more time, huh
I can't hit it baby, maybe I'm blind
Everybody know U got 2 be, yeah
Cuz ain't nobody cool but me, slap me!
Somebody, somebody sing it
Tell your mama U won't be home, huh
Everybody know U got 2 be, yeah
Ain't nobody cool but me, now break it down
{2 separate conversations take place}
Kim, wasn't the concert great?
Minneapolis is mine
Oh yeah, it sure was
She was right in the front row
I know man, she was sittin' there
Did U see Jesse up there, wasn't he fine?
She was lookin' at me so nasty, U know what I'm sayin'?
[...] Read more
song performed by Prince
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Canto the Fifth
I
When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.
II
I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain -- simple -- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.
III
The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.
IV
I have a passion for the name of "Mary,"
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad -- and let a tale grow cold,
Which must not be pathetically told.
V
The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.
[...] Read more
poem by Byron from Don Juan (1824)
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Amours de Voyage, Canto III
Yet to the wondrous St. Peter's, and yet to the solemn Rotunda,
Mingling with heroes and gods, yet to the Vatican Walls,
Yet may we go, and recline, while a whole mighty world seems above us,
Gathered and fixed to all time into one roofing supreme;
Yet may we, thinking on these things, exclude what is meaner around us;
Yet, at the worst of the worst, books and a chamber remain;
Yet may we think, and forget, and possess our souls in resistance.--
Ah, but away from the stir, shouting, and gossip of war,
Where, upon Apennine slope, with the chestnut the oak-trees immingle,
Where, amid odorous copse bridle-paths wander and wind,
Where, under mulberry-branches, the diligent rivulet sparkles,
Or amid cotton and maize peasants their water-works ply,
Where, over fig-tree and orange in tier upon tier still repeated,
Garden on garden upreared, balconies step to the sky,--
Ah, that I were far away from the crowd and the streets of the city,
Under the vine-trellis laid, O my beloved, with thee!
I. Mary Trevellyn to Miss Roper,--on the way to Florence.
Why doesn't Mr. Claude come with us? you ask.--We don't know,
You should know better than we. He talked of the Vatican marbles;
But I can't wholly believe that this was the actual reason,--
He was so ready before, when we asked him to come and escort us.
Certainly he is odd, my dear Miss Roper. To change so
Suddenly, just for a whim, was not quite fair to the party,--
Not quite right. I declare, I really almost am offended:
I, his great friend, as you say, have doubtless a title to be so.
Not that I greatly regret it, for dear Georgina distinctly
Wishes for nothing so much as to show her adroitness. But, oh, my
Pen will not write any more;--let us say nothing further about it.
* * * * * * * * * * * * * * * *
Yes, my dear Miss Roper, I certainly called him repulsive;
So I think him, but cannot be sure I have used the expression
Quite as your pupil should; yet he does most truly repel me.
Was it to you I made use of the word? or who was it told you?
Yes, repulsive; observe, it is but when he talks of ideas
That he is quite unaffected, and free, and expansive, and easy;
I could pronounce him simply a cold intellectual being.--
When does he make advances?--He thinks that women should woo him;
Yet, if a girl should do so, would be but alarmed and disgusted.
She that should love him must look for small love in return,--like the ivy
On the stone wall, must expect but a rigid and niggard support, and
E'en to get that must go searching all round with her humble embraces.
II. Claude to Eustace,--from Rome
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poem by Arthur Hugh Clough
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Don Juan: Canto The Fifth
When amatory poets sing their loves
In liquid lines mellifluously bland,
And pair their rhymes as Venus yokes her doves,
They little think what mischief is in hand;
The greater their success the worse it proves,
As Ovid's verse may give to understand;
Even Petrarch's self, if judged with due severity,
Is the Platonic pimp of all posterity.
I therefore do denounce all amorous writing,
Except in such a way as not to attract;
Plain- simple- short, and by no means inviting,
But with a moral to each error tack'd,
Form'd rather for instructing than delighting,
And with all passions in their turn attack'd;
Now, if my Pegasus should not be shod ill,
This poem will become a moral model.
The European with the Asian shore
Sprinkled with palaces; the ocean stream
Here and there studded with a seventy-four;
Sophia's cupola with golden gleam;
The cypress groves; Olympus high and hoar;
The twelve isles, and the more than I could dream,
Far less describe, present the very view
Which charm'd the charming Mary Montagu.
I have a passion for the name of 'Mary,'
For once it was a magic sound to me;
And still it half calls up the realms of fairy,
Where I beheld what never was to be;
All feelings changed, but this was last to vary,
A spell from which even yet I am not quite free:
But I grow sad- and let a tale grow cold,
Which must not be pathetically told.
The wind swept down the Euxine, and the wave
Broke foaming o'er the blue Symplegades;
'T is a grand sight from off 'the Giant's Grave
To watch the progress of those rolling seas
Between the Bosphorus, as they lash and lave
Europe and Asia, you being quite at ease;
There 's not a sea the passenger e'er pukes in,
Turns up more dangerous breakers than the Euxine.
'T was a raw day of Autumn's bleak beginning,
When nights are equal, but not so the days;
The Parcae then cut short the further spinning
Of seamen's fates, and the loud tempests raise
The waters, and repentance for past sinning
[...] Read more


A propos d'Horace
Marchands de grec ! marchands de latin ! cuistres ! dogues!
Philistins ! magisters ! je vous hais, pédagogues !
Car, dans votre aplomb grave, infaillible, hébété,
Vous niez l'idéal, la grâce et la beauté !
Car vos textes, vos lois, vos règles sont fossiles !
Car, avec l'air profond, vous êtes imbéciles !
Car vous enseignez tout, et vous ignorez tout !
Car vous êtes mauvais et méchants ! -- Mon sang bout
Rien qu'à songer au temps où, rêveuse bourrique,
Grand diable de seize ans, j'étais en rhétorique !
Que d'ennuis ! de fureurs ! de bêtises ! -- gredins ! --
Que de froids châtiments et que de chocs soudains !
«Dimanche en retenue et cinq cents vers d'Horace !»
Je regardais le monstre aux ongles noirs de crasse,
Et je balbutiais : «Monsieur... -- Pas de raisons !
Vingt fois l'ode à Panclus et l'épître aux Pisons !»
Or j'avais justement, ce jour là, -- douce idée
Qui me faisait rêver d'Armide et d'Haydée, --
Un rendez-vous avec la fille du portier.
Grand Dieu ! perdre un tel jour ! le perdre tout entier !
Je devais, en parlant d'amour, extase pure !
En l'enivrant avec le ciel et la nature,
La mener, si le temps n'était pas trop mauvais,
Manger de la galette aux buttes Saint-Gervais !
Rêve heureux ! je voyais, dans ma colère bleue,
Tout cet Éden, congé, les lilas, la banlieue,
Et j'entendais, parmi le thym et le muguet,
Les vagues violons de la mère Saguet !
O douleur ! furieux, je montais à ma chambre,
Fournaise au mois de juin, et glacière en décembre ;
Et, là, je m'écriais :
-- Horace ! ô bon garçon !
Qui vivais dans le calme et selon la raison,
Et qui t'allais poser, dans ta sagesse franche,
Sur tout, comme l'oiseau se pose sur la branche,
Sans peser, sans rester, ne demandant aux dieux
Que le temps de chanter ton chant libre et joyeux !
Tu marchais, écoutant le soir, sous les charmilles,
Les rires étouffés des folles jeunes filles,
Les doux chuchotements dans l'angle obscur du bois ;
Tu courtisais ta belle esclave quelquefois,
Myrtale aux blonds cheveux, qui s'irrite et se cabre
Comme la mer creusant les golfes de Calabre,
Ou bien tu t'accoudais à la table, buvant sec
Ton vin que tu mettais toi-même en un pot grec.
Pégase te soufflait des vers de sa narine ;
Tu songeais; tu faisais des odes à Barine,
A Mécène, à Virgile, à ton champ de Tibur,
A Chloë, qui passait le long de ton vieux mur,
[...] Read more
poem by Victor Hugo
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Horace and Lydia Reconciled
HORACE
When you were mine in auld lang syne,
And when none else your charms might ogle,
I'll not deny,
Fair nymph, that I
Was happier than a Persian mogul.
LYDIA
Before she came--that rival flame!--
(Was ever female creature sillier?)
In those good times,
Bepraised in rhymes,
I was more famed than Mother Ilia!
HORACE
Chloe of Thrace! With what a grace
Does she at song or harp employ her!
I'd gladly die
If only I
Might live forever to enjoy her!
LYDIA
My Sybaris so noble is
That, by the gods! I love him madly--
That I might save
Him from the grave
I'd give my life, and give it gladly!
HORACE
What if ma belle from favor fell,
And I made up my mind to shake her,
Would Lydia, then,
Come back again
And to her quondam flame betake her?
LYDIA
My other beau should surely go,
And you alone should find me gracious;
For no one slings
Such odes and things
As does the lauriger Horatius!
poem by Eugene Field
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