The cautious seldom err.
Confucius in The Confucian Analects
Added by Lucian Velea
1 comment - Comment! | Vote! | Copy!
Related quotes
Canto the Sixteenth
I
The antique Persians taught three useful things,
To draw the bow, to ride, and speak the truth.
This was the mode of Cyrus, best of kings --
A mode adopted since by modern youth.
Bows have they, generally with two strings;
Horses they ride without remorse or ruth;
At speaking truth perhaps they are less clever,
But draw the long bow better now than ever.
II
The cause of this effect, or this defect, --
"For this effect defective comes by cause," --
Is what I have not leisure to inspect;
But this I must say in my own applause,
Of all the Muses that I recollect,
Whate'er may be her follies or her flaws
In some things, mine's beyond all contradiction
The most sincere that ever dealt in fiction.
III
And as she treats all things, and ne'er retreats
From any thing, this epic will contain
A wilderness of the most rare conceits,
Which you might elsewhere hope to find in vain.
'T is true there be some bitters with the sweets,
Yet mix'd so slightly, that you can't complain,
But wonder they so few are, since my tale is
"De rebus cunctis et quibusdam aliis."
IV
But of all truths which she has told, the most
True is that which she is about to tell.
I said it was a story of a ghost --
What then? I only know it so befell.
Have you explored the limits of the coast,
Where all the dwellers of the earth must dwell?
'T is time to strike such puny doubters dumb as
The sceptics who would not believe Columbus.
V
Some people would impose now with authority,
Turpin's or Monmouth Geoffry's Chronicle;
Men whose historical superiority
Is always greatest at a miracle.
But Saint Augustine has the great priority,
Who bids all men believe the impossible,
Because 't is so. Who nibble, scribble, quibble, he
Quiets at once with "quia impossibile."
[...] Read more
poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
Comment! | Vote! | Copy!
Don Juan: Canto The Sixteenth
The antique Persians taught three useful things,
To draw the bow, to ride, and speak the truth.
This was the mode of Cyrus, best of kings--
A mode adopted since by modern youth.
Bows have they, generally with two strings;
Horses they ride without remorse or ruth;
At speaking truth perhaps they are less clever,
But draw the long bow better now than ever.
The cause of this effect, or this defect,--
'For this effect defective comes by cause,'--
Is what I have not leisure to inspect;
But this I must say in my own applause,
Of all the Muses that I recollect,
Whate'er may be her follies or her flaws
In some things, mine's beyond all contradiction
The most sincere that ever dealt in fiction.
And as she treats all things, and ne'er retreats
From any thing, this epic will contain
A wilderness of the most rare conceits,
Which you might elsewhere hope to find in vain.
'Tis true there be some bitters with the sweets,
Yet mix'd so slightly, that you can't complain,
But wonder they so few are, since my tale is
'De rebus cunctis et quibusdam aliis.'
But of all truths which she has told, the most
True is that which she is about to tell.
I said it was a story of a ghost--
What then? I only know it so befell.
Have you explored the limits of the coast,
Where all the dwellers of the earth must dwell?
'Tis time to strike such puny doubters dumb as
The sceptics who would not believe Columbus.
Some people would impose now with authority,
Turpin's or Monmouth Geoffry's Chronicle;
Men whose historical superiority
Is always greatest at a miracle.
But Saint Augustine has the great priority,
Who bids all men believe the impossible,
Because 'tis so. Who nibble, scribble, quibble, he
Quiets at once with 'quia impossibile.'
And therefore, mortals, cavil not at all;
Believe:--if 'tis improbable you must,
And if it is impossible, you shall:
'Tis always best to take things upon trust.
I do not speak profanely, to recall
[...] Read more
The Rosciad
Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.
Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,
[...] Read more
poem by Charles Churchill
Added by Poetry Lover
Comment! | Vote! | Copy!
An Essay on Criticism
Part I
INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.
'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.
'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?
Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.
Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,
[...] Read more
poem by Alexander Pope
Added by Poetry Lover
Comment! | Vote! | Copy!
Henry And Emma. A Poem.
Upon the Model of The Nut-Brown Maid. To Cloe.
Thou, to whose eyes I bend, at whose command
(Though low my voice, though artless be my hand.
I take the sprightly reed, and sing and play,
Careless of what the censuring world may say;
Bright Cloe! object of my constant vow,
Wilt thou a while unbend thy serious brow?
Wilt thou with pleasure hear thy lover's strains,
And with one heavenly smile o'erpay his pains?
No longer shall the Nut-brown Maid be old,
Though since her youth three hundred years have roll'd:
At thy desire she shall again be raised,
And her reviving charms in lasting verse be praised.
No longer man of woman shall complain,
That he may love and not be loved again;
That we in vain the fickle sex pursue,
Who change the constant lover for the new.
Whatever has been writ, whatever said
Henceforth shall in my verse refuted stand,
Be said to winds, or writ upon the sand:
And while my notes to future times proclaim
Unconquer'd love and ever-during flame,
O, fairest of the sex, be thou my muse;
Deign on my work thy influence to diffuse:
Let me partake the blessings I rehearse,
And grant me love, the just reward of verse.
As beauty's potent queen with every grace
That once was Emma's has adorn'd thy face,
And as her son has to my bosom dealt
That constant flame which faithful Henry felt,
O let the story with thy life agree,
Let men once more the bright example see;
What Emma was to him be thou to me:
Nor send me by thy frown from her I love,
Distant and sad, a banish'd man to rove:
But, oh! with pity long entreated crown
My pains and hopes: and when thou say'st that one
Of all mankind thou lovest, oh! think on me alone.
Where beauteous Isis and her husband Thame
With mingled waves for ever flow the same,
In times of yore an ancient baron lived,
Great gifts bestowed, and great respect received.
When dreadful Edward, with successful care
Led his free Britons to the Gallic war,
[...] Read more
poem by Matthew Prior
Added by Poetry Lover
Comment! | Vote! | Copy!
The Bride of Abydos
"Had we never loved so kindly,
Had we never loved so blindly,
Never met or never parted,
We had ne'er been broken-hearted." — Burns
TO
THE RIGHT HONOURABLE LORD HOLLAND,
THIS TALE IS INSCRIBED,
WITH EVERY SENTIMENT OF REGARD AND RESPECT,
BY HIS GRATEFULLY OBLIGED AND SINCERE FRIEND,
BYRON.
THE BRIDE OF ABYDOS
CANTO THE FIRST.
I.
Know ye the land where cypress and myrtle
Are emblems of deeds that are done in their clime,
Where the rage of the vulture, the love of the turtle,
Now melt into sorrow, now madden to crime?
Know ye the land of the cedar and vine,
Where the flowers ever blossom, the beams ever shine;
Where the light wings of Zephyr, oppress'd with perfume,
Wax faint o'er the gardens of Gúl in her bloom; [1]
Where the citron and olive are fairest of fruit,
And the voice of the nightingale never is mute;
Where the tints of the earth, and the hues of the sky,
In colour though varied, in beauty may vie,
And the purple of Ocean is deepest in dye;
Where the virgins are soft as the roses they twine,
And all, save the spirit of man, is divine?
'Tis the clime of the East; 'tis the land of the Sun —
Can he smile on such deeds as his children have done? [2]
Oh! wild as the accents of lovers' farewell
Are the hearts which they bear, and the tales which they tell.
II.
Begirt with many a gallant slave,
Apparell'd as becomes the brave,
Awaiting each his lord's behest
To guide his steps, or guard his rest,
[...] Read more
The Borough. Letter XIX: The Parish-Clerk
WITH our late Vicar, and his age the same,
His clerk, hight Jachin, to his office came;
The like slow speech was his, the like tall slender
frame:
But Jachin was the gravest man on ground,
And heard his master's jokes with look profound;
For worldly wealth this man of letters sigh'd,
And had a sprinkling of the spirit's pride:
But he was sober, chaste, devout and just,
One whom his neighbours could believe and trust:
Of none suspected, neither man nor maid
By him were wrong'd, or were of him afraid.
There was indeed a frown, a trick of state
In Jachin;--formal was his air and gait:
But if he seem'd more solemn and less kind,
Than some light men to light affairs confined,
Still 'twas allow'd that he should so behave
As in high seat, and be severely grave.
This book-taught man, to man's first foe
profess'd
Defiance stern, and hate that knew not rest;
He held that Satan, since the world began,
In every act, had strife with every man;
That never evil deed on earth was done,
But of the acting parties he was one;
The flattering guide to make ill prospects clear;
To smooth rough ways the constant pioneer;
The ever-tempting, soothing, softening power,
Ready to cheat, seduce, deceive, devour.
'Me has the sly Seducer oft withstood,'
Said pious Jachin,--'but he gets no good;
I pass the house where swings the tempting sign,
And pointing, tell him, 'Satan, that is thine:'
I pass the damsels pacing down the street,
And look more grave and solemn when we meet;
Nor doth it irk me to rebuke their smiles,
Their wanton ambling and their watchful wiles:
Nay, like the good John Bunyan, when I view
Those forms, I'm angry at the ills they do;
That I could pinch and spoil, in sin's despite,
Beauties, which frail and evil thoughts excite.
'At feasts and banquets seldom am I found,
And (save at church) abhor a tuneful sound;
To plays and shows I run not to and fro,
And where my master goes, forbear to go.'
No wonder Satan took the thing amiss,
To be opposed by such a man as this -
A man so grave, important, cautious, wise,
[...] Read more
poem by George Crabbe
Added by Poetry Lover
Comment! | Vote! | Copy!
The Hind And The Panther, A Poem In Three Parts : Part II.
“Dame,” said the Panther, “times are mended well,
Since late among the Philistines you fell.
The toils were pitched, a spacious tract of ground
With expert huntsmen was encompassed round;
The inclosure narrowed; the sagacious power
Of hounds and death drew nearer every hour.
'Tis true, the younger lion 'scaped the snare,
But all your priestly calves lay struggling there,
As sacrifices on their altars laid;
While you, their careful mother, wisely fled,
Not trusting destiny to save your head.
For, whate'er promises you have applied
To your unfailing Church, the surer side
Is four fair legs in danger to provide;
And whate'er tales of Peter's chair you tell,
Yet, saving reverence of the miracle,
The better luck was yours to 'scape so well.”
“As I remember,” said the sober Hind,
“Those toils were for your own dear self designed,
As well as me; and with the selfsame throw,
To catch the quarry and the vermin too,—
Forgive the slanderous tongues that called you so.
Howe'er you take it now, the common cry
Then ran you down for your rank loyalty.
Besides, in Popery they thought you nurst,
As evil tongues will ever speak the worst,
Because some forms, and ceremonies some
You kept, and stood in the main question dumb.
Dumb you were born indeed; but, thinking long,
The test, it seems, at last has loosed your tongue:
And to explain what your forefathers meant,
By real presence in the sacrament,
After long fencing pushed against a wall,
Your salvo comes, that he's not there at all:
There changed your faith, and what may change may fall.
Who can believe what varies every day,
Nor ever was, nor will be at a stay?”
“Tortures may force the tongue untruths to tell,
And I ne'er owned myself infallible,”
Replied the Panther: “grant such presence were,
Yet in your sense I never owned it there.
A real virtue we by faith receive,
And that we in the sacrament believe.”
“Then,” said the Hind, “as you the matter state,
Not only Jesuits can equivocate;
For real, as you now the word expound,
From solid substance dwindles to a sound.
Methinks, an Æsop's fable you repeat;
You know who took the shadow for the meat:
Your Church's substance thus you change at will,
[...] Read more
poem by John Dryden
Added by Poetry Lover
Comment! | Vote! | Copy!
The Borough. Letter III: The Vicar--The Curate
THE VICAR.
WHERE ends our chancel in a vaulted space,
Sleep the departed Vicars of the place;
Of most, all mention, memory, thought are past -
But take a slight memorial of the last.
To what famed college we our Yicar owe,
To what fair county, let historians show:
Few now remember when the mild young man,
Ruddy and fair, his Sunday-task began;
Few live to speak of that soft soothing look
He cast around, as he prepared his book;
It was a kind of supplicating smile,
But nothing hopeless of applause the while;
And when he finished, his corrected pride
Felt the desert, and yet the praise denied.
Thus he his race began, and to the end
His constant care was, no man to offend;
No haughty virtues stirr'd his peaceful mind;
Nor urged the Priest to leave the Flock behind;
He was his Master's Soldier, but not one
To lead an army of his Martyrs on:
Fear was his ruling passion; yet was Love,
Of timid kind, once known his heart to move;
It led his patient spirit where it paid
Its languid offerings to a listening Maid:
She, with her widow'd Mother, heard him speak,
And sought awhile to find what he would seek:
Smiling he came, he smiled when he withdrew,
And paid the same attention to the two;
Meeting and parting without joy or pain,
He seem'd to come that he might go again.
The wondering girl, no prude, but something nice,
At length was chill'd by his unmelting ice;
She found her tortoise held such sluggish pace,
That she must turn and meet him in the chase:
This not approving, she withdrew, till one
Came who appear'd with livelier hope to run;
Who sought a readier way the heart to move,
Than by faint dalliance of unfixing love.
Accuse me not that I approving paint
Impatient Hope or Love without restraint;
Or think the Passions, a tumultuous throng,
Strong as they are, ungovernably strong:
But is the laurel to the soldier due,
Who, cautious, comes not into danger's view?
What worth has Virtue by Desire untried,
When Nature's self enlists on Duty's side?
The married dame in vain assail'd the truth
And guarded bosom of the Hebrew youth;
[...] Read more
poem by George Crabbe
Added by Poetry Lover
Comment! | Vote! | Copy!
Table Talk
A. You told me, I remember, glory, built
On selfish principles, is shame and guilt;
The deeds that men admire as half divine,
Stark naught, because corrupt in their design.
Strange doctrine this! that without scruple tears
The laurel that the very lightning spares;
Brings down the warrior’s trophy to the dust,
And eats into his bloody sword like rust.
B. I grant that, men continuing what they are,
Fierce, avaricious, proud, there must be war,
And never meant the rule should be applied
To him that fights with justice on his side.
Let laurels drench’d in pure Parnassian dews
Reward his memory, dear to every muse,
Who, with a courage of unshaken root,
In honour’s field advancing his firm foot,
Plants it upon the line that Justice draws,
And will prevail or perish in her cause.
‘Tis to the virtues of such men man owes
His portion in the good that Heaven bestows.
And, when recording History displays
Feats of renown, though wrought in ancient days,
Tells of a few stout hearts, that fought and died,
Where duty placed them, at their country’s side;
The man that is not moved with what he reads,
That takes not fire at their heroic deeds,
Unworthy of the blessings of the brave,
Is base in kind, and born to be a slave.
But let eternal infamy pursue
The wretch to nought but his ambition true,
Who, for the sake of filling with one blast
The post-horns of all Europe, lays her waste.
Think yourself station’d on a towering rock,
To see a people scatter’d like a flock,
Some royal mastiff panting at their heels,
With all the savage thirst a tiger feels;
Then view him self-proclaim’d in a gazette
Chief monster that has plagued the nations yet.
The globe and sceptre in such hands misplaced,
Those ensigns of dominion how disgraced!
The glass, that bids man mark the fleeting hour,
And Death’s own scythe, would better speak his power;
Then grace the bony phantom in their stead
With the king’s shoulder-knot and gay cockade;
Clothe the twin brethren in each other’s dress,
The same their occupation and success.
A. ‘Tis your belief the world was made for man;
Kings do but reason on the self-same plan:
Maintaining yours, you cannot theirs condemn,
Who think, or seem to think, man made for them.
[...] Read more
poem by William Cowper
Added by Poetry Lover
Comment! | Vote! | Copy!
The Ghost - Book IV
Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;
[...] Read more
poem by Charles Churchill
Added by Poetry Lover
Comment! | Vote! | Copy!
Like a little pot of gold
Kneeling; I pointed out to my child,
Who really as yet doesn't speak?
Look" I said: the sky is wild,
And grey. Look" at its cheek"
Look" deep! The sky has many-a-ray
Many more colors registering,
Here today?
...Retuning...
...With one arm, waving...
He said: eh, err, eh, err, daddy...
He said: eh, err, eh, err, color, daddy...
Like a little pot of gold,
At the end of a rainbow
Wasn't that all... he said?
poem by Mark Heathcote
Added by Poetry Lover
Comment! | Vote! | Copy!
The Parish Register - Part II: Marriages
DISPOSED to wed, e'en while you hasten, stay;
There's great advantage in a small delay:
Thus Ovid sang, and much the wise approve
This prudent maxim of the priest of Love;
If poor, delay for future want prepares,
And eases humble life of half its cares;
If rich, delay shall brace the thoughtful mind,
T'endure the ills that e'en the happiest find:
Delay shall knowledge yield on either part,
And show the value of the vanquish'd heart;
The humours, passions, merits, failings prove,
And gently raise the veil that's worn by Love;
Love, that impatient guide!--too proud to think
Of vulgar wants, of clothing, meat, and drink,
Urges our amorous swains their joys to seize,
And then, at rags and hunger frighten'd, flees:
Yet not too long in cold debate remain;
Till age refrain not--but if old, refrain.
By no such rule would Gaffer Kirk be tried;
First in the year he led a blooming bride,
And stood a wither'd elder at her side.
Oh! Nathan! Nathan! at thy years trepann'd,
To take a wanton harlot by the hand!
Thou, who wert used so tartly to express
Thy sense of matrimonial happiness,
Till every youth, whose banns at church were read,
Strove not to meet, or meeting, hung his head;
And every lass forebore at thee to look,
A sly old fish, too cunning for the hook;
And now at sixty, that pert dame to see,
Of all thy savings mistress, and of thee;
Now will the lads, rememb'ring insults past,
Cry, 'What, the wise one in the trap at last!'
Fie! Nathan! fie! to let an artful jade
The close recesses of thine heart invade;
What grievous pangs! what suffering she'll impart!
And fill with anguish that rebellious heart;
For thou wilt strive incessantly, in vain,
By threatening speech thy freedom to regain:
But she for conquest married, nor will prove
A dupe to thee, thine anger or thy love;
Clamorous her tongue will be: --of either sex,
She'll gather friends around thee and perplex
Thy doubtful soul;--thy money she will waste
In the vain ramblings of a vulgar taste;
And will be happy to exert her power,
In every eye, in thine, at every hour.
Then wilt thou bluster--'No! I will not rest,
And see consumed each shilling of my chest:'
Thou wilt be valiant--'When thy cousins call,
[...] Read more
poem by George Crabbe
Added by Poetry Lover
Comment! | Vote! | Copy!
When One Is Running Game
When one is running game,
They seldom show a shame.
There is a name to claim...
When one is running game.
When one is running game,
It comes like pouring rain.
And leaves a trail of pain...
When one is running game.
Too often,
They have botched up something someone coddled.
Too often,
They have been excused from misery...
And,
Too often they become an idolized model...
By a child who sees this as the real thing!
When one is running game,
They seldom show a shame.
There is a name to claim...
When one is running game.
Too often,
They have been excused from misery...
And,
Too often they become an idolized model...
By a child who sees this as the real thing!
Too often,
They have botched up something someone coddled.
When one is running game,
They seldom show a shame.
Too often,
They have been excused from misery.
When one is running game,
They seldom show a shame.
There is a name to claim...
When one is running game.
Too often they become an idolized model.
When one is running game,
They seldom show a shame.
Too often they have been excused from misery...
And,
[...] Read more
poem by Lawrence S. Pertillar
Added by Poetry Lover
Comment! | Vote! | Copy!
Simple, Seldom and Sad
Simple, seldom and sad
We are;
Alone on the Halibut Hills
Afar,
With sweet mad Expressions
Of old
Strangely beautiful
So we're told
By the Creatures that Move
In the sky
And Die
On the night when the Dead Trees
Prance and Cry.
Sensitive, seldom and sad -
Sensitive, seldom and sad -
Simple, seldom and sad
Are we
When we take our path
To the purple sea -
With mad, sweet Expressions
Of Yore,
Strangely beautiful,
Yea, and More
On the Night of all Nights
When the sky
Streams by
In rags, while the Dead Trees
Prance and Cry,
sensitive, seldom and sad -
sensitive, seldom and sad.
poem by Mervyn Peake
Added by Poetry Lover
Comment! | Vote! | Copy!
The Candidate
Ye idler things, that soothed my hours of care,
Where would ye wander, triflers, tell me where?
As maids neglected, do ye fondly dote,
On the tair type, or the embroider'd coat;
Detest my modest shelf, and long to fly
Where princely Popes and mighty Miltons lie?
Taught but to sing, and that in simple style,
Of Lycia's lip, and Musidora's smile; -
Go then! and taste a yet unfelt distress,
The fear that guards the captivating press;
Whose maddening region should ye once explore,
No refuge yields my tongueless mansion more.
But thus ye'll grieve, Ambition's plumage stript,
'Ah, would to Heaven, we'd died in manuscript!'
Your unsoil'd page each yawning wit shall flee,
- For few will read, and none admire like me. -
Its place, where spiders silent bards enrobe,
Squeezed betwixt Cibber's Odes and Blackmore's Job;
Where froth and mud, that varnish and deform,
Feed the lean critic and the fattening worm;
Then sent disgraced--the unpaid printer's bane -
To mad Moorfields, or sober Chancery Lane,
On dirty stalls I see your hopes expire,
Vex'd by the grin of your unheeded sire,
Who half reluctant has his care resign'd,
Like a teased parent, and is rashly kind.
Yet rush not all, but let some scout go forth,
View the strange land, and tell us of its worth;
And should he there barbarian usage meet,
The patriot scrap shall warn us to retreat.
And thou, the first of thy eccentric race,
A forward imp, go, search the dangerous place,
Where Fame's eternal blossoms tempt each bard,
Though dragon-wits there keep eternal guard;
Hope not unhurt the golden spoil to seize,
The Muses yield, as the Hesperides;
Who bribes the guardian, all his labour's done,
For every maid is willing to be won.
Before the lords of verse a suppliant stand,
And beg our passage through the fairy land:
Beg more--to search for sweets each blooming field,
And crop the blossoms woods and valleys yield,
To snatch the tints that beam on Fancy's bow;
And feel the fires on Genius' wings that glow;
Praise without meanness, without flattery stoop,
Soothe without fear, and without trembling, hope.
TO THE AUTHORS OF THE MONTHLY REVIEW.
[...] Read more
poem by George Crabbe
Added by Poetry Lover
Comment! | Vote! | Copy!
Tale XVII
RESENTMENT.
Females there are of unsuspicious mind,
Easy and soft and credulous and kind;
Who, when offended for the twentieth time,
Will hear the offender and forgive the crime:
And there are others whom, like these to cheat,
Asks but the humblest efforts of deceit;
But they, once injured, feel a strong disdain,
And, seldom pardoning, never trust again;
Urged by religion, they forgive--but yet
Guard the warm heart, and never more forget:
Those are like wax--apply them to the fire,
Melting, they take th' impressions you desire;
Easy to mould and fashion as you please,
And again moulded with an equal ease:
Like smelted iron these the forms retain,
But once impress'd, will never melt again.
A busy port a serious Merchant made
His chosen place to recommence his trade;
And brought his Lady, who, their children dead,
Their native seat of recent sorrow fled:
The husband duly on the quay was seen,
The wife at home became at length serene;
There in short time the social couple grew
With all acquainted, friendly with a few;
When the good lady, by disease assail'd,
In vain resisted--hope and science fail'd:
Then spoke the female friends, by pity led,
'Poor merchant Paul! what think ye? will he wed?
A quiet, easy, kind, religious man,
Thus can he rest?--I wonder if he can.'
He too, as grief subsided in his mind,
Gave place to notions of congenial kind:
Grave was the man, as we have told before;
His years were forty--he might pass for more;
Composed his features were, his stature low,
His air important, and his motion slow:
His dress became him, it was neat and plain,
The colour purple, and without a stain;
His words were few, and special was his care
In simplest terms his purpose to declare;
A man more civil, sober, and discreet,
More grave and corteous, you could seldom meet:
Though frugal he, yet sumptuous was his board,
As if to prove how much he could afford;
For though reserved himself, he loved to see
His table plenteous, and his neighbours free:
Among these friends he sat in solemn style,
And rarely soften'd to a sober smile:
[...] Read more
poem by George Crabbe
Added by Poetry Lover
Comment! | Vote! | Copy!
The Task: Book I. -- The Sofa
I sing the Sofa. I who lately sang
Truth, Hope, and Charity, and touched with awe
The solemn chords, and with a trembling hand,
Escaped with pain from that adventurous flight,
Now seek repose upon an humbler theme;
The theme though humble, yet august and proud
The occasion, - for the fair commands the song.
Time was when clothing, sumptuous or for use,
Save their own painted skins, our sires had none.
As yet black breeches were not, satin smooth,
Or velvet soft, or plush with shaggy pile.
The hardy chief upon the rugged rock
Washed by the sea, or on the gravelly bank
Thrown up by wintry torrents roaring loud,
Fearless of wrong, reposed his weary strength.
Those barbarous ages past, succeeded next
The birthday of invention, weak at first,
Dull in design, and clumsy to perform.
Joint-stools were then created; on three legs
Upborne they stood, - three legs upholding firm
A massy slab, in fashion square or round.
On such a stool immortal Alfred sat,
And swayed the sceptre of his infant realms;
And such in ancient halls and mansions drear
May still be seen, but perforated sore
And drilled in holes the solid oak is found,
By worms voracious eating through and through.
At length a generation more refined
Improved the simple plan, made three legs four,
Gave them a twisted form vermicular,
And o'er the seat with plenteous wadding stuffed
Induced a splendid cover green and blue,
Yellow and red, of tapestry richly wrought
And woven close, or needle-work sublime.
There might ye see the peony spread wide,
The full-blown rose, the shepherd and his lass,
Lap-dog and lambkin with black staring eyes,
And parrots with twin cherries in their beak.
Now came the cane from India, smooth and bright
With Nature's varnish; severed into stripes
That interlaced each other, these supplied
Of texture firm a lattice-work, that braced
The new machine, and it became a chair.
But restless was the chair; the back erect
Distressed the weary loins that felt no ease;
The slippery seat betrayed the sliding part
That pressed it, and the feet hung dangling down,
[...] Read more
poem by William Cowper
Added by Poetry Lover
Comment! | Vote! | Copy!
Superlative Story
Superlative Story
I Syntaxical Sequence
II Strange Stanza Succession Starts
III Scenario Synopsis
IV Sensuality, sense, sensibility,
V Substitute Spousal Suggestions
VI Seesaw Simplicity: Seraglio Simularities Spurned
VII Solution
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I SYNTAXICAL SEQUENCE
Special scansion ‘S’ syllabic
specious solicisms scraps,
solo solving sounds strabismic,
syllogistic systole scraps.
Syllables spring, shuffle, scuttle,
skittle syntax, scintillate
syntonically sans snuffle, shuttle –
synonyms shake sides, spine straight.
Stanza stanza swift succeeding
senses sweeps, song swifter swims,
succulent succession seeding
substitutions, surface skims.
Scrupulous semantics subtle
switchback spiral, summarize,
seek solutions smart, scrolled, supple,
solve set spectrum's smallish size.
Synonymous synchronising
sympathetic symphony
scores - Socratic symbolizing –
swivelling sonority.
Scansion salvo salvo scansion
strong succeeds, succeeding sends
successors streamlined sampling surging –
sanction seems so slight, scourge spends.
Systematic symbol spreading
'sses something sacred, seeks, -
[...] Read more
poem by Jonathan Robin
Added by Poetry Lover
Comment! | Vote! | Copy!
Canto the Fourth
I.
I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!
II.
She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.
III.
In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!
IV.
But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.
V.
[...] Read more
poem by Byron from Childe Harold's Pilgrimage (1818)
Added by Veronica Serbanoiu
Comment! | Vote! | Copy!