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Publilius Syrus

It is a consolation to the wretched to have companions in misery.

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Grief Promise Me To Leave ' Part 2

“”After three months of lying and illusions””


GRIEF PROMISE ME TO LEAVE ' PART 2’

My heart: come back to me grief
My grief: I’m not grief any more I developed to MISERY
My heart: whatever just come?
My misery: I’m coming my friend
My heart: you were right
My misery: as I told you before but you won't believe me
My heart: I believe in you now
My misery with a 'happy tone': tell me what's happened
My heart: what should I tell you! ? I’m stupid.... I’m foolish
My misery: I agree cause every one think in his heart he is big idiot and you are idiot
My heart: she destroyed my soul
My misery: like always
My heart: I don't want that any more
My misery: what do you want?
My heart: I wanna death
My misery: not in your hand, it's our life happiness & sadness
My heart: but my life always painful, what should I do, may I blame the fate or what?
My misery: no, blame your self? You were so nice toy in other hands you are idiot, so blame yourself.
My heart: she lied to me, she gave me hope, life and happiness in months and toke it from me in a little moments.
My misery: that's because of your kindness, and there is no place for you in this world.
My heart: you are the only one who can understand me well.
My misery: I know that cause we borne together.


'My misery thinking'

My misery: you shouldn't keep moving in your life
My heart: I know! ?
My heart: I just wanna the honest from her not anything else
My misery: you won't get it
My heart: she thought me a little nice toy in her hands
My misery: with all my regret, you were and you will still always


‘My heart thinking about ending his misery

‘My heart saw a knife near from him, he carry it to suicide and end his cruel life’
My misery ' with happy voice ': what you doing?
My heart: I can't be idiot anymore, cause I believed in something silly doesn’t existed ' love '.
My misery: you are right.
My heart: I’m sorry for keeping you away from me.
My misery: its ok, as I told you before, something from me will still inside you.
My heart: you are my faithful friend.
My misery: we had borne together.

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Im Only Happy When It Rains

Im only happy when it rains
Im only happy when its complicated
And though I know you cant appreciate it
Im only happy when it rains
You know I love it when the news is bad
And why it feels so good to feel so sad
Im only happy when it rains
Pour your misery down, pour your misery down on me
Pour your misery down, pour your misery down on me
Im only happy when it rains
I feel good when things are going wrong
I only listen to the sad, sad songs
Im only happy when it rains
I only smile in the dark
My only comfort is the night gone black
I didnt accidentally tell you that
Im only happy when it rains
Youll get the message by the time Im through
When I complain about me and you
Im only happy when it rains
Pour your misery down, pour your misery down
Pour your misery down on me pour your misery down
Pour your misery down pour your misery down
Pour your misery down on me pour your misery down
Pour your misery down pour your misery down
Pour your misery down on me pour your misery down
Pour your misery down
You can keep me company
As long as you dont care
Im only happy when it rains
You wanna hear about my new obsession?
Im riding high upon a deep depression
Im only happy when it rains
Pour some misery down on me
Im only happy when it rains
Pour some misery down on me
Im only happy when it rains
Pour some misery down on me
Im only happy when it rains
Pour some misery down on me
Im only happy when it rains
Pour some misery down on me ...

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The Thorn

I

'There is a Thorn--it looks so old,
In truth, you'd find it hard to say
How it could ever have been young,
It looks so old and grey.
Not higher than a two years' child
It stands erect, this aged Thorn;
No leaves it has, no prickly points;
It is a mass of knotted joints,
A wretched thing forlorn.
It stands erect, and like a stone
With lichens is it overgrown.

II

'Like rock or stone, it is o'ergrown,
With lichens to the very top,
And hung with heavy tufts of moss,
A melancholy crop:
Up from the earth these mosses creep,
And this poor Thorn they clasp it round
So close, you'd say that they are bent
With plain and manifest intent
To drag it to the ground;
And all have joined in one endeavour
To bury this poor Thorn for ever.

III

'High on a mountain's highest ridge,
Where oft the stormy winter gale
Cuts like a scythe, while through the clouds
It sweeps from vale to vale;
Not five yards from the mountain path,
This Thorn you on your left espy;
And to the left, three yards beyond,
You see a little muddy pond
Of water--never dry
Though but of compass small, and bare
To thirsty suns and parching air.

IV

'And, close beside this aged Thorn,
There is a fresh and lovely sight,
A beauteous heap, a hill of moss,
Just half a foot in height.
All lovely colours there you see,
All colours that were ever seen;

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Charles Baudelaire

The Litanies Of Satan

O you, the most knowing, and loveliest of Angels,
a god fate betrayed, deprived of praises,
O Satan, take pity on my long misery!
O, Prince of exile to whom wrong has been done,
who, vanquished, always recovers more strongly,
O Satan, take pity on my long misery!
You who know everything, king of the underworld,
the familiar healer of human distress,
O Satan, take pity on my long misery!
You who teach even lepers, accursed pariahs,
through love itself the taste for Paradise,
O Satan, take pity on my long misery!
O you who on Death, your ancient true lover,
engendered Hope – that lunatic charmer!
O Satan, take pity on my long misery!
You who grant the condemned that calm, proud look
that damns a whole people crowding the scaffold,
O Satan, take pity on my long misery!
You who know in what corners of envious countries
a jealous God hid those stones that are precious,
O Satan, take pity on my long misery!
You whose clear eye knows the deep caches
where, buried, the race of metals slumbers,
O Satan, take pity on my long misery!
You whose huge hands hide the precipice,
from the sleepwalker on the sky-scraper’s cliff,
O Satan, take pity on my long misery!
You who make magically supple the bones
of the drunkard, out late, who’s trampled by horses,
O Satan, take pity on my long misery!
You who taught us to mix saltpetre with sulphur
to console the frail human being who suffers,
O Satan, take pity on my long misery!
You who set your mark, o subtle accomplice,
on the forehead of Croesus, the vile and pitiless,
O Satan, take pity on my long misery!
You who set in the hearts and eyes of young girls
the cult of the wound, adoration of rags,
O Satan, take pity on my long misery!
The exile’s staff, the light of invention,
confessor to those to be hanged, to conspirators,
O Satan, take pity on my long misery!
Father, adopting those whom God the Father
drove in dark anger from the earthly paradise,
O Satan, take pity on my long misery!

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The Aeneid of Virgil: Book 2

ALL were attentive to the godlike man,
When from his lofty couch he thus began:
“Great queen, what you command me to relate
Renews the sad remembrance of our fate:
An empire from its old foundations rent, 5
And ev’ry woe the Trojans underwent;
A peopled city made a desart place;
All that I saw, and part of which I was:
Not ev’n the hardest of our foes could hear,
Nor stern Ulysses tell without a tear. 10
And now the latter watch of wasting night,
And setting stars, to kindly rest invite;
But, since you take such int’rest in our woe,
And Troy’s disastrous end desire to know,
I will restrain my tears, and briefly tell 15
What in our last and fatal night befell.
“By destiny compell’d, and in despair,
The Greeks grew weary of the tedious war,
And by Minerva’s aid a fabric rear’d,
Which like a steed of monstrous height appear’d: 20
The sides were plank’d with pine; they feign’d it made
For their return, and this the vow they paid.
Thus they pretend, but in the hollow side
Selected numbers of their soldiers hide:
With inward arms the dire machine they load, 25
And iron bowels stuff the dark abode.
In sight of Troy lies Tenedos, an isle
(While Fortune did on Priam’s empire smile)
Renown’d for wealth; but, since, a faithless bay,
Where ships expos’d to wind and weather lay. 30
There was their fleet conceal’d. We thought, for Greece
Their sails were hoisted, and our fears release.
The Trojans, coop’d within their walls so long,
Unbar their gates, and issue in a throng,
Like swarming bees, and with delight survey 35
The camp deserted, where the Grecians lay:
The quarters of the sev’ral chiefs they show’d;
Here Phœnix, here Achilles, made abode;
Here join’d the battles; there the navy rode.
Part on the pile their wond’ring eyes employ: 40
The pile by Pallas rais’d to ruin Troy.
Thymoetes first (’t is doubtful whether hir’d,
Or so the Trojan destiny requir’d)
Mov’d that the ramparts might be broken down,
To lodge the monster fabric in the town. 45
But Capys, and the rest of sounder mind,
The fatal present to the flames designed,
Or to the wat’ry deep; at least to bore
The hollow sides, and hidden frauds explore.
The giddy vulgar, as their fancies guide, 50

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Edmund Spenser

The Teares of the Muses

Rehearse to me ye sacred Sisters nine:
The golden brood of great Apolloes wit,
Those piteous plaints and sorrowful sad tine,
Which late ye powred forth as ye did sit
Beside the siluer Springs of Helicone,
Making your musick of hart-breaking mone.
For since the time that Phoebus foolish sonne
Ythundered through Ioues auengefull wrath,
For trauersing the charret of the Sunne
Beyond the compasse of his pointed path,
Of you his mournfull Sisters was lamented,
Such mournfull tunes were neuer since inuented.

Nor since that faire Calliope did lose
Her loued Twinnes, the dearlings of her ioy,
Her Palici, whom her vnkindly foes
The fatall Sisters, did for spight destroy,
Whom all the Muses did bewaile long space;
Was euer heard such wayling in this place.

For all their groues, which with the heauenly noyses,
Of their sweete instruments were wont to sound,
And th' hollow hills, from which their siluer voyces
Were wont redoubled Echoes to rebound,
Did now rebound with nought but rufull cries,
And yelling shrieks throwne vp into the skies.

The trembling streames, which wont in chanels cleare
To romble gently downe with murmur soft,
And were by them right tunefull taught to beare
A Bases part amongst their consorts oft;
Now forst to ouerflowe with brackish teares,
With troublous noyse did dull their daintie eares.

The ioyous Nymphes and lightfoote Faeries
Which thether came to heare their musick sweet,
And to the measure of their melodies
Did learne to moue their nimble shifting feete;
Now hearing them so heauily lament,
Like heauily lamenting from them went.

And all that els was wont to worke delight
Through the diuine infusion of their skill,
And all that els seemd faire and fresh in sight,
So made by nature for to serue their will,
Was turned now to dismall heauinesse,
Was turned now to dreadfull vglinesse.

Ay me, what thing on earth that all thing breeds,
Might be the cause of so impatient plight?

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Ode to the Modern Work-Man

O, wretched modern work-man
The years, they pass you by
Everything you believe
Is nothing but a lie.

O, wretched modern work-man
From your neckties to your socks
You’re nothing but a slave
To pictures in a box.

O, wretched modern work-man
You live for the Public Eye
Your life is but a parody
Whose foundation is a lie.

O, wretched modern work-man
You strive, and save, and yearn
To keep up with the Kamaus
Spending more than you earn.

O, wretched modern work-man
You’re nothing but a slave
Your dreams are dead and buried
Lying in a shallow grave.

O, wretched modern work-man
You strangled your own dreams
You smothered your own happiness
Your hand stifled its screams.

O, wretched modern work-man
For the camera so aesthetic
Beneath the plastic smile
You’re pitiful and pathetic.

O, wretched modern work-man
You work yourself half to death
Chasing pounds and shillings
To swell another’s wealth.

O, wretched modern work-man
You lived your whole life as a show
Yet the only Watcher who mattered
Didn’t like what He saw.

O, wretched modern work-man
When you finally died
Your surname, and hospital bill
Were all you left behind…

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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst

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Gebir

FIRST BOOK.

I sing the fates of Gebir. He had dwelt
Among those mountain-caverns which retain
His labours yet, vast halls and flowing wells,
Nor have forgotten their old master's name
Though severed from his people here, incensed
By meditating on primeval wrongs,
He blew his battle-horn, at which uprose
Whole nations; here, ten thousand of most might
He called aloud, and soon Charoba saw
His dark helm hover o'er the land of Nile,
What should the virgin do? should royal knees
Bend suppliant, or defenceless hands engage
Men of gigantic force, gigantic arms?
For 'twas reported that nor sword sufficed,
Nor shield immense nor coat of massive mail,
But that upon their towering heads they bore
Each a huge stone, refulgent as the stars.
This told she Dalica, then cried aloud:
'If on your bosom laying down my head
I sobbed away the sorrows of a child,
If I have always, and Heaven knows I have,
Next to a mother's held a nurse's name,
Succour this one distress, recall those days,
Love me, though 'twere because you loved me then.'
But whether confident in magic rites
Or touched with sexual pride to stand implored,
Dalica smiled, then spake: 'Away those fears.
Though stronger than the strongest of his kind,
He falls-on me devolve that charge; he falls.
Rather than fly him, stoop thou to allure;
Nay, journey to his tents: a city stood
Upon that coast, they say, by Sidad built,
Whose father Gad built Gadir; on this ground
Perhaps he sees an ample room for war.
Persuade him to restore the walls himself
In honour of his ancestors, persuade -
But wherefore this advice? young, unespoused,
Charoba want persuasions! and a queen!'
'O Dalica!' the shuddering maid exclaimed,
'Could I encounter that fierce, frightful man?
Could I speak? no, nor sigh!'
'And canst thou reign?'
Cried Dalica; 'yield empire or comply.'
Unfixed though seeming fixed, her eyes downcast,
The wonted buzz and bustle of the court
From far through sculptured galleries met her ear;
Then lifting up her head, the evening sun
Poured a fresh splendour on her burnished throne-

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Only Happy Whem It Rains

Im only happy when it rains
Im only happy when its complicated
And though I know you cant appreciate it Im only happy when it rains
You know I love it when the news is bad
And why it feels so good to feel so sad
Im only happy when it rains
Pour your misery down...pour your misery down on me pour your misery down...pour your misery down on me
Im only happy when it rains
I feel good when things are going wrong
I only listen to the sad sad songs
Im only happy when it rains
I only smile in the dark
My only comfort is the night gone black
I didnt accidentally tell you that
Im only happy when it rains
Youll get the message by the time Im through when I complain about me and you
Im only happy when it rains
Pour your misery down...pour your misery down on me pour your misery down...pour your misery down on me pour your misery down...pour your misery down on me pour your misery down
You can keep me company as long as you dont care
Im only happy when it rains
You wanna hear about my new obsession
Im riding high upon a deep depression
Im only happy when it rains
Pour some misery down on me

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Misery (feat. Steven Tyler)

Pink:
Shadows are fallin' all over town
Another night these blues got me down
Oh misery ... I sure could use some company
Pink & Steven Tyler:
Since he's been gone I ain't been the same
I carry the weight like an ol' ball and chain
Guess it's all meant to be ... for love to cause me misery
Pink & Steven Tyler:
Oh, misery ... Oh, misery ...
Tell me, why does my heart make a fool out of me?
Seems it's my destiny,
for love to cause me misery
Pink & Steven Tyler:
Oh, I've been down this road before
where the passion turns into pain
And each time I saw love walk out the door
I swore I'd never get caught again
Pink:
But ain't it true ... It takes what it takes
And sometimes, we get too smart too late
Steven Tyler:
One more heartache for me
Pink & Steven Tyler:
Another night in misery
Pink & Steven Tyler:
Misery ... Misery ...
Tell me, why does my heart make a fool out of me?
Misery ... Misery ...
Tell me, why does my heart make a fool of me?
Pink:
Seems it's my destiny,
for love to cause misery
Guess it's all meant to be,
for love to cause me misery

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The Cyclops

SILENUS:
O Bacchus, what a world of toil, both now
And ere these limbs were overworn with age,
Have I endured for thee! First, when thou fled’st
The mountain-nymphs who nursed thee, driven afar
By the strange madness Juno sent upon thee;
Then in the battle of the Sons of Earth,
When I stood foot by foot close to thy side,
No unpropitious fellow-combatant,
And, driving through his shield my winged spear,
Slew vast Enceladus. Consider now,
Is it a dream of which I speak to thee?
By Jove it is not, for you have the trophies!
And now I suffer more than all before.
For when I heard that Juno had devised
A tedious voyage for you, I put to sea
With all my children quaint in search of you,
And I myself stood on the beaked prow
And fixed the naked mast; and all my boys
Leaning upon their oars, with splash and strain
Made white with foam the green and purple sea,--
And so we sought you, king. We were sailing
Near Malea, when an eastern wind arose,
And drove us to this waste Aetnean rock;
The one-eyed children of the Ocean God,
The man-destroying Cyclopses, inhabit,
On this wild shore, their solitary caves,
And one of these, named Polypheme. has caught us
To be his slaves; and so, for all delight
Of Bacchic sports, sweet dance and melody,
We keep this lawless giant’s wandering flocks.
My sons indeed on far declivities,
Young things themselves, tend on the youngling sheep,
But I remain to fill the water-casks,
Or sweeping the hard floor, or ministering
Some impious and abominable meal
To the fell Cyclops. I am wearied of it!
And now I must scrape up the littered floor
With this great iron rake, so to receive
My absent master and his evening sheep
In a cave neat and clean. Even now I see
My children tending the flocks hitherward.
Ha! what is this? are your Sicinnian measures
Even now the same, as when with dance and song
You brought young Bacchus to Althaea’s halls?

CHORUS OF SATYRS:

STROPHE:
Where has he of race divine

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The Vision Of The Maid Of Orleans - The Second Book

She spake, and lo! celestial radiance beam'd
Amid the air, such odors wafting now
As erst came blended with the evening gale,
From Eden's bowers of bliss. An angel form
Stood by the Maid; his wings, etherial white,
Flash'd like the diamond in the noon-tide sun,
Dazzling her mortal eye: all else appear'd
Her THEODORE.
Amazed she saw: the Fiend
Was fled, and on her ear the well-known voice
Sounded, tho' now more musically sweet
Than ever yet had thrill'd her charmed soul,
When eloquent Affection fondly told
The day-dreams of delight.
'Beloved Maid!
Lo! I am with thee! still thy Theodore!
Hearts in the holy bands of Love combin'd,
Death has no power to sever. Thou art mine!
A little while and thou shalt dwell with me
In scenes where Sorrow is not. Cheerily
Tread thou the path that leads thee to the grave,
Rough tho' it be and painful, for the grave
Is but the threshold of Eternity.

Favour'd of Heaven! to thee is given to view
These secret realms. The bottom of the abyss
Thou treadest, Maiden! Here the dungeons are
Where bad men learn repentance; souls diseased
Must have their remedy; and where disease
Is rooted deep, the remedy is long
Perforce, and painful.'
Thus the Spirit spake,
And led the Maid along a narrow path,
Dark gleaming to the light of far-off flames,
More dread than darkness. Soon the distant sound
Of clanking anvils, and the lengthened breath
Provoking fire are heard: and now they reach
A wide expanded den where all around
Tremendous furnaces, with hellish blaze,
Flamed dreadful. At the heaving bellows stood
The meagre form of Care, and as he blew
To augment the fire, the fire augmented scorch'd
His wretched limbs: sleepless for ever thus
He toil'd and toil'd, of toil to reap no end
But endless toil and never-ending woe.

An aged man went round the infernal vault,
Urging his workmen to their ceaseless task:
White were his locks, as is the wintry snow
On hoar Plinlimmon's head. A golden staff

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Solomon on the Vanity of the World, A Poem. In Three Books. - Pleasure. Book II.

The Argument


Solomon, again seeking happiness, inquires if wealth and greatness can produce it: begins with the magnificence of gardens and buildings; the luxury of music and feasting; and proceeds to the hopes and desires of love. In two episodes are shown the follies and troubles of that passion. Solomon, still disappointed, falls under the temptations of libertinism and idolatry; recovers his thought; reasons aright; and concludes that, as to the pursuit of pleasure and sensual delight, All Is Vanity and Vexation of Spirit.


Try then, O man, the moments to deceive
That from the womb attend thee to the grave:
For wearied Nature find some apter scheme;
Health be thy hope, and pleasure be thy theme;
From the perplexing and unequal ways
Where Study brings thee from the endless maze
Which Doubt persuades o run, forewarn'd, recede
To the gay field, and flowery path, that lead
To jocund mirth, soft joy, and careless ease:
Forsake what my instruct for what may please:
Essay amusing art and proud expense,
And make thy reason subject to thy sense.

I communed thus: the power of wealth I tried,
And all the various luxe of costly pride;
Artists and plans relieved my solemn hours:
I founded palaces and planted bowers,
Birds, fishes, beasts, of exotic kind
I to the limits of my court confined,
To trees transferr'd I gave a second birth,
And bade a foreign shade grace Judah's earth.
Fish-ponds were made where former forests grew
And hills were levell'd to extend the view.
Rivers, diverted from their native course,
And bound with chains of artificial force,
From large cascades in pleasing tumult roll'd,
Or rose through figured stone or breathing gold.
From furthest Africa's tormented womb
The marble brought, erects the spacious dome,
Or forms the pillars' long-extended rows,
On which the planted grove and pensile garden grows.

The workmen here obey the master's call,
To gild the turret and to paint the wall;
To mark the pavement there with various stone,
And on the jasper steps to rear the throne:
The spreading cedar, that an age had stood,
Supreme of trees, and mistress of the wood,
Cut down and carved, my shining roof adorns,
And Lebanon his ruin'd honour mourns.

A thousand artists show their cunning powers
To raise the wonders of the ivory towers:
A thousand maidens ply the purple loom

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Misery

Misery
I know you got troubles but you dont have to spread it about
Misery
You moan and you groan but all of that I can live without
Well
Until you stop worrying about yourself
Youll never get anywhere with me
Ill still be hanging in there but youre still a misery
Until you learn to laugh youll never come to any parties at my house
My house
And if you go on like this the only house youll ever visit is the nut house
Nut house
Youre such a misery, why dont you learn to laugh
Look in the mirror and
Dont take yourself so seriously
Well
Dollar bills could fall from the sky
But still you wouldnt be satisfied
But Im not going to let you depress me
Until you learn to laugh youll never come to any parties at my house
My house
And if you go on like this the only house youll ever visit is the nut house
Nut house
Youre such a misery, why dont you learn to laugh
Look in the mirror and
Dont take yourself so seriously
Ah ah ah ah
Misery
Youre only happy when youre feeling totally down
Misery
I only ever see you when your chins hanging on the ground
Well
Until you learn to laugh at yourself
Youll never get anywhere with me
Im down but Im still happy but
Youre such a misery, well
Youre such a misery, well
Youre such a misery

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1000 Umbrellas

One thousand umbrellas
Upturned couldnt catch all the rain
That drained out of my head
When you said we were
Over and over I cried
til I floated downstream
To a town they call
Misery oh oh misery
Misery oh oh misery
And one million teacups
I bet couldnt hold all the wet
That fell out of my eyes
When you fell out with me
Now Im crawling the wallpaper
Thats looking more like a roadmap
To misery oh oh misery
How can you smile and forecast
Weathers getting better
And youll soon forget her
If you let the sunshine come through
How can you smile and forecast
Weathers getting better
If you never let a girl rain all over you
And just when I thought that my vista was golden in hue
One thousand umbrellas opened to spoil the view
One million salt seas
Recalled from school atlas
Alas would be filled to the brim
Sunny jim couldnt jump it
How can I be pleased
When Im handed the keys
To a town they call misery
Oh oh misery
So with a mop and a bucket
Ill just say forget her
And carry on sweeping up
Where Ive been weeping
The jesters will creep in
To strike down the newly crowned monarch
Of misery oh oh misery
How can you smile and forecast
Weathers getting better
And youll soon forget her
If you let the sunshine come through
How can you smile and forecast
Weathers getting better
If you never let a girl rain all over you
Just when I thought that my skies were a june july blue
One thousand umbrellas opened
Two thousand umbrellas opened

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Sweet Misery

Oh, sweet misery
why don't you join me for the day
come out, come out
where ever you are
I figured we come out and play
sweet misery, sweet misery
I need you now more then ever
you left without a warning
I thought we'd always stay together
oh, sweet misery
is it time for hide and seek?
I'm looking for you
searching for you
but you won't make a peep
Sweet misery, sweet misery
don't give me a tough time
I just want to keep you forever
treat you just like you're mines
Oh, sweet misery
do you know you're all i have?
You just lead the way
I'll follow your path
Sweet misery, sweet misery
I can't go on with out you
are you giving up on me?
you know you're not allowed to
Oh, sweet misery
Yes, you have arrived
I knew you'd never leave me
I forgot to look inside.

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Here Begynneth A Lyttell Treatyse Cleped La Conusaunce Damours

Forth gone the virgyns euerychone
Replet with ioye/and eke felicite
To gether floures. And some vnto one
Haue more fantasy/whan they it se
Than to all that in the medowes be
Another shall incontrary wyse
Gether other after theyr deuyse.


So done clerkes/of great grauite
Chose maters/wheron they lyst to wryte
But I that am of small capacite
Toke on me this treatyse to endyte
Tauoyde ydelnesse/more than for delyte
And most parte therof/tolde was to me
As here after/ye may rede and se.


Thus endeth the prologue.

The thyrde idus/in the moneth of July
Phebus his beames/lustryng euery way
Gladdynge the hartes/of all our Hemyspery
And mouynge many/vnto sporte and playe
So dyd it me/the treuthe for to saye
To walke forth/I had great inclination
Per chaunce some where/to fynde recreation


And as I walked/ever I dyd beholde
Goodly yonge people/that them encouraged
In suche maner wyse/as though they wolde
Ryght gladly have songe or daunsed
Or els some other gorgious thynge deuysed
Whose demeanynge/made me ryght ioyous
For to beholde/theyr dedes amorous.


To wryte all thynges of plesure/that I se
In euery place/where I passed by
In all a day recunted it can nat be
Who coude discryue the fresshe beauty
Of dames and pusels/attyred gorgiously
So swete of loke/so amiable of face
Smilyng doulcely/on suche as stande in grace


Certaynly theyr boute/and curtesy
Ofte moueth me/for to do my payne
Some thynge to wryte/them to magnifye

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

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Orlando Furioso Canto 20

ARGUMENT
Guido and his from that foul haunt retire,
While all Astolpho chases with his horn,
Who to all quarters of the town sets fire,
Then roving singly round the world is borne.
Marphisa, for Gabrina's cause, in ire
Puts upon young Zerbino scathe and scorn,
And makes him guardian of Gabrina fell,
From whom he first learns news of Isabel.

I
Great fears the women of antiquity
In arms and hallowed arts as well have done,
And of their worthy works the memory
And lustre through this ample world has shone.
Praised is Camilla, with Harpalice,
For the fair course which they in battle run.
Corinna and Sappho, famous for their lore,
Shine two illustrious light, to set no more.

II
Women have reached the pinnacle of glory,
In every art by them professed, well seen;
And whosoever turns the leaf of story,
Finds record of them, neither dim nor mean.
The evil influence will be transitory,
If long deprived of such the world had been;
And envious men, and those that never knew
Their worth, have haply hid their honours due.

III
To me it plainly seems, in this our age
Of women such is the celebrity,
That it may furnish matter to the page,
Whence this dispersed to future years shall be;
And you, ye evil tongues which foully rage,
Be tied to your eternal infamy,
And women's praises so resplendent show,
They shall, by much, Marphisa's worth outgo.

IV
To her returning yet again; the dame
To him who showed to her such courteous lore,
Refused not to disclose her martial name,
Since he agreed to tell the style be bore.
She quickly satisfied the warrior's claim;
To learn his title she desired so sore.
'I am Marphisa,' the virago cried:
All else was known, as bruited far and wide.

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