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Finger

Fingers are like hands of the clock,
And towers rely on so many hands to mock.

poem by Naveed Akram
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

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poem by Conrad Potter Aiken
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Rely On Me

Writers: leo sayer & alan tarney
Rely on me
Devil take tomorrow
Take these blues away
Too much pain and sorrow
All our yesterdays
Theres a world a waiting
Where you reap just what you sow
No good contemplating
So come with me and watch it grow
Rely on me
Rely on me
Rely on me
I will set you free
Ill break down the walls and set you free
Moon is bright in my sky
Nightingale sings sweet sweet
Youre the song in my heart
Put your faith in me
Lets not cool the spirit
Waste each others time
Its my world I want you in it
Trust in me and what were sure to find
Rely on me
Rely on me
Rely on me
I will set you free
Ill break down the walls and set you free
Rely on me
Rely on me
Rely on me
I will set you free
Ill break down the walls and set you free

song performed by Leo Sayer
Added by Lucian Velea
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At Six O'clock

I heard the Ave Maria at six o'clock,
Today hear crimes on the radio at six o'clock.
I watched The Little Princess on tv at six o'clock,
Today watch explicit sex at six o’clock.
I was playing catch-up with my friends at six o'clock,
Today lonely children play atari at six o'clock.
I drank hot soup at six o’clock,
Today guys smoke crack at six o'clock.
I prayed to the guardian angel at six o'clock,
Today they kill people at six o'clock.
I studied algebra at six o'clock,
Today are planned crimes at six o'clock.
I was happy at six o'clock,
Today are all scared at six o'clock.

Parody in honor of Llorca

poem by Aschelminto Da Silva
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Rich Girl

Youre a rich girl, and youve gone too far
cause you know it dont matter anyway
You can rely on the old mans money
You can rely on the old mans money
I ts a bitch girl but its gone too far
cause you know it dont matter anyway
Say money but it wont get you too far,
Get you too far
And dont you know, dont you know
That its wrong to take what is given you
So far gone, on your own
You can get along if you try to be strong
But youll never be strong
cause
Youre a rich girl, and youve gone too far
cause you know it dont matter anyway
You can rely on the old mans money
You can rely on the old mans money
Its a bitch girl and its gone too far
cause you know it dont matter anyway
Say money but it wont get you too far,
Get you too far
High and dry, out of the rain
Its so easy to hurt others when you cant feel pain
And dont you know that a love cant grow
cause theres too much to give, cause youd rather live
For the thrill of it all, oh
Youre a rich girl, and youve gone too far
cause you know it dont matter anyway
You can rely on the old mans money
You can rely on the old mans money
Its a bitch girl and its gone too far
cause you know it dont matter anyway
Say money but it wont get you too far,
Say money but it wont get you too far,
Say money but it wont get you too far,
Get you too far
And you say
You can rely on the old mans money
You can rely on the old mans money
Youre a rich girl, a rich girl
Oh, youre a rich rich girl yeah
Say money but it wont get you too far,
Oh, get ya too far

song performed by Hall & Oates
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The clock is clicking

The clock is clicking
It is clicking to show just then
A time span of one second
Has become the past
The clock is clicking

Each click means a step
Towards your progress and growth
Optimistic wisdom says
The clock is clicking

Each click means a nail
Onto your coffin
Philosophical wisdom says
The clock is clicking

Each click means the arrival
Of a child in India
Population expert worries
The clock is clicking

Each click means the committal
Of a crime
Police personnel observes
The clock is clicking

Each click means a travel of 2.5 km
In space of the earth's surface
Astromer estimates
The clock is clicking

Each click means a change
In fortune of an individual
Astrologer announces
The clock is clicking

Each click means the admission
Of a heart patient
Health specialist heaves
The clock is clicking

Each click means the drain
Of my battery
The clock cries within
The clock is clicking

Let the clock be clicking
Let any one have his or her inkling
Let us be lively and kicking
Let nothing stop us becoming a king

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poem by Bashyam Narayanan
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The Lay of the Last Minstrel: Canto IV.

I
Sweet Teviot! on thy silver tide
The glaring bale-fires blaze no more;
No longer steel-clad warrior ride
Along thy wild and willow'd shore
Where'er thou wind'st, by dale or hill
All, all is peaceful, all is still,
As if thy waves, since Time was born
Since first they roll'd upon the Tweed,
Had only heard the shepherd's reed,
Nor started at the bugle-horn.

II
Unlike the tide of human time,
Which, though it change in ceaseless flow
Retains each grief, retains each crime
Its earliest course was doom'd to know;
And, darker as it downward bears,
Is stain'd with past and present tears
Low as that tide has ebb'd with me,
It still reflects to Memory's eye
The hour my brave, my only boy
Fell by the side of great Dundee.
Why, when the volleying musket play'd
Against the bloody Highland blade,
Why was not I beside him laid!
Enough, he died the death of fame;
Enough, he died with conquering Graeme.

III
Now over Border dale and fell
Full wide and far was terror spread;
For pathless marsh, and mountain cell,
The peasant left his lowly shed.
The frighten'd flocks and herds were pent
Beneath the peel's rude battlement;
And maids and matrons dropp'd the tear,
While ready warriors seiz'd the spear.
From Branksome's towers, the watchman's eye
Dun wreaths of distant smoke can spy,
Which, curling in the rising sun,
Show'd southern ravage was begun.

IV
Now loud the heedful gate-ward cried-
'Prepare ye all for blows and blood!
Watt Tinlinn, from the Liddel-side
Comes wading through the flood.
Full oft the Tynedale snatchers knock
At his lone gate, and prove the lock;

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poem by Sir Walter Scott
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Look at The Clock!' : Patty Morgan The Milkmaid's Story

FYTTE I.

'Look at the Clock!' quoth Winifred Pryce,
As she open'd the door to her husband's knock,
Then paus'd to give him a piece of advice,
'You nasty Warmint, look at the Clock!
Is this the way, you
Wretch, every day you
Treat her who vow'd to love and obey you?
Out all night!
Me in a fright;
Staggering home as it's just getting light!
You intoxified brute! you insensible block!
Look at the Clock!-- Do!-- Look at the Clock!'

Winifred Pryce was tidy and clean,
Her gown was a flower'd one, her petticoat green,
Her buckles were bright as her milking cans,
And her hat was a beaver, and made like a man's;
Her little red eyes were deep set in their socket-holes,
Her gown-tail was turn'd up, and tuck'd through the pocket-holes:
A face like a ferret
Betoken'd her spirit:
To conclude, Mrs. Pryce was not over young,
Had very short legs, and a very long tongue.

Now David Pryce
Had one darling vice;
Remarkably partial to anything nice,
Nought that was good to him came amiss,
Whether to eat, or to drink, or to kiss!
Especially ale --
If it was not too stale
I really believe he'd have emptied a pail;
Not that in Wales
They talk of their Ales;
To pronounce the word they make use of might trouble you,
Being spelt with a C, two Rs, and a W.

That particular day,
As I've heard people say,
Mr. David Pryce had been soaking his clay,
And amusing himself with his pipe and cheroots,
The whole afternoon at the Goat in Boots,
With a couple more soakers,
Thoroughbred smokers,
Both, like himself, prime singers and jokers;
And, long after day had drawn to a close,
And the rest of the world was wrapp'd in repose,
They were roaring out 'Shenkin!' and 'Ar hydd y nos;'

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poem by Richard Harris Barham
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I Cant Rely On You

Im feeling my mind is
Blowing me out of place right now
I cannot deny it
So I wont and I keep defying
Those lies you toss, your fake loves a loss
Is why I cant rely and have no trust
In you - yes, its true, Im thru with you
Cause if I look back this aint straight out of the blue
Hah - you dont have a clue - but - whats up
With all of these times when you never stood by me
You never been with me, you never said once at all that youd miss me
I cant deny its true - I cant rely on you
Chorus:
Dont have no faith no more in you
I cant rely on you
Cant walk a mile no more with you
I cant rely on you
Youre full of lies and nothings true
I cant rely on you
I know its tough but true - I cant rely on you
I wonder have you once
Tried to walk the way I thought we could
Selfrighteous, all you stress
What was right, what was wrong, let me guess
The thing was never born guess
Ive been ripped and torn
Just to please your life but now I feel scorn
You fool - what do you think I am? - a tool?
I sure will forget your name
Cool, cause I cant stand or understand
Just how much for your sake,
Just how much I could take
When you were trying to break,
When you were trying to fake
The whole world I tried to save but now I just hate
I cant deny its true - I cant rely on you

song performed by H-BlockX
Added by Lucian Velea
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The Cremona Violin

Part First

Frau Concert-Meister Altgelt shut the door.
A storm was rising, heavy gusts of wind
Swirled through the trees, and scattered leaves before
Her on the clean, flagged path. The sky behind
The distant town was black, and sharp defined
Against it shone the lines of roofs and towers,
Superimposed and flat like cardboard flowers.

A pasted city on a purple ground,
Picked out with luminous paint, it seemed. The cloud
Split on an edge of lightning, and a sound
Of rivers full and rushing boomed through bowed,
Tossed, hissing branches. Thunder rumbled loud
Beyond the town fast swallowing into gloom.
Frau Altgelt closed the windows of each room.

She bustled round to shake by constant moving
The strange, weird atmosphere. She stirred the fire,
She twitched the supper-cloth as though improving
Its careful setting, then her own attire
Came in for notice, tiptoeing higher and higher
She peered into the wall-glass, now adjusting
A straying lock, or else a ribbon thrusting

This way or that to suit her. At last sitting,
Or rather plumping down upon a chair,
She took her work, the stocking she was knitting,
And watched the rain upon the window glare
In white, bright drops. Through the black glass a flare
Of lightning squirmed about her needles. 'Oh!'
She cried. 'What can be keeping Theodore so!'

A roll of thunder set the casements clapping.
Frau Altgelt flung her work aside and ran,
Pulled open the house door, with kerchief flapping
She stood and gazed along the street. A man
Flung back the garden-gate and nearly ran
Her down as she stood in the door. 'Why, Dear,
What in the name of patience brings you here?

Quick, Lotta, shut the door, my violin
I fear is wetted. Now, Dear, bring a light.
This clasp is very much too worn and thin.
I'll take the other fiddle out to-night
If it still rains. Tut! Tut! my child, you're quite
Clumsy. Here, help me, hold the case while I -
Give me the candle. No, the inside's dry.

[...] Read more

poem by Amy Lowell
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OBIIT MDCCCXXXIII (Entire)

Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
Thine are these orbs of light and shade;
Thou madest Life in man and brute;
Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.

Thou wilt not leave us in the dust:
Thou madest man, he knows not why,
He thinks he was not made to die;
And thou hast made him: thou art just.

Thou seemest human and divine,
The highest, holiest manhood, thou:
Our wills are ours, we know not how;
Our wills are ours, to make them thine.

Our little systems have their day;
They have their day and cease to be:
They are but broken lights of thee,
And thou, O Lord, art more than they.

We have but faith: we cannot know;
For knowledge is of things we see;
And yet we trust it comes from thee,
A beam in darkness: let it grow.

Let knowledge grow from more to more,
But more of reverence in us dwell;
That mind and soul, according well,
May make one music as before,

But vaster. We are fools and slight;
We mock thee when we do not fear:
But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.

Forgive what seem’d my sin in me;
What seem’d my worth since I began;
For merit lives from man to man,
And not from man, O Lord, to thee.

Forgive my grief for one removed,
Thy creature, whom I found so fair.
I trust he lives in thee, and there
I find him worthier to be loved.

Forgive these wild and wandering cries,

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poem by Alfred Lord Tennyson
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Death In The Arctic

I

I took the clock down from the shelf;
"At eight," said I, "I shoot myself."
It lacked a minute of the hour,
And as I waited all a-cower,
A skinful of black, boding pain,
Bits of my life came back again. . . .

"Mother, there's nothing more to eat --
Why don't you go out on the street?
Always you sit and cry and cry;
Here at my play I wonder why.
Mother, when you dress up at night,
Red are your cheeks, your eyes are bright;
Twining a ribband in your hair,
Kissing good-bye you go down-stair.
Then I'm as lonely as can be.
Oh, how I wish you were with me!
Yet when you go out on the street,
Mother, there's always lots to eat. . . ."

II

For days the igloo has been dark;
But now the rag wick sends a spark
That glitters in the icy air,
And wakes frost sapphires everywhere;
Bright, bitter flames, that adder-like
Dart here and there, yet fear to strike
The gruesome gloom wherein they lie,
My comrades, oh, so keen to die!
And I, the last -- well, here I wait
The clock to strike the hour of eight. . . .

"Boy, it is bitter to be hurled
Nameless and naked on the world;
Frozen by night and starved by day,
Curses and kicks and clouts your pay.
But you must fight! Boy, look on me!
Anarch of all earth-misery;
Beggar and tramp and shameless sot;
Emblem of ill, in rags that rot.
Would you be foul and base as I?
Oh, it is better far to die!
Swear to me now you'll fight and fight,
Boy, or I'll kill you here to-night. . . ."

III

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poem by Robert William Service
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Idylls of the King: The Last Tournament (excerpt)

Dagonet, the fool, whom Gawain in his mood
Had made mock-knight of Arthur's Table Round,
At Camelot, high above the yellowing woods,
Danced like a wither'd leaf before the hall.
And toward him from the hall, with harp in hand,
And from the crown thereof a carcanet
Of ruby swaying to and fro, the prize
Of Tristram in the jousts of yesterday,
Came Tristram, saying, "Why skip ye so, Sir Fool?"

For Arthur and Sir Lancelot riding once
Far down beneath a winding wall of rock
Heard a child wail. A stump of oak half-dead.
From roots like some black coil of carven snakes,
Clutch'd at the crag, and started thro' mid air
Bearing an eagle's nest: and thro' the tree
Rush'd ever a rainy wind, and thro' the wind
Pierced ever a child's cry: and crag and tree
Scaling, Sir Lancelot from the perilous nest,
This ruby necklace thrice around her neck,
And all unscarr'd from beak or talon, brought
A maiden babe; which Arthur pitying took,
Then gave it to his Queen to rear: the Queen
But coldly acquiescing, in her white arms
Received, and after loved it tenderly,
And named it Nestling; so forgot herself
A moment, and her cares; till that young life
Being smitten in mid heaven with mortal cold
Past from her; and in time the carcanet
Vext her with plaintive memories of the child:
So she, delivering it to Arthur, said,
"Take thou the jewels of this dead innocence,
And make them, an thou wilt, a tourney-prize."

To whom the King, "Peace to thine eagle-borne
Dead nestling, and this honour after death,
Following thy will! but, O my Queen, I muse
Why ye not wear on arm, or neck, or zone
Those diamonds that I rescued from the tarn,
And Lancelot won, methought, for thee to wear."

"Would rather you had let them fall," she cried,
"Plunge and be lost--ill-fated as they were,
A bitterness to me!--ye look amazed,
Not knowing they were lost as soon as given--
Slid from my hands, when I was leaning out
Above the river--that unhappy child
Past in her barge: but rosier luck will go
With these rich jewels, seeing that they came
Not from the skeleton of a brother-slayer,

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poem by Alfred Lord Tennyson
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The Last Tournament

Dagonet, the fool, whom Gawain in his mood
Had made mock-knight of Arthur's Table Round,
At Camelot, high above the yellowing woods,
Danced like a withered leaf before the hall.
And toward him from the hall, with harp in hand,
And from the crown thereof a carcanet
Of ruby swaying to and fro, the prize
Of Tristram in the jousts of yesterday,
Came Tristram, saying, `Why skip ye so, Sir Fool?'

For Arthur and Sir Lancelot riding once
Far down beneath a winding wall of rock
Heard a child wail. A stump of oak half-dead,
From roots like some black coil of carven snakes,
Clutched at the crag, and started through mid air
Bearing an eagle's nest: and through the tree
Rushed ever a rainy wind, and through the wind
Pierced ever a child's cry: and crag and tree
Scaling, Sir Lancelot from the perilous nest,
This ruby necklace thrice around her neck,
And all unscarred from beak or talon, brought
A maiden babe; which Arthur pitying took,
Then gave it to his Queen to rear: the Queen
But coldly acquiescing, in her white arms
Received, and after loved it tenderly,
And named it Nestling; so forgot herself
A moment, and her cares; till that young life
Being smitten in mid heaven with mortal cold
Past from her; and in time the carcanet
Vext her with plaintive memories of the child:
So she, delivering it to Arthur, said,
`Take thou the jewels of this dead innocence,
And make them, an thou wilt, a tourney-prize.'

To whom the King, `Peace to thine eagle-borne
Dead nestling, and this honour after death,
Following thy will! but, O my Queen, I muse
Why ye not wear on arm, or neck, or zone
Those diamonds that I rescued from the tarn,
And Lancelot won, methought, for thee to wear.'

`Would rather you had let them fall,' she cried,
`Plunge and be lost-ill-fated as they were,
A bitterness to me!-ye look amazed,
Not knowing they were lost as soon as given-
Slid from my hands, when I was leaning out
Above the river-that unhappy child
Past in her barge: but rosier luck will go
With these rich jewels, seeing that they came
Not from the skeleton of a brother-slayer,

[...] Read more

poem by Alfred Lord Tennyson
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Narrative And Dramatic The Wanderings Of Oisin

BOOK I

S. Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.

Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,

But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft bosom rose and fell.

S. Patrick. You are still wrecked among heathen dreams.

Oisin. 'Why do you wind no horn?' she said
'And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'

'O pleasant woman,' answered Finn,
'We think on Oscar's pencilled urn,
And on the heroes lying slain

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poem by William Butler Yeats
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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst

[...] Read more

poem by Caroline Elizabeth Sarah Norton
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The Charnel Rose: A Symphony

She rose in moonlight, and stood, confronting sea,
With her bare arms uplifted,
And lifted her voice in the silence foolishly:
And her face was small, and her voice was small.
'O moon!' she cried, 'I think how you must tire
Forever circling earth, so silently;
Earth, who is dark and makes you no reply.'
She only heard the little waves rush and fall;
And saw the moon go quietly down the sky.

Like a white figurehead in the seafaring wind,
She stood in the moonlight,
And heard her voice cry, ghostly and thinned,
Over the seethe of foam,
Saying, 'O numberless waters, I think it strange
How you can always shadow her face, and change
And yet never weary of her, having no ease.'
But the sea said nothing, no word at all:
Unquietly, as in sleep, she saw it rise and fall;
And the moon spread a net of silver over the foam.

She lifted her hands and let them fall again,
Impatient of the silence. And in despair,
Hopeless of final answer against her pain,
She said, to the stealthy air,
'O air, far traveller, who from the stars are blown,
Float pollen of suns, you are an unseen sea
Lifting and bearing the words, eternally.
O air, do you not weary of your task?'
- She stood in the silence, frightened and alone,
And heard her syllables ask and ask.

And then, as she walked in the moonlight, so alone,
Lost and small in a soulless sea,
Hearing no voice make answer to her own,
From that infinity, -
Suddenly she was aware of a low whisper,
A dreadful heartless sound; and she stood still, -
There in the beach grass, on a sandy hill, -
And heard the stars, making a ghostly whisper;
And the soulless whisper of sun and moon and tree;
And the sea, rising and falling with a blind moan.

And as she faded into the night,
A glimmer of white,
With her arms uplifted and her face bowed down;
Sinking, again, into the sleep of sands,
The sea-sands white and brown;
Or among the sea-grass rustling as one more blade,
Pushing before her face her cinquefoil hands;

[...] Read more

poem by Conrad Potter Aiken
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The Grandfather Clock

The old Tudor house was half-timbered and gaunt,
Was gloomy and dim in the hall,
And time had stood still, since my father was born,
In the clock that had stood by the wall.
Its pendulum hung, never making a sound
I'd never so much heard it chime,
But then, on the day that my Dad passed away,
Its tick had begun to keep time.

My mother was dead and my father was gone,
The half-timbered house passed to me,
I wandered its passages, sad and distraught,
As lonely as one man could be!
I'd sit in the lounge and I'd read by a lamp
With the rest of the house cloaked in gloom,
And heard the dread tick of that grandfather clock
As it echoed in time through the room!

Each tick was a portent, the passing of life,
Each tock brought me nearer to death,
I'd listen for noises, the timber that creaked,
Sit terrified, holding my breath!
The warm summer showers pit-pattered the thatch,
The wind would sough-sough at the eaves,
And summer passed quickly to autumn that year
In a thick golden carpet of leaves.

I never once wound up that grandfather clock,
I waited for it to wind down,
But like a tap dripping, it never would stop
I felt I was starting to drown.
I found in the library's masses of books
An ancient collection of tomes,
And one that was covered in leather, I looked,
And read, and I wished that I'd known!

Sir Richard FitzWalter had lived in that house,
And he it was, ordered the clock,
He'd fought against Cromwell for Charlie the First
‘Til Charles lost his head on the block!
He'd fled to the country, was caught in the house,
And hanged on the tree by the gate,
His wife, Lady Mary, had begged for his life
But the Roundheads had jeered: ‘You're too late! '

She left them, went sobbing back into the hall
And she clung to the grandfather clock,
But just as her husband, his heart ceased to beat,
She heard that the ticking had stopped.
That clock never ran for the rest of her life,

[...] Read more

poem by David Lewis Paget
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I Dreamed.... (Hands)

i dreamed last night...
and all i could see were hands.
sometimes hard and calloused,
sometimes soft and feminine.
skilled hands, laborer's hands,
loving hands, nurturing hands....
fingers digging in the dirt,
fingers holding a pen.
fingers playing a piano,
fingers unbuttoning blouses.

hands extended, hands gripping the rope,
hands holding the shovel,
hands covered with resin.
hands folded in prayer,
hands balled into fists.
hands stuffed in empty pockets.
hands that define both history,
and destiny!

hands scarred and bruised,
hands covered with age spots.
hands that speak many languages.
hands that know mistakes, and failures.
hands that built fires,
hands that put fires out!
hands that wiped away tears,
that picked up trash,
and revealed souls....

whose hands?
my hands, your hands?
god's hands?
does it really matter?
hands engaged and involved,
in the very act of living!

poem by Eric Cockrell
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Five O'Clock 500

Album: For The Record
Just punched the clock and boy am I ready
Walkin' out the door a-headin' home
It's time to buckle up again
In my rolling hunk of tin
It's quittin' time the evenin' race is on
It's that five o'clock 500 and I run it every day
Pick-up trucks, cars and buses all in my way
We've got Darrel, we've got Dale,
Richard, Mark, Rusty and Jeff
Oh, the boss just dropped the green we're on our way
It's that five o'clock 500 every day
Oh, Bubba's runnin' right on my bumper
Pushin' me but there's no where to go
Lane changin' left and right
Blowin' horns and blinkin' lights
Oh, the fast lane has never been so slow
It's that five o'clock 500 and I run it every day
Pick-up trucks, cars and buses all in my way
We've got Darrel, we've got Dale,
Richard, Mark, Rusty and Jeff
Well, the boss just dropped the green we're on our way
It's that five o'clock 500 every day
Well, the caution is out we're at a stand-still
Heard there's construction up ahead
Won't be long so they say
Soon we'll all be on our way
Some trucker on the CB just said
It's that five o'clock 500 and I run it every day
Pick-up trucks, cars and buses all in my way
We've got Darrel, we've got Dale,
Richard, Mark, Rusty and Jared
Oh, the boss just dropped the green we're on our way
It's that five o'clock 500, five o'clock 500,
Five o'clock 500 every day
Every day, every day, every day...

song performed by Alabama
Added by Lucian Velea
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The Nurse's Watch

From 'The Boy's Wonderhorn'

The moon it shines,
My darling whines;
The clock strikes twelve:--God cheer
The sick both far and near.
God knoweth all;
Mousy nibbles in the wall;
The clock strikes one:--like day,
Dreams o'er thy pillow play.
The matin-bell
Wakes the nun in convent cell;
The clock strikes two:--they go
To choir in a row.
The wind it blows,
The cock he crows;
The clock strikes three:--the wagoner
In his straw bed begins to stir.
The steed he paws the floor,
Creaks the stable door;
The clock strikes four:--'tis plain
The coachman sifts his grain.
The swallow's laugh the still air shakes,
The sun awakes;
The clock strikes five:--the traveler must be gone,
He puts his stockings on.
The hen is clacking,
The ducks are quacking;
The clock strikes six:--awake, arise,
Thou lazy hag; come, ope thy eyes.
Quick to the baker's run;
The rolls are done;
The clock strikes seven:--
'Tis time the milk were in the oven.
Put in some butter, do,
And some fine sugar, too;
The clock strikes eight:--
Now bring my baby's porridge straight.

poem by Clemens Maria Brentano
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