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What Had Been Touched

When it's time for me to sleep...
With a time for me to sleep.
I'm not that one to push it back.
With a taking of a nap.
Some days I might try to delay it,
With a laying down to do....
And flat on my back.

When it's time for me to sleep...
With a time for me to sleep.
I'm not that one to push it back.
With a taking of a nap.
Some days I might try to delay it,
With a laying down to do...
And flat on my back.

But getting sleep is hard to do.
Like a breakup is too.
And that is realized when someone wanted,
Isn't in bed...
To think about what had been touched,
And...
When it was 'there'.
Ready to share.

When it's time for me to sleep...
With a time for me to sleep.
I'm not that one to push it back.
With a taking of a nap.
Some days I might try to delay it,
With a laying down to do....
And flat on my back.

But getting sleep is hard to do.
Like a breakup is too.
To think about what had been touched,
And when it was 'there'.

With a laying down to do....
And flat on my back.
To think about what had been touched,
And when it was 'there'.
Prepared to share.

With a laying down to do....
And flat on my back.
To think about what had been touched,
And when it was 'there'.
Fighting off frustration.

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Push

Step 1... step off to the dance floor
Step 1... step off to the dance floor
Push (hey) ((push up on it))
(good God)
Push - lord (push, yeah) ((push up on it))
Every time u get some
People wanna take it back
They rather see u on the run
Than see u get it like that
Every time they stop u
Change up like a sock
Every time they try 2 clock u
Tick more than they tock
Push I push
Dont let them pull u down, yeah
Push I push
Until u get 2 higher ground
Push
Ure never 2 young, never 2 old
Push
Dont stop until u go
Did u ever stop 2 wonder
Why u put another down?
No man should asunder
The joy that another man found
Maybe bout the business u was worried
Wasnt ever filed in your name
Maybe the cartridge u was playin
Dont fit in your video game
Push I push
Dont let them pull u down
Push I push
Until u get 2 higher ground
Push
Ure never 2 young, never 2 old, yeah
Push
Dont stop until u go, hey
(alright) I push (push) ((push up on it))
(push) I push (push, push, hey)
(push) (come on and push it now, hey push)
((push up on it)) (push) I push
Every time u get some push
People wanna take it back p-push
They rather see u on the run push
Than see u get it like that
Every time they stop u
Change up like a sock push
Every time they try 2 clock u push
U gotta tick more than they can tock
Push I push

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song performed by PrinceReport problemRelated quotes
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Handles Bermuda

bean bag spokane
betty boop retro bowling bag
beli ni bags
bean bag hawaii
belongs in your bag wedge grab
bedroom in a bag seashells
betsey johnson blue metallic bag
be lstaff bags
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bicycle gear bag
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bean bag filler at walmart
bean bag patterns to make
beverly hills polo club cosmetics bags
bean bag chair ohio state
bean bag toss video game
bennington golf bag
beige plastic handle bag
bean bags for dogs
bean bag toose game
beg barrow or steal bag
benefits of heavy bag use
bennington cart golf bag
bean bag desktop
bean bag tos rules
bean bag game board dimensions
bean bags for cats
bean bag game chicago retailer
ben hogan apex cart bag
bem is bag co
bejio bags
beetle bags zx12r
bemis bag plastic bags
bean bag singaproe
bean bag drink holder
betseyville be mine satchel bag
bean bags inexpensive
bean bag shotgun pics
bedouin bag by radley
b ean bags bulk
bean bag toss tailgate games
bella animal print bag
beresford packaging plastic bags
bean bag store toronto
ben sherman messenger bags
bejui bags
beijo bags

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Luggage Canada

b ean bag stoer
bed liner motorcycle bags
bern aby bag
bed in a bag ty pennington
beetle bags roadstar midnight star
bean bag chairs burbank
bedroom in a bag justine
bean bag guns for purchase
berto bag
bed in a bag pink paisley
belt bag tool belt
biasia byoux bags
beer corn hole bags
beg borrow steal bags
bennington golf travel bag
bible verse shoulder hand bags
bean bag stuffing material
bean bag plastic pellets
beijo business bags pastel blue
belkin messenger bag
b ean bag simba
bean bag toss game specifications
bean bag chairs reno nv
bean bag herb alpert
bean bag forgame
bella hand bags
bean bag chair video
bean bag door stops
beretta nra approved gun bag
ben hogan kapalua golf bag
bes pak freezer bags
bean bag furniture paypal
bean bags chair ladybug
bean bag tossing game
betty boop gift bags
bean bag tic tac toe
bettz designs knitting tote bags
bean bag toss rules
beth any bag
bean bag chair indigo denim print
bean bag pillows microfiber
be an foam bag
bible buy loaf bag
bebe handbag bag
beverage delivery bags
betty boop harley bag
bichon frise gift bags
ben hogan golf mystique stand bag
bicyce crossbar bag
bean bag shells shotgun

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Push It Up

(push it up! push it up!)
Put your hands up c come on (push it up!)
Huh c yeah, this is it, this is it (push it up!)
This is it
I think they got 2 get ready 4 this one here c come on!
(ooh, everybodys here) say what?
(this is the jam of the year)
Huh, what did I hear? (push it up! push it up!)
Uh, wasnt quite clear
(ooh, everybodys here) say what?
(this is the jam of the year)
Oh, huh - I hear ya, huh (push it up! push it up!)
Come on, uh
If ure ever down draggin on the ground
Face twisted with a funky frown
Let me turn u on 2 somethin that I found
2 make u feel good, feel good
Negativity like gravity
Gotcha fallin fast from reality
U gotta get up, put up, move up
And just do what u should, u should
Realize that u are somebody
Come on, yall, and join the party
Everybody grab a body
And feel good, u should
Chorus:
Push it up - push it up - push it up - push it up
(ooh, everybodys here - this is the jam of the year)
(push it up! push it up!)
Push it up - push it up - push it up - push it up
(ooh, everybodys here - this is the jam of the year)
(push it up! push it up!)
Push it up, push it up 2 the sky
U dont have 2 have a plane 2 fly
If u listen 2 the truth and not the lie
Stop cryin, cryin
In harmony, cant u see
Every color all in the same key
And thats the way jah wants us 2 be
Start tryin, a-tryin
Realize that u are somebody
Come on, yall, and join the party
Everybody grab a body
And feel good, u should
Chorus
Come on - wake up your body, wake up your body
Wake up your body and move it around c come on
Yeah, huh
Where the party at in here, yall?
Where the party goin down in here? uh

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Touched A Dream

(Talking) Girl you just don’t know
Last night was incredible. Listen. Check it out.
Last night, I felt the skies open up and rain down heaven
Last night, I felt the sun, the moon and the stars come together
Last night, I heard an angel speak to me he said us forever
And while we were making love, I saw visions of a tropical river
Last night I
Touched a dream
When you were here with me
Last night I
Touched a dream
Girl you fulfill my fantasy
Touched a dream
Said we rewrote the book of love making history
Touched a dream
Last night you brought my dreams to reality
Now last night, I could have sworn I saw an eagle spread his wings
Last night, I heard a massive choir lift their voice and sing
Last night, I saw the world living in peace and harmony
While we were making love, I felt my soul being set free
Last night I
Touched a dream
You were here with me
Last night I
Touched a dream
And you fulfill my fantasy
Touched a dream
I said we rewrote the book of love making history
Touched a dream
Ooh yeah, girl you brought my dreams to reality
After the rain comes the rainbow
The sun will shine after the storm
Oh yes it will and Mother Nature guarantees
Jumped the mountain and touched the sky
Over the sea baby we can fly
When we made love I see the flowers the trees the birds the bees
Last night I touched a dream girl
Touched a dream
You right here with me
Touched a dream
Ohhh ohh oooh a dream
Touched a dream
You fulfill my fantasy oh baby yes you did
Touched a dream
And baby we rewrote the book of love making history yeah yeah
Touched a dream
Girl, you brought my dreams to a reality yeah hey
Last night when you were lying next to me
Touched a dream
You fulfill my fantasy

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Push Push

Come take a ride
Or a slipnside
To sit astridengliden.
....Push!Push!
Please pull the strings
Bees use their stings
Birds spread their wing and
Some things...Push! Push!
A puss that pures
By settinspures
Is this his or her what stirs?
Now: Push! Push!
Unlock the sloice
Bring up the juce
Just let it loose..Producen
Push! Push!
Refrain
Push! Push! Push!Just a little
Push! Push! Push!A little further
Push! Push! Push!Just a little bit
Push! Push! Push!A little bit mooooore!
Ooh what a blow
Yeah, what a show!
Hey, one more throw...
Lets go now! Push! Push!
Another shot
We hit teh spot
Oh that was hot.. a lot
Now: Push! Push!
Refrain
From stick or stone
To the prick an d bone
Im lyinprone, Im nnnot alone
Push!Push!
With a whip and chain
Theres plesuren pain
And no venture, no gain....again
Now Push!! Push!
Refrain
Our fathers who are from heaven
When kings have come thy will be
done Forgive this day - our dailybread Give ahead!!!
Refrain

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The Nap Taker

No - I did not take a nap -
The nap - took - me
off the bed and out the window
far beyond the sea,
to a land where sleepy heads
read only comic books
and lock their naps in iron safes
so that they can't get took.

And soon as I came to that land,
I also came to grief.
The people pointed at me, shouting,
'Where's the nap, you thief?'
They took me to the courthouse.
The judge put on his cap.
He said, 'My child, you are on trial
for taking someone's nap.

'Yes, all you selfish children,
you think just of yourselves
and don't care if the nap you take
belongs to someone else.
It happens that the nap you took
without a thought or care
belongs to Bonnie Bowlingbrook,
who's sittin' cryin' there.

'She hasn't slept in quite some time -
just see her eyelids flap.
She's tired drowsy - cranky too,
'cause guess who took her nap?'
The jury cried, 'You're guilty, yes,
you're guilty as can be.
But just return the nap you took
And we might set you free.'

'I did not take that nap,' I cried,
'I give my solemn vow,
and if I took it by mistake
I do not have it now.'
'Oh fiddle-fudge,' cried out the judge,
your record looks quite sour.
Last night I see you stole a kiss,
Last week you took a shower,

'You beat your eggs, you've whipped your cream,
at work you punched the clock,
You've even killed an hour or two,
we've heard you darn your socks.
We know you shot a basketball,

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Breakup 2 Makeup Remix

Ashanti
[Don't Get Crazy]
Black Child
As I Sit Back Relax Reminis we
All That Im Givin You The Fillin Like We
Bringing BIG Back Ashanti's
More Than Just a princess
When When She Sing Pay Attention E
verybody Listen When You gettin K
You know They Gon' Hate
But That Pretty face Will brightin Up any day now
Everybody is Catchin Bodies
For That Remix from Black Child and Ashanti
Holla at Gotti He's a Gangsta Boy
Plus he Gettin Money Sittin On 20's Twikin up 20's
When Everybody On The block we Holdin it down
ain't nobody call the Cops We Chasin Paper
so Imagine how his son Gon Turn out Buisness Man
about Paper always on the Move Holla Atchu Later...Gangsta!
Ashanti
You Know I Know
What We Do Is Kinda Crazy
I Tried To get Away But Somethin Here Has Got Me Stayin
Sometimes I Love Ya Then I hate Ya Then
Makeup Just to Breakup
and I Know It Don't Make Sense
But Sometimes Love be So Intense
Ashanti: Tell me Why We Fuss And Fight
Black Child: Cause I Hug The Street everynight
Tryna Get This Money Right
Ashanti: Why can't You Be My side?
Black Child: Ma Stay On Grind Money
Stay On My Mind Stay On My Mind
Ashanti: What We Got Just Don't Seem Right
Black Child: yeah We Also fight But It's Always Tight
Ashanti: See We Breakup we Makeup
Black Child: Yup Thats what thats Just Us Huh
Ashanti
I just Don't Understand Whatchu Doin To me boy
But I Know Whateva You did Has Got Me Commin Back for More
Sometimes I Love Ya Sometimes I Love Ya
Then I hate Ya Then Makeup Just to Breakup
and this isn't good for me but you know how love Can Be!
Ashanti: Tell me Why We Fuss And Fight
Black Child: Cause I Hug The Street
everynight Tryna Get This Money Right
Ashanti: Why can't You Be My side?
Black Child: Ma Stay On Grind Money Stay On My Mind
Stay On My Mind
Ashanti: What We Got Just Don't Seem Right

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George Meredith

Margaret's Bridal Eve

I

The old grey mother she thrummed on her knee:
There is a rose that's ready;
And which of the handsome young men shall it be?
There's a rose that's ready for clipping.

My daughter, come hither, come hither to me:
There is a rose that's ready;
Come, point me your finger on him that you see:
There's a rose that's ready for clipping.

O mother, my mother, it never can be:
There is a rose that's ready;
For I shall bring shame on the man marries me:
There's a rose that's ready for clipping.

Now let your tongue be deep as the sea:
There is a rose that's ready;
And the man'll jump for you, right briskly will he:
There's a rose that's ready for clipping.

Tall Margaret wept bitterly:
There is a rose that's ready;
And as her parent bade did she:
There's a rose that's ready for clipping.

O the handsome young man dropped down on his knee:
There is a rose that's ready;
Pale Margaret gave him her hand, woe's me!
There's a rose that's ready for clipping.

II

O mother, my mother, this thing I must say:
There is a rose in the garden;
Ere he lies on the breast where that other lay:
And the bird sings over the roses.

Now, folly, my daughter, for men are men:
There is a rose in the garden;
You marry them blindfold, I tell you again:
And the bird sings over the roses.

O mother, but when he kisses me!
There is a rose in the garden;
My child, 'tis which shall sweetest be!
And the bird sings over the roses.

O mother, but when I awake in the morn!

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Elizabeth Barrett Browning

Third Book

'TO-DAY thou girdest up thy loins thyself,
And goest where thou wouldest: presently
Others shall gird thee,' said the Lord, 'to go
Where thou would'st not.' He spoke to Peter thus,
To signify the death which he should die
When crucified head downwards.
If He spoke
To Peter then, He speaks to us the same;
The word suits many different martyrdoms,
And signifies a multiform of death,
Although we scarcely die apostles, we,
And have mislaid the keys of heaven and earth.

For tis not in mere death that men die most;
And, after our first girding of the loins
In youth's fine linen and fair broidery,
To run up hill and meet the rising sun,
We are apt to sit tired, patient as a fool,
While others gird us with the violent bands
Of social figments, feints, and formalisms,
Reversing our straight nature, lifting up
Our base needs, keeping down our lofty thoughts,
Head downward on the cross-sticks of the world.
Yet He can pluck us from the shameful cross.
God, set our feet low and our forehead high,
And show us how a man was made to walk!

Leave the lamp, Susan, and go up to bed.
The room does very well; I have to write
Beyond the stroke of midnight. Get away;
Your steps, for ever buzzing in the room,
Tease me like gnats. Ah, letters! throw them down
At once, as I must have them, to be sure,
Whether I bid you never bring me such
At such an hour, or bid you. No excuse.
You choose to bring them, as I choose perhaps
To throw them in the fire. Now, get to bed,
And dream, if possible, I am not cross.

Why what a pettish, petty thing I grow,–
A mere, mere woman,–a mere flaccid nerve,-
A kerchief left out all night in the rain,
Turned soft so,–overtasked and overstrained
And overlived in this close London life!
And yet I should be stronger.
Never burn
Your letters, poor Aurora! for they stare
With red seals from the table, saying each,
'Here's something that you know not.' Out alas,
'Tis scarcely that the world's more good and wise

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poem by from Aurora Leigh (1856)Report problemRelated quotes
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Skeletons

Skeletons in your closet
Itchin to come outside
Messin with your conscience
In a way your face cant hide
Oh things are gettin real funky
Down at the old corral
And its not the skunks that are stinkin
Its the stinkin lies you tell
What did your mama tell you about lies
She said it wasnt polite to tell a white one
What did your daddy tell you about lies
He said one white one turns into a black one
So, its gettin ready to blow
Its gettin ready to show
Somebody shot off at the mouth and
Were gettin ready to know
Its gettin ready to drop
Its gettin ready to shock
Somebody done turned up the heater
Ana its gettin ready to pop
Crevices in your pantry
Now what do we have in here
Havin a daytime nightmare
Has always been your biggest fear
Oh things are gettin real crucial
Up the old wazoo
Yet you cry, why am I the victim?
When the culprits y-o-u
What did your mama tell you about lies
She said it wasnt polite to tell a white one
What did your daddy tell you about lies
He said one white one turns into a black one
So, its gettin ready to blow
Its gettin ready to show
Somebody shot off at the mouth and
Were gettin ready to know
Its gettin ready to drop
Its gettin ready to shock
Somebody done turned up the heater
Ana its gettin ready to pop
Its gettin ready to seep
Youre gettin ready to freak
Somebody done picked up the talk box
Were gettin ready to speak
Its gettin ready to jive
Youre gettin ready to gel
Somebody done gone let the lid off
Were gettin ready to smell
Theyre gettin ready to deal
Youre gettin ready to ill

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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
Andwith best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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Bed Bed Bed

The day is done
The sun is down
The curtains have been drawn
And darkness has descended over everything in town
The covers have been turned and I've got my pajamas on
I've had my fun
I've stretched and yawned and all is said and done
I'm going to bed
Bed bed bed bed bed
I've done so many things today
There's nothing left to do
I ate three meals, I rode my bike, I hung out with my friends
I did my chores, I watched TV, I practiced the guitar
I brushed my teeth, I read my book, and then I sat around
I'm going to bed
Bed bed bed bed bed
Moo
Moo
Moo
Moo
Oh it's pointless staying up for even twenty seconds more
When everything has happened and there's nothing else in store
The thing is now to lay my head down, close my eyes, and snore
And so to bed directly I go
The day is done
The sun is down
The curtains have been drawn
And darkness has descended over everything in town
The covers have been turned and I've got my pajamas on
I've had my fun
I've stretched and yawned and all is said and done
I'm going to bed
Bed bed bed bed bed
Bed
Bed bed bed bed bed
I'm going to bed
Bed bed bed bed bed bed bed bed bed

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Get Ready

You think you know but you have no clue
No idea
You dont know g
I mean you really really dont know g
N****s get ready its time to explore
The world of the real one
N****s get ready
N****s get ready its time to explore
The world of the real one
N****s get ready
Hell yeah ya better get ready
Whats cracka lackin
Its the big dog
Im in the hizzle with my nizzle gin u izzle
And I mean from playa to playa
Its only right if I gots to pass the throne
I gots to pass the throne
I gots to pass it to my nephew g
Hes bonafide, qualified, and the ladies would definitely testify
Matter fact g
Holla at them nephew
Fa sho
Pass the hennessey
Im about to get bent
Toss the box of blunts
Let me roll the upper lip
Dont make me pop thangs
Cause I gets off the chain
You dont know me
But youre bout to
Its the real me
And I thought you knew
N****s get ready its time to explore
The world of the real one
N****s get ready (he coming at you full speed baby, but with a slow motion twist)
N****s get ready its time to explore
The world of the real one
N****s get ready
N****s get ready
I mean I mean ginuwine is so official
Like a referee with a whistle
Better yet like a gangsta with a pistol
So you n****s bettter get ready
Yeah I know
Matter fact g
Give it em doggy style
I know they aint ready but they got to get ready
You do you I do me
And we keep it like a g
Pass me that hennessey

[...] Read more

song performed by GinuwineReport problemRelated quotes
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Get Ready (feat. Snoop Dogg & The Rock)

Album: Senior
(feat. Snoop Dogg & The Rook)
You think you know but you have no clue
No idea
You don't know G
I mean you really really don't Know G
N****s get ready it's time to explore
The world of the real one
N****s get ready
N****s get ready it's time to explore
The world of the real one
N****s get ready
Hell Yeah ya better get ready
What's cracka lackin
It's the big dog
I'm in the hizzle with my nizzle Gin U izzle
And I mean from playa to playa
It's only right if I gots to pass the throne
I gots to pass the throne
I gots to pass it to my nephew G
He's bonafide, Qualified, and the ladies would definitely testify
Matter fact G
Holla at them Nephew
Fa Sho
Pass the Hennessey
I'm about to get bent
Toss the box of blunts
Let me roll the upper lip
Don't make me pop thangs
Cause I gets off the chain
You don't know me
But you're bout to
It's the real me
And I thought you knew
N****s get ready it's time to explore
The world of the real one
N****s get ready (he coming at you full speed baby, but with a slow motion twist)
N****s get ready it's time to explore
The world of the real one
N****s get ready
N****s get ready
I mean I mean Ginuwine is so official
Like a referee with a whistle
Better yet like a gangsta with a pistol
So you n****s bettter get ready
Yeah I know
Matter fact G
Give it 'em doggy style
I know they ain't ready but they got to get ready
You do you I do me

[...] Read more

song performed by GinuwineReport problemRelated quotes
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You Keep Pushing That Bash Back

You can push that bitter bash back.
You can push that bitter bash back.
You can push that bitter bash back.
Don't put any pity in a bitter bashed bag.
To weigh you down like a wet rag had.

You can push that bitter bash back.
You can push that bitter bash back.
You can push that bitter bash back.
Don't put any pity in a bitter bashed bag.
To weigh you down like a wet rag had.

You keep pushing that bash back.
You keep pushing that bash back.
You keep pushing that bash back.
Don't drag that bashing or be tagged.

You can push that bitter bash back.
You can push that bitter bash back.
Push it push it,
That bash back!
You keep pushing,
That bash back!
Push it push it,
That bash back!
You keep pushing,
That bash back!
You can push that bitter bash back.

You can push that bitter bash back.
You can push that bitter bash back.
You can push that bitter bash back.
Don't put any pity in a bitter bashed bag.
To weigh you down like a wet rag had.

Don't put any pity in a bitter bashed bag.
To weigh you down like a wet rag had.

Push it push it,
That bash back!
You keep pushing,
That bash back!
Push it push it,
That bash back!
You keep pushing,
That bash back!
You can push that bitter bash back.

You keep pushing,
That bash back!

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Elizabeth Barrett Browning

Fourth Book

THEY met still sooner. 'Twas a year from thence
When Lucy Gresham, the sick semptress girl,
Who sewed by Marian's chair so still and quick,
And leant her head upon the back to cough
More freely when, the mistress turning round,
The others took occasion to laugh out,–
Gave up a last. Among the workers, spoke
A bold girl with black eyebrows and red lips,–
'You know the news? Who's dying, do you think?
Our Lucy Gresham. I expected it
As little as Nell Hart's wedding. Blush not, Nell,
Thy curls be red enough without thy cheeks;
And, some day, there'll be found a man to dote
On red curls.–Lucy Gresham swooned last night,
Dropped sudden in the street while going home;
And now the baker says, who took her up
And laid her by her grandmother in bed,
He'll give her a week to die in. Pass the silk.
Let's hope he gave her a loaf too, within reach,
For otherwise they'll starve before they die,
That funny pair of bedfellows! Miss Bell,
I'll thank you for the scissors. The old crone
Is paralytic–that's the reason why
Our Lucy's thread went faster than her breath,
Which went too quick, we all know. Marian Erle!
Why, Marian Erle, you're not the fool to cry?
Your tears spoil Lady Waldemar's new dress,
You piece of pity!'
Marian rose up straight,
And, breaking through the talk and through the work,
Went outward, in the face of their surprise,
To Lucy's home, to nurse her back to life
Or down to death. She knew by such an act,
All place and grace were forfeit in the house,
Whose mistress would supply the missing hand
With necessary, not inhuman haste,
And take no blame. But pity, too, had dues:
She could not leave a solitary soul
To founder in the dark, while she sate still
And lavished stitches on a lady's hem
As if no other work were paramount.
'Why, God,' thought Marian, 'has a missing hand
This moment; Lucy wants a drink, perhaps.
Let others miss me! never miss me, God!'

So Marian sat by Lucy's bed, content
With duty, and was strong, for recompense,
To hold the lamp of human love arm-high
To catch the death-strained eyes and comfort them,
Until the angels, on the luminous side

[...] Read more

poem by from Aurora Leigh (1856)Report problemRelated quotes
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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;


Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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Push Push and Pop It

Push push and pop it!
Don't keep it bottled up!
Or you will dropp like slop to mop.
Leaving specs and pieces left,
To kick and knock your 'ouch' about!

To needle and pick!
You gotta stop it.
To needle and pick!
You gotta stop it.
To needle and pick!
You gotta stop it.

Puuussshhh! Keep pushin'

Push push and pop it!
Don't keep it bottled up!
Or you will dropp like slop to mop.
Leaving specs and pieces left,
To kick and knock your 'ouch' about!

Push push and pop it!
Don't keep it bottled up!
Or you will dropp like slop to mop.
Leaving specs and pieces left,
To kick and knock your 'ouch' about!

Puuussshhh! Keep pushin'

You can refuse to feel remorse or guilt.
And let forgiveness handle it!
No need to flip your lid or top.
Learn to love yourself a lot.
If this is not done...
How can you expect others to start.
You don't have to play a part...
Of that panic brewing in your heart!
Denying it is there.

Just...
Puuussshhh! Keep pushin'
Puuussshhh! Keep pushin
Push push and pop it!
Don't even try to stop it.
Just...
Puuussshhh! Keep pushin'
Puuussshhh! Keep pushin
Push push and pop it!
Don't even try to stop it.

[...] Read more

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