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Birds plot stragedy
gather together for flight
planning departure.

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John Dryden

Absalom and Achitophel

In pious times, e'er Priest-craft did begin,
Before Polygamy was made a sin;
When man, on many, multiply'd his kind,
E'r one to one was, cursedly, confind:
When Nature prompted, and no law deny'd
Promiscuous use of Concubine and Bride;
Then, Israel's monarch, after Heaven's own heart,
His vigorous warmth did, variously, impart
To Wives and Slaves; And, wide as his Command,
Scatter'd his Maker's Image through the Land.
Michal, of Royal blood, the Crown did wear,
A Soyl ungratefull to the Tiller's care;
Not so the rest; for several Mothers bore
To Godlike David, several Sons before.
But since like slaves his bed they did ascend,
No True Succession could their seed attend.
Of all this Numerous Progeny was none
So Beautifull, so brave as Absalon:
Whether, inspir'd by some diviner Lust,
His father got him with a greater Gust;
Or that his Conscious destiny made way
By manly beauty to Imperiall sway.
Early in Foreign fields he won Renown,
With Kings and States ally'd to Israel's Crown
In Peace the thoughts of War he could remove,
And seem'd as he were only born for love.
What e'er he did was done with so much ease,
In him alone, 'twas Natural to please.
His motions all accompanied with grace;
And Paradise was open'd in his face.
With secret Joy, indulgent David view'd
His Youthfull Image in his Son renew'd:
To all his wishes Nothing he deny'd,
And made the Charming Annabel his Bride.
What faults he had (for who from faults is free?)
His Father could not, or he would not see.
Some warm excesses, which the Law forbore,
Were constru'd Youth that purg'd by boyling o'r:
And Amnon's Murther, by a specious Name,
Was call'd a Just Revenge for injur'd Fame.
Thus Prais'd, and Lov'd, the Noble Youth remain'd,
While David, undisturb'd, in Sion raign'd.
But Life can never be sincerely blest:
Heaven punishes the bad, and proves the best.
The Jews, a Headstrong, Moody, Murmuring race,
As ever try'd th' extent and stretch of grace;
God's pamper'd people whom, debauch'd with ease,
No King could govern, nor no God could please;
(Gods they had tri'd of every shape and size
That Gods-smiths could produce, or Priests devise.)

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Free Flight

Head on down the highway
Across the county line,
Ive had my fill of small town thrills
Gonna leave it all behind.
Free flight, free flight.
Im careless in my loving,
Shameless in my style,
If I get caught by the short n curlies
Ill just hide out for awhile.
Free flight, free flight.
On an on the road goes on
Itll go on forever,
An just the same Ill live my life,
Hell bent for leather.
Free flight, free flight.
Heaven knows its driving me crazy,
Its a feeling inside.
Heaven knows its in my blood
As long as I try, I just cant deny.
Free flight, come tomorrow dawn youll find me gone.
Free flight, make no bones about it, Im moving on.
Free flight, free flight, free flight.
Free flight, free flight, free flight.
Head on down the highway
Suitcase in your hand,
When you get down with your feet on the ground
I know youll understand.
Free flight, free flight.
Heaven knows its driving me crazy,
Its a feeling thats driving me wild.
Heaven knows its in my blood,
Fool if you try, you just cant deny.
Free flight, come tomorrow dawn youll find me gone.
Free flight, make no bones about it, Im moving on.
(solo)
Free flight, free flight, free flight...

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John Dryden

The Hind And The Panther, A Poem In Three Parts : Part III.

Much malice, mingled with a little wit,
Perhaps may censure this mysterious writ;
Because the muse has peopled Caledon
With panthers, bears, and wolves, and beasts unknown,
As if we were not stocked with monsters of our own.
Let Æsop answer, who has set to view
Such kinds as Greece and Phrygia never knew;
And Mother Hubbard, in her homely dress,
Has sharply blamed a British lioness;
That queen, whose feast the factious rabble keep,
Exposed obscenely naked, and asleep.
Led by those great examples, may not I
The wonted organs of their words supply?
If men transact like brutes, 'tis equal then
For brutes to claim the privilege of men.
Others our Hind of folly will indite,
To entertain a dangerous guest by night.
Let those remember, that she cannot die,
Till rolling time is lost in round eternity;
Nor need she fear the Panther, though untamed,
Because the Lion's peace was now proclaimed;
The wary savage would not give offence,
To forfeit the protection of her prince;
But watched the time her vengeance to complete,
When all her furry sons in frequent senate met;
Meanwhile she quenched her fury at the flood,
And with a lenten salad cooled her blood.
Their commons, though but coarse, were nothing scant,
Nor did their minds an equal banquet want.
For now the Hind, whose noble nature strove
To express her plain simplicity of love,
Did all the honours of her house so well,
No sharp debates disturbed the friendly meal.
She turned the talk, avoiding that extreme,
To common dangers past, a sadly-pleasing theme;
Remembering every storm which tossed the state,
When both were objects of the public hate,
And dropt a tear betwixt for her own children's fate.
Nor failed she then a full review to make
Of what the Panther suffered for her sake;
Her lost esteem, her truth, her loyal care,
Her faith unshaken to an exiled heir,
Her strength to endure, her courage to defy,
Her choice of honourable infamy.
On these, prolixly thankful, she enlarged;
Then with acknowledgments herself she charged;
For friendship, of itself an holy tie,
Is made more sacred by adversity.
Now should they part, malicious tongues would say,
They met like chance companions on the way,

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Between Dark Past and Future Flight

Between dark past and future flight
Effect and Cause we question quite,
rhyme time between midnight and noon
to read, mark, learn, digest this tune.
Soul travels far, ka’s second sight
scouts out from dune to blue lagoon -
with moral codes plays fey buffoon.

Between dark past and future flight
the butterfly finds wings for flight
although, in silk spin knit cocoon,
it knows not dawn from afternoon.
Mind mirage magic may excite
confusing notions – far and soon
merge premonition’s present boon.

Between dark past and future flight
trace space, expand and pace delight ~
from morn till midnight one should learn
to seed born insight, harvest earn,
bend to contentment very soon
ends, means, all harmonies attune
heart, soul, which whole from parts return.


Between dark past and future flight
now ‘stalac_might’ checks stalag tight
mankind evolved from the baboon
to trace his race pace picayune.
between the darkness and the light
most squander chances opportune
dreams rose themed spurned, they haste to tomb.
Vague contexts blurred, restrictions fight
unshadowed vision full, shy moon
casts spell whose pull’s forgot by noon.


Between dark past and future flight
The wheel spins on, ignores ‘wrong’, ‘right’
As light, dark, rainbow’s ark all churn
fear not fall near, nor rise call spurn.
Sandman plays game outside luck, blight,
for more than intellect's harpoon.
Hope blooms, may anguish, heartache, prune.

Between dark past and future flight
oft ‘Justice’ seems a notion quite
outside God’s scheme - ‘on joue le clown’
play insecurity immune
while mocking empty social rite

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Twenty Flight Rock

Well I got a girl with a record machine,
When it comes to rocking shes a queen.
I took her to a dance on a saturday night,
All alone where I can hold her tight.
She lives on the twentieth floor uptown.
The elevators broken down.
And I walk one, two flight, three flight four,
Five six seven flight, eight flight more.
Up on the twelfth Im starting to sag,
Fifteenth floor Im ready to drag.
I get to the top and Im too tired to rock.
You know she called me up on the telephone,
Said come on ever baby cause Im all alone.
I said baby youre mighty sweet,
But Im in bed with aching feet.
This went on for a couple of days,
But I couldnt stay away.
And I walk one, two flight, three flight four,
Five six seven flight, eight flight more.
Up on the twelfth Im starting to sag,
Fifteenth floor Im ready to drag.
I get to the top and Im too tired to rock.
Well I sent to chicago for repairs,
Till its fixed Im using the stairs.
I hope they hurry, before its too late,
I want my baby too much to wait.
All this climbing is getting me down,
Theyll find me hanging over the rail.
And I walk one, two flight, three flight four,
Five six seven flight, eight flight more.
Up on the twelfth Im starting to sag,
Fifteenth floor Im ready to drag.
I get to the top and Im too tired to rock.
And I walk one, two flight, three flight four,
Five six seven flight, eight flight more.
Up on the twelfth Im starting to sag,
Fifteenth floor Im ready to drag,
I get to the top and Im too tired to rock.

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The Plot

My class were all slow payers,
And they weren't the best of stayers
When they came along to evening classes
Straight from keeping shop,
So I'd try to entertain them
Though I knew I'd rather brain them,
All I wanted was some input
When their heads began to drop.

'Come on guys and girls, get with it, '
I would clap my hands, 'let's live it! '
'Give me three basic ingredients
You need to build a plot! '
'A beginning, ' said one joker,
'...and an end....' - (I thought I'd choke her!)
But I couldn't get a 'middle' from them,
That was all they'd got!

'You told me you were writers
That you burn the midnight light as
Other people lie there sleeping
While you wield your mighty pens.
You've got 'character' and 'colour'
As you like to tell each other,
But without a plot you haven't got
A story for your friends.'

'All you've given me - Moon Bayers,
And a host of Vampire Slayers
And some Super Hero wielding powers
Not you, nor I have got,
And a princess who's a virgin
With some hanger on, an urchin,
Come on folks! - there's not a virgin
Over fifteen worth a drop! '

'What we need are real people,
Keep it real and keep it simple
From the hair down to the dimple
(That you shouldn't know she's got!)
Use the guy who drives the tanker,
Or the fat and balding Banker
Who's been betting on the Gee Gee's
And is skimming off the top.'

'Or the girl there, in the city
Who's naive, but very pretty
When she meets the married businessman
Who takes her out to lunch,
Then invites her back for 'drinkies'

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Victor Hugo

Hymne Des Transportés (Hymn Of The Transported)

Prions ! voici l'ombre sereine.
Vers toi, grand Dieu, nos yeux et nos bras sont levés.
Ceux qui t'offrent ici leurs larmes et leur chaîne
Sont les plus douloureux parmi les éprouvés.
Ils ont le plus d'honneur ayant le plus de peine.

Souffrons ! le crime aura son tour.
Oiseaux qui passez, nos chaumières,
Vents qui passez, nos soeurs, nos mères
Sont là-bas, pleurant nuit et jour. !
Oiseaux, dites-leur nos misères !
Ô vents, portez-leur notre amour !

Nous t'envoyons notre pensée,
Dieu ! nous te demandons d'oublier les proscrits,
Mais de rendre sa gloire à la France abaissée ;
Et laisse-nous mourir, nous brisés et meurtris,
Nous que le jour brûlant livre à la nuit glacée !

Souffrons ! le crime -

Comme un archer frappe une cible,
L'implacable soleil nous perce de ses traits
Après le dur labeur, le sommeil impossible ;
Cette chauve-souris qui sort des noirs marais,
La fièvre, bat nos fronts de son aile invisible.

Souffrons ! le crime -

On a soif, l'eau brûle la bouche
On a faim, du pain noir ; travaillez, malheureux !
A chaque coup de pioche en ce désert farouche
La mort sort de la terre avec son rire affreux,
Prend l'homme dans ses bras, l'étreint et se recouche.

Souffrons ! le crime -

Mais qu'importe ! rien ne nous dompte ;
Nous sommes torturés et nous sommes contents.
Nous remercions Dieu vers qui notre hymne monte
De nous avoir choisis pour souffrir dans ce temps
Où tous ceux qui n'ont pas la souffrance ont la honte.

Souffrons ! le crime -

Vive la grande République !
Paix à l'immensité du soir mystérieux !
Paix aux morts endormis dans la tombe stoïque !
Paix au sombre océan qui mêle sous les cieux
La plainte de Cayenne au sanglot de l'Afrique !

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Beautiful River

And he showed me a pure River of Water of Life, clear as crystal, proceeding out of the Throne of God and of the Lamb." -- Rev. xxii. 1


Shall we gather at the river
Where bright angel feet have trod;
With its crystal tide forever
Flowing by the throne of God?

CHORUS.

Yes, we'll gather at the river,
The beautiful, the beautiful river --
Gather with the saints at the river
That flows by the throne of God.

On the margin of the river,
Washing up its silver spray,
We will walk and worship ever,
All the happy, golden day.

Yes, we'll gather at the river,
The beautiful, the beautiful river --
Gather with the saints at the river
That flows by the throne of God.

On the bosom of the river,
Where the Saviour-king we own,
We shall meet, and sorrow never
'Neath the glory of the throne. Cho.

Yes, we'll gather at the river,
The beautiful, the beautiful river --
Gather with the saints at the river
That flows by the throne of God.

Ere we reach the shining river,
Lay we every burden down;
Grace our spirits will deliver,
And provide a robe and crown. Cho.

Yes, we'll gather at the river,
The beautiful, the beautiful river --
Gather with the saints at the river
That flows by the throne of God.

At the smiling of the river,
Rippling with the Saviour's face,
Saints, whom death will never sever,
Lift their songs of saving grace. Cho.

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The Plea Of The Midsummer Fairies

I

'Twas in that mellow season of the year
When the hot sun singes the yellow leaves
Till they be gold,—and with a broader sphere
The Moon looks down on Ceres and her sheaves;
When more abundantly the spider weaves,
And the cold wind breathes from a chillier clime;—
That forth I fared, on one of those still eves,
Touch'd with the dewy sadness of the time,
To think how the bright months had spent their prime,


II

So that, wherever I address'd my way,
I seem'd to track the melancholy feet
Of him that is the Father of Decay,
And spoils at once the sour weed and the sweet;—
Wherefore regretfully I made retreat
To some unwasted regions of my brain,
Charm'd with the light of summer and the heat,
And bade that bounteous season bloom again,
And sprout fresh flowers in mine own domain.


III

It was a shady and sequester'd scene,
Like those famed gardens of Boccaccio,
Planted with his own laurels evergreen,
And roses that for endless summer blow;
And there were fountain springs to overflow
Their marble basins,—and cool green arcades
Of tall o'erarching sycamores, to throw
Athwart the dappled path their dancing shades,—
With timid coneys cropping the green blades.


IV

And there were crystal pools, peopled with fish,
Argent and gold; and some of Tyrian skin,
Some crimson-barr'd;—and ever at a wish
They rose obsequious till the wave grew thin
As glass upon their backs, and then dived in,
Quenching their ardent scales in watery gloom;
Whilst others with fresh hues row'd forth to win
My changeable regard,—for so we doom
Things born of thought to vanish or to bloom.

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MacGregor's Gathering

The moon's on the lake, and the mist's on the brae,
And the Clan has a name that is nameless by day;
Then gather, gather, gather Grigalach!
Gather, gather, gather Grigalach!

Our signal for fight, that from monarchs we drew,
Must be heard but by night in our vengeful haloo!
Then haloo, Grigalach! haloo, Grigalach!
Haloo, haloo, haloo, Grigalach!

Glen Orchy's proud mountains, Coalchuirn and her towers,
Glenstrae and Glenlyon no longer are ours;
We're landless, landless, landless, Grigalach!
Landless, landless, landless, Grigalach!

But doom'd and devoted by vassal and lord,
MacGregor has still both his heart and his sword!
Then courage, courage, courage, Grigalach!
Courage, courage, courage, Grigalach!

If they rob us of name, and pursue us with beagles,
Give their roofs to the flame, and their flesh to the eagles!
Then vengeance, vengeance, vengeance, Grigalach!
Vengeance, vengeance, vengeance, Grigalach!

While there's leaves in the forest, and foam on the river,
MacGregor despite them, shall flourish for ever!
Come then Grigalach, come then Grigalach,
Come then, come then, come then Grigalach!

Through the depths of Loch Katrine the steed shall career,
O'er the peak of Ben Lomond the galley shall steer,
The rocks of Craig-Royston like icicles melt,
Ere our wrongs be forgot, or our vengeance unfelt!
Then gather, gather, gather Grigalach!
Gather, gather, gather Grigalach!

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The Aeneid of Virgil: Book 11

SCARCE had the rosy Morning rais’d her head
Above the waves, and left her wat’ry bed;
The pious chief, whom double cares attend
For his unburied soldiers and his friend,
Yet first to Heav’n perform’d a victor’s vows: 5
He bar’d an ancient oak of all her boughs;
Then on a rising ground the trunk he plac’d,
Which with the spoils of his dead foe he grac’d.
The coat of arms by proud Mezentius worn,
Now on a naked snag in triumph borne, 10
Was hung on high, and glitter’d from afar,
A trophy sacred to the God of War.
Above his arms, fix’d on the leafless wood,
Appear’d his plumy crest, besmear’d with blood:
His brazen buckler on the left was seen; 15
Truncheons of shiver’d lances hung between;
And on the right was placed his corslet, bor’d;
And to the neck was tied his unavailing sword.
A crowd of chiefs inclose the godlike man,
Who thus, conspicuous in the midst, began: 20
“Our toils, my friends, are crown’d with sure success;
The greater part perform’d, achieve the less.
Now follow cheerful to the trembling town;
Press but an entrance, and presume it won.
Fear is no more, for fierce Mezentius lies, 25
As the first fruits of war, a sacrifice.
Turnus shall fall extended on the plain,
And, in this omen, is already slain.
Prepar’d in arms, pursue your happy chance;
That none unwarn’d may plead his ignorance, 30
And I, at Heav’n’s appointed hour, may find
Your warlike ensigns waving in the wind.
Meantime the rites and fun’ral pomps prepare,
Due to your dead companions of the war:
The last respect the living can bestow, 35
To shield their shadows from contempt below.
That conquer’d earth be theirs, for which they fought,
And which for us with their own blood they bought;
But first the corpse of our unhappy friend
To the sad city of Evander send, 40
Who, not inglorious, in his age’s bloom,
Was hurried hence by too severe a doom.”
Thus, weeping while he spoke, he took his way,
Where, new in death, lamented Pallas lay.
Acoetes watch’d the corpse; whose youth deserv’d 45
The father’s trust; and now the son he serv’d
With equal faith, but less auspicious care.
Th’ attendants of the slain his sorrow share.
A troop of Trojans mix’d with these appear,
And mourning matrons with dishevel’d hair. 50

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IV. Tertium Quid

True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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III. The Other Half-Rome

Another day that finds her living yet,
Little Pompilia, with the patient brow
And lamentable smile on those poor lips,
And, under the white hospital-array,
A flower-like body, to frighten at a bruise
You'd think, yet now, stabbed through and through again,
Alive i' the ruins. 'T is a miracle.
It seems that, when her husband struck her first,
She prayed Madonna just that she might live
So long as to confess and be absolved;
And whether it was that, all her sad life long
Never before successful in a prayer,
This prayer rose with authority too dread,—
Or whether, because earth was hell to her,
By compensation, when the blackness broke
She got one glimpse of quiet and the cool blue,
To show her for a moment such things were,—
Or else,—as the Augustinian Brother thinks,
The friar who took confession from her lip,—
When a probationary soul that moved
From nobleness to nobleness, as she,
Over the rough way of the world, succumbs,
Bloodies its last thorn with unflinching foot,
The angels love to do their work betimes,
Staunch some wounds here nor leave so much for God.
Who knows? However it be, confessed, absolved,
She lies, with overplus of life beside
To speak and right herself from first to last,
Right the friend also, lamb-pure, lion-brave,
Care for the boy's concerns, to save the son
From the sire, her two-weeks' infant orphaned thus,
And—with best smile of all reserved for him—
Pardon that sire and husband from the heart.
A miracle, so tell your Molinists!

There she lies in the long white lazar-house.
Rome has besieged, these two days, never doubt,
Saint Anna's where she waits her death, to hear
Though but the chink o' the bell, turn o' the hinge
When the reluctant wicket opes at last,
Lets in, on now this and now that pretence,
Too many by half,—complain the men of art,—
For a patient in such plight. The lawyers first
Paid the due visit—justice must be done;
They took her witness, why the murder was.
Then the priests followed properly,—a soul
To shrive; 't was Brother Celestine's own right,
The same who noises thus her gifts abroad.
But many more, who found they were old friends,
Pushed in to have their stare and take their talk

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The Four Seasons : Autumn

Crown'd with the sickle and the wheaten sheaf,
While Autumn, nodding o'er the yellow plain,
Comes jovial on; the Doric reed once more,
Well pleased, I tune. Whate'er the wintry frost
Nitrous prepared; the various blossom'd Spring
Put in white promise forth; and Summer-suns
Concocted strong, rush boundless now to view,
Full, perfect all, and swell my glorious theme.
Onslow! the Muse, ambitious of thy name,
To grace, inspire, and dignify her song,
Would from the public voice thy gentle ear
A while engage. Thy noble cares she knows,
The patriot virtues that distend thy thought,
Spread on thy front, and in thy bosom glow;
While listening senates hang upon thy tongue,
Devolving through the maze of eloquence
A roll of periods, sweeter than her song.
But she too pants for public virtue, she,
Though weak of power, yet strong in ardent will,
Whene'er her country rushes on her heart,
Assumes a bolder note, and fondly tries
To mix the patriot's with the poet's flame.
When the bright Virgin gives the beauteous days,
And Libra weighs in equal scales the year;
From Heaven's high cope the fierce effulgence shook
Of parting Summer, a serener blue,
With golden light enliven'd, wide invests
The happy world. Attemper'd suns arise,
Sweet-beam'd, and shedding oft through lucid clouds
A pleasing calm; while broad, and brown, below
Extensive harvests hang the heavy head.
Rich, silent, deep, they stand; for not a gale
Rolls its light billows o'er the bending plain:
A calm of plenty! till the ruffled air
Falls from its poise, and gives the breeze to blow.
Rent is the fleecy mantle of the sky;
The clouds fly different; and the sudden sun
By fits effulgent gilds the illumined field,
And black by fits the shadows sweep along.
A gaily chequer'd heart-expanding view,
Far as the circling eye can shoot around,
Unbounded tossing in a flood of corn.
These are thy blessings, Industry! rough power!
Whom labour still attends, and sweat, and pain;
Yet the kind source of every gentle art,
And all the soft civility of life:
Raiser of human kind! by Nature cast,
Naked, and helpless, out amid the woods
And wilds, to rude inclement elements;
With various seeds of art deep in the mind

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The Wasted Landing - thoughts from an airport strike

In the hour of our departure O Lord
In our beginning is our end
To depart is to arrive yet not to arrive
at the same hour and place
in some other time zone
and in our departing is our arrival
and to arrive is to depart from where we have not been
and to depart is to arrive at where we will not go

into the departure hall from where we did not depart
into the arrival hall where we did not arrive
and the end of all our departures is our arrival
that we may arrive at where we did not go
and depart from where we have not been.

now and in the hour of our departure O Lord

I Tiresias have foresuffered all
on this self-same divan, or tired banquette
in the departure hall from where we have not gone,
in the arrival hall where we have not arrived,
and all our arrivings are departures
and all our departures are arrivings
departing from where we have not been,
arriving at where we will not go

the sun shines bleakly through the window panes.
into the planes the trim staff come and go,
laundered into skies we cannot breathe.
'All flights are cancelled';
'Sorry Sir, this ticket is not valid for this flight'.

I Icarus have suffered thus
in Greece, in Rhodes, on all connecting flights,
in Delphi where I was not warned,
in Cumae where I could not go.
Passport Control. Do Not Pass This Point.

Too hot the sun of Greece that day,
the sun I shall not see.
'Arrival Delayed'. 'Departure Delayed'

A cold coming we had of it:
the baggage heavy, and the escalator steep,
the information scanty and the children fractious,
and the people. Oh the people.

Cans. Packets. Yesterday's papers from yesterday's travellers.
Sandwiches we have not eaten.
Tread softly for you tread on my icecream.

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The Last Assembly

As I walked to the last assembly,
There were tears in the back of my eyes,
And I saw all my friends all around me,
They were there to wish me goodbye.
As I stood in a line with my comrades,
I felt such a feeling of pride,
And I forgot all the grief and the hatred inside,
As we sang for the very last time.
Gather round, gather round,
Everybody gather round.
Come and join our last assembly,
Let us smile, wipe away all the frowns.
Gather round, gather round,
Everybody gather round.
As we stood at the last assembly,
All my friends came to wish me goodbye.
Gather round, gather round,
Gather round, gather round,
Everybody gather round.
As I stand at the last assembly,
I just cant keep the tears from my eyes.

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Sestina: Terminataur

Enveloped by the glow of bedside light,
a small child listens spellbound to a plot.
A parent tells a story quite absurd
of cyborgs, birds and dinosaurs, most mean.
A science fiction tale of keen-edged claw
and culminating fast with time machine.

‘A fearsome shrewd reptilian machine
was lurking ‘mid striated cycad light.
His iridescent scaly skin and claw
advising ‘gainst the trespass of his plot.
A grey bird hovered close; what could it mean?
and conversation flowed; now that's absurd'!

‘Tyrannosaurus said, 'You're quite absurd',
'a cyborg bird with so-called time machine',
'and plans which sound both devilish and mean',
'involving death by catastrophic light'.
'You wish to beg my pardon for the plot',
'and ask respectfully to shake my claw'? ! ? ! ? ! '

‘The cyborg bird said, 'Cousin, take my claw',
'I'm your descendent, though it sounds absurd'.
'Our fourth millennium A.D. course is plot',
'whereby we triumph over man machine'.
'I'm here to guide the bird-made meteor light',
'so we can wing ascent; see what I mean'? '

‘Just then a ratty mammal, snide and mean,
who hid within the cycad's curving claw,
quick swiped the heedless bird in dusky light
and thereby foiled cretaceous scheme absurd.
The meteor missed and dinosaur machine
retained its topmost spot, in spite of plot'.

The father closes zany fiction plot
and though his sharp-toothed grin looks wily mean,
he is a loving dinosaur machine.
The sleepy dino-child lets go his claw
and slips into a dreaming world absurd.
He kisses scaly snout and dims the light.

The moral here is both absurd and light.
I mean by this: Beware the bird machine
which may still plot to claim the upper claw.

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Byron

Lara

LARA. [1]

CANTO THE FIRST.

I.

The Serfs are glad through Lara's wide domain, [2]
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord —
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.

The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself; — that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest! —
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.

And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
"Yet doth he live!" exclaims the impatient heir,
And sighs for sables which he must not wear.

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Byron

Lara. A Tale

The Serfs are glad through Lara's wide domain,
And slavery half forgets her feudal chain;
He, their unhoped, but unforgotten lord--
The long self-exiled chieftain is restored:
There be bright faces in the busy hall,
Bowls on the board, and banners on the wall;
Far chequering o'er the pictured window, plays
The unwonted fagots' hospitable blaze;
And gay retainers gather round the hearth,
With tongues all loudness, and with eyes all mirth.

II.
The chief of Lara is return'd again:
And why had Lara cross'd the bounding main?
Left by his sire, too young such loss to know,
Lord of himself;--that heritage of woe,
That fearful empire which the human breast
But holds to rob the heart within of rest!--
With none to check, and few to point in time
The thousand paths that slope the way to crime;
Then, when he most required commandment, then
Had Lara's daring boyhood govern'd men.
It skills not, boots not, step by step to trace
His youth through all the mazes of its race;
Short was the course his restlessness had run,
But long enough to leave him half undone.

III.
And Lara left in youth his fatherland;
But from the hour he waved his parting hand
Each trace wax'd fainter of his course, till all
Had nearly ceased his memory to recall.
His sire was dust, his vassals could declare,
'Twas all they knew, that Lara was not there;
Nor sent, nor came he, till conjecture grew
Cold in the many, anxious in the few.
His hall scarce echoes with his wonted name,
His portrait darkens in its fading frame,
Another chief consoled his destined bride,
The young forgot him, and the old had died;
'Yet doth he live!' exclaims the impatient heir,
And sighs for sables which he must not wear.
A hundred scutcheons deck with gloomy grace
The Laras' last and longest dwelling-place;
But one is absent from the mouldering file,
That now were welcome to that Gothic pile.

IV.
He comes at last in sudden loneliness,
And whence they know not, why they need not guess;

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