Enjoying the Feast of It
Some write,
Showing an ineptness as an appetite.
Enjoying the feast of it.
Without a nibble digested.
Or a taste of it comprehended.
poem by Lawrence S. Pertillar
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Related quotes
Why Do I Write
I write from my sadness
I write from the madness
I write because I have something to say
I write to pass the day
I write only from the heart
I write for sometimes I am not that smart
Whatever is in head just comes out on paper (in this case a word document) , and I go with the flow
Write to let my mind go
I follow my hand to where ever it takes me
I write all the things that I can see
I write when I am happy, but not as much
I write from my heart that you can touch
I write because I’d go insane
I am driven to write quell my pain
At times I feel alone so I write what I am feeling
I write for it is self-healing
Confident not so I write it all away
I write and write to pass the day
I write to comfort my soul that cries out in the night
I write for love is always out of sight
I write so I don't have to cry any more
I write for I have no one to adore
I write so someone somewhere will hear my plea
I write for someone is out there for me
I am lost and I the clown
I write to turn my frown upside down
I write to embrace the sadness I hide inside
I write with my heart opened wide
I write to silence the ghost
I write for I’ve been let down by the one I loved the most
I write through the stormy weather
I write for I am light as a feather
I am not a writer nor am I a poet
I write for the grief I do know it
I will write until I draw my last breath
I write because I'll die a lonely death
I have to write for strangers delight
I write because I have to write
I write for my own happiness
I write to relieve my stress
I write because I have no other choice
I write as if I was writing a letter
I write because I can’t do any better
I write because I am afraid not to
I write for this is what I do
I write for I give a damn
[...] Read more
poem by Wilfred Mellers
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Taste So Good
[intro]
Please play at low volume
Preferably, while having sex
Can I taste you, can I taste you
(yes, you can)
Can I taste your body, girl
(of course you can)
Can I taste you, can I taste you
I just cant wait to
Can I taste you, can I taste you
(of course you can)
Can I taste your body, girl
(yes, you can)
Can I taste you, can I taste you
(oh, dont stop, until I tell you to)
Oh, baby whatcha doing
Got me feining like this
I wanna go to your valley
I wanna taste your lips, oh yeah
Never understood it
All my homies say dont do it
But baby when I tried it
Girl I couldnt help but like it
You taste so good
Baby you taste so good
You know you do girl
You taste so good
Baby do you like it when I taste your love, yeah
You taste so good
Baby, you taste so good
You know that it tastes so good
You taste so good
So good to me, my baby
So good to me, yeah
Sweeter than candy
Making my tongue so happy, oh
Loving down your backside
Girl, wont you take me on a thigh ride
Well go home
We;ll go around when we bounce
Youre giving me so much
Just swing and make you bounce
Your love is so delicious
Baby, I can tell by the smile on your face
Ya dont mind
If I have another taste
You taste so good
Baby, you taste so good
You taste so good
I cant get over this taste I found
[...] Read more
song performed by Next
Added by Lucian Velea
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Tastes So Good
Please play at low volume
Preferably while havin sex
can i taste you can i taste you
(yes you can)
Can i taste your body girl
(of course you can)
Can i taste you can i taste you
I just cant wait to
Can i taste you can i taste you
( of course you can)
Can i taste your body Girl
(yes you can)
can i taste you can i taste you
( oh dont stop until i tell you to)
Oh baby whatcha doin
got me feining like this
I wanna go to your valley
I wanna taste your lips oh yeah
Never understood it
All my homies say dont do it
But baby when i tried it
Girl i couldnt help but like it
You taste so good
baby you tase so good
you know you do girl
you taste so good
Baby do you like it when i taste your love yeah
you taste so good
Baby you taste so good
you know that it tastes so good
you taste so good
so good to me my baby
so good to me yeah
Sweeter than candy
makin my tongue so happy oh
Lovin down your backside
Girl wont you take me on a thigh ride
we'll go home
we'll go areound when we bounce
your givin me so much
just swing and make you bounce
your love is so delicious
baby i can tell by the smile on your face
ya dont mind
if i have another taste
You taste so good
baby you taste so good
you taste so good
I cant get over this taste i found
when i go downtown down
[...] Read more
song performed by Next
Added by Lucian Velea
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A Poem Written By A Confessed Bipolar (her Name To Be Revealed Upon Her Permission)
I write because I can
I write because there are so many things to be written.
I write because I can make a painting without a brush and paints in my hand.
I write because I can capture the moment without having a camera.
I write because letters and words are the only recipe I know how to cook.
I write because I want to read what I’ve written.
I write because I’m used to speak in silence.
I write because I have a story to tell.
I write because I want to strip off my flesh and live as a pure being.
I write because I can record my “voice” without having a recorder.
I write because it’s like a cup of coffee, it keeps me awake
I write because I want to live even when I do not exist.
I write because this is my throwing stones when I’m frustrated.
6/11/09 at 4: 42 PM
I write because I can flaunt my being when I don’t have clothes to show off.
I write because this is like making an encyclopedia to a coloring book.
I write because it’s more effective than my lithium medication.
I write because I’m tired of carrying these baggages on the road.
I write because I’m tired of talking too much.
I write because it’s a healthier diversion than smoking.
I write because it’s more therapeutic than analyzing my problem.
I write because I want to paint a thousand pictures with words.
I write because I can put colors to the letters and make a rainbow of words.
I write because it’s the key combinations to my hidden vaults.
I write because my ball pen is my best friend in the darkest nights.
I write because it surprises me with what I am capable of thinking&doing. 6/11/09 at 4: 43 PM
I write because I like that ideas are popping like pop corns.
I write because I can wander in the adventures of my own world.
I write because I have to cleanse my collection of memories of an old home.
I write because like a mirror you need to do a lot of reflections.
I write because I want to fight the battle of life.
I write because I wanted my little voice to be heard.
I write because I want to run from the insanities of the world.
I write because pictures don’t talk.
I write because it helps me connect the dots when I look back in my life.
I write because it brings me back to my crib of silence.
I write because it makes a buzz to other bees in my beehive.
I write because unlike my bike my destination is limitless.
I write because I want to become an inspiration without extinction 6/11/09 at 4: 43 PM
I write because like strumming of the guitar, it vibrates in my soul.
I write because I love to write.
poem by Ric S. Bastasa
Added by Poetry Lover
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I Can't Buy Another Lie
I can't buy another lie to tie up my life.
No.
My diet wont treat it.
I can't buy another lie,
To nibble and try.
No I can't buy another lie to tie up my life.
No.
My diet wont treat it.
I can't buy another lie,
To nibble and try.
With a slice of apple pie and cider on the side,
And a piece of tainted meat...
Isn't good for one to eat.
It sticks and stays in between clean teeth.
With a slice of apple pie and cider on the side,
And a piece of tainted meat...
Isn't good for one to eat.
It sticks and stays in between clean teeth.
No I can't buy another lie to tie up my life.
No.
My diet wont treat it.
I can't buy another lie,
To nibble and try.
Whomever's in the kitchen mixing more tricks to fix,
I can't buy another lie to nibble and try.
Whomever's in the kitchen fixing more tricks to mix,
I can't buy another lie to nibble and try.
Whomever's in the kitchen mixing more tricks to fix,
I can't buy another lie to nibble and try.
Whomever's in the kitchen fixing more tricks to mix,
I can't buy another lie to nibble and try.
I can't buy another lie to tie up my life.
No.
My diet wont treat it.
I can't buy another lie,
To nibble and try.
poem by Lawrence S. Pertillar
Added by Poetry Lover
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Write Me
Aerosmith
Write Me
Well I've been away forever, suicide's crossin' my mind,
But I'll never never never never never get so far behind.
I said, the ways of the night are evil with eyes that love the day,
but I'll never never never never never get so far away.
I said write me, write me, write me.
I said write me, write me, write me.
Well there's nothin' I can see that'd ever make
me want to be without her she's good, she's good to me.
Said there's no way to explain the kind of feeling
that you get out in the rain she's good, she's good to me.
See this emptiness inside it makes me scream
it make me crawl out of my high, she's good, she's good to me.
I love her.
Write me a letter, write me a letter, write it today, I'm goin' away.
Well I've been away forever, suicide's crossin' my mind,
But I'll never never never never never get so far behind.
Well I've been so many places hidin' from the wind and the rain,
But you could write me a letter for to save me from a goin' insane.
I said write me, write, write, write me.
Write me, write, write, write me.
Write me, write, write, write.
I said write me, write, write, write me.
Write me, write, write, write me.
Don't write me baby.
song performed by Aerosmith
Added by Lucian Velea
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Paradise Lost: Book 09
No more of talk where God or Angel guest
With Man, as with his friend, familiar us'd,
To sit indulgent, and with him partake
Rural repast; permitting him the while
Venial discourse unblam'd. I now must change
Those notes to tragick; foul distrust, and breach
Disloyal on the part of Man, revolt,
And disobedience: on the part of Heaven
Now alienated, distance and distaste,
Anger and just rebuke, and judgement given,
That brought into this world a world of woe,
Sin and her shadow Death, and Misery
Death's harbinger: Sad talk!yet argument
Not less but more heroick than the wrath
Of stern Achilles on his foe pursued
Thrice fugitive about Troy wall; or rage
Of Turnus for Lavinia disespous'd;
Or Neptune's ire, or Juno's, that so long
Perplexed the Greek, and Cytherea's son:
If answerable style I can obtain
Of my celestial patroness, who deigns
Her nightly visitation unimplor'd,
And dictates to me slumbering; or inspires
Easy my unpremeditated verse:
Since first this subject for heroick song
Pleas'd me long choosing, and beginning late;
Not sedulous by nature to indite
Wars, hitherto the only argument
Heroick deem'd chief mastery to dissect
With long and tedious havock fabled knights
In battles feign'd; the better fortitude
Of patience and heroick martyrdom
Unsung; or to describe races and games,
Or tilting furniture, imblazon'd shields,
Impresses quaint, caparisons and steeds,
Bases and tinsel trappings, gorgeous knights
At joust and tournament; then marshall'd feast
Serv'd up in hall with sewers and seneshals;
The skill of artifice or office mean,
Not that which justly gives heroick name
To person, or to poem. Me, of these
Nor skill'd nor studious, higher argument
Remains; sufficient of itself to raise
That name, unless an age too late, or cold
Climate, or years, damp my intended wing
Depress'd; and much they may, if all be mine,
Not hers, who brings it nightly to my ear.
The sun was sunk, and after him the star
Of Hesperus, whose office is to bring
[...] Read more
poem by John Milton
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Loving That Taste For The Gutter
If they always call those they visit trash,
And on a daily basis they are around them.
What do they regard themselves?
Trash collectors?
Or recycled garbage...
Loving that taste for the gutter.
They can't leave it,
'Cause they come right back.
No matter what they call it they want it like that!
Because they love that taste for the gutter.
They love that taste for the gutter.
Whenever its suspected someone else will attack,
They will defend their trash with a coming back.
Because they love that taste for the gutter.
Yes they love that taste for the gutter.
They can't leave it,
'Cause they come right back.
No matter what they call it they want it like that!
Because they love that taste for the gutter.
They love that taste for the gutter.
If they always call those they visit trash,
And on a daily basis they are around them.
What do they regard themselves?
Trash collectors?
Garbage defenders?
Whenever its suspected someone else will attack,
They will defend their trash with a coming back.
Because they love that taste for the gutter.
Yes they love that taste for the gutter.
Garbage defenders,
Loving that taste for the gutter.
Trash collectors,
Loving that taste for the gutter.
But wont admit or quit,
Loving that taste for the gutter.
They can't leave it,
'Cause they come right back.
Because they love that taste for the gutter.
Garbage defenders,
Loving that taste for the gutter.
Trash collectors,
Loving that taste for the gutter.
But wont admit or quit,
[...] Read more
poem by Lawrence S. Pertillar
Added by Poetry Lover
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Temora - Book I
ARGUMENT.
Cairbar, the son of Borbar-duthul, lord of Atha, in Connaught, the most Potent chief of the race of the Fir-bolg, having murdered, at Temora, the royal palace, Cormac, the son of Artho, the young king of Ireland, usurped the throne. Cormac was lineally descended from Conar, the son of Trenmor, the great-grandfather of Fingal, king of those Caledonians who inhabited the western coast of Scotland. Fingal resented the behavior of Cairbar, and resolved to pass over into Ireland with an army, to re-establish the royal family on the Irish throne. Early intelligence of his designs coming to Cairbar, he assembled some of his tribes in Ulster, and at the same time ordered his brother Cathmor to follow him speedily with an army from Temora. Such was the situation of affairs when the Caledonian invaders appeared on the coast of Ulster.
The poem opens in the morning. Cairbar is represented as retired from the rest of the army, when one of his scouts brought him news of the landing of Fingal. He assembles a council of his chiefs. Foldath, the chief of Moma, haughtily despises the enemy; and is reprimanded warmly by Malthos. Cairbar, after hearing their debate, orders a feast to be prepared, to which, by his bard Olla, he invites Oscar, the son of Ossian; resolving to pick a quarrel with that hero, and so have some pretext for killing him. Oscar came to the feast; the quarrel happened; the followers of both fought, and Cairbar and Oscar fell by mutual wounds. The noise of the battle reached Fingal's army. The king came on to the relief of Oscar, and the Irish fell back to the army of Cathmor, who was advanced to the banks of the river Lubar, on the heath of Moi-lena. Fingal, after mourning over his grandson, ordered Ullin, the chief of his bards, to carry his body to Morven, to be there interred. Night coming on, Althan, the son of Conachar, relates to the king the particulars of the murder of Cormac. Fillan, the son of Fingal, is sent to observe the motions of Cathmor, by night, which concludes the action of the first day. The scene of this book is a plain, near the hill of Mora, which rose on the borders of the heath of Moi-lena in Ulster.
THE blue waves of Erin roll in light. The mountains are covered with day. Trees shake their dusky heads in the breeze. Gray torrents pour their noisy streams. Two green hills, with aged oaks, surround a narrow plain. The blue course of a stream is there. On its banks stood Cairbar of Atha. His spear supports the king: the red eye of his fear is sad. Cormac rises in his soul, with all his ghastly wounds. The gray form of the youth appears in darkness. Blood pours from his airy side. Cairbar thrice threw his spear on earth. Thrice he stroked his beard. His steps are short. He often stops. He tosses his sinewy arms. He is like a cloud in the desert, varying its form to every blast. The valleys are sad around, and fear, by turns, the shower! The king at length resumed his soul. He took his pointed spear. He turned his eye to Moi-lena. The scouts of blue ocean came. They came with steps of fear, and often looked behind. Cairbar knew that the mighty were near. He called his gloomy chiefs.
The sounding steps of his warriors came. They drew at once their swords. There Morlath stood with darkened face. Hidalla's long hair sighs in the wind. Red-haired Cormar bends on his spear, and rolls his sidelong-looking eyes. Wild is the look of Malthos, from beneath two shaggy brows. Foldath stands, like an oozy rock, that covers its dark sides with foam. His spear is like Slimora's fir, that meets the wind of heaven. His shield is marked with the strokes of battle. His red eye despises danger. These, and a thousand other chiefs, surrounded the king of Erin, when the scout of ocean came, Mor-annal, from streamy Moi-lena, His eyes hang forward from his face. His lips are trembling pale!
"Do the chiefs of Erin stand," he said, "silent as the grove of evening? Stand they, like a silent wood, and Fingal on the coast? Fingal, who is terrible in battle, the king of streamy Morven!" "Hast thou seen the warrior?" said Cairbar with a sigh. "Are his heroes many on the coast? Lifts he the spear of battle? or comes the king in peace?" "In peace be comes not, king of Erin; I have seen his forward spear. It is a meteor of death. The blood of thousands is on its steel. He came first to the shore, strong in the gray hair of age. Full rose his sinewy limbs, as he strode in his might. That sword is by his side, which gives no second wound. His shield is terrible, like the bloody moon, ascending through a storm. Then came Ossian, king of songs. Then Morni's son, the first of men. Connal leaps forward on his spear. Dermid spreads his dark-brown locks. Fillan bends his bow, the young hunter of streamy Moruth. But who is that before them, like the terrible course of a stream? It is the son of Ossian, bright between his locks! His long hair falls on his back. His dark brows are half enclosed in steel. His sword hangs loose on his side. His spear glitters as he moves. I fled from his terrible eyes, king of high Temora!"
"Then fly, thou feeble man," said Foldath's gloomy wrath. "Fly to the gray streams of thy land, son of the little soul! Have not I seen that Oscar? I beheld the chief in war. He is of the mighty in danger: but there are others who lift the spear. Erin has many sons as brave, king of Temora of groves. Let Foldath meet him in his strength. Let me stop this mighty stream. My spear is covered with blood. My shield is like the wall of Tura!"
"Shall Foldath alone meet the foe?" replied the dark-browed Malthos? "Are they not on our coast, like the waters of many streams? Are not these the chiefs who vanquished Swaran, when the sons of green Erin fled? Shall Foldath meet their bravest hero? Foldath of the heart of pride! Take the strength of the people! and let Malthos come. My sword is red with slaughter, but who has heard my words?"
"Sons of green Erin," said Hidalla, "let not Fingal hear your words. The foe might rejoice, and his arm be strong in the land. Ye are brave, O warriors! Ye are tempests in war. Ye are like storms, which meet the rocks without fear, and overturn the woods! But let us move in our strength, slow as a gathered cloud! Then shall the mighty tremble; the spear shall fall from the hand of the valiant. We see the cloud of death, they will say, while shadows fly over their face. Fingal will mourn in his age. He shall behold his flying fame. The steps of his chiefs will cease in Morven. The moss of years shall grow in Selma!"
Cairbar heard their words in silence, like the cloud of a shower: it stands dark on Cromla, till the lightning bursts its side. The valley gleams with heaven's flame; the spirits of the storm rejoice. So stood the silent king of Temora; at length his words broke forth. "Spread the feast on Moi-lena. Let my hundred bards attend. Thou red-haired Olla, take the harp of the king. Go to Oscar, chief of swords. Bid Oscar to our joy. To-day we feast and hear the song; to-morrow break the spears! Tell him that I have raised the tomb of Cathol; that bards gave his friend to the winds. Tell him that Cairbar has heard of his fame, at the stream of resounding Carun. Cathmor, my brother, is not here. He is not here with his thousands, and our arms are weak. Cathmor is a foe to strife at the feast! His soul is bright as that sun! But Cairbar must fight with Oscar, chiefs of woody Temora, His words for Cathol were many! the wrath of Cairbar burns! He shall fall on Moi-lena. My fame shall rise in blood!"
Their faces brightened round with joy. They spread over Moi-lena. The feast of shells is prepared. The songs of bards arise. The chiefs of Selma heard their joy. We thought that mighty Cathmor came. Cathmor, the friend of strangers! the brother of red-haired Cairbar. Their souls were not the same. The light of heaven was in the bosom of Cathmor. His towers rose on the banks of Atha: seven paths led to his halls. Seven chiefs stood on the paths, and called the stranger to the feast! But Cathmor dwelt in the wood, to shun the voice of praise!
Olla came with his songs. Oscar went to Cairbar's feast. Three hundred warriors strode along Moi-lena of the streams. The gray dogs bounded on the heath: their howling reached afar. Fingal saw the departing hero. The soul of the king was sad. He dreaded Cairbar's gloomy thoughts, amidst the feast of shells. My son raised high the spear of Cormac. A hundred bards met him with songs. Cairbar concealed, with smiles, the death that was dark in his soul. The feast is spread. The shells resound. Joy brightens the face of the host. But it was like the parting beam of the sun, when he is to hide his red head in a storm!
Cairbar rises in his arms. Darkness gathers on his brow. The hundred harps cease at once. The clang of shields is heard. Far distant on the heath Olla raised a song of wo. My son knew the sign of death; and rising seized his spear. "Oscar," said the dark-red Cairbar, "I behold the spear of Erin. The spear of Temora glitters in thy hand, son of woody Morven! It was the pride of a hundred kings. The death of heroes of old. Yield it, son of Ossian, yield it to car-borne Cairbar!"
"Shall I yield," Oscar replied, "the gift of Erin's injured king; the gift of fair-haired Cormac, when Oscar scattered his foes? I came to Cormac's halls of joy, when Swaran fled from Fingal. Gladness rose in the face of youth. He gave the spear of Temora. Nor did he give it to the feeble: neither to the weak in soul. The darkness of thy face is no storm to me: nor are thine eyes the flame of death. Do I fear thy clanging shield? Tremble I at Olla's song? No Cairbar, frighten the feeble; Oscar is a rock!"
"Wilt thou not yield the spear?" replied the rising pride of Cairbar." Are thy words so mighty, because Fingal is near? Fingal with aged locks, from Morven's hundred groves! He has fought with little men. But he must vanish before Cairbar, like a thin pillar of mist before the winds of Atha!" — "Were he who fought with little men, near Atha's haughty chief, Atha's chief would yield green Erin to avoid his rage! Speak not of the mighty, O Cairbar! Turn thy sword on me. Our strength is equal: but Fingal is renowned! the first of mortal men!"
Their people saw the darkening chiefs. Their crowding steps are heard. Their eyes roll in fire. A thousand swords are half unsheathed. Red-haired Olla raised the song of battle. The trembling joy of Oscar's soul arose: the wonted joy of his soul when Fingal's horn was heard. Dark as the swelling wave of ocean before the rising winds, when it bends its head near the coast, came on the host of Cairbar!
Daughter of Toscar! why that tear? He is not fallen yet. Many were the deaths of his arm before my hero fell!
Behold they fall before my son, like groves in the desert; when an angry ghost rushes through night, and takes their green heads in his hand! Morlath falls. Maronnan dies. Conachar trembles in his blood. Cairbar shrinks before Oscar's sword! He creeps in darkness behind a stone. He lifts the spear in secret, he pierces my Oscar's side! He falls forward on his shield, his knee sustains the chief. But still his spear is in his hand! See, gloomy Cairbar falls! The steel pierced his forehead, and divided his red hair behind. He lay like a shattered rock, which Cromla shakes from its shaggy side, when the green-valleyed Erin shakes its mountains from sea to sea!
But never more shall Oscar rise! He leans on his bossy shield. His spear is in his terrible hand. Erin's sons stand distant and dark. Their shouts arise, like crowded streams. Moi-lena echoes wide. Fingal heard the sound. He took the spear of Selma. His steps are before us on the heath. He spoke the words of wo. "I hear the noise of war. Young Oscar is alone. Rise, sons of Morven: join the hero's sword!"
Ossian rushed along the heath. Fillan bounded over Moi-lena. Fingal strode in his strength. The light of his shield is terrible. The sons of Erin saw it far distant. They trembled in their souls. They knew that the wrath of the king arose: and they foresaw their death. We first arrived. We fought. Erin's chiefs withstood our rage. But when the king came, in the sound of his course, what heart of steel could stand? Erin fled over Moi-lena. Death pursued their flight. We saw Oscar on his shield. We saw his blood around. Silence darkened on every face. Each turned his back and wept. The king strove to hide his tears. His gray beard whistled in the wind. He bends his head above the chief. His words are mixed with sighs.
"Art thou fallen, O Oscar! in the midst of thy course? the heart of the aged beats over thee! He sees thy coming wars! The wars which ought to come he sees! They are cut off from thy fame! When shall joy dwell at Selma? When shall grief depart from Morven? My sons fall by degrees: Fingal is the last of his race. My fame begins to pass away. Mine age will be without friends. I shall sit a gray cloud in my hall. I shall not hear the return of a son, in his sounding arms. Weep, ye heroes of Morven! never more shall Oscar rise!"
And they did weep, O Fingal! Dear was the hero to their souls. He went out to battle, and the foes vanished. He returned in peace, amidst their joy. No father mourned his son slain in youth: no brother his brother of love. They fell without tears, for the chief of the people is low! Bran is howling at his feet: gloomy Luath is sad; for he had often led them to the chase; to the bounding roe of the desert!
When Oscar saw his friends around, his heaving breast arose. "The groans," he said, "of aged chiefs; the howling of my dogs; the sudden bursts of the song of grief, have melted Oscar's soul. My soul, that never melted before. It was like the steel of my sword. Ossian, carry me to my hills! Raise the stones of my renown. Place the horn of a deer: place my sword by my side; The torrent hereafter may raise the earth: the hunter may find the steel, and say, 'This has been Oscar's sword, the pride of other years!'" "Fallest thou, son of my fame? shall I never see thee, Oscar? When others hear of their sons, shall I not hear of thee? The moss is on thy four gray stones. The mournful wind is there. The battle shall be fought without thee. Thou shalt not pursue the dark-brown hinds. When the warrior returns from battles, and tells of other lands; 'I have seen a tomb,' he will say, 'by the roaring stream, the dark dwelling of a chief. He fell by car-borne Oscar, the first of mortal men.' I, perhaps, shall hear his voice. A beam of joy will rise in my soul."
Night would have descended in sorrow, and morning returned in the shadow of grief. Our chiefs would have stood, like cold-dropping rocks on Moi-lena, and have forgot the war; did not the king disperse his grief, and raise his mighty voice. The chiefs, as new-wakened from dreams, lift up their heads around.
[...] Read more
poem by James Macpherson
Added by Poetry Lover
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Write Me A Letter
Write me a letter
Write me a letter
Write it today
Im goin away (yes it has)
Write me a letter
Write me a letter
Write it today
Im goin away (yes it is)
Well Ive been away forever
Suicides crossin my mind
Well Ill never, never get so far behind
I said, the ways of the night are evil
Without that lord of day
But Ill never, never get so far away
I said write me
Write me
Write me
Write me
I said write me
Write me
Write me
Well theres nothin I can see
Thatd ever make me
Want to be without her
Shes good, she good to me
Said theres no way to explain
The kind of feelin that you get out in the
She good, she good to me
She good, she good to me
I love her
Write me a letter
Write me a letter
Write it today
Im goin away (yes it has)
Write me a letter
Write me a letter
Write it today
Im goin away (yes it is)
Well Ive been away forever
Suicides crossin my mind
Well Ill never, never get so far behind
Well Ive been so many places
Hidin from the wind and the rain
But you could write me a letter
For to save me from goin insane
Write me
Excite me
Write me
Write me
Write me
[...] Read more
song performed by Aerosmith
Added by Lucian Velea
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Too Satisfied Just To Nibble
Strange are those days,
I see changing.
Strange,
Are those appetites.
Some people love to nibble on life.
Not to eat it up,
But to spit out pieces of it they don't like!
Strange are those days,
I see changing.
Strange,
Are those appetites.
So much abundance is out there,
But they see limits.
Abundance is out there,
But they choose limits!
And bondage,
To capitalize on those inhibitions.
Some people love to nibble on life.
Not to eat it up,
But to spit out pieces of it they don't like!
Strange are those days,
I see changing.
Strange,
Are those appetites.
So much abundance is out there,
But they see limits.
So much abundance is out there,
But they see limits.
So much abundance is out there,
But some.
Are too satisfied just to nibble.
Strange are those days,
I see changing.
Strange,
Are those appetites.
So much abundance is out there,
But they see limits.
So much abundance is out there,
But they see limits.
So much abundance is out there,
But some.
Are too satisfied just to nibble.
[...] Read more
poem by Lawrence S. Pertillar
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The Cenci : A Tragedy In Five Acts
DRAMATIS PERSONÆ
Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.
The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.
ACT I
Scene I.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.
Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.
Cenci.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!
[...] Read more
poem by Percy Bysshe Shelley
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Feast No Longer On Heartbreak Or Loss
I sit on the waters edge trying to catch a cool breeze,
While the hot sun pours down on my heart,
Thoughts and experiences from the past come and go,
The waters edge place to reflect,
While the hot sun pours down on my heart,
Reflecting, dreaming, as the water trickles past my toes,
A cool breeze flows over my heart, telling me,
Feast no longer on heartbreak and loss,
Thoughts and experiences from the past come and go,
With each breath I take, I try too escape
While the hot sun ours down on my heart,
Determined to feast no longer on heartbreak and loss,
The quiet moments at the waters edge,
Reflecting, dreaming, as the water trickles past my toes,
Life I held so dear, is past now,
Sour taste is my heart is gone,
Quiet moments now at the waters edge,
Reflecting, dreaming, as the water trickles past my toes,
Are like the taste of sweet earth,
While the hot sun pours down on my heart,
A cool breeze flows over my heart, telling me,
Feast more on a simple life more filling than the last
I sit on the waters edge trying to catch a cool breeze,
While the hot sun pours down on my heart,
Thoughts and experiences from the past come and go,
The waters edge place to reflect,
While the hot sun pours down on my heart,
Reflecting, dreaming, as the water trickles past my toes,
A cool breeze flows over my heart, telling me,
Feast no longer on heartbreak and loss,
Thoughts and experiences from the past come and go,
With each breath I take, I try too escape
While the hot sun ours down on my heart,
Determined to feast no longer on heartbreak and loss,
The quiet moments at the waters edge,
Reflecting, dreaming, as the water trickles past my toes,
Life I held so dear, is past now,
Sour taste is my heart is gone,
Quiet moments now at the waters edge,
Reflecting, dreaming, as the water trickles past my toes,
Are like the taste of sweet earth,
While the hot sun pours down on my heart,
A cool breeze flows over my heart, telling me,
[...] Read more
poem by Batibchar Mocculta
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Grew To Believe
I did not awaken with dreams to write.
Or decide I was creative.
I awakened each day trying to fight it,
This appetite I had.
Especially when I thought that I had,
Something I should not want to have.
Few people I knew were encouraged to express,
An acceptance of their gifts.
I grew up in the projects.
And those who were 'different' were made to feel it.
Few people I knew were encouraged to express,
A happiness with talents they possessed.
With a gladness from others...
Who did not address an envy with a jealousness.
But a showing of a knowing that I knew,
Grew...
Inside of me.
Yes,
A showing of a knowing that I knew...
Grew!
A showing of a knowing that I knew,
Grew...
Inside of me.
Yes,
A showing of a knowing that I knew...
Grew,
To believe.
I did not awaken with dreams to write.
Or decide I was creative.
I awakened each day trying to fight it,
This appetite I had.
But...
A showing of a knowing that I knew,
Grew...
Inside of me.
Yes,
A showing of a knowing that I knew...
Grew,
To believe.
A showing of a knowing that I knew,
Grew...
Inside of me.
A showing of a knowing that I knew...
[...] Read more
poem by Lawrence S. Pertillar
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The Task: Book III. -- The Garden
As one who, long in thickets and in brakes
Entangled, winds now this way and now that
His devious course uncertain, seeking home;
Or, having long in miry ways been foil’d,
And sore discomfited, from slough to slough
Plunging, and half despairing of escape;
If chance at length he finds a greensward smooth
And faithful to the foot, his spirits rise,
He chirrups brisk his ear-erecting steed,
And winds his way with pleasure and with ease:
So I, designing other themes, and call’d
To adorn the Sofa with eulogium due,
To tell its slumbers, and to paint its dreams,
Have rambled wide. In country, city, seat
Of academic fame (howe’er deserved),
Long held, and scarcely disengaged at last.
But now with pleasant pace a cleanlier road
I mean to tread. I feel myself at large,
Courageous, and refresh’d for future toil,
If toil awaits me, or if dangers new.
Since pulpits fail, and sounding boards reflect
Most part an empty ineffectual sound,
What chance that I, to fame so little known,
Nor conversant with men or manners much,
Should speak to purpose, or with better hope
Crack the satiric thong? ‘Twere wiser far
For me, enamour’d of sequester’d scenes,
And charm’d with rural beauty, to repose,
Where chance may throw me, beneath elm or vine,
My languid limbs, when summer sears the plains;
Or, when rough winter rages, on the soft
And shelter’d Sofa, while the nitrous air
Feeds a blue flame, and makes a cheerful hearth;
There, undisturb’d by Folly, and apprised
How great the danger of disturbing her,
To muse in silence, or at least confine
Remarks that gall so many to the few,
My partners in retreat. Disgust conceal’d
Is ofttimes proof of wisdom, when the fault
Is obstinate, and cure beyond our reach.
Domestic Happiness, thou only bliss
Of Paradise that has survived the fall!
Though few now taste thee unimpair’d and pure,
Or tasting long enjoy thee! too infirm,
Or too incautious, to preserve thy sweets
Unmix’d with drops of bitter, which neglect
Or temper sheds into thy crystal cup;
Thou art the nurse of Virtue, in thine arms
[...] Read more
poem by William Cowper
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Gonna Live My Life For The Love Of It
Not gonna deal with the BS no more.
Or with the dirt left at my front door.
No more, no more, no more...
No more, no more!
Not gonna fight against ignorance.
Or with conditions that present it.
No more, no more, no more...
No more, no more!
I've grown to want a better appetite.
I like.
For my life.
Without a bit of blight,
To nibble off a piece of it...
To satisfy my hungered sight!
I've grown to want a better appetite.
I like.
For my life.
And spiced my way,
With a taste I can say is for me...
Done just right!
Not gonna fight against ignorance.
Or with conditions that present it.
No more, no more, no more...
No more, no more!
I've grown to want a better appetite.
I like.
For my life.
Without a bit of blight,
To nibble off a piece of it!
I've grown to want a better appetite.
I like.
With a taste I can say is for me...
Done just right!
No more, no more, no more...
Denying it.
No more, no more, no more...
Refusing it.
No more, no more, no more...
Unhappiness.
Gonna live my life for the love of it.
Today and always.
poem by Lawrence S. Pertillar
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0005 Letter to a Younger Poet
Thanks for your letter. Though
you’ve caught me at a rather awkward time –
I’m going into surgery tomorrow – a rather
risky op; so I’ll try to put all the answers that I’ve got
into this one letter;
I hope you'll understand...
and that helps me to make my first point to you:
write as if you, too, may not live
beyond tomorrow – write as if
it’s the last thing that you’ll ever write –
give it everything you’ve got,
hold nothing back;
or better still – write as if
the world will end for everyone tomorrow:
write so that in their last hours, too, this
will make them feel, will make them know
we’ve faced life fully, faced it so complete
that death is relatively unimportant now…
write as if it were only yesterday
that, in an air crash, all your family –
parents, wife or husband, partner, children, and best friend,
had lost their lives; write as if,
were you not to write,
your heart would break forever, or you would go mad...
write as if you’re writing somewhere
where there’s no such thing around, as ink;
you’ll have to use your own blood in the pen,
so use it carefully; so red, so living,
look at it… so beautiful, so precious,
and so solemn – use it carefully, don’t spill a drop…
write as if you’re borrowing every word
from the very centre of the universe, where suns and gods are made;
and need thus to account for every word
with your whole life, no less; know that every word
must be given back, cleaner, stronger, brighter
with your own power, than when you borrowed it;
write as if every poet that ever lived
is leaning over your shoulder, so that you
can feel their breath upon your neck as they say
‘Tell them all that we would tell,
but cannot now; tell them all of this’…
this, now, is how you must deeply be and speak;
write as if you are the only being on earth
[...] Read more
poem by Michael Shepherd
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The Human Face
I. Soon
Of all the springtimes of the world
This one is the ugliest
Of all of my ways of being
To be trusting is the best
Grass pushes up snow
Like the stone of a tomb
But I sleep within the storm
And awaken eyes bright
Slowness, brief time ends
Where all streets must pass
Through my innermost recesses
So that I would meet someone
I don’t listen to monsters
I know them and all that they say
I see only beautiful faces
Good faces, sure of themselves
Certain soon to ruin their masters
II. The women’s role
As they sing, the maids dash forward
To tidy up the killing fields
Well-powdered girls, quickly to their knees
Their hands -- reaching for the fresh air --
Are blue like never before
What a glorious day!
Look at their hands, the dead
Look at their liquid eyes
This is the toilet of transience
The final toilet of life
Stones sink and disappear
In the vast, primal waters
The final toilet of time
Hardly a memory remains
the dried-up well of virtue
In the long, oppressive absences
One surrenders to tender flesh
Under the spell of weakness
III. As deep as the silence
[...] Read more
poem by Paul Eluard
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Ineptness
Carry a big stick,
To threaten from a distance.
Send me pictures of it...
To upset me quick,
With visions I'll be hit with it!
But you'll be wrong wrong.
And I'll be long gone!
Foot power...
Zip.
I like buttered biscuits,
Baked and fresh.
Heated from the oven,
And tasting their best!
You can bring that big stick,
To threaten me with it.
But when I've eaten buttered biscuits,
I'm prepared to split.
Humming a song...
With,
Foot power...zip!
Inept.
Foot power,
Zip!
Ineptness.
Foot power zip!
Inept.
Foot power,
Zip!
Ineptness.
Foot power zip!
'What? '
Foot power zip!
'What is this? '
Foot power zip!
'What? '
Foot power zip!
'What is this? '
Foot power zip!
'What? '
Ineptness!
poem by Lawrence S. Pertillar
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