150
Expostulation on many words depends;
clarification on few.
poem by Morgan Michaels
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Expostulation and Reply after Wordsworth
EXPOSTULATION AND REPLY AFTER WORDSWORTH
'Why, Rachel, on this online site,
thus for the length of five full years,
why, Rachel, archive, when your light
and dreams deserve three cheers?
Where is your Ph.D. well earned
now being well formed body, mind?
Down! downstream paddle, channel churned,
to Paris, Sorbonne find.
You look round on your Nottingham,
while reading Reading is too small,
while Oxenforde and Bridge on Cam,
slight fame may offer if at all! '
'One day near Sherwood Forest green,
saw sweet life vanished with the deer,
Good Robin's phantom moonlit seen,
one midnight did appear.
The inner eye beyond the sea
must list to voice for choice few hear;
our astral bodies feel they be,
blown to a fresh career.
More heed! Deem dreams of unseen Powers
impressed upon our minds may show
the way to active growth, joy's flowers
spurn passive wait, must grow..
The sober tenor of old ways,
their universal hustle, bustle,
seems too self-centered, time peels days
fresh challenge seek, mind muscle.
Ask no longer why, alone,
through contest answer's sought,
but act, abandon old grey stone,
spend time in play, ball caught...'
24 January 2010
Parody William Wordsworth 1770_1850 Expostulation and Reply
robi03_1960_robi03_0000 PWX_MXX
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIIIIIIIIIIIIIIIIIII
EXPOSTULATION AND REPLY
'Why, William, on that old grey stone,
Thus for the length of half a day,
Why, William, sit you thus alone,
[...] Read more
poem by Jonathan Robin
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Also see the following:
- quotes about archives
- quotes about grey
- quotes about intellect
- quotes about time
- quotes about dreaming
- quotes about elders
- quotes about birth
- quotes about eyes
- quotes about life
Reminders
Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As word
s confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.
song performed by Feeder
Added by Lucian Velea
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Epitaph on an Unread Verse after William Carlos Williams' Red Wheelbarrow
This is just to play on plum phrases
hibernating in your brainbox,
which your neurones were probably waiting for
to break free fast.
Forgive me their taste is delicious,
so neat and so bold.
An agèd poet with hollow laughter
swiftly sprayed her incisive syllables
in consonant activity and, yearning,
paid [s]lip service:
so much depends
upon lifelong learning's expectations,
an unread verse [s]pokes for comments,
reigns above lily-livered chicken-hearted critics
before a blank screen.
so much more depends
upon monochromatic ash clouds
glazed with silicates
beside Icelandic
eruptions.
Life is verse role-reversing uninclined ignorance
shadowing dis...inclined ink lined page.
(Revised 3 October 2009 and19 Aptil 2010)
This is Just to Say
I have eaten
the plums
that were in
the icebox
and which
you were probably
saving
for breakfast
Forgive me
they were delicious
so sweet
and so cold
William Carlos Williams 1883_1963
Variation on a Theme by William Carlos Williams
1 I chopped down the house that you had been saving to live in next summer. I am sorry, but it was morning, and I had nothing to do and its wooden beams were so inviting.
[...] Read more
poem by Jonathan Robin
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Also see the following:
- quotes about red
- quotes about forgiveness
- quotes about heart
- quotes about white
- quotes about rain
- quotes about turtles
- quotes about yellow
- quotes about writers
- quotes about poetry
Miss Reid's Speed Seeds Misread Red Weed Barrow Greed Screed
Miss Reid's Speed Seeds Misread Red Weed Barrow Greed Screed
So much depends upon callow Monsanto’s
arrow minded rein reign
glazed with gain and, again, phrased with pain,
wheedling sallow farmers who see red
forced to furrow b[l]ushels of transgenic sterile crop seeds
on narrow plain
lots which soon lie fallow
rather than wide marrow
raised with rain
and fertile appetizers
Need greed's speed weed reeds
beside white ants’
terror might nest?
Fazed again, who chickens out of errors?
12 October 2009 robi3_1928_will5_0006 PVW_JNX
Parody William Carlos Williams 1883_1963 The Red Wheelbarrow
The Red Wheelbarrow
so much depends
upon
a red
wheelbarrow
glazed with rain
water
beside the white
chickens
William Carlos WILLIAMS 1883_1963
WILLIAMS William Carlos 1883_1963 will5_0001_will5_0000 PXX_NXX The Red Wheelbarrow_So Much Depends
__________________
The Yellow Goldfish
[...] Read more
poem by Jonathan Robin
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Six Words Long
This song is just six words long
This song is just six words long
This song is just six words long
This song is just six words long
Couldn't think of any lyrics
No i never wrote the lyrics
So i'll just sing any old lyrics
That come to mind, child
You really need words
Whole lotta rhyming words
You gotta rhyme so many words, mm-mm
To do it, to do it, to do it, to do it
To do it, to do it right, child
This song is just six words long
This song is just six words long
This song is just six words long
This song is just six words long
I know that you're probably sore
'cause i didn't write any more
I just didn't get to complete it
So that's why i gotta repeat it
This song is just six words long (six words long)
This song is just six words long (six words long)
Oh i make a lotta money
They pay me a ton of money
They're payin' me plenty of money
To sing this song, child
I gotta fill time
Three minutes worth of time
Oh, how will i fill so much time, mm-mm
I'll throw in a solo, a solo, a solo
A solo, a solo here
This song is just six words long
This song is just six words long
This song is just six words long
This song is just six words long
This song's got nothin' to say
But i'm recording it anyway
I know if i put my mind to it
I know i could find a good rhyme here
Oh, you gotta have-a music
You need really catchy music
This song has got plenty of music
But just six words, child
And so i'll sing' em over
And over and over and over
And over and over and over, mm-mm
And over and over and over
And over and over and over again
Six words long, six words long
[...] Read more
song performed by Weird Al Yankovic
Added by Lucian Velea
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What You Want
Think once if you want a little bit of fun
Think twice if you think I could be the one
Three times get your game on ready to run
All depends on what you want
I could get you caught up in a spin
Think twice
Is it the real thing you're into
Turn your life back to front
All depends on what you want
Come in baby I'm freezin
Stay a while or just breeze in
Check one one time together
Two for love, real and forever
We're not children anymore no
Can't tell what you're in my life for
Decide before we take the ride
Free fall or a rollercoaster oh oh
Put in a box
Friend or lover or both
Choice A, Choice B Uno, dos
Think once if you want a little bit of fun
Think twice if you think I could be the one
Three times get your game on ready to run
All depends on what you want
I could get you caught up in a spin
Think twice
Is it the real thing you're into
Turn your life back to front
All depends on what you want
Listen up no strings attached dear
Not into pressure, come around here
Let's Play
What do you say
Life's a little game oh oh
And if you want to take it further
Hang out, get a little closer
That's cool, no rules
It's really up to me and you
We'll hang a tag on this
After our first kiss
We can play this any way we want to
Think once if you want a little bit of fun
Think twice if you think I could be the one
Three times get your game on ready to run
All depends on what you want
I could get you caught up in a spin
Think twice
Is it the real thing you're into
Turn your life back to front
All depends on what you want
[...] Read more
song performed by Debbie Gibson
Added by Lucian Velea
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The Song Goes On
I never left at all you were there before
Never let it go now I need some more
But you did confuse me you get it on get it on
And If I had to use me I? be there in the song
And the song goes on
Ah yeah and the song goes on
I?e been by the sides
Would?t you agree with me
Never fought it off kept away oh so bad
Don? like your world or the way you had
You secure your choice your?e around like a voice
Never let you know you were there every word
And the word goes on
Ah yeah and the word goes on
I?e been by the sides
Would?t you agree with me
It depends on whose doorway you walk through
To find the truth
It depends on whose doorway you walk through
To find the truth
Never left at all you were there like before
I never let it go now I need some more
Oh you did confuse me you?e in my way on and on
If I had to use me I? be there in the song
And the song goes on
Ah yeah and the song goes on
It depends on whose doorway you walk through
To find the truth
It depends on whose doorway you walk through
To find the truth
It depends on whose doorway you walk through
To find the truth
It depends on whose doorway you walk through
To find the truth
song performed by Ocean Colour Scene
Added by Lucian Velea
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Dependence
What is this, all of my darkest fears?
Why have they gathered here?
To watch a fool go down.
Go away. why would you waste your time?
Here where the sun wont shine.
Theres nothing left for you.
Chorus:
I cant go on this way
Knowing you dont want me.
I cant go on this way
Knowing you dont need me.
I cant go on this way
When everything I do depends on you.
Depends on you.
I had it all. one of the sunny boys.
Hear my pride and joy.
You were always there by me.
Funny how fast sunny times go by?
And fall to a darkened sky.
And lot of useless toys
I cant go on this way
Knowing you dont want me.
I cant go on this way
Knowing you dont need me.
I can t go on this way
When every step I take depends on you
Depends on you.
I cant go on this way
Knowing you dont want me.
I cant go on this way
Knowing you dont need me.
I cant go on this way
When everything I do depends on you.
Depends on you
song performed by Richard Marx
Added by Lucian Velea
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Words
Words on this paper
Words in my head
Words while I'm texting
Computing
Unsaid
Words between people
Words on the phone
Words upon words
Even when I'm alone
Words from the Bible
I question
Don't mesh
Words from pornography
Making them flesh
Words with flat letters
Written in black
Good words and bad words
You cannot take back
Words that are shallow
Words that are deep
When they're too many
They put me to sleep
Words that I'm writing
And rhyming you read
Whatever I'm saying
There's prolly no need
Words from the alphabet
Words that can't be
When you are blind
And it's Braile that you see
Words that are worthless
And said on the fly
My words or your words
Are most likely lies
Words in a sentence
Wise words or fair
The only words earnest
Are those said in prayer
Written by Sara Fielder © 2011
poem by Sara Fielder
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Carol Of Words
EARTH, round, rolling, compact--suns, moons, animals--all these are
words to be said;
Watery, vegetable, sauroid advances--beings, premonitions, lispings
of the future,
Behold! these are vast words to be said.
Were you thinking that those were the words--those upright lines?
those curves, angles, dots?
No, those are not the words--the substantial words are in the ground
and sea,
They are in the air--they are in you.
Were you thinking that those were the words--those delicious sounds
out of your friends' mouths?
No, the real words are more delicious than they.
Human bodies are words, myriads of words;
In the best poems re-appears the body, man's or woman's, well-shaped,
natural, gay, 10
Every part able, active, receptive, without shame or the need of
shame.
Air, soil, water, fire--these are words;
I myself am a word with them--my qualities interpenetrate with
theirs--my name is nothing to them;
Though it were told in the three thousand languages, what would air,
soil, water, fire, know of my name?
A healthy presence, a friendly or commanding gesture, are words,
sayings, meanings;
The charms that go with the mere looks of some men and women, are
sayings and meanings also.
The workmanship of souls is by the inaudible words of the earth;
The great masters know the earth's words, and use them more than the
audible words.
Amelioration is one of the earth's words;
The earth neither lags nor hastens; 20
It has all attributes, growths, effects, latent in itself from the
jump;
It is not half beautiful only--defects and excrescences show just as
much as perfections show.
The earth does not withhold, it is generous enough;
The truths of the earth continually wait, they are not so conceal'd
either;
They are calm, subtle, untransmissible by print;
[...] Read more
poem by Walt Whitman
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The Interpretation of Nature and
I.
MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.
II.
Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.
III.
Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.
IV.
Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.
V.
The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.
VI.
It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.
VII.
The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.
VIII.
Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.
IX.
The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.
X.
The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.
XI.
As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.
XII.
The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.
XIII.
[...] Read more
poem by Sir Francis Bacon
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Partnership
It depends on if you are serious.
I can only show I am...
If you say you are.
It depends on if you are serious.
If you are not...
We can just dropp this.
It depends on if you are serious.
I can only show I am...
If you say you are.
It depends on if you are serious.
If you are not...
We can just dropp this.
'Is that it?
No whispers or kisses?
With advancements started...
To tease then to dismiss? '
Like I said...
It depends on if you are serious.
If you are not...
We can just dropp this.
I am on a mission.
I would like to have partnership.
But if you are not completely into it...
Why would I wish to be into you?
poem by Lawrence S. Pertillar
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The figure a poem makes. It begins in delight and ends in wisdom... in a clarification of life - not necessarily a great clarification, such as sects and cults are founded on, but in a momentary stay against confusion.
quote by Robert Frost
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Philosophy aims at the logical clarification of thoughts. Philosophy is not a body of doctrine but an activity. A philosophical work consists essentially of elucidations. Philosophy does not result in "philosophical propositions", but rather in the clarification of propositions. Without philosophy thoughts are, as it were, cloudy and indistinct: its task is to make them clear and to give them sharp boundaries.
quote by Ludwig Wittgenstein
Added by Veronica Serbanoiu
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My Words
the art of expression
is what my words are penned down upon
the will of wisdom
and the essence of freedom
to bounce like a king kong
on the ping pong
glad or sad, is from within each or any
stanza of my words
from the top of my head
to the deep end of the membrane under my melanin skin
to the sensory nerves of my brain
coiled upon an ancient pane
my words,
that which mirrors my sense of thought and feeling,
that with an ancestor
that which the blood of my people
was shed for; just so simple
but my words are royal
because ‘am loyal
like an induna
and vocal
to usher-in a focal
point of the meaning of my words.
my needs
and deeds
have a lord
on board
to code my words
and shield my soul from the imp’s sword.
my words are so very simple
to understand
and overstand
‘t was my words
that kept the birds
away from the heads
of my corn
for i was born
and sworn
to live a life upon
my words are so very easy to grasp
the fewer that discern
the nobler i become
I need not to wonder
and ponder
over yonder
[...] Read more
poem by Onalethuso Petruss Ntema
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Every Word Turns Away
Every word turns away
shame-faced and a liar
when you try to say things so true
they could only be contaminated
by a mouth.
And the tree in your voice
may be its own guitar
and every flower of your breath
be rooted in stars like the wind,
and you can spend a whole lifetime
trying to say everything
as if words could exact living destinies
from the names on the scrolls of the dead
to save everyone, to save
everything that exists
from nothing,
but when you're done,
when the tree falls silent
and the bird has flown away,
everything, just as it is,
will still be left unsaid
and just as there is no likeness for the living
there will be no likeness for the dead.
It is the unsayability of the mystic theme
that runs through us like a road through a dream
or the poem in our bloodstream
that is the cosmological constant
that keeps on expressing us
like waves of its own water
though we go looking for ourselves
like empty cups
to fill the topics of our names
forgetting like the moon
that water is its own chalice.
Why kneel by the water like the moon
to drink from your own face
as if it tasted any different downstream
than it did when you were a cloud
high on the mountain
when you can taste
the facelessness of the sea in everything
if you drink deep enough?
And there are eyes full of wine
waiting to get drunk on you
that haven't bloomed yet
and wells that your tears
are still falling through
like plumb-bobs and pennies
that haven't reached bottom yet,
and deaths that are antiquely your own
[...] Read more
poem by Patrick White
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The Idols
An Ode
Luce intellettual, piena d' amore
Prelude
Lo, the spirit of a pulsing star within a stone
Born of earth, sprung from night!
Prisoned with the profound fires of the light
That lives like all the tongues of eloquence
Locked in a speech unknown!
The crystal, cold and hard as innocence,
Immures the flame; and yet as if it knew
Raptures or pangs it could not but betray,
As if the light could feel changes of blood and breath
And all--but--human quiverings of the sense,
Throbs of a sudden rose, a frosty blue,
Shoot thrilling in its ray,
Like the far longings of the intellect
Restless in clouding clay.
Who has confined the Light? Who has held it a slave,
Sold and bought, bought and sold?
Who has made of it a mystery to be doled,
Or trophy, to awe with legendary fire,
Where regal banners wave?
And still into the dark it sends Desire.
In the heart's darkness it sows cruelties.
The bright jewel becomes a beacon to the vile,
A lodestar to corruption, envy's own:
Soiled with blood, fought for, clutched at; this world's prize,
Captive Authority. Oh, the star is stone
To all that outward sight,
Yet still, like truth that none has ever used,
Lives lost in its own light.
Troubled I fly. O let me wander again at will
(Far from cries, far from these
Hard blindnesses and frozen certainties!)
Where life proceeds in vastness unaware
And stirs profound and still:
Where leafing thoughts at shy touch of the air
Tremble, and gleams come seeking to be mine,
Or dart, like suddenly remembered youth,
Like the ache of love, a light, lost, found, and lost again.
Surely in the dusk some messenger was there!
But, haunted in the heart, I thirst, I pine.--
Oh, how can truth be truth
Except I taste it close and sweet and sharp
As an apple to the tooth?
[...] Read more
poem by Robert Laurence Binyon
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Courtship of Miles Standish, The
I
MILES STANDISH
In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.
Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted
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poem by Henry Wadsworth Longfellow
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The Courtship of Miles Standish
I
MILES STANDISH
In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.
Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted
[...] Read more
poem by Henry Wadsworth Longfellow
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Z. Comments
CRYSTAL GLOW
Madhur Veena Comment: Who is she? ? ? ? ? ? ? ? ? ? ? ....You write good!
Margaret Alice Comment: Beautiful, it stikes as heartfelt words and touches the heart, beautiful sentiments, sorry, I repeat myself, but I am delighted. Your poem is like the trinkets I collect to adorn my personal space, pure joy to read, wonderful! Only a beautiful mind can harbour such sentiments, you have a beautiful mind. I am glad you have found someone that inspires you to such heights and that you share it with us, you make the world a mroe wonderful place.
Margaret Alice Comment: Within the context set by the previous poem, “Cosmic Probe”, the description of a lover’s adoration for his beloved becomes a universal ode sung to the abstract values of love, joy and hope personified by light, colours, fragrance and beauty, qualities the poet assigns to his beloved, thus elevating her to the status of an uplifting force because she brings all these qualities to his attention. The poet recognises that these personified values brings him fulfilment and chose the image of a love relationship to illustrate how this comes about; thus a love poem becomes the vehicle to convey spiritual epiphany.
FRAGRANT JASMINE
Margaret Alice Comment: Your words seem to be directed to a divine entity, you seem to be addressing your adoration to a divinity, and it is wonderful to read of such sublime sentiments kindled in a human soul. Mankind is always lifted up by their vision and awareness of divinity, thank you for such pure, clear diction and sharing your awareness of the sublime with us, you have uplifted me so much by this vision you have created!
Margaret Alice Comment: The poet’s words seem to be directed to a divine entity, express adoration to a divinity who is the personification of wonderful qualities which awakens a sense of the sublime in the human soul. An uplifting vision and awareness of uplifting qualities of innocence represented by a beautiful person.
I WENT THERE TO BID HER ADIEU
Kente Lucy Comment: wow great writing, what a way to bid farewell
Margaret Alice Comment: Sensory experience is elevated by its symbolical meaning, your description of the scene shows two souls becoming one and your awareness of the importance of tempory experience as a symbol of the eternal duration of love and companionship - were temporary experience only valid for one moment in time, it would be a sad world, but once it is seen as a symbol of eternal things, it becomes enchanting.
I’M INCOMPLETE WITHOUT YOU
Margaret Alice Comment: You elevate the humnan experience of longing for love to a striving for sublimity in uniting with a beloved person, and this poem is stirring, your style of writing is effective, everything flows together perfectly.
Margaret Alice Comment:
'To a resplendent glow of celestial flow
And two split halves unite never to part.'
Reading your fluent poems is a delight, I have to tear myself away and return to the life of a drudge, but what a treasure trove of jewels you made for the weary soul who needs to contemplate higher ideals from time to time!
IN CELESTIAL WINGS
Margaret Alice Comment: When you describe how you are strengthened by your loved one, it is clear that your inner flame is so strong that you need not fear growing old, your spirit seems to become stronger, you manage to convey this impression by your striking poetry. It is a privilege to read your work.
Obed Dela Cruz Comment: wow.... i remembered will shakespeare.... nice poem!
Margaret Alice Comment: The poet has transcended the barriers of time and space by becoming an image of his beloved and being able to find peace in the joy he confers to his beloved.
'You transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.'
Margaret Alice Comment: You are my peace and solace, I know, I am, yours too; A mere flash of your thoughts Enlivens my tired soul And fills me with light, peace and solace, A giant in new world, I become, I rise to divine heights in celestial wings. How I desire to reciprocate To fill you with light and inner strength raise you to divine heights; I must cross over nd hold you in arms, light up your soul, Fill you with strength from my inner core, Wipe away your tears burst out in pure joy How I yearn to instill hope and confidence in you we never part And we shall wait, till time comes right. the flame in my soul always seeks you, you transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.
RAGING FIRE
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poem by Praveen Kumar
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