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Understanding the Hieroglyphs of Your Heart

Sweetheart, frankly sometimes, I can neither read,
Nor comprehend the hieroglyphs of your heart.
Incidentally, I try to follow my instincts, the heat
Of the moment, and the sweet smell of the burning seed.

You seem to change at will, anytime, like a chameleon.
At times, you bring me to the point of reaching the wrath of the lion,
And other times you toss my belongings in the den.
It is difficult to cross with you, the path that leads to heaven.

I call you Ms.Thermometer for a variety of reasons:
You make me hot, warm and cold. You burn my heart.
You drive me crazy: days and nights, and all seasons.

Sweetheart, what should I do to reach a good solution?
What God should I love and worship to understand your part?
I am lost in time, and I am helpless in the middle of the ocean.

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Handles Bermuda

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Luggage Canada

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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

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Anytime You Want Me

Anytime anytime anytime anytime you want me,
Anytime anytime anytime anytime you want me,
Come on back, come on home.
Come on back, come on home.
Ran away and left me alone in this empty place,
Ran away and left me alone in this empty place,
Anywhere I go, whoa whoa, all I see is your sweet face,
Anywhere I go, whoa whoa, all I see is your sweet face,
Though my pain keeps on growing,
Though my pain keeps on growing,
Theres one thing, baby, you should be knowing...
Theres one thing, baby, you should be knowing...
Anytime you want me (come on back),
Anytime you want me (come on back),
Anytime you want me (come on back),
Anytime you want me (come on back),
Anytime you want me (come on back, whoa yeah).
Anytime you want me (come on back, whoa yeah).
Tried to make you happy the very best I could,
Tried to make you happy the very best I could,
Anything you wanted, whoa whoa, just like a good man should,
Anything you wanted, whoa whoa, just like a good man should,
Even though you did me wrong,
Even though you did me wrong,
Ill be waiting no matter how long...
Ill be waiting no matter how long...
Anytime you want me (Ill be here),
Anytime you want me (Ill be here),
Anytime you want me (I promise Ill be here, baby),
Anytime you want me (I promise Ill be here, baby),
Anytime you want me (Ill be by your side, whoa yeah).
Anytime you want me (Ill be by your side, whoa yeah).
Said Ill forgive you for everything in the past,
Said Ill forgive you for everything in the past,
All I need is one more chance, I know, I know it will last.
All I need is one more chance, I know, I know it will last.
Now you heard my story, know just whats on my mind,
Now you heard my story, know just whats on my mind,
Tired of being lonely, whoa whoa, Ive had my share of crying,
Tired of being lonely, whoa whoa, Ive had my share of crying,
Without you I cant go on,
Without you I cant go on,
Ill be waiting no matter how long...
Ill be waiting no matter how long...
Anytime you want me (anytime you want me),
Anytime you want me (anytime you want me),
Anytime you want me (anytime you need me),
Anytime you want me (anytime you need me),
Anytime you want me (anytime you want me now),
Anytime you want me (anytime you want me now),

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Hans Christian Andersen

November

'Tredje Reeb ind! - - Op at beslaae Mersseilet! -
Ha, alle Djævle, hvilken Nat! -'

*
Nøgent, øde Sted paa Jyllands Vestkyst.
(Det er Nat og Maaneskin; Skyerne jage hen over det oprørte Hav).

En Skare onde Natur-Aander mødes, de leire sig i Sandet.

Den Første.
Her November har sin Throne,
Hvilken deilig Dandseplads!
Storm og Hav er vort Orchester.
Hør dog, hvilket lystigt Stykke!
Mine Been er Hvirvel-Vinde;
Kom, imens de Andre sladdre
Om de natlige Bedrifter.

Den Anden.
Dette Sted især jeg ynder.
Om en herlig Spas det minder!
See I [rettet fra: i] der det løse Qviksand?
Det er flere Aar nu siden,
Men som nu, just i November,
Kom en lystig Brudeskare;
Klarinet og Violiner
Klang heel lysteligt fra Vognen,
Hvor med Silkebaand om [rettet fra: um] Haaret,
Bruden sad, saa ung og deilig.
Med en Taage jeg dem blænded',
I et Nu de svandt i Sandet.

Den Tredie.
Det er kun i forgaars siden,
Jeg mit Eventyr har prøvet.
Nyligt havde Stormen lagt sig,
Havet hvilte som et Klæde.
Stille laae et Vrag derude,
Alt dets Mandskab længst var borte,
Kun en Mand og tvende Qvinder
Endnu stode der forladte,
Men der laae en Baad paa Dækket,
Stor og bred; de der dem satte.
Manden bortskar [rettet fra: bortskjar] alle Touge,
Undersøgte Alting nøie,
Haabede, naar Vraget sank,
Baaden, frelst fra Dybets Hvirvler,
Let dem bar paa Havets Flade.*
Men eet Toug sig for ham skjulte,
Livet hang ved dette ene.

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Hans Christian Andersen

Januar

'- Nyfødt Aaret er vorden!
Stolt, med den flagrende Lok, i Storm og i Blæst,
Paa sin vingede Hest
Jager Tiden hen over Jorden - !'
*
Vandringsmanden.
Et Hjem for Samojed og Pescheræ
Viser den frosne Jord med sin Snee;
Men her, som i et Feeland at see,
Staaer det riimfrosne Træ
Og løfter mod Solen sin glimrende Green
Mod en Luft, som Italiens, sortblaa, men reen.
Det er deiligt at see,
Hvor over den hvide Snee
Den sorte Rovfugl svæver,
Og Hytterne hist, hvor Røgen sig hæver,
Hvor Pigen strøer Korn af sin lille Kurv
For den qviddrende Spurv.
- Ja, nyfødt Aaret er vorden!
Stolt med den flagrende Lok, i Storm og i Blæst,
Paa sin vingede Hest
Jager Tiden hen over Jorden,
Trykker med faderlig Arm
Sine Børn, de kommende Aar, til sin Barm.
Er Maanen i Næ tolv Gange vorden,
Svæver et Barn fra hans Bryst til Jorden,
Hvorfra den ventende Broder vil stige
Igjen til sit evige Rige.
Thi Himmelens mægtige Blaa er det Hav,
Hvor Aaret forsvinder,
Hvorfra det nye oprinder
For vor Jord, denne altid blomstrende Grav.
Tiden
(paa sin vingede Hest).
Min Jord, Du er saa skjøn at see
I Sommer-Grønt, i Vinter-Snee!
Din Kamp, Din Færdsel, Død og Liv,
Alt peger til et Guddoms-Bliv!

Du Hvilepunkt for Tanken gav;
Først saae jeg kun et Taage-Hav,
Det maatte snart for Lyset døe,
Og Du fremstod, men alt var Sø!
Da voxte frem den første Ø,
Med Skov og Frugt og Blomster smaae,
Og Mennesket sin Skaber saae.

Hvert Aar et Barn jeg sendte ned,
Og gjennem Had og Kjærlighed
Det atter sig til Himlen svang,

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Burning Heat

Burning in my heart- burning in my soul
Gotta have it more and more- hot and overloaded
Starving for some fun tonight- always dressed to kill
Dont tell me what I need- I need the thrill indeed
Dont stop me now
Ill run you over- bastard
Get out of my way
I feel mighty great
Burning heat- gets me- burning heat
Burning heat- breaks me- burning heat
Cant you see it coming- stronger than a bull
Get yourself going- youre too easy to beat
Dont forget Im strong- powerful and straight
I can take you on cause I am hard to break
Dont stop me now
Ill run you over- bastard
Get out of my way
I feel mighty great
Burning heat- gets me- burning heat
Burning heat- breaks me- burning heat
Burning heat- gets me- burning heat
Burning heat- breaks me- burning heat
Burning heat- leads me- burning heat
Burning heat- feeds me- burning heat
Burning in my heart- burning in my soul
Gotta have it more and more- hot and overloaded
Burning heat- gets me- burning heat
Burning heat- breaks me- burning heat
Burning heat- leads me- burning heat
Burning heat- feeds me- burning heat

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Henry Wadsworth Longfellow

Courtship of Miles Standish, The

I
MILES STANDISH

In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.

Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted

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George Meredith

The Song Of Theodolinda

I

Queen Theodolind has built
In the earth a furnace-bed:
There the Traitor Nail that spilt
Blood of the anointed Head,
Red of heat, resolves in shame:
White of heat, awakes to flame.
Beat, beat! white of heat,
Red of heat, beat, beat!

II

Mark the skeleton of fire
Lightening from its thunder-roof:
So comes this that saw expire
Him we love, for our behoof!
Red of heat, O white of heat,
This from off the Cross we greet.

III

Brown-cowled hammermen around
Nerve their naked arms to strike
Death with Resurrection crowned,
Each upon that cruel spike.
Red of heat the furnace leaps,
White of heat transfigured sleeps.

IV

Hard against the furnace core
Holds the Queen her streaming eyes:
Lo! that thing of piteous gore
In the lap of radiance lies,
Red of heat, as when He takes,
White of heat, whom earth forsakes.

V

Forth with it, and crushing ring
Iron hymns, for men to hear
Echoes of the deeds that sting
Earth into its graves, and fear!
Red of heat, He maketh thus,
White of heat, a crown of us.

VI

This that killed Thee, kissed Thee, Lord!

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Hans Christian Andersen

Den fremmede Fugl

Seer Du Huset med de røde Bjelker i den hvide Muur?
Rundt om kneise stolte Bøge i den store frie Natur.
Seer Du hist, bag Brombærhækken, Drengen med det aabne Blik?
Ene tumler han sig, lystig efter muntre Drenge-Skik;
Men nu standser han og lytter, thi høit oppe paa en Green,
Sidder der en Fugl og synger, o en lille, deilig een!
Ret som Guld og skjønne Perler skinner Hoved jo og Krop,
Og den selv er ikke større end en fyldig Rosenknop.
Drengen og den lille Sanger blive snart fortrolig her,
Og de skiftes til at synge i det røde Aftenskjær.
Men i Drengens Hoved spøger mange rare Eventyr,
Dem han alle vil fortælle for det lille smukke Dyr;
Men see, Fuglen kan dem alle, selv han saae det paa sin Flugt,
Ingen kan som han fortælle, nei, det er dog alt for smukt!
Men det er ei nok med dette, den kan ogsaa hexe lidt;
Tusind Mile kan den flyve, mens den siger „qvirrevit!"
See den flyver, og den kommer, Drengen er saa sjæleglad,
Sjældne Frøkorn bringer Fuglen, indsvøbt i et Rosenblad.
I hvert Frø er skjulte Kræfter, knap er et i Jorden lagt,
Før et Trylleslot der voxer i sin hele, stolte Pragt.
Taget er af Morgenrøde, Søilerne er Bjergets Snee,
Og igjennem Slots-Portalet kan man ind i Himlen see!
Men et andet Frøkorn svulmer til en deilig Sommersky,
Og med Dreng og Fugl den svæver over Skov og Mark og By,
Seiler ind i Aftensolen, o den er saa rød og stor!
Stiger derpaa ind i Himlen, hvor den gode Gud jo boer;
Seer de mange, mange Stjerner, der som hvide Blomster staae,
Jesubarnet og Guds Engle med de store Vinger paa.
Skyen daler atter med dem, bringer dem til Skovens Krat,
Hvor de smukke Alfer lege i den lyse Sommer-Nat,
Og hvor Aanden af hvert Blomster, der henvisner Aar for Aar,
Atter nu i Midnats-Timen duftende for Øiet staaer.
Fra et Frøkorn stiger hurtigt frem en Palme, høi og stor,
Drengen der med Fuglen sidder, Træet meer og mere groer;
Høit det voxer over Skoven, over Skyen mod sin Gud,
Breder stolt sin grønne Krone over hele Jorden ud.
Fjerne Lande, fjerne Have, seer han dybt dernede staae,
Dog imellem Jord og Himmel underlig han længes maae.
Over Skyen, høit deroppe, Hjertet vil mod Jorden ned,
Og fra Jorden vil det atter søge hist — hvad det ei veed.
Saadan svinder Aar og Dage, Barnets søde Sorg og Lyst,
Øiet bliver da til Flamme, thi det brænder i hans Bryst.
Fuglen flyver, Fuglen kommer, og den flyver bort igjen;
See, da sidder han ved Stranden, stirrer over Fladen hen;
Øiet seer kun Hav og Himmel; Alt er det umaalte Blaae;
Ingen Ø og ingen Skyer, for det trætte Øie staae.
Men see hist, en sneehvid Svane nærmer sig mod Kysten her,
Og sin kjære Fugl han kjender i den stolte Svane der.
See, en Blomsterbaad den trækker, bunden ved sit Vinge-Par!
Og en underdeilig Pige den jo med i Baaden har.

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Henry Wadsworth Longfellow

The Courtship of Miles Standish

I
MILES STANDISH

In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.

Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted

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The Undying One- Canto III

'THERE is a sound the autumn wind doth make
Howling and moaning, listlessly and low:
Methinks that to a heart that ought to break
All the earth's voices seem to murmur so.
The visions that crost
Our path in light--
The things that we lost
In the dim dark night--
The faces for which we vainly yearn--
The voices whose tones will not return--
That low sad wailing breeze doth bring
Borne on its swift and rushing wing.
Have ye sat alone when that wind was loud,
And the moon shone dim from the wintry cloud?
When the fire was quench'd on your lonely hearth,
And the voices were still which spoke of mirth?

If such an evening, tho' but one,
It hath been yours to spend alone--
Never,--though years may roll along
Cheer'd by the merry dance and song;
Though you mark'd not that bleak wind's sound before,
When louder perchance it used to roar--
Never shall sound of that wintry gale
Be aught to you but a voice of wail!
So o'er the careless heart and eye
The storms of the world go sweeping by;
But oh! when once we have learn'd to weep,
Well doth sorrow his stern watch keep.
Let one of our airy joys decay--
Let one of our blossoms fade away--
And all the griefs that others share
Seem ours, as well as theirs, to bear:
And the sound of wail, like that rushing wind
Shall bring all our own deep woe to mind!

'I went through the world, but I paused not now
At the gladsome heart and the joyous brow:
I went through the world, and I stay'd to mark
Where the heart was sore, and the spirit dark:
And the grief of others, though sad to see,
Was fraught with a demon's joy to me!

'I saw the inconstant lover come to take
Farewell of her he loved in better days,
And, coldly careless, watch the heart-strings break--
Which beat so fondly at his words of praise.
She was a faded, painted, guilt-bow'd thing,
Seeking to mock the hues of early spring,
When misery and years had done their worst

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Hans Christian Andersen

Marts

'Livets Frihed, Jordens Baand,
Kamp imellem Form og Aand.'

*
Mægtigt Vaarens Pulse banke,
Dog er det saa kold en Tid;
See, imellem Form og Tanke
Viser sig den store Strid;
Aaret giver i det Mindre,
Hvad i Secler Verden gav,
Hvad du seer, hvor Stjerner tindre,
Og i Oldtids sjunkne Grav,
Livets Frihed, Jordens Baand,
Kamp imellem Form og Aand.
*
Jorden.
Ton høit i Tidens Kamp mit stolte Qvad!
En Verden være mig mit Nodeblad,
Urbjergene, som dybt grundfæsted' staae,
De er' de sorte Streger, sat' derpaa,

Og hver Forstening, hvert et Lag deri,
Er Noden til den stolte Melodie.
Hvert Mammuthsdyr, hver Blomst i Stenen bundet
Os synger om et Liv, som er forsvundet,
Om Tidens Stræben, Tidens snevre Baand,
Om Kampen mellem Formerne og Aand.

Hvo sprængte Himlen med sit Stjernetal,
Den vidtudstrakte Ymers Pandeskal,
Den høie Himmelhvælving i sin Skranke -
Hvo, uden Aanden med sin Flamme-Tanke?
Copernikus gav Jorden Liv og Gang,
Stolt alle Sphærerne i Rummet sang,
De gamle Former bort som Avner fløi,
Og Verden blev saa navnløs stor og høi.

Den vilde Søgang bryder stolt hver Skranke,
Og Klippen brister, som den skjøre Planke,
Sø bliver Land og Landet atter Sø,
Men dobbelt skjøn sig reiser Ø ved Ø,
Det indre Liv sig lader ei betvinge.
See! Skovene fra Jordens Muld fremspringe,
Fixstjernens Skjær naaer ned til Jordens Bugt,
Skjøndt Secler svinde i dens snare Flugt,
Men Rummet ei kan Kraftens Straale dæmpe,
Forgjæves Titans Børn mod Himlen kjæmpe.
Brænd Byer af, riv ned med Tiger-Kloe,
Strøe Salt i Gruset, at ei Græs skal groe! -
Dog reiser Aanden atter Steen ved Steen,

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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The Dream

'TWAS summer eve; the changeful beams still play'd
On the fir-bark and through the beechen shade;
Still with soft crimson glow'd each floating cloud;
Still the stream glitter'd where the willow bow'd;
Still the pale moon sate silent and alone,
Nor yet the stars had rallied round her throne;
Those diamond courtiers, who, while yet the West
Wears the red shield above his dying breast,
Dare not assume the loss they all desire,
Nor pay their homage to the fainter fire,
But wait in trembling till the Sun's fair light
Fading, shall leave them free to welcome Night!

So when some Chief, whose name through realms afar
Was still the watchword of succesful war,
Met by the fatal hour which waits for all,
Is, on the field he rallied, forced to fall,
The conquerors pause to watch his parting breath,
Awed by the terrors of that mighty death;
Nor dare the meed of victory to claim,
Nor lift the standard to a meaner name,
Till every spark of soul hath ebb'd away,
And leaves what was a hero, common clay.

Oh! Twilight! Spirit that dost render birth
To dim enchantments; melting Heaven with Earth,
Leaving on craggy hills and rumning streams
A softness like the atmosphere of dreams;
Thy hour to all is welcome! Faint and sweet
Thy light falls round the peasant's homeward feet,
Who, slow returning from his task of toil,
Sees the low sunset gild the cultured soil,
And, tho' such radliance round him brightly glows,
Marks the small spark his cottage window throws.
Still as his heart forestals his weary pace,
Fondly he dreams of each familiar face,
Recalls the treasures of his narrow life,
His rosy children, and his sunburnt wife,

To whom his coming is the chief event
Of simple days in cheerful labour spent.
The rich man's chariot hath gone whirling past,
And those poor cottagers have only cast
One careless glance on all that show of pride,
Then to their tasks turn'd quietly aside;
But him they wait for, him they welcome home,
Fond sentinels look forth to see him come;
The fagot sent for when the fire grew dim,
The frugal meal prepared, are all for him;
For him the watching of that sturdy boy,

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Hans Christian Andersen

Bruden i Rørvig Kirke

Klart skinner Maanen paa den nøgne Kyst.
I Præstegaarden er nu Alt saa tyst;
Dog, tyst og stille er det stedse der,
Thi i den øde Egn den ligger her
Paa Tangen, som gaaer langt hist ud i Havet,
Hvor Kirken staaer i Sandflugt halv begravet.
Hvem nærmer sig? — Med stærke Skridt de gaae.
Det er en Skare Mænd med Kapper paa!
Men under Kappen blinker Staalet frem;
Den gamle Præst de gjæste i hans Hjem. -
Alt ryster Porten ved de stærke Slag;
Selv Spurven vækkes under Husets Tag
Og flagrer, bange, fra sin lille Rede,
Til Lyngen paa den sorte Hede.

II
Med Fader-Blik og sølvgraat Haar,
Den gamle Præst nu hos dem staaer;
Men taus som Aander er hver Mand;
De pege mod den nøgne Strand,
Hvor Kirken hæver sin røde Muur,
I den døde Natur.
Han kjender i dem et fremmed Folk;
De vise ham Guld og den skarpe Dolk,
De bede og true — nu drage de bort,
Og Præsten følger i Kjortel sort.
Fast holder han Bibelen under sin Arm,
Men Hjertet banker i Oldingens Barm;
De bane sig Vei gjennem Sandet,
Til Kirken ved Vandet.

III
Rundtom er alt saa øde, man seer kun den nøgne Strand,
Hvor Tangen flagrer i Vinden, henad det hvide Sand.
Saa underligt Bølgerne synge og over Dybet gaae,
De svulme, som Hjertet der længes, derfor de briste maae.
I Maanskinnet stiger Skummet, det hvide Bølge-Liig;
Den hvidgraa Maage flygter med bange, hæse Skrig,
Og slaaer mod Kirke-Ruden sit stærke Vinge-Par.
See Kirken den er oplyst, som aldrig før den var,
Og huult og dæmpet stiger derinde Sangen frem,
Det er, som Tone-Bølgen kom fra de Dødes Hjem.

IV
Af fremmede Mænd er hele Kirken fuld,
De straale sært i Vaaben og i Guld;
Kun tyndt er Skjægget om den brune Kind,
De hylle sig i deres Kapper ind;
Med Raslen Sværdene mod Gulvet slaae;
Man seer en Qvinde ene blandt dem staae,

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Ella Wheeler Wilcox

Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.


Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.


Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.


1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.


Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken itI never saw the like:

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