Bridgework - 1396 - Variant of As Artist Poet 0986 and Creative Perceptions 1306
Artists palette, paints, prepare,
poets channel insight rare.
One canvas fills, one paper inks,
imagination interlinks.
Each respective stream compares
perceptions, self-respecting, thinks
perspectives sensitively, shares
intuitive fruition, links
symphonic patterns, well aware
individuals everywhere
sense beauty way beyond time's brink,
horizons widen, never shrink.
Images accompany
free originality.
(7 May 2008)
poem by Jonathan Robin
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Related quotes
Creative Perceptions
Artist appropriate palette prepares
as poet intuitive channels and shares -
perceptions highlighted in paint or in rhyme,
on screen, paper, canvas, [b]rushed, touched outside Time.
Each reaches out writing, foresighting, prepares
stalls [f]rigid for music of spirit sublime.
But few can interpret the talent they praise
in the style of an artist in true paraphrase.
(24 September 2005 robi03_1306)
Bridgework
Artists palette, paints, prepare,
poets channel insight rare.
One canvas fills, one paper inks,
imagination interlinks.
Each respective stream compares
perceptions, self-respecting, thinks
perspectives sensitively, shares
intuitive fruition, links
symphonic patterns, well aware
individuals everywhere
sense beauty way beyond time's brink -
horizons widen, never shrink.
Images accompany
free originality.
(7 May 2008 variant of As Artist, Poet robi03_1396_robi03_0986 16 February 2002 robi03_0986 and also variant of Creative Perceptions
24 September 2005 robi03_1306_robi03_0986)
As Artist, Poet
As artists palette, paints, prepare
so poets channel insight rare.
One canvas fills, one paper inks,
the foremost and the least of links.
Both tune respective streams, compare
perspective, sensitively share
where, true to self there neither sinks
as each through intuitions thinks
the way to harmony, aware
that perfect strangers anywhere
may beauty sense beyond time's brink -
horizons widen, never shrink.
Both pictures form, accompany
creative thrust with spirit free.
[...] Read more
poem by Jonathan Robin
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Polka Patterns
Everywhere, I see them there
I stop and stare at patterns
I dont care, I must declare
Ive got a flair for patterns
On my hair, the clothes I wear
My savoir faire is patterns
All I see is patterns
The patterns that repeat
Lets go into the bathroom
I know were in a room where you would not expect much math
Usually youre in here for a shower or a bath
But if you gaze upon the floor, and if youre kinda smart
Youll see the repetition is like geometric art
Wow, haha
Look
Everywhere, I see them there
I stop and stare at patterns
I dont care, I must declare
Ive got a flair for patterns
On my hair, the clothes I wear
My savoir faire is patterns
All I see is patterns
The patterns that repeat
Hey!
A polkameister like myself never has to be bored
I just grab my ax and play some patterns on my keyboard
Nows the time for earplugs if you care about your health
So stand back, everybody, Im gonna express myself
Look at this, patterns
Ive got blisters on my fingers
Woo, hey, aw, get down
Yeah, help me, somebody, woo
Still there? okay
Next time you find yourself at an exciting polka party
You can make some patterns with your feet and with your body
If you dont know the steps yet, heres the gang with all the answers
Ladies and gentlemen, introducing, the weird al polka dancers
Here they are
Everywhere, we see them there
We stop and stare at patterns
We dont care, we must declare
Weve got a flair for patterns
On our hair, the clothes we wear
Our savoir faire is patterns
All we see is patterns
The patterns that repeat
Wallpaper, skyscrapers, funny papers, patterns
Evergreens, nouvelle cuisine, human beings, patterns
Garden rakes, wedding cakes, rattlesnakes, patterns
Golden wheat, little feet, my heartbeat
[...] Read more
song performed by Weird Al Yankovic
Added by Lucian Velea
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0005 Totally Boring Poem
I’m totally bored by:
poems that sound like other poems
poems that try to sound unlike any other poems
poets who never take risks
poets who think that taking risks
makes them good poets
poems with 'meaning'
poems with no meaning
poets who slag off other poets
as if that achieves something
poets that tell you that rhyme
is not for an age but for all time
poets that tell you that rhyme is outmoded and boring
poets who think that the poetry of 'the past'
is greater than that of 'the present'
poets who think that the poetry of 'the present'
is greater than that of 'the past'
poems that tell you the poet's the first to discover sex
poets that tell you they’re the best sex you’ll ever have
although you’ll never meet them to find out
poets that tell you they’ve been dumped
poets who've never known love and being dumped
poets who are ambitious
poets who are unambitious
poets who tell you all about higher things
poets who reject higher things
poets who think life’s just a joke
poets who think life’s no joke
[...] Read more
poem by Michael Shepherd
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Stranger in Strange Crowd
STRANGER IN STRANGE CROWD
Dreams stranger’s path divide
from crowd’s uneven t[h]read
who's tissue, issues poorly understood, through dread
is left behind, swirls second rate as flotsam on life's tide,
noise windmills, senses silent, life-blood sped,
bled white, so often fearing fear, by wisdom wide,
unblessed, unsteady set sights low instead.
Despite stress, sentiments denied, imagination set aside,
stranger story stores till head heeds heart, until desires well led
fire understanding rich allied with empathy sustaining ride.
Swift Pegasus is supplied
with neither saddle, A to Zed accoutrements life tears to shreds
when vested interests, motives pure collide.
Defy temptations of soft ride
along straight road which, comfort fed,
selects ‘safe way’, too often dreads
free choice, autonomy. Self-pride
corresponds to quest for bread.
Distrust that moment Fortune’s tide
entwines in fickle thread
conformity, convention wed.
Scorn empty homage, those who glide
through vain p[l]ain life, misled.
Survival instinct, safe homestead, a ‘living wage’, priorities
appear, as opportunities to seize as each spins finite set
tripped, snipped, then ripped by Norms with ease.
Far from madding crowd who dares assign
himself true rôle in life, who thinks,
who sifts chaff, grain, drains lees from wine, palms pearls from swine?
Who, intact, acts and interacts, discerning fiction, facts,
opposes expedience, authority which hoodwinks
manipulated herd unheard, which lacks
true overview impartial, thus reacts
rather than responds, its armour: chinks.
On each new generation weigh rigid systems spawned by Fate unkind.
As pawns most men play puppet parts in Time’s relay game of tiddly-winks.
Is search for self through mirrored minds
just base reflection on sight lost?
Insisting on base ‘skills’ man finds
intuitions atrophy - cost
[...] Read more
poem by Jonathan Robin
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Healthy Back Bag
animated bag of chips
amor dive bag
american eagle outfitters bags
ambag poly bags wholesale
american airlines bag limits
american beauty plastic bag theme mp3
amf bowling bag
aluminum tab weave bag
ampac tote bags
american trails atv bag
american tourister bonneville ii garment bag
alt ieri bassoon bag
almond flavored tea bags
ameribag shoulder bags
a mco saddel bags 1977
an enema bag for men
amulet bag book
analyse art falconers bag
amy butler sweet life bag
alto sax bag
alpha kappa alpha diva tote bag
amylou bag in eureka ca
ani hand bags
american west rodeo bags
amex insurance for delayed bags
an interchangeable foundation bag
al verio martini bags
animal bag mp3
american trail ventures atv cargo bags
aluminium coated plastic bags
amy butlet runaway bag pattern
angel bag
animae bop bag
allowed to carry on garment bag
a nimal bag print tote
an imal overnight bag
aloksak bags
amz bag fun src
ameribag microfiber bag
american tourister laptop bag
allied waste service blue bags
american indian medicine bags
alternative to plastic trash bags
amish buggy bag
alpha poly bag
ammo shoulder bag
american sign language tote bags
animated gif people with hand bags
amazing bag grace pipe
altieri bags
[...] Read more
poem by Rwetewrt Erwtwer
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As Artist Poet 0986 Current Variant of Bridgework and of Creative Perceptions
As artists palette, paints, prepare
so poets channel insight rare.
One canvas fills, one paper inks,
the foremost and the least of links.
Both tune respective streams, compare
perspective, sensitively share
where, true to self there neither sinks
as each through intuitions thinks
the way to harmony, aware
that perfect strangers anywhere
may beauty sense beyond time's brink,
horizons widen, never shrink.
Both pictures form, accompany
creative thrust with spirit free.
(7 May 2008)
poem by Jonathan Robin
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A War Song to Englishmen
Prepare, prepare the iron helm of war,
Bring forth the lots, cast in the spacious orb;
Th' Angel of Fate turns them with mighty hands,
And casts them out upon the darken'd earth!
Prepare, prepare!
Prepare your hearts for Death's cold hand! prepare
Your souls for flight, your bodies for the earth;
Prepare your arms for glorious victory;
Prepare your eyes to meet a holy God!
Prepare, prepare!
Whose fatal scroll is that? Methinks 'tis mine!
Why sinks my heart, why faltereth my tongue?
Had I three lives, I'd die in such a cause,
And rise, with ghosts, over the well-fought field.
Prepare, prepare!
The arrows of Almighty God are drawn!
Angels of Death stand in the louring heavens!
Thousands of souls must seek the realms of light,
And walk together on the clouds of heaven!
Prepare, prepare!
Soldiers, prepare! Our cause is Heaven's cause;
Soldiers, prepare! Be worthy of our cause:
Prepare to meet our fathers in the sky:
Prepare, O troops, that are to fall to-day!
Prepare, prepare!
Alfred shall smile, and make his harp rejoice;
The Norman William, and the learnèd Clerk,
And Lion Heart, and black-brow'd Edward, with
His loyal queen, shall rise, and welcome us!
Prepare, prepare!
poem by William Blake
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As I Sat Alone By Blue Ontario's Shores
AS I sat alone, by blue Ontario's shore,
As I mused of these mighty days, and of peace return'd, and the dead
that return no more,
A Phantom, gigantic, superb, with stern visage, accosted me;
Chant me the poem, it said, that comes from the soul of America--
chant me the carol of victory;
And strike up the marches of Libertad--marches more powerful yet;
And sing me before you go, the song of the throes of Democracy.
(Democracy--the destin'd conqueror--yet treacherous lip-smiles
everywhere,
And Death and infidelity at every step.)
A Nation announcing itself,
I myself make the only growth by which I can be appreciated, 10
I reject none, accept all, then reproduce all in my own forms.
A breed whose proof is in time and deeds;
What we are, we are--nativity is answer enough to objections;
We wield ourselves as a weapon is wielded,
We are powerful and tremendous in ourselves,
We are executive in ourselves--We are sufficient in the variety of
ourselves,
We are the most beautiful to ourselves, and in ourselves;
We stand self-pois'd in the middle, branching thence over the world;
From Missouri, Nebraska, or Kansas, laughing attacks to scorn.
Nothing is sinful to us outside of ourselves, 20
Whatever appears, whatever does not appear, we are beautiful or
sinful in ourselves only.
(O mother! O sisters dear!
If we are lost, no victor else has destroy'd us;
It is by ourselves we go down to eternal night.)
Have you thought there could be but a single Supreme?
There can be any number of Supremes--One does not countervail
another, any more than one eyesight countervails another, or
one life countervails another.
All is eligible to all,
All is for individuals--All is for you,
No condition is prohibited--not God's, or any.
All comes by the body--only health puts you rapport with the
universe. 30
Produce great persons, the rest follows.
[...] Read more
poem by Walt Whitman
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Rubaiyat Of A Robin - After Edward Fitzgerald - Rubaiyat Of Omar Khayyam
Jest plays with rubaiyat and, four by four,
unseals for your amusement more and more
verses together thread in rosary
unreeled to bloom till tomb will curtains draw.
Repealed are value judgement and perspective
revealed through standpoint purely introspective,
darkside concealed of moon’s yin-yang shines clear
when we’re in orbit, - option more effective.
Rolled form performs rôle midwife to perception,
sprung tongue in cheek, tweaks sense of imperfection
or willingness to leach between the lines,
impeach entrenched ideas of self-[s]election.
This prose arose as stream deprived of section,
where ‘dip at will’ will still sustain inspection,
the current’s sense, at odds with current views
ignores round holes, square pegs, top-down direction.
Here there’s no fear of critics’ peer rejection,
contention treated with due circumspection
intention is to mention for retention
an overview or clue to extrospection.
Life’s curtains are a veil through which few see,
as many haste taste-waste eternity,
mixed up, ignore life fixes finite sum
to/through infinite opportunity.
Can “Truth” exist? all ask, who seek its core,
we, modest, etch our words to sketch the score,
diverse the verses which converge to link
reflections mirrored many times before.
Vast content, style, a while, united are,
aim at soul stimulation, nothing bar,
to pleasure, treasure, or discard at will
as minds outreach to other minds on par.
Meditating, we shed light on what
tomorrow’s tot may factor into ‘bot’ -
the poet’s lot, forgot, to help all think
ahead of time, enhance life for a lot
Some seek Nirvana, Faith speaks more than “how”.
Others reject Salvation’s wraith, - w[h]ine “now”.
Verifying facts? Inventing dreams?
Each furrow-burrows with a different plough.
[...] Read more
poem by Jonathan Robin
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The Four Seasons : Summer
From brightening fields of ether fair disclosed,
Child of the Sun, refulgent Summer comes,
In pride of youth, and felt through Nature's depth:
He comes attended by the sultry Hours,
And ever fanning breezes, on his way;
While, from his ardent look, the turning Spring
Averts her blushful face; and earth, and skies,
All-smiling, to his hot dominion leaves.
Hence, let me haste into the mid-wood shade,
Where scarce a sunbeam wanders through the gloom;
And on the dark-green grass, beside the brink
Of haunted stream, that by the roots of oak
Rolls o'er the rocky channel, lie at large,
And sing the glories of the circling year.
Come, Inspiration! from thy hermit-seat,
By mortal seldom found: may Fancy dare,
From thy fix'd serious eye, and raptured glance
Shot on surrounding Heaven, to steal one look
Creative of the Poet, every power
Exalting to an ecstasy of soul.
And thou, my youthful Muse's early friend,
In whom the human graces all unite:
Pure light of mind, and tenderness of heart;
Genius, and wisdom; the gay social sense,
By decency chastised; goodness and wit,
In seldom-meeting harmony combined;
Unblemish'd honour, and an active zeal
For Britain's glory, liberty, and Man:
O Dodington! attend my rural song,
Stoop to my theme, inspirit every line,
And teach me to deserve thy just applause.
With what an awful world-revolving power
Were first the unwieldy planets launch'd along
The illimitable void! thus to remain,
Amid the flux of many thousand years,
That oft has swept the toiling race of men,
And all their labour'd monuments away,
Firm, unremitting, matchless, in their course;
To the kind-temper'd change of night and day,
And of the seasons ever stealing round,
Minutely faithful: such the All-perfect hand!
That poised, impels, and rules the steady whole.
When now no more the alternate Twins are fired,
And Cancer reddens with the solar blaze,
Short is the doubtful empire of the night;
And soon, observant of approaching day,
The meek'd-eyed Morn appears, mother of dews,
At first faint-gleaming in the dappled east:
Till far o'er ether spreads the widening glow;
And, from before the lustre of her face,
[...] Read more
poem by James Thomson
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Good Poets and Bad Poets
Some poets get awards and think they are good poets.
Some poets never get awards and think they are bad poets.
Some poets think they are good poets only in their own mind
Some poets think they are bad poets in somebody's else mind.
Some poets think they are good poets in somebody else mind.
Some poets think others think they are good poets but they don't in their hearts.
Some poets think they are good poets in their hearts but not in anyone else's mind.
All are insecure, except those who get security from the opinions of others and that, alas, doesn't last and isn't real.
Some poets have left the entire scene and live only in their mind.
Some poets take criticism and don't mind.
Some poets avoid criticism and do mind.
Some poets write poetry to get love.
Some poets love to write poetry.
Some poets are ahead of their time, in their mind
Some poets spend a lifetime feeling like failures in their mind
Some poets live only after they die.
Some poets have much to say but can't articulate
Some poets retreat, believing others don't understand
So which one of these am I?
I guess I am all of these and none of these
and no matter what my description
I intend to keep doing what I do:
Write. Right
poem by Lonnie Hicks
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As Artist Poet 0986 Initial Version Variant of Bridgework - 1396 and Creative Perceptions 1306
As artists palette, paints, prepare
so poets insight channel, air:
one canvas fills, one paper inks,
the foremost and the least of links.
Both tune respective streams with rare
sensitive perspective, care.
When true to self then neither sinks
as each through intuitions thinks
the way to harmony, to share
with perfect strangers anywhere
how beauty may beyond the brink
horizons widen, never shrink.
Both pictures form, accompany
creative thrust with spirit free.
(16 July 2002)
poem by Jonathan Robin
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The Four Seasons : Spring
Come, gentle Spring! ethereal Mildness! come,
And from the bosom of yon dropping cloud,
While music wakes around, veil'd in a shower
Of shadowing roses, on our plains descend.
O Hertford, fitted or to shine in courts
With unaffected grace, or walk the plain
With innocence and meditation join'd
In soft assemblage, listen to my song,
Which thy own Season paints; when Nature all
Is blooming and benevolent, like thee.
And see where surly Winter passes off,
Far to the north, and calls his ruffian blasts:
His blasts obey, and quit the howling hill,
The shatter'd forest, and the ravaged vale;
While softer gales succeed, at whose kind touch,
Dissolving snows in livid torrents lost,
The mountains lift their green heads to the sky.
As yet the trembling year is unconfirm'd,
And Winter oft at eve resumes the breeze,
Chills the pale morn, and bids his driving sleets
Deform the day delightless: so that scarce
The bittern knows his time, with bill ingulf'd,
To shake the sounding marsh; or from the shore
The plovers when to scatter o'er the heath,
And sing their wild notes to the listening waste
At last from Aries rolls the bounteous sun,
And the bright Bull receives him. Then no more
The expansive atmosphere is cramp'd with cold
But, full of life and vivifying soul,
Lifts the light clouds sublime, and spreads then thin,
Fleecy, and white, o'er all-surrounding heaven.
Forth fly the tepid airs: and unconfined,
Unbinding earth, the moving softness strays.
Joyous, the impatient husbandman perceives
Relenting Nature, and his lusty steers
Drives from their stalls, to where the well used plough
Lies in the furrow, loosen'd from the frost.
There, unrefusing, to the harness'd yoke
They lend their shoulder, and begin their toil,
Cheer'd by the simple song and soaring lark.
Meanwhile incumbent o'er the shining share
The master leans, removes the obstructing clay,
Winds the whole work, and sidelong lays the glebe
While through the neighbouring fields the sowe stalks,
With measured step, and liberal throws the grain
Into the faithful bosom of the ground;
The harrow follows harsh, and shuts the scene.
Be gracious, Heaven! for now laborious Man
Has done his part. Ye fostering breezes, blow!
Ye softening dews, ye tender showers, descend!
[...] Read more
poem by James Thomson
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Eternal Golden Braid - Escher, Gödel, Bach
Escher, Gödel, Bach, together
make mind's music tempo weather
form to storm blocks, light as feather
turn constraints most, far less clever,
see as strictures which tight tether,
not as pictures hell-for-leather
spirit lead to question whether
constancy's illusion ever.
Patterns into patterns weaving
both deceiving, undeceiving,
here perception sees stairs leaving
there inspection stares, seize cleaving.
Somehow someone reconciling
forwards, back, and time a-whiling,
motion into more compiling,
starts ball rolling inwards smiling
outwards treadmills single-filing
round in circles never riling,
ever onwards as the aisle in
fact or fiction sets key styling.
As impressions artist wording
so the poet, insight girding
paints life's canvas sixth sense herding
into bridge for future wording.
Mind unwinding never minding
dizzy blinding reels from binding
backwards grinding, from behinding,
springs forth for a fourth time binding
far horizons, nearness, finding
that perceptions interwinding
vision skew to keep reminding
constantly of traces grinding.
Keeping tabs on locomotion
through a tableau that commotion
seems, in turmoil, senseless ocean,
stems from structure's subtle potion.
Thus confusion into fusion
tracks intact design solution
ends, means melds without intrusion
'spite apparent convolution,
inks links' thinklings in profusion
to coherency's conclusion
in a trice as revolution
follows former revolution.
[...] Read more
poem by Jonathan Robin
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World Word Canvas
Artists palette, paints, prepare
poets channel insight rare,
canvas filling, paper inking,
imagination's magic thinking
linking their respective streams
compared perspectives, shared agleam,
imagination catalyzed,
creativity uncompromised.
(16 June 2012)
poem by Jonathan Robin
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A Fable For Critics
Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'
Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.
Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,
[...] Read more
poem by James Russell Lowell
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The Columbiad: Book I
The Argument
Natives of America appear in vision. Their manners and characters. Columbus demands the cause of the dissimilarity of men in different countries, Hesper replies, That the human body is composed of a due proportion of the elements suited to the place of its first formation; that these elements, differently proportioned, produce all the changes of health, sickness, growth and decay; and may likewise produce any other changes which occasion the diversity of men; that these elemental proportions are varied, not more by climate than temperature and other local circumstances; that the mind is likewise in a state of change, and will take its physical character from the body and from external objects: examples. Inquiry concerning the first peopling of America. View of Mexico. Its destruction by Cortez. View of Cusco and Quito, cities of Peru. Tradition of Capac and Oella, founders of the Peruvian empire. Columbus inquires into their real history. Hesper gives an account of their origin, and relates the stratagems they used in establishing that empire.
I sing the Mariner who first unfurl'd
An eastern banner o'er the western world,
And taught mankind where future empires lay
In these fair confines of descending day;
Who sway'd a moment, with vicarious power,
Iberia's sceptre on the new found shore,
Then saw the paths his virtuous steps had trod
Pursued by avarice and defiled with blood,
The tribes he foster'd with paternal toil
Snatch'd from his hand, and slaughter'd for their spoil.
Slaves, kings, adventurers, envious of his name,
Enjoy'd his labours and purloin'd his fame,
And gave the Viceroy, from his high seat hurl'd.
Chains for a crown, a prison for a world
Long overwhelm'd in woes, and sickening there,
He met the slow still march of black despair,
Sought the last refuge from his hopeless doom,
And wish'd from thankless men a peaceful tomb:
Till vision'd ages, opening on his eyes,
Cheer'd his sad soul, and bade new nations rise;
He saw the Atlantic heaven with light o'ercast,
And Freedom crown his glorious work at last.
Almighty Freedom! give my venturous song
The force, the charm that to thy voice belong;
Tis thine to shape my course, to light my way,
To nerve my country with the patriot lay,
To teach all men where all their interest lies,
How rulers may be just and nations wise:
Strong in thy strength I bend no suppliant knee,
Invoke no miracle, no Muse but thee.
Night held on old Castile her silent reign,
Her half orb'd moon declining to the main;
O'er Valladolid's regal turrets hazed
The drizzly fogs from dull Pisuerga raised;
Whose hovering sheets, along the welkin driven,
Thinn'd the pale stars, and shut the eye from heaven.
Cold-hearted Ferdinand his pillow prest,
Nor dream'd of those his mandates robb'd of rest,
Of him who gemm'd his crown, who stretch'd his reign
To realms that weigh'd the tenfold poise of Spain;
Who now beneath his tower indungeon'd lies,
Sweats the chill sod and breathes inclement skies.
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poem by Joel Barlow
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The Door Of Humility
ENGLAND
We lead the blind by voice and hand,
And not by light they cannot see;
We are not framed to understand
The How and Why of such as He;
But natured only to rejoice
At every sound or sign of hope,
And, guided by the still small voice,
In patience through the darkness grope;
Until our finer sense expands,
And we exchange for holier sight
The earthly help of voice and hands,
And in His light behold the Light.
I
Let there be Light! The self-same Power
That out of formless dark and void
Endued with life's mysterious dower
Planet, and star, and asteroid;
That moved upon the waters' face,
And, breathing on them His intent,
Divided, and assigned their place
To, ocean, air, and firmament;
That bade the land appear, and bring
Forth herb and leaf, both fruit and flower,
Cattle that graze, and birds that sing,
Ordained the sunshine and the shower;
That, moulding man and woman, breathed
In them an active soul at birth
In His own image, and bequeathed
To them dominion over Earth;
That, by whatever is, decreed
His Will and Word shall be obeyed,
From loftiest star to lowliest seed;-
The worm and me He also made.
And when, for nuptials of the Spring
With Summer, on the vestal thorn
The bridal veil hung flowering,
A cry was heard, and I was born.
II
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poem by Alfred Austin
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Nothing Compares 2 U
Lead voice by prince & rosie gaines
Prince: its been 7 hours and 13 days
Since u took your love away
I go out every night and sleep all day
Since u took your love away
Rosie: since youve been gone I can do whatever I want
I can see who ever I choose
Eat my dinner in a fancy restaurant, oh yeah
But nothing, nothing can take away these blues
P & r: nothing compares, nothing compares 2 u
Rosie: oh baby
Prince: its been so lonely without u here
Im like a bird without a song
Nothing can stop this lonely rain from falling
Tell me baby, where did I go wrong?
Rosie: oh baby
I can put my arms around every boy I see, oh yeah
But they only remind me of u
Prince: all my dames remind me of u too girl, oh yeah
Rosie: I went 2 the doctor, guess what he told me
Prince: whatd he tell u?
Rosie: guess what he told me
Prince: Im listening
Rosie: he said, rosie,
Prince: what?
Rosie: try to have fun no matter what u do
Prince: u wanna tell me why?
Rosie: hes a fool
P & r: nothing compares (no), nothing compares 2 u
Rosie: ooh, baby
Prince: tenor man, play it for me
Prince: all the flowers that u planted, sugar
In the backyard all died when u went away
Rosie: ooh baby, I know that living with me baby
Is sometimes hard, sometimes hard
But Im willing, Im willing 2 give it one more try
Prince: one more try
Rosie: please do you know why, do you know why
P & r: nothing compares (no), nothing compares 2 u
Rosie: oh, baby
Prince: everytime I say...
P & r: nothing compares (no), nothing compares 2 u
Prince: rosie gaines
song performed by Prince
Added by Lucian Velea
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A poem, on the rising glory of America
LEANDER.
No more of Memphis and her mighty kings,
Or Alexandria, where the Ptolomies.
Taught golden commerce to unfurl her falls,
And bid fair science smile: No more of Greece
Where learning next her early visit paid,
And spread her glories to illume the world,
No more of Athens, where she flourished,
And saw her sons of mighty genius rise
Smooth flowing Plato, Socrates and him
Who with resistless eloquence reviv'd
The Spir't of Liberty, and shook the thrones
Of Macedon and Persia's haughty king.
No more of Rome enlighten'd by her beams,
Fresh kindling there the fire of eloquence,
And poesy divine; imperial Rome!
Whose wide dominion reach'd o'er half the globe;
Whose eagle flew o'er Ganges to the East,
And in the West far to the British isles.
No more of Britain, and her kings renown'd,
Edward's and Henry's thunderbolts of war;
Her chiefs victorious o'er the Gallic foe;
Illustrious senators, immortal bards,
And wise philosophers, of these no more.
A Theme more new, tho' not less noble claims
Our ev'ry thought on this auspicious day
The rising glory of this western world,
Where now the dawning light of science spreads
Her orient ray, and wakes the muse's song;
Where freedom holds her sacred standard high,
And commerce rolls her golden tides profuse
Of elegance and ev'ry joy of life.
ACASTO.
Since then Leander you attempt a strain
So new, so noble and so full of fame;
And since a friendly concourse centers here
America's own sons, begin O muse!
Now thro' the veil of ancient days review
The period fam'd when first Columbus touch'd
The shore so long unknown, thro' various toils,
Famine and death, the hero made his way,
Thro' oceans bestowing with eternal storms.
But why, thus hap'ly found, should we resume
The tale of Cortez, furious chief, ordain'd
With Indian blood to dye the sands, and choak
Fam'd Amazonia's stream with dead! Or why,
Once more revive the story old in fame,
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poem by Hugh Henry Brackenridge
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