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The Nuns And The Lilies

The lilies in the garden walk
Are out today.
The nuns all came to look at them,
To look and say
They wouldn't last to deck the crib
On Christmas day.
They had outstripped the Holy Child.
And yet at least
They should have been for Ursula,
Lucy, Joan, Perpetua,
Have glittered on the altar through some virgin feast.
The lilies in the convent walk
Are fair to see.
They have forgotten baby Christs,
It seems to me.
They laugh and toss their royal heads
In ecstasy.
And still they say I must believe
Like princely churls
For all your lovely purity,
Catherine, Mary, Dorothy,
We will not die as altar flowers for dreaming girls.

poem by Lesbia Harford
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Viva Perpetua

Now being on the eve of death, discharged
From every mortal hope and earthly care,
I questioned how my soul might best employ
This hand, and this still wakeful flame of mind,
In the brief hours yet left me for their use;
Wherefore have I bethought me of my friend,
Of you, Philarchus, and your company,
Yet wavering in the faith and unconfirmed;
Perchance that I may break into thine heart
Some sorrowful channel for the love divine,
I make this simple record of our proof
In diverse sufferings for the name of Christ,
Whereof the end already for the most
Is death this day with steadfast faith endured.

We were in prison many days, close-pent
In the black lower dungeon, housed with thieves
And murderers and divers evil men;
So foul a pressure, we had almost died,
Even there, in struggle for the breath of life
Amid the stench and unendurable heat;
Nor could we find each other save by voice
Or touch, to know that we were yet alive,
So terrible was the darkness. Yea, 'twas hard
To keep the sacred courage in our hearts,
When all was blind with that unchanging night,
And foul with death, and on our ears the taunts
And ribald curses of the soldiery
Fell mingled with the prisoners' cries, a load
Sharper to bear, more bitter than their blows.
At first, what with that dread of our abode,
Our sudden apprehension, and the threats
Ringing perpetually in our ears, we lost
The living fire of faith, and like poor hinds
Would have denied our Lord and fallen away.
Even Perpetua, whose joyous faith
Was in the later holier days to be
The stay and comfort of our weaker ones,
Was silent for long whiles. Perchance she shrank
In the mere sickness of the flesh, confused
And shaken by our new and horrible plight--
The tender flesh, untempered and untried,
Not quickened yet nor mastered by the soul;
For she was of a fair and delicate make,
Most gently nurtured, to whom stripes and threats
And our foul prison-house were things undreamed.
But little by little as our spirits grew
Inured to suffering, with clasped hands, and tongues
That cheered each other to incessant prayer,
We rose and faced our trouble: we recalled

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poem by Archibald Lampman
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Song of Wink Star

The Song of Wink Star
a happy story for children of all ages
story and text © Raj Arumugam, June 2008

☼ ☼

☼ Preamble

Come…children all, children of all ages…sit close and listen…
Come and listen to this happy story of the stars and of life…
Come children of the universe, children of all nations and of all races, and of all climates and of all kinds of space and dimensions and universes…
Come, dearest children of all beings of the living universe, come and listen to The Song of Wink Star…

Come and listen to this story, this happy story…listen, as the story itself sings to you…

Sit close then, and listen to the story that was not made by any, or written by a poet, or fashioned by grandfathers and grandmothers warming themselves at the fire of burning stars…

O dearest children all, come and listen to the story that lives
of itself, and that glows bright and happy….

Come…children all, children of all ages, come and listen to this happy story, the story so natural and smooth as life, as it sings itself to you….

☼ The Song of Wink Star
a happy story for children of all ages

☼ 1

Night Child, always so light and gentle, slept on a flower.
And every night, before he went to sleep, he would look up at the sky.
He would look at the eastern corner, five o’clock.

And there he would see all the stars in near and distant galaxies that were only visible to the People of Star Eyes.

Night Child was one of the People of Star Eyes. And so he could see the stars. And of all the stars he could see, he loved to watch Wink Star.

Wink Star twinkled and winked and laughed.
Every night Wink Star did that. Winked and laughed.

[...] Read more

poem by Raj Arumugam
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Lucy Cant Dance

Lucy I know what youre going to going to do
Oh lucy look what youre doing Im doing it too
Now youre looking for God in exciting new ways
I say trust him at once which is something these days
Lucy cant dance to the noise but she knows what the noise can do
Lucy cant dance to the noise but she knows what the noise can do
Did the world just explode?
Dont recognize anyone
But youve still got me under your thumb
Lucy cant dance to the noise but she knows what the noise can do
Oh oh oh
Lucy cant dance to the noise but she knows what the noise can do
Theres tooling your frenzy in the tole savoy
And the sexual noise which is caught up a toy
You live and you die in the blink of an eye
Well I cant make you dance
Lucy cant dance
Dance to the noise
Lucy cant dance but she knows what the noise can do
Lucy cant dance
Dance to the noise
Lucy cant dance but she knows what the noise can
Lucy cant dance but she knows what the noise can
Lucy cant dance but she knows what the noise can do
Lucy cant dance
Lucy cant dance
Lucy I know what youre going to going to do
But you cant buy me off in the stirial (? ) world
Who who who died and made you material girl?
Lucy cant dance to the noise but she knows what the noise can do
So Ill spin while my lunatic lyric goes wrong
Guess Ill put all my eggs in a postmodern song
Lucy cant dance to the noise but she knows what the noise can do
Of the show of the fine reality
Just a few simple words like I love you, I need you
Live and to die in the blink of an eye
Still I cant make you dance
Lucy cant dance
Dance to the noise
Lucy cant dance but she knows what the noise can do
Lucy cant dance
Dance to the noise
Lucy cant dance but she knows what the noise can
Lucy cant dance but she knows what the noise can
Lucy cant dance but she knows what the noise can
Lucy cant dance but she knows what the noise can do
Can do
Lucy I know what youre going to going to do
Lucy I know what youre going to going to do
Lucy cant dance

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song performed by David Bowie
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Rubber Lucy

(clarke)
Lucy youre a floozy
You aint choosy
Youve been flashing those big blue eyes
At the other guys
Dont be surprised
If you dont end up with a
Baby cool it, dont over do it
Always have something left as your standby
Lucy baby keep me in mind
Youre so reckless
A diamond necklace
Aint no substitute for how you feel
Such a steal
Lucy baby lets make it real
Red light outa sight is what youre saying
You dont really think thats true
No help needed youre displaying
Lucy baby, lucy baby, lucy baby, keep me in mind
As the queen bee Ill make your honey
Ill even populate your hive
Ive got a sting that aint so funny
Lucy baby, lucy baby, lucy baby, keep me in mind
Can I try you
Let me buy you
Just a piece of my delight
For the night
Youll find it alright
Lucy baby keep me in mind
Lucy baby, lucy baby, lucy baby, keep me in mind
Lucy baby, lucy baby, lucy baby, keep me in mind
Lucy baby, lucy baby, lucy baby, keep me in mind
Lucy baby, lucy baby, lucy baby, keep me in mind

song performed by Hollies
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The Golden Legend: IV. The Road To Hirschau

PRINCE HENRY _and_ ELSIE, _with their attendants, on
horseback._

_Elsie._ Onward and onward the highway runs
to the distant city, impatiently bearing
Tidings of human joy and disaster, of love and of
hate, of doing and daring!

_Prince Henry._ This life of ours is a wild aeolian
harp of many a joyous strain,
But under them all there runs a loud perpetual wail,
as of souls in pain.

_Elsie._ Faith alone can interpret life, and the heart
that aches and bleeds with the stigma
Of pain, alone bears the likeness of Christ, and can
comprehend its dark enigma.

_Prince Henry._ Man is selfish, and seeketh pleasure
with little care of what may betide;
Else why am I travelling here beside thee, a demon
that rides by an angel's side?

_Elsie._ All the hedges are white with dust, and
the great dog under the creaking wain
Hangs his head in the lazy heat, while onward the
horses toil and strain

_Prince Henry._ Now they stop at the wayside inn,
and the wagoner laughs with the landlord's daughter,
While out of the dripping trough the horses distend
their leathern sides with water.

_Elsie._ All through life there are wayside inns,
where man may refresh his soul with love;
Even the lowest may quench his thirst at rivulets fed
by springs from above.

_Prince Henry._ Yonder, where rises the cross of
stone, our journey along the highway ends,
And over the fields, by a bridle path, down into the
broad green valley descends.

_Elsie._ I am not sorry to leave behind the beaten
road with its dust and heat;
The air will be sweeter far, and the turf will be softer
under our horses' feet.

(_They turn down a green lane._)

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poem by Henry Wadsworth Longfellow
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Fourth Book

THEY met still sooner. 'Twas a year from thence
When Lucy Gresham, the sick semptress girl,
Who sewed by Marian's chair so still and quick,
And leant her head upon the back to cough
More freely when, the mistress turning round,
The others took occasion to laugh out,–
Gave up a last. Among the workers, spoke
A bold girl with black eyebrows and red lips,–
'You know the news? Who's dying, do you think?
Our Lucy Gresham. I expected it
As little as Nell Hart's wedding. Blush not, Nell,
Thy curls be red enough without thy cheeks;
And, some day, there'll be found a man to dote
On red curls.–Lucy Gresham swooned last night,
Dropped sudden in the street while going home;
And now the baker says, who took her up
And laid her by her grandmother in bed,
He'll give her a week to die in. Pass the silk.
Let's hope he gave her a loaf too, within reach,
For otherwise they'll starve before they die,
That funny pair of bedfellows! Miss Bell,
I'll thank you for the scissors. The old crone
Is paralytic–that's the reason why
Our Lucy's thread went faster than her breath,
Which went too quick, we all know. Marian Erle!
Why, Marian Erle, you're not the fool to cry?
Your tears spoil Lady Waldemar's new dress,
You piece of pity!'
Marian rose up straight,
And, breaking through the talk and through the work,
Went outward, in the face of their surprise,
To Lucy's home, to nurse her back to life
Or down to death. She knew by such an act,
All place and grace were forfeit in the house,
Whose mistress would supply the missing hand
With necessary, not inhuman haste,
And take no blame. But pity, too, had dues:
She could not leave a solitary soul
To founder in the dark, while she sate still
And lavished stitches on a lady's hem
As if no other work were paramount.
'Why, God,' thought Marian, 'has a missing hand
This moment; Lucy wants a drink, perhaps.
Let others miss me! never miss me, God!'

So Marian sat by Lucy's bed, content
With duty, and was strong, for recompense,
To hold the lamp of human love arm-high
To catch the death-strained eyes and comfort them,
Until the angels, on the luminous side

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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The Golden Legend: II. A Farm In The Odenwald

A garden; morning;_ PRINCE HENRY _seated, with a
book_. ELSIE, _at a distance, gathering flowers._

_Prince Henry (reading)._ One morning, all alone,
Out of his convent of gray stone,
Into the forest older, darker, grayer,
His lips moving as if in prayer,
His head sunken upon his breast
As in a dream of rest,
Walked the Monk Felix. All about
The broad, sweet sunshine lay without,
Filling the summer air;
And within the woodlands as he trod,
The twilight was like the Truce of God
With worldly woe and care;
Under him lay the golden moss;
And above him the boughs of hemlock-tree
Waved, and made the sign of the cross,
And whispered their Benedicites;
And from the ground
Rose an odor sweet and fragrant
Of the wild flowers and the vagrant
Vines that wandered,
Seeking the sunshine, round and round.
These he heeded not, but pondered
On the volume in his hand,
A volume of Saint Augustine;
Wherein he read of the unseen
Splendors of God's great town
In the unknown land,
And, with his eyes cast down
In humility, he said:
'I believe, O God,
What herein I have read,
But alas! I do not understand!'

And lo! he heard
The sudden singing of a bird,
A snow-white bird, that from a cloud
Dropped down,
And among the branches brown
Sat singing
So sweet, and clear, and loud,
It seemed a thousand harp strings ringing.
And the Monk Felix closed his book,
And long, long,
With rapturous look,
He listened to the song,
And hardly breathed or stirred,
Until he saw, as in a vision,

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poem by Henry Wadsworth Longfellow
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The Book Of Hours Of Sister Clotilde

The Bell in the convent tower swung.
High overhead the great sun hung,
A navel for the curving sky.
The air was a blue clarity.
Swallows flew,
And a cock crew.

The iron clanging sank through the light air,
Rustled over with blowing branches. A flare
Of spotted green, and a snake had gone
Into the bed where the snowdrops shone
In green new-started,
Their white bells parted.

Two by two, in a long brown line,
The nuns were walking to breathe the fine
Bright April air. They must go in soon
And work at their tasks all the afternoon.
But this time is theirs!
They walk in pairs.

First comes the Abbess, preoccupied
And slow, as a woman often tried,
With her temper in bond. Then the oldest nun.
Then younger and younger, until the last one
Has a laugh on her lips,
And fairly skips.

They wind about the gravel walks
And all the long line buzzes and talks.
They step in time to the ringing bell,
With scarcely a shadow. The sun is well
In the core of a sky
Domed silverly.

Sister Marguerite said: 'The pears will soon bud.'
Sister Angelique said she must get her spud
And free the earth round the jasmine roots.
Sister Veronique said: 'Oh, look at those shoots!
There's a crocus up,
With a purple cup.'

But Sister Clotilde said nothing at all,
She looked up and down the old grey wall
To see if a lizard were basking there.
She looked across the garden to where
A sycamore
Flanked the garden door.

She was restless, although her little feet danced,

[...] Read more

poem by Amy Lowell
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Marmion: Canto II. - The Convent

I.

The breeze, which swept away the smoke,
Round Norham Castle rolled,
When all the loud artillery spoke,
With lightning-flash, and thunder-stroke,
As Marmion left the hold.
It curled not Tweed alone, that breeze,
For, far upon Northumbrian seas,
It freshly blew, and strong,
Where, from high Whitby's cloistered pile,
Bound to St. Cuthbert's holy isle,
It bore a barque along.
Upon the gale she stooped her side,
And bounded o'er the swelling tide,
As she were dancing home;
The merry seamen laughed to see
Their gallant ship so lustily
Furrow the green sea-foam.
Much joyed they in their honoured freight;
For, on the deck, in chair of state,
The Abbess of Saint Hilda placed,
With five fair nuns, the galley graced.

II.

'Twas sweet to see these holy maids,
Like birds escaped to greenwood shades,
Their first flight from the cage,
How timid, and how curious too,
For all to them was strange and new,
And all the common sights they view,
Their wonderment engage.
One eyed the shrouds and swelling sail,
With many a benedicite;
One at the rippling surge grew pale,
And would for terror pray;
Then shrieked, because the sea-dog, nigh,
His round black head, and sparkling eye,
Reared o'er the foaming spray;
And one would still adjust her veil,
Disordered by the summer gale,
Perchance lest some more worldly eye
Her dedicated charms might spy;
Perchance, because such action graced
Her fair-turned arm and slender waist.
Light was each simple bosom there,
Save two, who ill might pleasure share -
The Abbess and the novice Clare.

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poem by Sir Walter Scott
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The Bridal Of Triermain

Introduction.
I.
Come Lucy! while 'tis morning hour
The woodland brook we needs must pass;
So, ere the sun assume his power,
We shelter in our poplar bower,
Where dew lies long upon the flower,
Though vanish'd from the velvet grass.
Curbing the stream, this stony ridge
May serve us for a silvan bridge;
For here, compell'd to disunite,
Round petty isles the runnels glide,
And chafing off their puny spite,
The shallows murmurers waste their might,
Yielding to footstep free and light
A dry-shod pass from side to side.

II.
Nay, why this hesitating pause?
And, Lucy, as thy step withdraws,
Why sidelong eye the streamlet's brim?
Titania's foot without a slip,
Like, thine, though timid, light, and slim,
From stone to stone might safely trip,
Nor risk the glow-worm clasp to dip
That binds her slipper's silken rim.
Or trust thy lover's strength; nor fear
That this same stalwart arm of mine,
Which could yon oak's prone trunk uprear,
Shall shrink beneath, the burden dear
Of form so slender, light, and fine;
So! now, the danger dared at last,
Look back, and smile at perils past!

III.
And now we reach the favourite glade,
Paled in copsewood, cliff, and stone,
Where never harsher sounds invade,
To break affection's whispering tone,
Than the deep breeze that waves the shade,
Than the small brooklet's feeble moan.
Come! rest thee on thy wonted seat;
Moss'd is the stone, the turf is green,
A place where lovers best may meet
Who would not that their love be seen.
The boughs, that dim the summer sky,
Shall hide us from each lurking spy,
That fain would spread the invidious tale,
How Lucy of the lofty eye,
Noble in birth, in fortunes high,

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poem by Sir Walter Scott
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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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poem by Robert Browning from The Ring and the Book
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Tale VIII

THE MOTHER.

There was a worthy, but a simple Pair,
Who nursed a Daughter, fairest of the fair:
Sons they had lost, and she alone remain'd,
Heir to the kindness they had all obtain'd,
Heir to the fortune they design'd for all,
Nor had th' allotted portion then been small;
And now, by fate enrich'd with beauty rare,
They watch'd their treasure with peculiar care:
The fairest features they could early trace,
And, blind with love saw merit in her face -
Saw virtue, wisdom, dignity, and grace;
And Dorothea, from her infant years,
Gain'd all her wishes from their pride or fears;
She wrote a billet, and a novel read,
And with her fame her vanity was fed;
Each word, each look, each action was a cause
For flattering wonder and for fond applause;
She rode or danced, and ever glanced around,
Seeking for praise, and smiling when she found,
The yielding pair to her petitions gave
An humble friend to be a civil slave,
Who for a poor support herself resign'd
To the base toil of a dependant mind:
By nature cold, our Heiress stoop'd to art,
To gain the credit of a tender heart.
Hence at her door must suppliant paupers stand,
To bless the bounty of her beauteous hand:
And now, her education all complete,
She talk'd of virtuous love and union sweet;
She was indeed by no soft passion moved,
But wished with all her soul to be beloved.
Here, on the favour'd beauty Fortune smiled;
Her chosen Husband was a man so mild,
So humbly temper'd, so intent to please,
It quite distress'd her to remain at ease,
Without a cause to sigh, without pretence to tease:
She tried his patience on a thousand modes,
And tried it not upon the roughest roads.
Pleasure she sought, and disappointed, sigh'd
For joys, she said, 'to her alone denied;'
And she was sure 'her parents if alive
Would many comforts for their child contrive:'
The gentle Husband bade her name him one;
'No--that,' she answered, 'should for her be done;
How could she say what pleasures were around?
But she was certain many might be found.'
'Would she some seaport, Weymouth, Scarborough,

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poem by George Crabbe
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Solomon

As thro' the Psalms from theme to theme I chang'd,
Methinks like Eve in Paradice I rang'd;
And ev'ry grace of song I seem'd to see,
As the gay pride of ev'ry season, she.
She gently treading all the walks around,
Admir'd the springing beauties of the ground,
The lilly glist'ring with the morning dew,
The rose in red, the violet in blew,
The pink in pale, the bells in purple rows,
And tulips colour'd in a thousand shows:
Then here and there perhaps she pull'd a flow'r
To strew with moss, and paint her leafy bow'r;
And here and there, like her I went along,
Chose a bright strain, and bid it deck my song.

But now the sacred Singer leaves mine eye,
Crown'd as he was, I think he mounts on high;
Ere this Devotion bore his heav'nly psalms,
And now himself bears up his harp and palms.
Go, saint triumphant, leave the changing sight,
So fitted out, you suit the realms of light;
But let thy glorious robe at parting go,
Those realms have robes of more effulgent show;
It flies, it falls, the flutt'ring silk I see,
Thy son has caught it and he sings like thee,
With such election of a theme divine,
And such sweet grace, as conquers all but thine.

Hence, ev'ry writer o'er the fabled streams,
Where frolick fancies sport with idle dreams,
Or round the sight enchanted clouds dispose,
Whence wanton cupids shoot with gilded bows;
A nobler writer, strains more brightly wrought,
Themes more exulted, fill my wond'ring thought:
The parted skies are track'd with flames above,
As love descends to meet ascending love;
The seasons flourish where the spouses meet,
And earth in gardens spreads beneath their feet.
This fresh-bloom prospect in the bosom throngs,
When Solomon begins his song of songs,
Bids the rap'd soul to Lebanon repair,
And lays the scenes of all his action there,
Where as he wrote, and from the bow'r survey'd
The scenting groves, or answ'ring knots he made,
His sacred art the sights of nature brings,
Beyond their use, to figure heav'nly things.

Great son of God! whose gospel pleas'd to throw
Round thy rich glory, veils of earthly show,
Who made the vineyard oft thy church design,

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poem by Thomas Parnell
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Shakedown On 9th Street

Head on down to 9th street gal
Lets go out kicking with the boys and the gals
Wear your dress and bring my ring
Someones gonna get it aint gonna be me
Lucy lucy my gal
Lucy lucy my sweet
Lucy lucy my gal
I was just gonna hit him but Im gonna kill him now
We all met about half past three
Lucy she was rocking by my kicking machine
Too many straits and not enough grease
Thats when lucy got it in the chest I think
Lucy lucy my gal
Lucy lucy my sweet
Lucy lucy my gal
I was just gonna hit him but Im gonna kill him now
Lucy they started fighting I was screaming for him
Boots all dirty sexy and thin
Then on come the lights from the straits in their cars
I was just a laughing when I hit the floor
Lucy lucy my gal
Lucy lucy my sweet
Lucy lucy my gal
I was just gonna hit him but Im gonna kill him now

song performed by Ryan Adams
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Soul Survivor

(Intro)
Come on, yo come on (survivor, survivor)
Come on, come on, come on, come on (survivor, survivor)
Come on, come on (soul survivor)
Come on, come on, come on, come on
(LL Cool J)
They said I wasn't rough, too much dough, he got an old flow
Everytime you open your mouth you feel your elbow
I'll catch a felony on top of a melody
brought a family, and dough woulda been so happily
I'll beat the Laker off of a clown and chop him down to size
Sick of all these wanna-be bad guys
Made loot, many g's, bought a crib where I live
told my kids - "yo, damn, that I'm a fugitive"
Runnin' from the streets and our beats - the sad sheets, uh
A sunny beach, video hoes within reach
Farmers Boulevard - liberty and forty is gone
And E ain't put nobody on
When I came back to smack and give 'em a welt
like belts makin' them strip and all of that
Punks better run for they guns
I'm not the one and can't nobody rule until L's done
(Chorus)
It's the L baby, baby, the L baby, baby
It's the L baby, baby, the heart (soul survivor)
It's the L baby, baby, the L baby, baby
It's the L baby, baby, the heart (soul survivor)
It's the L baby, baby, the L baby, baby
It's the L baby, baby, the heart (soul survivor)
It's the L baby, baby, the L baby, baby
It's the L baby, baby, the heart (soul survivor)
(LL Cool J)
I worked the Murphy on the mix
What's wrong with these stupid lunatics playin' "Joint" for a drag-bit?
I'm harder than-?find in a jar?
People wasn't rippin' these records, all of y'all would get robbed
I'm comin' straight out the barrel with your name on my arm
blowin' the hoody of your head like a home-made bomb (BOOM!!)
I'm big and so you figured I would relax (nah!)
Don't ever sleep I'll wake ya up with an axe
The Boulevard ain't safe for my beats - drop the herb
Twenty times harder without a curse
Makin' rats flee, hardcore - and that's me!!
The baddest soloist in hip-hop history
L-L-C-to-the-O-to-the-O-L-J, so what'cha wanna know?
Throw ya in the MVP on your knees G
A crowbar in your mouth - now ask me...
(Chorus)
It's the L baby, baby, the L baby, baby
It's the L baby, baby, the heart (soul survivor)

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song performed by LL Cool J
Added by Lucian Velea
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The Moat House

PART I

I

UNDER the shade of convent towers,
Where fast and vigil mark the hours,
From childhood into youth there grew
A maid as fresh as April dew,
And sweet as May's ideal flowers,

Brighter than dawn in wind-swept skies,
Like children's dreams most pure, unwise,
Yet with a slumbering soul-fire too,
That sometimes shone a moment through
Her wondrous unawakened eyes.

The nuns, who loved her coldly, meant
The twig should grow as it was bent;
That she, like them, should watch youth's bier,
Should watch her day-dreams disappear,
And go the loveless way they went.

The convent walls were high and grey;
How could Love hope to find a way
Into that citadel forlorn,
Where his dear name was put to scorn,
Or called a sinful thing to say?

Yet Love did come; what need to tell
Of flowers downcast, that sometimes fell
Across her feet when dreamily
She paced, with unused breviary,
Down paths made still with August's spell--

Of looks cast through the chapel grate,
Of letters helped by Love and Fate,
That to cold fingers did not come
But lay within a warmer home,
Upon her heart inviolate?

Somehow he loved her--she loved him:
Then filled her soul's cup to the brim,
And all her daily life grew bright
With such a flood of rosy light
As turned the altar candles dim.

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poem by Edith Nesbit
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The Convent Gardener Of Lamporechio

WHEN Cupid with his dart, would hearts assail,
The rampart most secure is not the VEIL;
A husband better will the FAIR protect,
Than walls or lattices, I much suspect.
Those parents, who in nunneries have got
Their daughters (whether willingly or not),
Most clearly in a glaring error prove,
To fancy God will round their actions move;
'Tis an abuse of what we hold divine;
The Devil with them surely must combine.
Besides, 'twere folly to suppose that vice
Ne'er entered convent walls, and nuns were ice.
A very diff'rent sentiment I hold:
Girls, who in publick move, however bold,
Have greater terrors lest they get a stain;
For, honour lost, they never fame regain.
Few enemies their modesty attack;
The others have but one their minds to rack.
TEMPTATION, daughter of the drowsy dame,
That hates to move, and IDLENESS we name,
Is ever practising each wily art,
To spread her snares around the throbbing heart;
And fond DESIRE, the child of lorn CONSTRAINT,
Is anxious to the soul soft scenes to paint.
If I've a worthy daughter made a nun,
Is that a reason she's a saint?--Mere fun!
Avaunt such folly!--three in four you'll find,
Of those who wear the veil--have changed their mind;
Their fingers bite, and often do much worse:
Those convent vows, full soon, become a curse;
Such things at least have sometimes reached my ear
(For doubtless I must speak from others here);
Of his Boccace a merry tale has told,
Which into rhyme I've put, as you'll behold.

WITHIN a nunnery, in days of yore,
A good old man supplied the garden-store;
The nuns, in general, were smart and gay,
And kept their tongues in motion through the day.
Religious duties they regarded less,
Than for the palour to be nice in dress
Arranging ev'ry article to please,
That each might captivate and charm at ease;
The changes constantly they rang around,
And made the convent-walls with din resound.
Eight sisters and an abbess held the place,
And strange to say--there DISCORD you might trace.
All nine had youth, and many beauty too:
Young friars round the place were oft in view,
Who reckoned ev'ry step they took so well,

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poem by La Fontaine
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Rose Mary

Of her two fights with the Beryl-stone
Lost the first, but the second won.

PART I

“MARY mine that art Mary's Rose
Come in to me from the garden-close.
The sun sinks fast with the rising dew,
And we marked not how the faint moon grew;
But the hidden stars are calling you.
“Tall Rose Mary, come to my side,
And read the stars if you'd be a bride.
In hours whose need was not your own,
While you were a young maid yet ungrown
You've read the stars in the Beryl-stone.
“Daughter, once more I bid you read;
But now let it be for your own need:
Because to-morrow, at break of day,
To Holy Cross he rides on his way,
Your knight Sir James of Heronhaye.
“Ere he wed you, flower of mine,
For a heavy shrift he seeks the shrine.
Now hark to my words and do not fear;
Ill news next I have for your ear;
But be you strong, and our help is here.
“On his road, as the rumour's rife,
An ambush waits to take his life.
He needs will go, and will go alone;
Where the peril lurks may not be known;
But in this glass all things are shown.”
Pale Rose Mary sank to the floor:—
“The night will come if the day is o'er!”
“Nay, heaven takes counsel, star with star,
And help shall reach your heart from afar:
A bride you'll be, as a maid you are.”
The lady unbound her jewelled zone
And drew from her robe the Beryl-stone.
Shaped it was to a shadowy sphere,—
World of our world, the sun's compeer,
That bears and buries the toiling year.
With shuddering light 'twas stirred and strewn
Like the cloud-nest of the wading moon:
Freaked it was as the bubble's ball,
Rainbow-hued through a misty pall
Like the middle light of the waterfall.
Shadows dwelt in its teeming girth
Of the known and unknown things of earth;
The cloud above and the wave around,—
The central fire at the sphere's heart bound,
Like doomsday prisoned underground.

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poem by Dante Gabriel Rossetti
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The Holy Grail

From noiseful arms, and acts of prowess done
In tournament or tilt, Sir Percivale,
Whom Arthur and his knighthood called The Pure,
Had passed into the silent life of prayer,
Praise, fast, and alms; and leaving for the cowl
The helmet in an abbey far away
From Camelot, there, and not long after, died.

And one, a fellow-monk among the rest,
Ambrosius, loved him much beyond the rest,
And honoured him, and wrought into his heart
A way by love that wakened love within,
To answer that which came: and as they sat
Beneath a world-old yew-tree, darkening half
The cloisters, on a gustful April morn
That puffed the swaying branches into smoke
Above them, ere the summer when he died
The monk Ambrosius questioned Percivale:

`O brother, I have seen this yew-tree smoke,
Spring after spring, for half a hundred years:
For never have I known the world without,
Nor ever strayed beyond the pale: but thee,
When first thou camest--such a courtesy
Spake through the limbs and in the voice--I knew
For one of those who eat in Arthur's hall;
For good ye are and bad, and like to coins,
Some true, some light, but every one of you
Stamped with the image of the King; and now
Tell me, what drove thee from the Table Round,
My brother? was it earthly passion crost?'

`Nay,' said the knight; `for no such passion mine.
But the sweet vision of the Holy Grail
Drove me from all vainglories, rivalries,
And earthly heats that spring and sparkle out
Among us in the jousts, while women watch
Who wins, who falls; and waste the spiritual strength
Within us, better offered up to Heaven.'

To whom the monk: `The Holy Grail!--I trust
We are green in Heaven's eyes; but here too much
We moulder--as to things without I mean--
Yet one of your own knights, a guest of ours,
Told us of this in our refectory,
But spake with such a sadness and so low
We heard not half of what he said. What is it?
The phantom of a cup that comes and goes?'

`Nay, monk! what phantom?' answered Percivale.

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poem by Alfred Lord Tennyson
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