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Tiny Bloom

Oh, tiny bloom
in the garden not tended
wait
untill the girl picks you up
and feel the joy
when adored
by her mother.

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Sister Helen

"Why did you melt your waxen man
Sister Helen?
To-day is the third since you began."
"The time was long, yet the time ran,
Little brother."
(O Mother, Mary Mother,
Three days to-day, between Hell and Heaven!)

"But if you have done your work aright,
Sister Helen,
You'll let me play, for you said I might."
"Be very still in your play to-night,
Little brother."
(O Mother, Mary Mother,
Third night, to-night, between Hell and Heaven!)

"You said it must melt ere vesper-bell,
Sister Helen;
If now it be molten, all is well."
"Even so,--nay, peace! you cannot tell,
Little brother."
(O Mother, Mary Mother,
O what is this, between Hell and Heaven?)

"Oh the waxen knave was plump to-day,
Sister Helen;
How like dead folk he has dropp'd away!"
"Nay now, of the dead what can you say,
Little brother?"
(O Mother, Mary Mother,
What of the dead, between Hell and Heaven?)

"See, see, the sunken pile of wood,
Sister Helen,
Shines through the thinn'd wax red as blood!"
"Nay now, when look'd you yet on blood,
Little brother?"
(O Mother, Mary Mother,
How pale she is, between Hell and Heaven!)

"Now close your eyes, for they're sick and sore,
Sister Helen,
And I'll play without the gallery door."
"Aye, let me rest,--I'll lie on the floor,
Little brother."
(O Mother, Mary Mother,
What rest to-night, between Hell and Heaven?)

"Here high up in the balcony,
Sister Helen,

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George Meredith

Margaret's Bridal Eve

I

The old grey mother she thrummed on her knee:
There is a rose that's ready;
And which of the handsome young men shall it be?
There's a rose that's ready for clipping.

My daughter, come hither, come hither to me:
There is a rose that's ready;
Come, point me your finger on him that you see:
There's a rose that's ready for clipping.

O mother, my mother, it never can be:
There is a rose that's ready;
For I shall bring shame on the man marries me:
There's a rose that's ready for clipping.

Now let your tongue be deep as the sea:
There is a rose that's ready;
And the man'll jump for you, right briskly will he:
There's a rose that's ready for clipping.

Tall Margaret wept bitterly:
There is a rose that's ready;
And as her parent bade did she:
There's a rose that's ready for clipping.

O the handsome young man dropped down on his knee:
There is a rose that's ready;
Pale Margaret gave him her hand, woe's me!
There's a rose that's ready for clipping.

II

O mother, my mother, this thing I must say:
There is a rose in the garden;
Ere he lies on the breast where that other lay:
And the bird sings over the roses.

Now, folly, my daughter, for men are men:
There is a rose in the garden;
You marry them blindfold, I tell you again:
And the bird sings over the roses.

O mother, but when he kisses me!
There is a rose in the garden;
My child, 'tis which shall sweetest be!
And the bird sings over the roses.

O mother, but when I awake in the morn!

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The Dream

'TWAS summer eve; the changeful beams still play'd
On the fir-bark and through the beechen shade;
Still with soft crimson glow'd each floating cloud;
Still the stream glitter'd where the willow bow'd;
Still the pale moon sate silent and alone,
Nor yet the stars had rallied round her throne;
Those diamond courtiers, who, while yet the West
Wears the red shield above his dying breast,
Dare not assume the loss they all desire,
Nor pay their homage to the fainter fire,
But wait in trembling till the Sun's fair light
Fading, shall leave them free to welcome Night!

So when some Chief, whose name through realms afar
Was still the watchword of succesful war,
Met by the fatal hour which waits for all,
Is, on the field he rallied, forced to fall,
The conquerors pause to watch his parting breath,
Awed by the terrors of that mighty death;
Nor dare the meed of victory to claim,
Nor lift the standard to a meaner name,
Till every spark of soul hath ebb'd away,
And leaves what was a hero, common clay.

Oh! Twilight! Spirit that dost render birth
To dim enchantments; melting Heaven with Earth,
Leaving on craggy hills and rumning streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, tho' such radliance round him brightly glows,
Marks the small spark his cottage window throws.
Still as his heart forestals his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life,
His rosy children, and his sunburnt wife,

To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And those poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fond sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,

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Ella Wheeler Wilcox

Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.


Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.


Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.


1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.


Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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Girlzilla

Baby Girl, Glamour Girl, Strawberry Girl struts
Candy Girl, Sexy Girl, Bossy Girl fuss
Gansta Girl, Dream Girl, Independent Girl shops
Virtuous Girl, Glitter Girl, Hot Girl pops
Cover Girl, Naughty Girl, Jazzy Girl sings
Phat Girl, Ghetto Girl, Bling Girl blings
Sassy Girl, Cool Girl, Girly Girl rocks
Mama's Girl, Daddy's Girl, Wild Girl stocks
Strong Girl, Sister Girl, Church Girl preach
Flower Girl, Black Girl, American Girl reach
Thick Girl, School Girl, Smart Girl moves
Bad Girl, Spoiled Girl, Bitchy Girl grooves
God's Girl, Quiet Girl, Sweet Girl blessed
Beautiful Girl, Young Girl, Talented Girl impressed
Prom Girl, City Girl, Business Girl works
Play Girl, Outgoing Girl, Dance Girl tworks
Lavish Girl, Promiscuous Girl, Anonymous Girl rolls
Country Girl, Island Girl, Bobby V's Girl controls

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The Victories Of Love. Book I

I
From Frederick Graham

Mother, I smile at your alarms!
I own, indeed, my Cousin's charms,
But, like all nursery maladies,
Love is not badly taken twice.
Have you forgotten Charlotte Hayes,
My playmate in the pleasant days
At Knatchley, and her sister, Anne,
The twins, so made on the same plan,
That one wore blue, the other white,
To mark them to their father's sight;
And how, at Knatchley harvesting,
You bade me kiss her in the ring,
Like Anne and all the others? You,
That never of my sickness knew,
Will laugh, yet had I the disease,
And gravely, if the signs are these:

As, ere the Spring has any power,
The almond branch all turns to flower,
Though not a leaf is out, so she
The bloom of life provoked in me;
And, hard till then and selfish, I
Was thenceforth nought but sanctity
And service: life was mere delight
In being wholly good and right,
As she was; just, without a slur;
Honouring myself no less than her;
Obeying, in the loneliest place,
Ev'n to the slightest gesture, grace
Assured that one so fair, so true,
He only served that was so too.
For me, hence weak towards the weak,
No more the unnested blackbird's shriek
Startled the light-leaved wood; on high
Wander'd the gadding butterfly,
Unscared by my flung cap; the bee,
Rifling the hollyhock in glee,
Was no more trapp'd with his own flower,
And for his honey slain. Her power,
From great things even to the grass
Through which the unfenced footways pass,
Was law, and that which keeps the law,
Cherubic gaiety and awe;
Day was her doing, and the lark
Had reason for his song; the dark
In anagram innumerous spelt
Her name with stars that throbb'd and felt;

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Z. Comments

CRYSTAL GLOW

Madhur Veena Comment: Who is she? ? ? ? ? ? ? ? ? ? ? ....You write good!

Margaret Alice Comment: Beautiful, it stikes as heartfelt words and touches the heart, beautiful sentiments, sorry, I repeat myself, but I am delighted. Your poem is like the trinkets I collect to adorn my personal space, pure joy to read, wonderful! Only a beautiful mind can harbour such sentiments, you have a beautiful mind. I am glad you have found someone that inspires you to such heights and that you share it with us, you make the world a mroe wonderful place.

Margaret Alice Comment: Within the context set by the previous poem, “Cosmic Probe”, the description of a lover’s adoration for his beloved becomes a universal ode sung to the abstract values of love, joy and hope personified by light, colours, fragrance and beauty, qualities the poet assigns to his beloved, thus elevating her to the status of an uplifting force because she brings all these qualities to his attention. The poet recognises that these personified values brings him fulfilment and chose the image of a love relationship to illustrate how this comes about; thus a love poem becomes the vehicle to convey spiritual epiphany.


FRAGRANT JASMINE

Margaret Alice Comment: Your words seem to be directed to a divine entity, you seem to be addressing your adoration to a divinity, and it is wonderful to read of such sublime sentiments kindled in a human soul. Mankind is always lifted up by their vision and awareness of divinity, thank you for such pure, clear diction and sharing your awareness of the sublime with us, you have uplifted me so much by this vision you have created!

Margaret Alice Comment: The poet’s words seem to be directed to a divine entity, express adoration to a divinity who is the personification of wonderful qualities which awakens a sense of the sublime in the human soul. An uplifting vision and awareness of uplifting qualities of innocence represented by a beautiful person.


I WENT THERE TO BID HER ADIEU

Kente Lucy Comment: wow great writing, what a way to bid farewell

Margaret Alice Comment: Sensory experience is elevated by its symbolical meaning, your description of the scene shows two souls becoming one and your awareness of the importance of tempory experience as a symbol of the eternal duration of love and companionship - were temporary experience only valid for one moment in time, it would be a sad world, but once it is seen as a symbol of eternal things, it becomes enchanting.


I’M INCOMPLETE WITHOUT YOU

Margaret Alice Comment: You elevate the humnan experience of longing for love to a striving for sublimity in uniting with a beloved person, and this poem is stirring, your style of writing is effective, everything flows together perfectly.

Margaret Alice Comment:

'To a resplendent glow of celestial flow
And two split halves unite never to part.'

Reading your fluent poems is a delight, I have to tear myself away and return to the life of a drudge, but what a treasure trove of jewels you made for the weary soul who needs to contemplate higher ideals from time to time!


IN CELESTIAL WINGS

Margaret Alice Comment: When you describe how you are strengthened by your loved one, it is clear that your inner flame is so strong that you need not fear growing old, your spirit seems to become stronger, you manage to convey this impression by your striking poetry. It is a privilege to read your work.

Obed Dela Cruz Comment: wow.... i remembered will shakespeare.... nice poem!

Margaret Alice Comment: The poet has transcended the barriers of time and space by becoming an image of his beloved and being able to find peace in the joy he confers to his beloved.

'You transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.'

Margaret Alice Comment: You are my peace and solace, I know, I am, yours too; A mere flash of your thoughts Enlivens my tired soul And fills me with light, peace and solace, A giant in new world, I become, I rise to divine heights in celestial wings. How I desire to reciprocate To fill you with light and inner strength raise you to divine heights; I must cross over nd hold you in arms, light up your soul, Fill you with strength from my inner core, Wipe away your tears burst out in pure joy How I yearn to instill hope and confidence in you we never part And we shall wait, till time comes right. the flame in my soul always seeks you, you transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.


RAGING FIRE

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Joy To The World (feat. Brian Mcknight)

(feat. Brian McKnight)
Joy is the gift He brings
Joy is the song we sing
Joy may cover everything
Joy, joy to the world
Joy to the world, the Lord is come!
Let earth receive her King;
Let every heart prepare Him room,
And Heaven and nature sing,
And Heaven and nature sing,
And Heaven, and Heaven, and nature sing.
[Brian]
Joy to the world, the Savior reigns!
Let men their songs employ;
While fields and floods, rocks, hills and plains
Repeat the sounding joy,
Repeat the sounding joy,
Repeat, repeat, the sounding joy.
Talking 'bout joy, joy, joy, joy
Said, joy, joy, joy, joy
Joy to the world
I'm talking 'bout joy is the gift He brings
Joy is the song we sing
Joy let the church bell ring
Joy to the world
Yeah, yeah, yeah yeah yeah bring some joy
He rules the world with truth and grace,
And makes the nations prove, oh yeah
The glories of His righteousness,
And wonders of His love,
And wonders of His love,
And wonders, and wonders of His love.
Wonders of His love
Talking 'bout joy is the gift He brings
And joy is the song we sing
Joy may cover everything
Joy to the world, yeah
Joy joy (talkin' 'bout joy)
Joy joy (joy)
Joy joy
Joy to the world
Talking 'bout joy
Talking 'bout joy
Talking 'bout the joy
Talking 'bout that joy
Talking 'bout joy
Joy
Joy
Joy
Joy, joy, joy

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The Victories Of Love. Book II

I
From Jane To Her Mother

Thank Heaven, the burthens on the heart
Are not half known till they depart!
Although I long'd, for many a year,
To love with love that casts out fear,
My Frederick's kindness frighten'd me,
And heaven seem'd less far off than he;
And in my fancy I would trace
A lady with an angel's face,
That made devotion simply debt,
Till sick with envy and regret,
And wicked grief that God should e'er
Make women, and not make them fair.
That he might love me more because
Another in his memory was,
And that my indigence might be
To him what Baby's was to me,
The chief of charms, who could have thought?
But God's wise way is to give nought
Till we with asking it are tired;
And when, indeed, the change desired
Comes, lest we give ourselves the praise,
It comes by Providence, not Grace;
And mostly our thanks for granted pray'rs
Are groans at unexpected cares.
First Baby went to heaven, you know,
And, five weeks after, Grace went, too.
Then he became more talkative,
And, stooping to my heart, would give
Signs of his love, which pleased me more
Than all the proofs he gave before;
And, in that time of our great grief,
We talk'd religion for relief;
For, though we very seldom name
Religion, we now think the same!
Oh, what a bar is thus removed
To loving and to being loved!
For no agreement really is
In anything when none's in this.
Why, Mother, once, if Frederick press'd
His wife against his hearty breast,
The interior difference seem'd to tear
My own, until I could not bear
The trouble. 'Twas a dreadful strife,
And show'd, indeed, that faith is life.
He never felt this. If he did,
I'm sure it could not have been hid;
For wives, I need not say to you,

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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

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All Different Girls

All Different Girls
By: Sabrina Smith

Pretty girl, who is to blame
Frightened girl, they don’t know her name
Saddened girl, who cries at night
Distant girl, who’s out of sight
Psycho girl, with scars on her wrists
Fairytale girl, who don’t exist
Silent girl, without a name
Ignored girl, who’s filled with shame
Faking girl, with plastic smiles
Freakish girl, from a thousand miles
Emotionless girl, cant feel much pain
Darkened girl, who brings the rain
Crying girl, tears start to flood
Psychotic girl, who drains her blood
Hated girl, who no one loves
Such a weak girl, who’s no longer though
Angry girl, there is no cure
Happy girl, she is no more
Hidden girl, she covers her scars
Prisoned girl, lived behind her life’s bars
Crazy girl, who bleeds so much
Lonely girl, who’s out of touch
Stupid girl, who no one likes
Beaten girl, who always fights
Pretty girl, don’t give up now
Suicide girl, there’s someway, somehow
Scared girl, don’t be afraid
Distant girl, don’t go away
Morbid girl, don’t die tonight
Worried girl, it'll be alright
Stoner girl, tonight she'll smoke her sorrow
Alcoholic girl, she'll drink tomorrow
Furious girl, who has no more faith
Depressed girl, who cries and aches
Fallen girl, with broken wings
Disturbed girl, fell off the swing
Pretty girl, you are my friend
Aching girl, just try to mend
Ugly girl, not like before
Beautiful girl, she is no more
Pretty girl, who made her life end
Pretty girl...no...Not again...

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All Different Girls

Pretty girl, who is to blame
Frightened girl, they don't know her name
Saddened girl, who cries at night
Distant girl, who's out of sight
Psycho girl, with scars on her wrists
Fairytale girl, who don't exist
Silent girl, without a name
Ignored girl, who's filled with shame
Faking girl, with plastic smiles
Freakish girl, from a thousand miles
Emotionless girl, cant feel much pain
Darkened girl, who brings the rain
Crying girl, tears start to flood
Psychotic girl, who drains her blood
Hated girl, who no one loves
Such a weak girl, who's no longer though
Angry girl, there is no cure
Happy girl, she is no more
Hidden girl, she covers her scars
Prisoned girl, lived behind her life's bars
Crazy girl, who bleeds so much
Lonely girl, who's out of touch
Stupid girl, who no one likes
Beaten girl, who always fights
Pretty girl, don't give up now
Suicide girl, there's someway, somehow
Scared girl, don't be afraid
Distant girl, don't go away
Morbid girl, don't die tonight
Worried girl, it'll be alright
Stoner girl, tonight she'll smoke her sorrow
Alcoholic girl, she'll drink tomorrow
Furious girl, who has no more faith
Depressed girl, who cries and aches
Fallen girl, with broken wings
Disturbed girl, fell off the swing
Pretty girl, you are my friend
Aching girl, just try to mend
Ugly girl, not like before
Beautiful girl, she is no more
Pretty girl, who made her life end
Pretty girl...no...Not again..

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Elizabeth Barrett Browning

Sixth Book

THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart

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Used To Be My Girl

Good loving, the girl's got plenty good lovin'
Ask me how I know, and I'll tell you so
Used to be my girl
I respect her, when she was mine, I used to neglect her
Oh, she wanted more than I could give
But as long as I live, she'll be my girl
She (She used to be my girl)
Oh (She used to be my girl)
Oh, her personality, the girl was so right for me
She's my girl
And If I had the chance once more, I'd take her back
As a matter a fact, right away (I'd take her back)
I'd take her back
Not only good-lookin'
But lookin' smart, got a thing cooking
Ask me how I know, and I'll tell you so
She used to be my girl
(She used to be my girl) Used to be my girl
(She used to be my girl) My girl, my girl
Oh, her personality, the girl was so right for me
She's my girl
And If I had the chance, I'd take her back
As a matter a fact, right away, right away
Where's my girl?
Don't you know I'm way down, way down
Don't you know, way down, way down
Listen, ooh, good loving, the girl's got plenty good lovin'
Ask me how I know, and I'll tell you so
Used to be my girl, my girl
She used to be (She used to be my girl)
Oh, she used to be (She used to be my girl)
All mine, all mine, all mine (She used to be my girl)
As matter of fact, I want you back, I want you back
(She used to be my girl) Can't you come back right now?
(She used to be my girl) My girl, my girl, my girl
(She used to be my girl) Hmm, too hot to handle
(She used to be my girl) My girl, my girl, my girl
(She used to be my girl) She used to be, she used to be
(She used to be my girl)
(She used to be my girl) Aah, there she goes
(She used to be my girl)
(She used to be my girl)
(She used to be my girl)
(She used to be my girl) Used to be my girl
(She used to be my girl)
Oh, I love her, it's a matter of fact
(She used to be my girl) Too hot to handle

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Loraine

This is the story of one man’s soul.
The paths are stony and passion is blind,
And feet must bleed ere the light we find.
The cypher is writ on Life’s mighty scroll,
And the key is in each man’s mind.
But who read aright, ye have won release,
Ye have touched the joy in the heart of Peace.

PART I

THERE’S a bend of the river on Glenbar run
Which the wild duck haunt at the set of sun,
And the song of the waters is softened so
That scarcely its current is heard to flow;
And the blackfish hide by the shady bank
’Neath the sunken logs where the reeds are rank,
And the halcyon’s mail is an azure gleam
O’er the shifting shoals of the silver bream,
And the magpies chatter their idle whim,
And the wagtails flitter along the brim,
And tiny martins with breasts of snow
Keep fluttering restlessly to and fro,
And the weeping willows have framed the scene
With the trailing fall of their curtains green,
And the grass grows lush on the level leas
’Neath the low gnarled boughs of the apple trees,
Where the drowsy cattle dream away
The noon-tide hours of the summer day.
There’s a shady nook by the old tree where
The track comes winding from Bendemeer.
So faint are the marks of the bridle track,
From the old slip-rails on the ridge’s back,
That few can follow the lines I know—
But I ride with the shadows of long ago!
I am gaunt and gray, I am old and worn,
But my heart goes back to a radiant morn
When someone waited and watched for me
In the friendly shade of that grand old tree.
The winter of Memory brings again
The summer rapture of passionate pain,
And she comes to me with the morning grace
On her sun-gold hair and her lily face,
And her blue eyes soft with the dreamy light
She stole from the stars of the Southern night,
And her slender form like a springtide flower
That sprang from the earth in a magic hour,
With the trembling smile and the tender tone
And the welcome glance—that were mine alone.
And we sit once more as we sat of old
When the future lay in a haze of gold—

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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

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Athena

Athena, I had no idea how much Id need her
Athena, I had no idea how much Id need her
In peaceful times I hold her close and I feed her
In peaceful times I hold her close and I feed her
My heart starts palpitating when I think my guess was wrong
My heart starts palpitating when I think my guess was wrong
But I think Ill get along
But I think Ill get along
Shes just a girl - shes a bomb
Shes just a girl - shes a bomb
Athena, all I ever want to do is please her
Athena, all I ever want to do is please her
My life has been so settled and shes the reason
My life has been so settled and shes the reason
Just one word from her and my troubles are long gone
Just one word from her and my troubles are long gone
But I think Ill get along
But I think Ill get along
Shes just a girl - shes a bomb
Shes just a girl - shes a bomb
Just a girl just a girl
Just a girl just a girl
Just a girl just a girl
Just a girl just a girl
Just a girl just a girl
Just a girl just a girl
Shes just a girl
Shes just a girl
Athena, my heart felt like a shattered glass in an acid bath
Athena, my heart felt like a shattered glass in an acid bath
I felt like one of those flattened ants you find on a crazy path
I felt like one of those flattened ants you find on a crazy path
Id of topped myself to give her time she didnt need to ask
Id of topped myself to give her time she didnt need to ask
Was I a suicidal psychopath?
Was I a suicidal psychopath?
Shes just a girl - shes a bomb
Shes just a girl - shes a bomb
Consumed, there was a beautiful white horse I saw on a dream stage
Consumed, there was a beautiful white horse I saw on a dream stage
He had a snake the size of a sewer pipe living in his rib cage
He had a snake the size of a sewer pipe living in his rib cage
I felt like a pickled priest who was being flambed
I felt like a pickled priest who was being flambed
You were requisitioned blondie
You were requisitioned blondie
Shes just a girl - shes a bomb
Shes just a girl - shes a bomb
Im happy, Im ecstatic
Im happy, Im ecstatic

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Song of Wink Star

The Song of Wink Star
a happy story for children of all ages
story and text © Raj Arumugam, June 2008

☼ ☼

☼ Preamble

Come…children all, children of all ages…sit close and listen…
Come and listen to this happy story of the stars and of life…
Come children of the universe, children of all nations and of all races, and of all climates and of all kinds of space and dimensions and universes…
Come, dearest children of all beings of the living universe, come and listen to The Song of Wink Star…

Come and listen to this story, this happy story…listen, as the story itself sings to you

Sit close then, and listen to the story that was not made by any, or written by a poet, or fashioned by grandfathers and grandmothers warming themselves at the fire of burning stars…

O dearest children all, come and listen to the story that lives
of itself, and that glows bright and happy….

Come…children all, children of all ages, come and listen to this happy story, the story so natural and smooth as life, as it sings itself to you….


The Song of Wink Star
a happy story for children of all ages


☼ 1


Night Child, always so light and gentle, slept on a flower.
And every night, before he went to sleep, he would look up at the sky.
He would look at the eastern corner, five o’clock.

And there he would see all the stars in near and distant galaxies that were only visible to the People of Star Eyes.

Night Child was one of the People of Star Eyes. And so he could see the stars. And of all the stars he could see, he loved to watch Wink Star.

Wink Star twinkled and winked and laughed.
Every night Wink Star did that. Winked and laughed.

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Can't Wait To Be With You

(Will Smith)
(I can't wait to be with you, uh)
I can't wait to be with you (yeah)
I can't wait to see you (uh)
I can't wait to be with you (haha)
Loving you is all I want to do
10 o'clock my flight lands
Can't wait to hold the palm of your hand
Been 7 long days, since the last that I saw you
And every free moment I get, I got to call you
Takin' every chance, to glance at your cute face
And lookin' at your 8 by 10 in my suitcase
Ain't been with my honey in a long while
And when I get a hold of you, mmm child (oh, yeah)
No tellin' what I might do
Cause I would be like a kid that got a toy and it's brand new
Can't wait to hold you, can't wait to see you
Can't wait to treat you, can't wait to be with you (oh, yeah)
I can't wait to be with you
I can't wait to see you
I can't wait to be with you
Loving you is all I want to do
Bein' in love is like an amusement ride, G (woo)
I feel like it's a party inside me
Smile on my face, and there's a twinkle in my eye
Time to go to work, but it's so hard to say goodbye (oh, oh)
And as I think of you, it's like I had a drink or two
I feel dizzy, damn where is she?
Pick up the phone and call you about three (Female voice: hello)
Yeah baby it's me, just to hear your voice, just the thought of you
Got me trippin', it's why I just bought a new
Cellular phone, so I don't have to postpone
When my beeper goes off, no more runnin' to a pay phone
Your astoundin', it's why I'm expondin'
So vivacious, and baby your face is
That of a goddess, it's makin' me feel numb
A fe fi fo fum, yo baby come and get some
Of the man, the myth, so debonair
What said while fair, is a pair
We extraordinary, me and you as a team, it's kinda swell ain't it
Love is hole and I tripped, then I feel in it (oh, that's why)
From the mountain, to the valley, to the deep blue sea
All I can do is hope and pray, you want to be with me
I'm sayin' this from my heart, that's how you know that it's true
Yo, I can't wait to be with you
Girl I know it's true
I can't wait to be with you
I can't wait to see you
I can't wait to see you baby
I can't wait to be with you

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The Growth of Love

1
They that in play can do the thing they would,
Having an instinct throned in reason's place,
--And every perfect action hath the grace
Of indolence or thoughtless hardihood--
These are the best: yet be there workmen good
Who lose in earnestness control of face,
Or reckon means, and rapt in effort base
Reach to their end by steps well understood.
Me whom thou sawest of late strive with the pains
Of one who spends his strength to rule his nerve,
--Even as a painter breathlessly who stains
His scarcely moving hand lest it should swerve--
Behold me, now that I have cast my chains,
Master of the art which for thy sake I serve.


2
For thou art mine: and now I am ashamed
To have uséd means to win so pure acquist,
And of my trembling fear that might have misst
Thro' very care the gold at which I aim'd;
And am as happy but to hear thee named,
As are those gentle souls by angels kisst
In pictures seen leaving their marble cist
To go before the throne of grace unblamed.
Nor surer am I water hath the skill
To quench my thirst, or that my strength is freed
In delicate ordination as I will,
Than that to be myself is all I need
For thee to be most mine: so I stand still,
And save to taste my joy no more take heed.

3
The whole world now is but the minister
Of thee to me: I see no other scheme
But universal love, from timeless dream
Waking to thee his joy's interpreter.
I walk around and in the fields confer
Of love at large with tree and flower and stream,
And list the lark descant upon my theme,
Heaven's musical accepted worshipper.
Thy smile outfaceth ill: and that old feud
'Twixt things and me is quash'd in our new truce;
And nature now dearly with thee endued
No more in shame ponders her old excuse,
But quite forgets her frowns and antics rude,
So kindly hath she grown to her new use.

4

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