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Every man is like the company he is wont to keep.

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Give The Po Man A Break

Give po man a break
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The Fyftene Loyes Of Maryage

Somer passed/and wynter well begone
The dayes shorte/the darke nyghtes longe
Haue taken season/and brynghtnes of the sonne
Is lytell sene/and small byrdes songe
Seldon is herde/in feldes or wodes ronge
All strength and ventue/of trees and herbes sote
Dyscendynge be/from croppe in to the rote


And euery creature by course of kynde
For socoure draweth to that countre and place
Where for a tyme/they may purchace and fynde
Conforte and rest/abydynge after grace
That clere Appolo with bryghtnes of his face
Wyll sende/whan lusty ver shall come to towne
And gyue the grounde/of grene a goodly gowne


And Flora goddesse bothe of whyte and grene
Her mantell large/ouer all the erthe shall sprede
Shewynge her selfe/apparayled lyke a quene
As well in feldes/wodes/as in mede
Hauynge so ryche a croune vpon her hede
The whiche of floures/shall be so fayre and bryght
That all the worlde/shall take therof a lyght


So now it is/of late I was desyred
Out of the trenche to drawe a lytell boke
Of .xv. Ioyes/of whiche though I were hyred
I can not tell/and yet I vndertoke
This entrepryse/with a full pyteous loke
Remembrynge well/the case that stode in
Lyuynge in hope/this wynter to begyn


Some Ioyes to fynde that be in maryage
For in my youth/yet neuer acquayntaunce
Had of them but now in myn olde aege
I trust my selfe/to forther and auaunce
If that in me/there lacke no suffysaunce
Whiche may dyspleasyr/clerely set a parte
I wante but all/that longeth to that arte


yet wyll I speke/though I may do no more
Fully purposynge/in all these Ioyes to trete
Accordynge to my purpose made to fore
All be it so/I can not well forgete
The payne/trauayle/besynes and hete

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Be Mine Tonight

Written by chuck jackson and marvin yancy
I feel the need so wont you please turn me on
And give to me some thought of you to keep me strong, yeah, baby
You say to me you gotta be on your way, well
On hands and knees Im begging you please stay
Im not worried about tomorrow
Let tomorrow take care of itself
Honey wont you be mine tonight, yeah
Honey wont you be mine
Daddy wont you be mine tonight
Sugar wont you be mine
Its you I want so baby dont leave me now, dont go
Why dont you stay awhile, make me smile, show me how
Im not worried about tomorrow
Let tomorrow take care of itself
Honey, wont you be mine tonight
Honey, wont you be mine
Sweet daddy, wont you be mine tonight
Darling, wont you be mine
Honey, honey be mine tonight
Daddy, wont you be mine
I want you to be mine tonight
I want you to be mine
I need you tonight
I want you to be mine
I want you to be mine tonight
Wont you be mine
I want you to be mine tonight
I want you to be mine tonight
Daddy, wont you, daddy, wont you, daddy, wont you be mine
Daddy, wont you, daddy, wont you
Daddy wont you be mine tonight
Daddy wont you come on be mine
Come on, come on, come on be mine tonight
Daddy, wont you, daddy, wont you,
Daddy, wont you, daddy, wont you,
Daddy, wont you, daddy, wont you,
Daddy, wont you, daddy, wont you, come on
Daddy, wont you, daddy, daddy, wont you,
Daddy, wont you, daddy, wont you
Your mamma waitin for you, come on
Daddy, wont you be mine tonight

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Satan Absolved

(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.

[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.

Satan. Ye have in truth good cause.

Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.

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We Wont Dance

We wont dance no more
We wont shine out on the floor
We wont sway the band wont play
We wont dance
I kid you not we were hot
When the weekend came wed dance non-stop
No jitterbug no substitute
No twist and turn no crasha nd burn
Could top us two
We wont dance no more
We wont shine out on the floor
We wont sway the band wont play
We wont dance
As I dipped you down in your yellow dress
Wed brush the floor in a slow caress
As minutes turned to a rising sun
Wed leave the day to rest
Our dancing done
We wont dance no more
We wont shine out on the floor
We wont sway the band wont play
We wont dance
If I were God and controlled what is
Id steal your shoes so you couldnt dance with his
Well Im not all that I could be
But youll never dance with him
The way you danced with me
We wont dance no more
We wont dance no more
Well Im not all that I could be
But youll never dance with him
The way you danced with me
We wont dance no more
We wont shine out on the floor
We wont sway the band wont play
We wont dance
We wont dance no more
We wont shine out on the floor
We wont sway the band wont play
We wont dance

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The Shepherd's Dog

I.

A Shepherd's Dog there was; and he
Was faithful to his master's will,
For well he lov'd his company,
Along the plain or up the hill;
All Seasons were, to him, the same
Beneath the Sun's meridian flame;
Or, when the wintry wind blew shrill and keen,
Still the Old Shepherd's Dog, was with his Master seen.


II.

His form was shaggy clothed; yet he
Was of a bold and faithful breed;
And kept his master company
In smiling days, and days of need;
When the long Ev'ning slowly clos'd,
When ev'ry living thing repos'd,
When e'en the breeze slept on the woodlands round,
The Shepherd's watchful Dog, was ever waking found.

III.

All night, upon the cold turf he
Contented lay, with list'ning care;
And though no stranger company,
Or lonely traveller rested there;
Old Trim was pleas'd to guard it still,
For 'twas his aged master's will;--
And so pass'd on the chearful night and day,
'Till the poor Shepherd's Dog, was very old, and grey.


IV.

Among the villagers was he
Belov'd by all the young and old,
For he was chearful company,
When the north-wind blew keen and cold;
And when the cottage scarce was warm,
While round it flew, the midnight storm,
When loudly, fiercely roll'd the swelling tide--
The Shepherd's faithful Dog, crept closely by his side.


V.

When Spring in gaudy dress would be,

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Edmund Spenser

The Teares of the Muses

Rehearse to me ye sacred Sisters nine:
The golden brood of great Apolloes wit,
Those piteous plaints and sorrowful sad tine,
Which late ye powred forth as ye did sit
Beside the siluer Springs of Helicone,
Making your musick of hart-breaking mone.
For since the time that Phoebus foolish sonne
Ythundered through Ioues auengefull wrath,
For trauersing the charret of the Sunne
Beyond the compasse of his pointed path,
Of you his mournfull Sisters was lamented,
Such mournfull tunes were neuer since inuented.

Nor since that faire Calliope did lose
Her loued Twinnes, the dearlings of her ioy,
Her Palici, whom her vnkindly foes
The fatall Sisters, did for spight destroy,
Whom all the Muses did bewaile long space;
Was euer heard such wayling in this place.

For all their groues, which with the heauenly noyses,
Of their sweete instruments were wont to sound,
And th' hollow hills, from which their siluer voyces
Were wont redoubled Echoes to rebound,
Did now rebound with nought but rufull cries,
And yelling shrieks throwne vp into the skies.

The trembling streames, which wont in chanels cleare
To romble gently downe with murmur soft,
And were by them right tunefull taught to beare
A Bases part amongst their consorts oft;
Now forst to ouerflowe with brackish teares,
With troublous noyse did dull their daintie eares.

The ioyous Nymphes and lightfoote Faeries
Which thether came to heare their musick sweet,
And to the measure of their melodies
Did learne to moue their nimble shifting feete;
Now hearing them so heauily lament,
Like heauily lamenting from them went.

And all that els was wont to worke delight
Through the diuine infusion of their skill,
And all that els seemd faire and fresh in sight,
So made by nature for to serue their will,
Was turned now to dismall heauinesse,
Was turned now to dreadfull vglinesse.

Ay me, what thing on earth that all thing breeds,
Might be the cause of so impatient plight?

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Lady Lynda

Lady lady lady lady
Wont you come here and lie lady lynda with me
We can lie in the green canyon meadows
And well hear the birds sing in the spring
Dont you know if you;ll stay lady lynda with me
We can talk about love everafter
When you lie lady lynda with me
Lynda, wont you say that we can be near
Cannot deny thereve been hard times
Darlin, evolution is drawing us near
Look in my eyes whoa
Lynda, wont you say that I am your man
Your lips are dry (? ) its all in his past
But darlin, evolution is drawing us near
Lie lady lie
Oooh lady wont you lie lady
Now wont you stay lady lynda with me
We can talk about love everafter
When you lie lady lynda with me
Ohh lady wont you lie lady
Wont you ooh lady wont you stay lady with me
When you lie lady lynda
Come along with me
Ohh lady wont you lie lady
Wont you lie with me
Darlin you know you make my heart sing
Wont you come along and sing a song
Sing the sound of love
Ohh lady wont you lie lady
Wont you lie with me
Darlin your love is like the coming spring
Wont you come along and sing a song
Sing the song my love
Ohh lady wont you lie lady
Wont you lie with me darlin your love is like the coming spring
Wont you come along and sing a song
Sing the song my love
Ohh lady wont you lie lady
Wont you lie with me
Darlin your love is like the coming spring
Wont you come along and sing a song
Sing the song my love
Ooh lady wont you lie lady wont you marry me

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You Wont See Me Tonight

[nas] + (timbaland)
(what? ) ever been in love? (cmon)
Yeah.. are you ready? (uhh) for somethin real?
(say what? ) cause it cant be fake
This aint no game (cmon)
You gotta be wit me, for real (uh-huh)
Cause its real out here (uh-huh)
So make up your mind, cause I aint got no time
Yknow? (cmon)
[nas]
Im the most wanted baby fathe, save the drama
We toast when I wine and dine ya -- all you need is me
I wont stress you but bless you
Mentally and sexual, we both intellectual
Cant forget how I met you;
You thought I was a boxer -- prince nasim
But Im the mobster -- nas from queens
And when I gotcha - you ridin with me
You keep askin, when do you have time for me?
Im never free always on the move, bidness oriented
Lifestyle expensive, attract women
You wanna search my pockets, and act all wild
Say I hurt your heart - ask how could I smile?
Wanna call back all my numbers - star 6-9 me
Check my car for rubbers, but quit tryin
Before you find what you lookin for and get to cryin
You always sayin what you gon do if you catch me lyin
Chorus one: aaliyah + (timbaland) + [nas]
You wont see me tonight [yeah right] (say what? say what? )
You wont see me tomorrow [uh-huh] (uh-huh)
Ill be gone by daylight [doubt that] (what? )
And youll be so full of sorrow [yeah right]
Youll go tell all your friends [thats right] (say what? )
How you called and I follow [they know it]
But you wont see me tonight [you dont believe that]
No you wont see me tomorrow
[nas]
Caramel kisses of jezebels sister
I feel no guilt when I twist ya
Turn the other cheek when I see the next freak witcha
You got your name on his lease, copy his key
Thats your lil spot where you rest your wig peice
Go head and live baby, I know you his lady
You page me, when you got the day free
But I be out with my peeps in them system jeeps
You wanna lay up in the sheets of presidential suites
Like Ill massage you while you massage me, mami
But can you hang with a young man whos doin his thang?
Speak up, I wanna know if you can keep up
Timberland boots for girls, with the tree stump

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The Example of Vertu : Cantos I.-VII.

Here begynneth the boke called the example of vertu.

The prologe.

Whan I aduert in my remembraunce
The famous draughtes of poetes eloquent
Whiche theyr myndes dyd well enhaunce
Bokes to contryue that were expedyent
To be remembred without Impedyment
For the profyte of humanyte
This was the custume of antyquyte.
I now symple and moost rude
And naked in depured eloquence
For dulnes rethoryke doth exclude
Wherfore in makynge I lake intellygence
Also consyderynge my grete neglygence
It fereth me sore for to endyte
But at auenture I wyll now wryte.
As very blynde in the poetys art
For I therof can no thynge skyll
Wherfore I lay it all a part
But somwhat accordynge to my wyll
I wyll now wryte for to fulfyll
Saynt Powles wordes and true sentement
All that is wryten is to oure document
O prudent Gower in langage pure
Without corrupcyon moost facundyous
O noble Chauser euer moost sure
Of frutfull sentence ryght delycyous
O vertuous Lydgat moche sentencyous
Unto you all I do me excuse
Though I your connynge do now vse
Explicit prologus.

Capitulum Primsi.
In Septembre in fallynge of the lefe
Whan phebus made his declynacyon
And all the whete gadred was in the shefe
By radyaunt hete and operacyon
Whan the vyrgyn had full domynacyon
And Dyane entred was one degre
Into the sygne of Gemyne
Whan the golden sterres clere were splendent
In the firmament puryfyed clere as crystall
By imperyall course without incombrement
As Iuppyter and Mars that be celestyall
With Saturne and Mercury that wer supernall
Myxt with venus that was not retrograte
That caused me to be well fortunate
In a slombrynge slepe with slouth opprest

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Wont Be Long

(j. l. mcfarland)
Baby, here I am
A-by the railroad track
Oh, waitin for my baby
Hes a-comin back
A-comin back to me
On 5:03, eah
And it wont be long, no, no
It wont a-be long
I get so lonesome
Since hes been gone
There aint a thing worth mentioning
No, a-been goin on
And thats a-why I know
When the whistle blows, yeah
And it wont be long, no, no
It wont be long
My daddy told me
When he said goodbye, yes he did
Ill be back, baby
Oh, baby, bye and bye
Thats why Ive waited
So doggone long, yeah
A-cant you see how happy I am
Because my man is a-comin back?
So now here Ill be
A-by the railroad track
Oh, waitin for my baby, yeah
Hes a-comin back
A-comin back to me
On 5:03, hey
And it wont be long, no, no
It wont a-be long
I aint had no lovin
Since you know when
Hes a lonesome old rooster
And Im a lonesome hen
Thats a-why I know, yeah
When the whistle blows, yeah
And it wont a-be long, no, no
It wont be long
Mmm, Im so excited
My knees are shakin, yeah
Mr. engineer, oh, dont you keep me waitin
Hear me tellin you
Hurry, hurry, hurry, hurry, hurry, hurry, hurry, hurry
A-baby, here I am
Oh, by the railroad track, yeah
Waitin for my baby
Hes a-comin back

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Love Wont Take Me Out

I had a love
And I had pain
Best believe
They come hand in hand
Cause Im a soldier
For the love brigade
Im prepared to do battle
With anything
I have control of my life you see
Lets keep it real not to make believe
I wont get caught with my foot in my mouth
And I wont let love take me out
I have the power to do as I please
I take the blows and I do it with ease
I dish it out very hard theres no doubt
And I wont let love take me out
I had to be
A fool indeed
To let someone
Break me down to my knees
I was wreckless
With my heart you see
Theres no rule for that in my world
And yet thats plan
Say bye bye to the teary brown eyes
And the big sad face with an upside down smile
Its so beneath me its so beneath
Say bye bye to the meaningless days
And the loneliest nights
Just wasting my mind
Its so beneath me it cant control me
I have control of my life you see
Lets keep it real not to make believe
I wont get caught with my foot in my mouth
And I wont let love take me out
I have the power to do as I please
I take the blows and I do it with ease
I dish it out very hard theres no doubt
And I wont let love take me out
I have control of my life you see
Lets keep it real not to make believe
I wont get caught with my foot in my mouth
And I wont let love take me out
I have the power to do as I please
I take the blows and I do it with ease
I dish it out very hard theres no doubt
And I wont let love take me out
Wont take me out wont take me out
Wont take me out wont take me out
Wont take me out wont take me out

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Hey You, On The Phone

You,
On the phone...
You can be much more than what I see,
But you wont.
You can be much better than just 'be',
To condone.
But you wont,
And you don't.
But you wont,
And you don't.
But you wont,
And you don't.

Hey you,
On the phone...
You can be much more than what I see,
But you wont.
You can be much better than just 'be',
To condone.
But you wont,
And you don't.
But you wont,
And you don't.
But you wont,
And you don't.

All you want to do is stomp around and rock.
And,
Talk on the phone.
Or text mess. at home.

All you want to do is groan and shock a lot.
And,
Talk on the phone.
Or text mess. at home.
And,
Turn away to turn your back...
On something someone ask you to do.
Yes you do.
But...
You want someone there who just can't get there quicker for you.
Yes you do.

Yes you,
On the phone...
You can be much more than what I see,
But you wont.
You can be much better than just 'be',
To condone.
But you wont,

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The Mother's Lesson

Come hither an' sit on my knee, Willie,
Come hither an' sit on my knee,
An' list while I tell how your brave brither fell,
Fechtin' for you an' for me:
Fechtin' for you an' for me, Willie,
Wi' his guid sword in his han'.
Hech, but ye'll be a brave man, Willie,
Hech, but ye'll be a brave man!


Ye min' o' your ain brither dear, Willie,
Ye min' o' your ain brither dear,
How he pettled ye aye wi' his pliskies an' play,
An' was aye sae cantie o' cheer:
Aye sae cantie o' cheer, Willie,
As he steppit sae tall an' sae gran',
Hech, but ye'll be a brave man, Willie,
Hech, but ye'll be a brave man.


D'ye min' when the bull had ye doun, Willie,
D'ye min' when the bull had ye doun?
D'ye min' wha grippit ye fra the big bull,
D'ye min' o' his muckle red woun'?
D'ye min' o' his muckle red woun', Willie,
D'ye min' how the bluid doun ran?
Hech, but ye'll be a brave man, Willie,
Hech, but ye'll be a brave man.


D'ye min' when we a' wanted bread, Willie,
the year when we a' wanted bread?
How he smiled when he saw the het parritch an' a',
An' gaed cauld an' toom to his bed:
Gaed awa' toom to his bed, Willie,
For the love o' wee Willie an' Nan?
Hech, but ye'll be a brave man, Willie,
Hech, but ye'll be a brave man!


Next simmer was bright but an' ben, Willie,
Next simmer was bright but an' ben,
When there cam a gran' cry like a win' strang an' high
By loch, an' mountain, an' glen:
By loch, an' mountain, an' glen, Willie,
The cry o' a far forrin lan',
An' up loupit ilka brave man, Willie,
Up loupit ilka brave man.

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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They Wont See You

Lets have a party, lets go insane
Lets dance and party, out in the rain
Lets tell the crew, weve broken their brains
I know they will laugh, until they get sick
Theyre caught in the act, stuck in the thick
Lets go to the warsaw and try to find peace
Lets call up the queen and bother her niece
Lets really drink up and pile on the crease
They say youll be back,
But dont come too near
They have the attack if you disappear
But they wont see you
(the wont see you)
I said they wont see you
(they wont see you)
They wont see you
(they wont see you)
Lets have a trauma, lets have a shock
Lets stare at the tv and relate to spock
Lets never answer the novelty knock
They get so upset when you come around
They wont let you forget until you come down
They wont see you (they wont see you)
I said they wont see you (they wont see you)
They wont see you (they wont see you)
I said they wont see you (they wont see you)
They wont see you (they wont see you)
They wont see you, they wont see you

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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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The Flower And The Leaf

When that Phebus his chaire of gold so hy
Had whirled up the sterry sky aloft,
And in the Bole was entred certainly;
Whan shoures swete of rain discended soft,
Causing the ground, felë tymes and oft,
Up for to give many an hoolsom air,
And every plain was [eek y-]clothed fair

With newe grene, and maketh smalë floures
To springen here and there in feld and mede;
So very good and hoolsom be the shoures
That it reneweth, that was old and deede
In winter-tyme; and out of every seede
Springeth the herbë, so that every wight
Of this sesoun wexeth [ful] glad and light.

And I, só glad of the seson swete,
Was happed thus upon a certain night;
As I lay in my bed, sleep ful unmete
Was unto me; but, why that I ne might
Rest, I ne wist; for there nas erthly wight,
As I suppose, had more hertës ese
Than I, for I n'ad siknesse nor disese.

Wherfore I mervail gretly of my-selve,
That I so long, withouten sleepë lay;
And up I roos, three houres after twelve,
About the [very] springing of the day,
And on I put my gere and myn array;
And to a plesaunt grovë I gan passe,
Long or the brightë sonne uprisen was,

In which were okës grete, streight as a lyne,
Under the which the gras, so fresh of hew,
Was newly spronge; and an eight foot or nyne
Every tree wel fro his felawe grew,
With braunches brode, laden with leves new,
That sprongen out ayein the sonnë shene,
Som very rede, and som a glad light grene;

Which, as me thought, was right a plesaunt sight.
And eek the briddes song[ës] for to here
Would have rejoised any erthly wight.
And I, that couth not yet, in no manere,
Here the nightingale of al the yere,
Ful busily herkned, with herte and ere,
If I her voice perceive coud any-where.

And at the last, a path of litel brede
I found, that gretly had not used be,

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The Quintet of Revelations

Part 1: The Mystic Man

In the beginning
The world was a dark colorless wasteland
Lightning littered the sky in dark clouds
A mystical being creates life surrounded by shroud

The Mystic Man makes light
The Mystic Man makes night
The Mystic Man makes wrong
The Mystic Man makes right
The world is now surrounded by light and night

Lightning strikes fertile soil creating plants
Green is the first color created by the Mystic Man
Drawing a bone from his ribs he makes man
The world is growing surrounded by light and night

The Mystic Man commands the man
Showing him how to use the land
Which was made by the Mystic Man
The Mystic Man lets the man understand
How to use his holy land

Finally the man understands
And is granted a woman by the Mystic Man
A woman to help him take care of the land
The land that was shaped by the Mystic Man

Together the woman and the man
Take care of the Mystic Man’s holy land
In peace and prosperity they use the land
To make a great family
The beginning of man

For two hundred years
They farmed that land
The land formed by the Mystic Man
They found the first civilization of man

Part 2: The Man of Darkness

Ten thousand years
After the first woman and man
And the making of the land by the Mystic Man
A Man of Darkness rises from the depths
To spread terror and fear to mortal man

This Man of Darkness has no mercy
This Man of Darkness has no love

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