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There was an old actor from Bali
Who dreamt up, for his grand finale,
A thespian deed
That only succeeded
In making him look a real Charlie.

(Written Oct 2012)

limerick by John Carter Brown
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Charlie Mack

Artist: dj jazzy jeff and the fresh prince
[fresh prince]
Everywhere we go, downtown or to a show
We have two necessities, charlie mack and our limo
He's feared by suckers yet he's loved by kids
Pay attention and let me tell you who charlie mack
He is our homeboy from around the block
He's regarded through the city as the hip-hop cop
Height about 6'6", weight about 290
Everywhere i go, charlie mack is right behind me
He never laughs, never smiles nor sweats
He doesn't breaks arms or legs, only spines or necks
He once killed a man cause he would not let go of his eggo
Apollo creed is a sucker, charlie mack could beat drago
He could bench about three-hundred pounds
The cops all take a vacation, when charlie's in town
He's the toughest around, so everywhere that i go, he goes
He's charlie mack and he's the first out the limo
[fresh prince]
I guess you're wonderin why he's the first out
The limo, yo, let me give you this bit of info
So you'll know the things that charlie can do
And you'll know every single reason why he's down with the crew
The limo picks up about a half past six
With the radio blastin our latest hit
It's me, jeff, ready rock, omar and j.l.
Charlie mack is up front as we depart the hotel
First we cause chaos throughout the city streets
Then maybe stop at burger king for a bite to eat
And if somebody gets stupid while we're in the place
Charlie cancels his order and bites off their face
He's not a troublemaker, in fact, he's a troublebreaker
And if somebody gets dumb, well it'll only take a
Second or two, after some fools snaps
Law and order is restored by my hero charlie mack
Wheel off into the limo, and head for the jam
Charlie cracks all the knuckles, on both of his hands
And when we pull up to the show, the routine is unrehearsed
It's just natural that we let charlie hop our first
He clears the crowd without sayin a word
Man, that's the loudest silence i've ever heard
A lot of times guys test him, by tryin to bug
He just, leaves ring imprints, all over their mugs
He's a terminator, a hercules of sorts
Man to hell with chess, he likes physical sports
You may not have known before but now you know
The reason why charlie mack is the first out the limo
[fresh prince]
We'd like to apologize to all of our fans
But please don't touch us when we're at our jams

[...] Read more

song performed by Will Smith
Added by Lucian Velea
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Dancing With Charlie

Charlie was a loser till that sunny day
No-one saw him leaving as he sailed away
Treated like a sinner, no-one gave a damn
Till charlie threw two sixes
Now hes got them in his hand
Now theyre waiting in line to go dancing with charlie
They wanna be seen dancing with charlie
No-one seems to know how
No-one seems to care
Doesnt really matter just as long as you are there
Party in the moonlight, free drinks at the bar
You can bet whats in your pocket that charlie wont be far
Now theyre waiting in line to go dancing with charlie
They wanna be seen dancing with charlie
Charlie bought a jet plane, charlie rides the sky
Friends appear from nowhere, charlie gets them high
Big d was a gambler with everything to lose
Charlie didnt have anything
So he didnt have to choose
And theyre waiting in line to go dancing with charlie
They wanna be seen dancing with charlie
And theyre standing in line to go dancing with charlie
They wanna be seen dancing with charlie

song performed by Chris Rea
Added by Lucian Velea
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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;

Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

[...] Read more

poem by Robinson Jeffers
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Virginia's Story

Elizabeth Gates-Wooten is my Grand mom.

She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.

When she was old enough she got married.

First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.

Agnes was my mother.

Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.

Then they moved to West Virginia in the United States.

Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.

Anna was a maid and cook.

She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth

They were both good cooks

They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.

My moms name was Agnes Barrie Gates.

She married James Wright and moved to Cleveland.

[...] Read more

poem by Talile Ali
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On the Range

On Nungar the mists of the morning hung low,
The beetle-browed hills brooded silent and black,
Not yet warmed to life by the sun's loving glow,
As through the tall tussocks rode young Charlie Mac.
What cared he for mists at the dawning of day,
What cared he that over the valley stern “Jack,”
The Monarch of frost, held his pitiless sway? -
A bold mountaineer born and bred was young Mac.
A galloping son of a galloping sire -
Stiffest fence, roughest ground, never took him aback;
With his father's cool judgement, his dash, and his fire,
The pick of Manaro rode young Charlie Mac.
And the pick of the stable the mare he bestrode -
Arab-grey, built to stay, lithe of limb, deep of chest,
She seemed to be happy to bear such a load
As she tossed the soft forelock that curled on her
crest.
They crossed Nungar Creek where its span is but
short
At its head, where together spring two mountain rills,
When a mob of wild horses sprang up with a snort -
"By thunder!" quoth Mac, "there's the Lord of
the Hills.
Decoyed from her paddock, a Murray-bred mare
Had fled to the hills with a warrigal band;
A pretty bay foal had been born to her there,
Whose veins held the very best blood in the land -
"The Lord of the Hills" as the bold mountain men
Whose courage and skill he was wont to defy
Had named him, they yarded him once, but since
then
He held to the saying, "Once bitten, twice shy."

The scrubber, thus suddenly roused from his lair,
Struck straight for the timber with fear in his heart;
As Charlie rose up in his stirrups, the mare
Sprang forward, no need to tell Empress to start.
She laid to the chase just as soon as she felt
Her rider's skill’d touch, light, yet firm, on the rein;
Stride for stride, lengthened wide, for the green
timber belt,
The fastest half-mile ever done on the plain.
They reached the low sallee before he could wheel
The warrigal mob; up they dashed with a stir
Of low branches and undergrowth - Charlie could feel
His mare catch her breath on the side of the spur
That steeply slopes up till it meets the bald cone.
'Twas here on the range that the trouble began,

[...] Read more

poem by Barcroft Henry Thomas Boake
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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

[...] Read more

poem by Charles Churchill
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Charlie And Fred

The Hollies
Charlie and Fred
(Allan Clarke/Tony Hicks/Graham Nash)
Track 8 on album 'Butterfly' october 1967
He rides on his horse and cart, Charlie does.
working from six until nine.
Collecting old rags and used bicycles,
old iron of description of any kind.
Here comes Charlie, Charlie the Ragman.
Throw out your old clothes for Charlie and Fred.
Earning a living off things we've discarded.
Earning enough for the board and the bed.
You hear him shout "Rags and old iron."
Everyone knows him that way.
Once a week, they come 'round calling.
How long it's been, I can't say.
chorus
They live all alone in a hovel.
He puts his money away.
Taking enough to just live on,
and at the end of the day
he's saving enough
to put Fred out to graze.
(repeat)
Has anyone seen Charlie lately?
Charlie just ain't been around.
Everyone's seen Fred is grazing,
chewing the grass from the ground.
Children say Charlie is happy
giving balloons to the angels instead.
Where is Charlie, Charlie the Ragman?
Don't throw your clothes out.

song performed by Hollies
Added by Lucian Velea
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Charlie Parker Loves Me

Silent as a willow tree
This road moves like a, a river to me
Sun goes down on Wisdom Street
Break the glass and throw away the key
Somewhere out where the fates collide (collide)
Cigarettes and candlelight
I sit here in the lone cafe
So stripped away (oh, oh)
So stripped away
Ah, huh
Huhhuh
Oh, ah, oh, ah
Everybody knows
I'm your street corner Romeo
Everybody knows
You're my Juliet in rags
And Charlie Parker loves me
Sit with me forever more
Is the draft too cold when they open door
Seem to me whenever you're drunk
And we'll drift away, drift away (drift away)
Ah, huh
Huhhuh
Oh, ah, oh, ah
Everybody knows (everybody)
I'm your street corner Romeo (oh, yeah)
Everybody knows
You're my Juliet in rags
And Charlie Parker loves me (ooh)
I feel your heart beat underneath my skin
Like a New Orleans night
But the rain can't get in
So red-hot dig the beat up underneath a cool, cool night
And the glass moonlight of spring
Everybody knows (ooh)
I'm your street corner Romeo (oh, yeah)
Everybody knows (know, yeah)
You're my Juliet in rags
Everybody knows (everybody knows)
I'm your street corner Romeo, yes, I am
(Oh, yeah, yeah, yeah, yeah, yeah)
Everybody knows (yeah)
You're my Juliet in rags
And Charlie Parker loves me (ooh)
Everybody knows
(I'm listenin' to ya, Charlie)
I'm your street corner Romeo
(Bird is fly high tonight)
Everybody knows
Everybody knows

[...] Read more

song performed by Rod Stewart
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The Loves of the Angels

'Twas when the world was in its prime,
When the fresh stars had just begun
Their race of glory and young Time
Told his first birth-days by the sun;
When in the light of Nature's dawn
Rejoicing, men and angels met
On the high hill and sunny lawn,-
Ere sorrow came or Sin had drawn
'Twixt man and heaven her curtain yet!
When earth lay nearer to the skies
Than in these days of crime and woe,
And mortals saw without surprise
In the mid-air angelic eyes
Gazing upon this world below.

Alas! that Passion should profane
Even then the morning of the earth!
That, sadder still, the fatal stain
Should fall on hearts of heavenly birth-
And that from Woman's love should fall
So dark a stain, most sad of all!

One evening, in that primal hour,
On a hill's side where hung the ray
Of sunset brightening rill and bower,
Three noble youths conversing lay;
And, as they lookt from time to time
To the far sky where Daylight furled
His radiant wing, their brows sublime
Bespoke them of that distant world-
Spirits who once in brotherhood
Of faith and bliss near ALLA stood,
And o'er whose cheeks full oft had blown
The wind that breathes from ALLA'S throne,
Creatures of light such as still play,
Like motes in sunshine, round the Lord,
And thro' their infinite array
Transmit each moment, night and day,
The echo of His luminous word!

Of Heaven they spoke and, still more oft,
Of the bright eyes that charmed them thence;
Till yielding gradual to the soft
And balmy evening's influence-
The silent breathing of the flowers-
The melting light that beamed above,
As on their first, fond, erring hours,-
Each told the story of his love,
The history of that hour unblest,
When like a bird from its high nest

[...] Read more

poem by Thomas Moore
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The Cenci : A Tragedy In Five Acts

DRAMATIS PERSONÆ

Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.

The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.

ACT I

Scene I.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.

Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.

Cenci.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!

[...] Read more

poem by Percy Bysshe Shelley
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A Fable For Critics

Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'

Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.

Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,

[...] Read more

poem by James Russell Lowell
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Charlie & Fred

(clarke / hicks / nash)
He rides on his horse and cart, charlie does.
Working from six until nine.
Collecting old rags and used bicycles,
Old iron of description of any kind.
Here comes charlie, charlie the ragman.
Throw out your old clothes for charlie and fred.
Earning a living off things weve discarded.
Earning enough for the board and the bed.
You hear him shout rags and old iron.
Everyone knows him that way.
Once a week, they come round calling.
How long its been, I cant say.
Chorus
They live all alone in a hovel.
He puts his money away.
Taking enough to just live on,
And at the end of the day
Hes saving enough
To put fred out to graze.
(repeat)
Has anyone seen charlie lately?
Charlie just aint been around.
Everyones seen fred is grazing,
Chewing the grass from the ground.
Children say charlie is happy
Giving balloons to the angels instead.
Where is charlie, charlie the ragman?
Dont throw your clothes out.

song performed by Hollies
Added by Lucian Velea
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Evangeline: A Tale of Acadie

This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of eld, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.

This is the forest primeval; but where are the hearts that beneath it
Leaped like the roe, when he hears in the woodland the voice of the huntsman
Where is the thatch-roofed village, the home of Acadian farmers,--
Men whose lives glided on like rivers that water the woodlands,
Darkened by shadows of earth, but reflecting an image of heaven?
Waste are those pleasant farms, and the farmers forever departed!
Scattered like dust and leaves, when the mighty blasts of October
Seize them, and whirl them aloft, and sprinkle them far o'er the ocean
Naught but tradition remains of the beautiful village of Grand-Pre.

Ye who believe in affection that hopes, and endures, and is patient,
Ye who believe in the beauty and strength of woman's devotion,
List to the mournful tradition still sung by the pines of the forest;
List to a Tale of Love in Acadie, home of the happy.

PART THE FIRST

I

In the Acadian land, on the shores of the Basin of Minas,
Distant, secluded, still, the little village of Grand-Pre
Lay in the fruitful valley. Vast meadows stretched to the eastward,
Giving the village its name, and pasture to flocks without number.
Dikes, that the hands of the farmers had raised with labor incessant,
Shut out the turbulent tides; but at stated seasons the flood-gates
Opened, and welcomed the sea to wander at will o'er the meadows.
West and south there were fields of flax, and orchards and cornfields
Spreading afar and unfenced o'er the plain; and away to the northward
Blomidon rose, and the forests old, and aloft on the mountains
Sea-fogs pitched their tents, and mists from the mighty Atlantic
Looked on the happy valley, but ne'er from their station descended
There, in the midst of its farms, reposed the Acadian village.
Strongly built were the houses, with frames of oak and of hemlock,
Such as the peasants of Normandy built in the reign of the Henries.
Thatched were the roofs, with dormer-windows; and gables projecting
Over the basement below protected and shaded the doorway.
There in the tranquil evenings of summer, when brightly the sunset
Lighted the village street and gilded the vanes on the chimneys,
Matrons and maidens sat in snow-white caps and in kirtles
Scarlet and blue and green, with distaffs spinning the golden
Flax for the gossiping looms, whose noisy shuttles within doors

[...] Read more

poem by Henry Wadsworth Longfellow
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Making It Real

Making it real,
Is like a good meal...
One gets to taste.
In a moment that can not be replaced,
When making it real.

Makin it real,
And using all...
Ingredients.
Gives a joy as if this is heaven sent.
When making it real.

Making it real,
Is a feeling no one can ever rate.
And those exposed,
Will appreciate...
The taste of what is real.

Making it real...
Shake it up before you bake it.
And using all ingredients.
Shake it then you bake it.
Gives a joy,
As if heaven sent.
When making it real.
Shake it up before you bake it.

Making it real,
Is like a good meal...
One gets to taste.
In a moment that can not be replaced,
When making it real.

Making it real...
Shake it up before you bake it.
And using all ingredients.
Shake it then you bake it.
Gives a joy,
As if heaven sent.
When making it real.
Shake it up before you bake it.
When making it real.
Shake it up before you bake it.
When making it real.
Shake it up before you bake it.
When making it real.

poem by Lawrence S. Pertillar
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Mister Charlie

I take a little powder, take a little salt, put it in my shotgun, I go walkin
Jubba jubba, wolly bully, looking high, looking low,
Gonna scare you up and shoot ya, mister charlie told me so.
I wont even take your life, wont even take a limb,
Just unload my shotgun, take a little skin.
Jubba jubba, wolly bully, looking high, looking low,
Gonna scare you up and shoot ya, mister charlie told me so.
Well you take my silver dollar, take those silver dimes,
Fix it up together in some alligator wine.
I can hear the drums, voodoo all night long,
Mister charlie tells me I cant do nothing wrong.
Jubba jubba, wolly bully, looking high, looking low,
Gonna scare you up and shoot ya, mister charlie told me so.
Now mister charlie told me, wont you like to know,
Give you little warning before I let you go.
Jubba jubba, wolly bully, looking high, looking low,
Gonna scare you up and shoot ya, mister charlie told me so.
Gonna scare you up and shoot ya, mister charlie, mister charlie told me so.

song performed by Grateful Dead
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Mr. Charlie

I take a little powder, take a little salt, put it in my shotgun, I go walkin'
Jubba jubba, wolly bully, looking high, looking low,
Gonna scare you up and shoot ya, Mister Charlie told me so.
I won't even take your life, won't even take a limb,
Just unload my shotgun, take a little skin.
Jubba jubba, wolly bully, looking high, looking low,
Gonna scare you up and shoot ya, Mister Charlie told me so.
Well you take my silver dollar, take those silver dimes,
Fix it up together in some alligator wine.
I can hear the drums, voodoo all night long,
Mister Charlie tells me I can't do nothing wrong.
Jubba jubba, wolly bully, looking high, looking low,
Gonna scare you up and shoot ya, Mister Charlie told me so.
Now Mister Charlie told me, won't you like to know,
Give you little warning before I let you go.
Jubba jubba, wolly bully, looking high, looking low,
Gonna scare you up and shoot ya, Mister Charlie told me so.
Gonna scare you up and shoot ya, Mister Charlie, Mister Charlie told me so.

song performed by Grateful Dead
Added by Lucian Velea
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Last Night I Dreamt Your Perfume

Last night I dreamt your perfume
While I held you in my hand
Last night I dreamt your perfume
You will never understand
The way you make me feel
The promise that you give
Last night I dreamt your perfume
Lost in those dreams I live

Last night I dreamt your perfume
Arched fingers cupped your breast
Last night I dreamt your perfume
Felt your warm breath brush my chest
With gel coat slide I gripped you
Sensation through my veins
Last night I dreamt your perfume
She who bears no name

Last night I dreamt your perfume
Your body meshed with mine
Last night I dreamt your perfume
A guilty pleasure, sweet, sublime
Quiet by my pillow
Your touch I never feel
Last night I dreamt your perfume
This morning, wished you real

poem by Bill Smith
Added by Poetry Lover
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A Womans Worth

You could buy me diamonds , you could buy me pearls
Take me on a cruise around the world
Baby you know Im worth it
Dinner lit by candles, run my bubble bath
Make love tenderly to last and last
Baby you know Im worth it
Wanna please wanna keep wanna treat your woman right
Not just told but to show she is worth your time
You will lose if you choose to refuse to put her first
She will if she cant find a man who knows her worth, mhmn
Cuz a real man knows a real woman when he sees her
And a real woman knows a real man aint afraid to please her
And a real woman knows a real man always comes first
And a real man just cant deny a womans worth
If you treat me fairly Ill give you all my goods
Treat you like a real woman should
Baby I know your worth it
If you never play me , promise not to bluff
Ill hold it down when it gets ruff
Baby I know your worth it
She rolls the mile makes you smile all the while being true
Dont take for granted the passion that she has for you
You will lose if you choose to refuse to put her first
She will if she cant find a man who knows her worth. oh
Cuz a real man knows a real woman when he sees her
And a real woman knows a real man aint afraid to please her
And a real woman knows a real man always comes first
And a real man just cant deny a womans worth
No need to read between the lines, spell it out for you
Just hear this song cuz you cant go wrong when you value
A woman,woman,woman, a womans worth
Cuz a real man knows a real woman when he sees her
And a real woman knows a real man aint fraid to please her
And a real woman knows a real man always comes first
And a real man just cant deny a womans worth
Cuz a real man knows a real woman when he sees her
And a real woman knows a real man aint fraid to please her
And a real woman knows a real man always comes first
And a real man just cant deny a womans worth
Mhmn mhmn mhmn mhmn mhmn mhmn

song performed by Alicia Keys
Added by Lucian Velea
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The Bulletin Hotel

I was drifting in the drizzle past the Cecil in the Strand—
Which, I’m told, is very tony—and its front looks very grand;
And I somehow fell a-thinking of a pub I know so well,
Of a palace in Australia called The Bulletin Hotel.
Just a little six-room’d shanty built of corrugated tin,
And all round a blazing desert—land of camels, thirst and sin;
And the landlord is ‘the Spider’— Western diggers know him well—
Charlie Webb!—Ah, there you have it!—of the Bulletin Hotel.

’Tis a big soft-hearted spider in a land where life is grim,
And a web of great good-nature that brings worn-out flies to him:
’Tis the club of many lost souls in the wide Westralian hell,
And the stage of many Mitchells is the Bulletin Hotel.

But the swagman, on his uppers, pulls an undertaker’s mug,
And he leans across the counter and he breathes in Charlie’s lug—
Tale of thirst and of misfortune. Charlie knows it, and—ah, well!
But it’s very bad for business at the Bulletin Hotel.

‘What’s a drink or two?’ says Charlie, ‘and you can’t refuse a feed;’
But there’s many a drink unpaid for, many sticks of ‘borrowed’ weed;
And the poor old spineless bummer and the broken-hearted swell
Know that they are sure of tucker at the Bulletin Hotel.

There’s the liquor and the license and the ‘carriage’ and the rent,
And the sea or grave ’twixt Charlie and the fivers he has lent;
And I’m forced to think in sorrow, for I know the country well,
That the end will be the bailiff in the Bulletin Hotel.

But he’ll pack up in a hurry and he’ll seek a cooler clime,
If I make a rise in England and I get out there in time.
For a mate o’ mine is Charlie and I stayed there for a spell,
And I owe more than a jingle to the Bulletin Hotel.

But there’s lots of graft between us, there are many miles of sea,
So, if you should drop on Charlie, just shake hands with him for me;
Say I think the Bush less lonely than the great town where I dwell,
And—a grander than the Cecil is the Bulletin Hotel.

poem by Henry Lawson
Added by Poetry Lover
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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