149
Meaning and words:
volumetrically usually
inversely related.
poem by Morgan Michaels
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Related quotes
A Map Of Culture
Culture
Contents
What is Culture?
The Importance of Culture
Culture Varies
Culture is Critical
The Sociobiology Debate
Values, Norms, and Social Control
Signs and Symbols
Language
Terms and Definitions
Approaches to the Study of Culture
Are We Prisoners of Our Culture?
What is Culture?
I prefer the definition used by Ian Robertson: 'all the shared products of society: material and nonmaterial' (Our text defines it in somewhat more ponderous terms- 'The totality of learned, socially transmitted behavior. It includes ideas, values, and customs (as well as the sailboats, comic books, and birth control devices) of groups of people' (p.32) .
Back to Contents
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poem by Nyein Way
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When There's A Meaning To A Pain
When there's a meaning to a pain,
It can make a better life.
It will enrich with understanding coming,
To pay attention to a need.
When there's a meaning to a pain,
Bitter lips shut tight.
And if it is mental and not physical...
Correct and get it right.
When there's a meaning to a pain,
There is something to be learned.
Either cross that bridge and forgive,
Or let the 'thing' burn.
When there's a meaning to a pain,
You can not let it ride.
Or let it burn you deep inside.
Correct,
And get it right.
When there's a meaning to a pain,
Bitter lips shut tight.
And if it is mental and not physical...
Correct,
And get it right.
When there's a meaning to a pain,
It can make a better life.
It will enrich with understanding coming,
To pay attention to a need.
When there's a meaning to a pain,
Someone is giving it a need.
And...
Allowing it to offer,
More attention to feed.
And,
More of attention than it needs!
When there's a meaning to a pain...
Refrain from giving it a name.
When there's a meaning to a pain...
Correct,
And get it right.
Don't let it burn inside.
When there's a meaning to a pain...
Refrain from giving it a name.
When there's a meaning to a pain...
[...] Read more
poem by Lawrence S. Pertillar
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Reminders
Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As word
s confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.Two different views, As words confuse and break. I can't get out, There's no way out of here,I can't get clear.
song performed by Feeder
Added by Lucian Velea
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Z. Comments
CRYSTAL GLOW
Madhur Veena Comment: Who is she? ? ? ? ? ? ? ? ? ? ? ....You write good!
Margaret Alice Comment: Beautiful, it stikes as heartfelt words and touches the heart, beautiful sentiments, sorry, I repeat myself, but I am delighted. Your poem is like the trinkets I collect to adorn my personal space, pure joy to read, wonderful! Only a beautiful mind can harbour such sentiments, you have a beautiful mind. I am glad you have found someone that inspires you to such heights and that you share it with us, you make the world a mroe wonderful place.
Margaret Alice Comment: Within the context set by the previous poem, “Cosmic Probe”, the description of a lover’s adoration for his beloved becomes a universal ode sung to the abstract values of love, joy and hope personified by light, colours, fragrance and beauty, qualities the poet assigns to his beloved, thus elevating her to the status of an uplifting force because she brings all these qualities to his attention. The poet recognises that these personified values brings him fulfilment and chose the image of a love relationship to illustrate how this comes about; thus a love poem becomes the vehicle to convey spiritual epiphany.
FRAGRANT JASMINE
Margaret Alice Comment: Your words seem to be directed to a divine entity, you seem to be addressing your adoration to a divinity, and it is wonderful to read of such sublime sentiments kindled in a human soul. Mankind is always lifted up by their vision and awareness of divinity, thank you for such pure, clear diction and sharing your awareness of the sublime with us, you have uplifted me so much by this vision you have created!
Margaret Alice Comment: The poet’s words seem to be directed to a divine entity, express adoration to a divinity who is the personification of wonderful qualities which awakens a sense of the sublime in the human soul. An uplifting vision and awareness of uplifting qualities of innocence represented by a beautiful person.
I WENT THERE TO BID HER ADIEU
Kente Lucy Comment: wow great writing, what a way to bid farewell
Margaret Alice Comment: Sensory experience is elevated by its symbolical meaning, your description of the scene shows two souls becoming one and your awareness of the importance of tempory experience as a symbol of the eternal duration of love and companionship - were temporary experience only valid for one moment in time, it would be a sad world, but once it is seen as a symbol of eternal things, it becomes enchanting.
I’M INCOMPLETE WITHOUT YOU
Margaret Alice Comment: You elevate the humnan experience of longing for love to a striving for sublimity in uniting with a beloved person, and this poem is stirring, your style of writing is effective, everything flows together perfectly.
Margaret Alice Comment:
'To a resplendent glow of celestial flow
And two split halves unite never to part.'
Reading your fluent poems is a delight, I have to tear myself away and return to the life of a drudge, but what a treasure trove of jewels you made for the weary soul who needs to contemplate higher ideals from time to time!
IN CELESTIAL WINGS
Margaret Alice Comment: When you describe how you are strengthened by your loved one, it is clear that your inner flame is so strong that you need not fear growing old, your spirit seems to become stronger, you manage to convey this impression by your striking poetry. It is a privilege to read your work.
Obed Dela Cruz Comment: wow.... i remembered will shakespeare.... nice poem!
Margaret Alice Comment: The poet has transcended the barriers of time and space by becoming an image of his beloved and being able to find peace in the joy he confers to his beloved.
'You transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.'
Margaret Alice Comment: You are my peace and solace, I know, I am, yours too; A mere flash of your thoughts Enlivens my tired soul And fills me with light, peace and solace, A giant in new world, I become, I rise to divine heights in celestial wings. How I desire to reciprocate To fill you with light and inner strength raise you to divine heights; I must cross over nd hold you in arms, light up your soul, Fill you with strength from my inner core, Wipe away your tears burst out in pure joy How I yearn to instill hope and confidence in you we never part And we shall wait, till time comes right. the flame in my soul always seeks you, you transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.
RAGING FIRE
[...] Read more
poem by Praveen Kumar
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Every Word Turns Away
Every word turns away
shame-faced and a liar
when you try to say things so true
they could only be contaminated
by a mouth.
And the tree in your voice
may be its own guitar
and every flower of your breath
be rooted in stars like the wind,
and you can spend a whole lifetime
trying to say everything
as if words could exact living destinies
from the names on the scrolls of the dead
to save everyone, to save
everything that exists
from nothing,
but when you're done,
when the tree falls silent
and the bird has flown away,
everything, just as it is,
will still be left unsaid
and just as there is no likeness for the living
there will be no likeness for the dead.
It is the unsayability of the mystic theme
that runs through us like a road through a dream
or the poem in our bloodstream
that is the cosmological constant
that keeps on expressing us
like waves of its own water
though we go looking for ourselves
like empty cups
to fill the topics of our names
forgetting like the moon
that water is its own chalice.
Why kneel by the water like the moon
to drink from your own face
as if it tasted any different downstream
than it did when you were a cloud
high on the mountain
when you can taste
the facelessness of the sea in everything
if you drink deep enough?
And there are eyes full of wine
waiting to get drunk on you
that haven't bloomed yet
and wells that your tears
are still falling through
like plumb-bobs and pennies
that haven't reached bottom yet,
and deaths that are antiquely your own
[...] Read more
poem by Patrick White
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Courtship of Miles Standish, The
I
MILES STANDISH
In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.
Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted
[...] Read more
poem by Henry Wadsworth Longfellow
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The Courtship of Miles Standish
I
MILES STANDISH
In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.
Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted
[...] Read more
poem by Henry Wadsworth Longfellow
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Six Words Long
This song is just six words long
This song is just six words long
This song is just six words long
This song is just six words long
Couldn't think of any lyrics
No i never wrote the lyrics
So i'll just sing any old lyrics
That come to mind, child
You really need words
Whole lotta rhyming words
You gotta rhyme so many words, mm-mm
To do it, to do it, to do it, to do it
To do it, to do it right, child
This song is just six words long
This song is just six words long
This song is just six words long
This song is just six words long
I know that you're probably sore
'cause i didn't write any more
I just didn't get to complete it
So that's why i gotta repeat it
This song is just six words long (six words long)
This song is just six words long (six words long)
Oh i make a lotta money
They pay me a ton of money
They're payin' me plenty of money
To sing this song, child
I gotta fill time
Three minutes worth of time
Oh, how will i fill so much time, mm-mm
I'll throw in a solo, a solo, a solo
A solo, a solo here
This song is just six words long
This song is just six words long
This song is just six words long
This song is just six words long
This song's got nothin' to say
But i'm recording it anyway
I know if i put my mind to it
I know i could find a good rhyme here
Oh, you gotta have-a music
You need really catchy music
This song has got plenty of music
But just six words, child
And so i'll sing' em over
And over and over and over
And over and over and over, mm-mm
And over and over and over
And over and over and over again
Six words long, six words long
[...] Read more
song performed by Weird Al Yankovic
Added by Lucian Velea
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The Book of Annandale
I
Partly to think, more to be left alone,
George Annandale said something to his friends—
A word or two, brusque, but yet smoothed enough
To suit their funeral gaze—and went upstairs;
And there, in the one room that he could call
His own, he found a sort of meaningless
Annoyance in the mute familiar things
That filled it; for the grate’s monotonous gleam
Was not the gleam that he had known before,
The books were not the books that used to be,
The place was not the place. There was a lack
Of something; and the certitude of death
Itself, as with a furtive questioning,
Hovered, and he could not yet understand.
He knew that she was gone—there was no need
Of any argued proof to tell him that,
For they had buried her that afternoon,
Under the leaves and snow; and still there was
A doubt, a pitiless doubt, a plunging doubt,
That struck him, and upstartled when it struck,
The vision, the old thought in him. There was
A lack, and one that wrenched him; but it was
Not that—not that. There was a present sense
Of something indeterminably near—
The soul-clutch of a prescient emptiness
That would not be foreboding. And if not,
What then?—or was it anything at all?
Yes, it was something—it was everything—
But what was everything? or anything?
Tired of time, bewildered, he sat down;
But in his chair he kept on wondering
That he should feel so desolately strange
And yet—for all he knew that he had lost
More of the world than most men ever win—
So curiously calm. And he was left
Unanswered and unsatisfied: there came
No clearer meaning to him than had come
Before; the old abstraction was the best
That he could find, the farthest he could go;
To that was no beginning and no end—
No end that he could reach. So he must learn
To live the surest and the largest life
Attainable in him, would he divine
The meaning of the dream and of the words
That he had written, without knowing why,
On sheets that he had bound up like a book
And covered with red leather. There it was—
There in his desk, the record he had made,
[...] Read more
poem by Edwin Arlington Robinson
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Was, Is And Will Be
‘All that was, is and will be unto end of time, is in the
Torah, from first to last word: details of species, each
individual, all that happened from birth to death'
The old Hebrew version of the Old Testament is a
crossword puzzle computer program, a Bible code;
skip fifty letters in sequences to find the term Torah
at the beginning of Genesis, Exodus, Numbers
and Deuteronomy
The universe a cryptogram set by the Almighty;
the Bible a time-lock opened by computer, code-
breakers found the names, dates and cities of 66
wise men encoded together in a network criss-
crossing Bible text
No spaces between words - 304 805 letters - in a
continuous line: start on first letter, search names,
words and phrases, skip 1,2,3,4 - X letters; start
on second letter, repeat the process and continue
up to last letter
Find key words & related facts encoded together,
matching words in close proximity, length of skips
between search words to be small, interlocking
words reveal related information in Bible text
only, not in millions of test cases
Bible provides infinite information, related words in
cross-word puzzles cross vertically, horizontally and
diagonally; meets quantum physics theory of unlimited
probability and possibility - I shall never fear
boredom again
Armed with this computer program which resembles
notes of music in never-ending configurations - as
unique as snowdrops and fingerprints; no wonder
everything is contained and explained therein -
as to meaning and origin:
Existence manifests as an intelligent, loving energy
which illustrates quantum physics principles and
relativity in a great testament to creation!
[The Bible Code, Michael Drosnin, Weidenfeld &
Nicolson,1997 -
Quotes from pp.19 - 25]
poem by Margaret Alice Second
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Picture-Writing
In those days said Hiawatha,
"Lo! how all things fade and perish!
From the memory of the old men
Pass away the great traditions,
The achievements of the warriors,
The adventures of the hunters,
All the wisdom of the Medas,
All the craft of the Wabenos,
All the marvellous dreams and visions
Of the Jossakeeds, the Prophets!
"Great men die and are forgotten,
Wise men speak; their words of wisdom
Perish in the ears that hear them,
Do not reach the generations
That, as yet unborn, are waiting
In the great, mysterious darkness
Of the speechless days that shall be!
"On the grave-posts of our fathers
Are no signs, no figures painted;
Who are in those graves we know not,
Only know they are our fathers.
Of what kith they are and kindred,
From what old, ancestral Totem,
Be it Eagle, Bear, or Beaver,
They descended, this we know not,
Only know they are our fathers.
"Face to face we speak together,
But we cannot speak when absent,
Cannot send our voices from us
To the friends that dwell afar off;
Cannot send a secret message,
But the bearer learns our secret,
May pervert it, may betray it,
May reveal it unto others."
Thus said Hiawatha, walking
In the solitary forest,
Pondering, musing in the forest,
On the welfare of his people.
From his pouch he took his colors,
Took his paints of different colors,
On the smooth bark of a birch-tree
Painted many shapes and figures,
Wonderful and mystic figures,
And each figure had a meaning,
Each some word or thought suggested.
Gitche Manito the Mighty,
He, the Master of Life, was painted
As an egg, with points projecting
To the four winds of the heavens.
Everywhere is the Great Spirit,
[...] Read more
poem by Henry Wadsworth Longfellow
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The Song Of Hiawatha XIV: Picture-Writing
In those days said Hiawatha,
'Lo! how all things fade and perish!
From the memory of the old men
Pass away the great traditions,
The achievements of the warriors,
The adventures of the hunters,
All the wisdom of the Medas,
All the craft of the Wabenos,
All the marvellous dreams and visions
Of the Jossakeeds, the Prophets!
'Great men die and are forgotten,
Wise men speak; their words of wisdom
Perish in the ears that hear them,
Do not reach the generations
That, as yet unborn, are waiting
In the great, mysterious darkness
Of the speechless days that shall be!
'On the grave-posts of our fathers
Are no signs, no figures painted;
Who are in those graves we know not,
Only know they are our fathers.
Of what kith they are and kindred,
From what old, ancestral Totem,
Be it Eagle, Bear, or Beaver,
They descended, this we know not,
Only know they are our fathers.
'Face to face we speak together,
But we cannot speak when absent,
Cannot send our voices from us
To the friends that dwell afar off;
Cannot send a secret message,
But the bearer learns our secret,
May pervert it, may betray it,
May reveal it unto others.'
Thus said Hiawatha, walking
In the solitary forest,
Pondering, musing in the forest,
On the welfare of his people.
From his pouch he took his colors,
Took his paints of different colors,
On the smooth bark of a birch-tree
Painted many shapes and figures,
Wonderful and mystic figures,
And each figure had a meaning,
Each some word or thought suggested.
Gitche Manito the Mighty,
He, the Master of Life, was painted
As an egg, with points projecting
To the four winds of the heavens.
Everywhere is the Great Spirit,
[...] Read more
poem by Henry Wadsworth Longfellow
Added by Poetry Lover
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A Letter From Li Po
Fanfare of northwest wind, a bluejay wind
announces autumn, and the equinox
rolls back blue bays to a far afternoon.
Somewhere beyond the Gorge Li Po is gone,
looking for friendship or an old love's sleeve
or writing letters to his children, lost,
and to his children's children, and to us.
What was his light? of lamp or moon or sun?
Say that it changed, for better or for worse,
sifted by leaves, sifted by snow; on mulberry silk
a slant of witch-light; on the pure text
a slant of genius; emptying mind and heart
for winecups and more winecups and more words.
What was his time? Say that it was a change,
but constant as a changing thing may be,
from chicory's moon-dark blue down the taut scale
to chicory's tenderest pink, in a pink field
such as imagination dreams of thought.
But of the heart beneath the winecup moon
the tears that fell beneath the winecup moon
for children lost, lost lovers, and lost friends,
what can we say but that it never ends?
Even for us it never ends, only begins.
Yet to spell down the poem on her page,
margining her phrases, parsing forth
the sevenfold prism of meaning, up the scale
from chicory pink to blue, is to assume
Li Po himself: as he before assumed
the poets and the sages who were his.
Like him, we too have eaten of the word:
with him are somewhere lost beyond the Gorge:
and write, in rain, a letter to lost children,
a letter long as time and brief as love.
II
And yet not love, not only love. Not caritas
or only that. Nor the pink chicory love,
deep as it may be, even to moon-dark blue,
in which the dragon of his meaning flew
for friends or children lost, or even
for the beloved horse, for Li Po's horse:
not these, in the self's circle so embraced:
too near, too dear, for pure assessment: no,
a letter crammed and creviced, crannied full,
storied and stored as the ripe honeycomb
with other faith than this. As of sole pride
and holy loneliness, the intrinsic face
worn by the always changing shape between
end and beginning, birth and death.
[...] Read more
poem by Conrad Potter Aiken
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Faking Love And That's All
People think that love is easily made.
And if it's not to their taste,
Somewhere else they will play charades.
But this is not true love.
Some people think that if they shop in malls...
Someone on an escalator,
Will solve their love calls.
But this is not true love.
Some will debate it's over-rated,
The meaning of love.
Some overdo it to inflate it,
The meaning of love.
Some lay and fake it,
The meaning of love.
And,
Some-just-toss-it out of their way.
Some will debate it's over-rated,
The meaning of love.
Some overdo it to inflate it,
The meaning of love.
Some lay and fake it,
The meaning of love.
And,
Some-never-had-love meant to stay.
People think that love is easily made.
And if it's not to their taste,
Somewhere else they will play charades.
But this is not true love.
Some people think that if they shop in malls...
Someone on an escalator,
Will solve their love calls.
But this is not true love.
Some will debate it's over-rated,
The meaning of love.
Some overdo it to inflate it,
The meaning of love.
Some lay and fake it,
The meaning of love.
And,
Some-never-had-love meant to stay...
With one that was a lover.
A lover in love.
Making loving like no other,
[...] Read more
poem by Lawrence S. Pertillar
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Eighth Book
ONE eve it happened when I sate alone,
Alone upon the terrace of my tower,
A book upon my knees, to counterfeit
The reading that I never read at all,
While Marian, in the garden down below,
Knelt by the fountain (I could just hear thrill
The drowsy silence of the exhausted day)
And peeled a new fig from that purple heap
In the grass beside her,–turning out the red
To feed her eager child, who sucked at it
With vehement lips across a gap of air
As he stood opposite, face and curls a-flame
With that last sun-ray, crying, 'give me, give,'
And stamping with imperious baby-feet,
(We're all born princes)–something startled me,–
The laugh of sad and innocent souls, that breaks
Abruptly, as if frightened at itself;
'Twas Marian laughed. I saw her glance above
In sudden shame that I should hear her laugh,
And straightway dropped my eyes upon my book,
And knew, the first time, 'twas Boccaccio's tales,
The Falcon's,–of the lover who for love
Destroyed the best that loved him. Some of us
Do it still, and then we sit and laugh no more.
Laugh you, sweet Marian! you've the right to laugh,
Since God himself is for you, and a child!
For me there's somewhat less,–and so, I sigh.
The heavens were making room to hold the night,
The sevenfold heavens unfolding all their gates
To let the stars out slowly (prophesied
In close-approaching advent, not discerned),
While still the cue-owls from the cypresses
Of the Poggio called and counted every pulse
Of the skyey palpitation. Gradually
The purple and transparent shadows slow
Had filled up the whole valley to the brim,
And flooded all the city, which you saw
As some drowned city in some enchanted sea,
Cut off from nature,–drawing you who gaze,
With passionate desire, to leap and plunge,
And find a sea-king with a voice of waves,
And treacherous soft eyes, and slippery locks
You cannot kiss but you shall bring away
Their salt upon your lips. The duomo-bell
Strikes ten, as if it struck ten fathoms down,
So deep; and fifty churches answer it
The same, with fifty various instances.
Some gaslights tremble along squares and streets
The Pitti's palace-front is drawn in fire:
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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The relationship..
How am I related to you when I steal from you?
I am a thief, you are a victim and I cheat you.
How is she related to him when she sells her body to him?
She is a business woman, he is her customer,
Her body is a commodity and the business is done.
When we take money from someone,
Who is neither related nor do we have any affection,
How are we related one another?
poem by Veeraiyah Subbulakshmi
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8-3-1
The way I want you babe
Its embarrassing
I cant control myself
Its just too much for me
I cant concentrate
I dont know what to say
Except your name baby
The sweetest name
And when we kiss that kiss
Thats when it hits
With my heart and soul I say this
8 letters, 3 words, one meaning
In my heart
8 letters, 3 words, one feeling
When it starts
When you say my name
I begin to shake
I break out in a sweat
This is the best it gets
Theres nothing second rate
About this feeling babe
Its forever come what may
Its what I hope and pray yeah
And when we kiss that kiss
Thats when it hits
With my heart and soul I say this baby
8 letters, 3 words, one meaning
In my heart
8 letters, 3 words, one feeling
When it starts
8 letters, 3 words, one meaning
In my heart
8 letters, 3 words, one feeling
When it starts
Its understanding and its understood
And baby it sure feels good
8 letters, 3 words, one meaning
In my heart
8 letters, 3 words, one feeling
When it starts
And when we kiss that kiss
Thats when it hits
With my heart and soul I say this baby
8 letters, 3 words, one meaning
In my heart
8 letters, 3 words, one feeling
When it starts
song performed by Lisa Stansfield
Added by Lucian Velea
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Words
Words on this paper
Words in my head
Words while I'm texting
Computing
Unsaid
Words between people
Words on the phone
Words upon words
Even when I'm alone
Words from the Bible
I question
Don't mesh
Words from pornography
Making them flesh
Words with flat letters
Written in black
Good words and bad words
You cannot take back
Words that are shallow
Words that are deep
When they're too many
They put me to sleep
Words that I'm writing
And rhyming you read
Whatever I'm saying
There's prolly no need
Words from the alphabet
Words that can't be
When you are blind
And it's Braile that you see
Words that are worthless
And said on the fly
My words or your words
Are most likely lies
Words in a sentence
Wise words or fair
The only words earnest
Are those said in prayer
Written by Sara Fielder © 2011
poem by Sara Fielder
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Lara. A Tale
The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord--
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.
II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself;--that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest!--
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.
III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
'Yet doth he live!' exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.
IV.
He comes at last in sudden loneliness,
And whence they know not, why they need not guess;
[...] Read more
Evangeline: A Tale of Acadie
This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.
This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.
Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.
PART THE FIRST
I
In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors
[...] Read more
poem by Henry Wadsworth Longfellow
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