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My Orcha'd In Linden Lea

'Ithin the woodlands, flow'ry gleaded,
By the woak tree's mossy moot,
The sheenen grass-bleades, timber-sheaded,
Now do quiver under voot;
An' birds do whissle over head,
An' water's bubblen in its bed,
An' there vor me the apple tree
Do lean down low in Linden Lea.
When leaves that leately wer a-springen
Now do feade 'ithin the copse,
An' painted birds do hush their zingen
Up upon the timber's tops;
An' brown-leav'd fruit's a-turnen red,
In cloudless zunsheen, over head,
Wi' fruit vor me, the apple tree
Do lean down low in Linden Lea.

Let other vo'k meake money vaster
In the air o' dark-room'd towns,
I don't dread a peevish measter;
Though noo man do heed my frowns,
I be free to goo abrode,
Or teake agean my hwomeward road
To where, vor me, the apple tree
Do lean down low in Linden Lea.

poem by Ingeborg Bachmann
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My Orcha'd in Linden Lea

'Ithin the woodlands, flow'ry gleaded,
By the woak tree's mossy moot,
The sheenen grass bleades, timber-sheaded,
Now do quiver under voot;
An' birds do whissle auver head,
An' water's bubblen in its bed,
An' ther vor me the apple tree
Do lean down low in Linden Lea.

When leaves that leately wer a-springen
Now do feade 'ithin the copse,
An' painted birds do hush ther zingen
Up upon the timber's tops;
An' brown-leav'd fruit's a-turnen red,
In cloudless zunsheen, auver head,
Wi' fruit vor me the apple tree
Do lean down low in Linden Lea.

Let other vo'k meake money vaster
In the air o' dark-room'd towns,
I don't dread a peevish measter;
Though noo man do heed my frowns,
I be free to goo abrode,
Or teake agean my hwomeward road
To where vor me the apple tree
Do lean down low in Linden Lea.

poem by William Barnes
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Woak Hill

When sycamore leaves wer a-spreaden
Green-ruddy in hedges,
Bezide the red doust o' the ridges,
A-dried at Woak Hill;

I packed up my goods, all a-sheenen
Wi' long years o' handlen,
On dousty red wheels ov a waggon,
To ride at Woak Hill.

The brown thatchen ruf o' the dwellen
I then wer a-leaven,
Had sheltered the sleek head o' Meary,
My bride at Woak Hill.

But now vor zome years, her light voot-vall
'S a-lost vrom the vlooren.
To soon vor my jay an' my childern
She died at Woak Hill.

But still I do think that, in soul,
She do hover about us;
To ho vor her motherless childern,
Her pride at Woak Hill.

Zoo—lest she should tell me hereafter
I stole off 'ithout her,
An' left her, uncalled at house-ridden,
To bide at Woak Hill—

I called her so fondly, wi' lippens
All soundless to others,
An' took her wi' air-reachen hand
To my zide at Woak Hill.

On the road I did look round, a-talken
To light at my shoulder,
An' then led her in at the doorway,
Miles wide vrom Woak Hill.

An' that's why vo'k thought, vor a season,
My mind wer a-wandren
Wi' sorrow, when I wer so sorely
A-tried at Woak Hill.

But no; that my Meary mid never
Behold herzelf slighted,
I wanted to think that I guided
My guide vrom Woak Hill.

poem by Ingeborg Bachmann
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Woak Hill

When sycamore leaves wer a-spreadèn
Green-ruddy in hedges,
Bezide the red doust o' the ridges,
A-dried at Woak Hill;

I packed up my goods all a sheenèn
Wi' long years o' handlèn,
On dousty red wheel ov a waggon,
To ride at Woak Hill.

The brown thatchen ruf o' the dwellèn,
I then wer a-le{'a}vèn,
Had shelter'd the sleek head o' Me{'a}ry,
My bride at Woak Hill.

But now vor zome years, her light voot-vall
'S a-lost vrom the vloorèn.
Too soon vor my ja{'y} an' my childern,
She died at Woak Hill.

But still I do think that, in soul,
She do hover about us;
To ho vor her motherless childern,
Her pride at Woak Hill.

Zoo--lest she should tell me hereafter
I stole off 'ithout her,
An' left her, uncall'd at house-riddèn,
To bide at Woak Hill--

I call'd her so fondly, wi' lippèns
All soundless to others,
An' took her wi' a{'i}r-reachèn hand,
To my zide at Woak Hill.

On the road I did look round, a-talkèn
To light at my shoulder,
An' then led her in at the doorway,
Miles wide vrom Woak Hill.

An' that's why vo'k thought, vor a season,
My mind wer a-wandrèn
Wi' sorrow, when I wer so sorely
A-tried at Woak Hill.

But no; that my Me{'a}ry mid never
Behold herzelf slighted,
I wanted to think that I guided
My guide vrom Woak Hill.

poem by William Barnes
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The Girt Woak Tree

The girt woak tree that's in the dell !
There's noo tree I do love so well;
Vor times an' times when I wer young
I there've a-climb'd, an' there've a-zwung,
An' pick'd the eacorns green, a-shed
In wrestlen storms from his broad head,
An' down below's the cloty brook
Where I did vish with line an' hook,
An' beat, in playsome dips and zwims,
The foamy stream, wi' white-skinn'd lim's.
An' there my mother nimbly shot
Her knitten-needles, as she zot
At evenen down below the wide
Woak's head, wi' father at her zide.
An' I've a-played wi' many a bwoy,
That's now a man an' gone awoy;
Zoo I do like noo tree so well
'S the girt woak tree that's in the dell.

An' there, in leater years, I roved
Wi' thik poor maid I fondly lov'd,-
The maid too feair to die so soon,-
When evenen twilight, or the moon,
Cast light enough 'ithin the pleace
To show the smiles upon her feace,
Wi' eyes so clear's the glassy pool,
An' lips an' cheaks so soft as wool.
There han' in han', wi' bosoms warm
Wi' love that burned but thought noo harm,
Below the wide-bough's tree we past
The happy hours that went too vast;
An' though she'll never be my wife,
She's still my leaden star o' life.
She's gone: an' she've a-left to me
Her token in the girt woak tree;
Zoo I do love noo tree so well
'S the girt woak tree that's in the dell.

An' oh ! mid never ax nor hook
Be brought to spweil his steately look;
Nor ever roun' his ribby zides
Mid cattle rub ther heairy hides;
Nor pigs rout up his turf, but keep
His lwonesome sheade vor harmless sheep;
An' let en grow, an' let en spread,
An' let en live when I be dead.
But oh! if men should come an' vell
The girt woak tree that's in the dell,
An' build his planks 'ithin the zide
O' zome girt ship to plough the tide,

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poem by Ingeborg Bachmann
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The Girt Woak Tree That's In the Dell

The girt woak tree that's in the dell!
There's noo tree I do love so well;
Vor times an' times when I wer young,
I there've a-climbed, an' there've a-zwung,
An' picked the eacorns green, a-shed
In wrestlen storms vrom his broad head.
An' down below's the cloty brook
Where I did vish with line an' hook,
An' beat, in playsome dips and zwims,
The foamy stream, wi' white-skinned lim's.
An' there my mother nimbly shot
Her knitten-needles, as she zot
At evenen down below the wide
Woak's head, wi' father at her zide.
An' I've a-played wi' many a bwoy,
That's now a man an' gone awoy;
Zoo I do like noo tree so well
'S the girt woak tree that's in the dell.

An' there, in leater years, I roved
Wi' thik poor maid I fondly loved, -
The maid too feair to die so soon, -
When evenen twilight, or the moon,
Cast light enough 'ithin the pleace
To show the smiles upon her feace,
Wi' eyes so clear's the glassy pool,
An' lips an' cheaks so soft as wool.
There han' in han', wi' bosoms warm,
Wi' love that burned but thought noo harm,
Below the wide-boughed tree we passed
The happy hours that went too vast;
An' though she'll never be my wife,
She's still my leaden star o' life.
She's gone: an' she've a-left to me
Her mem'ry in the girt woak tree;
Zoo I do love noo tree so well
'S the girt woak tree that's in the dell.

An' oh! mid never ax nor hook
Be brought to spweil his steately look;
Nor ever roun' his ribby zides
Mid cattle rub ther heairy hides;
Nor pigs rout up his turf, but keep
His lwonesome sheade vor harmless sheep;
An' let en grow, an' let en spread,
An' let en live when I be dead.
But oh! if men should come an' vell
The girt woak tree that's in the dell,
An' build his planks 'ithin the zide
O' zome girt ship to plough the tide,

[...] Read more

poem by William Barnes
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The Regiment of Princes

Musynge upon the restlees bysynesse
Which that this troubly world hath ay on honde,
That othir thyng than fruyt of bittirnesse
Ne yildith naght, as I can undirstonde,
At Chestres In, right faste by the Stronde,
As I lay in my bed upon a nyght,
Thoght me byrefte of sleep the force and might. 1

And many a day and nyght that wikkid hyne
Hadde beforn vexed my poore goost
So grevously that of angwissh and pyne
No rycher man was nowhere in no coost.
This dar I seyn, may no wight make his boost
That he with thoght was bet than I aqweynted,
For to the deeth he wel ny hath me feynted.

Bysyly in my mynde I gan revolve
The welthe unseur of every creature,
How lightly that Fortune it can dissolve
Whan that hir list that it no lenger dure;
And of the brotilnesse of hir nature
My tremblynge herte so greet gastnesse hadde
That my spirites were of my lyf sadde.

Me fil to mynde how that nat longe agoo
Fortunes strook doun thraste estat rial
Into mescheef, and I took heede also
Of many anothir lord that hadde a fal.
In mene estat eek sikirnesse at al
Ne saw I noon, but I sy atte laste
Wher seuretee for to abyde hir caste.

In poore estat shee pighte hir pavyloun
To kevere hir fro the storm of descendynge 2
For shee kneew no lower descencion
Sauf oonly deeth, fro which no wight lyvynge
Deffende him may; and thus in my musynge
I destitut was of joie and good hope,
And to myn ese nothyng cowde I grope.

For right as blyve ran it in my thoght,
Thogh poore I be, yit sumwhat leese I may.
Than deemed I that seurtee wolde noght
With me abyde; it is nat to hir pay
Ther to sojourne as shee descende may.
And thus unsikir of my smal lyflode,
Thoght leide on me ful many an hevy lode.

I thoghte eek, if I into povert creepe,
Than am I entred into sikirnesse;

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poem by Thomas Hoccleve
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Timber

When I first saw you standing there , you set my heart a-reeling
Baby , you gave me such a feeling
My heart cries timber , timber , timber , timber
Timber baby cause Im a a-fallin for you
Yeah , yeah , yeah
Well, it happens evry time I look in your eyes
Baby , its paradise
My heart cries timber , timber , timber , timber
Timber baby cause Im a-fallin for you
Yeah , yeah , yeah
Well , I wish that you were mine to be forever and ever
Without you darling I just cant sleep
Im only happy when were together
I guess its time that I told you so
Ill always want to hold you
Baby , have I ever told you
My heart cries timber , timber , timber , timber
Timber baby cause Im a-fallin for you
Yeah , yeah , yeah
I wish that you were mine to be forever and ever
Without you darling I just cant sleep
Im only happy when were together
I guess its time that I told you so
Ill always want to hold you
Baby , have I ever told you
My heart cries timber , timber , timber , timber
Timber baby cause Im a-fallin for you
Whoa , whoa , whoa
Timber baby cause Im a-fallin for you
Whoa, whoa, whoa
Timber baby cause Im a-fallin for you (fade)

song performed by Bee Gees
Added by Lucian Velea
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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.

II.

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poem by Conrad Potter Aiken
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Handles Bermuda

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poem by Rwetewrt Erwtwer
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Luggage Canada

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poem by Rwetewrt Erwtwer
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The Georgics

GEORGIC I

What makes the cornfield smile; beneath what star
Maecenas, it is meet to turn the sod
Or marry elm with vine; how tend the steer;
What pains for cattle-keeping, or what proof
Of patient trial serves for thrifty bees;-
Such are my themes.
O universal lights
Most glorious! ye that lead the gliding year
Along the sky, Liber and Ceres mild,
If by your bounty holpen earth once changed
Chaonian acorn for the plump wheat-ear,
And mingled with the grape, your new-found gift,
The draughts of Achelous; and ye Fauns
To rustics ever kind, come foot it, Fauns
And Dryad-maids together; your gifts I sing.
And thou, for whose delight the war-horse first
Sprang from earth's womb at thy great trident's stroke,
Neptune; and haunter of the groves, for whom
Three hundred snow-white heifers browse the brakes,
The fertile brakes of Ceos; and clothed in power,
Thy native forest and Lycean lawns,
Pan, shepherd-god, forsaking, as the love
Of thine own Maenalus constrains thee, hear
And help, O lord of Tegea! And thou, too,
Minerva, from whose hand the olive sprung;
And boy-discoverer of the curved plough;
And, bearing a young cypress root-uptorn,
Silvanus, and Gods all and Goddesses,
Who make the fields your care, both ye who nurse
The tender unsown increase, and from heaven
Shed on man's sowing the riches of your rain:
And thou, even thou, of whom we know not yet
What mansion of the skies shall hold thee soon,
Whether to watch o'er cities be thy will,
Great Caesar, and to take the earth in charge,
That so the mighty world may welcome thee
Lord of her increase, master of her times,
Binding thy mother's myrtle round thy brow,
Or as the boundless ocean's God thou come,
Sole dread of seamen, till far Thule bow
Before thee, and Tethys win thee to her son
With all her waves for dower; or as a star
Lend thy fresh beams our lagging months to cheer,
Where 'twixt the Maid and those pursuing Claws
A space is opening; see! red Scorpio's self
His arms draws in, yea, and hath left thee more
Than thy full meed of heaven: be what thou wilt-
For neither Tartarus hopes to call thee king,

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poem by Virgil
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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;

Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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poem by Robinson Jeffers
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The Ballad of the White Horse

DEDICATION

Of great limbs gone to chaos,
A great face turned to night--
Why bend above a shapeless shroud
Seeking in such archaic cloud
Sight of strong lords and light?

Where seven sunken Englands
Lie buried one by one,
Why should one idle spade, I wonder,
Shake up the dust of thanes like thunder
To smoke and choke the sun?

In cloud of clay so cast to heaven
What shape shall man discern?
These lords may light the mystery
Of mastery or victory,
And these ride high in history,
But these shall not return.

Gored on the Norman gonfalon
The Golden Dragon died:
We shall not wake with ballad strings
The good time of the smaller things,
We shall not see the holy kings
Ride down by Severn side.

Stiff, strange, and quaintly coloured
As the broidery of Bayeux
The England of that dawn remains,
And this of Alfred and the Danes
Seems like the tales a whole tribe feigns
Too English to be true.

Of a good king on an island
That ruled once on a time;
And as he walked by an apple tree
There came green devils out of the sea
With sea-plants trailing heavily
And tracks of opal slime.

Yet Alfred is no fairy tale;
His days as our days ran,
He also looked forth for an hour
On peopled plains and skies that lower,
From those few windows in the tower
That is the head of a man.

But who shall look from Alfred's hood

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poem by Gilbert Keith Chesterton
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The Plea Of The Midsummer Fairies

I

'Twas in that mellow season of the year
When the hot sun singes the yellow leaves
Till they be gold,—and with a broader sphere
The Moon looks down on Ceres and her sheaves;
When more abundantly the spider weaves,
And the cold wind breathes from a chillier clime;—
That forth I fared, on one of those still eves,
Touch'd with the dewy sadness of the time,
To think how the bright months had spent their prime,

II

So that, wherever I address'd my way,
I seem'd to track the melancholy feet
Of him that is the Father of Decay,
And spoils at once the sour weed and the sweet;—
Wherefore regretfully I made retreat
To some unwasted regions of my brain,
Charm'd with the light of summer and the heat,
And bade that bounteous season bloom again,
And sprout fresh flowers in mine own domain.

III

It was a shady and sequester'd scene,
Like those famed gardens of Boccaccio,
Planted with his own laurels evergreen,
And roses that for endless summer blow;
And there were fountain springs to overflow
Their marble basins,—and cool green arcades
Of tall o'erarching sycamores, to throw
Athwart the dappled path their dancing shades,—
With timid coneys cropping the green blades.

IV

And there were crystal pools, peopled with fish,
Argent and gold; and some of Tyrian skin,
Some crimson-barr'd;—and ever at a wish
They rose obsequious till the wave grew thin
As glass upon their backs, and then dived in,
Quenching their ardent scales in watery gloom;
Whilst others with fresh hues row'd forth to win
My changeable regard,—for so we doom
Things born of thought to vanish or to bloom.

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poem by Thomas Hood
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Athelston

Lord that is off myghtys most,
Fadyr and Sone and Holy Gost,
Bryng us out of synne
And lene us grace so for to wyrke
To love bothe God and Holy Kyrke
That we may hevene wynne.
Lystnes, lordyngys, that ben hende,
Of falsnesse, hou it wil ende
A man that ledes hym therin.
Of foure weddyd bretheryn I wole yow tell
That wolden yn Yngelond go dwel,
That sybbe were nought of kyn.

And all foure messangeres they were,
That wolden yn Yngelond lettrys bere,
As it wes here kynde.
By a forest gan they mete
With a cros, stood in a strete
Be leff undyr a lynde,
And, as the story telles me,
Ylke man was of dyvers cuntrie
In book iwreten we fynde —
For love of here metyng thare,
They swoor hem weddyd bretheryn for evermare,
In trewthe trewely dede hem bynde.

The eldeste of hem ylkon,
He was hyght Athelston,
The kyngys cosyn dere;
He was of the kyngys blood,
Hys eemes sone, I undyrstood;
Therefore he neyghyd hym nere.
And at the laste, weel and fayr,
The kyng him dyyd withouten ayr.
Thenne was ther non hys pere
But Athelston, hys eemes sone;
To make hym kyng wolde they nought schone,
To corowne hym with gold so clere.

Now was he kyng semely to se:
He sendes afftyr his bretheryn thre
And gaff hem here warysoun.
The eldest brothir he made Eerl of Dovere —
And thus the pore man gan covere —
Lord of tour and toun.
That other brother he made Eerl of Stane —
Egelond was hys name,
A man of gret renoun —
And gaff him tyl hys weddyd wyff
Hys owne sustyr, Dame Edyff,

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poem by Anonymous Olde English
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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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poem by Robinson Jeffers
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Upon Appleton House, to My Lord Fairfax

Within this sober Frame expect
Work of no Forrain Architect;
That unto Caves the Quarries drew,
And Forrests did to Pastures hew;
Who of his great Design in pain
Did for a Model vault his Brain,
Whose Columnes should so high be rais'd
To arch the Brows that on them gaz'd.

Why should of all things Man unrul'd
Such unproportion'd dwellings build?
The Beasts are by their Denns exprest:
And Birds contrive an equal Nest;
The low roof'd Tortoises do dwell
In cases fit of Tortoise-shell:
No Creature loves an empty space;
Their Bodies measure out their Place.

But He, superfluously spread,
Demands more room alive then dead.
And in his hollow Palace goes
Where Winds as he themselves may lose.
What need of all this Marble Crust
T'impark the wanton Mose of Dust,
That thinks by Breadth the World t'unite
Though the first Builders fail'd in Height?

But all things are composed here
Like Nature, orderly and near:
In which we the Dimensions find
Of that more sober Age and Mind,
When larger sized Men did stoop
To enter at a narrow loop;
As practising, in doors so strait,
To strain themselves through Heavens Gate.

And surely when the after Age
Shall hither come in Pilgrimage,
These sacred Places to adore,
By Vere and Fairfax trod before,
Men will dispute how their Extent
Within such dwarfish Confines went:
And some will smile at this, as well
As Romulus his Bee-like Cell.

Humility alone designs
Those short but admirable Lines,
By which, ungirt and unconstrain'd,
Things greater are in less contain'd.
Let others vainly strive t'immure

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poem by Andrew Marvell
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Endymion: Book II

O Sovereign power of love! O grief! O balm!
All records, saving thine, come cool, and calm,
And shadowy, through the mist of passed years:
For others, good or bad, hatred and tears
Have become indolent; but touching thine,
One sigh doth echo, one poor sob doth pine,
One kiss brings honey-dew from buried days.
The woes of Troy, towers smothering o'er their blaze,
Stiff-holden shields, far-piercing spears, keen blades,
Struggling, and blood, and shrieks--all dimly fades
Into some backward corner of the brain;
Yet, in our very souls, we feel amain
The close of Troilus and Cressid sweet.
Hence, pageant history! hence, gilded cheat!
Swart planet in the universe of deeds!
Wide sea, that one continuous murmur breeds
Along the pebbled shore of memory!
Many old rotten-timber'd boats there be
Upon thy vaporous bosom, magnified
To goodly vessels; many a sail of pride,
And golden keel'd, is left unlaunch'd and dry.
But wherefore this? What care, though owl did fly
About the great Athenian admiral's mast?
What care, though striding Alexander past
The Indus with his Macedonian numbers?
Though old Ulysses tortured from his slumbers
The glutted Cyclops, what care?--Juliet leaning
Amid her window-flowers,--sighing,--weaning
Tenderly her fancy from its maiden snow,
Doth more avail than these: the silver flow
Of Hero's tears, the swoon of Imogen,
Fair Pastorella in the bandit's den,
Are things to brood on with more ardency
Than the death-day of empires. Fearfully
Must such conviction come upon his head,
Who, thus far, discontent, has dared to tread,
Without one muse's smile, or kind behest,
The path of love and poesy. But rest,
In chaffing restlessness, is yet more drear
Than to be crush'd, in striving to uprear
Love's standard on the battlements of song.
So once more days and nights aid me along,
Like legion'd soldiers.

Brain-sick shepherd-prince,
What promise hast thou faithful guarded since
The day of sacrifice? Or, have new sorrows
Come with the constant dawn upon thy morrows?
Alas! 'tis his old grief. For many days,
Has he been wandering in uncertain ways:

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poem by John Keats
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Solomon

As thro' the Psalms from theme to theme I chang'd,
Methinks like Eve in Paradice I rang'd;
And ev'ry grace of song I seem'd to see,
As the gay pride of ev'ry season, she.
She gently treading all the walks around,
Admir'd the springing beauties of the ground,
The lilly glist'ring with the morning dew,
The rose in red, the violet in blew,
The pink in pale, the bells in purple rows,
And tulips colour'd in a thousand shows:
Then here and there perhaps she pull'd a flow'r
To strew with moss, and paint her leafy bow'r;
And here and there, like her I went along,
Chose a bright strain, and bid it deck my song.

But now the sacred Singer leaves mine eye,
Crown'd as he was, I think he mounts on high;
Ere this Devotion bore his heav'nly psalms,
And now himself bears up his harp and palms.
Go, saint triumphant, leave the changing sight,
So fitted out, you suit the realms of light;
But let thy glorious robe at parting go,
Those realms have robes of more effulgent show;
It flies, it falls, the flutt'ring silk I see,
Thy son has caught it and he sings like thee,
With such election of a theme divine,
And such sweet grace, as conquers all but thine.

Hence, ev'ry writer o'er the fabled streams,
Where frolick fancies sport with idle dreams,
Or round the sight enchanted clouds dispose,
Whence wanton cupids shoot with gilded bows;
A nobler writer, strains more brightly wrought,
Themes more exulted, fill my wond'ring thought:
The parted skies are track'd with flames above,
As love descends to meet ascending love;
The seasons flourish where the spouses meet,
And earth in gardens spreads beneath their feet.
This fresh-bloom prospect in the bosom throngs,
When Solomon begins his song of songs,
Bids the rap'd soul to Lebanon repair,
And lays the scenes of all his action there,
Where as he wrote, and from the bow'r survey'd
The scenting groves, or answ'ring knots he made,
His sacred art the sights of nature brings,
Beyond their use, to figure heav'nly things.

Great son of God! whose gospel pleas'd to throw
Round thy rich glory, veils of earthly show,
Who made the vineyard oft thy church design,

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poem by Thomas Parnell
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Georgic 2

Thus far the tilth of fields and stars of heaven;
Now will I sing thee, Bacchus, and, with thee,
The forest's young plantations and the fruit
Of slow-maturing olive. Hither haste,
O Father of the wine-press; all things here
Teem with the bounties of thy hand; for thee
With viny autumn laden blooms the field,
And foams the vintage high with brimming vats;
Hither, O Father of the wine-press, come,
And stripped of buskin stain thy bared limbs
In the new must with me.
First, nature's law
For generating trees is manifold;
For some of their own force spontaneous spring,
No hand of man compelling, and possess
The plains and river-windings far and wide,
As pliant osier and the bending broom,
Poplar, and willows in wan companies
With green leaf glimmering gray; and some there be
From chance-dropped seed that rear them, as the tall
Chestnuts, and, mightiest of the branching wood,
Jove's Aesculus, and oaks, oracular
Deemed by the Greeks of old. With some sprouts forth
A forest of dense suckers from the root,
As elms and cherries; so, too, a pigmy plant,
Beneath its mother's mighty shade upshoots
The bay-tree of Parnassus. Such the modes
Nature imparted first; hence all the race
Of forest-trees and shrubs and sacred groves
Springs into verdure.
Other means there are,
Which use by method for itself acquired.
One, sliving suckers from the tender frame
Of the tree-mother, plants them in the trench;
One buries the bare stumps within his field,
Truncheons cleft four-wise, or sharp-pointed stakes;
Some forest-trees the layer's bent arch await,
And slips yet quick within the parent-soil;
No root need others, nor doth the pruner's hand
Shrink to restore the topmost shoot to earth
That gave it being. Nay, marvellous to tell,
Lopped of its limbs, the olive, a mere stock,
Still thrusts its root out from the sapless wood,
And oft the branches of one kind we see
Change to another's with no loss to rue,
Pear-tree transformed the ingrafted apple yield,
And stony cornels on the plum-tree blush.
Come then, and learn what tilth to each belongs
According to their kinds, ye husbandmen,
And tame with culture the wild fruits, lest earth

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poem by Publius Vergilius Maro
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