Come to me and be my verb,
Leave me not a phrase,
Make me a sentence.
haiku by Jahan zaib
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Related quotes
VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator
Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!
It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!
Well,
Let others climb the heights o' the court, the camp!
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Bad Writing
the sentence & the paragraph had agreed upon meeting at dawn
out in the middle of the page
as the reflection off the fine silver pen being lifted by the human hand in the sky
shone off the bright white recycled paper
there stood one strong paragraph,
which
was armed with clever words, quirky verbs & quiet frankly,
a whole slew of other sentences
who may or may not be brought into the fray
with this
vigilante,
who stood a good distance away from the paragraph
with its shadow blotting out part of the page-
the sentence was tight
knit
&
written in a language that the paragraph had never heard of
before-
the paragraph tilted it’s font a bit, to stave off the human shifting the paper,
causing a bit of a breeze across the soft plane,
but the sentence hadn’t come here today
to waste its time flashing its
fashion sense, and in
standard
new times roman,
it spoke out in italics
“we gonna do this or not? ”
& the paragraph,
without a moment’s hesitation,
nodded, saying, in some bold n’ fancy variation of
book antiqua,
“i been ready since i saw the punctuation at the end of your
babbling jumble of foreign words”-
at that point,
the title of the page & the
header
walked in tandem to the place in between both the paragraph
and the sentence-
now equidistant apart from both,
they talked of what had brought both these forms of writing
to the page
this brisk & early morning in
june-
to make a story short,
the foreign language sentence & the
english (current language of commerce) paragraph
had come to this duel over a
beautiful
metaphor-
and while both the title & the header could understand,
[...] Read more
poem by Andrew Delapruch
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Love Is A Crime
Oooh Yeah
Chicago
If love is a crime baby
I'd do my time
Whether it's wrong or right
You can sentence me to life
If love is a crime baby
I'd do my time
Whether it's wrong or right
You can sentence me
Sentence me to life
Some might say I'm guilty of loving the first degree
If the jury wants to lock me up and throw away the key
There's no greater punishment than what I face inside
Won't tamper with the evidence cause there's nothing to hide
(He lives inside my heart)
(I'm in the middle too)
I'm in the middle too
(You never had a clue)
Unless you felt it too
(If love is a crime) baby
I'd do my time
(Whether it's wrong or right)
(You can) sentence me
Sentence me to life
(If love is a crime) baby
I'd do my time
(Whether it's wrong or right)
You can sentence me
Sentence me to life
Better tell the truth, just let me plead my case
The thief who stole my heart from me I couldn't let escape
He's my only alibi, but I won't drop a dime
So how can I give up to you, my partner in crime
(He lives inside) my heart
(I'm in the middle too)
Ooh yeah yeah
(You never had a clue)
Unless you felt it too
(If love is a crime) baby
I'd do my time
Whether it's wrong or right
You can sentence me
Sentence me to life
(If love is a crime) baby
I'd do my time
Whether it's wrong or right
You can sentence me
(Sentence me to life)
You can take away my freedom
[...] Read more
song performed by Anastacia
Added by Lucian Velea
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Ooh Baby
Oohbaby
Oohbaby
Oohoohooh
Since the day I saw you, baby, I knew you were for me
Always all by myself, I sought your company
All the fellas told me that you played me for a fool
Said I wouldnt hang out, id go home right after school
What did I do to you
To make you feel this way
You said youd be my baby
Never go away, go away
How could you leave when I need you, baby
How could you leave when I need you, baby
How could you leave when I need you, baby
How could you leave when I need you, baby
(oohbaby) how could you leave when I need you, baby
(oohbaby) how could you leave when I need you, baby
(oohoohooh) how could you leave when I need you, baby
How could you leave when I need you, baby
Spent all my time, baby, just working on my form
Trying to improve myself so I could give you more
You told me I was turning out the way that I should be
How could I know that you would turn your back on me
What did I do to you
To make you feel this way
You said youd be my baby
Never go away, go away
How could you leave when I need you, baby
How could you leave when I need you, baby
How could you leave when I need you, baby
How could you leave when I need you, baby
(oohbaby) how could you leave when I need you, baby
(oohbaby) how could you leave when I need you, baby
(oohoohooh) how could you leave when I need you, baby
How could you leave when I need you, baby
(oohbaby) how could you leave when I need you, baby
(oohbaby) how could you leave when I need you, baby
(oohoohooh) how could you leave when I need you, baby
How could you leave when I need you, baby
Ooh, baby, ooh, ooh, ooh, ooh
How could you leave
Ooh, baby, ooh, ooh, ooh, ooh
How could you leave
How could you leave
How could you leave
How could you leave
Ooh, baby, ooh, ooh, ooh, ooh
Ooh, baby, ooh, ooh, ooh, ooh
How could you leave
How could you leave
[...] Read more
song performed by New Edition
Added by Lucian Velea
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Verbs v. nouns
Nouns…
they’re dead things; names
you give to things to render them
immobile; to make them yours, your very own; fit for nothing
except scrapheaps, museums, dictionaries, armchairs;
but they make you feel good;
you have control over their world;
you don’t have to think about them any more;
they’re all locked up safe in your collecting-box,
the noun for which is head:
you can sound important with nouns:
this government’s raft of measures
for fiscal stimulation of the economy
but verbs… ah, verbs!
you can’t own them, push them about,
collect them, be important about them;
they own themselves;
they’re outdoor words: going about their
lawful business, doing what they're best at,
measuring their own life as they work;
adapting themselves to what needs to be done
which nouns can’t do without a committee
and then it’s too late; happy
to be themselves, being; even
being while they’re doing.. don't you wish
you were a verb?
Nature – (that’s a verb, by the way,
not a noun) – is all verbs; evolution
is a verb (not a theory):
DNA’s a verb – you can’t own it
like a noun…it doesn’t even
want to own you…
so, be a child – put your boots on,
run, splash, shout look at all those verbs;
how bright the world, what fun,
nothing to put in your pocket to take home
(or if you do, it’ll change to a noun, your noun,
in your pocket, in your drawer, gathering dust:
verbs don’t have the time to gather dust…)
verbs are for observing; verbs are for
seeing for the first time; wow! Verbs are for
inventors, explorers, tree-climbing,
[...] Read more
poem by Michael Shepherd
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The Grammar Lesson
A noun's a thing. A verb's the thing it does.
An adjective is what describes the noun.
In "The can of beets is filled with purple fuzz"
of and with are prepositions. The's
an article, a can's a noun,
a noun's a thing. A verb's the thing it does.
A can can roll - or not. What isn't was
or might be, might meaning not yet known.
"Our can of beets is filled with purple fuzz"
is present tense. While words like our and us
are pronouns - i.e. it is moldy, they are icky brown.
A noun's a thing; a verb's the thing it does.
Is is a helping verb. It helps because
filled isn't a full verb. Can's what our owns
in "Our can of beets is filled with purple fuzz."
See? There's almost nothing to it. Just
memorize these rules...or write them down!
A noun's a thing, a verb's the thing it does.
The can of beets is filled with purple fuzz.
poem by Steve Kowit
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Leave Me Alone
Everybodys gonna try to tell you what to do, uhh-haa
And never, never, never, never, let it be said that its true
Oh-oh, hey, give it to my baby
Leave me, leave me, leave me, leave me, leave me alone
Leave me, leave me, leave me, leave me, leave me alone
Theyre the kind of people thatll always let you down
I know you, too, you dont ever give it a frown
Oh, do it, do it, now, do it, do it
Leave me, leave me, leave me, leave me, leave me alone
Get down, baby
Leave me, leave me, leave me, leave me, leave me alone
Oh, come now, leave me alone, mam, okay, baby
Oh, oh, yeah
Ah-ha-ha, oh, oh, yeah
Ah-ha-ha, oh, oh, yeah
Ah-ha-ha, oh, oh, yeah
Ah-ha-ha, oh, oh, yeah
Ah-ha-ha, oh, oh, yeah
Ah-ha-ha
Dont you know some people, they just dont know when to stop
Give it to me, now
They cant tell the floor from the ceiling or the top
And therere other types, they always make you wait
And theyre always the first to say, the state you come from
Leave me, leave me, leave me, leave me, leave me alone
Leave me, leave me, leave me, leave me, leave me alone
Love me, love me, love me, love me, love me forever
Love me, love me, love me, love me, love me forever
Leave me, leave me, leave me, leave me, leave me alone, oh
Leave me, leave me, leave me, leave me, leave me alone
Leave me alone
Ah-ha-ha, oh, oh, yeah
Ah-ha-ha, oh, oh, yeah
Ah-ha-ha, oh, oh, yeah
Ah-ha-ha, oh, oh, yeah
Ah-ha-ha, oh, oh, yeah
Ah-ha-ha, oh, oh, yeah
Ah-ha-ha, oh, oh, yeah
Ah-ha-ha, oh, oh, yeah
Ah-ha-ha
song performed by Lou Reed
Added by Lucian Velea
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The Course Of Time. Book X.
God of my fathers! holy, just, and good!
My God! my Father! my unfailing Hope!
Jehovah! let the incense of my praise,
Accepted, burn before thy mercy seat,
And in thy presence burn both day and night.
Maker! Preserver! my Redeemer! God!
Whom have I in the heavens but Thee alone?
On earth, but Thee, whom should I praise, whom love?
For Thou hast brought me hitherto, upheld
By thy omnipotence; and from thy grace,
Unbought, unmerited, though not unsought—
The wells of thy salvation, hast refreshed
My spirit, watering it, at morn and even!
And by thy Spirit, which thou freely givest
To whom thou wilt, hast led my venturous song,
Over the vale, and mountain tract, the light
And shade of man; into the burning deep
Descending now, and now circling the mount,
Where highest sits Divinity enthroned;
Rolling along the tide of fluent thought,
The tide of moral, natural, divine;
Gazing on past, and present, and again,
On rapid pinion borne, outstripping Time,
In long excursion, wandering through the groves
Unfading, and the endless avenues,
That shade the landscape of eternity;
And talking there with holy angels met,
And future men, in glorious vision seen!
Nor unrewarded have I watched at night,
And heard the drowsy sound of neighbouring sleep;
New thought, new imagery, new scenes of bliss
And glory, unrehearsed by mortal tongue,
Which, unrevealed, I trembling, turned and left,
Bursting at once upon my ravished eye,
With joy unspeakable, have filled my soul,
And made my cup run over with delight;
Though in my face, the blasts of adverse winds,
While boldly circumnavigating man,
Winds seeming adverse, though perhaps not so,
Have beat severely; disregarded beat,
When I behind me heard the voice of God,
And his propitious Spirit say,—Fear not.
God of my fathers! ever present God!
This offering more inspire, sustain, accept;
Highest, if numbers answer to the theme;
Best answering if thy Spirit dictate most.
Jehovah! breathe upon my soul; my heart
Enlarge; my faith increase; increase my hope;
My thoughts exalt; my fancy sanctify,
And all my passions, that I near thy throne
[...] Read more
poem by Robert Pollok
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From, Thinking and Love!
From to....
Thinking......
Love! ! ! Someone!
This is a powerful verb!
Needs no preposition.
Love! Ready.
Without one, you can also.
They say someone is better
But it can be alone!
He fulfills his role well!
LOVE only when coupled
Loving Someone!
You can not love this, this, this......
You can not love My, Your, Our......
You can only LOVE! in You, for You
There you can!
Then, combine!
Jealous that Verb!
But it also has another verb.
What comes after the LOVE!
Think!
Thinking requires.... something that, in my, in yours, in our!
You also think.... From the Other!
Thinking all is wanting!
At that point! In this combination!
The love does not tolerate such a preposition
Demanding that verb!
Then comes the
FROM!
Birth from thee!
Because you began putting together The Love
and finished with The Think!
Painful this verb!
poem by Mirna Morgan
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus
Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—
Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
[...] Read more
poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Semantics Of Animal Objectification
to bag: verb for to kill a deer or other animal
to harvest: verb for to kill an elk or other animal
cull: a 3rd verb for murdering animals
thin the herd: phrase for murdering animals
pork: objectivist term for subdivided murdered pigs
beef.: objectivist term for subdivided murdered cows
mutton: objectivist term for subdivided murdered sheep
veal: objectivist term for a baby cow's murdered flesh
pate: objectivist term for the smashed livers of tortured geese
The word bovine is struck from tuberculosis to obscure
the disease causing nature of cows' milk
Kine Pox or Cow Pox: changed to smallpox to obscure
the eating of cowflesh as an origin of the disease
Wool Sorters' Disease.. changed to anthrax
study: verb for kidnapping, torturing and murdering lab animals
pith: to shove a needle into the brain of a living frog
field dress: to remove the skin from a mammal, pull out his
intestines etc.
stock market: term for many corporations invested in animal
and people slaughter
clear: to murder many trees
pluck: to kill a flower
mow: to decapitate dandelions, shred sapling trees
poem by Anna Hridaya
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Splitting Infinitives
Chief Justice Roberts hates to split
infinitives, and boldly goes
towards the future without wit,
his path as prim as that prim rose
that once Polonius boldly took,
advising Hamlet not to dally.
The Constitution almost shook
when he refused to shilly-shally,
and tried to wander in a way
that was unfaithful to the text
the oath of office. The next day
the problem was resolved, and now,
Queen’s English and our own unregal
language must agree that splitting
of infinitives is legal,
although pedantically unfitting,
since we’ve a President who swore
appropriately, and a Justice
who like Polonius is a bore
and clearly just as dry as dust is.
Inspired by Stephen Pinker’s Op-Ed article in the NYT, January 22,2009, appropriately titled “Oaf of Office, ” commenting on the fiasco created by Chief Justice Roberts when administering the oath of office to President Obama according togrammatical rules that conflict with the original text of the oath:
In 1969, Neil Armstrong appeared to have omitted an indefinite article as he stepped onto the moon and left earthlings puzzled over the difference between “man” and “mankind.” In 1980, Jimmy Carter, accepting his party’s nomination, paid homage to a former vice president he called Hubert Horatio Hornblower. A year later, Diana Spencer reversed the first two names of her betrothed in her wedding vows, and thus, as Prince Charles Philip supposedly later joked, actually married his father. On Tuesday, Chief Justice John Roberts joined the Flubber Hall of Fame when he administered the presidential oath of office apparently without notes. Instead of having Barack Obama “solemnly swear that I will faithfully execute the office of president of the United States, ” Chief Justice Roberts had him “solemnly swear that I will execute the office of president to the United States faithfully.” When Mr. Obama paused after “execute, ” the chief justice prompted him to continue with “faithfully the office of president of the United States.” (To ensure that the president was properly sworn in, the chief justice re-administered the oath Wednesday evening.)
How could a famous stickler for grammar have bungled that 35-word passage, among the best-known words in the Constitution? Conspiracy theorists and connoisseurs of Freudian slips have surmised that it was unconscious retaliation for Senator Obama’s vote against the chief justice’s confirmation in 2005. But a simpler explanation is that the wayward adverb in the passage is blowback from Chief Justice Roberts’s habit of grammatical niggling. Language pedants hew to an oral tradition of shibboleths that have no basis in logic or style, that have been defied by great writers for centuries, and that have been disavowed by every thoughtful usage manual. Nonetheless, they refuse to go away, perpetuated by the Gotcha! Gang and meekly obeyed by insecure writers. Among these fetishes is the prohibition against “split verbs, ” in which an adverb comes between an infinitive marker like “to, ” or an auxiliary like “will, ” and the main verb of the sentence. According to this superstition, Captain Kirk made a grammatical error when he declared that the five-year mission of the starship Enterprise was “to boldly go where no man has gone before”; it should have been “to go boldly.” Likewise, Dolly Parton should not have declared that “I will always love you” but “I always will love you” or “I will love you always.”
Any speaker who has not been brainwashed by the split-verb myth can sense that these corrections go against the rhythm and logic of English phrasing. The myth originated centuries ago in a thick-witted analogy to Latin, in which it is impossible to split an infinitive because it consists of a single word, like dicere, “to say.” But in English, infinitives like “to go” and future-tense forms like “will go” are two words, not one, and there is not the slightest reason to interdict adverbs from the position between them.
Though the ungrammaticality of split verbs is an urban legend, it found its way into The Texas Law Review Manual on Style, which is the arbiter of usage for many law review journals. James Lindgren, a critic of the manual, has found that many lawyers have “internalized the bogus rule so that they actually believe that a split verb should be avoided, ” adding, “The Invasion of the Body Snatchers has succeeded so well that many can no longer distinguish alien speech from native speech.” In his legal opinions, Chief Justice Roberts has altered quotations to conform to his notions of grammaticality, as when he excised the “ain’t” from Bob Dylan’s line “When you ain’t got nothing, you got nothing to lose.” On Tuesday his inner copy editor overrode any instincts toward strict constructionism and unilaterally amended the Constitution by moving the adverb “faithfully” away from the verb. President Obama, whose attention to language is obvious in his speeches and writings, smiled at the chief justice’s hypercorrection, then gamely repeated it. Let’s hope that during the next four years he will always challenge dogma and boldly lead the nation in new directions.
1/22/09
poem by Gershon Hepner
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Leave This Man Alone
(Justin Hayward)
Ah, leave this man alone, Ah, leave this man alone
Young girls with long faces come to me at night and stay the night
Why am I so lonely?
Tell me is it right? (Is it right?)
Leave them, leave them, leave them, leave those things alone
Leave them, leave them, leave them, leave those things alone
Someone said I loved you, but I can't think where (I can't think where)
You know so much about me
So don't stand and stare, stand and stare
Leave me, leave me, leave me, leave my mind alone
Leave me, leave me, leave me, leave this man alone
Ah, ah, leave this man alone
Ah, ah, leave this
(Instrumental)
Ah, ah, leave this man alone
Ah, ah, leave this
Someone said I loved you, but I can't think where (I can't think where)
You know so much about me
So don't stand and stare, stand and stare
Leave me, leave me, leave me, leave my mind alone
Leave me, leave me, leave me, leave this man alone
Ah, ah, leave this man alone
Ah, ah, leave this man alone
Ahhhh
*************************************************************
song performed by Moody Blues
Added by Lucian Velea
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Paradise Lost: Book 10
Mean while the heinous and despiteful act
Of Satan, done in Paradise; and how
He, in the serpent, had perverted Eve,
Her husband she, to taste the fatal fruit,
Was known in Heaven; for what can 'scape the eye
Of God all-seeing, or deceive his heart
Omniscient? who, in all things wise and just,
Hindered not Satan to attempt the mind
Of Man, with strength entire and free will armed,
Complete to have discovered and repulsed
Whatever wiles of foe or seeming friend.
For still they knew, and ought to have still remembered,
The high injunction, not to taste that fruit,
Whoever tempted; which they not obeying,
(Incurred what could they less?) the penalty;
And, manifold in sin, deserved to fall.
Up into Heaven from Paradise in haste
The angelick guards ascended, mute, and sad,
For Man; for of his state by this they knew,
Much wondering how the subtle Fiend had stolen
Entrance unseen. Soon as the unwelcome news
From Earth arrived at Heaven-gate, displeased
All were who heard; dim sadness did not spare
That time celestial visages, yet, mixed
With pity, violated not their bliss.
About the new-arrived, in multitudes
The ethereal people ran, to hear and know
How all befel: They towards the throne supreme,
Accountable, made haste, to make appear,
With righteous plea, their utmost vigilance
And easily approved; when the Most High
Eternal Father, from his secret cloud,
Amidst in thunder uttered thus his voice.
Assembled Angels, and ye Powers returned
From unsuccessful charge; be not dismayed,
Nor troubled at these tidings from the earth,
Which your sincerest care could not prevent;
Foretold so lately what would come to pass,
When first this tempter crossed the gulf from Hell.
I told ye then he should prevail, and speed
On his bad errand; Man should be seduced,
And flattered out of all, believing lies
Against his Maker; no decree of mine
Concurring to necessitate his fall,
Or touch with lightest moment of impulse
His free will, to her own inclining left
In even scale. But fallen he is; and now
What rests, but that the mortal sentence pass
On his transgression,--death denounced that day?
Which he presumes already vain and void,
[...] Read more
poem by John Milton
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IV. Tertium Quid
True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Introit : VIII. The Golden Joy
What has the poet but a glorious phrase
And the heart's wisdom? -- Oh, a Joy of gold!
A Joy to mint and squander on the Kind,--
Pure gold coined current for eternity,
Giving dear wealth to men for a long age,
And after, lost to sight and touch of hands,
Leaving a memory that will bud and bloom
And blossom all into a lyric phrase--
The glorious phrase again on other lips,
The heritage of Joy, the heart again,
Wisdom anew that ages not but lives
To Sappho-sing the Poet else forgot.
O Joy! O secret transport of mystic vision,
Who hold'st the keys of Ivory and Horn,
Who join'st the hands of Earth and Faerie!
Thou art the inmate of the hermit soul
That shuns the touch of every street-worn wind
Sweet to all else, the shuns doctrine and doubt,
To wait in trembling quietness for thee.
Thou art the spouse of the busy human mind
That bravely, sanely, bears his worldly part
And claims no favour for the gift of thee:
But, Nature's child, lives true in Nature's right,
Filling the duties of the Tribe of Man,
Keeping the heart, O Joy! untarnished still
And pinion-strong to soar the exalted way.
The Poet guards the philosophic soul
In contemplation that no importunate thought
May mar his ecstasy or change his song;
And though he see the gloom and sing of sorrow,
He is the world's Herald of Joy at last:
His song is Joy, the music that needs sorrow
To fill its closes, as Death fulfils Life,
As Life fills Time, and Time Eternity:
Joy that sees Death, yet in Death sees not woe.
O Joy! the Spring is green -- on many a wall
The roses straggle, on many a tree dew-laden;
And now the waters murmur 'neath their banks
And all the flocks are loud with firstling cries,
And in the heart of life Joy wakes anew
To live a long day ere the winter falls;
And now the song of an invisible lark,
And now a child's voice makes the morning glad;
The kindling sky and the mist-wreathed earth
Have broken from the drowsihood of night,--
Dawn widened grey, but now the orient blush
Is over all the roses on the wall,
[...] Read more
poem by Thomas MacDonagh
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Speeding to Leave Your Behind Behind!
Speeding to leave your behind behind!
Speeding to leave your behind.
Speeding to leave your behind behind!
Speeding to leave your behind.
Get up and ready we gotta go.
Speeding to leave your behind.
You can't benefit if you're dragging slow.
Speeding to leave your behind.
Who said what you do,
Doesn't get you where your'e going.
Speeding to leave your behind behind!
Speeding to leave your behind.
Speeding to leave your behind behind!
Speeding to leave your behind.
Get up and ready we gotta go.
Speeding to leave your behind.
You can't benefit if you're dragging slow.
Speeding to leave your behind.
Who said what you do,
Doesn't get you where your'e going.
Speeding to leave your behind behind!
Speeding to leave your behind.
Speeding to leave your behind behind!
Speeding to leave your behind.
Why stay up half the night!
Looking for a falling star?
To make a wish...
Then,
Dismiss it.
And why,
Do you wish to fight with me?
Someone who's always there for you!
Someone who wants to have life,
Like you do!
I don't wanna do it but I'm...
Speeding to leave your behind behind!
Speeding to leave your behind.
But I'm...
Speeding to leave your behind behind!
Speeding to leave your behind.
Get up and ready we gotta go.
Speeding to leave your behind.
[...] Read more
poem by Lawrence S. Pertillar
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Sir Hornbook
I.
O'er bush and briar Childe Launcelot sprung
With ardent hopes elate,
And loudly blew the horn that hung
Before Sir Hornbook's gate.
The inner portals opened wide,
And forward strode the chief,
Arrayed in paper helmet's pride,
And arms of golden leaf.
--"What means,"--he cried,--"This daring noise,
That wakes the summer day?
I hate all idle truant boys:
Away, Sir Childe, away!"--
--"No idle, truant boy am I,"--
Childe Launcelot answered straight;
--"Resolved to climb this hill so high,
I seek thy castle gate.
"Behold the talisman I bear,
And aid my bold design:"--
Sir Hornbook gazed, and written there,
Knew Emulation's sign.
"If Emulation sent thee here,"
Sir Hornbook quick replied,
"My merrymen all shall soon appear,
To aid thy cause with shield and spear,
And I will head thy bold career,
And prove thy faithful guide."--
Loud rung the chains; the drawbridge fell;
The gates asunder flew:
The knight thrice beat the portal bell,
And thrice he call'd "Halloo."
And out, and out, in hasty rout,
By ones, twos, threes, and fours;
His merrymen rush'd the walls without,
And stood before the doors.
II.
Full six and twenty men were they,
In line of battle spread:
The first that came was mighty A,
[...] Read more
poem by Thomas Love Peacock
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