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In a Country

My love and I are inventing a country, which we
can already see taking shape, as if wheels were
passing through yellow mud. But there is a prob-
lem: if we put a river in the country, it will thaw
and begin flooding. If we put the river on the bor-
der, there will be trouble. If we forget about the
river, there will be no way out. There is already a
sky over that country, waiting for clouds or smoke.
Birds have flown into it, too. Each evening more
trees fill with their eyes, and what they see we can
never erase.

One day it was snowing heavily, and again we were
lying in bed, watching our country: we could
make out the wide river for the first time, blue and
moving. We seemed to be getting closer; we saw
our wheel tracks leading into it and curving out
of sight behind us. It looked like the land we had
left, some smoke in the distance, but I wasn't sure.
There were birds calling. The creaking of our
wheels. And as we entered that country, it felt as if
someone was touching our bare shoulders, lightly,
for the last time.

poem by Larry Levis
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Dot Leedle Boy

Ot's a leedle Gristmas story
Dot I told der leedle folks--
Und I vant you stop dot laughin'
Und grackin' funny jokes!--
So help me Peter-Moses!
Ot's no time for monkey-shine,
Ober I vast told you somedings
Of dot leedle boy of mine!

Ot vas von cold Vinter vedder,
Ven der snow vas all about--
Dot you have to chop der hatchet
Eef you got der sauerkraut!
Und der cheekens on der hind leg
Vas standin' in der shine
Der sun shmile out dot morning
On dot leedle boy of mine.

He vas yoost a leedle baby
Not bigger as a doll
Dot time I got acquaintet--
Ach! you ought to heard 'im squall!--
I grackys! dot's der moosic
Ot make me feel so fine
Ven first I vas been marriet--
Oh, dot leedle boy of mine!

He look yoost like his fader!--
So, ven der vimmen said,
'Vot a purty leedle baby!'
Katrina shake der head. . . .
I dink she must 'a' notice
Dot der baby vas a-gryin',
Und she cover up der blankets
Of dot leedle boy of mine.

Vel, ven he vas got bigger,
Dot he grawl und bump his nose,
Und make der table over,
Und molasses on his glothes--
Dot make 'im all der sveeter,--
So I say to my Katrine,
'Better you vas quit a-shpankin'
Dot leedle boy of mine!'

No more he vas older
As about a dozen months
He speak der English language
Und der German--bote at vonce!
Und he dringk his glass of lager

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poem by James Whitcomb Riley
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Not Too Bad

De cottage vas close py der garden gate,
It vas not mighdty hardt to find it,
A couple of gum-trees grew shoost in front,
Und a pig\shty grew shoost pehind it.
Dere vos milk-cows und sheep on der clover-flat
Und a creek vhere der vater ran,
Der misdress of all, vas der Vidder McCaul,
Und I vos her handy man.

Ach, shveet vas der ploom on der orchard-trees,
Und lofely der flowers in shpring;
But, der vidder's daughter. Yemima Ann,
She vas shveeter ash efferyting.
She valked on der ferry ground I lofed,
Und her eyes were so lofely prown,
Dat vheneffer I see dat she looked at me,
Vhy, I felt mineself top-side down.

I lofed mine life ash I lofed dat girl,
Und a vik from her tvinkling eye
Ash I helped her moundt on der old prown mare
Made me feel apout ten feet high.
Vhen she cantered home ash der sun vent down,
Und I lifted her oop to der ground,
Vhen I felt her yoomp, mine heardt vent boomp,
Und I felt apout twelfe feet round.

So I shpeaks to mineself,' I must hafe dat girl,
For mithout her I aint no use;'
So I tole her von day vhat a duck she vas,
Und she tell me I vas a coose.
Den a shearer coomed town from der Lachlan,
Pout ash tall ash a wool-shed toor,
Und he took her avay on a pullock-tray,
Und she neffer comes pack some more.

So I vent, vat you calls, ' clean off your shoomps,'
I crinds oop mine teeth und schvear;
I knocks mineself town mit a pag of shaff,
Und I picks mineself oop py mine hair.
I shvears I could hang and trown mineself,
Und fill mineself oop mit shot too;
Put, shoost vhen I run to get mine gun,
Der vidder, she tole me not to.

She said, ash she fried me some eggs for mine tea,
Und her tears shpluttered in der pan,
'Vas it not goot enough to her daughter lose,
Mithout losing her handy man?
Vas der fish not askh good vhat vas in der sea

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poem by Thomas E. Spencer
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Nestling

When to summon the sky
Little nestling?
When to summon the sky?

And suffer the risk - abscond in dread -
The knowledge of sort that you'll be dead
Upon a calamitous fall;

Or taken in flight - a hawkish pounce -
Demolished as prey; your fate pronounce
You gone, and to never recall.

O when to summon the sky
Little nestling?
When to summon the sky?

Aborting a den with
Feathered bed,
Unwavering mother who
Saw you fed -
Surrendering all so
You may spread
Your reach of tentative wings!

‘Tis only instinct -
E'er the reason -
Forging life:
The Nesting Season
And the trials it brings.

So up and summon the sky
Little nestling,
Up! and summon the sky!

Copyright © Mark R Slaughter 2011

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poem by Mark R Slaughter
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Book VI - Part 02 - Great Meteorological Phenomena, Etc

And so in first place, then
With thunder are shaken the blue deeps of heaven,
Because the ethereal clouds, scudding aloft,
Together clash, what time 'gainst one another
The winds are battling. For never a sound there come
From out the serene regions of the sky;
But wheresoever in a host more dense
The clouds foregather, thence more often comes
A crash with mighty rumbling. And, again,
Clouds cannot be of so condensed a frame
As stones and timbers, nor again so fine
As mists and flying smoke; for then perforce
They'd either fall, borne down by their brute weight,
Like stones, or, like the smoke, they'd powerless be
To keep their mass, or to retain within
Frore snows and storms of hail. And they give forth
O'er skiey levels of the spreading world
A sound on high, as linen-awning, stretched
O'er mighty theatres, gives forth at times
A cracking roar, when much 'tis beaten about
Betwixt the poles and cross-beams. Sometimes, too,
Asunder rent by wanton gusts, it raves
And imitates the tearing sound of sheets
Of paper- even this kind of noise thou mayst
In thunder hear- or sound as when winds whirl
With lashings and do buffet about in air
A hanging cloth and flying paper-sheets.
For sometimes, too, it chances that the clouds
Cannot together crash head-on, but rather
Move side-wise and with motions contrary
Graze each the other's body without speed,
From whence that dry sound grateth on our ears,
So long drawn-out, until the clouds have passed
From out their close positions.
And, again,
In following wise all things seem oft to quake
At shock of heavy thunder, and mightiest walls
Of the wide reaches of the upper world
There on the instant to have sprung apart,
Riven asunder, what time a gathered blast
Of the fierce hurricane hath all at once
Twisted its way into a mass of clouds,
And, there enclosed, ever more and more
Compelleth by its spinning whirl the cloud
To grow all hollow with a thickened crust
Surrounding; for thereafter, when the force
And the keen onset of the wind have weakened
That crust, lo, then the cloud, to-split in twain,
Gives forth a hideous crash with bang and boom.
No marvel this; since oft a bladder small,

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poem by Lucretius
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Der Drummer

Who puts oup at der pest hotel,
Und dakes his oysders on der schell,
Und mit der frauleins cuts a schwell

Der drummer.

Who vas it gomes indo mine schtore,
Drows down his pundles on der vloor,
Und nefer schtops to shut der door!

Der drummer.

Who dakes me py der handt, und say,
"Hans Pfeiffer, how you vas to-day?"
Und goes for peesness righdt avay?

Der drummer.

Who shpreads his zamples in a trice,
Und dells me, "Look, und see how nice"?
Und says I gets "der bottom price"?

Der drummer.

Who dells how sheap der goots vas bought,
Mooch less as vot I gould imbort,
But lets dem go as he vas "short"?

Der drummer.

Who says der tings vas eggstra vine, —
"Vrom Sharmany, ubon der Rhine," —
Und sheats me den dimes oudt off nine?

Der drummer.

Who varrants all der goots to suit
Der gustomers ubon his route,
Und ven dey gomes dey vas no goot?

Der drummer.

Who gomes aroundt ven I been oudt,
Drinks oup mine bier, and eats mine kraut,
Und kiss Katrina in der mout'?

Der drummer.

Who, ven he gomes again dis vay,
Vill hear vot Pfeiffer has to say,

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poem by Charles Follen Adams from Yawcob Strauss and Other Poems
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Synergy of Love

'Were you honed from poetry? '
I asked your saddened smile.
For it seems to tell a longing tale -
One of words in oratory
That speaks in languid metaphors
From lips of mind in deep despair
And solitude from inner wars
That over time has rendered life so frail.

'Were you carved from doleful prose? '
I sought to ask your gaze,
For a pain lies deep within your eyes -
One of barren territory
Where no fair heart could ever drift
And hope to venture back content
With grateful memories in a gift -
A land of your affectional demise.

'Do I hear a mournful hum? '
I wondered of your cry,
For it sings a song of deep lament -
One of quiet soliloquy
Recited on deserted strands
To waves that have no sense of song
And only wish to fight the sands -
A chant that cites emotional descent.

Do you know your face portrays
The colours of your soul?
It tells me at a single glance
Of how you burned your furnace whole
To stay the fire in our romance.

And see the prismic hues they bore!
I cherished all I ever saw:
Mauve of mystic; browns of rustic;
Reddened tones to match your blush;
Marine of passion, spending out your being,
Leaving you for ashen embers, fleeing
The dying light in hush of night.
And how you lay there empty.

So let me help re-grow the flowers
Once erect in fiery showers!
For now I've seen what love can do
When torn asunder - oh my catastrophic blunder!

But we must realise -
Our flaming want is meant to be!
We are the ocean and the sea;

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poem by Mark R Slaughter
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Dee Coming Man

I Vant some invormashun, shust so qvickly vot
I can, How I shall pring mine Yawcob oup to been der
coming man, For efery day id seem to me der brosbect look
der harder To make dot coming man imbrove ubon dot going
fader. 'Tvas beddher he vas more like me, a Deutscher
blain und rude, As to been abofe hees peesnis und grown oup to
been a dude.
I doil'd oxshbect dot poy off mine a Vashington
to be, Und schop mit hadchets all aronndt ubon mine
abblcdree, So he can let der coundtry know he echmardter
vas- as I, Und got scheap adverdising dot he don'd could
dell a lie : Mine Yawcob lets der drees alone undil der fruit
dhey bear, Und dhen dot feller he looks oudt und gets der
lion's share.
Some say 'tvas beddher dot you teach der young
ideas to shoot; Veil, I dink dis aboudt id : dot advice id vas no
goot! Dot poy vonce dook hees broder oudt nnd dhey
blay Yilliam Tell, Budt Yawcob vas no shooter —he don'd do id
pooty veil; Dot arrow don'd go droo der core, budt id vent
pooty near — Shust near enough to miss id und go droo hees
broder's ear.
He dravels mit hees buysickle in efery kind off
redder, Und dough he vas a demperance poy, somedimes
he dakes a "header": I don'd know shust oxactly vot dot vas—'tis vorse
as bier— Shust like he shtrike a cyglone und valk righdt
off on his ear ! I ask von time aboudt id, budt dot poy he only
grumble, Und say I beddhcr try id vonce, dhen maybe I
vould "tumble."
Dot Yawcob says dot ve vas boor, vmd he vants
to be richer, Und dot der coming man must been a virsd-glass
pase-pall pitcher ; He say he must be "shtriking oudt und try nnd
"make a hit," Und dells me I vas "off mine pase" vhen I makes
fun off it; Vhen I say he soon must baddle hees canoe "oudt
on der schwim," He say dot von off Hanlan's shells vas goot
enough for him.
Dot Shakesbeer say aboudt der son dot's brofligate
und vild : "How sharper as a serpent's thanks vas been der
toothless shild!" (I got dot leedle dwisted; I mean dot thankless
youth He cuts hees poor oldt fader more as a serpent's
tooth.) Und dhen der broverb dells us dot der shild he
must obey, Und dot eef you should shpare der rod you shpoil
him righdt avay.
Vell, Yawcob he vas pooty goot—I guess I don'd
gomblain, I somedimes vish, mineself, dot I vas been a poy
again. I lets him blay mit pase-pall, und dake headers
vhile he can. I prings him oup mit kindness, und I risk der
coming man. Let neighbor Pfeiffer use der shtick, vhile Otto
howls und dances ; I'll shpoil der rod und shpare der shild, I dink,
und dake der shances.

poem by Charles Follen Adams from Yawcob Strauss and Other Poems
Added by Veronica Serbanoiu
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Forsaking My Love

I hate you
I wish to tear you away from me
This tumor that clings to my chest
The thing that makes me ache
That haunts my dreams
And tears at my desires
You have brought me only pain
My untamed heart
That beast that gnaws at my soul
That pitifully whines
Bringing my mind into unwanted pain
Yet how can I blame you
How can I chastise you when I listen intently to your pleas
Why should I punish you for what my eyes feed upon
How can I blame my eyes for falling upon her
She who brings light to the eternal darkness of my soul
She whose eyes bring me to subjection
Whose smile leaves me in awe
How can I blame you when my ears are met with her laughter
How they submerge into her song
How they quiver at her voice
Why should I punish you for inclining my soul
Tempting it with the one sense that has been forsaken by her
How could I look over the thought of the brushing of lips
The touching of hands
The binding of the soul, mind, and body
O you wretched heart
What am I to do with this constant companion
How could I tear you away
When she is the cause of my agony
Or rather
It is the lack of her which brings me sorrow
It is the need for her that leaves my heart in pain
Yet she is not mine
She was never mine
She will never be mine
O my poor heart
How can I make you see reason
When all you do is show me the truth

love love love love love love love
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love love love love love love love
love love love love love love love

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poem by Michael Silver
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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

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poem by Mahendra Bhatnagar
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Trouble

No attorneys
To plead my case
No orbits
To send me into outta space
And my fingers
Are bejeweled
With diamonds and gold
But that ain't gonna help me now
I'm trouble
Yeah trouble now
I'm trouble ya'll
I disturb my town
I'm trouble
Yeah trouble now
I'm trouble ya'll
I got trouble in my town
You think your right
But you were wrong
You tried to take me
But I knew all along
You can take me
For a ride
I'm not a fool out
So you better run and hide
I'm trouble
Yeah trouble now
I'm trouble ya'll
I got trouble in my town
I'm trouble
Yeah trouble now
I'm trouble ya'll
I got trouble in my town
If you see me coming
Down the street then
You know it's time to
Go (and you know it's time to go
cause here comes trouble)
No attorneys
To plead my case
No orbits
To send me into outta space
And my fingers
Are bejeweled
With diamonds and gold
But that ain't gonna help me now
You think your right
But you were wrong
You tried to take me
But I knew all along
You can take me

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song performed by Pink
Added by Lucian Velea
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Yawcob's Dribdlations

Maybe dot you don'd rememper,
Eighdeen — dwendy years ago, How I dold aboudt mine Yawcob —
Dot young rashkell, don'd you know, Who got schicken-box und measles;
Filled mine bipe mit Limburg scheeze; Cut mine cane up indo dhrum-schticks,
Und blay all sooch dricks as dhese.
Yell! dhose times dhey vas been ofer,
Und dot son off mine, py shings! Now vas taller as hees fader,
Und vas oup to all sooch dhings Like shimnastic dricks und pase-pall;
Und der oder day he say Dot he boxes mit " adthledics,"
Somevheres ofer on Back Bay.
Times vas deeferent, now, I dold you,
As vhen he vas been a lad; Dhen Katrine she make hees drowsers
Vrom der oldt vones off hees dad; Dhey vas cut so full und baggy
Dot id dook more as a fool To find oudt eef he vas going,
Or vas coming home vrom school.
Now, dhere vas no making ofer
Off mine clothes to make a suit For dot poy — der times vas exchanged;

"Der leg vas on der oder boot;" For vhen hees drowsers dhey gets dhin,

Und sort off "schlazy" roundt der knee, Dot Mrs. Strauss she dake der sceessors
Und she cuts dhem down for me.
Shnst der oder day dot Yawcob
Gife me von elecdric shock, Vhen he say he vants fife-hundord
To invesht in railroadt schtock. Dhen I dell him id vas beddher
Dot he leaf der schtocks alone, Or some feller dot vas schmardter
Dake der meat imd leaf der bone.
Und vhen I vas got oxcited,
Und say he get "echwiped" und fooled, Dheri he say he haf a "pointer"
Yrom soom friendts off Sage und Gould; Und dot he vas on " rock bottom;"
Had der "inside track" on "Atch "
Dot vas too mooch for hees fader,
Und I coom oup to der scratch.
Dhen in bolitics he dabbles,
Und all qvesdions, great und schmall, Make no deeferent to dot Yawcob —
For dot poy he knows id all. Und he say dot dhose oldt fogies
Must be laid oup on der shelf, Und der governors und mayors
Should pe young men — like himself.
Yell! I vish I vas dransborted
To dhose days off long ago, Vhen dot schafer beat der milk-ban

Und schkydoodled droo der schnow. I could schtand der mumbs nnd measles,

Und der ruckshuns in der house; Budt mine presendt dribulations
Vas too mooch for Meester Strauss.

poem by Charles Follen Adams from Yawcob Strauss and Other Poems
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The Rivals

Look heah! Is I evah tole you 'bout de curious way I won
Anna Liza? Say, I nevah? Well heah's how de thing wuz done.

Lize, you know, wuz mighty purty —dat's been forty yeahs ago —
'N 'cos to look at her dis minit, you might'n spose dat it wuz so.

She wuz jes de greates' 'traction in de county, 'n bless de lam'!
Eveh darkey wuz a-co'tin, but it lay 'twix me an' Sam.

You know Sam. We both wuz wukin' on de ole John Tompkin's place.
'N evehbody wuz a-watchin' t' see who's gwine to win de race.

Hee! hee! hee! Now you mus' raley 'scuse me fu' dis snickering,
But I jes can't he'p f'om laffin' eveh time I tells dis thing.

Ez I wuz a-sayin', me an' Sam wuked daily side by side,
He a-studyin', me a-studyin', how to win Lize fu' a bride.

Well, de race was kinder equal. Lize wuz sorter on de fence;
Sam he had de mostes dollars, an' I had de mostes sense.

Things dey run along 'bout eben tel der come Big Meetin' day;
Sam den thought, to win Miss Liza, he had foun' de shoest way.

An' you talk about big meetin's! None been like it 'fore nor sence;
Der wuz sich a crowd o' people dat we had to put up tents.

Der wuz preachers f'om de Eas', an' 'der wuz preachers f'om de Wes';
Folks had kilt mos' eveh chicken, an' wuz fattenin' up de res'.

Gals had all got new w'ite dresses, an' bought ribbens fu' der hair,
Fixin' fu' de openin' Sunday, prayin' dat de day'd be fair.

Dat de Reveren' Jasper Jones of Mount Moriah, it wuz 'low'd,
Wuz to preach de openin' sermon; so you know der wuz a crowd.

Fu' dat man wuz sho a preacher; had a voice jes like a bull;
So der ain't no use in sayin' dat de meetin' house wuz full.

Folks wuz der f'om Big Pine Hollow, some come 'way f'om Muddy Creek,
Some come jes to stay fu' Sunday, but de crowd stay'd thoo de week.

Some come ridin' in top-buggies wid de w'eels all painted red,
Pulled by mules dat run like rabbits, each one tryin' to git ahead.

Othah po'rer folks come drivin' mules dat leaned up 'ginst de shaf',
Hitched to broke-down, creaky wagons dat looked like dey'd drap in half.

But de bigges' crowd come walkin', wid der new shoes on der backs;
'Scuse wuz dat dey couldn't weah em 'cause de heels wuz full o' tacks.

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poem by James Weldon Johnson
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

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poem by Conrad Potter Aiken
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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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poem by Gilbert Keith Chesterton
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Manden fra Paradiis

Der var engang en Enke -
Dog nei! jeg maa mig først betænke;
Hun havde været det, men var nu gift paany,
Med Een fra Thy;
(Det maae vi ikke glemme).

— En Aftenstund, da Manden ei var hjemme,
Sad hun med Haanden under Kind,
Selv Theemaskinen var en Smule sovet ind,
(Den ellers sang en Tone, reen og klar,
Og førte tidt ved Bordet den bedste Passiar).
Fra Jordens Taageland,
Fløi Tankerne til hendes første Mand;
Hun kunde ei den søde Sjæl forglemme,
Og ak! den anden var jo ikke hjemme,
— „Du har det godt!" udbrød hun, „fri for Nød
Du sidder i det abrahamske Skjød,
Og seer til os, der i den snevre Stue
Maa plages slemt af Hoste og af Snue!"

Hun taug og faldt igjen i Tanker,
Da hører hun, hvor det paa Døren banker;
Hun skotter hen til Krogen;
„Uh! er der Nogen?"
(Thi hun var bange for — ja det var hele Tingen -
At see en Aand i den, der havde før slet ingen).
Nu banker det igjen, og saa gaaer Døren op — -
Men det er ingen Aand, nei Een med Kjød og Krop!
Det er en Haandværkssvend, der nu har sprængt sit Buur,
Og gaaer fra By til By og seer paa Guds Natur;
Han gjør Visitter kun, for ei at smægte,
Sligt kalder man: at fægte.

Han var, det saae hun nok, en sælle Een,
Der gik i dette Liv paa sine egne Been;
Og som han sagde det, der noget laae i Tonen,
Der rørte Konen.
Hun spurgte ham, hvorfra han kom, hvorhen han gik;
Og Svaret, som hun fik,
Det var: han drog paa Bursche-Viis,
Nu gjennem Tydskland til Paris. -
Da blev hun i sit Hjerte glad,
Hun dækked' op med Øl og Mad,
Og sagde: „Sæt sig dog, og spiis!
Hvad, reiser han til Paradiis?
O, Herre Gud! i dette Land
Der har jeg jo min første Mand;
Hils ham fra mig og fra vor Datter,
Og hils ham ogsaa lidt fra Fatter!"

[...] Read more

poem by Hans Christian Andersen
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Opus Null

1
Ich bin der große Derdiedas
das rigorose Regiment
der Ozonstengel prima Qua
der anonyme Einprozent.
Das P. P. Tit und auch die Po
Posaune ohne Mund und Loch
das große Herkulesgeschirr
der linke Fuß vom rechten Koch.

Ich bin der lange Lebenslang
der zwölfte Sinn im Eierstock
der insgesamte Augustin
im lichten Zelluloserock.

2
Er zieht aus seinem schwarzen Sarg
um Sarg um Sarg um Sarg hervor.
Er weint mit seinem Vorderteil
und wickelt sich in Trauerflor.
Halb Zauberer halb Dirigent
taktiert er ohne Alpenstock
sein grünes Ziffernblatt am Hut
und fällt von seinem Kutscherbock.

Dabei stößt er den Ghettofisch
von der möblierten Staffelei.
Sein langer Würfelstrumpf zerreißt
zweimal entzwei dreimal entdrei.

3
Er sitzt mit sich in einem Kreis.
Der Kreis sitzt mit dem eignen Leib.
Ein Sack mit einem Kamm der steht
dient ihm als Sofa und als Weib.
Der eigne Leib der eigne Sack.
Der Vonvon und die linke Haut.
Und tick und tack und tipp und topp
der eigne Leib fällt aus der Braut.

Er schwingt als Pfund aus seinem Stein
die eigne Braut im eignen Sack.
Der eigne Leib im eignen Kreis
fällt nackt als Sofa aus dem Frack.

4
Mit seiner Dampfmaschine treibt
er Hut um Hut aus seinem Hut
und stellt sie auf in Ringelreihn
wie man es mit Soldaten tut.

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poem by Jean Arp
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Die Schwalbenhode

1.

weh unser guter kaspar ist tot
wer trägt nun die brennende fahne im zopf wer dreht die
kaffeemühle
wer lockt das idyllische reh
auf dem meer verwirrte er die schiffe mit dem wörtchen
parapluie und die winde nannte er bienenvater
weh weh weh unser guter kaspar ist tot heiliger bimbam
kaspar ist tot
die heufische klappern in den glocken wenn man seinen vornamen
ausspricht darum seufze ich weiter kaspar
kaspar kaspar
warum bist du ein stern geworden oder eine kette aus wasser
an einem heißen wirbelwind oder ein euter aus
schwarzem licht oder ein durchsichtiger Ziegel an der
stöhnenden trommel des felsigen wesens
jetzt vertrocknen unsere scheitel und sohlen und die feen
liegen halbverkohlt auf den scheiterhaufen

2.

jetzt donnert hinter der sonne
die schwarze kegelbahn und keiner zieht mehr die kompasse
und die räder der schiebkarren auf
wer ißt nun mit der ratte am einsamen tisch wer verjagt den
teufel wenn er die pferde verführen will wer erklärt uns
die monogramme in den sternen
seine büste wird die kamine aller wahrhaft edlen menschen
zieren doch das ist kein trost und schnupftabak für einen
totenkopf

3.

auf den wasserkanzeln bewegten die kaskadeure ihre
fähnchen wie figura 5 zeigt
die abenteurer mit falschen bärten und diamantenen hufen
bestiegen vermittels aufgeblasener walfischhäute
schneiend das podium
der große geisterlöwe harun al raschid sprich harung al radi
gähnte dreimal und zeigte seine vom rauchen schwarz
gewordenen zähne
die merzerisierten klapperschlangen wickelten sich von ihren
spulen mähten ihr getreide und verschlossen es in steine
aus dem saum des todes traten die augen der jungen sterne
nach der geißelung auf der sonnenbacke tanzten die hufe des
esels auf flaschenköpfen
die toten fielen wie flocken von den ledernen türmen
wieviel totengerippe drehten die räder der tore
als der wasserfall dreimal gekräht hatte erblich seine tapete bis

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poem by Jean Arp
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The Four Seasons : Spring

Come, gentle Spring! ethereal Mildness! come,
And from the bosom of yon dropping cloud,
While music wakes around, veil'd in a shower
Of shadowing roses, on our plains descend.
O Hertford, fitted or to shine in courts
With unaffected grace, or walk the plain
With innocence and meditation join'd
In soft assemblage, listen to my song,
Which thy own Season paints; when Nature all
Is blooming and benevolent, like thee.
And see where surly Winter passes off,
Far to the north, and calls his ruffian blasts:
His blasts obey, and quit the howling hill,
The shatter'd forest, and the ravaged vale;
While softer gales succeed, at whose kind touch,
Dissolving snows in livid torrents lost,
The mountains lift their green heads to the sky.
As yet the trembling year is unconfirm'd,
And Winter oft at eve resumes the breeze,
Chills the pale morn, and bids his driving sleets
Deform the day delightless: so that scarce
The bittern knows his time, with bill ingulf'd,
To shake the sounding marsh; or from the shore
The plovers when to scatter o'er the heath,
And sing their wild notes to the listening waste
At last from Aries rolls the bounteous sun,
And the bright Bull receives him. Then no more
The expansive atmosphere is cramp'd with cold
But, full of life and vivifying soul,
Lifts the light clouds sublime, and spreads then thin,
Fleecy, and white, o'er all-surrounding heaven.
Forth fly the tepid airs: and unconfined,
Unbinding earth, the moving softness strays.
Joyous, the impatient husbandman perceives
Relenting Nature, and his lusty steers
Drives from their stalls, to where the well used plough
Lies in the furrow, loosen'd from the frost.
There, unrefusing, to the harness'd yoke
They lend their shoulder, and begin their toil,
Cheer'd by the simple song and soaring lark.
Meanwhile incumbent o'er the shining share
The master leans, removes the obstructing clay,
Winds the whole work, and sidelong lays the glebe
While through the neighbouring fields the sowe stalks,
With measured step, and liberal throws the grain
Into the faithful bosom of the ground;
The harrow follows harsh, and shuts the scene.
Be gracious, Heaven! for now laborious Man
Has done his part. Ye fostering breezes, blow!
Ye softening dews, ye tender showers, descend!

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poem by James Thomson
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Trouble

Trouble in the city, trouble in the farm,
You got your rabbits foot, you got your good-luck charm.
But they cant help you none when theres trouble.
Trouble,
Trouble, trouble, trouble,
Nothin but trouble.
Trouble in the water, trouble in the air,
Go all the way to the other side of the world, youll find trouble there.
Revolution even aint no solution for trouble.
Trouble,
Trouble, trouble, trouble,
Nothin but trouble.
Drought and starvation, packaging of the soul,
Persecution, execution, governments out of control.
You can see the writing on the wall inviting trouble.
Trouble,
Trouble, trouble, trouble,
Nothin but trouble.
Put your ear to the train tracks, put your ear to the ground,
You ever feel like youre never alone even when theres nobody else around?
Since the beginning of the universe mans been cursed by trouble.
Trouble,
Trouble, trouble, trouble,
Nothin but trouble.
Nightclubs of the broken-hearted, stadiums of the damned,
Legislature, perverted nature, doors that are rudely slammed.
Look into infinity, all you see is trouble.
Trouble,
Trouble, trouble, trouble,
Nothin but trouble.

song performed by Bob Dylan
Added by Lucian Velea
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Monsters Of Mud

Monsters of mud, covered in mud (made of mud)
Monsters of mud (made of mud)
Monsters of mud, covered in mud (repeat six times)
Made of mud, they're made of mud (repeat six times)
(2x)
Look at that mudman
It's disgraceful
Check out the dirt pile
He's got a face full
It's unbelievable, they're walking through the streets of town
They act like people, but they're shapeless, grimy, grey and brown
(Made of mud, they're made of mud) (2x)
It used to be that everyone you'd see was so well scrubbed
Everything's different now, ever since the monsters of mud
Monsters of mud, covered in mud (3x)
Made of mud (3x), they're made of mud
Made of mud, they're made of mud
Look out there's one right there
It freaks me out, It's covered in crud
All of our values have been challenged
by the monsters of mud
Here they slime
There they slouch
On your carpet
On my couch
Mud monsters everywhere
You can't escape the slobbering flood
We couldn't stop them
So we all became the monsters of mud
It's unbelievable, we're walking through the streets of town
We act like people, but we're shapeless, grimy, grey and brown
(Made of mud, they're made of mud)(2x)
It used to be that everyone you'd see was so well scrubbed
Everything's different now, ever since the monsters of mud

song performed by They Might Be Giants
Added by Lucian Velea
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