All I See is a Child with Third Degree Burns
The future stairs, in pixel bites, from monochrome beams,
down satellite eyes
While the past explodes in a quadrangle weeping
from the opposite side
Embarrassed acts of devastation
come back to me and collide
As images of Europa cascade
from a fiber optic line
But all I see is a child with third degree burns
Small, ingenious sentinels, are quietly calculating
subtle maneuvers
Around Agenor's quite daughter,
unaware of machine intruders
Meanwhile, Croatian artifacts,
are ripping horrors in my ears
It's the ghost of Milosevic
who still ravages these years
Because I see is a child with third degree burns
It's the carbon dated hairstyles,
that indicate the general fashions
When Sarajevo was descending
to Yugoslavian jackboot fascist
And no one in Lašva Valley could see the ascend
of I-Macs
Since every little boy and girl are found
in body sacks
And still all I see is a child with third degree burns
Reprieve me, through the vacuum,
where shines that celestial sphere
Irradiating new hydrogen
Imprinting a rich oxygen atmosphere
My escape through oceans tundra
on molten alien rocky shield
A brave new world of vistas
that absolve my human fears
[...] Read more
poem by Kevin Patrick
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Song of Wink Star
The Song of Wink Star
a happy story for children of all ages
story and text © Raj Arumugam, June 2008
☼ ☼
☼ Preamble
Come…children all, children of all ages…sit close and listen…
Come and listen to this happy story of the stars and of life…
Come children of the universe, children of all nations and of all races, and of all climates and of all kinds of space and dimensions and universes…
Come, dearest children of all beings of the living universe, come and listen to The Song of Wink Star…
Come and listen to this story, this happy story…listen, as the story itself sings to you…
Sit close then, and listen to the story that was not made by any, or written by a poet, or fashioned by grandfathers and grandmothers warming themselves at the fire of burning stars…
O dearest children all, come and listen to the story that lives
of itself, and that glows bright and happy….
Come…children all, children of all ages, come and listen to this happy story, the story so natural and smooth as life, as it sings itself to you….
☼ The Song of Wink Star
a happy story for children of all ages
☼ 1
Night Child, always so light and gentle, slept on a flower.
And every night, before he went to sleep, he would look up at the sky.
He would look at the eastern corner, five o’clock.
And there he would see all the stars in near and distant galaxies that were only visible to the People of Star Eyes.
Night Child was one of the People of Star Eyes. And so he could see the stars. And of all the stars he could see, he loved to watch Wink Star.
Wink Star twinkled and winked and laughed.
Every night Wink Star did that. Winked and laughed.
[...] Read more
poem by Raj Arumugam
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Satellite Blues
She makes the place a jumpin'
The way she moves around
She like a rump and rollin'
That's when she get it out
And when she start a rockin'
She bring me to the boil
She like to give it out some
New satellite blues (new satellite blues)
New satellite blues (new satellite blues)
A picture clear for watchin'
The dish is runnin' hot
The box is set for pumpin'
She gonna take the lot
The way she get the butt in
She's gettin' set to ball
I like to chew it up some
New satellite blues (new satellite blues)
New satellite blues (new satellite blues)
New satellite blues (new satellite blues)
New satellite blues (new satellite blues)
Can't get nothin' on the dial
The frigin' thing gone wild
All I get's the dumbed down news
New satellite blues
New satellite blues (new satellite blues)
New satellite blues (new satellite blues)
I got the satellite blues (new satellite blues)
New satellite blues (new satellite blues)
This thing's nothing but a load of crap
I'm gonna send it right back
You can stick it where it hurts...
Mac!
I got the satellite blues
song performed by AC/DC from Stiff Upper Lip
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Satellite Blues
(young - young)
She makes the place a jumpin
The way she moves around
She like a rump and rollin
Thats when she get it out
And when she start a rockin
She bring me to the boil
She like to give it out some
New satellite blues (new satellite blues)
New satellite blues (new satellite blues)
A picture clear for watchin
The dish is runnin hot
The box is set for pumpin
She gonna take the lot
The way she get the butt in
Shes gettin set to ball
I like to chew it up some
New satellite blues (new satellite blues)
New satellite blues (new satellite blues), yeah yeah
New satellite blues (new satellite blues)
New satellite blues (new satellite blues)
Cant get nothin on the dial
The frigin thing gone wild
All I gets the dumbed down news
New satellite blues
New satellite blues (new satellite blues)
New satellite blues (new satellite blues)
I got the satellite blues (new satellite blues)
New satellite blues (new satellite blues)
This things nothing but a load of crap
Im gonna send it right back
You can stick it where it hurts...
Mac!
I got the satellite blues
2000, j. albert & son, pty.
song performed by AC-DC
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Love Bites
Do you know what a vampire is?
Whoa! love bites, love bites,
Love bites, love bites,
Love bites, love bites.
Come live forever with me, or transpire,
A flame alone, on a funeral pire,
Well build an empire, if we so desire,
Travel the world, and set it on fire!
Bite me babe, set my soul on fire!
Bite me babe, set my soul on fire!
Come taste my love baby,
Blood makes me hard to resist,
My soul burns like fire,
Kiss my hungry lips vampire!
Love bites, love bites,
Love bites, love bites,
Love bites, love bites.
Blood turns cold for mortals who wait,
Your coils unwinding, now choose you fate,
A flame alone on a funeral pire,
Or eternal life as my vampire!!
Bite me babe, set my soul on fire!
Bite me babe, set my soul on fire!
Come taste my love baby,
Blood makes me hard to resist,
My sould burns like fire,
Kiss my hungry lips vampire!
Love bites, love bites,
Love bites, love bites, [loves bites!],
Love bites, love bites, [my vampire].
Deep into the, deep into the, deep into the, night!
Deep into the, deep into the, deep into the, night! [love bites],
Deep into the, deep into the, deep into the, night!
Deep into the, deep into the, deep into the, night! [love bites].
[demonic laughing!].
Blood turns cold for mortals who wait,
Your coils unwinding, now choose you fate.
Love bites, love bites,
Love bites, love bites, [loves bites!],
Love bites, love bites, [my vampire],
Deep into the, deep into the, deep into the, night!
[...repeat & fade...].
song performed by Grace Jones
Added by Lucian Velea
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Satellite Of Love
Satellites gone
Up to the skies
Thing like that drive me
Out of my mind
I watched it for a little while
I like to watch things on tv
Satellite of love
Satellite of love
Satellite of love
Satellite of
Satellites gone
Way up to mars
Soon it will be filled
With parking cars
I watch it for a little while
I love to watch things on tv
Satellite of love
Satellite of love
Satellite of love
Satellite of
Ive been told that youve been bold
With harry, mark and john
Monday, tuesday, wednesday to thursday
With harry, mark and john
Satellites gone
Up to the skies
Thing like that drive me
Out of my mind
I watched it for a little while
I love to watch things on tv
Satellite of love
Satellite of love
Satellite of love
Satellite of
Satellite of love
Satellite of love
Satellite of love
Satellite of love
Satellite of love
Satellite of love
...
song performed by Lou Reed
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Trans Europa Express
Trans Europa Express
Trans Europa Express
Trans Europa Express
Trans Europa Express
Rendez-vous auf den Champs Elysees
Verlass Paris am Morgen mit dem TEE
Trans Europa Express
Trans Europa Express
Trans Europa Express
Trans Europa Express
In Wien sitzen wir im Nachtcafe
Direkt Verbindung TEE
Trans Europa Express
Trans Europa Express
Trans Europa Express
Trans Europa Express
Wir laufen 'rein in Duesseldorf City
Und treffen Iggy Pop und David Bowie
song performed by Kraftwerk
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Sixth Book
THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
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Satellite Of Love
In this world as we know it
Sorrows come and go
Now we see the human race
Has put its footprints on the moons face
Satellites gone up to the sky
But its not as nice as looking in your eyes
Woh, take it for a little while
No, I could watch it on tv, yeah
Satellite of love, oh, satellite of love
Satellite of love, satellite of
Satellites gone up to the sky
And its going to drive me out of my mind
Woh, take it for a little while
No, I can watch it on tv, yeah
Satellite of love, satellite of love
Satellite of love, satellite of
Ive been told, baby, youve been bold
To winkin, blinkin and nod
Monday, tuesday, wednesday and thursday
To winkin, blinkin and nod
Satellite of love, satellite of love
Satellite of love, satellite of
Satellite of love
Satellite of love, its just a little bit of
A satellite of love
song performed by Velvet Underground
Added by Lucian Velea
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The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
[...] Read more
poem by Conrad Potter Aiken
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Satellite Of Love
Satellites gone
Up to the sky
Things like that drive me
Out of my mind
I watched it for a little while
I love to watch things on tv
Oh...satellite of love
Ah...satellite of love
Oo...satellite of love
Satellite
Satellites gone
Way up to mars
Soon it will be filled
With parking cars
I watched it for a little while
I love to watch things on tv
Ooo...ahh...satellite of love
Ha...satellite of love
Satellite of love
Satellite
Ive been told that youve been bold
With harry, mark, and john
Monday, tuesday, wednesday, friday
Harry, mark, and john
Satellites gone
Up to the sky
Things like that drive me
Out of my mind
I watched it for a little while
I love to watch things on tv
Hoo...satellite of love
Haa...satellite of love
Hoo...satellite of love
Satellite of...
Satellite...satellite...
[repeat until end]
song performed by U2
Added by Lucian Velea
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Images
I think images are worth repeating
Images repeated from a painting
Images taken from a painting
From a photo worth re-seeing
I love images worth repeating
Project them upon the ceiling
Multiply them with silk screening
See them with a different feeling
Images, oh, images
Images, oh, images
Some say images have no feeling
I think theres a deeper meaning
Mechanical precision or so its seeming
Instigates a cooler feeling
I love multiplicity of screenings
Things born anew display new meanings
I think images are worth repeating
And repeating and repeating
Images, oh, images
Images, images
Im no urban idiot savant
Spewing paint without any order
Im no sphinx, no mystery enigma
What I paint is very ordinary
I dont think Im old or modern
I dont think I think Im thinking
It doesnt matter what Im thinking
Its the images that are worth repeating
And repeating, oh, images
Images
If youre looking for a deeper meaning
Im as deep as this high ceiling
If you think technique is meaning
You might find me very simple
You might think that images boring
Cars and cans and chairs and flowers
You might find me personally boring
Hammer, sickle, mao tse tong
Mao tse tong
Ooohhh, images, images
Images
I think that it bears repeating
The images upon the ceiling
I love images worth repeating
And repeating and repeating
Images, images
Oh, images, oh, images
song performed by Lou Reed
Added by Lucian Velea
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When Worlds Collide
When worlds collide, the best of us
Wont be here with the rest of us
Theyll drop before the paint has dried
When worlds collide, when worlds collide
The young today, I must confess
Have lost the path of righteousness
By settling for something less
The smarty pants, they fail to see
The posture of morality
Is just like common currency
Thats the way it works for me
So I dress like a brushing bride
Because my every move is sanctified
By claiming God is on my side
When worlds collide, when worlds collide
When worlds collide, the virtuous
Will have to take the shuttle bus
But we in limousines shall ride
When worlds collide, when worlds collide
These kids today, they have no pluck
Dont know the value of a buck
They think all politicians suck
But managing economies
Is one of my best qualities
Especially to friends like these
I can favor the ones I please
And if the mandate should be denied me
Then theres always something kept aside
If you have grease then you can slide
When worlds collide, when worlds collide
When worlds collide, the devious,
The cunning, and mischevious
Will mourn the moral men who died
When worlds collide, when worlds collide
The youth today, I must relate
Have not learned to appreciate
The pleasures of the city-state
They waste themselves on drugs and sex
And boogieing in discotheques
Ill take them by their bleach-blond necks
And conscript those I dont reject
Then Ill serve them butchered and fried
For our commander can sleep satisfied
While someones licking ones backside
When worlds collide, when worlds collide
song performed by Todd Rundgren
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
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The Dream
'TWAS summer eve; the changeful beams still play'd
On the fir-bark and through the beechen shade;
Still with soft crimson glow'd each floating cloud;
Still the stream glitter'd where the willow bow'd;
Still the pale moon sate silent and alone,
Nor yet the stars had rallied round her throne;
Those diamond courtiers, who, while yet the West
Wears the red shield above his dying breast,
Dare not assume the loss they all desire,
Nor pay their homage to the fainter fire,
But wait in trembling till the Sun's fair light
Fading, shall leave them free to welcome Night!
So when some Chief, whose name through realms afar
Was still the watchword of succesful war,
Met by the fatal hour which waits for all,
Is, on the field he rallied, forced to fall,
The conquerors pause to watch his parting breath,
Awed by the terrors of that mighty death;
Nor dare the meed of victory to claim,
Nor lift the standard to a meaner name,
Till every spark of soul hath ebb'd away,
And leaves what was a hero, common clay.
Oh! Twilight! Spirit that dost render birth
To dim enchantments; melting Heaven with Earth,
Leaving on craggy hills and rumning streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, tho' such radliance round him brightly glows,
Marks the small spark his cottage window throws.
Still as his heart forestals his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life,
His rosy children, and his sunburnt wife,
To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And those poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fond sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,
[...] Read more
poem by Caroline Elizabeth Sarah Norton
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Kahlo-Christ Conjunctions - Sacrificed Flesh, Broken Bread, Emmaus Vision
[The curious or, better, interested reader may view the images alluded to in this essay at this website: http: //falconwarren.blogspot.com/2011/01/kahlo-christ- conjunctions-sacrificed.html]
Kahlo Strophes
As with love, also the bellows.
Calavera*, the Future stands
hand to mouth, fingers to forehead
unfolding before still instatic shapes.
Hold desperately to frames before
these quaking perceptions.
She could not stop there,
had to flare out, dry paint,
and the dryer flesh peel down
to bone, a sexless esqueleto**,
skull no longer mustached,
a calavera, nothing more,
curved calcium reliant forever
upon canvas, what is congealed
there to fan and burn,
a 'cauda pavonis'***.
- the author, from the text below
*Skull
**Skeleton
***Peacock's Tail (an image in alchemy) .
'Poetry such as this attempts not just a new syntax of the word. Its revolution is aimed at the syntax of the mind itself. Its structuring of experience is purposive, not dreamlike. We are dealing with a self-induced, or naturally or mysteriously come by, creative state from which two of the most fundamental human activities diverge, the aesthetic and the mystic act. The creative matrix is the same in both, and it is that state of being that is most peculiarly and characteristically human, as the resulting aesthetic and mystic experience is the purist form of human act. There is a great deal of overlapping, today especially, when art is all the religion most people have and when they demand of it experiences that few people of the past demanded of religion....A visionary poem is not a vision. The religious experience is necessitated and ultimate.' - Kenneth Rexroth, World Outside the Window, the Selected Essays of Kenneth Rexroth, pg.255-256
Rexroth's words are pertinent to the images used in this essay, Kahlo's painting above is visionary, Grunewald's are religious, and several photos are both, and all are 'aimed at the syntax of the mind itself.. Its restructuring of experience is purposive, not dreamlike.' The images included in this essay, which is more a prose poem than regular prose, are meant to convey equally or more, at least as as much as, the words in their incantatory formations which may induce entrance into 'imaginal' spaces where word and image meet in a practical magic, inspire a felt understanding and perhaps gain a view or actual entrance into what ecstatic poet, Rainer Maria Rilke, calls 'the Greater Relation.'
I've decided to publish this piece-in-progress as it unwinds in spirals 'aimed at the syntax of the mind itself...its restructuring of experience' with the understanding that it may later appear in greatly altered form. In a real sense this writing writes itself; I try to heed, copy, then hone to the bone what might be wanting to be sung, for what is below, and often what I write, is more akin to music, a vocal/verbal lilt beyond a particular solid tilt of view of a world absolute, static logos.
Heraclitus noted thousands of years ago, 'All is flux.'
To this I would only add, and perhaps this is what all of my writing amounts to,
'All is reflux.'
Selah. WF
NYC,1/31/11
[...] Read more
poem by Warren Falcon
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The Undying One- Canto III
'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?
If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!
'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!
'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst
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poem by Caroline Elizabeth Sarah Norton
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Book IV - Part 03 - The Senses And Mental Pictures
Bodies that strike the eyes, awaking sight.
From certain things flow odours evermore,
As cold from rivers, heat from sun, and spray
From waves of ocean, eater-out of walls
Around the coasts. Nor ever cease to flit
The varied voices, sounds athrough the air.
Then too there comes into the mouth at times
The wet of a salt taste, when by the sea
We roam about; and so, whene'er we watch
The wormword being mixed, its bitter stings.
To such degree from all things is each thing
Borne streamingly along, and sent about
To every region round; and Nature grants
Nor rest nor respite of the onward flow,
Since 'tis incessantly we feeling have,
And all the time are suffered to descry
And smell all things at hand, and hear them sound.
Besides, since shape examined by our hands
Within the dark is known to be the same
As that by eyes perceived within the light
And lustrous day, both touch and sight must be
By one like cause aroused. So, if we test
A square and get its stimulus on us
Within the dark, within the light what square
Can fall upon our sight, except a square
That images the things? Wherefore it seems
The source of seeing is in images,
Nor without these can anything be viewed.
Now these same films I name are borne about
And tossed and scattered into regions all.
But since we do perceive alone through eyes,
It follows hence that whitherso we turn
Our sight, all things do strike against it there
With form and hue. And just how far from us
Each thing may be away, the image yields
To us the power to see and chance to tell:
For when 'tis sent, at once it shoves ahead
And drives along the air that's in the space
Betwixt it and our eyes. And thus this air
All glides athrough our eyeballs, and, as 'twere,
Brushes athrough our pupils and thuswise
Passes across. Therefore it comes we see
How far from us each thing may be away,
And the more air there be that's driven before,
And too the longer be the brushing breeze
Against our eyes, the farther off removed
Each thing is seen to be: forsooth, this work
With mightily swift order all goes on,
So that upon one instant we may see
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poem by Lucretius
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Satellite
Satellite in my eyes
Like a diamond in the sky
How I wonder.
Satellite strung from the moon
And the world your balloon
Peeping tom for the mother station
Winters cold spring erases
And the calm away by the storm is chasing
Everything good needs replacing
Look up, look down all around, hey satellite
Satellite, headlines read
Someones secrets youve seen
Eyes and ears have been
Satellite dish in my yard
Tell me more, tell me more
Whos the king of your satellite castle?
Winters cold spring erases
And the calm away by the storm is chasing
Everything good needs replacing
Look up, look down all around, hey satellite
Rest high above the clouds no resrictions
Television we bounce round the world
And while I spend these hours
Five senses reeling,
I laugh about the weathermans satellite eyes.
Satellite in my eyes
Like a diamond in the sky
How I wonder.
Satellite strung from the moon
And the world your balloon
Peeping tom for the mother station
Winters cold spring erases
And the calm away by the storm is chasing
Everything good needs replacing
Look up, look down all around, hey satellite
Rest high above the clouds no restrictions
Television you bounce from the world
And while I spend these hours
Five senses reeling
I laugh about this world in my satellite eyes.
song performed by Dave Matthews Band
Added by Lucian Velea
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V. Count Guido Franceschini
Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!
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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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