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We born with nothing
We speed through life so fast and
Die with everything.

haiku by Marieta Maglas
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Afrikaans: Sterregordels, Stilsonjare, Tydsbroekspypdinge, Haarsliert

Sterregordels

Cosmology in Afrikaans is an ode to joy, the
terms form sing-song strings with delightful
sounds “ewigbewegende elektron”
continuously spinning electron

“elektron in die hart van die atoomkorrel”
electron in the centre of the atom particle
- what a song!

“Triljoene Melkwegstelsels waaromheen ons
Melkweg elke tweehonderdmiljoenjaar
wentel – ‘n mallemeule van sterregordels…”

“Dobberende patrone, mesone en elektrone,
'n konfigurasie van konvekse novae”…

- these terms are singing to me!

A merry-go-round of star systems

Quotes from Adriaan Snyman “Die Messias Kode” (The Messiah Code) pp.9,10

Bombardement Van Frekwensies (English Explanation)

Waarmee sal ek hierdie leë oomblikke,
ankerloos, betekenisloos; aan die ewigheid
vasmaak - die gevoelsruimte in my hart

Is leeg, alle gevoel en denke het gesamentlik
in die donker duisternis van my brein ingeval
‘n laserbrein wat die hologramwêreld

Self moet konsituteer uit ‘n bombardement
van betekenislose frekwensies – maar
vandag is die ligstraalfokus uit

My pendulumgedagtes swaai ongefokus rond
die opgerolde, ingevoude ses-en-twintig of
meer dimensies van die virtuele werklikheid

Wil nie vir my oopgaan nie…

All thought and feeling fell into the black hole in my brain and the twenty-six or more rolled-up frequencies of reality does not want to open for me today…

Geloof In Liefde - Faith In Love

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poem by Margaret Alice
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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poem by Robert Browning from The Ring and the Book
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Faster Than The Speed Of The Night

(Jim Steinman)
I don't want to let another minute got by
They're slipping tho ough out finger, but we're ready to fly
The night'll be our cover and we'll huddle below
We got the music in our bodies and the radio
And when the mourning arrives it'll all be gone
Disappearing in (to) the crack of dawn
We better make our move now before the sun is awake
It's time to put up or shut up and to pick up the pace
And I don't want to let another minute go by
Love is going to get us while the moon is in the sky
We may be running out of night, but never running out of steam
We're acting on a hunch, and we'll be acting out a dream
There really isn't any time to lose
They're going to catch us if we wait until it gets too light
You're such a pretty boy
Let me show you what to do, and you'll do it
But you gotta move faster
Faster than the speed of night
Faster than the speed of night
Faster than the speed of night
Faster than the speed of night
It's all we ever wanted
And it's all we'll ever need
And it's slipping through our fingers
Faster than the speed of night
Faster than the speed of night
Faster than the speed of night
It's all we ever wanted
And it's all we'll ever need
And it's slipping through our fingers
Faster than the speed of night
Faster than the speed of night
Faster than the speed of night
Faster than the speed of night
Faster than the speed of night
Let me show you how to drive me crazy
Let me show you how to make me feel so good
Let me show you how to take me to the edgeof the stars and then back again
You've gotta show me how to drive you crazy
You've gotta show me all the things you want to happen to you
We've gotta tell each other everything we always wanted someone to do
I don't want to push you now and I don't want to rush
We're getting closer every second now, but close is not enough
The night'll be our cover and we'll huddle below
We got the musicin our fingers and the radio
There really isn't any time to lose
We're going to lose it if we wait until it gets too light
You're such a pretty boy
Let me show you what to do, and you'll do it

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song performed by Bonnie Tyler
Added by Lucian Velea
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Faster Than The Speed Of Night

(jim steinman)
Producer for bonnie: jim steinman
I dont want to let another minute get by
Theyre slipping through our fingers, but were ready to fly
The nightll be our cover and well huddle below
We got the music in our bodies and the radio
And when the morning arrives itll all be gone
Disappearing in (to) the crack of dawn
We better make our move now before the sun is awake
Its time to put up or shut up and to pick up the pace
And I dont want to let another minute get by
Love is going to get us while the moon is in the sky
We may be running out of night, but never running out of steam
Were acting on a hunch, and well be acting out a dream
There really isnt any time to lose
Theyre going to catch us if we wait until it gets too light
Youre such a pretty boy
Let me show you what to do, and youll do it
But you gotta move faster
Faster than the speed of night
Faster than the speed of night
Faster than the speed of night
Its all we ever wanted
And all well ever need
And its slipping through our fingers
Faster than the speed of night
Faster than the speed of night
Faster than the speed of night
Its all we ever wanted
And all well ever need
And its slipping through our fingers
Faster than the speed of night
Faster than the speed of night
Faster than the speed of night
Faster than the speed of night
Faster than the speed of night
Let me show you how to drive me crazy
Let me show you how to make me feel so good
Let me show you how to take me to the edge of the stars and then back again
Youve gotta show me how to drive you crazy
Youve gotta show me all the things you want to happen to you
Weve gotta tell each other everything we always wanted someone to do
I dont want to push you now and I dont want to rush
Were getting closer every second now, but close is not enough
The nightll be our cover and well huddle below
We got the music in our fingers and the radio
There really isnt any time to lose
Were going to lose it if we wait until it gets too light
Youre such a pretty boy
Let me show you what to do, and youll do it

[...] Read more

song performed by Bonnie Tyler
Added by Lucian Velea
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Speed

Running from the nightmare
In the middle of the road
Hells no place for sleeping
In a world beyond control
Caught in the headlights
Coming after you
When I woke up this morning
I had to do what I gotta do
Blast me to heaven for loving you
Blast me to heaven for loving you
Speed
Give me what I need
Yeah
White lightning
Lets speed, on speed
On wheels, on wheels
Speed
Oh, let it bleed
Yeah
Greased lightning
Lets speed, on speed
On wheels, on wheels
Ive seen a train full of pain
On the edge of overload
Were in heaven, baby
You are gonna implode
Ive got these crazy feelings
That I cant explain
Ive gotta save you baby
Or Ill die in vain
Blast me to heaven for loving you
I said blast me to heaven just for loving you
I said speed
Give me what I need
Yeah
White lightning
Lets speed, on speed
On wheels, on wheels
Speed
Oh, let it bleed
Yeah
Greased lightning
Lets speed, on speed
On wheels, on wheels
Blast me to heaven for loving you
I said blast me to heaven for loving you
Now Im rushing on the run, yeah
I wanna have me some fun
Ill speed
Give me what I need

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song performed by Billy Idol
Added by Lucian Velea
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Die Schwalbenhode

1.

weh unser guter kaspar ist tot
wer trägt nun die brennende fahne im zopf wer dreht die
kaffeemühle
wer lockt das idyllische reh
auf dem meer verwirrte er die schiffe mit dem wörtchen
parapluie und die winde nannte er bienenvater
weh weh weh unser guter kaspar ist tot heiliger bimbam
kaspar ist tot
die heufische klappern in den glocken wenn man seinen vornamen
ausspricht darum seufze ich weiter kaspar
kaspar kaspar
warum bist du ein stern geworden oder eine kette aus wasser
an einem heißen wirbelwind oder ein euter aus
schwarzem licht oder ein durchsichtiger Ziegel an der
stöhnenden trommel des felsigen wesens
jetzt vertrocknen unsere scheitel und sohlen und die feen
liegen halbverkohlt auf den scheiterhaufen

2.

jetzt donnert hinter der sonne
die schwarze kegelbahn und keiner zieht mehr die kompasse
und die räder der schiebkarren auf
wer ißt nun mit der ratte am einsamen tisch wer verjagt den
teufel wenn er die pferde verführen will wer erklärt uns
die monogramme in den sternen
seine büste wird die kamine aller wahrhaft edlen menschen
zieren doch das ist kein trost und schnupftabak für einen
totenkopf

3.

auf den wasserkanzeln bewegten die kaskadeure ihre
fähnchen wie figura 5 zeigt
die abenteurer mit falschen bärten und diamantenen hufen
bestiegen vermittels aufgeblasener walfischhäute
schneiend das podium
der große geisterlöwe harun al raschid sprich harung al radi
gähnte dreimal und zeigte seine vom rauchen schwarz
gewordenen zähne
die merzerisierten klapperschlangen wickelten sich von ihren
spulen mähten ihr getreide und verschlossen es in steine
aus dem saum des todes traten die augen der jungen sterne
nach der geißelung auf der sonnenbacke tanzten die hufe des
esels auf flaschenköpfen
die toten fielen wie flocken von den ledernen türmen
wieviel totengerippe drehten die räder der tore
als der wasserfall dreimal gekräht hatte erblich seine tapete bis

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poem by Jean Arp
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Out of the…is Born a …

Out of the mire is born a gorgeous flower;
Out of the noise is born a dead silence;
Out of the storm is born, calm!

Out of the strife is born a pleasant life;
Out of the filth is born flora, fauna;
Out of the chaos is born clarity.

Out of the exercise is born a healthy body;
Out of the training is born wisdom;
Out of the learning is born a scholar!

Out of the confession is born a soul afilled with grace;
Out of the Holy Book is born the word of God;
Out of the prayers is born answers from God!

Out of the rain is born the verdure shoots;
Out of the sun is born the growing plants;
Out of the dawn is born a lovely day;
Out of the dusk is born a quiet night!

Out of the hunger is born an appetite;
Out of the dainty food is born satiety;
Out of the wine is born inebriety.

Out of the fasting is born controlled senses;
Out of the inhibition is born a civilized person;
Out of the nature’s furies is born forbearance;
Out of the war is born a newer peace.

Out of the mistakes done is born a new resolve;
Out of the struggle is born a long-lasting freedom;
Out of the perseverance is born an accomplishment.

Out of the light is born a new day on earth;
Out of the night is born a starry sky;
Out of the dark clouds is born an aureole moon.

Out of the boredom is born a life of joy;
Out of the trials, travail is born a mind of steel;
Out of the woes is born a content heart!

Out of the parent’s love is born a loving child;
Out of the love of God is born forgiveness of sins;
Out of the mercy of God is born a soul for heaven!

poem by John Celes
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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poem by Robert Browning from The Ring and the Book
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Solomon on the Vanity of the World, A Poem. In Three Books. - Power. Book III.

The Argument

Solomon considers man through the several stages and conditions of life, and concludes, in general, that we are all miserable. He reflects more particularly upon the trouble and uncertainty of greatness and power; gives some instances thereof from Adam down to himself; and still concludes that All Is Vanity. He reasons again upon life, death, and a future being; finds human wisdom too imperfect to resolve his doubts; has recourse to religion; is informed by an angel what shall happen to himself, his family, and his kingdom, till the redemption of Israel; and, upon the whole, resolves to submit his inquiries and anxieties to the will of his Creator.

Come then, my soul: I call thee by that name,
Thou busy thing, from whence I know I am;
For, knowing that I am, I know thou art,
Since that must needs exist which can impart:
But how thou camest to be, or whence thy spring,
For various of thee priests and poets sing.

Hearest thou submissive, but a lowly birth,
Some secret particles of finer earth,
A plain effect which Nature must beget,
As motion orders, and as atoms meet,
Companion of the body's good or ill,
From force of instinct more than choice of will,
Conscious of fear or valour, joy or pain,
As the wild courses of the blood ordain;
Who, as degrees of heat and cold prevail,
In youth dost flourish, and with age shalt fail,
Till, mingled with thy partner's latest breath,
Thou fliest, dissolved in air and lost in death.

Or, if thy great existence would aspire
To causes more sublime, of heavenly fire
Wert thou a spark struck off, a separate ray,
Ordain'd to mingle with terrestrial clay,
With it condemn'd for certain years to dwell,
To grieve its frailties, and its pains to feel,
To teach it good and ill, disgrace or fame,
Pale it with rage, or redden it with shame,
To guide its actions with informing care,
In peace to judge, to conquer in the war;
Render it agile, witty, valiant, sage,
As fits the various course of human age,
Till, as the earthly part decays and falls,
The captive breaks her prison's mouldering walls,
Hovers awhile upon the sad remains,
Which now the pile or sepulchre contains,
And thence, with liberty unbounded, flies,
Impatient to regain her native skies?

Whate'er thou art, where'er ordain'd to go,
(Points which we rather may dispute than know)
Come on, thou little inmate of this breast,
Which for thy sake from passions'l divest
For these, thou say'st, raise all the stormy strife,

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poem by Matthew Prior
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The Corsair

'O'er the glad waters of the dark blue sea,
Our thoughts as boundless, and our soul's as free
Far as the breeze can bear, the billows foam,
Survey our empire, and behold our home!
These are our realms, no limits to their sway-
Our flag the sceptre all who meet obey.
Ours the wild life in tumult still to range
From toil to rest, and joy in every change.
Oh, who can tell? not thou, luxurious slave!
Whose soul would sicken o'er the heaving wave;
Not thou, vain lord of wantonness and ease!
whom slumber soothes not - pleasure cannot please -
Oh, who can tell, save he whose heart hath tried,
And danced in triumph o'er the waters wide,
The exulting sense - the pulse's maddening play,
That thrills the wanderer of that trackless way?
That for itself can woo the approaching fight,
And turn what some deem danger to delight;
That seeks what cravens shun with more than zeal,
And where the feebler faint can only feel -
Feel - to the rising bosom's inmost core,
Its hope awaken and Its spirit soar?
No dread of death if with us die our foes -
Save that it seems even duller than repose:
Come when it will - we snatch the life of life -
When lost - what recks it but disease or strife?
Let him who crawls enamour'd of decay,
Cling to his couch, and sicken years away:
Heave his thick breath, and shake his palsied head;
Ours - the fresh turf; and not the feverish bed.
While gasp by gasp he falters forth his soul,
Ours with one pang - one bound - escapes control.
His corse may boast its urn and narrow cave,
And they who loath'd his life may gild his grave:
Ours are the tears, though few, sincerely shed,
When Ocean shrouds and sepulchres our dead.
For us, even banquets fond regret supply
In the red cup that crowns our memory;
And the brief epitaph in danger's day,
When those who win at length divide the prey,
And cry, Remembrance saddening o'er each brow,
How had the brave who fell exulted now!'

II.
Such were the notes that from the Pirate's isle
Around the kindling watch-fire rang the while:
Such were the sounds that thrill'd the rocks along,
And unto ears as rugged seem'd a song!
In scatter'd groups upon the golden sand,
They game-carouse-converse-or whet the brand:

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poem by Byron
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Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

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poem by Byron from Don Juan (1824)
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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The London Lackpenny

To London once my steps I bent,
Where truth in no wise should be faint;
To Westminster-ward I forthwith went,
To a man of Law to make complaint.
I said, 'For Mary's love, that holy saint,
Pity the poor that would proceed!'
But for lack of money, I could not speed.

And, as I thrust the press among,
By froward chance my hood was gone;
Yet for all that I stayed not long
Till to the King's Bench I was come.
Before the Judge I kneeled anon
And prayed him for God's sake take heed.
But for lack of money, I might not speed.

Beneath them sat clerks a great rout,
Which fast did write by one assent;
There stood up one and cried about
'Richard, Robert, and John of Kent!'
I wist not well what this man meant,
He cried so thickly there indeed.
But he that lacked money might not speed.

To the Common Pleas I yode tho,
There sat one with a silken hood:
I 'gan him reverence for to do,
And told my case as well as I could;
How my goods were defrauded me by falsehood;
I got not a mum of his mouth for my meed,
And for lack of money I might not speed.

Unto the Rolls I gat me from thence,
Before the clerks of the Chancery;
Where many I found earning of pence;
But none at all once regarded me.
I gave them my plaint upon my knee;
They liked it well when they had it read;
But, lacking money, I could not be sped.

In Westminster Hall I found out one,
Which went in a long gown of ray;
I crouched and knelt before him; anon,
For Mary's love, for help I him pray.
'I wot not what thou mean'st', 'gan he say;
To get me thence he did me bid,
For lack of money I could not speed.

Within this Hall, neither rich nor yet poor
Would do for me aught although I should die;

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poem by John Lydgate
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Sir Peter Harpdon's End

In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.

John Curzon

Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.

Sir Peter

So-
What are their names?

John Curzon

Why, Jacques Aquadent,
And Peter Plombiere, but-

Sir Peter

What colour'd hair
Has Peter now? has Jacques got bow legs?

John Curzon

Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?

Sir Peter

O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.

John Curzon

going.

Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.

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poem by William Morris
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Born To Be Loved By You

Borne again.
Because have you at just being borne again.
At last I feel that Im alive and more.
This is the moment Ive waited for.
Born to be loved by you.born to be loved by you.
Born to walk with you.born to talk with you.
I was born for you.
Born to be with you, only you.
Born to be loved by you.
Born for you, born for you baby.
Born for you, born for you baby.
Born for you, born to be loved by you
(you and only you) born to be with only you.
I look at you and all at once I know that dreams come true.
For there you are the other part of me.
I have found my destiny.
Born to be loved by you.born to be loved by you.
Right or wrong for you.weak or strong for you.
Faithful or untrue
Born chained forever and far beyond.
Born to be loved by you and only you
No one else will do.
Heart and soul,born to be loved
Born to be loved.born to be loved by you.
(you and only you,born to be with only you)
Born for you.born for you baby.
Born for you.born for you baby.
Born for you, born for you baby..

song performed by Roy Orbison
Added by Lucian Velea
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First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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In the next birth

IF I ACQUIRED the menacing form of an
alligator in the next birth,
I would want you to cling tightly to my persona as my serrated green
skin.

If I was born in the ominous form of the jungle tiger in the
next birth,
I would you to be incorporated in my body as my domineeringly
authoritative growl.

If I was born as a densely foliated tree in the next birth,
I would want you to be the perennial leaves that emanated from
my silhouette.

If I was born as an opalescent fish in the next birth,
I would want you to be saline water in which I could sustain life
and swim.

If I was born as the twin horned sacrosanct cow in the next birth,
I would inevitably desire you as the milk I would diffuse from
my flaccid teats.

If I was born as a slithering reptile in the next birth,
I would want you to be the lethal venom I possessed in my triangular
fangs.

If I was born as an obnoxious donkey in the next birth,
I would want you to be my hooves which swished indiscriminately
at innocuous trespassers.

If I was born as perpetually blind in the next birth,
I would indispensably want you to be my eyes to guide me
towards dazzling light.

If I was born as being disdainfully maim; bereft of feet in the next
birth,
I would incorrigibly want you to be my legs to ecstatically leap
in times of jubilation.

If I was born as a rustic spider with a battalion of arms in the
next birth,

[...] Read more

poem by Nikhil Parekh
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The Aeneid of Virgil: Book 11

SCARCE had the rosy Morning rais’d her head
Above the waves, and left her wat’ry bed;
The pious chief, whom double cares attend
For his unburied soldiers and his friend,
Yet first to Heav’n perform’d a victor’s vows: 5
He bar’d an ancient oak of all her boughs;
Then on a rising ground the trunk he plac’d,
Which with the spoils of his dead foe he grac’d.
The coat of arms by proud Mezentius worn,
Now on a naked snag in triumph borne, 10
Was hung on high, and glitter’d from afar,
A trophy sacred to the God of War.
Above his arms, fix’d on the leafless wood,
Appear’d his plumy crest, besmear’d with blood:
His brazen buckler on the left was seen; 15
Truncheons of shiver’d lances hung between;
And on the right was placed his corslet, bor’d;
And to the neck was tied his unavailing sword.
A crowd of chiefs inclose the godlike man,
Who thus, conspicuous in the midst, began: 20
“Our toils, my friends, are crown’d with sure success;
The greater part perform’d, achieve the less.
Now follow cheerful to the trembling town;
Press but an entrance, and presume it won.
Fear is no more, for fierce Mezentius lies, 25
As the first fruits of war, a sacrifice.
Turnus shall fall extended on the plain,
And, in this omen, is already slain.
Prepar’d in arms, pursue your happy chance;
That none unwarn’d may plead his ignorance, 30
And I, at Heav’n’s appointed hour, may find
Your warlike ensigns waving in the wind.
Meantime the rites and fun’ral pomps prepare,
Due to your dead companions of the war:
The last respect the living can bestow, 35
To shield their shadows from contempt below.
That conquer’d earth be theirs, for which they fought,
And which for us with their own blood they bought;
But first the corpse of our unhappy friend
To the sad city of Evander send, 40
Who, not inglorious, in his age’s bloom,
Was hurried hence by too severe a doom.”
Thus, weeping while he spoke, he took his way,
Where, new in death, lamented Pallas lay.
Acoetes watch’d the corpse; whose youth deserv’d 45
The father’s trust; and now the son he serv’d
With equal faith, but less auspicious care.
Th’ attendants of the slain his sorrow share.
A troop of Trojans mix’d with these appear,
And mourning matrons with dishevel’d hair. 50

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poem by Publius Vergilius Maro
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Fast Life

* this cd is censored, no uncensored version available
Yeah
Word
No doubt
Yo... yo...
Verse one: ghostface
Wally champ so amazin, the suede shoelacin
Up in the sheraton, just got hit for five years probation
I got a dental appointment at two oclock there go my gold ring
Much later catch a flick or go hoeing
Yo theres somethin heavy on my mind from last nights crime
Spoonface shot gel in the back with kivs nine
It was two men, tighter than a hiker with tims
Like blood brothers, problem was they lust each other woman
For instance, gel seen spoon in demoore
He wet his whiz(tle), got his seed an headin towards the door
They came out of eye, face to face, they embraced
Gel blew a kiss and looked spoon girl in the face
Her face lit up, and grinned with a smile like what?
That sneaky f--k, same bitch that got my man hit up
Out in brownsville, where the thug life live to kill
Where bodies is worth two for five cause its real
Fast life...
Fast life, cause theres nowhere I can go
Fast life, thats the only thing I know
Fast life, cause theres nowhere I can go
Fast life, thats the only life I know
Verse two: andre rison
Yo my man got more power than gunpowder with ammunition
Blowin up the fireworks and the n----z ambitions
On the come up, she gettin done up, behind closed doors
Doin freaky s--t, on elevator floors
I want her, like sonny wanted cher
She was his diamond piece, sex wasnt for lease
Rest in peace, somebody came up deceased
R.i.p. on that grave of the slave of infatuated ways
God couldnt save
F-a-k-e, l-o-v-e
Fake love you see
Never lasting through eternity
Living life in the fast lane
The fast life... its the fast life
Fast life
Fast life, cause theres nowhere I can go
Fast life, thats the only thing I know
Fast life, cause theres nowhere I can go
Fast life, thats the only life I know
Fast life, cause theres nowhere I can go
Fast life, thats the only thing I know
Fast life, cause theres nowhere I can go

[...] Read more

song performed by Ghostface Killah
Added by Lucian Velea
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