Granny dreamt what Granny liked
she thought she was in some kind of Paris
some kind of Venice or a Granade
but OMG this poor Granny
was walking in a dying beauty shade
still Granny dreamt what Granny liked
and there she wore the clothes so smarty
a lot of make up and accessoir
and there she went to a botox party
she took a cab it was too far
'coz Granny dreamt what Granny liked
this absent minded little resident
with shoes expensive but mind in rags
granny voted all smiling presidents
i guess for too many colourful flags
'coz Granny dreamt what Granny liked
she had fruits to chew and meat to mince
a lover's smile and artficial teeth
preserved for her fairy tale prince
who'll take her to see a coral reef
'coz Granny dreamt what Granny liked
look at the beauty in latest outfit
listen to Granny sing hit of hits
psychology biology re-mix released
if you wanna know what it's all about
get ready for an elderly feast
and follow the Granny leave all doubt
in a dream extreme or so it seems
'coz Granny dreams what Granny likes
(no charge no blame if you do the same
I only wonder why you'd been told
it's not ok to be old...
let Granny dream what Granny likes)
poem by Miroslava Odalovic
Added by Poetry Lover
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Related quotes
A Dream of Venice
NUMB, half asleep, and dazed with whirl of wheels,
And gasp of steam, and measured clank of chains,
I heard a blithe voice break a sudden pause,
Ringing familiarly through the lamp-lit night,
“Wife, here's your Venice!”
I was lifted down,
And gazed about in stupid wonderment,
Holding my little Katie by the hand—
My yellow-haired step-daughter. And again
Two strong arms led me to the water-brink,
And laid me on soft cushions in a boat,—
A queer boat, by a queerer boatman manned—
Swarthy-faced, ragged, with a scarlet cap—
Whose wild, weird note smote shrilly through the dark.
Oh yes, it was my Venice! Beautiful,
With melancholy, ghostly beauty—old,
And sorrowful, and weary—yet so fair,
So like a queen still, with her royal robes,
Full of harmonious colour, rent and worn!
I only saw her shadow in the stream,
By flickering lamplight,—only saw, as yet,
White, misty palace-portals here and there,
Pillars, and marble steps, and balconies,
Along the broad line of the Grand Canal;
And, in the smaller water-ways, a patch
Of wall, or dim bridge arching overhead.
But I could feel the rest. 'Twas Venice!—ay,
The veritable Venice of my dreams.
I saw the grey dawn shimmer down the stream,
And all the city rise, new bathed in light,
With rose-red blooms on her decaying walls,
And gold tints quivering up her domes and spires—
Sharp-drawn, with delicate pencillings, on a sky
Blue as forget-me-nots in June. I saw
The broad day staring in her palace-fronts,
Pointing to yawning gap and crumbling boss,
And colonnades, time-stained and broken, flecked
With soft, sad, dying colours—sculpture-wreathed,
And gloriously proportioned; saw the glow
Light up her bright, harmonious, fountain'd squares,
And spread out on her marble steps, and pass
Down silent courts and secret passages,
Gathering up motley treasures on its way;—
Groups of rich fruit from the Rialto mart,
Scarlet and brown and purple, with green leaves—
Fragments of exquisite carving, lichen-grown,
Found, 'mid pathetic squalor, in some niche
Where wild, half-naked urchins lived and played—
[...] Read more
poem by Ada Cambridge
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The Little Old Lady From Pasadena
Its the little old lady from pasadena
Its the little old lady from pasadena
Go granny, go granny, go granny go
Got a pretty little flower bed of white gardenias
Go granny, go granny, go granny go
But parked in her rickety old garage
Is a brand new shiny red super-stock dodge
And everybodys saying theres nobody meaner
Than the little old lady from pasadena
She drives real fast and she drives real hard
Shes a terror out on colorado boulevard
Its the little old lady from pasadena
You can see her on the street just gettin her kicks now
Go granny, go granny, go granny go
With her four speed stick and her four-twenty-six now
Go granny, go granny, go granny go
Shes gonna get a ticket now sooner or later
cause she cant keep her foot off the accelerator
And everybodys saying theres nobody meaner
Than the little old lady from pasadena
She drives real fast and she drives real hard
Shes a terror out on colorado boulevard
And everybodys saying theres nobody meaner
Than the little old lady from pasadena
She drives real fast and she drives real hard
Shes a terror out on coloradooulevard
Its the little old lady from pasadena
If you see her on the street dont try to choose her
Go granny, go granny, go granny go
You may have a goer but youll never lose her
Go granny, go granny, go granny go
The guys come to race her from miles around
But shell them a length and shell shut em down
And everybodys saying theres nobody meaner
Than the little old lady from pasadena
She drives real fast and she drives real hard
Shes a terror out on colorado boulevard
Its the little old lady from pasadena
Go granny, go granny, go granny go
Granny go
Go granny, go granny, go granny go
Granny go
Go granny, go granny, go granny go
Granny go
Go granny, go granny, go granny go
Granny go
song performed by Beach Boys
Added by Lucian Velea
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Canto the Fourth
I.
I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!
II.
She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.
III.
In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!
IV.
But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.
V.
[...] Read more
poem by Byron from Childe Harold's Pilgrimage (1818)
Added by Veronica Serbanoiu
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Childe Harold's Pilgrimage: A Romaunt. Canto IV.
I.
I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter's wand:
A thousand years their cloudy wings expand
Around me, and a dying Glory smiles
O'er the far times, when many a subject land
Look'd to the winged Lion's marble piles,
Where Venice sate in state, thron'd on her hundred isles!
II.
She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Pour'd in her lap all gems in sparkling showers.
In purple was she rob'd, and of her feast
Monarchs partook, and deem'd their dignity increas'd.
III.
In Venice Tasso's echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone -- but Beauty still is here.
States fall, arts fade -- but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!
IV.
But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city's vanish'd sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away --
The keystones of the arch! though all were o'er,
For us repeopl'd were the solitary shore.
V.
The beings of the mind are not of clay;
Essentially immortal, they create
And multiply in us a brighter ray
And more belov'd existence: that which Fate
Prohibits to dull life, in this our state
[...] Read more
Venice U. S. A.
Found myself, found myself
Oh, in a restaurant in venice
Found myself
Oh, in a restaurant in venice
I was talkin to my baby
In a restaurant down in venice
When I found myself
Down in venice
And Im cryin
But my tears, but my tears
Are filled with joy
And Im walkin in venice
And Im cryin
Chorus:
Dum derra dum dum diddy diddy dah dah
Dum derra dum dum diddy diddy dah dah
Dum derra dum dum diddy diddy dah dah
Dum derra dum dum diddy diddy dah dah
Dum derra dum dum diddy diddy dah dah
Dum derra dum dum diddy diddy dah dah
As Im leaving venice, as Im leaving venice
As Im leaving venice
All the streets are wet with rain
And in my memory, and in my memory
And in my memory
I remember it well
And I take a stroll
Oh, see the ships come sailing in
In the harbor in the harbor
Down in venice
And Im cryin
But my tears, but my tears
Are filled with joy
And Im walkin in venice
And Im cryin
Repeat chorus
Walkin in venice and Im cryin
Oh, as Im walkin in venice, walkin in venice
And Im cryin
Well, Im walk, walk, walk, walk, walk, walk walk, walk
Walkin in venice
Yeah, yeah, yeah
Well, I walk and I walk and I walk and I walk
Well, Im walkin in venice
I walk and I walk and I walk
And I feel you and I see you as Im walkin
Down in venice
Now sing a song, goes like this:
Repeat chorus & fade
song performed by Van Morrison
Added by Lucian Velea
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Une Nuit A Paris
Part one: one night in paris
Bonjour monsieur
Paris really welcomes you
Its the best room in the house
Its forty francs a night, alright.
Its crazy, it isnt worth a centime
Ill take it!
Merci monsieur
Rouged lips in the gaslight
A great view of the hall
Thats the way the croissant crumbles after all
Paris is only one step away
Les girls are out on bail
Tres bien theres love for sale
Oh my cheri, wish you were mine
And Ill show you a wonderful time
For the price of a cheap champagne
Ill show it you once again
One night in paris
Is like a year in any other place
One night in paris
Will wipe the smile off your pretty face
One girl in paris
Is like loving every woman
One night in paris
One night in paris
One night in paris
May be your last!!!
Part two: the same night in paris
Is he gonna buy?
You wanna little culture?
Is he gonna pay?
Maybe monsieur is into photographs, non?
Or is he gonna fall in love
The all american way?
I got a watch wiz a beautiful swiss movement
Is he gonna buy?
Forget the watch, Ill show you a good time!'
Is he gonna pay?
Le connoisseur, want something different?
Or is he gonna fall in love
The all american way?
Oh you know you aint no casanova
You cant even do the bossa nova
Or the tango or the samba!
Though you are so very charming
No you aint no casanova
Is he gonna buy?
Is he gonna pay?
Or is he gonna fall in love
[...] Read more
song performed by 10 Cc
Added by Lucian Velea
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Where's The Party
Where's the party (party, party)
Where's the party (party, party)
Show me the way, show me the way
It's like a holiday
That happens everyday
I get to celebrate
No matter what you say
When I get real bored
I want something more
I never lose my head
Cause I know the score
Show me the way
Show me the way
C'mon, show me the way
Where's the party?
All I Wanna do is have some fun
Where's the party?
Party all night 'til I can't go on
Where's the party?
All I Wanna do is have some fun
Where's the party?
Show me the way, show me the way
One thing I know
Is when I feel low
I never have to worry
Got a place to party
no one's getting mean
It's so obscene
No matter what goes down
I just get what I need
Show me the way
Show me the way
C'mon, show me the way
Where's the party?
All I Wanna do is have some fun
Where's the party?
Party all night 'til I can't go on
Where's the party?
All I Wanna do is have some fun
Where's the party?
Show me the way, show me the way
Where's the party, where's the party
party, party, party, party, party, party, party, party
p-p-p-party
Show me the way
Show me the way
C'mon, show me the way
Where's the party?
All I Wanna do is have some fun
Where's the party?
[...] Read more
song performed by Vitamin C
Added by Lucian Velea
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Foma Bobrov And His Spouse
GRANNY Bobrov (Playing patience) Now that's the card. Oh, it's all coming out topsy-turvy! A king. And where am I supposed to put that? Just when you want one, there's never a five around. Oh, I could do with a five! Now it'll be the five. Oh, sod it, another king!
She flings the cards on to the table with such force that a porcelain vase falls off the table and smashes.
GRANNY Oh! Oh! My Gawd! These bloody cards! (She crawls under the table and picks up the pieces). This'll never glue back together again. And it was a good vase, too. You can't get them like that any more. This bit's right over there! (Stretches for the piece. BOBROV enters the room).
BOBROV Granny! Is that you clambering about under the table?
GRANNY Yes, okay, okay. What do you want?
BOBROV I just came to ask you: you wouldn't happen to have a chest of tea?
GRANNY Come on then, give me a hand up from under the table.
BOBROV What have you done, dropped something? Oh, you've broken the vase!
GRANNY (Mimicking him) You've broken the vase!
(BOBROV helps GRANNY up. But as soon as he lets go of her, GRANNY sits back down on the floor).
BOBROV Oh, you're down again!
GRANNY Down, so now what?
BOBROV Let me help you up (Pulls GRANNY up).
GRANNY The cards were going badly. I tried this and that... But don't pull me by the arms, get hold of me under the armpits. All I got, you know, was king after king. I need a five and all the kings keep turning up.
BOBROV lets go of GRANNY and GRANNY again sprawls on the floor.
GRANNY Akh!
BOBROV Oh, Lord! You're down again.
GRANNY What are you on about: down, down! What are you after, anyway?
BOBROV I came to ask if you've a chest of tea.
GRANNY I know that. You've already told me. I don't like listening to the same tale twenty times. The thing is: akh, I'm down again! and a chest of tea. Well, what are you looking at! Get me up, I'm telling you.
BOBROV (Pulling GRANNY up) I'll just, excuse me, put you in the armchair.
GRANNY You'd do better to prattle on a bit less and pull me up in a proper fashion. I meant to tell you, and it almost slipped my mind: you know, that door in my bedroom isn't shutting properly again. No doubt you messed the whole thing up.
BOBROV No, I put a staple on with fillister-head screws.
GRANNY Do you think I know anything about staples and fillister heads? I don't care about all that. I just want the door to shut.
BOBROV It doesn't shut properly because the fillister heads won't stay in the woodwork.
GRANNY That'll do, that'll do. That's your business. I just need to... Akh! (She again sprawls on the floor).
BOBROV Oh, Lord!
GRANNY Have you decided to fling me to the floor deliberately? Decided to have a bit of fun? Oh you useless devil! You're just a useless devil and you might as well clear off!
BOBROV No, Granny, 'onest injun, I just meant to put you in the armchair.
GRANNY Did you hear what I said? I told you to clear out! So why aren't you going? Well, why aren't you going? Do you hear? Clear off out of it! Well? Bugger off! (exits BOBROV)
GRANNY Off! Go on! Away! Bugger off! Talk about a reprobate! (Gets up from the floor and sits in the armchair). And his wife is simply an indecent madam. The madam walks about absolutely starkers and doesn't bat an eyelid, even in front of me, an old woman. She covers her indecent patch with the palm of her hand, and that's the way she walks around. And then she touches bread with that hand at lunchtime. It's simply revolting to watch. She thinks that if she's young and pretty, then she can do anything she likes. And as for herself, the trollop, she never washes herself properly just where she should do. I, she says, like a whiff of woman to come from a woman! And as for me, as soon as I see her coming, I'm straight into the bathroom with the eau de Cologne to my nose. Perhaps it may be nice for men, but as for me, you can spare me that. The shameless hussy! She goes around naked without the slightest embarrassment. And when she sits down she doesn't even keep her legs together properly, so that everything's on show. And -- there, she's well just always wet. She's leaking like that all the time. If you tell her she should go and wash herself, she will say you shouldn't wash there too often and she'll take a handkerchief and just wipe herself. And you're lucky if it's a handkerchief, because just with her hand she smears it all over the place. I never give her my hand, as there's perpetually an indecent smell from her hands. And her breasts are indecent. It's true, they are very fine and bouncy, but they are so big that, in my opinion, they're simply indecent. That's the wife that Foma found for himself! How she ever got round him is beyond me.
poem by Daniil Ivanovich Kharms
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Sixth Book
THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Venice Drowning
Venice breathing, shiny shoe mirrors of sex and violence,
In the purple evening silence, venice dreaming of a partner.
Fill your arms with breasts of marble, from the cradle to the table
Coax this naked treasure, from your saviour.
Come swim into my love
Come swim into my life
Divine blasphemer tempting, holly beads of jism
With a scarlet catechism, her lips will answer
(ah, her lips will answer)
How to be, the perfect stranger, the perfect lover - wanting
And as youll discover - giving, and as youll discover - being.
Come swim into my love
Come swim into my life
Enter this sublime corrosion
Venice drowning in emotion
-
(the body stirs, and is reanimated, only briefly,
But then life is very brief)
(come swim into my life)
(come swim into my life)
(ah-ahh ah-ah ah-ah-whoo heyyey)
Venice drowning!
Venice drowning!
Venice drowning!
Venice drowning!
Venice drowning!
Venice drowning! (slowly disappearing..)
Venice drowning! (slowly disappearing..)
Venice drowning! (slowly disappearing..)
Venice drowning!.... (slowly disappearing..)
song performed by Duran Duran
Added by Lucian Velea
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The Dream
'TWAS summer eve; the changeful beams still play'd
On the fir-bark and through the beechen shade;
Still with soft crimson glow'd each floating cloud;
Still the stream glitter'd where the willow bow'd;
Still the pale moon sate silent and alone,
Nor yet the stars had rallied round her throne;
Those diamond courtiers, who, while yet the West
Wears the red shield above his dying breast,
Dare not assume the loss they all desire,
Nor pay their homage to the fainter fire,
But wait in trembling till the Sun's fair light
Fading, shall leave them free to welcome Night!
So when some Chief, whose name through realms afar
Was still the watchword of succesful war,
Met by the fatal hour which waits for all,
Is, on the field he rallied, forced to fall,
The conquerors pause to watch his parting breath,
Awed by the terrors of that mighty death;
Nor dare the meed of victory to claim,
Nor lift the standard to a meaner name,
Till every spark of soul hath ebb'd away,
And leaves what was a hero, common clay.
Oh! Twilight! Spirit that dost render birth
To dim enchantments; melting Heaven with Earth,
Leaving on craggy hills and rumning streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, tho' such radliance round him brightly glows,
Marks the small spark his cottage window throws.
Still as his heart forestals his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life,
His rosy children, and his sunburnt wife,
To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And those poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fond sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,
[...] Read more
poem by Caroline Elizabeth Sarah Norton
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The Siege of Corinth
In the year since Jesus died for men,
Eighteen hundred years and ten,
We were a gallant company,
Riding o'er land, and sailing o'er sea
Oh ! but we went merrily !
We forded the river, and clomb the high hill,
Never our steeds for a day stood still;
Whether we lay in the cave or the shed,
Our sleep fell soft on the hardest bed:
Whether we couch'd in our rough capote,
On the rougher plank of our gliding boat.
Or stretch'd on the beach, or our saddles spread
As a pillow beneath the resting head,
Fresh we woke upon the morrow:
All our thoughts and words had scope,
We had health, and we had hope,
Toil and travel, but no sorrow.
We were of all tongues and creeds; ---
Some were those who counted beads,
Some of mosque, and some of church;
Yet through the wide world might ye search,
Nor find a motlier crew nor blither.
But some are dead, and some are gone,
And some are scatter'd and alone,
And some are rebels on the hills
That look along Epirus' valleys,
Where freedom still at moments rallies,
And pays in blood oppression's ills;
And some are in a far countree,
And some all restlessly at home;
But never more, oh ! never, we
Shall meet to revel and to roam.
But those hardy days flew cheerily !
And when they now fall drearily,
My thoughts, like swallows, skim the main,
And bear my spirit back again
Over the earth, and through the air,
A wild bird and a wanderer.
'Tis this that ever wakes my strain,
And oft, too oft, implores again
The few who may endure my lay,
To follow me so far away.
Stranger --- wilt thou follow now,
And sit with me on Acro-Corinth's brow?
I
Many a vanish'd year and age,
And tempest's breath, and battle's rage,
Have swept o'er Corinth; yet she stands,
A fortress form'd to Freedom's hands.
[...] Read more
poem by Byron (1816)
Added by Veronica Serbanoiu
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1999
Don't worry, i won't hurt u
I only want u 2 have some fun
I was dreamin' when i wrote this
Forgive me if it goes astray
But when i woke up this mornin'
Coulda sworn it was judgment day
The sky was all purple,
There were people runnin' everywhere
Tryin' 2 run from the destruction,
U know i didn't even care
'cuz they say two thousand zero zero party over,
Oops out of time
So tonight i'm gonna party like it's 1999
I was dreamin' when i wrote this
So sue me if i go 2 fast
But life is just a party, and parties weren't meant 2 last
War is all around us, my mind says prepare 2 fight
So if i gotta die i'm gonna listen 2 my body tonight
Yeah, they say two thousand zero zero party over,
Oops out of time
So tonight i'm gonna party like it's 1999
Yeah
Lemme tell ya somethin'
If u didn't come 2 party,
Don't bother knockin' on my door
I got a lion in my pocket,
And baby he's ready 2 roar
Yeah, everybody's got a bomb,
We could all die any day
But before i'll let that happen,
I'll dance my life away
Oh, they say two thousand zero zero party over,
Oops out of time
We're runnin' outta time (tonight i'm gonna)
So tonight we gonna (party like it's 1999)
We gonna, oww
Say it 1 more time
Two thousand zero zero party over oops,
Out of time
No, no (tonight i'm gonna)
So tonight we gonna (party like it's 1999)
We gonna, oww
Alright, it's 1999
You say it, 1999
1999
1999 don't stop, don't stop, say it 1 more time
Two thousand zero zero party over,
Oops out of time
Yeah, yeah (tonight i'm gonna)
So tonight we gonna (party like it's 1999)
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song performed by Gary Numan
Added by Lucian Velea
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The Plea Of The Midsummer Fairies
I
'Twas in that mellow season of the year
When the hot sun singes the yellow leaves
Till they be gold,—and with a broader sphere
The Moon looks down on Ceres and her sheaves;
When more abundantly the spider weaves,
And the cold wind breathes from a chillier clime;—
That forth I fared, on one of those still eves,
Touch'd with the dewy sadness of the time,
To think how the bright months had spent their prime,
II
So that, wherever I address'd my way,
I seem'd to track the melancholy feet
Of him that is the Father of Decay,
And spoils at once the sour weed and the sweet;—
Wherefore regretfully I made retreat
To some unwasted regions of my brain,
Charm'd with the light of summer and the heat,
And bade that bounteous season bloom again,
And sprout fresh flowers in mine own domain.
III
It was a shady and sequester'd scene,
Like those famed gardens of Boccaccio,
Planted with his own laurels evergreen,
And roses that for endless summer blow;
And there were fountain springs to overflow
Their marble basins,—and cool green arcades
Of tall o'erarching sycamores, to throw
Athwart the dappled path their dancing shades,—
With timid coneys cropping the green blades.
IV
And there were crystal pools, peopled with fish,
Argent and gold; and some of Tyrian skin,
Some crimson-barr'd;—and ever at a wish
They rose obsequious till the wave grew thin
As glass upon their backs, and then dived in,
Quenching their ardent scales in watery gloom;
Whilst others with fresh hues row'd forth to win
My changeable regard,—for so we doom
Things born of thought to vanish or to bloom.
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poem by Thomas Hood
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Carrolling II-Parody Lewis CARROLL–The Mad Gardener’s Song
Carolling II
He Thought He Saw
He thought he saw new Internet
exchanging peer to peer,
he looked again and found it was
a mirage for each year
sees more control, “what rôle, ” he said,
“for values once held dear?
Some track to trace attack and get
convictions based on fear.'
He dreamt he saw spam disappear,
all consultations free,
he looked again and found it was
a spybot lottery.
“Is net neutrality”, he said,
“from rash risks viral clear? ”
He dreamt that Microsoft would steer
all trash deleted fast,
then woke to find world insincere
where independence past
was sacrificed throughout the year
to biometrics ghast.
He thought he saw a friend’s hello,
with an attachment piece,
he looked again and found it was
the porno scanning police.
“Politically correct”, he said,
“can’t guarantee release.”
He opened it, discovered though,
a trojan horse to fleece –
he looked again as data flow
declined, - mind not at peace -
and whispered with voice hoarse and low:
'when will our worries cease? ”
He thought he saw a hierophant,
who’d deal successful life,
he looked again and found it was
subpoena from ex-wife
demanding child support, he said,
“cards are cut by Time’s knife.”
He looked once more with rage and rant
and swore like a fishwife
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poem by Jonathan Robin
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Parish Register - Part III: Burials
THERE was, 'tis said, and I believe, a time
When humble Christians died with views sublime;
When all were ready for their faith to bleed,
But few to write or wrangle for their creed;
When lively Faith upheld the sinking heart,
And friends, assured to meet, prepared to part;
When Love felt hope, when Sorrow grew serene,
And all was comfort in the death-bed scene.
Alas! when now the gloomy king they wait,
'Tis weakness yielding to resistless fate;
Like wretched men upon the ocean cast,
They labour hard and struggle to the last;
'Hope against hope,' and wildly gaze around
In search of help that never shall be found:
Nor, till the last strong billow stops the breath,
Will they believe them in the jaws of Death!
When these my Records I reflecting read,
And find what ills these numerous births succeed;
What powerful griefs these nuptial ties attend;
With what regret these painful journeys end;
When from the cradle to the grave I look,
Mine I conceive a melancholy book.
Where now is perfect resignation seen?
Alas! it is not on the village-green: -
I've seldom known, though I have often read,
Of happy peasants on their dying-bed;
Whose looks proclaimed that sunshine of the breast,
That more than hope, that Heaven itself express'd.
What I behold are feverish fits of strife,
'Twixt fears of dying and desire of life:
Those earthly hopes, that to the last endure;
Those fears, that hopes superior fail to cure;
At best a sad submission to the doom,
Which, turning from the danger, lets it come.
Sick lies the man, bewilder'd, lost, afraid,
His spirits vanquish'd, and his strength decay'd;
No hope the friend, the nurse, the doctor lend -
'Call then a priest, and fit him for his end.'
A priest is call'd; 'tis now, alas! too late,
Death enters with him at the cottage-gate;
Or time allow'd--he goes, assured to find
The self-commending, all-confiding mind;
And sighs to hear, what we may justly call
Death's common-place, the train of thought in all.
'True I'm a sinner,' feebly he begins,
'But trust in Mercy to forgive my sins:'
(Such cool confession no past crimes excite!
Such claim on Mercy seems the sinner's right!)
'I know mankind are frail, that God is just,
And pardons those who in his Mercy trust;
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poem by George Crabbe
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Gioconda And Si-Ya-U
to the memory of my friend SI-YA-U,
whose head was cut off in Shanghai
A CLAIM
Renowned Leonardo's
world-famous
"La Gioconda"
has disappeared.
And in the space
vacated by the fugitive
a copy has been placed.
The poet inscribing
the present treatise
knows more than a little
about the fate
of the real Gioconda.
She fell in love
with a seductive
graceful youth:
a honey-tongued
almond-eyed Chinese
named SI-YA-U.
Gioconda ran off
after her lover;
Gioconda was burned
in a Chinese city.
I, Nazim Hikmet,
authority
on this matter,
thumbing my nose at friend and foe
five times a day,
undaunted,
claim
I can prove it;
if I can't,
I'll be ruined and banished
forever from the realm of poesy.
1928
Part One
Excerpts from Gioconda's Diary
15 March 1924: Paris, Louvre Museum
At last I am bored with the Louvre Museum.
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poem by Nazim Hikmet
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Three Women
My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.
Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.
Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.
Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.
Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.
1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.
Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,
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poem by Ella Wheeler Wilcox
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The Troubadour. Canto 2
THE first, the very first; oh! none
Can feel again as they have done;
In love, in war, in pride, in all
The planets of life's coronal,
However beautiful or bright,--
What can be like their first sweet light?
When will the youth feel as he felt,
When first at beauty's feet he knelt?
As if her least smile could confer
A kingdom on its worshipper;
Or ever care, or ever fear
Had cross'd love's morning hemisphere.
And the young bard, the first time praise
Sheds its spring sunlight o'er his lays,
Though loftier laurel, higher name,
May crown the minstrel's noontide fame,
They will not bring the deep content
Of his lure's first encouragement.
And where the glory that will yield
The flush and glow of his first field
To the young chief? Will RAYMOND ever
Feel as he now is feeling?--Never.
The sun wept down or ere they gain'd
The glen where the chief band remain'd.
It was a lone and secret shade,
As nature form'd an ambuscade
For the bird's nest and the deer's lair,
Though now less quiet guests were there.
On one side like a fortress stood
A mingled pine and chesnut wood;
Autumn was falling, but the pine
Seem'd as it mock'd all change; no sign
Of season on its leaf was seen,
The same dark gloom of changeless green.
But like the gorgeous Persian bands
'Mid the stern race of northern lands,
The chesnut boughs were bright with all
That gilds and mocks the autumn's fall.
Like stragglers from an army's rear
Gradual they grew, near and less near,
Till ample space was left to raise,
Amid the trees, the watch-fire's blaze;
And there, wrapt in their cloaks around,
The soldiers scatter'd o'er the ground.
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poem by Letitia Elizabeth Landon
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