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Beautiful: The Kind I'll Never Be

You keep telling me
All about her
She's something I'll never be.
No matter how hard i try
No matter how much i cry.
She's the beautiful
The beautiful: That I'll never be.

And everytime i look in the mirror
It's the only thing that seems clear,
I'll never live up to
That girl that's got you.

I only wish i could.
If i could i would
I would become that beautiful
That Beautiful I'll never be
That (kind of) beautiful
That's not meant for me.

poem by Midnight Lily
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The Mirror Struggled

The mirror struggled; reflecting beauty such as hers
Prescribed a glory in the challenge – a fairytale
Or such as like! To shimmer back hypnotic hues
From auras of her skin – how do mirrors cope?
Hoary tales of pretty adolescent buds
Could never hope to match the tomes of dreamy
Pulchritude apprising us of such a belle as she.

The mirror shone; and as it worked itself, a moment –
Did it overlook the hidden melancholy?
Were melting eyes bedewed–? Florid lips imbued
With mournfulness? The hindrance of the silver glass!
Oh! to seek – to know the meaning of the sorrow!
She (with tearful hair, an image out of heaven)
Never opened up her heart. The mirror struggled.

Copyright Mark R Slaughter 2009

m irror mirror mirror - mirror mirror mirror
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mirror mirror mirror - mirror mirror mirror

poem by Mark R Slaughter
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Tearful Eyes

The mirror laughed; it gleaned my thoughts
And saw me cry my want:
Synthetic views - pathetic clues
To how I tick - and now you taunt,
You bleeding mirror, jibe another!
Just because I dream…

To be the mighty hero wise!
And perch atop the sodden hill
Of blood and pungent death,
To lead our race from sure demise.
Let's regain, collect, and rest
Before the battle slams
Our dauntless nerve. And now to rise!
Come follow me - we'll slay the foe!
See my cloak unfurl.
Through screams and wails, he fails and dies.
Look! he falls across his minions'
Path. I laugh aloud.
My warriors hold me to the skies.
Overhead the clouds recede,
Thinning out the black.

And then I fade in pallid lies.
Returning back to conscious state,
I let the mirror slate me:
Fathoming my remote disguise,
Reflecting back my hopeless lot.
Oh to smash the thing!
If I could see through tearful eyes.

Copyright © Mark Raymond Slaughter 2009

[...] Read more

poem by Mark R Slaughter
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The Magic Mirror

Mirror … mirror on the wall,
Who’s the fairest fair of all?
Mirror … mirror on the wall,
Who’s the smartest head of all?
Mirror … mirror on the wall,
Who’s that girl standing tall?
Mirror … mirror on the wall,
Who's to hold me when I fall?
Mirror … mirror on the wall,
Why are you not answering my call?

Oh mirror...

The lines and the scars you do not hide;
My scattered thoughts you would not guide.

Me myself and I; the gap so wide.
Oh mirror; you make me look inside!

You show me a girl against the tide,
By the rules she would not abide.

Within your frame, a caged spirit am I?
By your name, what voice have I?

Oh mirror … can you hear me?
My mirror is deceiving me!

I will show you my smile... will you let me?
A star in my eyes... will you get me?

I will show you a happy face... please let me!
A shelter from myself... please get me!

Mirror … mirror on the wall,
Do not show me her face;
I have killed her and left no trace.

Mirror … mirror on the wall,
She shall never stutter;
With a new voice, words she will utter.

Mirror … mirror on the wall,
Her fear you shall never show;
Fearless she is to know.

Mirror... mirror on the wall,
Do not point at her scars;
It hurts... not her scars.

[...] Read more

poem by Marwa Rakha
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Mirror, Mirror

(m. sembello/d. matkowsky)
Mirror, mirror
On the wall
You said you had the answers to it all
You never told me Id take a fall
Mirror, mirror
On the wall
You, you turned my life
Into a paperback novel
Words that come to life
Inside your little melodrama
Chapter one
When I was young
I came to you with my problems
Chapter two
You promised me love
And anything that I desired
Tell me mirror, mirror on the wall
thought you said you had the answers to it all
Never told me I was gonna take a fall
Tell me mirror, mirror on the wall
You have nailed my heart
Upon the wall for your pleasures
You have cast a spell
That cannot ever be broken
And now
My eyes grow tired
I watch my picture getting older
But i
Remain the same
Trapped in this mirror forever
Tell me mirror, mirror on the wall
thought you said you had the answers to it all
You never told me I was gonna take a fall
Tell me mirror, mirror on the wall
I talk to you each night
And I follow your advise
Youve been wrong
Whats the price I have to pay
For this fairy tale thing called love?
Let me go!
Tell me mirror, mirror on the wall
thought you said you had the answers to it all
Never told me I was gonna take a fall
Tell me mirror, mirror on the wall
Tell me mirror, mirror on the wall
thought you said you had the answers to it all
Never told me I was gonna take a fall
Tell me mirror, mirror on the wall
Let me go

[...] Read more

song performed by Diana Ross
Added by Lucian Velea
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Any form of life was better than death

I felt like committing suicide there and then itself. Everytime I saw countless haplessly orphaned children; being viciously kicked into dustbins of malice; for ostensibly no reason or rhyme,

I felt like committing suicide there and then itself. Everytime I saw the pricelessly innocuous female fetus; being brutally assassinated and aborted; right in the very depths of the unassailably godly womb,

I felt like committing suicide there and then itself. Everytime I saw heartlessly cold-blooded men; ruthlessly felling innumerable a tree; using its blessed branches; trunk and roots; for evolving lifelessly wastrel commodities,

I felt like committing suicide there and then itself. Everytime I saw demonically manipulating politicians; weigh the very essence of unconquerably righteous life; in terms of wantonly decrepit currency coin,

I felt like committing suicide there and then itself. Everytime I saw innocently minor girls being brutally raped; by the diabolically idiosyncratic perversions of sadistic man,

I felt like committing suicide there and then itself. Everytime I saw peerlessly impeccable blood being parasitically sucked from newborn forms; just in order to spuriously enrich and consecrate; the already blessed and bountiful human form,

I felt like committing suicide there and then itself. Everytime I saw boundless wives and children reduced to a cadaverous carcass; as the man of the family simply refrained to budge an inch to earn; cannibalistically guzzling the last dropp of wine and vixen; to be found of planet earth,

I felt like committing suicide there and then itself. Everytime I saw beautifully fructifying wildlife being emotionlessly beheaded; just in order to become the exuberant delicacy; of the already replenished palette,

I felt like committing suicide there and then itself. Everytime I saw robustly ebullient organisms doing nothing but just endlessly gazing at fathomless sky; nonsensically proclaiming that their destiny would one day and eventually take them to the absolute epitome of cloud nine,

I felt like committing suicide there and then itself. Everytime I saw one man derogatorily slaving and slavering for another man; wherein the Omnipotent Creator had created all symbiotically equal in the first place,

I felt like committing suicide there and then itself. Everytime I saw millions of innocent being indiscriminately butchered; in the wrath and aftermath of barbarously thwarting bombardment and war,

I felt like committing suicide there and then itself. Everytime I saw satanic terrorists launch an inconsolably pulverizing assault on one particular fraternity of mankind; in the name of sacrifice to the Omnipresent Lord,

I felt like committing suicide there and then itself. Everytime I saw hordes of people blindfoldedly offering their last ounce of wealth to the Omnipotent deity of the Lord; who in the first place owned every speck of the unending Universe; and who wanted them to benevolently donate the same to all suffering living kind instead,

I felt like committing suicide there and then itself. Everytime I saw school going girls and boys begging hoarsely on the obdurately chauvinistic streets; with their parents abhorrently using them to tickle the soft corner of the opulent society,
I felt like committing suicide there and then itself. Everytime I saw women of all ages; right from the age of my daughter; to sister to mother; tawdrily selling their flesh to hedonistically dastardly men; just for securing those two quintessential morsels of food,

I felt like committing suicide there and then itself. Everytime I saw limitless dying unattended on the freezing streets; because of unforgivably ghastly corruption; viciously infiltrating in every echelon of the government and society,

I felt like committing suicide there and then itself. Everytime I saw impudently pretentious brats; telling their life-bestowing parents to clean the stagnating shit in their houses; whilst they themselves deliriously drowned themselves; into barrels of sinfully expensive wine and cigarette smoke,

I felt like committing suicide there and then itself. Everytime I saw the most perpetually faithful of lovers salaciously separate like a miserably broken leaf; at the tiniest of objection from the sanctimoniously turgid society,

I felt like committing suicide there and then itself. Everytime I saw selfishly shriveled man; praying to God for solely impregnating his lungs with a countless breaths; instead of immortally sharing the same in perfect symbiosis with endless numbers of his own kind,

But when I was actually committing suicide. I felt that any form of life was better than death; as I approached my very last breath. For if at all I could endeavor my very best to ameliorate every fraternity of estranged and maliciously cannibalistic living kind; then by the grace of God it could be only while in undefeated life and not the slightest after stonily gory death…

poem by Nikhil Parekh
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
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Everytime

Everytime I hold you
I get that though and feeling all over me
And everytime I touch you honey,
Oh brings back those feeling And those memories.
Everytime I thinking you babe , I realice that hurt girl
That I catch you through but grab these love that is an answer
And I belive that's an answer here for me and you.
'cause everytime I feel my heart on fire I only want a have you love
'cause everytime I feel that warm desire only takes it just one kiss
and the girl I can't resist 'cause I just can stop this burning inside
Ohh!
'cause everytime I feel my heart on fire I only want a have you love
'cause everytime I feel that warm desire only takes it just one kiss
and the girl I can't resist 'cause I just can stop this burning inside
Ohh!
Everytime, everytime, everytime
I just want to tell you babe that nothing in this world
Can take the place from you in my life
You got you know that you are the answer
You got to know that you are the reason
for those wonder years
and those years and those holding on..
Everytime I look around I see (everytime)
everytime I look around I want you (everytime)
everytime I close my eyes (everytime)
Oh ! I realice, I realice (everytime)
You're my everything
You're all I ever wanted
Nobody, nobody

song performed by Lionel Richie
Added by Lucian Velea
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Mirror To Mirror

Written by gerry beckley, 1994
Found on hourglass.
I havent seen forever
Dont even know her name
I call on dreams and other schemes
To try and win that game
Now that its over, darling
Look into my eyes
Seein your own reflection
Much to your surprise
Were seein mirror to mirror
Face to face
We look but we cannot see
Mirror to mirror
Seems to trace
What happened to you and me
And though we tried in earnest
The distant silence yells
We call on wings and other things
To try and break that spell
Now that its over, darling
Truth in the common cause
We stare at our own indifference
By seeing the others flaws
Were seein mirror to mirror
Face to face
We look but we cannot see
Mirror to mirror
Seems to trace
What happened to you and me
Oh, mirror to mirror, mirror to mirror
Mirror to mirror, whats come over me
As we look inside, theres nowhere to turn
Theres nowhere to hide
Now that its over, darling
Look into my eyes
Seein your own reflection
Much to your surprise
Were seein mirror to mirror
Face to face
We look but we cannot see
Mirror to mirror
Seems to trace
What happened to you and me
Oh, mirror to mirror, mirror to mirror
Mirror to mirror, whats come over me
Mirror to mirror, mirror to mirror
Mirror to mirror, whats come over me

song performed by America
Added by Lucian Velea
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

[...] Read more

poem by Robert Browning from The Ring and the Book
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Cowboys & Kisses

Written by anastacia newkirk - jive - charlie pennachio
Cowboys and kisses
Cowboys and kisses
Gotta find myself everytime you go away
Baggy blue jeans and a box of magazines
Is all i have of you
Waitin' on the day you walk back in my life
Like a newborn child, you made me smile,
Then stole my heart away
We may be outta touch, but never out of time
(come back to me boy)
Come back to me boy
(cowboys and kisses)
Always seem to bring me down
You're like a weight in my pocket
Everytime you come around
Damn those cowboys and kisses
Gotta find myself everytime you go away
Holdin on to you like a pair of old shoes
That you never throw away
Every road still leads me back to you, yeah
Your little white lies and butterflies made me shed a tear
Still i'm prayin on the day that you'll be mine (mine)
Why do all these
(cowboys and kisses)
Always seem to bring me down (down)
You're like a weight in my pocket
Everytime you come around
(damn those) cowboys and kisses
Gotta find myself everytime you go away
Everytime, everytime baby
(cowboys and kisses)
(always seem to bring me down)
You're like a weight in my pocket
Everytime you come around
Damn those cowboys and kisses
Gotta find myself everytime you go away
Yeah
Why do i keep on holding you
When all you do is hurt me?
All my friends say i should let you go
So afraid that i might see
I can't keep on living life like this
Up and down in and out
I wonder, is this world just a cowboy and a kiss?
Or should i choose another?
(cowboys and kisses)
Always seem to bring me down
You're like a weight in my pocket
Everytime you come around

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song performed by Anastacia
Added by Lucian Velea
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Cowboys Kisses

Written by anastacia newkirk - jive - charlie pennachio
Cowboys and kisses
Cowboys and kisses
Gotta find myself everytime you go away
Baggy blue jeans and a box of magazines
Is all I have of you
Waitin on the day you walk back in my life
Like a newborn child, you made me smile,
Then stole my heart away
We may be outta touch, but never out of time
(come back to me boy)
Come back to me boy
(cowboys and kisses)
Always seem to bring me down
Youre like a weight in my pocket
Everytime you come around
Damn those cowboys and kisses
Gotta find myself everytime you go away
Holdin on to you like a pair of old shoes
That you never throw away
Every road still leads me back to you, yeah
Your little white lies and butterflies made me shed a tear
Still Im prayin on the day that youll be mine (mine)
Why do all these
(cowboys and kisses)
Always seem to bring me down (down)
Youre like a weight in my pocket
Everytime you come around
(damn those) cowboys and kisses
Gotta find myself everytime you go away
Everytime, everytime baby
(cowboys and kisses)
(always seem to bring me down)
Youre like a weight in my pocket
Everytime you come around
Damn those cowboys and kisses
Gotta find myself everytime you go away
Yeah
Why do I keep on holding you
When all you do is hurt me?
All my friends say I should let you go
So afraid that I might see
I cant keep on living life like this
Up and down in and out
I wonder, is this world just a cowboy and a kiss?
Or should I choose another?
(cowboys and kisses)
Always seem to bring me down
Youre like a weight in my pocket
Everytime you come around

[...] Read more

song performed by Anastacia
Added by Lucian Velea
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

[...] Read more

poem by Conrad Potter Aiken
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Mirror, Mirror, Bloody Fibber

Mirror, mirror, on the wall,
Can't you show me tall and slim?
Mirror, mirror, on the wall,
Must I look so bloody grim?

Mirror, mirror, on the wall,
You're distorting my poor waist!
Mirror, mirror, on the wall,
And why the heck am I defaced?

Mirror, mirror, on the wall,
Why have I a double chin?
Mirror, mirror, on the wall,
And what's the stupid, goofy grin?

Mirror, mirror, on the wall,
Pointless asking ‘Who’s the fairest? –
More bloody likely, 'Who’s the queerest? ’
Now look, I paid a big bucks for thee,
So why can’t you be nice to me?

Mirror, mirror, on the wall,
Who’s the fairest of them all?
Me, you say? Ah, that's better –
Mirror, mirror, bloody fibber!

Copyright © Mark R Slaughter 2009

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poem by Mark R Slaughter
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Girlzilla

Baby Girl, Glamour Girl, Strawberry Girl struts
Candy Girl, Sexy Girl, Bossy Girl fuss
Gansta Girl, Dream Girl, Independent Girl shops
Virtuous Girl, Glitter Girl, Hot Girl pops
Cover Girl, Naughty Girl, Jazzy Girl sings
Phat Girl, Ghetto Girl, Bling Girl blings
Sassy Girl, Cool Girl, Girly Girl rocks
Mama's Girl, Daddy's Girl, Wild Girl stocks
Strong Girl, Sister Girl, Church Girl preach
Flower Girl, Black Girl, American Girl reach
Thick Girl, School Girl, Smart Girl moves
Bad Girl, Spoiled Girl, Bitchy Girl grooves
God's Girl, Quiet Girl, Sweet Girl blessed
Beautiful Girl, Young Girl, Talented Girl impressed
Prom Girl, City Girl, Business Girl works
Play Girl, Outgoing Girl, Dance Girl tworks
Lavish Girl, Promiscuous Girl, Anonymous Girl rolls
Country Girl, Island Girl, Bobby V's Girl controls

poem by Top Notch Glamorous Thick Chick
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2 Steps

You know im the kind of guy that does a 9-5
Workin real hard cuz its the way I live my life
Back home just me and you girl all alone
With no one interrupting, switch off the phone
But I could be that other guy
Who comes home late at night and tells you lies
So why you trippin out on me girl all the time?
When everyday its only you thats on my mind
Everytime we take one step forward you take two steps back
Everytime its right you bring left back
Hey you really gotta think about it
cuz theres really no doubt about it
You know I've been there for you and thats the truth
Everytime we take one step forward you take two steps back
Everytime its right you bring left back
Hey you really gotta think about it
cuz theres really no doubt about it
You know I've been there for you and thats the truth
You know you're the kinda girl that doesn't need to front
Keep it real, let me know just what you want
Sometimes you just dont know when to stop
Your working so much over nothing
Your just losing what you got
Now cant you see there's no other girl
I think your the most beautiful woman in this world (yeah)
But you say I dont appreciate ya and I dont know how to treat ya
We dont do the same things we used to do nomore
Everytime we take one step forward you take two steps back
Everytime its right you bring left back
Hey you really gotta think about it
cuz there's really no doubt about it
You know ive been there for you and thats the truth
Everytime we take one step forward you take two steps back
Everytime its right you bring left back
Hey you really gotta think about it
cuz there's really no doubt about it
You know ive been there for you and thats the truth
Remember, it wasnt that long ago
You told me that you loved me so
Dont forget all the nights we shared when you told me girl just how much you cared
Remember, you can be led astray
But thats the way playas play
Im not that kinda man why cant you understand cuz I
Want you to trust in me, Babygirl cant you see
You're only gonna mess things up
You've done enough
Why cant you stop cuz
You're gonna lose whats good for you
And thats the last thing you wanna do
Won't find another like me

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song performed by Craig David
Added by Lucian Velea
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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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poem by Robinson Jeffers
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Mirror Mirror - Mirror Me!

Mirror Mirror on the Wall
What stories you could tell,
Of faces that have gazed in you
Some so happy - others blue
Some thinking - gosh I look like Hell!
Mirror Mirror on the Wall

Mirror Mirror oh so Tall
Does my bum look big in this?
Does my skirt and jacket clash?
Is it OK for Julies bash?
Will this ensemble be a hit or miss?
Mirror Mirror oh so Tall

Mirror Mirror - curtain call
Do I look a real Pooh Bah?
Is my wig the right way round?
Does my crinoline reach the ground?
Is my moustache correct for a Huusar?
Mirror Mirror - curtain call.

Mirror Mirror in the Hall
Oh will I be 'Belle of the Ball'?
Will my beehive survive the twist and shout?
Or will my carefully padded top dropp ou?
Oh dear - will my stillettos make me fall?
Mirror mirror in the Hall.

Mirror Mirror Oh! apall
Sitting in the dentists chair.
'Just relax and let me take a look'
(scratching, scraping with a dentists hook)
What does the Dentist really see in there
Mirror Mirror Oh! apall

Morror Mirror - you'll recall
When I was very young and free
My face was smooth my eyes were bright
Even very late at night!
But now I'm really old and ninety-three
Mirror Mirror - you'll recall.

Mirror Mirror - please don't fall
Broken glass - bad luck for seven years!
Reflect my vissage just once more
Then you can shatter on the floor
With all my fractured hopes and flowing tears.
Mirror Mirror - please don't fall.

(John Knight - September 2009)

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poem by John Knight
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

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poem by Robinson Jeffers
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