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Albert and His Savings

One day, little Albert Ramsbottom
To see 'ow much money 'e'd got
Stuck a knife in 'is money-box slot 'ole
And fiddled and fished out the lot.

It amounted to fifteen and fourpence
Which 'e found by a few simple sums
Were ninety two tuppenny ices
Or twice that in penn'orths of gums.

The sound of the chinkin' of money
Soon brought father's 'ead round the door
He said, "Whats that there, on the table?"
Albert said it were, "Fifteen and four."

"You're not going to spend all that money..."
Said Pa, in an admonitory tone
"On toffee an' things for your stomach."
Said Mother, "Why not?... it's his own."

Said Pa, "Nay, with that fifteen shillings,
We'll buy National Savings and then...
In five years we'll have seventeen and six
And one pound and sixpence, in ten!"

Young Albert weren't what you'd call eager
He saw his sweet dreams fade away,
Ma said, "Let 'im 'ave the odd fourpence."
Pa lovingly answered, "Nay... nay!"

"It's our duty in crisis... what's 'appened
For every child, woman and man
To strain every muscle and sinew
To raise every penny we can!"

He said, "Even this little fourpence...
Might help us, the Germans to drub!"
Then 'e dropped the four coins in 'is pocket
And made for the neighbouring pub.

These words stirred the 'eart of young Albert
He made up 'is mind then and there
To take up 'is part in the straining
And sell everything 'e could spare.

So off 'e went down to the junk shop
With some toys and a flashlamp, he'd got.
And the stick with the 'orses 'ead 'andle
He received half a crown for the lot.

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An Alliterative Amorous Answer

Alliterative Love Letter

Adored and angelic Amelia. Accept an ardent and artless amourist’s affections, alleviate an anguished admirer’s alarms, and answer an amorous applicant’s avowed ardour. Ah, Amelia! all appears an awful aspect! Ambition, avarice and arrogance, alas are attractive allurements, and abase an ardent attachement. Appease an aching and affectionate adorer’s alarms, and anon acknowledge affianced Alberts alliance as agreeable and acceptable.

Anxiously awaiting an affectionate and affirmative answer, accept an ardent admirer’s aching adieu. Always angelic and admirable Amelia’s admiring and affectionate amourist, Albert
Wit and Wisdom 1826


An Alliterative Answer


Artless Amelia Acme’s answer adamantly admonishing artful Albert Acne’s announced amorous ambitions, and assertive advances, actively advocates appropriate alternatives. Also, attesting abhorrent Alberts attempted abduction, Amelia asks an adequate aureate award. Advance “ amical ” arrangements are altogether abjured.

Adieu Albert!


Abused Amelia, an adorable angel, aghast and askance, acknowledges agile apostate Alberts apparently avuncular, albeit astonishingly audacious application, and, as alleged affiancement alliances and anticipations are absent, appends an acceptable, accurate answer.

Aggressively accosted, Amelia acts advisedly, asking an acceptably authentic apology affirming all Alberts avowed affiancement allegations as archetypal authoritarian autocratic attempts at annulling Amelia’s autonomy. Also, Alberts absolutely alarmingly acquisitive ambitions afford anguish, anxiety, and, afterall, acute anger. All are anathema, as Albert, an adder, assumed angelic approbation after an abject attempt at abrogating and appropriating all Amelia’s assets.

Agamous Alberts age, adiposity, and abnormally abrasive accents also argued against amorous agglutination. Agamy appeared advisable as Amelia always aspired at attaining an absolute amour, assiduously avoiding ambiguity. Ardent admiration activated Alberts appetite as Amelia’s allure and accomplishments attracted all-round applause.

Amelia and Albert are at an apogee. Alliance anticipations are antilogical as Amelia’s aplomb and articulateness, and Alberts anthropomorphic antics are as antipodes apart as Aphrodite and an anthropoid ape. Acataleptic Albert, Amelia’s antithesis, acting almost as an aggressive animal, abused Amelia’s adolescent acquaintance, Anabelle, an alluring afro actress, - actually auditionning as an aria alto, - adventuring affront abruptly abbreviated.

Alberts apologists are accomplices aiding and abetting an attack (after anticipating advantages agreed aforehand) .... At Ashcloth Abbey altar agnostic Albert asked Assyriac Abyssinian Archdeacon Ahasuerus and Arabian acolyte Abdul abn Abdulaziz abn Abdullah Abu an aboveboard absolution although Abbott Abraham Allsaints’ anterior abjuration altered all accomodating actions.

Apprehending arrogant acquiline Alberts arbitrary approach, Amelia appositely acted appropriately, adjusting apparel. Applause and approbation are apropos.

Albert abusively alledges aristocratic alabaster Amelia’s assent - an assumption as absurd as an ass astride an advocate assiduously assembling an ascorbic acid apparatus!

Abstemious Amelia’s abilities attract acclaim - above all admirable administrative aptitudes, artistic aims, analytical assurance, amiability and amenability. Altruistic Amelia amalgamating agreeableness and authority, always assists aliens.

Alcoholic Alberts abominations abound, as aforementioned as all adults agree, admonishing an aggressive ambiance........Albert apes affability!

Abusive adulation appalls, accelerates aversion and attracts adverse acknowledgements alienating affirmative adhesions. Allegorical accolades, artificially addressed, accumulate absurdities. although amiable acolytes are acceptable additions. Argot argues against acceptance as avid adventurers assume affected accents -, acquiring added artificial accomplishments.


Addressing amoral Albert, and apprehending amorphous arrangements, Amelia advises acrimonious Alberts accepting any alternative Abigail, Alice and Anabella, as affianced amourette. Auburns are also admired as are armed assegaie’d ashanti, andalousian, algonquin, anabaptist and amerindian amours:

Abigail, Ada, Adrienne, Adriana, Adelaide, Agatha, Aglaë, Alice, Aliette, await Albert,
Aline, Alison, Amy Amanda, Amandine Andrea, Angela, Angelica, Ann, anticipate Albert
Anna, Annabelle, Anne, Annette, Angelina, Annick, Annie, Andrée, Anthea, alleviate Albert
April, Ariane, Ariane, Arlette, Armande, Armelle, Ashley, Astarte, Ava, appreciate Albert
.....And Albert annoys Amelia! - aggravating!

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The Mountain Whippoorwill

Up in the mountains, it's lonesome all the time,
(Sof' win' slewin' thu' the sweet-potato vine.)
Up in the mountains, it's lonesome for a child,
(Whippoorwills a-callin' when the sap runs wild.)
Up in the mountains, mountains in the fog,
Everythin's as lazy as an old houn' dog.
Born in the mountains, never raised a pet,
Don't want nuthin' an' never got it yet.
Born in the mountains, lonesome-born,
Raised runnin' ragged thu' the cockleburrs and corn.
Never knew my pappy, mebbe never should.
Think he was a fiddle made of mountain laurel-wood.
Never had a mammy to teach me pretty-please.
Think she was a whippoorwill, a-skittin' thu' the trees.
Never had a brother ner a whole pair of pants,
But when I start to fiddle, why, yuh got to start to dance!
Listen to my fiddle -- Kingdom Come -- Kingdom Come!
Hear the frogs a-chunkin' 'Jug o' rum, Jug o' rum!'
Hear that mountain whippoorwill be lonesome in the air,
An' I'll tell yuh how I travelled to the Essex County Fair.
Essex County has a mighty pretty fair,
All the smarty fiddlers from the South come there.
Elbows flyin' as they rosin up the bow
For the First Prize Contest in the Georgia Fiddlers' Show.
Old Dan Wheeling, with his whiskers in his ears,
King-pin fiddler for nearly twenty years.
Big Tom Sergeant, with his blue wall-eye,
An' Little Jimmy Weezer that can make a fiddle cry.
All sittin' roun', spittin' high an' struttin' proud,
(Listen, little whippoorwill, yuh better bug yore eyes!)
Tun-a-tun-a-tunin' while the jedges told the crowd
Them that got the mostest claps'd win the bestest prize.
Everybody waitin' for the first tweedle-dee,
When in comes a-stumblin' -- hill-billy me!
Bowed right pretty to the jedges an' the rest,
Took a silver dollar from a hole inside my vest,
Plunked it on the table an' said, 'There's my callin' card!
An' anyone that licks me -- well, he's got to fiddle hard!'
Old Dan Wheeling, he was laughin' fit to holler,
Little Jimmy Weezer said, 'There's one dead dollar!'
Big Tom Sergeant had a yaller-toothy grin,
But I tucked my little whippoorwill spang underneath my chin,
An' petted it an' tuned it till the jedges said, 'Begin!'
Big Tom Sargent was the first in line;
He could fiddle all the bugs off a sweet-potato vine.
He could fiddle down a possum from a mile-high tree,
He could fiddle up a whale from the bottom of the sea.
Yuh could hear hands spankin' till they spanked each other raw,
When he finished variations on 'Turkey in the Straw.'
Little Jimmy Weezer was the next to play;

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John Keats

Otho The Great - Act III

SCENE I.
The Country.
Enter ALBERT.
Albert. O that the earth were empty, as when Cain
Had no perplexity to hide his head!
Or that the sword of some brave enemy
Had put a sudden stop to my hot breath,
And hurl'd me down the illimitable gulph
Of times past, unremember'd! Better so
Than thus fast-limed in a cursed snare,
The white limbs of a wanton. This the end
Of an aspiring life! My boyhood past
In feud with wolves and bears, when no eye saw
The solitary warfare, fought for love
Of honour 'mid the growling wilderness.
My sturdier youth, maturing to the sword,
Won by the syren-trumpets, and the ring
Of shields upon the pavement, when bright-mail'd
Henry the Fowler pass'd the streets of Prague,
Was't to this end I louted and became
The menial of Mars, and held a spear
Sway'd by command, as corn is by the wind?
Is it for this, I now am lifted up
By Europe's throned Emperor, to see
My honour be my executioner,
My love of fame, my prided honesty
Put to the torture for confessional?
Then the damn'd crime of blurting to the world
A woman's secret! Though a fiend she be,
Too tender of my ignominious life;
But then to wrong the generous Emperor
In such a searching point, were to give up
My soul for foot-ball at Hell's holiday!
I must confess, and cut my throat, to-day?
To-morrow? Ho! some wine!
Enter SIGIFRED.
Sigifred. A fine humour
Albert. Who goes there? Count Sigifred? Ha! Ha!
Sigifred. What, man, do you mistake the hollow sky
For a throng 'd tavern, and these stubbed trees
For old serge hangings, me, your humble friend,
For a poor waiter? Why, man, how you stare!
What gipsies have you been carousing with?
No, no more wine; methinks you've had enough.
Albert. You well may laugh and banter. What a fool
An injury may make of a staid man!
You shall know all anon.
Sigifred. Some tavern brawl?
Albert. 'Twas with some people out of common reach;
Revenge is difficult.

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John Keats

Otho The Great - Act IV

SCENE I.

AURANTHE'S Apartment.
AURANTHE and CONRAD discovered.
Conrad. Well, well, I know what ugly jeopardy
We are cag'd in; you need not pester that
Into my ears. Prythee, let me be spared
A foolish tongue, that I may bethink me
Of remedies with some deliberation.
You cannot doubt but 'tis in Albert's power
To crush or save us?
Auranthe. No, I cannot doubt.
He has, assure yourself, by some strange means,
My secret ; which I ever hid from him,
Knowing his mawkish honesty.
Conrad. Curs'd slave!
Auranthe. Ay, I could almost curse him now myself.
Wretched impediment! Evil genius!
A glue upon my wings, that cannot spread,
When they should span the provinces! A snake,
A scorpion, sprawling on the first gold step,
Conducting to the throne, high canopied.
Conrad. You would not hear my council, when his life
Might have been trodden out, all sure and hush'd;
Now the dull animal forsooth must be
Intreated, managed! When can you contrive
The interview he demands?
Auranthe. As speedily
It must be done as my brib'd woman can
Unseen conduct him to me; but I fear
Twill be impossible, while the broad day
Comes through the panes with persecuting glare.
Methinks, if 't now were night I could intrigue
With darkness, bring the stars to second me,
And settle all this trouble.
Conrad. Nonsense! Child!
See him immediately; why not now?
Auranthe. Do you forget that even the senseless door-posts
Are on the watch and gape through all the house?
How many whispers there are about,
Hungry for evidence to ruin me ;
Men I have spurn 'd, and women I have taunted?
Besides, the foolish prince sends, minute whiles,
His pages so they tell me to enquire
After my health, entreating, if I please,
To see me.
Conrad. Well, suppose this Albert here;
What is your power with him?
Auranthe. He should be
My echo, my taught parrot! but I fear

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Gertrude of Wyoming

PART I

On Susquehanna's side, fair Wyoming!
Although the wild-flower on thy ruin'd wall,
And roofless homes, a sad remembrance bring,
Of what thy gentle people did befall;
Yet thou wert once the loveliest land of all
That see the Atlantic wave their morn restore.
Sweet land! may I thy lost delights recall,
And paint thy Gertrude in her bowers of yore,
Whose beauty was the love of Pennsylvania's shore!

Delightful Wyoming! beneath thy skies,
The happy shepherd swains had nought to do
But feed their flocks on green declivities,
Or skim perchance thy lake with light canoe,
From morn till evening's sweeter pastimes grew,
With timbrel, when beneath the forests brown,
Thy lovely maidens would the dance renew;
And aye those sunny mountains half-way down
Would echo flageolet from some romantic town.

Then, where of Indian hills the daylight takes
His leave, how might you the flamingo see
Disporting like a meteor on the lakes--
And playful squirrel on his nut-grown tree:
And every sound of life was full of glee,
From merry mock-bird's song, or hum of men;
While hearkening, fearing naught their revelry,
The wild deer arch'd his neck from glades, and then,
Unhunted, sought his woods and wilderness again.

And scarce had Wyoming of war or crime
Heard, but in transatlantic story rung,
For here the exile met from every clime,
And spoke in friendship every distant tongue:
Men from the blood of warring Europe sprung
Were but divided by the running brook;
And happy where no Rhenish trumpet sung,
On plains no sieging mine's volcano shook,
The blue-eyed German changed his sword to pruning-hook.

Nor far some Andalusian saraband
Would sound to many a native roundelay--
But who is he that yet a dearer land
Remembers, over hills and far away?
Green Albin! what though he no more survey
Thy ships at anchor on the quiet shore,
Thy pelloch's rolling from the mountain bay,
Thy lone sepulchral cairn upon the moor,

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Ole Ola

When the blue shirts run out in Argentina
Our hearts will be beating like a drum
And your nerves are so shattered you can't take it
Automatically you reach out for the run
But there really isn't any cause for panic
Ally's army had it all under control
It's not merely speculations
It's not just imagination
To bring the World Cup home is Scotland's goal
Ole ola, Ole ola
We're gonna bring that World Cup back from over there
Ole ola, Ole ola
We're gonna bring that World Cup back from over there
We got Dalglish, Buchan and Macari
We got Archie Gemmill, Johnstone and McQueen
We got Big Joe Jordan waiting at the middle and the best support
This world has ever seen
We got Donachie, Rioch and Don Masson
We got Andy Gray and Asa Hartford too
And with this lethal combination it's a fair estimation
That the World Cup will be ours the end of June
Ole ola, Ole ola
We're gonna bring that World Cup back from over there
Ole ola, Ole ola
We're gonna bring that World Cup back from over there
Oh, Brazil, this time I don't think so
Holland without Cruyff just ain't the same
Germany will, we feel,be a challenge
The Italians can still play the game
But there's really only one team in it
We'll be singing as we'll get off of the plane
We are bound for Buenos Aires, we don't care just what they tell us
Only wish we had Danny McGrain
Ole ola, Ole ola
We're gonna bring that World Cup back from over there
Willie Johnstone, then it goes to Dalglish. Lou Macari supporting. There's on opener, defended by Buchan, there's Kenny Dalglish in there. Oh, what a goal!Oh, yes! That does it!
They'll be singing up there in Aberdeen and Dundee
Glasgow will be reaching fever pitch
Cause with a nation of five million we're gonna really turn the heat on
Cause we invented football anyway
Ole ola, Ole ola
We're gonna bring that World Cup back from over there Yes, we are
Ole ola, Ole ola
We're gonna bring that World Cup back from over there
Ole ola, Ole ola
We're gonna bring that World Cup back from over there All together now:
Ole ola, Ole ola
We're gonna bring that World Cup back from over there. One more
Ole ola, Ole ola
We're gonna bring that World Cup back from over there Yes, we are

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John Keats

Otho The Great - Act II

SCENE I.
An Ante-chamber in the Castle.
Enter LUDOLPH and SIGIFRED.
Ludolph. No more advices, no more cautioning:
I leave it all to fate to any thing!
I cannot square my conduct to time, place,
Or circumstances; to me 'tis all a mist!
Sigifred. I say no more.
Ludolph. It seems I am to wait
Here in the ante-room; that may be a trifle.
You see now how I dance attendance here,
Without that tyrant temper, you so blame,
Snapping the rein. You have medicin'd me
With good advices; and I here remain,
In this most honourable ante-room,
Your patient scholar.
Sigifred. Do not wrong me, Prince.
By Heavens, I'd rather kiss Duke Conrad's slipper,
When in the morning he doth yawn with pride,
Than see you humbled but a half-degree!
Truth is, the Emperor would fain dismiss
The nobles ere he sees you.
Enter GONFRED from the Council-room.
Ludolph. Well, sir! What?
Gonfred. Great honour to the Prince! The Emperor,
Hearing that his brave son had re-appeared,
Instant dismiss 'd the Council from his sight,
As Jove fans off the clouds. Even now they pass.
[Exit.
Enter the Nobles from the Council-room. They cross the stage,
bowing unth respect to LUDOLPH, he frowning on them.
CONRAD follows. Exeunt Nobles.
Ludolph. Not the discoloured poisons of a fen,
Which he who breathes feels warning of his death,
Could taste so nauseous to the bodily sense,
As these prodigious sycophants disgust
The soul's fine palate.
Conrad. Princely Ludolph, hail!
Welcome, thou younger sceptre to the realm!
Strength to thy virgin crownet's golden buds,
That they, against the winter of thy sire,
May burst, and swell, and flourish round thy brows,
Maturing to a weighty diadem!
Yet be that hour far off; and may he live,
Who waits for thee, as the chapp'd earth for rain.
Set my life's star! I have lived long enough,
Since under my glad roof, propitiously,
Father and son each other re-possess.
Ludolph. Fine wording, Duke! but words could never yet
Forestall the fates; have you not learnt that yet?

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The Return of Albert

You've 'eard 'ow young Albert Ramsbottom,
In the Zoo up at Blackpool one year,
With a stick and 'orse's 'ead 'andle,
Gave a lion a poke in the ear.

The name of the lion was Wallace,
The poke in the ear made 'im wild;
And before you could say 'Bob's your Uncle,'
'E'd up and 'e'd swallered the child.

'E were sorry the moment 'e'd done it,
With children 'e'd always been chums,
And besides, 'e'd no teeth in 'is noodle,
And 'e couldn't chew Albert on t'gums.

'E could feel the lad moving inside 'im,
As 'e lay on 'is bed of dried ferns,
And it might 'ave been little lad's birthday,
'E wished 'im such 'appy returns.

But Albert kept kicking and fighting,
Till Wallace arose feeling bad,
And felt it were time that 'e started to stage
A come-back for the lad.

So with 'is 'ead down in a corner,
On 'is front paws 'e started to walk,
And 'e coughed and 'e sneezed and 'e gargled,
Till Albert shot out like a cork.

Old Wallace felt better direc'ly,
And 'is figure once more became lean,
But the only difference with Albert
Was 'is face and 'is 'ands were quite clean.

Meanwhile Mister and Missus Ramsbottom
'Ad gone 'ome to tea feeling blue;
Ma says 'I feel down in the mouth like,'
Pa says "Aye! I bet Albert does too.'

Said Ma 'It just goes for to show yer
That the future is never revealed,
If I thought we was going to lose 'im
I'd 'ave not 'ad 'is boots soled and 'eeled.

'Let's look on the bright side,' said Father
'What can't be 'elped must be endured,
Every cloud 'as a silvery lining,
And we did 'ave young Albert insured.'

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Albert's Return

You've `eard `ow young Albert Ramsbottom
At the zoo up at Blackpool one year
With a stick with an `orse's `ead `andle
Gave a lion a poke in the ear?

The name of the lion was Wallace,
The poke in the ear made `im wild
And before you could say "Bob's yer uncle"
E'd upped and `e'd swallowed the child.

`E were sorry the moment `e done it;
With children `e'd always been chums,
And besides, `e'd no teeth in his muzzle,
And `e couldn't chew Albert on't gums.

`E could feel the lad movin' inside `im
As `e lay on `is bed of dried ferns;
And it might `ave been little lad's birthday-
E wished `im such `appy returns.

But Albert kept kickin' and fightin'-
And Wallace got up, feelin' bad.
Decided 'twere time that `e started
To stage a comeback for the lad.

Then puttin' `ead down in one corner,
On `is front paws `e started to walk;
And `e coughed, and `e sneezed, and `e gargled
`Till Albert shot out - like a cork!

Now Wallace felt better directly
And `is figure once more became lean.
But the only difference with Albert Was,
`is face and `is `ands were quite clean.

Meanwhile Mr. and Mrs. Ramsbottom
`Ad gone back to their tea, feelin' blue.
Ma said, "I feel down in the mouth, like.
" Pa said, "Aye, I bet Albert does, too."

Said Mother, "It just goes to show yer
That the future is never revealed;
If I'd thowt we was goin' to lose `im,
I'd `ave not `ad `is boots soled and `eeled."

"Let's look on the bright side," said Father,
"Wot can't be `elped must be endured;
Each cloud `as a silvery lining,
And we did `ave young Albert insured."

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Unlock That Box Just For You

The key to feeling happy and free...
Unlock that box.
And walk away from it when you get out.
Experience what life is about.
It's not inside to keep up whining,
It's not inside to throw a tantrum and pout.

The key to feeling happy and free...
You've got to move your feet with direct speed.
You've got to unleash from guilt and pity.

The key to feeling happy and free...
You've got to accept what is there and care!
You can not wish for something you think is fair.

The key to feeling happy and free...
You've got to unload despair and grief.
You've got to move with faith and beliefs.

The key to feeling happy and free...
You've got to move your feet with direct speed.
You've got to unleash from guilt and pity.

The key to feeling happy and free...
You've got to accept what is there and care!
You can not wish for something you think is fair.

The key to feeling happy and free...
Unlock that box.
And walk away from it when you get out.
Experience what life is about.
It's not inside to keep up whining,
It's not inside to throw a tantrum and pout.

The key to feeling happy and free...
Unlock that box and get out.
Look around and see what your world's about.

The key to feeling happy and free...
Unlock that box and get out.
Look around and see what your world's about.

The key to feeling happy and free...
Unlock that box and get out.
Look around and see what your world's about.

The key to feeling happy and free...
Unlock that box and get out.
Unlock that box and get out.
Unlock that box and get out.

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Allegany Camp

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amelia earhart in japanese war camp

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Bruce Lee

( bullet got the wrong bloke )
Life kid suck
Drink from the box
The juice kicks up
Life give suck the box drink
Yeah
Life kid drink from the box
The juice kicks up
Life kids sucker
Box drink
Yeah
Bruce lee
Life kid seen from the box
Seen from the box
The juice from the box
Kids suck life
Kid get suck from the box
Drink
Bruce lee
Life kid suck from the box
Drink from the box
The juice kicks up
Life kid suck from the box
Drink
Yeah
Bruce lee
Life gets in from the box
Seen from the box
The juice from the box
Kids suck life
Kid get suck from the box
Drink
Bruce lee
Life kid suck from the box
Drink from the box
The juice kicks up
Life kid suck from the box
Drink
Yeah
Bruce lee
( yeah yeah yeah yeah )
Life kid suck from the box
Drink from the box
The juice kicks up
Life kid suck from the box
Yeah
Bruce lee
Life kid ? ? from the box
Seen from the box
Drink from the box

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John Keats

Otho The Great - Act V

SCENE I.

A part of the Forest.
Enter CONRAD and AURANTHE.
Auranthe. Go no further; not a step more; thou art
A master-plague in the midst of miseries.
Go I fear thee. I tremble every limb,
Who never shook before. There's moody death
In thy resolved looks Yes, I could kneel
To pray thee far away. Conrad, go, go
There! yonder underneath the boughs I see
Our horses!
Conrad. Aye, and the man.
Auranthe. Yes, he is there.
Go, go, no blood, no blood; go, gentle Conrad!
Conrad. Farewell!
Auranthe. Farewell, for this Heaven pardon you.
[Exit AURANTHE,
Conrad. If he survive one hour, then may I die
In unimagined tortures or breathe through
A long life in the foulest sink of the world!
He dies 'tis well she do not advertise
The caitiff of the cold steel at his back.
[Exit CONRAD.
Enter LUDOLPH and PAGE.
Ludolph. Miss'd the way, boy, say not that on your peril!
Page. Indeed, indeed I cannot trace them further.
Ludolph. Must I stop here? Here solitary die?
Stifled beneath the thick oppressive shade
Of these dull boughs, this oven of dark thickets,
Silent, without revenge? pshaw! bitter end,
A bitter death, a suffocating death,
A gnawing silent deadly, quiet death!
Escaped? fled? vanish'd? melted into air?
She's gone! I cannot clutch her! no revenge!
A muffled death, ensnar'd in horrid silence!
Suck'd to my grave amid a dreamy calm!
O, where is that illustrious noise of war,
To smother up this sound of labouring breath,
This rustle of the trees!
[AURANTHE shrieks at a distance.
Page. My Lord, a noise!
This way hark!
Ludolph. Yes, yes! A hope! A music!
A glorious clamour! How I live again! [Exeunt.

SCENE II. Another part of the Forest,
Enter ALBERT (wounded).
Albert. O for enough life to support me on
To Otho's feet

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Dad

I've knowed ole Flood this last five year or more;
I knoo 'im when 'is Syd went to the war.
A proud ole man 'e was. But I've watched 'im,
An' seen 'is look when people spoke uv Jim:
As sour a look as most coves want to see.
It made me glad that this 'ere Jim weren't me.

I sized up Flood the first day that we met
Stubborn as blazes when 'is mind is set,
Ole-fashioned in 'is looks an' in 'is ways,
Believin' it is honesty that pays;
An' still dead set, in spite uv bumps 'e's got,
To keep on honest if it pays or not.

Poor ole Dad Flood, 'e is too old to fight
By close on thirty year; but if I'm right
About 'is doin's an' about 'is grit,
'E's done a fair bit over 'is fair bit.
They are too old to fight, but, all the same,
'Is kind's quite young enough to play the game.

I've 'eard it called, this war - an' it's the truth
I've 'eard it called the sacrifice uv youth.
An' all this land 'as reckernized it too,
An' gives the boys the praises that is doo.
I've 'eard the cheers for ev'ry fightin' lad;
But, up to now, I ain't 'eard none for Dad.

Ole Flood, an' all 'is kind throughout the land,
They aint' been 'eralded with no brass band,
Or been much thought about; but, take my tip,
The war 'as found them with a stiffened lip.
'Umpin' a load they thought they'd dropped for good,
Crackin' reel 'ardy, an' - jist sawin' wood.

Dad Flood, 'is back is bent, 'is strength is gone;
'E'd done 'is bit before this war come on.
At sixty-five 'e thought 'is work was done;
'E gave the farmin' over to 'is son,
An' jist sat back in peace, with 'is ole wife,
To spend content the ev'nin' of 'is life.

Then comes the war. An' when Syd 'esitates
Between the ole folk an' 'is fightin' mates,
The ole man goes outside an' grabs a hoe.
Sez 'e, 'Yeh want to, an' yeh ought to go.
Wot's stoppin' yeh?' 'E straightens 'is ole frame.
'Ain't I farmed long enough to know the game?'

There weren't no more to say. An' Syd went - West:

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Albert and the Lion

There's a famous seaside place called Blackpool,
That's noted for fresh air and fun,
And Mr and Mrs Ramsbottom
Went there with young Albert, their son.

A grand little lad was young Albert,
All dressed in his best; quite a swell
With a stick with an 'orse's 'ead 'andle,
The finest that Woolworth's could sell.

They didn't think much of the Ocean:
The waves, they were fiddlin' and small,
There was no wrecks and nobody drownded,
Fact, nothing to laugh at at all.

So, seeking for further amusement,
They paid and went into the Zoo,
Where they'd Lions and Tigers and Camels,
And old ale and sandwiches too.

There were one great big Lion called Wallace;
His nose were all covered with scars -
He lay in a somnolent posture,
With the side of his face on the bars.

Now Albert had heard about Lions,
How they was ferocious and wild -
To see Wallace lying so peaceful,
Well, it didn't seem right to the child.

So straightway the brave little feller,
Not showing a morsel of fear,
Took his stick with its 'orse's 'ead 'andle
And pushed it in Wallace's ear.

You could see that the Lion didn't like it,
For giving a kind of a roll,
He pulled Albert inside the cage with 'im,
And swallowed the little lad 'ole.

Then Pa, who had seen the occurrence,
And didn't know what to do next,
Said 'Mother! Yon Lion's 'et Albert',
And Mother said 'Well, I am vexed!'

Then Mr and Mrs Ramsbottom -
Quite rightly, when all's said and done -
Complained to the Animal Keeper,
That the Lion had eaten their son.

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The Lion and Albert

There's a famous seaside place called Blackpool,
That's noted for fresh air and fun,
And Mr and Mrs Ramsbottom
Went there with young Albert, their son.

A grand little lad was young Albert,
All dressed in his best; quite a swell
With a stick with an 'orse's 'ead 'andle,
The finest that Woolworth's could sell.

They didn't think much of the Ocean:
The waves, they were fiddlin' and small,
There was no wrecks and nobody drownded,
Fact, nothing to laugh at at all.

So, seeking for further amusement,
They paid and went into the Zoo,
Where they'd Lions and Tigers and Camels,
And old ale and sandwiches too.

There were one great big Lion called Wallace;
His nose were all covered with scars -
He lay in a somnolent posture,
With the side of his face on the bars.

Now Albert had heard about Lions,
How they was ferocious and wild -
To see Wallace lying so peaceful,
Well, it didn't seem right to the child.

So straightway the brave little feller,
Not showing a morsel of fear,
Took his stick with its 'orse's 'ead 'andle
And pushed it in Wallace's ear.

You could see that the Lion didn't like it,
For giving a kind of a roll,
He pulled Albert inside the cage with 'im,
And swallowed the little lad 'ole.

Then Pa, who had seen the occurrence,
And didn't know what to do next,
Said 'Mother! Yon Lion's 'et Albert',
And Mother said 'Well, I am vexed!'

Then Mr and Mrs Ramsbottom -
Quite rightly, when all's said and done -
Complained to the Animal Keeper,
That the Lion had eaten their son.

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Ole Mulholland

Hey, sleepy monster in the sand
Time to get up and have a drink
Pacific rim has a tank that thinks
That she is really something grand
Let me tell you about
When I was hanging out
Just in my dothi
Running in the dawn
Right across my lawn
I saw a coyote
Ole, ole, ole for mulholland
See the water fall
And hooray, hooray the sky is falling
Down on bradburys mall
Ole, ole, ole for mulholland
All waxed in pride
Ive got a comfortable ride
And man, she could take us
Out across the salts
Right out of these faults
And on into vegas
So slept a monster in the dune
Woke him up and then he drank
Pacific rim has a think tank
But does she have iq for the moon?
The concrete of the aquaduct
Will last as long as the pyramid of egypt
Or the parthenon of athens
Long after joe harriman is elected major of los angeles
Ole, ole, ole for mulholland
See the water fall
And hooray, hooray the ants are crawling
Down in bradburys mall
Ole, ole, ole for mulholland
Yeah, its quite a sprawl
And hooray, hooray the sky is falling
Down on bradburys mall
Ole, ole, ole for mulholland
Ole

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Henry Wadsworth Longfellow

Evangeline: A Tale of Acadie

This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.

This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.

Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.

PART THE FIRST

I

In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors

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The Cenci : A Tragedy In Five Acts

DRAMATIS PERSONÆ

Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.

The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.


ACT I

Scene I.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.


Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.


Cenci.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!

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