The Jolly Miller
It was a Jolly Miller lived on the River Dee;
He looked upon his piller, and there he found a flea:
'O Mr. Flea! you have bit' me,
And you shall shorely die!'
So he scrunched his bones against the stones--
And there he let him lie!
Twas then the Jolly Miller he laughed and told his wife,
And _she_ laughed fit to kill her, and dropped her carvin'-knife!--
'O Mr. Flea!' 'Ho-ho!' 'Tee-hee!'
They _both_ laughed fit to kill,
Until the sound did almost drownd
The rumble of the mill!
_'Laugh on, my Jolly Miller! and Missus Miller, too!--
But there's a weeping-willer will soon wave over you!'_
The voice was all so awful small--
So very small and slim!--
He durst' infer that it was her,
Ner her infer 'twas him!
That night the Jolly Miller, says he, 'It's Wifey dear,
That cat o' yourn, I'd kill her!--her actions is so queer,--
She rubbin' 'ginst the grindstone-legs,
And yowlin' at the sky--
And I 'low the moon haint greener
Than the yaller of her eye!'
And as the Jolly Miller went chuckle-un to bed,
Was _Somepin_ jerked his piller from underneath his head!
'O Wife,' says he, on-easi-lee,
'Fetch here that lantern there!'
But _Somepin_ moans in thunder tones,
'_You tetch it ef you dare!_'
'Twas then the Jolly Miller he trimbled and he quailed--
And his wife choked until her breath come back, 'n' she _wailed!_
And '_O!'_ cried she, 'it is _the Flea_,
All white and pale and wann--
He's got you in his clutches, and
_He's bigger than a man!_'
'_Ho! ho! my Jolly Miller,' (fer 'twas the Flea, fer shore!)
'I reckon you'll not rack my bones ner scrunch 'em any more!_'
And then _the Ghost_ he grabbed him clos't,
With many a ghastly smile,
And from the doorstep stooped and hopped
About four hundred mile!
poem by James Whitcomb Riley
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Related quotes
Dah Dee Dah
yeah, yeah, yeah.
Yeah, yeah, yeah.
Yeah, yeah, yeah.
Yeah, yeah, yeah.
(woo ahh)
Dah dee dah, dah dah dah dee dah.
Dah dee dah, dah dah dah dee dah.
(by ya dah)
(woo ahh)
Dah dee dah, dah dah dah dee dah.
Dah dee dah, dah dah dah dee dah.
(uh)
Sexy thing,
I can do anything, cuz constantly,
(constantly)
I'm think of how to get you next to me.
(next to me)
Maybe it's their playing your mentality.
(ohh)
Ooh...
Dah dee dah, dah dah dah dee dah.
(by ya dah)
Dah dee dah, dah dah dah dee dah.
(mmm i can't explain)
Dah dee dah, dah dah dah dee dah.
(why i feel this way)
Dah dee dah, dah dah dah dee dah.
(i don't know, loving you)
Sexy thing, (yeah, yeah)
You can't hide the feelings that are deep inside.
(deep inside)
I can see it pouring through them pretty eyes.
(pretty eyes)
How much longer can you hide it, this disguise.
(not much)
Ooh...
You givin' this feelin',
(this feelin')
You're gonna be yearnin',
(gonna be yearnin')
I hope you know i'm what you need.
(i'm what you need. i'm what you need)
Just lemme tell ya,
(lemme tell ya)
There's no one for ya.
(uh uh)
There's no one for ya but me.
(no, no...)
No, no
Dah dee dah, dah dah dah dee dah.
[...] Read more
song performed by Alicia Keys
Added by Lucian Velea
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Zip-A-Dee-Doo-Dah
Zip-A-Dee-Doo-Dah
Zip-A-Dee-A
Zip-A-Dee-Doo-Dah
Zip-A-Dee-A
Zip-A-Dee-Doo-Dah
Zip-A-Dee-A
My oh my, what a wonderful day
Plenty of sunshine heading my way
Zip-A-Dee-Doo-Dah
Zip-A-Dee-A
Zip-Zip-Zip Oooh, Zip
Zip-A-Dee-Doo-Dah
Zip-A-Dee-A
My oh my, what a wonderful day
Plenty of sunshine heading my way
Zip-A-Dee-Doo-Dah
Zip-A-Dee-A
Mister bluebird on my shoulder
It's the truth
It's factual
Everything is satisfactual
Zip-A-Dee-Doo-Dah
Zip-A-Dee-A
Wonderful feeling
Wonderful day
Zip-Zip-Zip-A-Dee-Doo-Dah
(Zip-Zip-Zip-A-Dee-Doo-Dah)
Zip-Zip-Zip-A-Dee-A
(Zip-Zip-Zip-A-Dee-A)
Zip-Zip-Zip-A-Dee-Doo-Dah
(Zip-Zip-Zip-A-Dee-Doo-Dah)
Zip-Zip-Zip-A-Dee-A
(Zip-Zip-Zip-A-Dee-A)
Zip-A-Dee-Doo-Dah
Zip-A-Dee-A
Zip-A-Dee-Doo-Dah
Zip-A-Dee-A
Zip-A-Dee-Doo-Dah
Zip-A-Dee-A
Zip-A-Dee-Doo-Dah
Zip
Zip-Zip-Zip-A-Dee-Doo-Dah
(Zip-Zip-Zip-A-Dee-Doo-Dah)
Zip-Zip-Zip-A-Dee-A
(Zip-Zip-Zip-A-Dee-A)
Zip-Zip-Zip-A-Dee-Doo-Dah
(Zip-Zip-Zip-A-Dee-Doo-Dah)
Zip-Zip-Zip-A-Dee-A
(Zip-Zip-Zip-A-Dee-A)
Zip-Zip-Zip-A-Dee-Doo-Dah
[...] Read more
song performed by Paula Abdul
Added by Lucian Velea
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Beating On Your Drum With A Conscious Done
Beating with a meaning when you come,
Thumping on your drum!
Bummy dee bum dee bum.
Beating with a meaning when you come,
Thumping on your drum!
Bummy dee bum dee bum.
Bummy dee bum dee bum.
Bummy dee bummy dee bummy dum!
When you come.
Beating on your drum with a conscious done.
Know your parade has faded.
When you come.
Know each beat you keep is overdone.
No one there is left to feel,
The zest and zeal you hope appeals.
Bummy dee bummy dee bummy dum!
Bummy dee bummy dee bummy dum!
Bummy dee bummy dee bummy dum!
Bummy dee the dummies when all dummies have gone.
Bummy dee the dummies when the dummies run!
Bummy dee bummy dee bummy dum!
Bummy dee bummy dee bummy dum!
Bummy dee bummy dee bummy dum!
Bummy dee the dummies when all dummies have gone.
Bummy dee the dummies when the dummies run!
Bummy dee the dummies with the honey and the money.
When you come.
Beating on your drum with a conscious done.
Know your parade has faded.
When you come.
Know each beat you keep is overdone.
No one there is left to feel,
The zest and zeal you hope appeals.
Bummy dee bummy dee bummy dum!
Bummy dee the dummies when the dummies run!
Bummy dee the dummies with the honey and the money.
Bummy dee bummy dee bummy dum!
Bummy dee the dummies when the dummies run!
Bummy dee the dummies with the honey and the money.
Beating on your drum with a conscious done.
Bummy dee the dummies with the honey and the money.
Beating on your drum with a conscious done
[...] Read more
poem by Lawrence S. Pertillar
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Hooray Hooray
=================================================
Boney M - Hooray! Hooray! (It's A Holi-holiday)
=================================================
Diggy di di doo diggy diggy di doo (hi dee hi dee ho)
Diggy di di doo diggy diggy di di (hi dee hi dee ho)
Diggy di di doo diggy diggy di di (hi dee hi dee ho)
Diggy di di doo diggy diggy di doo (hi dee hi dee ho)
Theres place I know where we should go (hi dee hi dee ho)
Wont you take me there, your lady fair (hi dee hi dee ho)
Theres a brook nearby, the grass grows high (hi dee hi dee ho)
Where we both can hide side by side (hi dee hi dee ho)
Hooray, hooray, its a holi-holiday
What a world of fun for everyone, holi-holiday
Hooray, hooray, its a holi-holiday
Sing a summer song, skip along, holi-holiday
Its a holi-holiday
Theres a country fair not far from there (hi dee hi dee ho)
On a carousels the ding-dong bell (hi dee hi dee ho)
On the loop-di-loop well swing and swoop (hi dee hi dee ho)
And what else well do is up to you (hi dee hi dee ho)
Hooray, hooray, its a holi-holiday
What a world of fun for everyone, holi-holiday
Hooray, hooray, its a holi-holiday
Sing a summer song, skip along, holi-holiday
Its a holi-holiday
Well, Im game, fun is the thing Im after
Now lets all live it up today, get set for love and laughter
Well, lets go, time isnt here for wasting
Life is so full of sweet sweet things, Id like to do some tasting
Hooray, hooray, its a holi-holiday
What a world of fun for everyone, holi-holiday
Hooray, hooray, its a holi-holiday
Sing a summer song, skip along, holi-holiday
Its a holi-holiday
On the country side well take a ride (hi dee hi dee ho)
Where the stars all shine and lots of time (hi dee hi dee ho)
Back of your old car we might get far (hi dee hi dee ho)
In the summer breeze we feel at ease (hi dee hi dee ho)
Hooray, hooray, its a holi-holiday
What a world of fun for everyone, holi-holiday
Hooray, hooray, its a holi-holiday
Sing a summer song, skip along, holi-holiday
Its a holi-holiday, its a holi-holiday
song performed by Boney M.
Added by Lucian Velea
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Boathouse
I would rather be at the boathouse, out of the daily grind
Id sooner be down at the boathouse, what a way to unwind
Now I dont wanna know how it feels to be set back
So Im leavin here on a one-way track
Id rather be in mosquito alley, out of my right hand lane
You should see my mosquiot tally, all that moves is fair game
Now I dont wanna know how it feels not to be loose
So Im leavin here on the first caboose
So Im leavin here on the first caboose
I cant sleep by a gentle ocean, I cant sleep my a water fall
I cant sleep by a lovely river. I cant sleep. I cant sleep
Dee dee dee, dee dee dee, dee dee dee dee
I would rather sleep at the boathouse, what more can I say
Id soon eat down at the boathouse, let it carry me away
Now I dont wanna know how it feels to step aside
So Im leavin here on a wicked ride
Or I could be back at the alehouse, with a flagon or two
A few blocks south of the jailhouse, with a hole in my shoe
Now I dont wanna know how it feels to stop a truck
So Im leavin here and wishin you good luck
Im leavin here and wishin you good luck
I cant sleep by a gentle ocean, I cant sleep my a water fall
I cant sleep by a lovely river. I cant sleep. I cant sleep
Dee dee dee, dee dee dee, dee dee dee dee
Id rather be in mosquito alley, keepin spiders in line
Id sooner be down at the boathouse, what a way to unwind
Now I dont wanna know how it feels not to be loose
So Im leavin here on the first caboose
Im leavin here on the first caboose
Dee dee dee, dee dee dee, dee dee dee dee
song performed by Gordon Lightfoot
Added by Lucian Velea
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Hippo's Hope
There once was a hippo who wanted to fly --
Fly-hi-dee, try-hi-dee, my-hi-dee-ho.
So he sewed him some wings that could flap through the sky --
Sky-hi-dee, fly-hi-dee, why-hi-dee-go.
He climbed to the top of a mountain of snow --
Snow-hi-dee, slow-hi-dee, oh-hi-dee-hoo.
With the clouds high above and the sea down below --
Where-hi-dee, there-hi-dee, scare-hi-dee-boo.
(Happy ending)
And he flipped and he flapped and he bellowed so loud --
Now-hi-dee, loud-hi-dee, proud-hi-dee-poop.
And he sailed like an eagle, off into the clouds --
High-hi-dee, fly-hi-dee, bye-hi-dee-boop.
(Unhappy ending)
And he leaped like a frog and he fell like a stone --
Stone-hi-dee, lone-hi-dee, own-hi-dee-flop.
And he crashed and he drowned and broke all his bones --
Bones-hi-dee, moans-hi-dee, groans-hi-dee-glop.
(Chicken ending)
He looked up at the sky and looked down at the sea --
Sea-hi-dee, free-hi-dee, whee-hi-dee-way.
And he turned and went home and had cookies and tea --
That's hi-dee, all hi-dee, I have to say.
poem by Sheldon Allan Silverstein
Added by Poetry Lover
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V. Count Guido Franceschini
Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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IV. Tertium Quid
True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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III. The Other Half-Rome
Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!
There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
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II. Half-Rome
What, you, Sir, come too? (Just the man I'd meet.)
Be ruled by me and have a care o' the crowd:
This way, while fresh folk go and get their gaze:
I'll tell you like a book and save your shins.
Fie, what a roaring day we've had! Whose fault?
Lorenzo in Lucina,—here's a church
To hold a crowd at need, accommodate
All comers from the Corso! If this crush
Make not its priests ashamed of what they show
For temple-room, don't prick them to draw purse
And down with bricks and mortar, eke us out
The beggarly transept with its bit of apse
Into a decent space for Christian ease,
Why, to-day's lucky pearl is cast to swine.
Listen and estimate the luck they've had!
(The right man, and I hold him.)
Sir, do you see,
They laid both bodies in the church, this morn
The first thing, on the chancel two steps up,
Behind the little marble balustrade;
Disposed them, Pietro the old murdered fool
To the right of the altar, and his wretched wife
On the other side. In trying to count stabs,
People supposed Violante showed the most,
Till somebody explained us that mistake;
His wounds had been dealt out indifferent where,
But she took all her stabbings in the face,
Since punished thus solely for honour's sake,
Honoris causâ, that's the proper term.
A delicacy there is, our gallants hold,
When you avenge your honour and only then,
That you disfigure the subject, fray the face,
Not just take life and end, in clownish guise.
It was Violante gave the first offence,
Got therefore the conspicuous punishment:
While Pietro, who helped merely, his mere death
Answered the purpose, so his face went free.
We fancied even, free as you please, that face
Showed itself still intolerably wronged;
Was wrinkled over with resentment yet,
Nor calm at all, as murdered faces use,
Once the worst ended: an indignant air
O' the head there was—'t is said the body turned
Round and away, rolled from Violante's side
Where they had laid it loving-husband-like.
If so, if corpses can be sensitive,
Why did not he roll right down altar-step,
Roll on through nave, roll fairly out of church,
Deprive Lorenzo of the spectacle,
[...] Read more
poem by Robert Browning from The Ring and the Book
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VII. Pompilia
I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.
All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.
Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—
[...] Read more
poem by Robert Browning from The Ring and the Book
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The Tower Beyond Tragedy
I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.
[...] Read more
poem by Robinson Jeffers
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Rockin Robin
(thomas)
Twiddley dee, twiddley diddley dee
Twiddley dee, twiddley diddley dee
Twiddley dee, twiddley diddley dee
Tweet, tweet, twiddley de
He rocks in the treetops all the day long
Hoppin and a-boppin and a-singing this song
Every little bird, every little bee
Loves to hear the robin go tweet-tweet-tweet
Rockin robin, tweet, twiddley dee
Rockin robin, tweet, twiddley dee
Yeah go rockin robin, really gonna rock tonight
Every little swallow, every chick-a-dee
Every little bird in the old oak tree
Wise old owl, big black crow
Put out their wings singing go bird go
Rockin robin, tweet, twiddley dee
Rockin robin, tweet, twiddley dee
Yeah go rockin robin, really gonna rock tonight
The chief bird standing at the birdbath stand
Taught him how to do the bop and it was grand
Start goin steady and bless my soul,
He out-bopped the buzzard and the oriole
He rocks in the treetops all the day long
Hoppin and a-boppin and a-singing this song
Every little bird, every little bee
Loves to hear the robin go tweet-tweet-tweet
Rockin robin, tweet, twiddley dee
Rockin robin, tweet, twiddley dee
Yeah go rockin robin, really gonna rock tonight
Break
The chief bird standing at the birdbath stand
Taught him how to do the bop and it was grand
Start goin steady and bless my soul,
He out-bopped the buzzard and the oriole
He rocks in the treetops all the day long
Hoppin and a-boppin and a-singing this song
Every little bird, every little bee
Loves to hear the robin go tweet-tweet-tweet
Rockin robin, tweet, twiddley dee
Rockin robin, tweet, twiddley dee
Yeah go rockin robin, really gonna rock tonight
Twiddley dee, twiddley diddley dee
Twiddley dee, twiddley diddley dee
Twiddley dee, twiddley diddley dee
Tweet, tweet, twiddley de
song performed by Hollies
Added by Lucian Velea
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Movement Vii - Crises
(mary dee and shantys home)
Mary dee (alone in bedroom)
The world youre coming into,
Is no easy place to enter.
Every day is haunted
By the echoes of the past.
Funny thoughts and wild; wild dreams
Will find their way into your mind.
The clouds that hang above us,
May be full of rain and thunder.
But in time they slide away
To find the sun still there.
Lazy days and wild. wild flowers
Will bring some joy into your heart.
And I will always love you,
Ill welcome you into this world.
Mary dee and boy solo
You-re mine and I will love you.
Shanty
]where-s my dinner?
Ive been working hard all day
And a man can work up quite an appetite that way.
Whats for dinner?
Something nourishing and hot?
I could tackle quite a lot of you know what
And all Ive got to say to you is why no dinner?
Ive got nothing on my plate.
Its expected of a mate.
Whyd ya have to make me wait?
Wheres my...
Mary dee
This is the way we put out the candle.
Farewell to childhood.
Deep in the wild wood a fire goes out,
And what are we left with
Now we are grown up?
Shanty
This is the way we pull up the anchor.
Goodbye to romance.
Out on the ocean a good ship is lost,
And what are we left with
Now we are grown up?
Mary dee
Time to be thinking of real life feelings.
I must get on.
Shanty
Time to be buying those little trinkets
I cant afford.
Lord knows
I want to give her the best.
[...] Read more
song performed by Paul McCartney
Added by Lucian Velea
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Simplistically Breezy
Keeping it realistic.
Untwisted from statistics!
I've got my charm and focus going.
Watching those whose minds flow,
Unknowing...
Their balled fists keeps them animalistic.
I've got to keep it realistic...
Tired of being analystic,
About who did what to whom and where?
Why that was done in others affairs?
I am staying on top of what I maintain.
Trying to rise above those misfits...
Unchanged.
Who seem encouraged to go ballistically insane!
Dah deedee dah dah doo!
Dah dee dah.
Dah dee dah,
Dah dee dah...
Dah deedee dah dah doo!
Dah dee dah...
Dee dee dah dah dah doo!
Simplistically breezy.
Dah deedee dah dah doo!
Dah dee dah.
Dah dee dah,
Dah dee dah...
Dah deedee dah dah doo!
Dah dee dah...
Dee dee dah dah dah doo!
Keeping it realistic...
Without hatchets to bury or bones to pick.
Removed from rat races,
And those who sniff conflicts.
I've learned my lessons...
And have found for me what fits!
I'm through with that kind of messing around,
And those who take those 'trips'.
Dah deedee dah dah doo!
Dah dee dah.
Dah dee dah,
Dah dee dah...
Dah deedee dah dah doo!
Dah dee dah..
Dee dee dah dah dah doo!
[...] Read more
poem by Lawrence S. Pertillar
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The Beat Goes On
Drums keep pounding rhythm to the brain
La-dee-da-dee-dee
La-dee-da-dee-da
Wait till you have reached the age
Blah blah
History has turned the page
Blah blah
We still want to hear a brand new thing
Uh huh
We still need a song to sing
Uh huh
And the beat goes on (6x)
Drums keep pounding rhythm to the brain
La-dee-da-dee-dee
La-dee-da-dee-da
Love is a thirsting, lasting on my mind
From tomorrow until the end of time
And the beat goes on (4x)
And the beat goes
And the beat goes
And the beat goes on
Drums keep pounding rhythm to the brain
La-dee-da-dee-dee
La-dee-da-dee-da
We still move to a rhythm just like this
We still dream of sharing our first kiss
And the beat goes on (4x)
Drums keep pounding rhythm to the brain
La-dee-da-dee-dee
La-dee-da-dee-da
Well our kids are turning faster everyday (everyday)
We still want to dance the night away
And the beat goes on
And the beat goes on
And the beat goes on
And the beat goes on...
(to fade)
song performed by Britney Spears
Added by Lucian Velea
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Seventh Book
'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.
'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.
'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Tamar
I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.
The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,
[...] Read more
poem by Robinson Jeffers
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