Coplas De Manrique (From The Spanish)
O let the soul her slumbers break,
Let thought be quickened, and awake;
Awake to see
How soon this life is past and gone,
And death comes softly stealing on,
Swiftly our pleasures glide away,
Our hearts recall the distant day
With many sighs;
The moments that are speeding fast
We heed not, but the past,-the past,
More highly prize.
Onward its course the present keeps,
Onward the constant current sweeps,
Till life is done;
And, did we judge of time aright,
The past and future in their flight
Would be as one.
Let no one fondly dream again,
That Hope and all her shadowy train
Will not decay;
Fleeting as were the dreams of old,
Remembered like a tale that's told,
They pass away.
Our lives are rivers, gliding free
To that unfathomed, boundless sea,
The silent grave!
Thither all earthly pomp and boast
Roll, to be swallowed up and lost
In one dark wave.
Thither the mighty torrents stray,
Thither the brook pursues its way,
And tinkling rill,
There all are equal; side by side
The poor man and the son of pride
Lie calm and still.
I will not here invoke the throng
Of orators and sons of song,
The deathless few;
Fiction entices and deceives,
And, sprinkled o'er her fragrant leaves,
Lies poisonous dew.
To One alone my thoughts arise,
The Eternal Truth, the Good and Wise,
To Him I cry,
Who shared on earth our common lot,
But the world comprehended not
This world is but the rugged road
Which leads us to the bright abode
Of peace above;
So let us choose that narrow way,
Which leads no traveller's foot astray
From realms of love,
Our cradle is the starting-place,
Life is the running of the race,
We reach the goal
When, in the mansions of the blest,
Death leaves to its eternal rest
The weary soul.
Did we but use it as we ought,
This world would school each wandering thought
To its high state.
Faith wings the soul beyond the sky,
Up to that better world on high,
For which we wait.
Yes, the glad messenger of love,
To guide us to our home above,
The Saviour came;
Born amid mortal cares and fears.
He suffered in this vale of tears
A death of shame.
Behold of what delusive worth
The bubbles we pursue on earth,
The shapes we chase,
Amid a world of treachery!
They vanish ere death shuts the eye,
And leave no trace.
Time steals them from us, chances strange,
Disastrous accident, and change,
That come to all;
Even in the most exalted state,
Relentless sweeps the stroke of fate;
The strongest fall.
Tell me, the charms that lovers seek
In the clear eye and blushing cheek,
The hues that play
O'er rosy lip and brow of snow,
When hoary age approaches slow,
Ah; where are they?
The cunning skill, the curious arts,
The glorious strength that youth imparts
In life's first stage;
These shall become a heavy weight,
When Time swings wide his outward gate
To weary age.
The noble blood of Gothic name,
Heroes emblazoned high to fame,
In long array;
How, in the onward course of time,
The landmarks of that race sublime
Were swept away!
Some, the degraded slaves of lust,
Prostrate and trampled in the dust,
Shall rise no more;
Others, by guilt and crime, maintain
The scutcheon, that without a stain,
Their fathers bore.
Wealth and the high estate of pride,
With what untimely speed they glide,
How soon depart!
Bid not the shadowy phantoms stay,
The vassals of a mistress they,
Of fickle heart.
These gifts in Fortune's hands are found;
Her swift revolving wheel turns round,
And they are gone!
No rest the inconstant goddess knows,
But changing, and without repose,
Still hurries on.
Even could the hand of avarice save
Its gilded baubles till the grave
Reclaimed its prey,
Let none on such poor hopes rely;
Life, like an empty dream, flits by,
And where are they?
Earthly desires and sensual lust
Are passions springing from the dust,
They fade and die;
But in the life beyond the tomb,
They seal the immortal spirits doom
The pleasures and delights, which mask
In treacherous smiles life's serious task,
What are they, all,
But the fleet coursers of the chase,
And death an ambush in the race,
Wherein we fall?
No foe, no dangerous pass, we heed,
Brook no delay, but onward speed
With loosened rein;
And, when the fatal snare is near,
We strive to check our mad career,
But strive in vain.
Could we new charms to age impart,
And fashion with a cunning art
The human face,
As we can clothe the soul with light,
And make the glorious spirit bright
With heavenly grace,
How busily each passing hour
Should we exert that magic power,
What ardor show,
To deck the sensual slave of sin,
Yet leave the freeborn soul within,
In weeds of woe!
Monarchs, the powerful and the strong,
Famous in history and in song
Of olden time,
Saw, by the stern decrees of fate,
Their kingdoms lost, and desolate
Their race sublime.
Who is the champion? who the strong?
Pontiff and priest, and sceptred throng?
On these shall fall
As heavily the hand of Death,
As when it stays the shepherd's breath
Beside his stall.
I speak not of the Trojan name,
Neither its glory nor its shame
Has met our eyes;
Nor of Rome's great and glorious dead,
Though we have heard so oft, and read,
Little avails it now to know
Of ages passed so long ago,
Nor how they rolled;
Our theme shall be of yesterday,
Which to oblivion sweeps away,
Like day's of old.
Where is the King, Don Juan? Where
Each royal prince and noble heir
Of Aragon ?
Where are the courtly gallantries?
The deeds of love and high emprise,
In battle done?
Tourney and joust, that charmed the eye,
And scarf, and gorgeous panoply,
And nodding plume,
What were they but a pageant scene?
What but the garlands, gay and green,
That deck the tomb?
Where are the high-born dames, and where
Their gay attire, and jewelled hair,
And odors sweet?
Where are the gentle knights, that came
To kneel, and breathe love's ardent flame,
Low at their feet?
Where is the song of Troubadour?
Where are the lute and gay tambour
They loved of yore?
Where is the mazy dance of old,
The flowing robes, inwrought with gold,
The dancers wore?
And he who next the sceptre swayed,
Henry, whose royal court displayed
Such power and pride;
O, in what winning smiles arrayed,
The world its various pleasures laid
His throne beside!
But O how false and full of guile
That world, which wore so soft a smile
But to betray!
She, that had been his friend before,
Now from the fated monarch tore
Her charms away.
The countless gifts, the stately walls,
The loyal palaces, and halls
All filled with gold;
Plate with armorial bearings wrought,
Chambers with ample treasures fraught
Of wealth untold;
The noble steeds, and harness bright,
And gallant lord, and stalwart knight,
In rich array,
Where shall we seek them now? Alas!
Like the bright dewdrops on the grass,
They passed away.
His brother, too, whose factious zeal
Usurped the sceptre of Castile,
Unskilled to reign;
What a gay, brilliant court had he,
When all the flower of chivalry
Was in his train!
But he was mortal; and the breath,
That flamed from the hot forge of Death,
Blasted his years;
Judgment of God! that flame by thee,
When raging fierce and fearfully,
Was quenched in tears!
Spain's haughty Constable, the true
And gallant Master, whom we knew
Most loved of all;
Breathe not a whisper of his pride,
He on the gloomy scaffold died,
The countless treasures of his care,
His villages and villas fair,
His mighty power,
What were they all but grief and shame,
Tears and a broken heart, when came
The parting hour?
His other brothers, proud and high,
Masters, who, in prosperity,
Might rival kings;
Who made the bravest and the best
The bondsmen of their high behest,
What was their prosperous estate,
When high exalted and elate
With power and pride?
What, but a transient gleam of light,
A flame, which, glaring at its height,
Grew dim and died?
So many a duke of royal name,
Marquis and count of spotless fame,
And baron brave,
That might the sword of empire wield,
All these, O Death, hast thou concealed
In the dark grave!
Their deeds of mercy and of arms,
In peaceful days, or war's alarms,
When thou dost show.
O Death, thy stern and angry face,
One stroke of thy all-powerful mace
Unnumbered hosts, that threaten nigh,
Pennon and standard flaunting high,
And flag displayed;
High battlements intrenched around,
Bastion, and moated wall, and mound,
And covered trench, secure and deep,
All these cannot one victim keep,
O Death, from thee,
When thou dost battle in thy wrath,
And thy strong shafts pursue their path
O World! so few the years we live,
Would that the life which thou dost give
Were life indeed!
Alas! thy sorrows fall so fast,
Our happiest hour is when at last
The soul is freed.
Our days are covered o'er with grief,
And sorrows neither few nor brief
Veil all in gloom;
Left desolate of real good,
Within this cheerless solitude
No pleasures bloom.
Thy pilgrimage begins in tears,
And ends in bitter doubts and fears,
Or dark despair;
Midway so many toils appear,
That he who lingers longest here
Knows most of care.
Thy goods are bought with many a groan,
By the hot sweat of toil alone,
And weary hearts;
Fleet-footed is the approach of woe,
But with a lingering step and slow
Its form departs.
And he, the good man's shield and shade,
To whom all hearts their homage paid,
As Virtue's son,
Roderic Manrique, he whose name
Is written on the scroll of Fame,
His signal deeds and prowess high
Demand no pompous eulogy.
Ye saw his deeds!
Why should their praise in verse be sung?
The name, that dwells on every tongue,
No minstrel needs.
To friends a friend; how kind to all
The vassals of this ancient hall
And feudal fief!
To foes how stern a foe was he!
And to the valiant and the free
How brave a chief!
What prudence with the old and wise:
What grace in youthful gayeties;
In all how sage!
Benignant to the serf and slave,
He showed the base and falsely brave
A lion's rage.
His was Octavian's prosperous star,
The rush of Caesar's conquering car
At battle's call;
His, Scipio's virtue; his, the skill
And the indomitable will
His was a Trajan's goodness, his
A Titus' noble charities
And righteous laws;
The arm of Hector, and the might
Of Tully, to maintain the right
In truth's just cause;
The clemency of Antonine,
Aurelius' countenance divine,
Firm, gentle, still;
The eloquence of Adrian,
And Theodosius' love to man,
And generous will;
In tented field and bloody fray,
An Alexander's vigorous sway
And stern command;
The faith of Constantine; ay, more,
The fervent love Camillus bore
His native land.
He left no well-filled treasury,
He heaped no pile of riches high,
Nor massive plate;
He fought the Moors, and, in their fall,
City and tower and castled wall
Were his estate.
Upon the hard-fought battle-ground,
Brave steeds and gallant riders found
A common grave;
And there the warrior's hand did gain
The rents, and the long vassal train,
That conquest gave.
And if, of old, his halls displayed
The honored and exalted grade
His worth had gained,
So, in the dark, disastrous hour,
Brothers and bondsmen of his power
His hand sustained.
After high deeds, not left untold,
In the stern warfare, which of old
'T was his to share,
Such noble leagues he made, that more
And fairer regions, than before,
His guerdon were.
These are the records, half effaced,
Which, with the hand of youth, he traced
On history's page;
But with fresh victories he drew
Each fading character anew
In his old age.
By his unrivalled skill, by great
And veteran service to the state,
By worth adored,
He stood, in his high dignity,
The proudest knight of chivalry,
Knight of the Sword.
He found his cities and domains
Beneath a tyrant's galling chains
And cruel power;
But by fierce battle and blockade,
Soon his own banner was displayed
From every tower.
By the tried valor of his hand,
His monarch and his native land
Were nobly served;
Let Portugal repeat the story,
And proud Castile, who shared the glory
His arms deserved.
And when so oft, for weal or woe,
His life upon the fatal throw
Had been cast down;
When he had served, with patriot zeal,
Beneath the banner of Castile,
His sovereign's crown;
And done such deeds of valor strong,
That neither history nor song
Can count them all;
Then, on Ocana's castled rock,
Death at his portal came to knock,
With sudden call,
Saying, 'Good Cavalier, prepare
To leave this world of toil and care
With joyful mien;
Let thy strong heart of steel this day
Put on its armor for the fray,
The closing scene.
'Since thou hast been, in battle-strife,
So prodigal of health and life,
For earthly fame,
Let virtue nerve thy heart again;
Loud on the last stern battle-plain
They call thy name.
'Think not the struggle that draws near
Too terrible for man, nor fear
To meet the foe;
Nor let thy noble spirit grieve,
Its life of glorious fame to leave
On earth below.
'A life of honor and of worth
Has no eternity on earth,
'T is but a name;
And yet its glory far exceeds
That base and sensual life, which leads
To want and shame.
'The eternal life, beyond the sky,
Wealth cannot purchase, nor the high
And proud estate;
The soul in dalliance laid, the spirit
Corrupt with sin, shall not inherit
A joy so great.
'But the good monk, in cloistered cell,
Shall gain it by his book and bell,
His prayers and tears;
And the brave knight, whose arm endures
Fierce battle, and against the Moors
His standard rears.
'And thou, brave knight, whose hand has poured
The life-blood of the Pagan horde
O'er all the land,
In heaven shalt thou receive, at length,
The guerdon of thine earthly strength
And dauntless hand.
'Cheered onward by this promise sure,
Strong in the faith entire and pure
Thou dost profess,
Depart, thy hope is certainty,
The third, the better life on high
Shalt thou possess.'
'O Death, no more, no more delay;
My spirit longs to flee away,
And be at rest;
The will of Heaven my will shall be,
I bow to the divine decree,
To God's behest.
'My soul is ready to depart,
No thought rebels, the obedient heart
Breathes forth no sigh;
The wish on earth to linger still
Were vain, when 't is God's sovereign will
That we shall die.
'O thou, that for our sins didst take
A human form, and humbly make
Thy home on earth;
Thou, that to thy divinity
A human nature didst ally
By mortal birth,
'And in that form didst suffer here
Torment, and agony, and fear,
By thy redeeming grace alone,
And not for merits of my own,
O, pardon me!'
As thus the dying warrior prayed,
Without one gathering mist or shade
Upon his mind;
Encircled by his family,
Watched by affection's gentle eye
So soft and kind;
His soul to Him, who gave it, rose;
God lead it to its long repose,
Its glorious rest!
And, though the warrior's sun has set,
Its light shall linger round us yet,
Bright, radiant, blest.
- quotes about strength
- quotes about height
- quotes about death
- quotes about Earth
- quotes about tomb
- quotes about fate
- quotes about speed
- quotes about violence
- quotes about slavery
Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.
Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,
Palmer! oh! Palmer tops the jaunty part.
Seated in pit, the dwarf with aching eyes,
Looks up, and vows that Barry's out of size;
Whilst to six feet the vigorous stripling grown,
Declares that Garrick is another Coan.
When place of judgment is by whim supplied,
And our opinions have their rise in pride;
When, in discoursing on each mimic elf,
We praise and censure with an eye to self;
All must meet friends, and Ackman bids as fair,
In such a court, as Garrick, for the chair.
At length agreed, all squabbles to decide,
By some one judge the cause was to be tried;
But this their squabbles did afresh renew,
Who should be judge in such a trial:--who?
For Johnson some; but Johnson, it was fear'd,
Would be too grave; and Sterne too gay appear'd;
Others for Franklin voted; but 'twas known,
He sicken'd at all triumphs but his own:
For Colman many, but the peevish tongue
Of prudent Age found out that he was young:
For Murphy some few pilfering wits declared,
Whilst Folly clapp'd her hands, and Wisdom stared.
To mischief train'd, e'en from his mother's womb,
Grown old in fraud, though yet in manhood's bloom,
Adopting arts by which gay villains rise,
And reach the heights which honest men despise;
Mute at the bar, and in the senate loud,
Dull 'mongst the dullest, proudest of the proud;
A pert, prim, prater of the northern race,
Guilt in his heart, and famine in his face,
Stood forth,--and thrice he waved his lily hand,
And thrice he twirled his tye, thrice stroked his band:--
At Friendship's call (thus oft, with traitorous aim,
Men void of faith usurp Faith's sacred name)
At Friendship's call I come, by Murphy sent,
Who thus by me develops his intent:
But lest, transfused, the spirit should be lost,
That spirit which, in storms of rhetoric toss'd,
Bounces about, and flies like bottled beer,
In his own words his own intentions hear.
Thanks to my friends; but to vile fortunes born,
No robes of fur these shoulders must adorn.
Vain your applause, no aid from thence I draw;
Vain all my wit, for what is wit in law?
Twice, (cursed remembrance!) twice I strove to gain
Admittance 'mongst the law-instructed train,
Who, in the Temple and Gray's Inn, prepare
For clients' wretched feet the legal snare;
Dead to those arts which polish and refine,
Deaf to all worth, because that worth was mine,
Twice did those blockheads startle at my name,
And foul rejection gave me up to shame.
To laws and lawyers then I bade adieu,
And plans of far more liberal note pursue.
Who will may be a judge--my kindling breast
Burns for that chair which Roscius once possess'd.
Here give your votes, your interest here exert,
And let success for once attend desert.
With sleek appearance, and with ambling pace,
And, type of vacant head, with vacant face,
The Proteus Hill put in his modest plea,--
Let Favour speak for others, Worth for me.--
For who, like him, his various powers could call
Into so many shapes, and shine in all?
Who could so nobly grace the motley list,
Actor, Inspector, Doctor, Botanist?
Knows any one so well--sure no one knows--
At once to play, prescribe, compound, compose?
Who can--but Woodward came,--Hill slipp'd away,
Melting, like ghosts, before the rising day.
With that low cunning, which in fools supplies,
And amply too, the place of being wise,
Which Nature, kind, indulgent parent, gave
To qualify the blockhead for a knave;
With that smooth falsehood, whose appearance charms,
And Reason of each wholesome doubt disarms,
Which to the lowest depths of guile descends,
By vilest means pursues the vilest ends;
Wears Friendship's mask for purposes of spite,
Pawns in the day, and butchers in the night;
With that malignant envy which turns pale,
And sickens, even if a friend prevail,
Which merit and success pursues with hate,
And damns the worth it cannot imitate;
With the cold caution of a coward's spleen,
Which fears not guilt, but always seeks a screen,
Which keeps this maxim ever in her view--
What's basely done, should be done safely too;
With that dull, rooted, callous impudence,
Which, dead to shame and every nicer sense,
Ne'er blush'd, unless, in spreading Vice's snares,
She blunder'd on some virtue unawares;
With all these blessings, which we seldom find
Lavish'd by Nature on one happy mind,
A motley figure, of the Fribble tribe,
Which heart can scarce conceive, or pen describe,
Came simpering on--to ascertain whose sex
Twelve sage impannell'd matrons would perplex.
Nor male, nor female; neither, and yet both;
Of neuter gender, though of Irish growth;
A six-foot suckling, mincing in Its gait;
Affected, peevish, prim, and delicate;
Fearful It seem'd, though of athletic make,
Lest brutal breezes should too roughly shake
Its tender form, and savage motion spread,
O'er Its pale cheeks, the horrid manly red.
Much did It talk, in Its own pretty phrase,
Of genius and of taste, of players and of plays;
Much too of writings, which Itself had wrote,
Of special merit, though of little note;
For Fate, in a strange humour, had decreed
That what It wrote, none but Itself should read;
Much, too, It chatter'd of dramatic laws,
Misjudging critics, and misplaced applause;
Then, with a self-complacent, jutting air,
It smiled, It smirk'd, It wriggled to the chair;
And, with an awkward briskness not Its own,
Looking around, and perking on the throne,
Triumphant seem'd; when that strange savage dame,
Known but to few, or only known by name,
Plain Common-Sense appear'd, by Nature there
Appointed, with plain Truth, to guard the chair,
The pageant saw, and, blasted with her frown,
To Its first state of nothing melted down.
Nor shall the Muse, (for even there the pride
Of this vain nothing shall be mortified)
Nor shall the Muse (should Fate ordain her rhymes,
Fond, pleasing thought! to live in after-times)
With such a trifler's name her pages blot;
Known be the character, the thing forgot:
Let It, to disappoint each future aim,
Live without sex, and die without a name!
Cold-blooded critics, by enervate sires
Scarce hammer'd out, when Nature's feeble fires
Glimmer'd their last; whose sluggish blood, half froze,
Creeps labouring through the veins; whose heart ne'er glows
With fancy-kindled heat;--a servile race,
Who, in mere want of fault, all merit place;
Who blind obedience pay to ancient schools,
Bigots to Greece, and slaves to musty rules;
With solemn consequence declared that none
Could judge that cause but Sophocles alone.
Dupes to their fancied excellence, the crowd,
Obsequious to the sacred dictate, bow'd.
When, from amidst the throng, a youth stood forth,
Unknown his person, not unknown his worth;
His look bespoke applause; alone he stood,
Alone he stemm'd the mighty critic flood.
He talk'd of ancients, as the man became
Who prized our own, but envied not their fame;
With noble reverence spoke of Greece and Rome,
And scorn'd to tear the laurel from the tomb.
But, more than just to other countries grown,
Must we turn base apostates to our own?
Where do these words of Greece and Rome excel,
That England may not please the ear as well?
What mighty magic's in the place or air,
That all perfection needs must centre there?
In states, let strangers blindly be preferr'd;
In state of letters, merit should be heard.
Genius is of no country; her pure ray
Spreads all abroad, as general as the day;
Foe to restraint, from place to place she flies,
And may hereafter e'en in Holland rise.
May not, (to give a pleasing fancy scope,
And cheer a patriot heart with patriot hope)
May not some great extensive genius raise
The name of Britain 'bove Athenian praise;
And, whilst brave thirst of fame his bosom warms,
Make England great in letters as in arms?
There may--there hath,--and Shakspeare's Muse aspires
Beyond the reach of Greece; with native fires
Mounting aloft, he wings his daring flight,
Whilst Sophocles below stands trembling at his height.
Why should we then abroad for judges roam,
When abler judges we may find at home?
Happy in tragic and in comic powers,
Have we not Shakspeare?--Is not Jonson ours?
For them, your natural judges, Britons, vote;
They'll judge like Britons, who like Britons wrote.
He said, and conquer'd--Sense resumed her sway,
And disappointed pedants stalk'd away.
Shakspeare and Jonson, with deserved applause,
Joint-judges were ordain'd to try the cause.
Meantime the stranger every voice employ'd,
To ask or tell his name. Who is it? Lloyd.
Thus, when the aged friends of Job stood mute,
And, tamely prudent, gave up the dispute,
Elihu, with the decent warmth of youth,
Boldly stood forth the advocate of Truth;
Confuted Falsehood, and disabled Pride,
Whilst baffled Age stood snarling at his side.
The day of trial's fix'd, nor any fear
Lest day of trial should be put off here.
Causes but seldom for delay can call
In courts where forms are few, fees none at all.
The morning came, nor find I that the Sun,
As he on other great events hath done,
Put on a brighter robe than what he wore
To go his journey in, the day before.
Full in the centre of a spacious plain,
On plan entirely new, where nothing vain,
Nothing magnificent appear'd, but Art
With decent modesty perform'd her part,
Rose a tribunal: from no other court
It borrow'd ornament, or sought support:
No juries here were pack'd to kill or clear,
No bribes were taken, nor oaths broken here;
No gownsmen, partial to a client's cause,
To their own purpose turn'd the pliant laws;
Each judge was true and steady to his trust,
As Mansfield wise, and as old Foster just.
In the first seat, in robe of various dyes,
A noble wildness flashing from his eyes,
Sat Shakspeare: in one hand a wand he bore,
For mighty wonders famed in days of yore;
The other held a globe, which to his will
Obedient turn'd, and own'd the master's skill:
Things of the noblest kind his genius drew,
And look'd through Nature at a single view:
A loose he gave to his unbounded soul,
And taught new lands to rise, new seas to roll;
Call'd into being scenes unknown before,
And passing Nature's bounds, was something more.
Next Jonson sat, in ancient learning train'd,
His rigid judgment Fancy's flights restrain'd;
Correctly pruned each wild luxuriant thought,
Mark'd out her course, nor spared a glorious fault.
The book of man he read with nicest art,
And ransack'd all the secrets of the heart;
Exerted penetration's utmost force,
And traced each passion to its proper source;
Then, strongly mark'd, in liveliest colours drew,
And brought each foible forth to public view:
The coxcomb felt a lash in every word,
And fools, hung out, their brother fools deterr'd.
His comic humour kept the world in awe,
And Laughter frighten'd Folly more than Law.
But, hark! the trumpet sounds, the crowd gives way,
And the procession comes in just array.
Now should I, in some sweet poetic line,
Offer up incense at Apollo's shrine,
Invoke the Muse to quit her calm abode,
And waken Memory with a sleeping Ode.
For how shall mortal man, in mortal verse,
Their titles, merits, or their names rehearse?
But give, kind Dulness! memory and rhyme,
We 'll put off Genius till another time.
First, Order came,--with solemn step, and slow,
In measured time his feet were taught to go.
Behind, from time to time, he cast his eye,
Lest this should quit his place, that step awry.
Appearances to save his only care;
So things seem right, no matter what they are.
In him his parents saw themselves renew'd,
Begotten by Sir Critic on Saint Prude.
Then came drum, trumpet, hautboy, fiddle, flute;
Next snuffer, sweeper, shifter, soldier, mute:
Legions of angels all in white advance;
Furies, all fire, come forward in a dance;
Pantomime figures then are brought to view,
Fools, hand in hand with fools, go two by two.
Next came the treasurer of either house;
One with full purse, t'other with not a sous.
Behind, a group of figures awe create,
Set off with all the impertinence of state;
By lace and feather consecrate to fame,
Expletive kings, and queens without a name.
Here Havard, all serene, in the same strains,
Loves, hates, and rages, triumphs and complains;
His easy vacant face proclaim'd a heart
Which could not feel emotions, nor impart.
With him came mighty Davies: on my life,
That Davies hath a very pretty wife!
Statesman all over, in plots famous grown,
He mouths a sentence, as curs mouth a bone.
Next Holland came: with truly tragic stalk,
He creeps, he flies,--a hero should not walk.
As if with Heaven he warr'd, his eager eyes
Planted their batteries against the skies;
Attitude, action, air, pause, start, sigh, groan,
He borrow'd, and made use of as his own.
By fortune thrown on any other stage,
He might, perhaps, have pleased an easy age;
But now appears a copy, and no more,
Of something better we have seen before.
The actor who would build a solid fame,
Must Imitation's servile arts disclaim;
Act from himself, on his own bottom stand;
I hate e'en Garrick thus at second-hand.
Behind came King.--Bred up in modest lore,
Bashful and young, he sought Hibernia's shore;
Hibernia, famed, 'bove every other grace,
For matchless intrepidity of face.
From her his features caught the generous flame,
And bid defiance to all sense of shame.
Tutor'd by her all rivals to surpass,
'Mongst Drury's sons he comes, and shines in Brass.
Lo, Yates! Without the least finesse of art
He gets applause--I wish he'd get his part.
When hot Impatience is in full career,
How vilely 'Hark ye! hark ye!' grates the ear;
When active fancy from the brain is sent,
And stands on tip-toe for some wish'd event,
I hate those careless blunders, which recall
Suspended sense, and prove it fiction all.
In characters of low and vulgar mould,
Where Nature's coarsest features we behold;
Where, destitute of every decent grace,
Unmanner'd jests are blurted in your face,
There Yates with justice strict attention draws,
Acts truly from himself, and gains applause.
But when, to please himself or charm his wife,
He aims at something in politer life,
When, blindly thwarting Nature's stubborn plan,
He treads the stage by way of gentleman,
The clown, who no one touch of breeding knows,
Looks like Tom Errand dress'd in Clincher's clothes.
Fond of his dress, fond of his person grown,
Laugh'd at by all, and to himself unknown,
Prom side to side he struts, he smiles, he prates,
And seems to wonder what's become of Yates.
Woodward, endow'd with various tricks of face,
Great master in the science of grimace,
From Ireland ventures, favourite of the town,
Lured by the pleasing prospect of renown;
A speaking harlequin, made up of whim,
He twists, he twines, he tortures every limb;
Plays to the eye with a mere monkey's art,
And leaves to sense the conquest of the heart.
We laugh indeed, but, on reflection's birth,
We wonder at ourselves, and curse our mirth.
His walk of parts he fatally misplaced,
And inclination fondly took for taste;
Hence hath the town so often seen display'd
Beau in burlesque, high life in masquerade.
But when bold wits,--not such as patch up plays,
Cold and correct, in these insipid days,--
Some comic character, strong featured, urge
To probability's extremest verge;
Where modest Judgment her decree suspends,
And, for a time, nor censures, nor commends;
Where critics can't determine on the spot
Whether it is in nature found or not,
There Woodward safely shall his powers exert,
Nor fail of favour where he shows desert;
Hence he in Bobadil such praises bore,
Such worthy praises, Kitely scarce had more.
By turns transform'd into all kind of shapes,
Constant to none, Foote laughs, cries, struts, and scrapes:
Now in the centre, now in van or rear,
The Proteus shifts, bawd, parson, auctioneer.
His strokes of humour, and his bursts of sport,
Are all contain'd in this one word--distort.
Doth a man stutter, look a-squint, or halt?
Mimics draw humour out of Nature's fault,
With personal defects their mirth adorn,
And bang misfortunes out to public scorn.
E'en I, whom Nature cast in hideous mould,
Whom, having made, she trembled to behold,
Beneath the load of mimicry may groan,
And find that Nature's errors are my own.
Shadows behind of Foote and Woodward came;
Wilkinson this, Obrien was that name.
Strange to relate, but wonderfully true,
That even shadows have their shadows too!
With not a single comic power endued,
The first a mere, mere mimic's mimic stood;
The last, by Nature form'd to please, who shows,
In Johnson's Stephen, which way genius grows,
Self quite put off, affects with too much art
To put on Woodward in each mangled part;
Adopts his shrug, his wink, his stare; nay, more,
His voice, and croaks; for Woodward croak'd before.
When a dull copier simple grace neglects,
And rests his imitation in defects,
We readily forgive; but such vile arts
Are double guilt in men of real parts.
By Nature form'd in her perversest mood,
With no one requisite of art endued,
Next Jackson came--Observe that settled glare,
Which better speaks a puppet than a player;
List to that voice--did ever Discord hear
Sounds so well fitted to her untuned ear?
When to enforce some very tender part,
The right hand slips by instinct on the heart,
His soul, of every other thought bereft,
Is anxious only where to place the left;
He sobs and pants to soothe his weeping spouse;
To soothe his weeping mother, turns and bows:
Awkward, embarrass'd, stiff, without the skill
Of moving gracefully, or standing still,
One leg, as if suspicious of his brother,
Desirous seems to run away from t'other.
Some errors, handed down from age to age,
Plead custom's force, and still possess the stage.
That's vile: should we a parent's faults adore,
And err, because our fathers err'd before?
If, inattentive to the author's mind,
Some actors made the jest they could not find;
If by low tricks they marr'd fair Nature's mien,
And blurr'd the graces of the simple scene,
Shall we, if reason rightly is employ'd,
Not see their faults, or seeing, not avoid?
When Falstaff stands detected in a lie,
Why, without meaning, rolls Love's glassy eye?
Why? There's no cause--at least no cause we know--
It was the fashion twenty years ago.
Fashion!--a word which knaves and fools may use,
Their knavery and folly to excuse.
To copy beauties, forfeits all pretence
To fame--to copy faults, is want of sense.
Yet (though in some particulars he fails,
Some few particulars, where mode prevails)
If in these hallow'd times, when, sober, sad,
All gentlemen are melancholy mad;
When 'tis not deem'd so great a crime by half
To violate a vestal as to laugh,
Rude mirth may hope, presumptuous, to engage
An act of toleration for the stage;
And courtiers will, like reasonable creatures,
Suspend vain fashion, and unscrew their features;
Old Falstaff, play'd by Love, shall please once more,
And humour set the audience in a roar.
Actors I've seen, and of no vulgar name,
Who, being from one part possess'd of fame,
Whether they are to laugh, cry, whine, or bawl,
Still introduce that favourite part in all.
Here, Love, be cautious--ne'er be thou betray'd
To call in that wag Falstaff's dangerous aid;
Like Goths of old, howe'er he seems a friend,
He'll seize that throne you wish him to defend.
In a peculiar mould by Humour cast,
For Falstaff framed--himself the first and last--
He stands aloof from all--maintains his state,
And scorns, like Scotsmen, to assimilate.
Vain all disguise--too plain we see the trick,
Though the knight wears the weeds of Dominic;
And Boniface disgraced, betrays the smack,
In _anno Domini_, of Falstaff sack.
Arms cross'd, brows bent, eyes fix'd, feet marching slow,
A band of malcontents with spleen o'erflow;
Wrapt in Conceit's impenetrable fog,
Which Pride, like Phoebus, draws from every bog,
They curse the managers, and curse the town
Whose partial favour keeps such merit down.
But if some man, more hardy than the rest,
Should dare attack these gnatlings in their nest,
At once they rise with impotence of rage,
Whet their small stings, and buzz about the stage:
'Tis breach of privilege! Shall any dare
To arm satiric truth against a player?
Prescriptive rights we plead, time out of mind;
Actors, unlash'd themselves, may lash mankind.
What! shall Opinion then, of nature free,
And liberal as the vagrant air, agree
To rust in chains like these, imposed by things,
Which, less than nothing, ape the pride of kings?
No--though half-poets with half-players join
To curse the freedom of each honest line;
Though rage and malice dim their faded cheek,
What the Muse freely thinks, she'll freely speak;
With just disdain of every paltry sneer,
Stranger alike to flattery and fear,
In purpose fix'd, and to herself a rule,
Public contempt shall wait the public fool.
Austin would always glisten in French silks;
Ackman would Norris be, and Packer, Wilkes:
For who, like Ackman, can with humour please;
Who can, like Packer, charm with sprightly ease?
Higher than all the rest, see Bransby strut:
A mighty Gulliver in Lilliput!
Ludicrous Nature! which at once could show
A man so very high, so very low!
If I forget thee, Blakes, or if I say
Aught hurtful, may I never see thee play.
Let critics, with a supercilious air,
Decry thy various merit, and declare
Frenchman is still at top; but scorn that rage
Which, in attacking thee, attacks the age.
French follies, universally embraced,
At once provoke our mirth, and form our taste.
Long, from a nation ever hardly used,
At random censured, wantonly abused,
Have Britons drawn their sport; with partial view
Form'd general notions from the rascal few;
Condemn'd a people, as for vices known,
Which from their country banish'd, seek our own.
At length, howe'er, the slavish chain is broke,
And Sense, awaken'd, scorns her ancient yoke:
Taught by thee, Moody, we now learn to raise
Mirth from their foibles; from their virtues, praise.
Next came the legion which our summer Bayes,
From alleys, here and there, contrived to raise,
Flush'd with vast hopes, and certain to succeed,
With wits who cannot write, and scarce can read.
Veterans no more support the rotten cause,
No more from Elliot's worth they reap applause;
Each on himself determines to rely;
Be Yates disbanded, and let Elliot fly.
Never did players so well an author fit,
To Nature dead, and foes declared to wit.
So loud each tongue, so empty was each head,
So much they talk'd, so very little said,
So wondrous dull, and yet so wondrous vain,
At once so willing, and unfit to reign,
That Reason swore, nor would the oath recall,
Their mighty master's soul inform'd them all.
As one with various disappointments sad,
Whom dulness only kept from being mad,
Apart from all the rest great Murphy came--
Common to fools and wits, the rage of fame.
What though the sons of Nonsense hail him Sire,
Auditor, Author, Manager, and Squire,
His restless soul's ambition stops not there;
To make his triumphs perfect, dub him Player.
In person tall, a figure form'd to please,
If symmetry could charm deprived of ease;
When motionless he stands, we all approve;
What pity 'tis the thing was made to move.
His voice, in one dull, deep, unvaried sound,
Seems to break forth from caverns under ground;
From hollow chest the low sepulchral note
Unwilling heaves, and struggles in his throat.
Could authors butcher'd give an actor grace,
All must to him resign the foremost place.
When he attempts, in some one favourite part,
To ape the feelings of a manly heart,
His honest features the disguise defy,
And his face loudly gives his tongue the lie.
Still in extremes, he knows no happy mean,
Or raving mad, or stupidly serene.
In cold-wrought scenes, the lifeless actor flags;
In passion, tears the passion into rags.
Can none remember? Yes--I know all must--
When in the Moor he ground his teeth to dust,
When o'er the stage he Folly's standard bore,
Whilst Common-Sense stood trembling at the door.
How few are found with real talents blest!
Fewer with Nature's gifts contented rest.
Man from his sphere eccentric starts astray:
All hunt for fame, but most mistake the way.
Bred at St Omer's to the shuffling trade,
The hopeful youth a Jesuit might have made;
With various readings stored his empty skull,
Learn'd without sense, and venerably dull;
Or, at some banker's desk, like many more,
Content to tell that two and two make four;
His name had stood in City annals fair,
And prudent Dulness mark'd him for a mayor.
What, then, could tempt thee, in a critic age,
Such blooming hopes to forfeit on a stage?
Could it be worth thy wondrous waste of pains
To publish to the world thy lack of brains?
Or might not Reason e'en to thee have shown,
Thy greatest praise had been to live unknown?
Yet let not vanity like thine despair:
Fortune makes Folly her peculiar care.
A vacant throne, high-placed in Smithfield, view.
To sacred Dulness and her first-born due,
Thither with haste in happy hour repair,
Thy birthright claim, nor fear a rival there.
Shuter himself shall own thy juster claim,
And venal Ledgers puff their Murphy's name;
Whilst Vaughan, or Dapper, call him which you will,
Shall blow the trumpet, and give out the bill.
There rule, secure from critics and from sense,
Nor once shall Genius rise to give offence;
Eternal peace shall bless the happy shore,
And little factions break thy rest no more.
From Covent Garden crowds promiscuous go,
Whom the Muse knows not, nor desires to know;
Veterans they seem'd, but knew of arms no more
Than if, till that time, arms they never bore:
Like Westminster militia train'd to fight,
They scarcely knew the left hand from the right.
Ashamed among such troops to show the head,
Their chiefs were scatter'd, and their heroes fled.
Sparks at his glass sat comfortably down
To separate frown from smile, and smile from frown.
Smith, the genteel, the airy, and the smart,
Smith was just gone to school to say his part.
Ross (a misfortune which we often meet)
Was fast asleep at dear Statira's feet;
Statira, with her hero to agree,
Stood on her feet as fast asleep as he.
Macklin, who largely deals in half-form'd sounds,
Who wantonly transgresses Nature's bounds,
Whose acting's hard, affected, and constrain'd,
Whose features, as each other they disdain'd,
At variance set, inflexible and coarse,
Ne'er know the workings of united force,
Ne'er kindly soften to each other's aid,
Nor show the mingled powers of light and shade;
No longer for a thankless stage concern'd,
To worthier thoughts his mighty genius turn'd,
Harangued, gave lectures, made each simple elf
Almost as good a speaker as himself;
Whilst the whole town, mad with mistaken zeal,
An awkward rage for elocution feel;
Dull cits and grave divines his praise proclaim,
And join with Sheridan's their Macklin's name.
Shuter, who never cared a single pin
Whether he left out nonsense, or put in,
Who aim'd at wit, though, levell'd in the dark,
The random arrow seldom hit the mark,
At Islington, all by the placid stream
Where city swains in lap of Dulness dream,
Where quiet as her strains their strains do flow,
That all the patron by the bards may know,
Secret as night, with Rolt's experienced aid,
The plan of future operations laid,
Projected schemes the summer months to cheer,
And spin out happy folly through the year.
But think not, though these dastard chiefs are fled,
That Covent Garden troops shall want a head:
Harlequin comes their chief! See from afar
The hero seated in fantastic car!
Wedded to Novelty, his only arms
Are wooden swords, wands, talismans, and charms;
On one side Folly sits, by some call'd Fun,
And on the other his arch-patron, Lun;
Behind, for liberty athirst in vain,
Sense, helpless captive, drags the galling chain:
Six rude misshapen beasts the chariot draw,
Whom Reason loathes, and Nature never saw,
Monsters with tails of ice, and heads of fire;
'Gorgons, and Hydras, and Chimeras dire.'
Each was bestrode by full as monstrous wight,
Giant, dwarf, genius, elf, hermaphrodite.
The Town, as usual, met him in full cry;
The Town, as usual, knew no reason why:
But Fashion so directs, and Moderns raise
On Fashion's mouldering base their transient praise.
Next, to the field a band of females draw
Their force, for Britain owns no Salique law:
Just to their worth, we female rights admit,
Nor bar their claim to empire or to wit.
First giggling, plotting chambermaids arrive,
Hoydens and romps, led on by General Clive.
In spite of outward blemishes, she shone,
For humour famed, and humour all her own:
Easy, as if at home, the stage she trod,
Nor sought the critic's praise, nor fear'd his rod:
Original in spirit and in ease,
She pleased by hiding all attempts to please:
No comic actress ever yet could raise,
On Humour's base, more merit or more praise.
With all the native vigour of sixteen,
Among the merry troop conspicuous seen,
See lively Pope advance, in jig, and trip
Corinna, Cherry, Honeycomb, and Snip:
Not without art, but yet to nature true,
She charms the town with humour just, yet new:
Cheer'd by her promise, we the less deplore
The fatal time when Olive shall be no more.
Lo! Vincent comes! With simple grace array'd,
She laughs at paltry arts, and scorns parade:
Nature through her is by reflection shown,
Whilst Gay once more knows Polly for his own.
Talk not to me of diffidence and fear--
I see it all, but must forgive it here;
Defects like these, which modest terrors cause,
From Impudence itself extort applause.
Candour and Reason still take Virtue's part;
We love e'en foibles in so good a heart.
Let Tommy Arne,--with usual pomp of style,
Whose chief, whose only merit's to compile;
Who, meanly pilfering here and there a bit,
Deals music out as Murphy deals out wit,--
Publish proposals, laws for taste prescribe,
And chaunt the praise of an Italian tribe;
Let him reverse kind Nature's first decrees,
And teach e'en Brent a method not to please;
But never shall a truly British age
Bear a vile race of eunuchs on the stage;
The boasted work's call'd national in vain,
If one Italian voice pollutes the strain.
Where tyrants rule, and slaves with joy obey,
Let slavish minstrels pour the enervate lay;
To Britons far more noble pleasures spring,
In native notes whilst Beard and Vincent sing.
Might figure give a title unto fame,
What rival should with Yates dispute her claim?
But justice may not partial trophies raise,
Nor sink the actress' in the woman's praise.
Still hand in hand her words and actions go,
And the heart feels more than the features show;
For, through the regions of that beauteous face
We no variety of passions trace;
Dead to the soft emotions of the heart,
No kindred softness can those eyes impart:
The brow, still fix'd in sorrow's sullen frame,
Void of distinction, marks all parts the same.
What's a fine person, or a beauteous face,
Unless deportment gives them decent grace?
Bless'd with all other requisites to please,
Some want the striking elegance of ease;
The curious eye their awkward movement tires;
They seem like puppets led about by wires.
Others, like statues, in one posture still,
Give great ideas of the workman's skill;
Wond'ring, his art we praise the more we view,
And only grieve he gave not motion too.
Weak of themselves are what we beauties call,
It is the manner which gives strength to all;
This teaches every beauty to unite,
And brings them forward in the noblest light;
Happy in this, behold, amidst the throng,
With transient gleam of grace, Hart sweeps along.
If all the wonders of external grace,
A person finely turn'd, a mould of face,
Where--union rare--expression's lively force
With beauty's softest magic holds discourse,
Attract the eye; if feelings, void of art,
Rouse the quick passions, and inflame the heart;
If music, sweetly breathing from the tongue,
Captives the ear, Bride must not pass unsung.
When fear, which rank ill-nature terms conceit,
By time and custom conquer'd, shall retreat;
When judgment, tutor'd by experience sage,
Shall shoot abroad, and gather strength from age;
When Heaven, in mercy, shall the stage release
From the dull slumbers of a still-life piece;
When some stale flower, disgraceful to the walk,
Which long hath hung, though wither'd, on the stalk,
Shall kindly drop, then Bride shall make her way,
And merit find a passage to the day;
Brought into action, she at once shall raise
Her own renown, and justify our praise.
Form'd for the tragic scene, to grace the stage
With rival excellence of love and rage;
Mistress of each soft art, with matchless skill
To turn and wind the passions as she will;
To melt the heart with sympathetic woe,
Awake the sigh, and teach the tear to flow;
To put on frenzy's wild, distracted glare,
And freeze the soul with horror and despair;
With just desert enroll'd in endless fame,
Conscious of worth superior, Cibber came.
When poor Alicia's madd'ning brains are rack'd,
And strongly imaged griefs her mind distract,
Struck with her grief, I catch the madness too,
My brain turns round, the headless trunk I view!
The roof cracks, shakes, and falls--new horrors rise,
And Reason buried in the ruin lies!
Nobly disdainful of each slavish art,
She makes her first attack upon the heart;
Pleased with the summons, it receives her laws,
And all is silence, sympathy, applause.
But when, by fond ambition drawn aside,
Giddy with praise, and puff'd with female pride,
She quits the tragic scene, and, in pretence
To comic merit, breaks down nature's fence,
I scarcely can believe my ears or eyes,
Or find out Cibber through the dark disguise.
Pritchard, by Nature for the stage design'd,
In person graceful, and in sense refined;
Her art as much as Nature's friend became,
Her voice as free from blemish as her fame,
Who knows so well in majesty to please,
Attemper'd with the graceful charms of ease?
When, Congreve's favoured pantomime to grace,
She comes a captive queen, of Moorish race;
When love, hate, jealousy, despair, and rage
With wildest tumults in her breast engage,
Still equal to herself is Zara seen;
Her passions are the passions of a queen.
When she to murder whets the timorous Thane,
I feel ambition rush through every vein;
Persuasion hangs upon her daring tongue,
My heart grows flint, and every nerve's new strung.
In comedy--Nay, there, cries Critic, hold;
Pritchard's for comedy too fat and old:
Who can, with patience, bear the gray coquette,
Or force a laugh with over-grown Julett?
Her speech, look, action, humour, all are just,
But then, her age and figure give disgust.
Are foibles, then, and graces of the mind,
In real life, to size or age confined?
Do spirits flow, and is good-breeding placed
In any set circumference of waist?
As we grow old, doth affectation cease,
Or gives not age new vigour to caprice?
If in originals these things appear,
Why should we bar them in the copy here?
The nice punctilio-mongers of this age,
The grand minute reformers of the stage,
Slaves to propriety of every kind,
Some standard measure for each part should find,
Which, when the best of actors shall exceed,
Let it devolve to one of smaller breed.
All actors, too, upon the back should bear
Certificate of birth; time, when; place, where;
For how can critics rightly fix their worth,
Unless they know the minute of their birth?
An audience, too, deceived, may find, too late,
That they have clapp'd an actor out of date.
Figure, I own, at first may give offence,
And harshly strike the eye's too curious sense;
But when perfections of the mind break forth,
Humour's chaste sallies, judgment's solid worth;
When the pure genuine flame by Nature taught,
Springs into sense and every action's thought;
Before such merit all objections fly--
Pritchard's genteel, and Garrick's six feet high.
Oft have I, Pritchard, seen thy wondrous skill,
Confess'd thee great, but find thee greater still;
That worth, which shone in scatter'd rays before,
Collected now, breaks forth with double power.
The 'Jealous Wife!' on that thy trophies raise,
Inferior only to the author's praise.
From Dublin, famed in legends of romance
For mighty magic of enchanted lance,
With which her heroes arm'd, victorious prove,
And, like a flood, rush o'er the land of Love,
Mossop and Barry came--names ne'er design'd
By Fate in the same sentence to be join'd.
Raised by the breath of popular acclaim,
They mounted to the pinnacle of fame;
There the weak brain, made giddy with the height,
Spurr'd on the rival chiefs to mortal fight.
Thus sportive boys, around some basin's brim,
Behold the pipe-drawn bladders circling swim;
But if, from lungs more potent, there arise
Two bubbles of a more than common size,
Eager for honour, they for fight prepare,
Bubble meets bubble, and both sink to air.
Mossop attach'd to military plan,
Still kept his eye fix'd on his right-hand man;
Whilst the mouth measures words with seeming skill,
The right hand labours, and the left lies still;
For he, resolved on Scripture grounds to go,
What the right doth, the left-hand shall not know,
With studied impropriety of speech,
He soars beyond the hackney critic's reach;
To epithets allots emphatic state,
Whilst principals, ungraced, like lackeys wait;
In ways first trodden by himself excels,
And stands alone in indeclinables;
Conjunction, preposition, adverb join
To stamp new vigour on the nervous line;
In monosyllables his thunders roll,
He, she, it, and we, ye, they, fright the soul.
In person taller than the common size,
Behold where Barry draws admiring eyes!
When labouring passions, in his bosom pent,
Convulsive rage, and struggling heave for vent;
Spectators, with imagined terrors warm,
Anxious expect the bursting of the storm:
But, all unfit in such a pile to dwell,
His voice comes forth, like Echo from her cell,
To swell the tempest needful aid denies,
And all adown the stage in feeble murmurs dies.
What man, like Barry, with such pains, can err
In elocution, action, character?
What man could give, if Barry was not here,
Such well applauded tenderness to Lear?
Who else can speak so very, very fine,
That sense may kindly end with every line?
Some dozen lines before the ghost is there,
Behold him for the solemn scene prepare:
See how he frames his eyes, poises each limb,
Puts the whole body into proper trim:--
From whence we learn, with no great stretch of art,
Five lines hence comes a ghost, and, ha! a start.
When he appears most perfect, still we find
Something which jars upon and hurts the mind:
Whatever lights upon a part are thrown,
We see too plainly they are not his own:
No flame from Nature ever yet he caught,
Nor knew a feeling which he was not taught:
He raised his trophies on the base of art,
And conn'd his passions, as he conn'd his part.
Quin, from afar, lured by the scent of fame,
A stage leviathan, put in his claim,
Pupil of Betterton and Booth. Alone,
Sullen he walk'd, and deem'd the chair his own:
For how should moderns, mushrooms of the day,
Who ne'er those masters knew, know how to play?
Gray-bearded veterans, who, with partial tongue,
Extol the times when they themselves were young,
Who, having lost all relish for the stage,
See not their own defects, but lash the age,
Received, with joyful murmurs of applause,
Their darling chief, and lined his favourite cause.
Far be it from the candid Muse to tread
Insulting o'er the ashes of the dead:
But, just to living merit, she maintains,
And dares the test, whilst Garrick's genius reigns,
Ancients in vain endeavour to excel,
Happily praised, if they could act as well.
But, though prescription's force we disallow,
Nor to antiquity submissive bow;
Though we deny imaginary grace,
Founded on accidents of time and place,
Yet real worth of every growth shall bear
Due praise; nor must we, Quin, forget thee there.
His words bore sterling weight; nervous and strong,
In manly tides of sense they roll'd along:
Happy in art, he chiefly had pretence
To keep up numbers, yet not forfeit sense;
No actor ever greater heights could reach
In all the labour'd artifice of speech.
Speech! is that all? And shall an actor found
An universal fame on partial ground?
Parrots themselves speak properly by rote,
And, in six months, my dog shall howl by note.
I laugh at those who, when the stage they tread,
Neglect the heart, to compliment the head;
With strict propriety their cares confined
To weigh out words, while passion halts behind:
To syllable-dissectors they appeal,
Allow them accent, cadence,--fools may feel;
But, spite of all the criticising elves,
Those who would make us feel, must feel themselves.
His eyes, in gloomy socket taught to roll,
Proclaim'd the sullen 'habit of his soul:'
Heavy and phlegmatic he trod the stage,
Too proud for tenderness, too dull for rage.
When Hector's lovely widow shines in tears,
Or Rowe's gay rake dependent virtue jeers,
With the same cast of features he is seen
To chide the libertine, and court the queen.
From the tame scene, which without passion flows,
With just desert his reputation rose;
Nor less he pleased, when, on some surly plan,
He was, at once, the actor and the man.
In Brute he shone unequall'd: all agree
Garrick's not half so great a Brute as he.
When Cato's labour'd scenes are brought to view,
With equal praise the actor labour'd too;
For still you'll find, trace passions to their root,
Small difference 'twixt the Stoic and the Brute.
In fancied scenes, as in life's real plan,
He could not, for a moment, sink the man.
In whate'er cast his character was laid,
Self still, like oil, upon the surface play'd.
Nature, in spite of all his skill, crept in:
Horatio, Dorax, Falstaff,--still 'twas Quin.
Next follows Sheridan. A doubtful name,
As yet unsettled in the rank of fame:
This, fondly lavish in his praises grown,
Gives him all merit; that allows him none;
Between them both, we'll steer the middle course,
Nor, loving praise, rob Judgment of her force.
Just his conceptions, natural and great,
His feelings strong, his words enforced with weight.
Was speech-famed Quin himself to hear him speak,
Envy would drive the colour from his cheek;
But step-dame Nature, niggard of her grace,
Denied the social powers of voice and face.
Fix'd in one frame of features, glare of eye,
Passions, like chaos, in confusion lie;
In vain the wonders of his skill are tried
To form distinctions Nature hath denied.
His voice no touch of harmony admits,
Irregularly deep, and shrill by fits.
The two extremes appear like man and wife,
Coupled together for the sake of strife.
His action's always strong, but sometimes such,
That candour must declare he acts too much.
Why must impatience fall three paces back?
Why paces three return to the attack?
Why is the right leg, too, forbid to stir,
Unless in motion semicircular?
Why must the hero with the Nailor vie,
And hurl the close-clench'd fist at nose or eye?
In Royal John, with Philip angry grown,
I thought he would have knock'd poor Davies down.
Inhuman tyrant! was it not a shame
To fright a king so harmless and so tame?
But, spite of all defects, his glories rise,
And art, by judgment form'd, with nature vies.
Behold him sound the depth of Hubert's soul,
Whilst in his own contending passions roll;
View the whole scene, with critic judgment scan,
And then deny him merit, if you can.
Where he falls short, 'tis Nature's fault alone;
Where he succeeds, the merit's all his own.
Last Garrick came. Behind him throng a train
Of snarling critics, ignorant as vain.
One finds out--He's of stature somewhat low--
Your hero always should be tall, you know;
True natural greatness all consists in height.
Produce your voucher, Critic.--Serjeant Kite.
Another can't forgive the paltry arts
By which he makes his way to shallow hearts;
Mere pieces of finesse, traps for applause--
'Avaunt! unnatural start, affected pause!'
For me, by Nature form'd to judge with phlegm,
I can't acquit by wholesale, nor condemn.
The best things carried to excess are wrong;
The start may be too frequent, pause too long:
But, only used in proper time and place,
Severest judgment must allow them grace.
If bunglers, form'd on Imitation's plan,
Just in the way that monkeys mimic man,
Their copied scene with mangled arts disgrace,
And pause and start with the same vacant face,
We join the critic laugh; those tricks we scorn
Which spoil the scenes they mean them to adorn.
But when, from Nature's pure and genuine source,
These strokes of acting flow with generous force,
When in the features all the soul's portray'd,
And passions, such as Garrick's, are display'd,
To me they seem from quickest feelings caught--
Each start is nature, and each pause is thought.
When reason yields to passion's wild alarms,
And the whole state of man is up in arms,
What but a critic could condemn the player
For pausing here, when cool sense pauses there?
Whilst, working from the heart, the fire I trace,
And mark it strongly flaming to the face;
Whilst in each sound I hear the very man,
I can't catch words, and pity those who can.
Let wits, like spiders, from the tortured brain
Fine-draw the critic-web with curious pain;
The gods,--a kindness I with thanks must pay,--
Have form'd me of a coarser kind of clay;
Not stung with envy, nor with spleen diseased,
A poor dull creature, still with Nature pleased:
Hence to thy praises, Garrick, I agree,
And, pleased with Nature, must be pleased with thee.
Now might I tell how silence reign'd throughout,
And deep attention hush'd the rabble rout;
How every claimant, tortured with desire,
Was pale as ashes, or as red as fire;
But loose to fame, the Muse more simply acts,
Rejects all flourish, and relates mere facts.
The judges, as the several parties came,
With temper heard, with judgment weigh'd each claim;
And, in their sentence happily agreed,
In name of both, great Shakspeare thus decreed:--
If manly sense, if Nature link'd with Art;
If thorough knowledge of the human heart;
If powers of acting vast and unconfined;
If fewest faults with greatest beauties join'd;
If strong expression, and strange powers which lie
Within the magic circle of the eye;
If feelings which few hearts like his can know,
And which no face so well as his can show,
Deserve the preference--Garrick! take the chair;
Nor quit it--till thou place an equal there.
- quotes about language
- quotes about diversity
- quotes about tragedy
- quotes about fashion
- quotes about United Kingdom
- quotes about victory
- quotes about receiving
- quotes about monsters
- quotes about mime
See_the life, take time out, add a dash for seconds and stir sagaciously...
SEE_THE LIFE, TAKE TIME OUT, ADD A DASH FOR SECONDS, AND STIR SAGACIOUSLY
Kindly refer to notes
Who would conquer Time must first vanquish temporal conquest validation as voice for choice within a finite context corresponds to perpetual paradox, mad recipe sought by sine qua non sanity. To gain time seems sane, yet what dreams deign weight time against the proverbial feather awaiting Osiris' judgement before being devoured by Amemet?
Sleeper seeks awakening, taking time out for its own sake. Chronological water shed logical as seconds fed from and fled from Chronos' legendary meal. Thus though acts seem stirring to question actions becomes in itself the froth of futility, the equivalent of cook spoiling broth.
So[u]lution sought by fraught thought waves washing against unsure existential shorelines seeking - thus missing - their essential essence as there sense wavers then waves away intuition's spontaneous fruition favoring creativity.
Mind's inner recesses, fertile kernel where creativity restlessly and relentlessly anticipates release, - burst into nut gut activity as spirit awaits inspiration to send sap soaring, outpouring from core ring at all levels. Tendrils tentatively touch, tenderly tease to deracinate, sensate and sate straining spirit's tortured synapses as conscience conscientiously calls all - especially the consistency of its own self-evidence - into question.
Warp and weft, bereft of references, dance double helix above, beneath, and around the sum of understanding, st[r]anding both apart from and a part of the hole that leads spirally swirling, curling and whirling the whole into and out from itself.
Truth’s essential essence reflects prismatically and chromatically upon all aspects of awareness. Soul works on Will, re[de]fining Way as harmony and chaos complete each other, cosmic and karmic interplay evolve revolving around each other...
CARPE DIEM: PRICE MADE or EPIC DREAM? ACME PRIDE or MAD RECIPE until PRIME ACED as contest_ed...it end and or Death do us part.
Carpe Diem’s drumbeat fleet attracts calling when all else lacks tangible existence, consistence, sustained commitment. No need to explain, no easy recipe dissipating essential answers, no soul scaled down by feather. It is plain all’s vain, none remain immune to Time’s tune, no intelligent design, no predefined plan, may refine the baseless fabric of self-tortured imaginations, save flailing, failing, falling – wholesale soul shortsale...
A sail – [b]rave paling, ailing – craving recognition from the dead sea mirror reflection of man’s insolent anonymity - not a pretty picture.
The world is both perpetual midwife to its own rebirth and sexton sextant to its interminate interment internment.
See lost, soul-searching, generations asea, spreadeagled across life’s down filled pillows. Dissarray surfs the billows, while sheet lightning offers offers an appropriate backdropp for the final act as bellows roar and smoke stacks pour before that final belch relieves them of motion, commotion, and an ocean of sensations most appreciated when most lacking or perceived to be needed as backing for stacking cards against the hand of fate - whose instead-fast finger beckon-beacons destiny with uncomfortably imperative urgency.
Down to Earth, with a new world’s birth pangs ever in flux beneath mental horizons of tomorrow’s and tomorrow’s and tomorrow’s workless masses aimlessly awaiting some mere telomere resurrection reprocess program perpetually extending existence as experienced under traditional threescore years and ten life spans.
CARPE DIEM: EPIC DREAM or MAD RECIPE?
30 July 2007
* Ahemet - half lion half crocodile ready to devour souls of those weighed in the balance and found wanting - both literally and figuratively
http: // www.hermes3.net/thoth2.htm
http: //www.si.umich.edu/CHICO/mummy/Afterlife/Journey/ journey.html
CARPE DIEM Anagrams include... PRICE MADE or EPIC DREAM? ACME PRIDE or MAD RECIPE until PRIME ACED as contest_ed...it end and or Death do us part.
See_the life, take time out poem © Jonathan Robin
Like A River In Its Running, Like Life, Like Time, Like Mind
Like a river in its running, like life, like time, like mind
no point of departure that isn't also a moment of arrival.
Toxic parasols and meteor showers shot precisely
out of the green radiants of the candling umbrellas
and half-hearted parachutes of the water hemlock.
Starbursts of flowers that scald like welding sparks.
Bouquets thrown backwards over the shoulders of mean brides.
Alone in the high, wild grass, I just want to lie down in the sun
until half of me leaks into my watershed and the other half
evaporates into the cerulean bliss of the oblivious sky,
just breathe myself out into unfathomable volumes of space,
a riff of sacrificial smoke from a guitar on a pyre
as unconcerned as fire about where I'm going from here.
I like the metaphors that spring up like wild irises
along the mindstream, so I guess this is flowing,
though I could as easily be walking down a dirt backwoods road
feeling many of the same things, as I exalted
in the early blossoming of the chicory as a cosmic event
with mystic implications for those who can see
eternity embodied in the earthly simplicity of flowers
and that time, in the long run, has nothing to do with enduring.
I'm going to trample out a deer bed and lie down here
sketching starmaps of this year's flotilla of waterlilies
until the light of the isoscelean Summer Triangle breaks
like chalk on a blackboard. I want to clear my mind
like the Nazca Plateau and let the fireflies build runways
like well lit jungle zodiacs for the extraterrestrials.
Not expecting the wind to whisper secrets in my ear.
The trees can keep their secrets to themselves.
I'm not here to read the private life of the moon
left open like a diary of telescopic wavelengths
too intimate to be revealed to the one-eyed peeping toms.
Just want to settle into my own wake awhile
like dust kicked up by a wheel, numb the turmoil
on the wonder of things that embrace me as if
I were a stranger to myself the same as them
and our chief function in life, if there's one at all,
were merely the expression of our presence here
arrayed in the eyes of all like moon rise in a dropp of water.
Things flashing into this openness like constellations
of fish and dragonflies in a mirror elaborating their ripples
into flying carpets of musical effusion
that are never out of hidden harmony with chaos
even when seeds are scattered like dice
on the ghost of a chance on the wind lamenting its luck.
Don't want to mean, or be, or do.
I've been through those doors so many times
I'm beginning to think my feet are retrogressive thresholds
or stone mill water wheels grinding out my daily bread
like a Mayan calendar with a new moon at harvest time.
Nothing's resolved except perhaps you perceive
how the sublimities of life arise like Arcturus
out of its utter insignificance through an opening
in the crown of the black walnut tree you're lying under.
Whatever I am, whether I bear a message or not,
or I'm just a witness that wasn't called upon to testify,
comes a time when it seems more fruitive to let
the medium adapt its grammar to me to say what it wants
than I should try to shape it to the unsayable
that always leaves the taste of abandoned books in my mouth.
It's possible to flute your emptiness through the top
of an empty whiskey bottle making nautical sounds below decks
like the s.o.s. of a lifeboat in distress. Or you can percolate
like a breakfast clutch of black-capped chickadees in the willows
trying to get them to take something seriously for once,
or mock the crows like lumps of coal too cynically short-sighted
to spot the diamonds in their soul. Or you can
stop imitating yourself as if you were the proto-type
of someone who hasn't made it to the showroom floor yet.
They're all feasibility studies in pragmatic absurdity.
Given time, any lifemask you've carved out of your unlikeness
will grow to resemble you as space
has become a similitude for the dead.
Me? I just want to lie here until all I've got left for a voice
is a bird homing in the twilight, and when I roll over
to look in the water and see what remains of me, is a face
as unrecognizable as the universe.
Between Dark Past and Future Flight
Between dark past and future flight
Effect and Cause we question quite,
rhyme time between midnight and noon
to read, mark, learn, digest this tune.
Soul travels far, ka’s second sight
scouts out from dune to blue lagoon -
with moral codes plays fey buffoon.
Between dark past and future flight
the butterfly finds wings for flight
although, in silk spin knit cocoon,
it knows not dawn from afternoon.
Mind mirage magic may excite
confusing notions – far and soon
merge premonition’s present boon.
Between dark past and future flight
trace space, expand and pace delight ~
from morn till midnight one should learn
to seed born insight, harvest earn,
bend to contentment very soon
ends, means, all harmonies attune
heart, soul, which whole from parts return.
Between dark past and future flight
now ‘stalac_might’ checks stalag tight
mankind evolved from the baboon
to trace his race pace picayune.
between the darkness and the light
most squander chances opportune
dreams rose themed spurned, they haste to tomb.
Vague contexts blurred, restrictions fight
unshadowed vision full, shy moon
casts spell whose pull’s forgot by noon.
Between dark past and future flight
The wheel spins on, ignores ‘wrong’, ‘right’
As light, dark, rainbow’s ark all churn
fear not fall near, nor rise call spurn.
Sandman plays game outside luck, blight,
for more than intellect's harpoon.
Hope blooms, may anguish, heartache, prune.
Between dark past and future flight
oft ‘Justice’ seems a notion quite
outside God’s scheme - ‘on joue le clown’
play insecurity immune
while mocking empty social rite
inventing, changing Scheme and gods
to bury fears inspired by sods.
Between dark past and future flight,
through silver starred aragonite,
December’s frost melts into June.
Some worries shrink while some balloon.
Concealed may be revealed despite
the veil few tear – invite, festoon
lass lonesome on her honeymoon.
Between dark past and future flight
Cupid, Apollo, Aphrodite,
injustice remedy, dragoon
Fate’s darts, spite filled, to build pontoon,
surprise to catalyse, excite,
scene set for future hid from sight
till pattern pieces knit in tune.
Between dark past and future flight
some role reversals reunite
checks, balances, inopportune
risks which too haughty silver spoon
takes, greedy, - tides turn, pride indict.
Who, rich, Today would play and croon,
Tomorrow buries very soon.
Between dark past and future flight
sleep paints saint, social parasite,
in wavelengths rainbow may lampoon
for wage-slave, sage, or loon tycoon.
Blind bodies curled, bind whirl-swirled quite,
from youth uncouth, ungainly goon,
“to lean and slippered pantaloon.”
Between dark past and future flight
enchanting maid, heroic knight,
play out day’s doubt, - though beer saloon
may spur the bleary eyed to swoon.
Einstein’s ignored for much which might
influence an inner tune
or new create, decoding rune.
Between dark past and future flight
is vision sent meant to incite
egged on by p[h]antomime cartoon?
Is insight drawn through second-sight -
though chance seems blind behind sin’s call
true dance dreams find combined in all.
(c) Jonathan Robin - Rhyme scheme after R.W. Answell
written 23 March 2005 and 29 November 2006 revised and expanded 14 April 2008.
For initial version and Answell see below
Between dark past and future flight
Between dark past and future flight
the butterfly finds wings for flight
although within the spun cocoon
it knows not dawn from afternoon.
From morn till midnight we can learn
to seed born insight, harvest earn.
Thus to contentment very soon
sweet thoughts will bend, send sweeter tune.
Between dark past and future flight
trace space, expand and pace delight ~
although Fate now plays the buffoon
mocks efforts with uncoded rune.
As light, dark, rainbow’s ark do churn
fear nothing near yet nothing spurn,
for more than meets March eye in June
may blossom ~ anguish, heartache, prune, ~
for fears grow dim, soon tears do dry,
and Sandman grim can only sigh
when confidence and trust balloon,
scout out from dune to blue lagoon.
23 March 2005
Between the Sunset and the Sea
Between the gate post and the gate
I lingered with my love till late;
And what cared I for time of night
Till wakened by the watch dog’s bite.
And thud of leathering boxtoed fate
Between the gatepost and the gate.
Between the seaside and the sea
I kissed my love and she kissed me;
But rapturous day was gruesome night,
And what is love but bloom and blight?
And what is kiss of mine to thee
Between the seaside and the sea?
Between the sunshine and the sun
I saw a face that hinted fun;
But what is fun, and what is face,
When driven at life’s killing pace?
I simply say that I have none
Between the sunshine and the sun.
Between the bumble and the bee
Full many a soul has had to flee;
And what is love, may I enquire,
When asked to build the kitchen fire?
Or who would not leap in the sea
Between the bumble and the bee?
Between the tea store and the tea
There is a wide immensity;
A dollar twenty five a pound,
And not a nickel to be found.
Then what has fate in store for thee
Between the tea store and the tea?
Madhur Veena Comment: Who is she? ? ? ? ? ? ? ? ? ? ? ....You write good!
Margaret Alice Comment: Beautiful, it stikes as heartfelt words and touches the heart, beautiful sentiments, sorry, I repeat myself, but I am delighted. Your poem is like the trinkets I collect to adorn my personal space, pure joy to read, wonderful! Only a beautiful mind can harbour such sentiments, you have a beautiful mind. I am glad you have found someone that inspires you to such heights and that you share it with us, you make the world a mroe wonderful place.
Margaret Alice Comment: Within the context set by the previous poem, “Cosmic Probe”, the description of a lover’s adoration for his beloved becomes a universal ode sung to the abstract values of love, joy and hope personified by light, colours, fragrance and beauty, qualities the poet assigns to his beloved, thus elevating her to the status of an uplifting force because she brings all these qualities to his attention. The poet recognises that these personified values brings him fulfilment and chose the image of a love relationship to illustrate how this comes about; thus a love poem becomes the vehicle to convey spiritual epiphany.
Margaret Alice Comment: Your words seem to be directed to a divine entity, you seem to be addressing your adoration to a divinity, and it is wonderful to read of such sublime sentiments kindled in a human soul. Mankind is always lifted up by their vision and awareness of divinity, thank you for such pure, clear diction and sharing your awareness of the sublime with us, you have uplifted me so much by this vision you have created!
Margaret Alice Comment: The poet’s words seem to be directed to a divine entity, express adoration to a divinity who is the personification of wonderful qualities which awakens a sense of the sublime in the human soul. An uplifting vision and awareness of uplifting qualities of innocence represented by a beautiful person.
I WENT THERE TO BID HER ADIEU
Kente Lucy Comment: wow great writing, what a way to bid farewell
Margaret Alice Comment: Sensory experience is elevated by its symbolical meaning, your description of the scene shows two souls becoming one and your awareness of the importance of tempory experience as a symbol of the eternal duration of love and companionship - were temporary experience only valid for one moment in time, it would be a sad world, but once it is seen as a symbol of eternal things, it becomes enchanting.
I’M INCOMPLETE WITHOUT YOU
Margaret Alice Comment: You elevate the humnan experience of longing for love to a striving for sublimity in uniting with a beloved person, and this poem is stirring, your style of writing is effective, everything flows together perfectly.
Margaret Alice Comment:
'To a resplendent glow of celestial flow
And two split halves unite never to part.'
Reading your fluent poems is a delight, I have to tear myself away and return to the life of a drudge, but what a treasure trove of jewels you made for the weary soul who needs to contemplate higher ideals from time to time!
IN CELESTIAL WINGS
Margaret Alice Comment: When you describe how you are strengthened by your loved one, it is clear that your inner flame is so strong that you need not fear growing old, your spirit seems to become stronger, you manage to convey this impression by your striking poetry. It is a privilege to read your work.
Obed Dela Cruz Comment: wow.... i remembered will shakespeare.... nice poem!
Margaret Alice Comment: The poet has transcended the barriers of time and space by becoming an image of his beloved and being able to find peace in the joy he confers to his beloved.
'You transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.'
Margaret Alice Comment: You are my peace and solace, I know, I am, yours too; A mere flash of your thoughts Enlivens my tired soul And fills me with light, peace and solace, A giant in new world, I become, I rise to divine heights in celestial wings. How I desire to reciprocate To fill you with light and inner strength raise you to divine heights; I must cross over nd hold you in arms, light up your soul, Fill you with strength from my inner core, Wipe away your tears burst out in pure joy How I yearn to instill hope and confidence in you we never part And we shall wait, till time comes right. the flame in my soul always seeks you, you transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.
Margaret Alice Comment: As usual, it is the symbolism of making love that is important to me, you clearly depicts the sensual delight, which is fleeting, the enduring aspect of temporary sensory experience lies in its symbolism of unity and inifnite love and read within the context of your previous poems, I think the symbolism is present in this poem also.
Margaret Alice Comment: The symbolism of making love is important, the poem depicts sensual delights, which are fleeting, the enduring aspect of temporary experience lies in its symbolical value of unity and infinite love. Read within the context of the previous poems, the symbolism can be read in this poem also.
SHE SPELLS SIMPLICITY
Sarah Loves Comment: this is awesome
Margaret Alice Comment: Once again you weave the tapestry of the symbolical meaning of her presence in your life and create the context within which sensory experience of love is elevated to the sublime. I repeat myself, I know, but I love these themes.
Margaret Alice Comment: Weaving a tapestry, using a description of lovers to symbolise the presence of love in, creating the context within which sensory experience is elevated to the sublime.
WE DISSOLVED IN THE OTHER
Margaret Alice Comment: Still within context, the poet gives description of sensory love as a symbol of souls united in one goal, eternal love. Humanity is always in danger of separating the playful aspect of lovemaking from its deeper significance. When young, love is the best game their is with no strings attached, as people grow older, they discover how lovemaking becomes a symbol for real affection as loyalty and integrity to a loved one.
Margaret Alice Comment: The scene is very evocative, it could also be the description of sensual love without any other significance than momentary joy, the way young people love, abandoning themselves to physical pleasure without emotional involvement, since young people are on a voyage of discovery and making love is one of the stations along the way. Within the context of this series of poems, I assume the poet wishes to assign an emotional significance to the love he depicts, a love relationship that is meant to last. Very well written, you have done a splendid job.
RHYTHMS OF LIFE
Guillermo Veloso Comment: What a wonderful manifesto. I have been thinking lately of life as a see-saw with our goal the fulcrum. your poem adds clarity to my journey. thank
you for sharing Praveen
I LOVE YOU FOR WHAT YOU ARE
Hasmukh Amathalal Comment: Love sprouts in heart and sits in soul,
Love bounces from the soul to light up loved things,
Love lights steady flame of heavenly bliss
And melts all pride and binds loved ones....ya love bounces from soul to light... truely said... i liked the theme....10
A WALL OF TIME
Rose-marie Mitchell Comment: Nice poem! Nice words! - 'In the womb of deep slumber'.- very poetic.
WE LIVE IN HOPES
Jay greene Comment: amazing is the only word i can think of speechless 10+++++
SHE IS THIRTY, I’M SIXTY
Sadiqullah Khan Comment: This is simple mathematics. Use your lower half (sixty divided by two is equal to thirty) or wait another thirty years for her to become sixty.
BE YOU IN WORDS
Sadiqullah Khan Comment: Good advice, worth following. Will take it to my list, for reference. Thanks for sharing Praveen.10
HIS SMILE FLOODS TREASURE
Sadiqullah Khan Comment: Lucky guy.....................
Sumita Datta Comment: But... it's a recurring strokes... It won't stop...
BYGONES ARE BYGONES
Sumita Datta Comment: Actually, bygones are bygones.. liked your piece of work...
Bonnie Shipman Comment: Praveen, this is very beautiful. The words flow smoothly and finely. In it, I see God's search for man. Even when we would hide ourselves from the living God, He finds us and calls to us. We need only to respond.
Margaret Alice Comment:
'I chose words, I created worlds
To impale you in poetry's net; '
Struck me forcibly - to catch and hold through the power of words...
Bonnie Shipman Comment: I am glad for the expression of this poem. But one question- what of the beauty of a gentle and quiet spirit? It is the spirit which holds the most beauty.
I see music in his hands.
I see eloquence in her mouth.
I see dancing in his feet.
I see understanding in her eyes.
I see prayer in he knees.
I see giving in her arms.
I see compassion in his shoulders.
I see love in their eyes.
I see God in their soul.
Margaret Alice Comment: 'makes sorrow sweet and excess joy bitter
To guide the life through a healthy rich path
Of eternal peace and contentment; '
Eternal, the magic word, take sweetness from joy to sweeten sorrow...
Margaret Alice Comment: A cosmic scope, the speaker becomes a symbol of the dark earth [body] lying in wait for the power of light [spirit] to find and fill it with life and joy. The reader can find several symbols in the poem, find the image of imprisoned lover waiting to be found by the beloved who seeks him out in his despondency and brings hope and joy to his soul. the soul keeps seeking the physical body because it is home, allowing it to interact with other aspects of reality – or infinity. The lover and his beloved becomes a symbol of the unity between spirit and soul. It is a pleasure to come upon a poem that allows the reader scope to speculate in this way.
HER SWEET SOUL NEVER HURTS ANY
Margaret Alice Comment: The poet personifies the qualities of love, compassion, humility, upliftment, righteousness, as a “queen” that reigns over him and controls his actions. He uses the description of adoration for a beloved as a symbol to illustrate his relationship with these qualities that he admires so much. He assigns these admirable virtues to a powerful being who has the ability to reign over him.
Margaret Alice Comment: The unity aspired to and attained in embracing a beloved can be seen symbolise the eternity of love – memories and thoughts are important as ties that bind the poet to the beloved – within the context of this series of poems the beloved is the personification of man’s higher aspirations. When memories and thoughts are lost, love remains and love is symbolised by unity.
IN NATURE’S CELESTIAL TIE
Margaret Alice Comment: 'I live in her, and she, in me, indivisible ever, '
A beautiful depiction of love and hope.
MY SELFLESS ANGEL
Margaret Alice Comment: 'She found her joy I could not give her In my barren shadow, sadly bleak and cold.'
What a strange poem, it can be interpreted in so many ways, within the context of these series, it seems that the virtues personified by the angel would not desert the poet even when he refused to embrace them wholly - I think.
SOUL BOUND TO SOUL
Margaret Alice Comment: 'We know we are one and destined to blend.'
'But, comes our time, all is worth of it.'
Now this is positive, what a great exmaple for the discouraged and tired seeker, keep the faith and all is worth it - great words, inspiring, lovely.
Margaret Alice Comment:
'Oh, how a thing of beauty, breeds that much pain!
How gentle love throttles joy, brings misfortunes! '
I always goes with Terry Pratchett's interpretations when confronted with sad tales like these - just as Romeo and Juliet should have checked for pulse before killing themselves, these characters should have acted in a different way - seems like Pratchett and I refuse to accept sad endings as inevitable - I never shall. Quantum physics says the universe splits every time a decision is made and quite the reverse takes place somewhere else - the universe split and in a parallel universe these two lovers are living happily!
SHE IS PURE GOLD
Margaret Alice Comment: “Wisdom” calling to foolish men and women mentioned to in Proverbs, the Bible, seems to be delineated in this description. Wisdom always seemed to be an aspect of beauty, because beauty without wisdom would lack harmony, balance, truth, joy, peace – this description seems to refer to the highest ideals men aspire to. Lovely way to put it.
WHILE TIME COMES RIGHT
Margaret Alice Comment:
'Yet, a distant glimmer deep in my heart
Distinctly whispers that all is not lost,
Everything will be right while time comes right.'
That's it, hope and trust always, it gives meaning to human lives and best of all, it creates a positive ending, if you don't waver, your wishes will be fulfilled.
SHE FLOODS MY SOUL
Margaret Alice Comment: 'She is the precious jewel I sought all my life.'
This reminds the reader of the parable in the New Testament, when a man found a precious jewel in a piece of land, he buried it again and went away and sold all his possessions and bought that piece of land to keep that jewel for himself.
Nivedita Bagchi SPC UK Comment: ‘I’m “Simply Yours”’ a Romantic poem the …vibe spinning tangentially into horizon and picturesque…10
Margaret Alice Comment: You are my world, my light, You are my fulfillment, You are my reason, my meaning, You are my cause and target, Wherefore I move all through life.
Hasmukh Amathalal Comment:
You are my world, my light,
You are my fulfillment,
You are my reason, my meaning,
You are my cause and target,
Wherefore I move all through life............open and frank admission I am yours' so beautifully interwove3nwith clear heart and it has moved me with its words.. lovely sir.....10
GULF OF LIFE AND DEATH
Cyanic Orchid Comment: nice expressions........
DIVINE IS MY STATE
MaKayla Straight Comment: WOW! ! ! GOOD JOB! ! ! ! ! ! ! ! ! !
Margaret Alice Comment:
“You fill me with such wealth that I, whether high or low,
Need no worldly grace or scope unto me ever flow.”
Ooo, wish all love was like this! I am paid to read dark letters of despair and your uplifting lines is taking me on a journey far away into a new universe of light, love, music and verse. You sing beautifully.
Margaret Alice Comment: 'With an ocean of emotions churning between.'
The universal human condition, yet we all live on surface, we never probe the ice-floes beneath...
TEMPLE OF WORDS
Margaret Alice Comment:
You bring huge waves in the ocean of soul
That washes the shores of heart and mind
With melodious tunes and passions' foams;
While low tides set on the soul's trough,
All go still and disturbingly calm.
This is striking rhythm and melody, oceans of soul and passion's foams, great imagery...
THE TOUCH OF SPRING
Margaret Alice Comment: Comfort, gentle care, warmth - this is real love, wonderful.
Margar et Alice Comment: 'Make life a vaulting heaven, this world, a joy's holy shrine.'
'rousing pleasures' are fleeting, can be a trap, leaves the reveller feeling empty, but the last line is wonderful, the discovery of infinity in the here and now - that is something to dream about.
MY ELUSIVE PRETTY WIFE
Margaret Alice Comment: 'To seek, search and discover my elusive pretty wife. '
What a delightful ode to your wife! I am reading ice-cold words in official grey documents ashen with meaninglessness, therefore it is a delight to follow a series of poems in which a poet delineates love in spiritual terms and emotions are more important than rational logic.
Margaret Alice Comment: What a lovely way to end the official day, words that remind of spiritual truths and joys in feelings and uplifting ideas!
Margaret Alice Comment: it is very difficult to read grey words after these beautiful visions
Margaret Alice Comment: you know not what you are for me, how deep and wide you fill my self,
I LOVE YOU FOR WHAT YOU ARE
Margaret Alice Comment: 'Love is pure bliss, Love is pure feel'
thank you for this reminder that life is bigger than the small official space here and now...
Margaret Alice Comment:
'I love you for what you are,
Not for what you ought to be,
Nor for what you some day is;
You, as you are now, here and near, '
Unconditional love and acceptance, no ifs and buts and demands, to love because, not in spite of.
RISE AGAIN IN THE EAST
Margaret Alice Comment: “on immortal mortal face”
I love juxtapositions like this!
“unite in immortal love’s bond”
That is the only kind of love there is, immortal – I agree.
Margaret Alice Comment:
'You made this life a dulcet music,
A passionate painting, a sensuous poetry.'
You felt this, or imagined it, the ability to feel so much and dream of such visions, it has me in thrall...
Margaret Alice Comment:
You made this life a dulcet music,
A passionate painting, a sensuous poetry.
You dyed my heart in everlasting beauty,
You dyed my soul in everlasting joy;
Margaret Alice Comment: Enormous scope of your visions… bigger than anything I have ever thought about...
Margaret Alice Comment: Shades and hues of infinite joy It is a great world of divine joy Where divinity spreads in fluid opulence, Where love cries in unbound joy, sacred temple Where gods come to worship the queen Who created the world with her pristine charm And lord over it all over since then; The hymns of love and dim temple light Come across to reach only graceful souls. No dusts and smokes of forlorn years Ever ravage her pristine form, Ever disturb her unworldly love, She lives and lives forever and ever in the old world, in all new worlds too.
SHE SMILES FROM A MYSTIC LAND
Margaret Alice Comment: 'Where we dwell in immortal rest.'
Forever and immortal - concepts that give meaning to life.
IN COSMIC CYCLE
Margaret Alice Comment: 'In timeless love that blends our hearts.'
Key word: Timeless - the temporary world is but a window on the eternal timeless spirit that lives forever.
IN CELESTIAL RHYTHM
Margaret Alice Comment: 'She lives in me forever in the shine of my soul, '
'In every streak of love I find anywhere.'
Perfect, love as eternal, every instance of love is one more channel to the infinite source of love, one instance of love opened awareness to all other manifestations of love.
I HEAR ALL DAY YOUR LITTLE WHISPERS
Margaret Alice Comment: ', you are unbound joy, inner peace, sheer harmony, my beauty, my truth and essence.'
'nothing I find harder than knowing you'
So many of us share your quest for mental peace and spiritual joy!
Margaret Alice Comment: 'find her lurking in all splendid things,
In all noble deeds, trusts and all human needs, '
Once again the theme of finding the constant wonder within changing things, finding the eternal beauty within the stream of life ever-changing - holding the eternal within.
I’M JUST NOUGHT WITHOUT HER
Lady Grace Comment: so nice..this poem talks a lot...well appreciated...very nice dear....smileeee
Margaret Alice Comment: “immortal flame of my soul / timeless together / endless bliss / endless future”
This is a language that stirs the soul, uncovers temporality to show the eternal spirit burning wondrously behind short-lived manifestations, the symbols of eternal consciousness.
Margaret Alice Comment: Sarva Karana Karanam, Cause of all causes, Root of all roots, Source of all sources is she.
Yoonoos Peerbocus Comment: you control each stanza up to the theme/ nice write
ALONG THE VENNELS OF YORE
Margaret Alice Comment: 'And held me fast to her for all ages to come.'
Love enduring forever - that is the only true love, the only reality, it lives forever, it is eternity.
ACROSS THE GULF
Margaret Alice Comment: “endless dance, a world of everlasting love and trust”
“endless” and “everlasting”, words that hold more charm than any other in every universe
Margaret Alice Comment: ”Unknown hopes Deepen passions and strengthen bonds.
love does not wait for time's swing, But bides on steadfast patient growth”
Love transcends time’s pendulum and instead of withering, keeps growing, across all intervening space, across the span of time.
Margaret Alice Comment: She sprang from time's tapestry, Like full moon, And streamed soft light all over him; She blew over his heart's barrenness Like the gust of westerly wind do to clouds And poured sprightly rain of joy.A skyward climb discovers descend, ”Unknown hopes Deepen passions and strengthen bonds. love does not wait for time's swing, But bides on steadfast patient growth”
My comment: Yes, love transcends time’s pendulum and instead of withering, keeps growing, across all intervening space.
PARTINGS MEANT TO DEEPEN BOND
Margaret Alice Comment: “While soul is on focus, no labours count, No obstacles haunt, no hurdles mount.”
Having a purpose and led by an ideal, no amount of sacrifice can hold us back, obstacles shrink away under inner power.
“Inseparably we are spliced in endless heavenly field,
Partings we suffer meant perchance to deepen bond.”
When the magnificent effect of temporary pain is understood and meekly submitted to, the pain creates a space for more joy and leaves no scar – we grow stronger at the places where life has broken us, and discover that pain changes us into glowing sticks if we let it!
Margaret Alice Comment: Intense like sun and soft like pure gold,
She stirred my soul to my singular goal
FROM UNKNOWN HORIZONS
Margaret Alice Comment: Perfect description of the soul becoming one with the all, although painful swelling of passion is stilled, the joy of inner experience as oneness is richer with feeling and experience than the physical world ever offered, and giving up the movement of passion is no sacrifice, but the door to a new horizon of celestial joy never experienced before.
“And absorbs me head-on like water on sand;
All passions still, but pure streaks of joy
And I glow as light in communion with light
I see with inner eyes and feel with inner mind;
The soul that drinks the divine glow,
No more sinks back to the hell of black passions.”
Margaret Alice Comment: The reason I love this poem is because it gives hope for transcendence into joy, not away from it. “And absorbs me head-on like water on sand; All passions still, but pure streaks of joy And I glow as light in communion with light I see with inner eyes and feel with inner mind; The soul that drinks the divine glow, No more sinks back to the hell of black passions.”
BLOOMED IN ENDLESS JOY
Margaret Alice Comment: 'Hearts seared in pain for each,
Now bloomed in endless joy; '
Wonderful, the steady, loyal heart recompensed, and even the journey only, the challenge, holds joy indescribable, love is its own recompense, if it also brings the travellers to their beloveds, just so much more beautiful!
Margaret Alice Comment:
'What an immortal joy, you carried on you!
You came and you went, but the light persists all over.
the streams of immortal light, '
This is true love, when the appearance of the loved one changes the lover forever, the joy that was brought is immortal, the light persists even after the person left - the change is eternal and the lovers will be reunited after death for ever and ever. This is the only vision of love that makes life livable - and beautiful.
I KNOW HER
Margaret Alice Comment:
'For eternal commune of souls,
In ecstatic speck of continual 'now', '
Heidegger - in following Zen-Buddhism - experience wihout interpretation - phenomenology - eternal unity and ecstasy as one big eternal present tense - THIS is the perfect spiritual ideal, love becomes godly, the only kind of love to strive for, the dream and ideal...
Margaret Alice Comment: An epic tale of cosmic dimensions...
'Her easy marking him shook deep his soul;
Like life to sunshine, soul to sweet notes,
Her heart danced wild in his warm presence; '
Margaret Alice Comment:
“Trust me”, cried I, “trust the divine designs,
I swear on my lovely Goddess, destiny shall shine bright;
All fears and tears just meant to deepen our mutual bonds;
Nothing shall stop me from bonding to my pretty queen,
Margaret Alice Comment: Only shallow eyes do see me in cage.
MY MORTAL EYES
Margaret Alice Comment: How much I desire to take you in arms And hold you tight to my yearning heart! Tell me where you hide from my mortal eyes; I reach far worlds and find you there
Margaret Alice Comment:
She is my rhythm, the perfect rhyme,
The cosmic dance that bounces worth.
The world is a desert without her presence,
A void is life, devoid of essence;
The spin of time, a whine of hollowness,
Cool and dull, whimpers of shallowness.
Booklover Tv Lounger Comment: Pretty cool. Sounds epic in my opinion, like it should belong to the beggining of an awesome movie or game. Great job! Keep it up
Abhinav Baruah Comment: Thank you
Beautiful fragrance and positive vibrant.....
Abhinav Baruah Comment: 'Man loses to gain,
Falls to rise and bends to standup'
..... Beauty of living.....
Indira Renganathan Comment: The nature is a clean mirror of the soul
Where the soul itself reflects for real,
Bright like the sun, yet soft like the moon
And refreshingly pure like the morning dews.
Amazing observation and study on nature....great
SHINE LIKE THE SUN
Margaret Alice Comment: The poem reminded me of the highest challenge for people who want to shine like the sun: ….. The ideal is to realize one’s full potential without infringing on the rights and happiness of other people. ….. The one who truly shines can love and accept unconditionally without expecting anything in return, ….. – who simply adores and loves the world and its people for the pure reason of the glory of their existence.
Margaret Alice Comment: This exhortation rings beautiful ….. it should be directed to every human being everywhere, …..
“Be different, be the jewel of the crown,
Shine like the sun all over the heaven;
Stand up above the mediocre din
And show how high you are deep within; ”
Margaret Alice Comment: ….. the poet approaching the goddess and asking her to be his muse and share herself, her own inspiring mind and feelings with him, to inspire his poetry so that he can write about the sublime. …..
“Lo, poetry surfaces from discontented soul.
The outside world in the inner cauldron
Sublimates to hot soothing vapour
That lingers in soul like poetic notes;
Trivials of the world, while churned in self,
Coagulate soft and sweet precipitates
That raise this world to enlightenment”,
the poet is addressing his own soul and his own muse, …..
What can I hold to impale you in words,
You wait on the side-stage to dance to tunes
To enter centre-stage, to create new realms,
Build bridges to the mind,
….. it is beautifully written containing all the rhythms and rhymes,
“You pour live words of myriad hues
In forms and shapes and rhythms and depths” the poet is dreaming about.
WINNOCKS OF BEAUTY
Margaret Alice Comment: “as conceived by a poet in a great epic; ” what an overpowering beholder ….. to write an epic song like this, ….. celestial ideal, ….. style is a lovely, alliterative music and ….. take the reader on a heavenly journey –“where desires and peace rise hand in hand, where the heat and light of enlightenment grips the soul glows in divine passions.”
Margaret Alice Comment:
“The road is wild, but a pleasant pursuit
To walk, head held high, in proud respect,
Though hungry beasts with bloody teeth
Wait to pounce and tear her Self.
…..poem brings all the elements of self-respect together that make life worthwhile. The only beasts who can tear self-respect is the subject’s own vision and decision, nobody else’s criticism, opinions or action can ever touch self-respect – it is a citadel, a safe sanctuary, and the source of love – of self and everything else.
Margaret Alice Comment:
The Buddha found his final solace in flight and passivity, the end of all change.
“In nirvana he found the supreme tool;
He attained awareness, he sought all his life;
Gouthama, the Sakyamuni, found abstinence
The cure for all the pain and sorrow.”
”He suffered for all, sacrificed all,
To find the path of deliverance;
He sought and lit the spiritual light
That illumed and liberated self and world
And cast gentle rays on the human race.”
The Buddha gave his life to help those who need to follow the road of sorrow to its very end and attain sainthood – a wonderful thing.
Margaret Alice Comment:
”We partake in a mysterious game,
Where as mere tools, we play the game,
Though inside it, nowhere belong.”
I have great respect for all who share your sentiments and feel the alienation implied by these statements.
THOSE CAREFREE DAYS
Margaret Alice Comment:
“the world was a huge playground then,
but, trust and love filled my world;
the carefree days did light my spirit”
The poet creates a picture of a perfect childhood, an idyllic picture ….
Margaret Alice Comment: Inspiration and ideal personified as a woman, which in turn can be read as the personification of the subconscious also –
Margaret Alice Comment: Theme of inspiration personified as a woman: Together “Blue Beauty and “Poetic Inspiration” form a wonderful whole and the personification of ….. Muse, ascribing sensory experience and inner feeling to the experience, makes it exciting and provocative – thank you for wording your ideas in this way!
LIFE AND COSMOS
Margaret Alice Comment: Thank you for writing a poem about life and its meaning.
“Life is a speck of light
In the womb of infinite darkness,
Life is a chance movement
In the ocean of ceaseless stillness.
Life is a celestial pinhole,
Where matter rocks in endless cycle”
Thank you for offering an opportunity to ponder these things.
I NEVER REACH YOU
Nivedita Bagchi SPC UK Comment: Indeed your poetic affect will ‘cynosure’ you … weather off … is just wreathing in … Excellent emotive poem... thro’ and thro’ vibe...oscillating…
Ms. Nivedita UK
Dilwyn Bowen Comment: Excellent piece of writing. Your pride and sadness come through with great skill. Must give this a ten and a favourite read.
Margaret Alice Comment: What a lovely way to describe finding an ideal, personifying the ideal as a woman and filling the poem with concrete images and enabling the reader to interact with the poem.
Venkatesh Ram Comment: marvellous.unguided it seems but in reality everything has a cyclic life
Milica Franchi de Luri Comment: 'Life is an ocean of infinite waves' What a lovely metaphor...
Resten Swondo Comment: That befall in grotesque forms
Beyond reason’s confines
beyond reason, there is beauty. for love knows know reason as any man with two good eyes will tell you.
Interesting lyrical power...
Sadiqullah Khan Comment: Rich in metaphor, very elaborate, and thought provoking.10 from me, Kumar.
Sadiqullah Khan Comment: How far should I sail to touch the shore of dreams?
........Nice opening sentence.
Sadiqullah Khan Comment: Long reading. The last stanza summs up.
Is It Poetry Comment: These are...
some of the wisest words
i have come to hear...
Fighting is so useless..
wise fight for family, child, country
and reward of labors...from thief...
Sadiqullah Khan Comment: Thought and knowledge. Well explained.10
Niyas Jamal Comment: jai ho! ! ! ! jai ho! ! ! ! jai ho! ! ! ! jai ho! ! ! !
SHE SPELLS SIMPLICITY
Nivedita Bagchi SPC UK Comment: Wonderful portraying of femininity in various tones and tunes ….svelte supple lissome limber…
Yeah we women are like that…and look for cooperation from all….this poem aesthetically sounds like: Glory Unto Women …thanks for this tribute-type poem especially when the aura and aroma of World Woman’s Day still oscillating …spreading noetic message … enjoyed by all heart…
Nivedita Bagchi SPC UK Comment: Amazing…spellbound…full of wisdom…gleaming glittering with all noble thoughts… Finish is ‘We ride the tides of ruthless time/In timeless love that blends our hearts. ‘Ruthless time can’t shackle us where Love is the propelling force… We stay anchored in the sanctuary of Love. Finest diction and plenty of food for contemplation and deeply…10+
IN CELESTIAL RHYTHM
Nivedita Bagchi SPC UK Comment: Sir to me it is narrative poem rich in metaphor ambience and spilling vibes of emotions. Who she was? Indeed a poetic riddle poets’ love to keep inside …allow readers to ponder and find the answer…and your crafting is likewise… ‘Lay still and breathless, alas, in endless sleep... ‘gush of gosh… well it’s a part of poetry…thanks for sharing. Voted 10
Nivedita Bagchi SPC UK Comment: Magnificent chant soliloquizing with the All Highest. The canvas is unfathomable but your vibe outstretched max to cover in allness and fullness… you’ve made a free to and fro travel with ‘You and me and I ‘
Finally consecrated yourself ‘And spur you to the probe/By the sheer strength of our bond. ‘ Excellent poetic experience for me and learning …than you very much for such a great poem… Voted 10
SHE IS PURE GOLD
Nivedita Bagchi SPC UK Comment: Your poem reminds me great Swami Vivekananda’s opinion: Unless she [read women] are respected and adored no nation can progress. Here I find you’ve beautifully followed [might be unknowingly] the same thing… being a woman please don’t think it’s a gender bias I’m favoring for… it’s because of my great country India where I originated…that genotype working subconsciously… Its wonderful poem and enjoyed and cherished thro’ and thru…
To see life,
To see life,
To see life is to see trust,
To see life and make us suffer for truth's,
To see life is to grow in an environment that is good,
To understand the Spiritual meaning of glory,
To see life is find an ether,
To see life is to make us see Beauty,
To see life is to make a commitment of Truth's,
Responsibility is making life easier,
To see life is loving from the soul,
There are many lesson's that man hast to learn,
That we are very weak to see what is making us lose.
To Churchill's Sermons.
The manuscript of this unfinished poem was found among the few papers
Churchill left behind him.
Health to great Glo'ster!--from a man unknown,
Who holds thy health as dearly as his own,
Accept this greeting--nor let modest fear
Call up one maiden blush--I mean not here
To wound with flattery; 'tis a villain's art,
And suits not with the frankness of my heart.
Truth best becomes an orthodox divine,
And, spite of Hell, that character is mine:
To speak e'en bitter truths I cannot fear;
But truth, my lord, is panegyric here.
Health to great Glo'ster!--nor, through love of ease,
Which all priests love, let this address displease.
I ask no favour, not one _note_ I crave,
And when this busy brain rests in the grave,
(For till that time it never can have rest)
I will not trouble you with one bequest.
Some humbler friend, my mortal journey done,
More near in blood, a nephew or a son,
In that dread hour executor I'll leave,
For I, alas! have many to receive;
To give, but little.--To great Glo'ster health!
Nor let thy true and proper love of wealth
Here take a false alarm--in purse though poor,
In spirit I'm right proud, nor can endure
The mention of a bribe--thy pocket's free:
I, though a dedicator, scorn a fee.
Let thy own offspring all thy fortunes share;
I would not Allen rob, nor Allen's heir.
Think not,--a thought unworthy thy great soul,
Which pomps of this world never could control,
Which never offer'd up at Power's vain shrine,--
Think not that pomp and power can work on mine.
'Tis not thy name, though that indeed is great,
'Tis not the tinsel trumpery of state,
'Tis not thy title, Doctor though thou art,
'Tis not thy mitre, which hath won my heart.
State is a farce; names are but empty things,
Degrees are bought, and, by mistaken kings,
Titles are oft misplaced; mitres, which shine
So bright in other eyes, are dull in mine,
Unless set off by virtue; who deceives
Under the sacred sanction of lawn sleeves
Enhances guilt, commits a double sin;
So fair without, and yet so foul within.
'Tis not thy outward form, thy easy mien,
Thy sweet complacency, thy brow serene,
Thy open front, thy love-commanding eye,
Where fifty Cupids, as in ambush, lie,
Which can from sixty to sixteen impart
The force of Love, and point his blunted dart;
'Tis not thy face, though that by Nature's made
An index to thy soul; though there display'd
We see thy mind at large, and through thy skin
Peeps out that courtesy which dwells within;
'Tis not thy birth, for that is low as mine,
Around our heads no lineal glories shine--
But what is birth,--when, to delight mankind,
Heralds can make those arms they cannot find,
When thou art to thyself, thy sire unknown,
A whole Welsh genealogy alone?
No; 'tis thy inward man, thy proper worth,
Thy right just estimation here on earth,
Thy life and doctrine uniformly join'd,
And flowing from that wholesome source, thy mind;
Thy known contempt of Persecution's rod,
Thy charity for man, thy love of God,
Thy faith in Christ, so well approved 'mongst men,
Which now give life and utterance to my pen.
Thy virtue, not thy rank, demands my lays;
'Tis not the Bishop, but the Saint, I praise:
Raised by that theme, I soar on wings more strong,
And burst forth into praise withheld too long.
Much did I wish, e'en whilst I kept those sheep
Which, for my curse, I was ordain'd to keep,--
Ordain'd, alas! to keep, through need, not choice,
Those sheep which never heard their shepherd's voice,
Which did not know, yet would not learn their way,
Which stray'd themselves, yet grieved that I should stray;
Those sheep which my good father (on his bier
Let filial duty drop the pious tear)
Kept well, yet starved himself, e'en at that time
Whilst I was pure and innocent of rhyme,
Whilst, sacred Dulness ever in my view,
Sleep at my bidding crept from pew to pew,--
Much did I wish, though little could I hope,
A friend in him who was the friend of Pope.
His hand, said I, my youthful steps shall guide,
And lead me safe where thousands fall beside;
His temper, his experience, shall control,
And hush to peace the tempest of my soul;
His judgment teach me, from the critic school,
How not to err, and how to err by rule;
Instruct me, mingle profit with delight,
Where Pope was wrong, where Shakspeare was not right;
Where they are justly praised, and where, through whim,
How little's due to them, how much to him.
Raised 'bove the slavery of common rules,
Of common-sense, of modern, ancient schools,
Those feelings banish'd which mislead us all,
Fools as we are, and which we Nature call,
He by his great example might impart
A better something, and baptize it Art;
He, all the feelings of my youth forgot,
Might show me what is taste by what is not;
By him supported, with a proper pride,
I might hold all mankind as fools beside;
He (should a world, perverse and peevish grown,
Explode his maxims and assert their own)
Might teach me, like himself, to be content,
And let their folly be their punishment;
Might, like himself, teach his adopted son,
'Gainst all the world, to quote a Warburton.
Fool that I was! could I so much deceive
My soul with lying hopes? could I believe
That he, the servant of his Maker sworn,
The servant of his Saviour, would be torn
From their embrace, and leave that dear employ,
The cure of souls, his duty and his joy,
For toys like mine, and waste his precious time,
On which so much depended, for a rhyme?
Should he forsake the task he undertook,
Desert his flock, and break his pastoral crook?
Should he (forbid it, Heaven!) so high in place,
So rich in knowledge, quit the work of grace,
And, idly wandering o'er the Muses' hill,
Let the salvation of mankind stand still?
Far, far be that from thee--yes, far from thee
Be such revolt from grace, and far from me
The will to think it--guilt is in the thought--
Not so, not so, hath Warburton been taught,
Not so learn'd Christ. Recall that day, well known,
When (to maintain God's honour, and his own)
He call'd blasphemers forth; methinks I now
See stern Rebuke enthroned on his brow,
And arm'd with tenfold terrors--from his tongue,
Where fiery zeal and Christian fury hung,
Methinks I hear the deep-toned thunders roll,
And chill with horror every sinner's soul,
In vain they strive to fly--flight cannot save.
And Potter trembles even in his grave--
With all the conscious pride of innocence,
Methinks I hear him, in his own defence,
Bear witness to himself, whilst all men knew,
By gospel rules his witness to be true.
O glorious man! thy zeal I must commend,
Though it deprived me of my dearest friend;
The real motives of thy anger known,
Wilkes must the justice of that anger own;
And, could thy bosom have been bared to view,
Pitied himself, in turn had pitied you.
Bred to the law, you wisely took the gown,
Which I, like Demas, foolishly laid down;
Hence double strength our Holy Mother drew,
Me she got rid of, and made prize of you.
I, like an idle truant fond of play,
Doting on toys, and throwing gems away,
Grasping at shadows, let the substance slip;
But you, my lord, renounced attorneyship
With better purpose, and more noble aim,
And wisely played a more substantial game:
Nor did Law mourn, bless'd in her younger son,
For Mansfield does what Glo'ster would have done.
Doctor! Dean! Bishop! Glo'ster! and My Lord!
If haply these high titles may accord
With thy meek spirit; if the barren sound
Of pride delights thee, to the topmost round
Of Fortune's ladder got, despise not one
For want of smooth hypocrisy undone,
Who, far below, turns up his wondering eye,
And, without envy, sees thee placed so high:
Let not thy brain (as brains less potent might)
Dizzy, confounded, giddy with the height,
Turn round, and lose distinction, lose her skill
And wonted powers of knowing good from ill,
Of sifting truth from falsehood, friends from foes;
Let Glo'ster well remember how he rose,
Nor turn his back on men who made him great;
Let him not, gorged with power, and drunk with state,
Forget what once he was, though now so high,
How low, how mean, and full as poor as I.
Life vs Time
The greatest enemy of life is time
Time always gets in the way
No matter how much we try to avoid
It follows you around
When we laugh
When we're happy
When we're innocent
Time goes by so fast
When we're depressed
When we're blue
When we're not right
Time goes so slow
No matter how much we pray for time to go fast when we're sad
It goes slower than the three toe sloth
But life can't live without time
Time doesn't exit without life
Because there's time
Everybody tires to do things in a hurry
Thinking that time will go by fast.
You See Life With a Wish to Leech
Are much too negative.
And you wish to impose it,
Upon those who oppose it.
See life with a wish to leech.
To satisfy selfish whims.
You are in it to gain.
Not to lose but to win.
And there is nothing wrong,
With desiring success.
But you wish it to be given...
Believing the taking of it,
Brings you a happiness.
Are much too negative.
And you wish to impose it,
Upon those who oppose it.
See life with a wish to leech.
To satisfy selfish whims.
You are in it to gain.
Not to lose but to win.
No matter who you choose,
To endure your sufferings.
From another life and time
Even if I could send a dog out
to try and find you, hunt you down
as stated in another poet’s verses
even if that hound
could do irreparable damage
to the man that love you now
and panting bring back as a token,
your panties, stockings
or carry your brassiere in its mouth
you will still remain lost to me,
will still be involved
with somebody else intimately
and someone else will experience
the pleasure that you give,
will hear your cries and sighs,
will comprehend the look in your eyes
and I will remain
a lost love, an old flame
from another life and time.
[Reference: A Dog After Love by Yehuda Amichai.]
To See Life As A Riddle
Is what we make it.
But some will sit,
To see life as a riddle.
Some choose to fake it.
With a doing that's believed,
They can be freed of mistakes.
Is what we make it.
But some will sit,
To see life as a riddle.
Some people have a need,
To play life second fiddle.
Out of tune,
And afraid of taking risks.
Some people live,
Afraid of taking chances...
With dismissing most of it!
Is what we make it.
But some will sit,
As if it is a riddle.
Is what we make it.
Yet some will sit,
Just to play it second fiddle.
And some will see life,
With no middle but a riddle.
Yes some will sit,
Just to play life second fiddle.
Life is Give and Take
There was a lady I once knew
who lived in a house all alone.
She never ventured far from there,
this place where she had grown.
She never called me by my name.
She only called me friend.
We'd talk a while and then were quiet.
But before the visit would end
she'd place her hand inside of mine
and hold it tenderly.
As I left I always felt
her touch I'd take with me.
I looked forward to these times
and knew that she did too.
When she died I cried a little
and was glad she never knew
that I had lost my vision
and was blind just like she.
I'm glad I never told her that.
She thought that I could see.
Life is give and take I know.
Nothing else matters much.
The part of her that stays with me
is her friendly touch.
Let me talk of years evanished, let me harp upon the time
When we trod these sands together, in our boyhood's golden prime;
Let me lift again the curtain, while I gaze upon the past,
As the sailor glances homewards, watching from the topmost mast.
Here we rested on the grasses, in the glorious summer hours,
When the waters hurried seaward, fringed with ferns and forest flowers;
When our youthful eyes, rejoicing, saw the sunlight round the spray
In a rainbow-wreath of splendour, glittering underneath the day;
Sunlight flashing past the billows, falling cliffs and crags among,
Clothing hopeful friendship basking on the shores of Wollongong.
Echoes of departed voices, whispers from forgotten dreams,
Come across my spirit, like the murmurs of melodious streams.
Here we both have wandered nightly, when the moonshine cold and pale
Shimmer'd on the cone of Keira, sloping down the sleeping vale;
When the mournful waves came sobbing, sobbing on the furrowed shore,
Like to lone hearts weeping over loved ones they shall see no more;
While the silver ripples, stealing past the shells and slimy stones,
Broke beneath the caverns, dying, one by one, in muffled moans;
As the fragrant wood-winds roaming, with a fitful cadence sung
'Mid the ghostly branches belting round the shores of Wollongong.
Lovely faces flit before us, friendly forms around us stand;
Gleams of well-remembered gladness trip along the yellow sand.
Here the gold-green waters glistened underneath our dreaming gaze,
As the lights of Heaven slanted down the pallid ether haze;
Here the mossy rock-pool, like to one that stirs himself in sleep,
Trembled every moment at the roaring of the restless deep;
While the stately vessels swooping to the breezes fair and free,
Passed away like sheeted spectres, fading down the distant sea;
And our wakened fancies sparkled, and our soul-born thoughts we strung
Into joyous lyrics, singing with the waves of Wollongong.
Low-breathed strains of sweetest music float about my raptured ears;
Angel-eyes are glancing at me hopeful smiles and happy tears.
Merry feet go scaling up the old and thunder-shattered steeps,
And the billows clamber after, and the surge to ocean leaps,
Scattered into fruitless showers, falling where the breakers roll,
Baffled like the aspirations of a proud ambitious soul.
Far off sounds of silvery laughter through the hollow caverns ring,
While my heart leaps up to catch reviving pleasure on the wing;
And the years come trooping backward, and we both again are young,
Walking side by side upon the lovely shores of Wollongong.
Fleeting dreams and idle fancies! Lo, the gloomy after Age
Creepeth, like an angry shadow, over life's eventful stage!
Joy is but a mocking phantom, throwing out its glitter brief -
Short-lived as the western sunbeam dying from the cedar leaf.
Here we linger, lonely-hearted, musing over visions fled,
While the sickly twilight withers from the arches overhead.
Semblance of a bliss delusive are those dull, receding rays;
Semblance of the faint reflection left to us of other days;
Days of vernal hope and gladness, hours when the blossoms sprung
Round the feet of blithesome ramblers by the shores of Wollongong.
Easter- The Resurrection of Jesus Christ and the death of Death!
Lord Jesus Christ has risen from his grave!
The tomb on third day was an empty cave;
The Savior of mankind has done the feat;
The Evil One Satan has got defeat.
The empty tomb of Jesus Christ is proof:
The tomb-stone rolled aside, away from roof;
Yes, Jesus resurrected as forecast;
The sting of death is now a thing of past.
The second Adam has won over death;
The fear of death needn’t haunt someone on earth;
Death is not end but henceforth beginning
Of Life eternal- mankind’s new meaning.
Jesus, the Light has dispelled all darkness,
That hinders men from Heaven’s happiness;
Jesus, the Way leads all souls to Heaven;
Our Road to Heaven has been made even.
The heart of love infinite won o’er death;
No more can death frighten a soul on earth;
The King of Love has conquered death ‘per se’;
This is the key message of Easter Day.
Our sinless Messiah is alive still,
After his death on cross upon the hill;
God’s only Son is Savior of mankind;
Confess your sins of body and of mind.
Jesus, the Truth has triumphed o’er Satan;
And Hope is born afresh that beckons man;
Children of Adam and of Eve are saved;
The road to Heaven’s glory, Jesus paved.
Denied is Satan of power of death-
Sigh of relief for all souls upon earth;
The gate of Heaven’s wide open to all;
We all can go to God, despite our fall.
Death entered earth through Adam and Eve’s sin;
Christ’s Resurrection is also our win;
The warrior of love has conquered death;
Jesus has brought about the death of Death!
The awesome death is now man’s friendly-foe!
Death puts an end to every strife and woe;
The cruel thief is welcome guest of man;
Man need not fear death in his whole life-span.
Death is the way to Eternity now;
Death is not dreadful as it was once, wow!
Man’s body got back sanctity once lost-
Rejuvenating truth to mankind, vast.
No tomb can hold a man’s body for long;
Death’s silence will be broken by life’s song;
The risen Christ has opened up all tombs-
Even for dead, unborn babies in wombs!
The future of all mankind lies in Christ;
‘Our faith in God’- the flag, we ought to hoist;
Follow the Cross and Heaven’s Gate is nigh,
When we are made too kings by One, most High.
Like Christ, all Christians too can resurrect;
Let’s keep our soul without sinful defect;
The rod for sins has also been absolved;
Redemption of mankind has been resolved.
The holy cross of Christ has paid the price
Of freedom of man’s every sin and vice;
Awaits the Lord with banquet feast for us;
Let us prepare our soul now for this Bliss.
‘Easter- Risen Christ and death of Death! ’
Copyright by Dr John Celes 3-23-2008
When I See Young Children Softly Sleep
Sometimes when I see
young children softly sleep.
I think I feel a joy a glimpse
into heaven I do peep.
All wondrous beauties
of paradise my heart cannot perceive.
Times bliss heaven’s
landscape moves overwhelms I perceive.
At times many feelings
heart flux radiant
divine elements of pure
peace and love
excessive within discharge
arch heavenward sure.
Once Is Enough
Been lucked out
Broke a womans heart
With only myself to blame
Fate ran its course
I suffered a loss
I learned a lesso in pain
I took love for granted
Oh, I paid the price
I wont last a night
I wont make the same mistake twice
Once is enough, its one time too many
The changes are rough, oh, once is enough
Love went trough such sudden change
Taken a turn for the worst
The joy turned to fear
The pain got so severe
Lord, I thought I was cursed
Get what you give
It comes around full circle
Oh, I paid the price
Love so fast
I wont make the same mistake twice
Once is enough, its one time too many
Changes are rough, oh, once is enough
Changes are rough, oh, once is enough
I love my work
I love my work
I love my work
I form relationships like a rock
When gossips leaks
Guys take off sick
But I always know whose ass to lick
I love my work
I love to talk
Always twiddling with words
Before I speak them out loud
I talk about office politics
For I am strong not weak
I talk about friends
And what wedding to attend
I talk about
Love, sex and religion
Our staffs always listen with great attention
My boss likes to dish out orders
As a Manager I belt it out even further
I delegate, instigate, then I wait
For positive results
Without a fault
Some moments are hilarious
While others are monstrous
There is always constant pressure
Though I take time out for leisure
Right now we have propaganda
Due to my personal agenda
I am jiggling and jogging my options
Thinking of avoiding being caught for corruption
Alarm bells are ringing
People are seeing
I need to cascade the blame
I’m sure I will find a scapegoat to frame
I make loads of mistakes
Someone else always gets the blame
It’s always the same
I say listen to me
I’m your boss
Accept your loss
That’s why I love my work
© Sylvia Chidi- 17 October 2005
The Triumph Of Time
Before our lives divide for ever,
While time is with us and hands are free,
(Time, swift to fasten and swift to sever
Hand from hand, as we stand by the sea)
I will say no word that a man might say
Whose whole life's love goes down in a day;
For this could never have been; and never,
Though the gods and the years relent, shall be.
Is it worth a tear, is it worth an hour,
To think of things that are well outworn?
Of fruitless husk and fugitive flower,
The dream foregone and the deed forborne?
Though joy be done with and grief be vain,
Time shall not sever us wholly in twain;
Earth is not spoilt for a single shower;
But the rain has ruined the ungrown corn.
It will grow not again, this fruit of my heart,
Smitten with sunbeams, ruined with rain.
The singing seasons divide and depart,
Winter and summer depart in twain.
It will grow not again, it is ruined at root,
The bloodlike blossom, the dull red fruit;
Though the heart yet sickens, the lips yet smart,
With sullen savour of poisonous pain.
I have given no man of my fruit to eat;
I trod the grapes, I have drunken the wine.
Had you eaten and drunken and found it sweet,
This wild new growth of the corn and vine,
This wine and bread without lees or leaven,
We had grown as gods, as the gods in heaven,
Souls fair to look upon, goodly to greet,
One splendid spirit, your soul and mine.
In the change of years, in the coil of things,
In the clamour and rumour of life to be,
We, drinking love at the furthest springs,
Covered with love as a covering tree,
We had grown as gods, as the gods above,
Filled from the heart to the lips with love,
Held fast in his hands, clothed warm with his wings,
O love, my love, had you loved but me!
We had stood as the sure stars stand, and moved
As the moon moves, loving the world; and seen
Grief collapse as a thing disproved,
Death consume as a thing unclean.
Twain halves of a perfect heart, made fast
Soul to soul while the years fell past;
Had you loved me once, as you have not loved;
Had the chance been with us that has not been.
I have put my days and dreams out of mind,
Days that are over, dreams that are done.
Though we seek life through, we shall surely find
There is none of them clear to us now, not one.
But clear are these things; the grass and the sand,
Where, sure as the eyes reach, ever at hand,
With lips wide open and face burnt blind,
The strong sea-daisies feast on the sun.
The low downs lean to the sea; the stream,
One loose thin pulseless tremulous vein,
Rapid and vivid and dumb as a dream,
Works downward, sick of the sun and the rain;
No wind is rough with the rank rare flowers;
The sweet sea, mother of loves and hours,
Shudders and shines as the grey winds gleam,
Turning her smile to a fugitive pain.
Mother of loves that are swift to fade,
Mother of mutable winds and hours.
A barren mother, a mother-maid,
Cold and clean as her faint salt flowers.
I would we twain were even as she,
Lost in the night and the light of the sea,
Where faint sounds falter and wan beams wade,
Break, and are broken, and shed into showers.
The loves and hours of the life of a man,
They are swift and sad, being born of the sea.
Hours that rejoice and regret for a span,
Born with a man's breath, mortal as he;
Loves that are lost ere they come to birth,
Weeds of the wave, without fruit upon earth.
I lose what I long for, save what I can,
My love, my love, and no love for me!
It is not much that a man can save
On the sands of life, in the straits of time,
Who swims in sight of the great third wave
That never a swimmer shall cross or climb.
Some waif washed up with the strays and spars
That ebb-tide shows to the shore and the stars;
Weed from the water, grass from a grave,
A broken blossom, a ruined rhyme.
There will no man do for your sake, I think,
What I would have done for the least word said.
I had wrung life dry for your lips to drink,
Broken it up for your daily bread:
Body for body and blood for blood,
As the flow of the full sea risen to flood
That yearns and trembles before it sink,
I had given, and lain down for you, glad and dead.
Yea, hope at highest and all her fruit,
And time at fullest and all his dower,
I had given you surely, and life to boot,
Were we once made one for a single hour.
But now, you are twain, you are cloven apart,
Flesh of his flesh, but heart of my heart;
And deep in one is the bitter root,
And sweet for one is the lifelong flower.
To have died if you cared I should die for you, clung
To my life if you bade me, played my part
As it pleased you — these were the thoughts that stung,
The dreams that smote with a keener dart
Than shafts of love or arrows of death;
These were but as fire is, dust, or breath,
Or poisonous foam on the tender tongue
Of the little snakes that eat my heart.
I wish we were dead together to-day,
Lost sight of, hidden away out of sight,
Clasped and clothed in the cloven clay,
Out of the world's way, out of the light,
Out of the ages of worldly weather,
Forgotten of all men altogether,
As the world's first dead, taken wholly away,
Made one with death, filled full of the night.
How we should slumber, how we should sleep,
Far in the dark with the dreams and the dews!
And dreaming, grow to each other, and weep,
Laugh low, live softly, murmur and muse;
Yea, and it may be, struck through by the dream,
Feel the dust quicken and quiver, and seem
Alive as of old to the lips, and leap
Spirit to spirit as lovers use.
Sick dreams and sad of a dull delight;
For what shall it profit when men are dead
To have dreamed, to have loved with the whole soul's might,
To have looked for day when the day was fled?
Let come what will, there is one thing worth,
To have had fair love in the life upon earth:
To have held love safe till the day grew night,
While skies had colour and lips were red.
Would I lose you now? would I take you then,
If I lose you now that my heart has need?
And come what may after death to men,
What thing worth this will the dead years breed?
Lose life, lose all; but at least I know,
O sweet life's love, having loved you so,
Had I reached you on earth, I should lose not again,
In death nor life, nor in dream or deed.
Yea, I know this well: were you once sealed mine,
Mine in the blood's beat, mine in the breath,
Mixed into me as honey in wine,
Not time, that sayeth and gainsayeth,
Nor all strong things had severed us then;
Not wrath of gods, nor wisdom of men,
Nor all things earthly, nor all divine,
Nor joy nor sorrow, nor life nor death.
I had grown pure as the dawn and the dew,
You had grown strong as the sun or the sea.
But none shall triumph a whole life through:
For death is one, and the fates are three.
At the door of life, by the gate of breath,
There are worse things waiting for men than death;
Death could not sever my soul and you,
As these have severed your soul from me.
You have chosen and clung to the chance they sent you,
Life sweet as perfume and pure as prayer.
But will it not one day in heaven repent you?
Will they solace you wholly, the days that were?
Will you lift up your eyes between sadness and bliss,
Meet mine, and see where the great love is,
And tremble and turn and be changed? Content you;
The gate is strait; I shall not be there.
But you, had you chosen, had you stretched hand,
Had you seen good such a thing were done,
I too might have stood with the souls that stand
In the sun's sight, clothed with the light of the sun;
But who now on earth need care how I live?
Have the high gods anything left to give,
Save dust and laurels and gold and sand?
Which gifts are goodly; but I will none.
O all fair lovers about the world,
There is none of you, none, that shall comfort me.
My thoughts are as dead things, wrecked and whirled
Round and round in a gulf of the sea;
And still, through the sound and the straining stream,
Through the coil and chafe, they gleam in a dream,
The bright fine lips so cruelly curled,
And strange swift eyes where the soul sits free.
Free, without pity, withheld from woe,
Ignorant; fair as the eyes are fair.
Would I have you change now, change at a blow,
Startled and stricken, awake and aware?
Yea, if I could, would I have you see
My very love of you filling me,
And know my soul to the quick, as I know
The likeness and look of your throat and hair?
I shall not change you. Nay, though I might,
Would I change my sweet one love with a word?
I had rather your hair should change in a night,
Clear now as the plume of a black bright bird;
Your face fail suddenly, cease, turn grey,
Die as a leaf that dies in a day.
I will keep my soul in a place out of sight,
Far off, where the pulse of it is not heard.
Far off it walks, in a bleak blown space,
Full of the sound of the sorrow of years.
I have woven a veil for the weeping face,
Whose lips have drunken the wine of tears;
I have found a way for the failing feet,
A place for slumber and sorrow to meet;
There is no rumour about the place,
Nor light, nor any that sees or hears.
I have hidden my soul out of sight, and said
'Let none take pity upon thee, none
Comfort thy crying: for lo, thou art dead,
Lie still now, safe out of sight of the sun.
Have I not built thee a grave, and wrought
Thy grave-clothes on thee of grievous thought,
With soft spun verses and tears unshed,
And sweet light visions of things undone?
'I have given thee garments and balm and myrrh,
And gold, and beautiful burial things.
But thou, be at peace now, make no stir;
Is not thy grave as a royal king's?
Fret not thyself though the end were sore;
Sleep, be patient, vex me no more.
Sleep; what hast thou to do with her?
The eyes that weep, with the mouth that sings?'
Where the dead red leaves of the years lie rotten,
The cold old crimes and the deeds thrown by,
The misconceived and the misbegotten,
I would find a sin to do ere I die,
Sure to dissolve and destroy me all through,
That would set you higher in heaven, serve you
And leave you happy, when clean forgotten,
As a dead man out of mind, am I.
Your lithe hands draw me, your face burns through me,
I am swift to follow you, keen to see;
But love lacks might to redeem or undo me;
As I have been, I know I shall surely be;
'What should such fellows as I do?' Nay,
My part were worse if I chose to play;
For the worst is this after all; if they knew me,
Not a soul upon earth would pity me.
And I play not for pity of these; but you,
If you saw with your soul what man am I,
You would praise me at least that my soul all through
Clove to you, loathing the lives that lie;
The souls and lips that are bought and sold,
The smiles of silver and kisses of gold,
The lapdog loves that whine as they chew,
The little lovers that curse and cry.
There are fairer women, I hear; that may be;
But I, that I love you and find you fair,
Who are more than fair in my eyes if they be,
Do the high gods know or the great gods care?
Though the swords in my heart for one were seven,
Should the iron hollow of doubtful heaven,
That knows not itself whether night-time or day be,
Reverberate words and a foolish prayer?
I will go back to the great sweet mother,
Mother and lover of men, the sea.
I will go down to her, I and none other,
Close with her, kiss her and mix her with me;
Cling to her, strive with her, hold her fast:
O fair white mother, in days long past
Born without sister, born without brother,
Set free my soul as thy soul is free.
O fair green-girdled mother of mine,
Sea, that art clothed with the sun and the rain,
Thy sweet hard kisses are strong like wine,
Thy large embraces are keen like pain.
Save me and hide me with all thy waves,
Find me one grave of thy thousand graves,
Those pure cold populous graves of thine
Wrought without hand in a world without stain.
I shall sleep, and move with the moving ships,
Change as the winds change, veer in the tide;
My lips will feast on the foam of thy lips,
I shall rise with thy rising, with thee subside;
Sleep, and not know if she be, if she were,
Filled full with life to the eyes and hair,
As a rose is fulfilled to the roseleaf tips
With splendid summer and perfume and pride.
This woven raiment of nights and days,
Were it once cast off and unwound from me,
Naked and glad would I walk in thy ways,
Alive and aware of thy ways and thee;
Clear of the whole world, hidden at home,
Clothed with the green and crowned with the foam,
A pulse of the life of thy straits and bays,
A vein in the heart of the streams of the sea.
Fair mother, fed with the lives of men,
Thou art subtle and cruel of heart, men say.
Thou hast taken, and shalt not render again;
Thou art full of thy dead, and cold as they.
But death is the worst that comes of thee;
Thou art fed with our dead, O mother, O sea,
But when hast thou fed on our hearts? or when,
Having given us love, hast thou taken away?
O tender-hearted, O perfect lover,
Thy lips are bitter, and sweet thine heart.
The hopes that hurt and the dreams that hover,
Shall they not vanish away and apart?
But thou, thou art sure, thou art older than earth;
Thou art strong for death and fruitful of birth;
Thy depths conceal and thy gulfs discover;
From the first thou wert; in the end thou art.
And grief shall endure not for ever, I know.
As things that are not shall these things be;
We shall live through seasons of sun and of snow,
And none be grievous as this to me.
We shall hear, as one in a trance that hears,
The sound of time, the rhyme of the years;
Wrecked hope and passionate pain will grow
As tender things of a spring-tide sea.
Sea-fruit that swings in the waves that hiss,
Drowned gold and purple and royal rings.
And all time past, was it all for this?
Times unforgotten, and treasures of things?
Swift years of liking and sweet long laughter,
That wist not well of the years thereafter
Till love woke, smitten at heart by a kiss,
With lips that trembled and trailing wings?
There lived a singer in France of old
By the tideless dolorous midland sea.
In a land of sand and ruin and gold
There shone one woman, and none but she.
And finding life for her love's sake fail,
Being fain to see her, he bade set sail,
Touched land, and saw her as life grew cold,
And praised God, seeing; and so died he.
Died, praising God for his gift and grace:
For she bowed down to him weeping, and said
'Live;' and her tears were shed on his face
Or ever the life in his face was shed.
The sharp tears fell through her hair, and stung
Once, and her close lips touched him and clung
Once, and grew one with his lips for a space;
And so drew back, and the man was dead.
O brother, the gods were good to you.
Sleep, and be glad while the world endures.
Be well content as the years wear through;
Give thanks for life, and the loves and lures;
Give thanks for life, O brother, and death,
For the sweet last sound of her feet, her breath,
For gifts she gave you, gracious and few,
Tears and kisses, that lady of yours.
Rest, and be glad of the gods; but I,
How shall I praise them, or how take rest?
There is not room under all the sky
For me that know not of worst or best,
Dream or desire of the days before,
Sweet things or bitterness, any more.
Love will not come to me now though I die,
As love came close to you, breast to breast.
I shall never be friends again with roses;
I shall loathe sweet tunes, where a note grown strong
Relents and recoils, and climbs and closes,
As a wave of the sea turned back by song.
There are sounds where the soul's delight takes fire,
Face to face with its own desire;
A delight that rebels, a desire that reposes;
I shall hate sweet music my whole life long.
The pulse of war and passion of wonder,
The heavens that murmur, the sounds that shine,
The stars that sing and the loves that thunder,
The music burning at heart like wine,
An armed archangel whose hands raise up
All senses mixed in the spirit's cup
Till flesh and spirit are molten in sunder —
These things are over, and no more mine.
These were a part of the playing I heard
Once, ere my love and my heart were at strife;
Love that sings and hath wings as a bird,
Balm of the wound and heft of the knife.
Fairer than earth is the sea, and sleep
Than overwatching of eyes that weep,
Now time has done with his one sweet word,
The wine and leaven of lovely life.
I shall go my ways, tread out my measure,
Fill the days of my daily breath
With fugitive things not good to treasure,
Do as the world doth, say as it saith;
But if we had loved each other — O sweet,
Had you felt, lying under the palms of your feet,
The heart of my heart, beating harder with pleasure
To feel you tread it to dust and death —
Ah, had I not taken my life up and given
All that life gives and the years let go,
The wine and honey, the balm and leaven,
The dreams reared high and the hopes brought low?
Come life, come death, not a word be said;
Should I lose you living, and vex you dead?
I never shall tell you on earth; and in heaven,
If I cry to you then, will you hear or know?
Mogg Megone - Part I.
Who stands on that cliff, like a figure of stone,
Unmoving and tall in the light of the sky,
Where the spray of the cataract sparkles on high,
Lonely and sternly, save Mogg Megone?
Close to the verge of the rock is he,
While beneath him the Saco its work is doing,
Hurrying down to its grave, the sea,
And slow through the rock its pathway hewing!
Far down, through the mist of the falling river,
Which rises up like an incense ever,
The splintered points of the crags are seen,
With water howling and vexed between,
While the scooping whirl of the pool beneath
Seems an open throat, with its granite teeth!
But Mogg Megone never trembled yet
Wherever his eye or his foot was set.
He is watchful: each form in the moonlight dim,
Of rock or of tree, is seen of him:
He listens; each sound from afar is caught,
The faintest shiver of leaf and limb:
But he sees not the waters, which foam and fret,
Whose moonlit spray has his moccasin wet, -
And the roar of their rushing, he bears it not.
The moonlight, through the open bough
Of the gnarl'd beech, whose naked root
Coils like a serpent at his foot,
Falls, checkered, on the Indian's brow.
His head is bare, save only where
Waves in the wind one lock of hair,
Reserved for him, whoe'er he be,
More mighty than Megone in strife,
When breast to breast and knee to knee,
Above the fallen warrior's life
Gleams, quick and keen, the scalping-knife.
Megone hath his knife and hatchet and gun,
And his gaudy and tasselled blanket on:
His knife hath a handle with gold inlaid,
And magic words on its polished blade, -
'Twas the gift of Castine to Mogg Megone,
For a scalp or twain from the Yengees torn:
His gun was the gift of the Tarrantine,
And Modocawando's wives had strung
The brass and the beads, which tinkle and shine
On the polished breach, and broad bright line
Of beaded wampum around it hung.
What seeks Megone? His foes are near, -
Grey Jocelyn's eye is never sleeping,
And the garrison lights are burning clear,
Where Phillips' men their watch are keeping.
Let him hie him away through the dank river fog,
Never rustling the boughs nor displacing the rocks,
For the eyes and the ears which are watching for Mogg
Are keener than those of the wolf or the fox.
He starts, - there's a rustle among the leaves:
Another, - the click of his gun in heard!
A footstep, - is it the step of Cleaves,
With Indian blood on his English sword?
Steals Harmon down from the sands of York,
With hand of iron and foot of cork?
Has Scamman, versed in Indian wile,
For vengeance left his vine-hung in isle?
Hark! at that whistle, soft and low,
How lights the eye of Mogg Megone!
A smile gleams o'er his dusky brow, -
'Boon welcome, Johnny Bonython!'
Out steps, with cautious foot and slow,
And quick, keen glances to and fro,
The hunted outlaw, Bonython!
A low, lean, swarthy man is he,
With blanket-garb and buskined knee,
And naught of English fashion on;
For he hates the race from whence he sprung,
And he couches his words in the Indian tongue.
'Hush, - let the Sachem's voice be weak;
The water-rat shall hear him speak, -
The owl shall whoop in the white man's ear,
That Mogg Megone, with his scalps, is here!'
He pauses, - dark, over cheek and brow,
A flush, as of shame, is stealing now:
'Sachem!' he says, 'let me have the land,
Which stretches away upon either hand,
As far about as my feet can stray
In the half of a gentle summer's day,
From the leaping brook to the Saco river, -
And the fair-hared girl, thou hast sought of me,
Shall sit in the Sachem's wigwam, and be
The wife of Mogg Megone forever.'
There's sudden light in the Indian's glance,
A moment's trace of powerful feeling,
Of love or triumph, or both perchance,
Over his proud, calm features stealing.
'The words of my father are very good;
He shall have the land, and water, and wood;
And he who harms the Sagamore John,
Shall feel the knife of Mogg Megone;
But the fawn of the Yengees shall sleep on my breast,
And the bird of the clearing shall sing in my nest.'
'But, father!' - and the Indian's hand
Falls gently on the white man's arm,
And with a smile as shrewdly bland
As the deep voice is slow and calm, -
'Where is my father's singing-bird, -
The sunny eye, and sunset hair?
I know I have my father's word,
And that his word is good and fair;
But will my father tell me where
Megone shall go and look for his bride? -
For he sees her not by her father's side.'
The dark, stern eye of Bonython
Flashes over the features of Mogg Megone,
In one of those glances which search within ;
But the stolid calm of the Indian alone
Remains where the trace of emotion has been.
'Does the Sachem doubt? Let him go with me,
And the eyes of the Sachem his bride shall see.'
Cautious and slow, with pauses oft,
And watchful eyes and whispers soft,
The twain are stealing through the wood,
Leaving the downward-rushing flood,
Whose deep and solemn roar behind
Grows fainter on the evening wind.
Hark! - is that the angry howl
Of the wolf, the hills among? -
Or the hooting of the owl,
On his leafy cradle swung? -
Quickly glancing, to and fro,
Listening to each sound they go
Round the columns of the pine,
Indistinct, in shadow, seeming
Like some old and pillared shrine;
With the soft and white moonshine,
Round the foliage-tracery shed
Of each column's branching head,
For its lamps of worship gleaming!
And the sounds awakened there,
In the pine-leaves fine and small,
Soft and sweetly musical,
By the fingers of the air,
For the anthem's dying fall
Lingering round some temple's wall!
Niche and cornice round and round
Wailing like the ghost of sound!
Is not Nature's worship thus,
Ceaseless ever, going on?
Hath it not a voice for us
In the thunder, or the tone
Of the leaf-harp faint and small,
Speaking to the unsealed ear
Words of blended love and fear,
Of the mighty Soul of all?
Naught had the twain of thoughts like these
As they wound along through the crowded trees,
Where never had rung the axeman's stroke
On the gnarled trunk of the rough-barked oak; -
Climbing the dead tree's mossy log,
Breaking the mesh of the bramble fine,
Turning aside the wild grapevine,
And lightly crossing the quaking bog
Whose surface shakes at the leap of the frog,
And out of whose pools the ghostly fog
Creeps into the chill moonshine!
Yet, even that Indian's ear had heard
The preaching of the Holy Word:
Sanchekantacket's isle of sand
Was once his father's hunting land,
Where zealous Hiacoomes stood, -
The wild apostle of the wood,
Shook from his soul the fear of harm,
And trampled on the Powwaw's charm;
Until the wizard's curses hung
Suspended on his palsying tongue,
And the fierce warrior, grim and tall,
Trembled before the forest Paul!
A cottage hidden in the wood, -
Red through its seams a light is glowing,
On rock and bough and tree-trunk rude,
A narrow lustre throwing.
'Who's there?' a clear, firm voice demands;
'Hold, Ruth, - 'tis I, the Sage more!'
Quick, at the summons, hasty hands
Unclose the bolted door;
And on the outlaw's daughter shine
The flashes of the kindled pine.
Tall and erect the maiden stands,
Like some young priestess of the wood,
The freeborn child of Solitude,
And bearing still the wild and rude,
Yet noble trace of Nature's hands.
Her dark brown cheek has caught its stain
More from the sunshine than the rain;
Yet, where her long fair hair is parting,
A pure white brow into light is starting;
And, where the folds of her blanket sever,
Are a neck and bosom as white as ever
The foam-wreaths rise on the leaping river.
But in the convulsive quiver and grip
Of the muscles around her bloodless lip,
There is something painful and sad to see;
And her eye has a glance more sternly wild
Than even that of a forest child
In its fearless and untamed freedom should be.
Yet, seldom in hall or court are seen
So queenly a form and so noble a mien,
As freely and smiling she welcomes them there, -
Her outlawed sire and Mogg Megone:
'Pray, father, how does thy hunting fare?
And, Sachem, say, - does Scamman wear,
In spite of thy promise, a scalp of his own?'
Hurried and light is the maiden's tone;
But a fearful meaning lurks within
Her glance, as it questions the eye of Megone, -
An awful meaning of guilt and sin! -
The Indian hath opened his blanket, and there
Hangs a human scalp by its long damp hair!
With hand upraised, with quick drawn breath,
She meets that ghastly sign of death.
In one long, glassy, spectral stare
The enlarging eye is fastened there,
As if that mesh of pale brown hair
Had power to change at sight alone,
Even as the fearful locks which wound
Medusa's fatal forehead round,
The gazer into stone.
With such a look Herodias read
The features of the bleeding head,
So looked the mad Moor on his dead,
Or the young Cenci as she stood,
O'er-dabbled with a father's blood!
Look! - feeling melts that frozen glance,
It moves that marble countenance,
As if at once within her strove
Pity with shame, and hate with love.
The Past recalls its joy and pain,
Old memories rise before her brain, -
The lips which love's embraces met,
The hand her tears of parting wet,
The voice whose pleading tones beguiled
The pleased ear of the forest-child, -
And tears she may no more repress
Reveal her lingering tenderness.
O, woman wronged can cherish hate
More deep and dark than manhood may;
But when the mockery of Fate
Hath left Revenge its chosen way,
And the fell curse, which years have nursed,
Full on the spoiler's head hath burst, -
When all her wrong, and shame, and pain,
Burns fiercely on his heart and brain, -
Still lingers something of the spell
Which bound her to the traitor's bosom, -
Still, midst the vengeful fires of hell,
Some flowers of old affection blossom.
John Bonython's eyebrows together are drawn
With a fierce expression of wrath and scorn, -
He hoarsely whispers, 'Ruth, beware!
Is this the time to be playing the fool, -
Crying over a paltry lock of hair,
Like a love-sick girl at school? -
Curse on it! - an Indian can see and hear:
Away, - and prepare our evening cheer!'
How keenly the Indian is watching now
Her tearful eye and her varying brow, -
With a serpent eye, which kindles and burns,
Like a fiery star in the upper air:
On sire and daughter his fierce glance turns: -
'Has my old white father a scalp to spare?
For his young one loves the pale brown hair
Of the scalp of an English dog far more
Than Mogg Megone, or his wigwam floor;
Go, - Mogg is wise: he will keep his land, -
And Sagamore John, when he feels with his hand,
Shall miss his scalp where it grew before.
The moment's gust of grief is gone, -
The lip is clenched, - the tears are still, -
God pity thee, Ruth Bonython!
With what a strength of will
Are nature's feelings in thy breast,
As with an iron hand, repressed!
And how, upon that nameless woe,
Quick as the pulse can come and go,
While shakes the unsteadfast knee, and yet
The bosom heaves, - the eye is wet, -
Has thy dark spirit power to stay
The heart's wild current on its way?
And whence that baleful strength of guile,
Which over that still working brow
And tearful eye and cheek can throw
The mockery of a smile?
Warned by her father's blackening frown,
With one strong effort crushing down
Grief, hate, remorse, she meets again
The savage murderer's sullen gaze,
And scarcely look or tone betrays
How the heart strives beneath its chain.
'Is the Sachem angry, - angry with Ruth,
Because she cries with an ache in her tooth,
Which would make a Sagamore jump and cry,
And look about with a woman's eye?
No, - Ruth will sit in the Sachem's door
And braid the mats for his wigwam floor,
And broil his fish and tender fawn,
And weave his wampum, and grind his corn, -
For she loves the brave and the wise, and none
Are braver and wiser than Mogg Megone!'
The Indian's brow is clear once more:
With grave, calm face, and half-shut eye,
He sits upon the wigwam floor,
And watches Ruth go by,
Intent upon her household care;
And ever and anon, the while,
Or on the maiden, or her fare,
Which smokes in grateful promise there,
Bestows his quiet smile.
Ah, Mogg Megone! - what dreams are thine,
But those which love's own fancies dress, -
The sum of Indian happiness! -
A wigwam, where the warm sunshine
Looks in among the groves of pine, -
A stream, where, round thy light canoe,
The trout and salmon dart in view,
And the fair girl, before thee now,
Or plying, in the dews of morn,
Her hoe amidst thy patch of corn,
Or offering up, at eve, to thee,
Thy birchen dish of hominy!
From the rude board of Bonython,
Venison and succotash have gone, -
For long these dwellers want of food.
But untasted of Ruth is the frugal cheer, -
With head averted, yet ready ear,
She stands by the side of her austere sire,
Feeding, at times, the unequal fire
With the yellow knots of the pitch-pine tree,
Whose flaring light, as they kindle, falls
On the cottage-roof, and its black log walls,
And over its inmates three.
From Sagamore Bonython's hunting flask
The fire-water burns at the lip of Megone:
'Will the Sachem hear what his father shall ask?
Will he make his mark, that it may be known,
On the speaking-leaf, that he gives the land,
From the Sachem's own, to his father's hand?'
The fire-water shines in the Indian's eyes,
As he rises, the white man's bidding to do:
'Wuttamuttata - weekan! Mogg is wise, -
For the water he drinks is strong and new, -
Mogg's heart is great! - will he shut his hand,
When his father asks for a little land?' -
With unsteady fingers, the Indian has drawn
On the parchment the shape of a hunter's bow,
'Boon water, - boon water, - Sagamore John!
Wuttamuttata, - weekan! our hearts will grow!'
He drinks yet deeper, - he mutters low, -
He reels on his bear-skin to and fro, -
His head falls down on his naked breast, -
He struggles, and sinks to a drunken rest.
'Humph - drunk as a beast!' - and Bonython's brow
Is darker than ever with evil thought -
'The fool has signed his warrant; but how
And when shall the deed be wrought?
Speak, Ruth! why, what the devil is there,
To fix thy gaze in that empty air? -
Speak, Ruth! by my soul, if I thought that tear,
Which shames thyself and our purpose here,
Were shed for that cursed and pale-faced dog,
Whose green scalp hangs from the belt of Mogg,
And whose beastly soul is in Satan's keeping, -
This - this!' - he dashes his hand upon
The rattling stock of his loaded gun, -
'Should send thee with him to do thy weeping!'
'Father!' - the eye of Bonython
Sinks at that low, sepulchral tone,
Hollow and deep, as it were spoken
By the unmoving tongue of death, -
Or from some statue's lips had broken, -
A sound without a breath!
'Father! - my life I value less
Than yonder fool his gaudy dress;
And how it ends it matters not,
By heart-break or by rifle-shot;
But spare awhile the scoff and threat, -
Our business is not finished yet.'
'True, true, my girl, - I only meant
To draw up again the bow unbent.
Harm thee, my Ruth! I only sought
To frighten off thy gloomy thought;
Come, - let's be friends!' He seeks to clasp
His daughter's cold, damp hand in his.
Ruth startles from her father's grasp,
As if each nerve and muscle felt,
Instinctively, the touch of guilt,
Through all their subtle sympathies.
He points her to the sleeping Mogg:
'What shall be done with yonder dog?
Scamman is dead, and revenge is thine, -
The deed is signed and the land is mine;
And this drunken fool is of use no more,
Save as thy hopeful bridegroom, and sooth,
'Twere Christian mercy to finish him, Ruth,
Now, while he lies like a beast on our floor, -
If not for thine, at least for his sake,
Rather than let the poor dog awake
To drain my flask, and claim as his bride
Such a forest devil to run by his side, -
Such a Wetuomanit as thou wouldst make!'
He laughs at his jest. Hush - what is there? -
The sleeping Indian is striving to rise,
With his knife in his hand, and glaring eyes! -
'Wagh! - Mogg will have the pale-face's hair,
For his knife is sharp, and his fingers can help
The hair to pull and the skin to peel, -
Let him cry like a woman and twist like an eel,
The great Captain Scamman must lose his scalp!
And Ruth, when she sees it, shall dance with Mogg.'
His eyes are fixed, - but his lips draw in, -
With a low, hoarse chuckle, and fiendish grin, -
And he sinks again, like a senseless log.
Ruth does not speak, - she does not stir;
But she gazes down on the murderer,
Whose broken and dreamful slumbers tell
Too much for her ear of that deed of hell.
She sees the knife, with its slaughter red,
And the dark fingers clenching the bearskin bed!
What thoughts of horror and madness whirl
Through the burning brain of that fallen girl!
John Bonython lifts his gun to his eye,
Its muzzle is close to the Indian's ear, -
But he drops it again. 'Some one may be nigh,
And I would not that even the wolves should hear.'
He draws his knife from its deer-skin belt, -
Its edge with his fingers is slowly felt; -
Kneeling down on one knee, by the Indian's side,
From his throat he opens the blanket wide;
And twice or thrice he feebly essays
A trembling hand with the knife to raise.
'I cannot,' - he mutters, - 'did he not save
My life from a cold and wintry grave,
When the storm came down from Agioochook,
And the north-wind howled, and the tree-tops shook, -
And I strove, in the drifts of the rushing snow,
Till my knees grew weak and I could not go,
And I felt the cold to my vitals creep,
And my heart's blood stiffen, and pulses sleep!
I cannot strike him - Ruth Bonython!
In the Devil's name, tell me - what's to be done?'
O, when the soul, once pure and high,
Is stricken down from Virtue's sky,
As, with the downcast star of morn,
Some gems of light are with it drawn, -
And, through its night of darkness, play
Some tokens of its primal day, -
Some lofty feelings linger still, -
The strength to dare, the nerve to meet
Whatever threatens with defeat
Its all-indomitable will! -
But lacks the mean of mind and heart,
Though eager for the gains of crime,
Oft, at his chosen place and time,
The strength to bear his evil part;
And, shielded by his very Vice,
Escapes from Crime by Cowardice.
Ruth starts erect, - with bloodshot eye,
And lips drawn tight across her teeth,
Showing their locked embrace beneath,
In the red firelight: - 'Mogg must die!
Give me the knife!' - The outlaw turns,
Shuddering in the heart and limb, away, -
But, fitfully there, the hearth-fire burns,
And he sees on the wall strange shadows play.
A lifted arm, a tremulous blade,
Are dimly pictured in light and shade,
Plunging down in the darkness. Hark, that cry
Again - and again - he sees it fall, -
That shadowy arm down the lighted wall!
He hears quick footsteps - a shape flits by -
The door on its rusted hinges creaks: -
'Ruth - daughter Ruth!' the outlaw shrieks.
But no sound comes back, - he is standing alone
By the mangled corse of Mogg Megone!
Vision Of Columbus - Book 9
Now, round the yielding canopy of shade,
Again the Guide his heavenly power display'd.
Sudden, the stars their trembling fires withdrew,
Returning splendors burst upon the view;
Floods of unfolding light the skies adorn,
And more than midday glories grace the morn.
So shone the earth, as all the starry train,
Broad as full suns, had sail'd the ethereal plain;
When no distinguish'd orb could strike the sight,
But one clear blaze of all-surrounding light
O'erflow'd the vault of heaven. For now, in view
Remoter climes and future ages drew;
While deeds of happier fame, in long array,
Call'd into vision, fill the new-born day.
Far as the Angelic Power could lift the eye,
Or earth, or ocean bend the yielding sky;
Or circling suns awake the breathing gale,
Drake lead the way, or Cook extend the sail;
All lands, all seas, that boast a present name,
And all that unborn time shall give to fame,
Around the chief in fair expansion rise,
And earth's whole circuit bounds the level'd skies.
He saw the nations tread their different shores,
Ply their own toils and claim their local powers.
He mark'd what tribes still rove the savage waste,
What happier realms the sweets of plenty taste;
Where arts and virtues fix their golden reign,
Or peace adorns, or slaughter dyes the plain.
He saw the restless Tartar, proud to roam,
Move with his herds, and spread his transient home;
Thro' the vast tracts of China's fixt domain,
The sons of dull contentment plough the plain;
The gloomy Turk ascends the blood-stain'd car,
And Russian banners shade the plains of war;
Brazilia's wilds and Afric's burning sands
With bickering strife inflame the furious bands;
On blest Atlantic isles, and Europe's shores,
Proud wealth and commerce heap their growing stores,
While his own western world, in prospect fair,
Calms her brave sons, now breathing from the war,
Unfolds her harbours, spreads the genial soil,
And welcomes freemen to the cheerful toil.
When thus the Power. In this extended view,
Behold the paths thy changing race pursue.
See, thro' the whole, the same progressive plan,
That draws, for mutual succour, man to man,
From friends to tribes, from tribes to realms ascend,
Their powers, their interests and their passions blend;
Adorn their manners, social virtues spread,
Enlarge their compacts and extend their trade;
While chiefs like thee, with persevering soul,
Bid venturous barks to new discoveries roll;
High in the north, and tow'rd the southern skies,
New isles and nations greet the roving eyes;
Till each remotest realm, by friendship join'd,
Links in the chain that binds all human kind,
The union'd banners rise at last unfurl'd,
And wave triumphant round the accordant world.
As small swift streams their furious course impel,
Till meeting waves their winding currents swell;
Then widening sweep thro' each descending plain,
And move majestic to the boundless main:
'Tis thus society's small sources rise;
Through passions wild their devious progress lies;
Interest and faith and pride and power withstand,
And mutual ills the growing views expand;
Till tribes and states and empires find their place,
And one wide interest sways the peaceful race.
And see, in haste, the ascending scenes advance,
The ports unfold, the glimmering navies dance;
For commerce arm'd the different Powers combine,
And Heaven approving aids the blest design.
Tho' jarring realms, awhile the combat wage,
And hold in lingering strife, the unsettled age;
Yet no rude war, that sweeps the crimson plain,
Shall dare disturb the labours of the main.
For Heaven impartial spread the watery way,
Liberal as air and unconfined as day;
That every distant land the wealth might share,
Exchange their fruits and fill their treasures there;
Their speech assimilate, their empires blend,
And mutual interest fix the mutual friend.
The hero look'd: beneath his wondering eyes,
Bright streamers lengthen round the seas and skies;
The countless nations open all their stores,
Load every wave and croud the masted shores;
The sails, in mingling mazes, sweep the air,
And commerce triumphs o'er the rage of war.
From Baltic streams, that swell in lonely pride,
From Rhine's long course, and Texel's labouring tide,
From Gallia's coast, from Albion's hoary height,
And fair Hibernia, clothed in purer light,
Hispania's strand, that two broad oceans lave,
From Senegal's and Tagus' winding wave,
The gathering masts, in peaceful squadrons, rise,
And wave their cloudly curtains to the skies.
Thro' the deep strait that leads the midland tide,
The sails look forth and swell their beauteous pride;
Where Asia's isles and utmost shores extend,
Like rising suns, the sheeted masts ascend,
And join with peaceful toil the friendly train,
No more to combat on the liquid plain.
In distant glory, where the watery way
Spreads the blue borders of descending day,
The flowing flags unfold, in lengthening sweep,
Pride of the world and daughters of the deep.
From Arctic heavens, and deep in southern skies,
Where frost recedes as blooms of culture rise–
Where eastern Amur's lengthening current glides,
Where California breaks the billowy tides,
Peruvian streams their golden margins boast,
And spreading Chili leads the channel'd coast,
The pinions swell; till all the cloud-like train,
From pole to pole, o'ershades the whitening main.
So some imperial Seraph, placed on high,
From heaven's sublimest tower o'erlook'd the sky;
When space unfolding heard the voice of God,
And suns and stars and systems roll'd abroad,
Caught their first splendors from the all-beaming Eye
Began their years, and vaulted round the sky;
Their mingling spheres in bright confusion play,
Exchange their beams and fill the new-born day.
He saw, as widely spreads the unchannel'd plain,
Where inland realms for ages bloom'd in vain,
Canals, long-winding, ope a watery flight,
And distant streams and seas and lakes unite,
Where Darien hills o'erlook the gulphy tide,
By human art, the ridgy banks divide;
Ascending sails the opening pass pursue,
And waft the sparkling treasures of Peru.
Jeneiro's stream from Plata winds his way,
And bold Madera opes from Paraguay.
From fair Albania, tow'rd the falling sun,
Back thro' the midland, lengthening channels run,
Meet the far lakes, their beauteous towns that lave,
And Hudson join to broad Ohio's wave.
From dim Superior, whose unfathom'd sea
Drinks the mild splendors of the setting day,
New paths, unfolding, lead their watery pride,
And towns and empires rise along their side;
To Missisippi's source the passes bend,
And to the broad Pacific main extend.
From the red banks of blest Arabia's tide,
Thro' the dread Isthmus, waves unwonted glide;
From Europe's crouded coasts while bounding sails
Look through the pass and call the Asian gales.
Volga and Oby distant oceans join,
And the long Danube meets the rolling Rhine;
While other streams that cleave the midland plain,
Spread their new courses to the distant main.
He saw the aspiring genius of the age
Soar in the bard and strengthen in the sage;
With daring thought thro' time's long flight extend,
Rove the wide earth and with the heaven ascend;
Bid each fond wish, that leads the soul abroad,
Breathe to all men, to nature and to God.
He saw, where pale diseases, wont to brave
The pride of art, and croud the untimely grave,
With long-wrought life the nations learn to glow,
And blooming health adorn the locks of snow,
A countless train the healing science aid,
Its power establish and its blessings spread;
In every shape, that varying matter gives,
That rests or ripens, vegetates or lives,
By chymic power the springs of health they trace,
And add new beauties to the joyous race.
While thus the realms their mutual glories lend,
Unnumber'd sires the cares of state attend;
Blest with each human art, and skill'd to find,
Each wild device that prompts the wayward mind;
What soft restraints the untemper'd breast requires,
To caste new joys and cherish new desires,
Expand the selfish to the social flame,
And fire the soul to deeds of nobler fame.
They see, in all the boasted paths of praise,
What partial views heroic ardor raise;
What mighty states on others' ruins stood,
And built, secure, their haughty seats in blood;
How public virtue's ever-borrow'd name
With proud applause hath graced the deeds of shame,
Bade Rome's imperial standard wave sublime,
And patriot slaughter spread to every clime;
From chief to chief, the kindling spirit ran,
The heirs of fame and enemies of man.
Where Grecian states in even balance hung,
And warm'd with jealous fires the sage's tongue,
The exclusive ardor cherish'd in the breast
Love to one land, and hatred to the rest.
And where the flames of civil discord rage,
And kindred arms destructive combat wage,
The unchanging virtue rises, still the same,
To build a Cromwell's as a Charles's name,
No more the noble patriotic mind,
To narrow views and local laws confined,
'Gainst neighbouring lands directs the public rage,
Plods for a realm or counsels for an age;
But lifts a larger thought, and reaches far,
Beyond the power, beyond the wish of war;
For realms and ages forms the general aim,
Makes patriot views and moral views the same,
Sees with prophetic eye in peace combined,
The strength and happiness of human-kind.
Now had the hero, with delighted eye,
Roved o'er the climes, that lengthen'd round the sky;
When the blest Guide his heavenly power display'd,
The earth all trembles and the visions fade:
Thro' other scenes descending ages roll,
And still new wonders open on his soul.
Again his view the range of nature bounds,
Confines the concave and the world surrounds;
When the wide nations all arise more near,
And a mixt tumult murmurs in his ear.
At first, like heavy thunders, borne, afar,
Or the dire conflict of a moving war,
Or waves resounding on the craggy shore,
Hoarse roll'd the loud-toned undulating roar.
At length the sounds, like human voices, rise,
And different nations' undistinguish'd cries
Flow from all climes around in wild career,
And grate harsh discord in the aching ear.
Now more distinct the wide concussion, grown,
Rolls forth, at times, an accent like his own;
While thousand tongues from different regions pour,
And drown all words in one convulsing roar.
By turns the sounds assimilating rise,
And smoother voices gain upon the skies;
Mingling and softening still, in every gale,
O'er the harsh tones harmonious strains prevail.
At last a simple, universal sound
Fills every clime and soothes the world around;
From echoing shores the swelling strain replies,
And moves melodious o'er the warbling skies.
Such wild commotions as he heard and view'd,
In fixt astonishment the hero stood,
And thus besought the Guide: Celestial friend,
What good to man can these dread scenes intend?
What dire distress attends that boding sound,
That breathes hoarse thunder o'er the trembling ground?
War sure has ceased; or have my erring eyes
Misread the glorious visions of the skies?
Tell then, my Seer, if future earthquakes sleep,
Closed in the conscious caverns of the deep,
Waiting the day of vengeance, when to roll,
And rock the rending pillars of the pole?
Or tell if ought, more dreadful to my race,
In these dark signs, thy heavenly wisdom trace?
And why the wild confusion melts again,
In the smooth glidings of a tuneful strain?
The voice of Heaven replied; Thy fears give o'er;
The rage of war shall sweep the plains no more;
No dire distress these strange events foredoom,
But give the marks of nobler joys to come;
The tongues of nations, here, harmonious blend,
Till one pure language thro' the earth extend.
Thou knowest, when impious Babel dared arise,
With sacred rites to grace the starry skies,
Tumultuous discord seized the trembling bands,
Opposed their labours and unnerved their hands,
Dispersed the bickering tribes, and drove them far,
To roam the waste and fire their souls for war;
Bade kings arise, and from their seats be hurl'd,
And pride and conquest range the extended world.
In this the marks of heavenly wisdom shine,
And speak the counsel, as the hand, divine.
In that far age, when o'er the world's broad waste,
Surrounding shades their gloomy horrors cast,
If men, while pride and power the breast inflamed,
By speech allied, one natal region claim'd,
No timorous tribe a different clime would gain,
Or lift the sail, or dare the billowy main.
Fixt in a central spot their lust of power
Would rage insatiate, and the race devour;
A howling waste the unpeopled world remain;
And oceans roll, and climes extend in vain.
Far other counsels, in the Eternal Mind,
Lead on the unconscious steps of human kind;
O'errule the ills their daring crimes produce,
By ways unseen, to serve the happiest use.
For this, the early tribes were taught to range,
For this, their language and their laws to change;
Tempt the wide wave and warm the genial soil,
To crown with fruits the hardy hand of toil,
Divide their forces, wheel the conquering car,
Deal mutual death, and civilize by war.
And now the effects, thro' every land, extend,
These dread events have found their fated end;
Unnumber'd tribes have dared the savage wood,
And streams unnumber'd swell'd with human blood,
Increasing nations with the years of time,
Spread their wide walks to each delighted clime,
To mutual wants their barter'd tributes paid,
Their counsels soften'd and their wars allay'd;
While powerful commerce bids the flag unroll,
And wave the union of the accordant whole.
At this blest period, when thy peaceful race
Shall speak one language and one cause embrace,
Science and arts a speedier course shall find,
And open earlier on the infant mind,
No foreign terms shall croud with barbarous rules,
The dull, unmeaning pageantry of schools;
Nor dark authorities, nor names unknown
Fill the learn'd head with ign'rance not its own;
But truth's fair eye, with beams unclouded, shine,
And simplest rules her moral lights confine;
One living language, one unborrow'd dress
Her boldest flights with happiest force express;
Triumphant virtue, in the garb of truth,
Win a pure passage to the heart of youth,
Pervade all climes, where suns or oceans roll,
And bid the gospel cheer the illumined whole.
As the glad day-star, on his golden throne,
Fair type of truth and promise of the sun,
Smiles up the orient, in his rosy ray,
Illumes the front of heaven, and leads the day;
Thus soaring Science daughter of the skies,
First o'er the nations bids her beauties rise,
Prepares the glorious way, to pour abroad
The beams of Heaven's own morn, the splendors of a God.
Then blest Religion leads the raptured mind,
Thro' brighter fields and pleasures more refined;
Teaches the roving eye, at one broad view,
To glance o'er time and look Existence thro',
See worlds, and worlds, to Being's formless end,
With all their hosts, on one dread Power depend,
Seraphs and suns and systems round him rise,
Live in his life and kindle from his eyes,
His boundless love, his all-pervading soul
Illume, sublime and harmonize the whole;
Teaches the pride of man to fix its bound,
In one small point of this amazing round;
To shrink and rest, where Heaven has fix'd its fate,
A line its space, a moment for its date;
Instructs the heart a nobler joy to taste,
And share its feelings with another's breast,
Extend its warmest wish for all mankind,
And catch the image of the Maker's mind;
While mutual love commands all strife to cease,
And earth join joyous in the songs of peace.
Thus heard the chief, impatient to behold
The expected years, in all their charms, unfold:
The soul stood speaking thro' his gazing eyes,
And thus his voice; Oh, bid the visions rise!
Command, celestial guide, from each far pole,
The blissful morn to open on my soul;
And lift those scenes, that ages fold in night,
Living, and glorious, to my longing sight;
Let heaven, unfolding, ope the eternal throne,
And all the concave flame in one clear sun;
On clouds of fire, with Angels at his side,
The Prince of peace, the King of Salem ride,
With smiles of love to greet the raptured earth,
Call slumbering ages to a second birth;
With all his white-robed millions fill the train,
And here commence the interminable reign.
Such views, the Power replies, would drown thy sight,
And seal thy visions in eternal night;
Nor Heaven permits, nor Angels can display
The unborn glories of that blissful day.
Enough for thee, that thy delighted mind,
Should trace the deeds and blessings of thy kind;
That time's descending vale should ope so far,
Beyond the reach of wretchedness and war;
Till all the paths in Heaven's extended plan,
Fair in thy view should lead the steps of man;
To form, at last, in earth's benighted ball,
Union of parts and happiness of all.
To thy glad view these rolling scenes have shown,
What boundless blessings thy vast labours crown;
That, with the joys of unborn ages blest,
Thy soul, exulting, may retire to rest,
And find, in regions of unclouded day,
What heaven's bright walks and endless years display.
Behold, once more, around the earth and sky,
The last glad visions wait thy raptured eye.
The great Observer look'd; the land and sea,
In solemn grandeur, stretch'd beneath him, lay;
Here swell the mountains, there the oceans roll,
And beams of beauty kindle round the pole.
O'er all the range, where coasts and climes extend,
In glorious pomp the works of peace ascend.
Robed in the bloom of spring's eternal year,
And ripe with fruits, the same glad fields appear,
On each long strand unnumber'd cities run,
Bend their bright walls and sparkle to the sun;
The streams, all freighted from the bounteous plain,
Swell with the load and labour to the main;
Where widening waves command a bolder gale,
And prop the pinions of a broader sail:
Sway'd with the floating weight, the ocean toils,
And joyous nature's last perfection smiles.
Now, fair beneath his view, the important age
Leads the bold actors on a broader stage;
When, clothed majestic in the robes of state,
Moved by one voice, in general council meet
The fathers of all empires: 'twas the place,
Near the first footsteps of the human race;
Where wretched men, first wandering from their God,
Began their feuds and led their tribes abroad.
In this mid region, this delightful clime,
Rear'd by whole realms, to brave the wrecks of time,
A spacious structure rose, sublimely great,
The last resort, the unchanging scene of state.
On rocks of adamant the walls ascend,
Tall columns heave, and Parian arches bend;
High o'er the golden roofs, the rising spires,
Far in the concave meet the solar fires;
Four blazing fronts, with gates unfolding high,
Look, with immortal splendor, round the sky:
Hither the delegated sires ascend,
And all the cares of every clime attend.
As the fair first-born messengers of heaven,
To whom the care of stars and suns is given,
When the last circuit of their winding spheres
Hath finish'd time and mark'd their sum of years,
From all the bounds of space (their labours done)
Shall wing their triumphs to the eternal throne;
Each, from his far dim sky, illumes the road,
And sails and centres tow'rd the mount of God;
There, in mid heaven, their honour'd seats to spread,
And ope the untarnish'd volumes of the dead:
So, from all climes of earth, where nations rise,
Or lands or oceans bound the incumbent skies,
Wing'd with unwonted speed, the gathering throng
In ships and chariots, shape their course along;
Till, wide o'er earth and sea, they win their way,
Where the bold structure flames against the day;
There, hail the splendid seat by Heaven assign'd,
To hear and give the counsels of mankind.
Now the dread concourse, in the ample dome,
Pour thro' the arches and their seats assume;
Far as the extended eye can range around,
Or the deep trumpet's solemn voice resound,
Long rows of reverend sires, sublime, extend,
And cares of worlds on every brow suspend.
High in the front, for manlier virtues known,
A sire elect, in peerless grandeur, shone;
And rising oped the universal cause,
To give each realm its limit and its laws;
Bid the last breath of dire contention cease,
And bind all regions in the leagues of peace,
Bid one great empire, with extensive sway,
Spread with the sun and bound the walks of day,
One centred system, one all-ruling soul,
Live thro' the parts, and regulate the whole.
Here, said the Angel with a blissful smile,
Behold the fruits of thy unwearied toil.
To yon far regions of descending day,
Thy swelling pinions led the untrodden way,
And taught mankind adventurous deeds to dare,
To trace new seas and peaceful empires rear;
Hence, round the globe, their rival sails, unfurl'd,
Have waved, at last, in union o'er the world.
Let thy delighted soul no more complain,
Of dangers braved and griefs endured in vain,
Of courts insidious, envy's poison'd stings,
The loss of empire and the frown of kings;
While these bright scenes thy glowing thoughts compose,
To spurn the vengeance of insulting foes;
And all the joys, descending ages gain,
Repay thy labours and remove thy pain.