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There was a young vicar from Gwent
Who promised that he would repent;
He said he'd just met her
And he would do better
But I'm not so sure what he meant.

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Tale XIII

JESSE AND COLIN.

A Vicar died and left his Daughter poor -
It hurt her not, she was not rich before:
Her humble share of worldly goods she sold,
Paid every debt, and then her fortune told;
And found, with youth and beauty, hope and health,
Two hundred guineas was her worldly wealth;
It then remain'd to choose her path in life,
And first, said Jesse, 'Shall I be a wife? -
Colin is mild and civil, kind and just,
I know his love, his temper I can trust;
But small his farm, it asks perpetual care,
And we must toil as well as trouble share:
True, he was taught in all the gentle arts
That raise the soul and soften human hearts;
And boasts a parent, who deserves to shine
In higher class, and I could wish her mine;
Nor wants he will his station to improve,
A just ambition waked by faithful love;
Still is he poor--and here my Father's Friend
Deigns for his Daughter, as her own, to send:
A worthy lady, who it seems has known
A world of griefs and troubles of her own:
I was an infant when she came a guest
Beneath my father's humble roof to rest;
Her kindred all unfeeling, vast her woes,
Such her complaint, and there she found repose;
Enrich'd by fortune, now she nobly lives,
And nobly, from the bless'd abundance, gives;
The grief, the want, of human life she knows,
And comfort there and here relief bestows:
But are they not dependants?--Foolish pride!
Am I not honour'd by such friend and guide?
Have I a home' (here Jesse dropp'd a tear),
'Or friend beside?'--A faithful friend was near.
Now Colin came, at length resolved to lay
His heart before her, and to urge her stay:
True, his own plough the gentle Colin drove,
An humble farmer with aspiring love;
Who, urged by passion, never dared till now,
Thus urged by fears, his trembling hopes avow:
Her father's glebe he managed; every year
The grateful Vicar held the youth more dear;
He saw indeed the prize in Colin's view,
And wish'd his Jesse with a man so true:
Timid as true, he urged with anxious air
His tender hope, and made the trembling prayer,
When Jesse saw, nor could with coldness see,
Such fond respect, such tried sincerity;

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The Promise

How time will heal
Make me forget
You promised me
Time will heal
Make me forget
You promised me
Love will save us all
And time will heal
You promised me...
How love will save
Make me forget
You promised me
Love will save
Make me forget
You promised me
Time will heal us all
And love will save
You promised me...
I trusted you
I wanted your words
Believed in you
I needed your words
Time will heal
Make me forget
And love will save us all
You promised me another wish
Another way
You promised me another dream
Another day
You promised me another time
You promised me another life
You promised me...
So I swallowed the shame and I waited
I buried the blame and I waited
Choked back years of memories...
I pushed down the pain and I waited
Trying to forget...
You promised me another wish
Another way
You promised me another dream
Another day
You promised me another time
You promised me...
Another lie
Oh you promised me...
You promised me...you promised me
And I waited...and I waited...and I waited...
And I'm still waiting...

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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The Sorcerer: Act I

DRAMATIS PERSONAE

Sir Marmaduke Pointdextre, an Elderly Baronet

Alexis, of the Grenadier Guards--His Son

Dr. Daly, Vicar of Ploverleigh

John Wellington Wells, of J. W. Wells & Co., Family Sorcerers

Lady Sangazure, a Lady of Ancient Lineage

Aline, Her Daughter--betrothed to Alexis

Mrs. Partlet, a Pew-Opener

Constance, her Daughter

Chorus of Villagers


ACT I -- Grounds of Sir Marmaduke's Mansion, Mid-day


SCENE -- Exterior of Sir Marmaduke's Elizabethan Mansion, mid-day.

CHORUS OF VILLAGERS

Ring forth, ye bells,
With clarion sound--
Forget your knells,
For joys abound.
Forget your notes
Of mournful lay,
And from your throats
Pour joy to-day.

For to-day young Alexis--young Alexis Pointdextre
Is betrothed to Aline--to Aline Sangazure,
And that pride of his sex is--of his sex is to be next her
At the feast on the green--on the green, oh, be sure!

Ring forth, ye bells etc.
(Exeunt the men into house.)

(Enter Mrs. Partlet with Constance, her daughter)

RECITATIVE

MRS. P. Constance, my daughter, why this strange depression?

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The Reluctant Visitor

The Reverend Peter Porter Guys
Was a gentle man with anaemic eyes,
Pale blue, that watered wherever he went
From Epiphany, to the fasting of Lent.

He walked the villages of his flock
From door to door, from knock to knock,
And always he mentioned the Organ Fund
To the full of life, and the moribund.

He went from house to house with glee
Consuming hundreds of cups of tea,
And never noticed - and there's the rub,
That 'hubby' had gone to hide at the pub.

The ladies listened with wringing hands
To the trials of Job and the Lord's commands,
And simpered long in the hopes that he
Could give them a personal 'Heaven' key.

Forgive their sins, both now and then
Put in a word with the Lord for them,
Perhaps forgive them a future sin
Or two or three - like a lottery win!

His eyes then watered, the Reverend Guys
He gave no specials, he told no lies,
The road was narrow, the road was straight
With no back alleys to Heaven's Gate.

One day he went to visit the Dunns
They hadn't been to his service once,
Just newly moved from a house in town
They'd come to the country, settled down.

Now Peggy Dunn, she wanted to fit
With the country types of Nether Stitt,
She'd sworn to please, so she asked him in
And they sat in her bright solarium.

His eyes, they watered in there the most
As he talked of the passing Holy Ghost,
While Peggy shuddered and looked askance
At the pot containing her cannabis plant.

Her husband Don was an atheist,
Who didn't believe that gods exist,
'We all came down from a worm, ' he said,
'That turned to a monkey; then we bred! '

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Young Americans

They pulled in just behind the fridge
He lays her down, he frowns
Gee my lifes a funny thing, am I still too young?
He kissed her then and there
She took his ring, took his babies
It took him minutes, took her nowhere
Heaven knows, shed have taken anything, but
All night
She wants the young american
Young american, young american, she wants the young american
All right
She wants the young american
Scanning life through the picture windows
She finds the slinky vagabond
He coughs as he passes her ford mustang, but
Heaven forbid, shell take anything
But the freak, and his type, all for nothing
He misses a step and cuts his hand, but
Showing nothing, he swoops like a song
She cries where have all papas heroes gone?
All night
She wants the young american
Young american, young american, she wants the young american
All right
She wants the young american
All the way from washington
Her bread-winner begs off the bathroom floor
We live for just these twenty years
Do we have to die for the fifty more?
All night
He wants the young american
Young american, young american, he wants the young american
All right
He wants the young american
Do you remember, your president nixon?
Do you remember, the bills you have to pay
Or even yesterday
Have you been an un-american?
Just you and your idol singing falsetto bout
Leather, leather everywhere, and
Not a myth left from the ghetto
Well, well, well, would you carry a razor
In case, just in case of depression
Sit on your hands on a bus of survivors
Blushing at all the afro-sheilas
Aint that close to love?
Well, aint that poster love?
Well, it aint that barbie doll
Her hearts been broken just like you have
And

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Young American

They pulled in just behind the fridge
He lays her down, he frowns
"Gee my life's a funny thing, am I still too young?"
He kissed her then and there
She took his ring, took his babies
It took him minutes, took her nowhere
Heaven knows, she'd have taken anything, but
All night
She wants the young American
Young American, young American, she wants the young American
All right
She wants the young American
Scanning life through the picture windows
She finds the slinky vagabond
He coughs as he passes her Ford Mustang, but
Heaven forbid, she'll take anything
But the freak, and his type, all for nothing
He misses a step and cuts his hand, but
Showing nothing, he swoops like a song
She cries "Where have all Papa's heroes gone?"
All night
She wants the young American
Young American, young American, she wants the young American
All right
She wants the young American
All the way from Washington
Her bread-winner begs off the bathroom floor
"We live for just these twenty years
Do we have to die for the fifty more?"
All night
He wants the young American
Young American, young American, he wants the young American
All right
He wants the young American
Do you remember, your President Nixon?
Do you remember, the bills you have to pay
Or even yesterday
Have you been an un-American?
Just you and your idol singing falsetto 'bout
Leather, leather everywhere, and
Not a myth left from the ghetto
Well, well, well, would you carry a razor
In case, just in case of depression
Sit on your hands on a bus of survivors
Blushing at all the afro-Sheilas
Ain't that close to love?
Well, ain't that poster love?
Well, it ain't that Barbie doll
Her heart's been broken just like you have
And

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The Demon under the Altar Stone

As a boy in a ruff and a surplice, gown,
I sang in the choir of a country town,
Under the eye of the Reverend Burr
In a church that had stood for a thousand years.

A church so old that it reeked of damp
From the days of an Anglo-Saxon camp,
They'd built their Church on a Druid site
To banish the wailing ghosts at night!

The Romans had slaughtered the Druid priests
In a river of blood at a Druid Feast,
And still their cries could be heard on nights
When the moon gleamed red by the altar lights.

The beams streamed in through the leadlight glass
With an eerie glow that was overcast,
Illumined the ancient altar stone
That covered the Bishop of Cædmon's bones.

The slab that lay on the floor was lipp'd
As it covered the age-old church's crypt,
And there was a crack, an inch around
Through to the crypt there, under the ground.

From where I sat in the old oak pew
I could see the back of the altar, too,
And through a gap where the floor was bare
Were moving shadows that shouldn't be there!

The crypt had been sealed, eight hundred years
Since the Normans had taken the Saxon Reeves,
Imprisoned them down in the crypt for good
Then walled them in - (so I understood!)

And there they suffered and there they died
The Shire Reeves of the countryside,
And no-one had ever been down there since,
Or disturbed their bones... for the merest glimpse.

The Reverend Burr was hellfire bent,
His sermons called to the sinners, 'Repent! '
He ranted and raved of a jealous God,
And asked why nobody reck'd his rod.

The smell of sulphur hung in the air
After a sermon by Reverend Burr,
And brimstone caught in my nostrils so
That I almost gagged at the horror below.

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No, No, No

No!!
Let me take my scarf off,
No, no, no, yes, yes, yes.
Dont help me, (help me)
I can do it and you know it.
Dont touch me, (touch me)
I dont like it.
Let me take my blouse off,
No, no, no, yes, yes, yes.
Dont help me, (help me)
I can do it and you know it.
Dont touch me, (touch me)
I dont like it.
You promised me, you promised me,
You promised me, you promised me.
I dont remember what you promised,
I know you didnt keep it.
Let me take my pants off,
No, no, no, yes, yes, yes.
Dont hold me, (hold me)
I dont want it.
Youre thinking of rock hudson when we do it. (lets do it!)
Let me take my ring off,
No, no, no, yes, yes, yes.
Dont do it, (do it!)
I cant do it,
Im seeing broken glass when we do it. (do it!)
You promised me, you promised me,
You promised me, you promised me.
I dont remember what we promised,
But I know we didnt keep it.
You promised me, you promised me,
You promised me, you promised me.
I dont remember what we promised,
But I miss you!

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No, No, No/a Little Story

No!!
Let me take my scarf off,
No, no, no, yes, yes, yes.
Dont help me, (help me)
I can do it and you know it.
Dont touch me, (touch me)
I dont like it.
Let me take my blouse off,
No, no, no, yes, yes, yes.
Dont help me, (help me)
I can do it and you know it.
Dont touch me, (touch me)
I dont like it.
You promised me, you promised me,
You promised me, you promised me.
I dont remember what you promised,
I know you didnt keep it.
Let me take my pants off,
No, no, no, yes, yes, yes.
Dont hold me, (hold me)
I dont want it.
Youre thinking of rock hudson when we do it. (lets do it!)
Let me take my ring off,
No, no, no, yes, yes, yes.
Dont do it, (do it!)
I cant do it,
Im seeing broke glass when we do it. (do it!)
You promised me, you promised me,
You promised me, you promised me.
I dont remember what we promised,
But I know we didnt keep it.
You promised me, you promised me,
You promised me, you promised me.
I dont remember what we promised,
But I miss you!
- once there was this little boy who asked his father,
Would you tell me that old, old story?
Once there was this little boy who asked his father,
Would you tell me that old, old story?
Once there was this little boy and he went to...
- mummy...you should remember this more because dyou know why?
- why?
- I learnt it from my daddy, you know.
- umm-umm.
- hah-hah.
- once there was this little boy who asked his father
To tell him that old, old, old, old, old, old story.
Once upon a time there was this little boy who said,
Would you tell me that old, old story?
Once upon...

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The Vicar Of Bray

In good King Charles's golden days,
When loyalty no harm meant;
A furious High-Church man I was,
And so I gain'd preferment.
Unto my flock I daily preach'd,
Kings are by God appointed,
And damn'd are those who dare resist,
Or touch the Lord's anointed.
And this is law, I will maintain
Unto my dying day, sir,
That whatsoever king shall reign,
I will be Vicar of Bray, sir!

When Royal James possess'd the crown,
And popery grew in fashion;
The penal law I houted down,
And read the declaration:
The Church of Rome, I found would fit,
Full well my constitution,
And I had been a Jesuit,
But for the Revolution.
And this is law, I will maintain
Unto my dying day, sir,
That whatsoer king shall reign,
I will be Vicar of Bray, sir!

When William our deliverer came,
To heal the nation's grievance,
I turned the cat in pan again,
And swore to him allegiance:
Old principles I did revoke,
Set conscience at a distance,
Passive obedience is a joke,
A jest is non-resistance.
And this is law, I will maintain
Unto my dying day, sir,
That whatsoer king shall reign,
I will be Vicar of Bray, sir!

When glorious Anne became our queen
The Church of England's glory,
Another face of things was seen,
And I became a Tory:
Occasional conformists base,
I damn'd, and moderation,
And thought the Church in danger was,
From such prevarication.
And this is law, I will maintain
Unto my dying day, sir,
That whatsoer king shall reign,

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

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The White Cliffs

I
I have loved England, dearly and deeply,
Since that first morning, shining and pure,
The white cliffs of Dover I saw rising steeply
Out of the sea that once made her secure.
I had no thought then of husband or lover,
I was a traveller, the guest of a week;
Yet when they pointed 'the white cliffs of Dover',
Startled I found there were tears on my cheek.
I have loved England, and still as a stranger,
Here is my home and I still am alone.
Now in her hour of trial and danger,
Only the English are really her own.

II
It happened the first evening I was there.
Some one was giving a ball in Belgrave Square.
At Belgrave Square, that most Victorian spot.—
Lives there a novel-reader who has not
At some time wept for those delightful girls,
Daughters of dukes, prime ministers and earls,
In bonnets, berthas, bustles, buttoned basques,
Hiding behind their pure Victorian masks
Hearts just as hot - hotter perhaps than those
Whose owners now abandon hats and hose?
Who has not wept for Lady Joan or Jill
Loving against her noble parent's will
A handsome guardsman, who to her alarm
Feels her hand kissed behind a potted palm
At Lady Ivry's ball the dreadful night
Before his regiment goes off to fight;
And see him the next morning, in the park,
Complete in busbee, marching to embark.
I had read freely, even as a child,
Not only Meredith and Oscar Wilde
But many novels of an earlier day—
Ravenshoe, Can You Forgive Her?, Vivien Grey,
Ouida, The Duchess, Broughton's Red As a Rose,
Guy Livingstone, Whyte-Melville— Heaven knows
What others. Now, I thought, I was to see
Their habitat, though like the Miller of Dee,
I cared for none and no one cared for me.


III
A light blue carpet on the stair
And tall young footmen everywhere,
Tall young men with English faces
Standing rigidly in their places,
Rows and rows of them stiff and staid

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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

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The Time Has Come...

The vicar went to the valley,
A mountain on either side,
He built a small log cabin
To comfort his future bride,
The wind between the mountains
Brought echoes of far-off plains,
More often than not in the heart of the night,
Someone called his name.

The voice was sometimes muffled,
The voice, it sometimes screamed,
Whole sentences were chanted
Broke in on the vicar's dreams,
The sounds were like a mirage
Half heard from a distant town,
Whenever the wind would begin to rise
He heard the strangest sounds.

A tap-tap-tap in the morning,
A tap-tap-tap at night,
As if someone was typing
Up on the mountain's height,
The rhythm was pervasive
As it typed some ancient log,
He heard the words: 'The quick brown fox
Jumps over the lazy dog.'

He ran from out of the cabin
And scanned the dusty plain,
His trusty dog was lying
Asleep on the track again,
When out from the brittle bushes
Aside of the narrow track,
A quick brown fox with a startled look,
Jumped over his old Ridge-back.

The vicar ran to the cabin
And fell on his knees in prayer,
What are you trying to tell me, lord,
That you're really, really there?
I thought you were, but I wasn't sure,
It'll take some getting used to!
A voice intoned: 'England expects
Each man to do his duty! '

The vicar jumped up off his knees
And praised the lord again,
You've saved my very soul, my lord,
From Hell, and the pits of pain,
I'd thought that God was mine alone,

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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The Borough. Letter XIX: The Parish-Clerk

WITH our late Vicar, and his age the same,
His clerk, hight Jachin, to his office came;
The like slow speech was his, the like tall slender

frame:
But Jachin was the gravest man on ground,
And heard his master's jokes with look profound;
For worldly wealth this man of letters sigh'd,
And had a sprinkling of the spirit's pride:
But he was sober, chaste, devout and just,
One whom his neighbours could believe and trust:
Of none suspected, neither man nor maid
By him were wrong'd, or were of him afraid.
There was indeed a frown, a trick of state
In Jachin;--formal was his air and gait:
But if he seem'd more solemn and less kind,
Than some light men to light affairs confined,
Still 'twas allow'd that he should so behave
As in high seat, and be severely grave.
This book-taught man, to man's first foe

profess'd
Defiance stern, and hate that knew not rest;
He held that Satan, since the world began,
In every act, had strife with every man;
That never evil deed on earth was done,
But of the acting parties he was one;
The flattering guide to make ill prospects clear;
To smooth rough ways the constant pioneer;
The ever-tempting, soothing, softening power,
Ready to cheat, seduce, deceive, devour.
'Me has the sly Seducer oft withstood,'
Said pious Jachin,--'but he gets no good;
I pass the house where swings the tempting sign,
And pointing, tell him, 'Satan, that is thine:'
I pass the damsels pacing down the street,
And look more grave and solemn when we meet;
Nor doth it irk me to rebuke their smiles,
Their wanton ambling and their watchful wiles:
Nay, like the good John Bunyan, when I view
Those forms, I'm angry at the ills they do;
That I could pinch and spoil, in sin's despite,
Beauties, which frail and evil thoughts excite.
'At feasts and banquets seldom am I found,
And (save at church) abhor a tuneful sound;
To plays and shows I run not to and fro,
And where my master goes, forbear to go.'
No wonder Satan took the thing amiss,
To be opposed by such a man as this -
A man so grave, important, cautious, wise,

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Elizabeth Barrett Browning

First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

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No Remorse

No mercy for what we are doing
No thought to even what we have done
We don't need to feel the sorrow
No remorse for the helpless one

War without end
No remorse No repent
We don't care what it meant
Another day Another death
Another sorrow Another breath
No remorse No repent
We don't care what it meant
Another day Another death
Another sorrow Another breath

Blood feeds the war machine
as it eats its way across the land
We don't need the feel the sorrow
No remorse is the one command

War without end
No remorse No repent
We don't care what it meant
Another day Another death
Another sorrow Another breath
No remorse No repent
We don't care what it meant
Another day Another death
Another sorrow Another breath

Only the strong survive
No one to save the weaker race
We are ready to kill all comers
Like a loaded gun right at your face

War without end
No remorse No repent
We don't care what it meant
Another day Another death
Another sorrow Another breath
No remorse No repent
We don't care what it meant
Another day Another death
Another sorrow Another breath

Attack
Bullets are flying
People are dying
with madness surrounding all hell's breaking loose
Soldiers are hounding

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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst

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