Five Pyramidal Stones
Pyramidal stone
Pyramidal stone
Pyramidal stone
Pyramidal stone
Pyramidal stone
poem by Nicolas Grenier
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Post-Modern Culture-Nile Trial in Denial
Post-modern culture lessons few has learned
Years stretched to centuries times forty-eight
Raising structures daring Time's 'dew' date.
Alas tide heralds dust to dust returned,
Mocks mankind's self-pollution coda earned.
Ice cap melt-down Giza, called the Great,
Dares threaten now, its powers bow to Fate,
As boom to bust bricks blow away, wind churned,
Leaves man at sea, too many bridges burned.
Polar pressures crack tectonic plate.
Open options exercised too late
Will mourn lost time when one dawn meets flood stern
Extending over reads, reeds, fern stems drowned,
Returning fallen pride to sea-slush mound.
Post-modern culture, pushy, churns ahead,
Yet spurred by institutions that remain
Resistant to internal change, which train
Ambassadors who vested-interest dread.
Mutant paradox is progress, fed
In bursts which cause, effect, link in a chain,
Driving change at speeds which sorely strain
The habits of the West, life as now led.
Each step Man takes towards the fountainhead
Leaves stranded an environment whose reign
Experience through time seemed prime. Its rein
Seems checked if not checkmated as Fate’s thread
COvers global village through soft sell -
PErmeating all with netted spell...
Post-modern culture thinks itself ahead,
Yet drawn by paradigmns out-dated, vain,
Reminding one of ostrich grounded bane
Administrators innovations dread.
Musings paradoxical are fed
In bursts haphazard cursed by growing pain,
Disturbing eco-systems, sorely strain
Climatic context, for, consumer wed,
Our needs today - tomorrow’s fountainhead -
Leave land exhausted, growth against the grain,
Lead to fields exploited, yields which wane
As nutrients - monopolistic bre[a]d -
Prevent diversity to sound ground’s knell,
SEcond best accept, [l]and poison well.
Post-modern culture boasts empowered creed,
Yet sows its own destruction's seeds as greed
Rears hydra head to grasp Earth's gasp whose need
Aside is thrust as 'progress' must proceed.
Might at zenith, states say guaranteed
[...] Read more
poem by Jonathan Robin
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Turn To Stone
The city streets are empty now the lights dont shine no more
And so the songs are way down low turning turning turning
A sound that flows into my mind the echoes of the daylight
Of everything that is alive in my blue world
I turn to stone when you are gone, I turn to stone.
Turn to stone when you comin home, I cant go on.
The dying embers of the night a fire that slowly fades till dawn
Still glow upon the wall so bright burning burning burning
The tired streets that hide away from here to everywhere they go
Roll past my door into the day in my blue world
I turn to stone when you are gone, I turn to stone.
Turn to stone when you comin home, I cant go on.
Turn to stone when you are gone, I turn to stone.
Yes, Im turnin to stone cos you aint comin home.
Why you aint comin home if Im turnin to stone?
Youve been gone for so long and I cant carry on,
Yes, Im turnin, Im turnin, Im turnin to stone.
The dancing shadows on the wall the two-step in the hall
Are all I see since youve been gone turning turning turning
Through all I sit here and I wait I turn to stone I turn to stone
You will return again some day to my blue world
I turn to stone when you are gone, I turn to stone.
Turn to stone when you comin home, I cant go on.
Turn to stone when you are gone, I turn to stone.
I turn to stone when you are gone, I turn to stone.
Turn to stone when you comin home, I cant go on.
Turn to stone when you are gone, I turn to stone.
song performed by Electric Light Orchestra
Added by Lucian Velea
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Rainy Day Women #12 35
Well, theyll stone ya when youre trying to be so good,
Theyll stone ya just a-like they said they would.
Theyll stone ya when youre tryin to go home.
Then theyll stone ya when youre there all alone.
But I would not feel so all alone,
Everybody must get stoned.
Well, theyll stone ya when youre walkin long the street.
Theyll stone ya when youre tryin to keep your seat.
Theyll stone ya when youre walkin on the floor.
Theyll stone ya when youre walkin to the door.
But I would not feel so all alone,
Everybody must get stoned.
Theyll stone ya when youre at the breakfast table.
Theyll stone ya when you are young and able.
Theyll stone ya when youre tryin to make a buck.
Theyll stone ya and then theyll say, good luck.
Tell ya what, I would not feel so all alone,
Everybody must get stoned.
Well, theyll stone you and say that its the end.
Then theyll stone you and then theyll come back again.
Theyll stone you when youre riding in your car.
Theyll stone you when youre playing your guitar.
Yes, but I would not feel so all alone,
Everybody must get stoned.
Well, theyll stone you when you walk all alone.
Theyll stone you when you are walking home.
Theyll stone you and then say you are brave.
Theyll stone you when you are set down in your grave.
But I would not feel so all alone,
Everybody must get stoned.
song performed by Bob Dylan
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Rainy Day Women #12 & 35
Well, they'll stone ya when you're trying to be so good,
They'll stone ya just a-like they said they would.
They'll stone ya when you're tryin' to go home.
Then they'll stone ya when you're there all alone.
But i would not feel so all alone,
Everybody must get stoned.
Well, they'll stone ya when you're walkin' 'long the street.
They'll stone ya when you're tryin' to keep your seat.
They'll stone ya when you're walkin' on the floor.
They'll stone ya when you're walkin' to the door.
But i would not feel so all alone,
Everybody must get stoned.
They'll stone ya when you're at the breakfast table.
They'll stone ya when you are young and able.
They'll stone ya when you're tryin' to make a buck.
They'll stone ya and then they'll say, "good luck."
Tell ya what, i would not feel so all alone,
Everybody must get stoned.
Well, they'll stone you and say that it's the end.
Then they'll stone you and then they'll come back again.
They'll stone you when you're riding in your car.
They'll stone you when you're playing your guitar.
Yes, but i would not feel so all alone,
Everybody must get stoned.
Well, they'll stone you when you walk all alone.
They'll stone you when you are walking home.
They'll stone you and then say you are brave.
They'll stone you when you are set down in your grave.
But i would not feel so all alone,
Everybody must get stoned.
song performed by Bob Dylan
Added by Lucian Velea
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Daddy Rolling Stone
Girl you think youve had loving,
Girl you think youve had loving,
Girl you think youve had fun,
Girl you think youve had fun,
Girl you aint a seen nothin til I come along.
Girl you aint a seen nothin til I come along.
Im a daddy, Im a daddy, Im a daddy,
Im a daddy, Im a daddy, Im a daddy,
Yeah Im a daddy daddy Im daddy rolling stone.
Yeah Im a daddy daddy Im daddy rolling stone.
I got a friend named cody,
I got a friend named cody,
Hes got a girl named chris,
Hes got a girl named chris,
Im gonna steal that girl though hes twice my size,
Im gonna steal that girl though hes twice my size,
cause I know how to do it like this.
cause I know how to do it like this.
Im a daddy, Im a daddy, Im a daddy,
Im a daddy, Im a daddy, Im a daddy,
Yeah Im a daddy daddy Im daddy rolling stone,
Yeah Im a daddy daddy Im daddy rolling stone,
Im daddy rolling stone, Im daddy rolling stone,
Im daddy rolling stone, Im daddy rolling stone,
Daddy rolling stone, call me daddy rolling stone.
Daddy rolling stone, call me daddy rolling stone.
I said I got a friend named cody,
I said I got a friend named cody,
Hes got a girl named chris,
Hes got a girl named chris,
Im gonna steal that girl though hes twice my size,
Im gonna steal that girl though hes twice my size,
cause I know how to do it like this.
cause I know how to do it like this.
Im a daddy, Im a daddy, Im a daddy, daddy,
Im a daddy, Im a daddy, Im a daddy, daddy,
Im daddy rolling stone, Im daddy rolling stone,
Im daddy rolling stone, Im daddy rolling stone,
Just call me daddy rolling stone dear,
Just call me daddy rolling stone dear,
Long hair long nose, daddy rolling stone.
Long hair long nose, daddy rolling stone.
song performed by Who
Added by Lucian Velea
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The Tower Beyond Tragedy
I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.
[...] Read more
poem by Robinson Jeffers
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Stone Cold
(r palmer)
Hey hey take it from me shes a masterpiece
She ought to have her own show
Oh stone cold
Hey hey take it from me shes a masterpiece
Stone cold in love with you
Could you be ? or van gough
Youre a work of art, my darlin
You are the one I adore
You choose the role to star in
Youve got the part - Im all yours
My hearts in perpetual motion
When you make love with me
Beats so hard we reach an explosion
Of sensuality
You are poetry - I read your lips
They say just kiss me darling
The way you move - the way you speak
I got to have you cos Im stone cold
Hey hey take it from me shes a masterpiece
Stone cold in love with you
She ought to have her own show
Oh stone cold
Hey hey take it from me shes a masterpiece
Stone cold in love with you
Could you be ? or van gough
You want it all - you got it
You take the cake coz you wrote the recipe
You hit the mark
Spot on it
We make the grade coz we got the chemistry
Surfin high on the waves of emotion
When you make love with me
8 miles high and deep as the ocean
Thats how big love should be
Youre a masterpiece - youre made for me
I just couldnt live without you
Say what you want - say what you need
Ill get it for you cos Im stone cold
Hey hey take it from me shes a masterpiece
Im stone cold in love with you
She ought to have her own show
Well stone cold
Hey hey take it from me shes a masterpiece
Im stone cold in love with you
Could you be ? or van gough
My hearts in perpetual motion
When you make love with me
Beats so hard we reach an explosion
Of sensuality
[...] Read more
song performed by Robert Palmer
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Rose Mary
Of her two fights with the Beryl-stone
Lost the first, but the second won.
PART I
“MARY mine that art Mary's Rose
Come in to me from the garden-close.
The sun sinks fast with the rising dew,
And we marked not how the faint moon grew;
But the hidden stars are calling you.
“Tall Rose Mary, come to my side,
And read the stars if you'd be a bride.
In hours whose need was not your own,
While you were a young maid yet ungrown
You've read the stars in the Beryl-stone.
“Daughter, once more I bid you read;
But now let it be for your own need:
Because to-morrow, at break of day,
To Holy Cross he rides on his way,
Your knight Sir James of Heronhaye.
“Ere he wed you, flower of mine,
For a heavy shrift he seeks the shrine.
Now hark to my words and do not fear;
Ill news next I have for your ear;
But be you strong, and our help is here.
“On his road, as the rumour's rife,
An ambush waits to take his life.
He needs will go, and will go alone;
Where the peril lurks may not be known;
But in this glass all things are shown.”
Pale Rose Mary sank to the floor:—
“The night will come if the day is o'er!”
“Nay, heaven takes counsel, star with star,
And help shall reach your heart from afar:
A bride you'll be, as a maid you are.”
The lady unbound her jewelled zone
And drew from her robe the Beryl-stone.
Shaped it was to a shadowy sphere,—
World of our world, the sun's compeer,
That bears and buries the toiling year.
With shuddering light 'twas stirred and strewn
Like the cloud-nest of the wading moon:
Freaked it was as the bubble's ball,
Rainbow-hued through a misty pall
Like the middle light of the waterfall.
Shadows dwelt in its teeming girth
Of the known and unknown things of earth;
The cloud above and the wave around,—
The central fire at the sphere's heart bound,
Like doomsday prisoned underground.
[...] Read more
poem by Dante Gabriel Rossetti
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All Alone
I.
Ah! wherefore by the Church-yard side,
Poor little LORN ONE, dost thou stray?
Thy wavy locks but thinly hide
The tears that dim thy blue-eye's ray;
And wherefore dost thou sigh, and moan,
And weep, that thou art left alone?
II.
Thou art not left alone, poor boy,
The Trav'ller stops to hear thy tale;
No heart, so hard, would thee annoy!
For tho' thy mother's cheek is pale
And withers under yon grave stone,
Thou art not, Urchin, left alone.
III.
I know thee well ! thy yellow hair
In silky waves I oft have seen;
Thy dimpled face, so fresh and fair,
Thy roguish smile, thy playful mien
Were all to me, poor Orphan, known,
Ere Fate had left thee--all alone!
IV.
Thy russet coat is scant, and torn,
Thy cheek is now grown deathly pale!
Thy eyes are dim, thy looks forlorn,
And bare thy bosom meets the gale;
And oft I hear thee deeply groan,
That thou, poor boy, art left alone.
V.
Thy naked feet are wounded sore
With thorns, that cross thy daily road;
The winter winds around thee roar,
The church-yard is thy bleak abode;
Thy pillow now, a cold grave stone--
And there thou lov'st to grieve--alone!
[...] Read more
poem by Mary Darby Robinson
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Eighth Book
ONE eve it happened when I sate alone,
Alone upon the terrace of my tower,
A book upon my knees, to counterfeit
The reading that I never read at all,
While Marian, in the garden down below,
Knelt by the fountain (I could just hear thrill
The drowsy silence of the exhausted day)
And peeled a new fig from that purple heap
In the grass beside her,–turning out the red
To feed her eager child, who sucked at it
With vehement lips across a gap of air
As he stood opposite, face and curls a-flame
With that last sun-ray, crying, 'give me, give,'
And stamping with imperious baby-feet,
(We're all born princes)–something startled me,–
The laugh of sad and innocent souls, that breaks
Abruptly, as if frightened at itself;
'Twas Marian laughed. I saw her glance above
In sudden shame that I should hear her laugh,
And straightway dropped my eyes upon my book,
And knew, the first time, 'twas Boccaccio's tales,
The Falcon's,–of the lover who for love
Destroyed the best that loved him. Some of us
Do it still, and then we sit and laugh no more.
Laugh you, sweet Marian! you've the right to laugh,
Since God himself is for you, and a child!
For me there's somewhat less,–and so, I sigh.
The heavens were making room to hold the night,
The sevenfold heavens unfolding all their gates
To let the stars out slowly (prophesied
In close-approaching advent, not discerned),
While still the cue-owls from the cypresses
Of the Poggio called and counted every pulse
Of the skyey palpitation. Gradually
The purple and transparent shadows slow
Had filled up the whole valley to the brim,
And flooded all the city, which you saw
As some drowned city in some enchanted sea,
Cut off from nature,–drawing you who gaze,
With passionate desire, to leap and plunge,
And find a sea-king with a voice of waves,
And treacherous soft eyes, and slippery locks
You cannot kiss but you shall bring away
Their salt upon your lips. The duomo-bell
Strikes ten, as if it struck ten fathoms down,
So deep; and fifty churches answer it
The same, with fifty various instances.
Some gaslights tremble along squares and streets
The Pitti's palace-front is drawn in fire:
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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The Hill-Top
The burly driver at my side,
We slowly climbed the hill,
Whose summit, in the hot noontide,
Seemed rising, rising still.
At last, our short noon-shadows bid
The top-stone, bare and brown,
From whence, like Gizeh's pyramid,
The rough mass slanted down.
I felt the cool breath of the North;
Between me and the sun,
O'er deep, still lake, and ridgy earth,
I saw the cloud-shades run.
Before me, stretched for glistening miles,
Lay mountain-girdled Squam;
Like green-winged birds, the leafy isles
Upon its bosom swam.
And, glimmering through the sun-haze warm,
Far as the eye could roam,
Dark billows of an earthquake storm
Beflecked with clouds like foam,
Their vales in misty shadow deep,
Their rugged peaks in shine,
I saw the mountain ranges sweep
The horizon's northern line.
There towered Chocorua's peak; and west,
Moosehillock's woods were seem,
With many a nameless slide-scarred crest
And pine-dark gorge between.
Beyond them, like a sun-rimmed cloud,
The great Notch mountains shone,
Watched over by the solemn-browed
And awful face of stone!
'A good look-off!' the driver spake;
'About this time, last year,
I drove a party to the Lake,
And stopped, at evening, here.
'T was duskish down below; but all
These hills stood in the sun,
Till, dipped behind yon purple wall,
He left them, one by one.
'A lady, who, from Thornton hill,
Had held her place outside,
And, as a pleasant woman will,
Had cheered the long, dull ride,
Besought me, with so sweet a smile,
[...] Read more
poem by John Greenleaf Whittier
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The Moon A Blade Of Stillness
The moon a blade of stillness honed on the heart
of a cold, dark night
without lunacy, love, or forgiveness.
Indian tobacco and milkweed pods
like the fossils of shucked clam shells
in the middens of the Neanderthals
or the twisted wombs of fortune cookies
that were long ago cracked open
to spill their good fortune on the wind.
The morning dove of the loveletter flown
they’re left with nothing but the envelope.
The wind gathers and swirls gusts of snow
across the ice-glazed fields
as if someone were about to rail coke on a mirror
like the Milky Way
and blew it big time into a gust of stars.
Venus and the moon,
perfume on a wrist
with a wound and a scar.
The cold air slashes my nostrils.
Only mad dogs and Englishmen
go out in the midday sun.
This is the light-deprived Canadian version
of the same thing
at midnight when everything
is frozen in space and time
like the numb desolation
on the face of a lost Arctic exploration
as if we were all wearing the same death mask
because whether you’re a nationalist,
a naturalist, or just winging it on your own,
when it’s this cold and birds
are dropping from the sky
like words and notes from the lyrics
somebody forgot to mime,
one size fits all.
Lethal the burning clarity of the cold
when it rimes your mouth
with your own breath
with the salt of the earth
and the lime of the moon
as if it were just one big celestial grave pit,
the cold stone of the crone
that buries people in her heart
like a locket she can’t open from the inside.
Life in these brutal windswept fields
desolate as a used calender
or a losing ticket in the lottery
of predictable apocalypses
that didn’t even remotely come true
[...] Read more
poem by Patrick White
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Blind Love
Words and music by tom waits
Now youre gone
And its hotels and whiskey and sad luck days
And I dont care if they miss me
I never remember their names
They say if you get far enough away
Youll be on your way back home
Well Im at the station
And I cant get on the train
Must be blind love
The only kind of love is stone blind love
The only kind of love is stone blind love
The only kind of love is stone blind love
Oh blind love
Blind love
Stone blind love
Stone blind love
Well the streets turning blue
The dogs are barking and the night has come
And its tears that are falling
From these brown eyes now
And I wonder where you are
And I whisper your name
(I whisper your name)
And the only way to find you
Is if I close my eyes
And find you with my blind love
The only kind of love is stone blind love
The only kind of love is stone blind love
The only kind of love is stone blind love
Oh blind love
Blind love
Stone blind love
Stone blind love
Oh its blind love
The only kind of love is stone blind love
The only kind of love is stone blind love
The only kind of love is stone blind love
Oh blind love
Blind love
Stone blind love
song performed by Bob Seger
Added by Lucian Velea
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Fifth Book
AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Poem: Etched In Stone
Ongoing studies of Egyptian history
demonstrate lessons can still be learned.
Their oversized achievements were possible,
by having its peoples' hearts turned…
to the idea of a national identity.
Around the Nile's life giving source,
the commonality of personal survival
eventually produced an effective workforce.
Since times of Middle Eastern antiquity,
the annual flooding of the coastal plains
created the opportunities to trade away
the abundance of flourishing grain.
From enjoying unexpected prosperity,
the human lust for gold, wealth and power
was lavishly made clear by the Pharaohs -
as evidenced on their monuments and towers.
Under the pretense of religiosity,
Pharaoh was supposedly "heaven sent";
for blinded people without vision
will always find having their will bent…
and on their knees, before earthly authority.
With governmental dictates on its population,
the heaping of rock into pyramidal shapes
has resulted in lasting, tourist attractions.
And what else, might one see?
From ancient propaganda on temple walls,
the timeless message of glory and conquest
still beckons everyone to its empire's call.
Is it really true? What else can it be?
What about these ruins are still unknown?
What primeval truths are being promoted?
Seeing they've been… etched in stone.
Author Notes:
Loosely based on:
Gen 47: 13-26
Learn more about me and my poetry at:
http: //www.squidoo.com/book-isbn-1419650513/
[...] Read more
poem by Joseph James Breunig 3rd
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Heart Turns To Stone
The days and nights you sit around wondering where can
She be
Hoping that she might appear, out of nowhere
But you fail to see
All the hurt inside, the wounded pride
Ooh what she went through for you
You cheated and lied, as her love slowly died
And her heart just broke in two
When she was with you, all along
Behind you right or wrong
She tried to hold on, hold on
But you went too far, and shes gone
And now its over and her heart turns to stone
No time for pity, when her heart turns to stone
She cries a little as her heart turns to stone
Shes that kind of woman
Shell do fine on her own
What you thought was a game
A game you were winning
Wouldnt go your way
Now youve lost what you had
And your back to the beginning
Its the price you have to pay
When she was with you, all along
Behind you right or wrong
She tried to hold on, hold on
But you went too far, and shes gone
And now its over and her heart turns to stone
No time for pity, when her heart turns to stone
She cries a little as her heart turns to stone
Shes that kind of woman
Shell get by on her own
She hides the pain
But her heart turns to stone
No time for pity
When her heart turns to stone
She cries sometimes
As her heart turns to stone
Shes that kind of woman
Shell get by on her own
Yeah its over
And her heart turns to stone
Dont look for pity now
When her heart turns to stone
Listen to her cry
Listen to her cry
Shes a woman now
Ooh its a sad thing to see
To see a heart turn to stone
The heart of a woman
[...] Read more
song performed by Foreigner
Added by Lucian Velea
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Stepping Stones
Baby youve been up, broken down
Every man knows your name in this whole damn town
In every bar they know your drink, what should I think
I turned around to look and you gave some dude a wink
I thought Id be happy with a woman like you,
But you walked on my pride and my manhood too
I dont know too much but one thing I know
A man stuck on you is like a stepping stone
Because you keep using me like a stepping stone
Because you keep using me like a stepping stone
Because you keep using me like a stepping stone
Because you keep using me like a stepping stone
What you forgot to mention, what was your real intention
Did you want a man to love, or someone to prop and carry you up
To a higher status, but the matter of fact is, your detachment
Will bring you further down and now youre all used up
Dont bother coming round
Because you keep using me like a stepping stone
Because you keep using me like a stepping stone
Because you keep using me like a stepping stone
Because you keep using me like a stepping stone
Well, I remember back to waht you put me thru
I keep thinking to myself
Whats wrong with you
Aint it enough to have a man for a lover and a friend
Tear him up and leave him when the moneys spent
Well, youre just like delilah sittin in her den
You take the strongest man and break em down again
But I have gained some knowledge
Go on pack your things and move back to college
Because you keep using me like a stepping stone
Because you keep using me like a stepping stone
Because you keep using me like a stepping stone
Because you keep using me like a stepping stone
song performed by G. Love & Special Sauce
Added by Lucian Velea
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Stone Cold
Every night I have the same old dream
bout you and me and whats in between
So many changes, so many lies
Try to run, try to hide
>from everything that I feel inside
But I cant escape you or your frozen eyes...
Searching in the darkness
Fading out of sight
Love was here and gone like a thief in the night...
Stone cold...
And I thought I knew you so well
Stone cold
Cant break away from your spell
Another dark and empty night
If I was wrong I wanna make it right
But you are so distant, so far away
Your words like ice fall on the ground
Breaking the silence without a sound
Oh familiar strangers with nothing to say
Searching in the darkness
Fading out of sight
Love was here and gone like a thief in the night...
Stone cold...
And I thought I knew you so well...
Stone cold
Cant break away from your spell...
You leave me stone cold
Searching in the darkness
Fading out of sight
Love was here and gone like a thief in the night...
Stone cold...
And I thought I knew you so well
Stone cold
Cant break away from your spell
Youre stone cold...yeah
I cant break away from your spell
Stone cold...baby
I thought I knew you so well
Youre stone cold...ice cold
Cant break away from your spell
(you put me in the deep freeze)
(oh baby dont you leave me)
(stone...cold, your leavin me cold)
Stone cold...i thought I knew you so well
Stone cold...cant break away from your spell
Repeat til fade
song performed by Rainbow
Added by Lucian Velea
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Fresh Air
I
At the Poem Society a black-haired man stands up to say
“You make me sick with all your talk about restraint and mature talent!
Haven’t you ever looked out the window at a painting by Matisse,
Or did you always stay in hotels where there were too many spiders crawling on your visages?
Did you ever glance inside a bottle of sparkling pop,
Or see a citizen split in two by the lightning?
I am afraid you have never smiled at the hibernation
Of bear cubs except that you saw in it some deep relation
To human suffering and wishes, oh what a bunch of crackpots!”
The black-haired man sits down, and the others shoot arrows at him.
A blond man stands up and says,
“He is right! Why should we be organized to defend the kingdom
Of dullness? There are so many slimy people connected with poetry,
Too, and people who know nothing about it!
I am not recommending that poets like each other and organize to fight them,
But simply that lightning should strike them.”
Then the assembled mediocrities shot arrows at the blond-haired man.
The chairman stood up on the platform, oh he was physically ugly!
He was small-limbed and –boned and thought he was quite seductive,
But he was bald with certain hideous black hairs,
And his voice had the sound of water leaving a vaseline bathtub,
And he said, “The subject for this evening’s discussion is poetry
On the subject of love between swans.” And everyone threw candy hearts
At the disgusting man, and they stuck to his bib and tucker,
And he danced up and down on the platform in terrific glee
And recited the poetry of his little friends—but the blond man stuck his head
Out of a cloud and recited poems about the east and thunder,
And the black-haired man moved through the stratosphere chanting
Poems of the relationships between terrific prehistoric charcoal whales,
And the slimy man with candy hearts sticking all over him
Wilted away like a cigarette paper on which the bumblebees have urinated,
And all the professors left the room to go back to their duty,
And all that were left in the room were five or six poets
And together they sang the new poem of the twentieth century
Which, though influenced by Mallarmé, Shelley, Byron, and Whitman,
Plus a million other poets, is still entirely original
And is so exciting that it cannot be here repeated.
You must go to the Poem Society and wait for it to happen.
Once you have heard this poem you will not love any other,
Once you have dreamed this dream you will be inconsolable,
Once you have loved this dream you will be as one dead,
Once you have visited the passages of this time’s great art!
2
“Oh to be seventeen years old
Once again,” sang the red-haired man, “and not know that poetry
[...] Read more
poem by Kenneth Koch
Added by Poetry Lover
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The Task: Book VI. -- The Winter Walk at Noon
There is in souls a sympathy with sounds;
And as the mind is pitch’d the ear is pleased
With melting airs, or martial, brisk, or grave:
Some chord in unison with what we hear
Is touch’d within us, and the heart replies.
How soft the music of those village bells,
Falling at intervals upon the ear
In cadence sweet, now dying all away,
Now pealing loud again, and louder still,
Clear and sonorous, as the gale comes on!
With easy force it opens all the cells
Where Memory slept. Wherever I have heard
A kindred melody, the scene recurs,
And with it all its pleasures and its pains.
Such comprehensive views the spirit takes,
That in a few short moments I retrace
(As in a map the voyager his course)
The windings of my way through many years.
Short as in retrospect the journey seems,
It seem’d not always short; the rugged path,
And prospect oft so dreary and forlorn,
Moved many a sigh at its disheartening length.
Yet, feeling present evils, while the past
Faintly impress the mind, or not at all,
How readily we wish time spent revoked,
That we might try the ground again, where once
(Through inexperience, as we now perceive)
We miss’d that happiness we might have found!
Some friend is gone, perhaps his son’s best friend,
A father, whose authority, in show
When most severe, and mustering all its force,
Was but the graver countenance of love:
Whose favour, like the clouds of spring, might lower,
And utter now and then an awful voice,
But had a blessing in its darkest frown,
Threatening at once and nourishing the plant.
We loved, but not enough, the gentle hand
That rear’d us. At a thoughtless age, allured
By every gilded folly, we renounced
His sheltering side, and wilfully forewent
That converse, which we now in vain regret.
How gladly would the man recall to life
The boy’s neglected sire! a mother too,
That softer friend, perhaps more gladly still,
Might he demand them at the gates of death.
Sorrow has, since they went, subdued and tamed
The playful humour; he could now endure
(Himself grown sober in the vale of tears)
And feel a parent’s presence no restraint.
But not to understand a treasure’s worth
[...] Read more
poem by William Cowper
Added by Poetry Lover
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