I Wished I Was il Tuo Zitoni
Mephistophelian spaghetti
are stalking on my confetti;
demonic tortellini hobnailed
to take me away have failed.
Stupido I was to trust ravioli,
I chomped all thy Mostaccioli;
Passegiare con i pennoni,
Dare not touch my rigatoni.
Sono inanorato con le rotelle,
tu sai, mi piaciono le tagliatelle,
stop stalking le mie bavettine,
Sto sognando linguettine.
Do not touch my garganelli,
I was not ready for passatelli;
ungraceful sinister Mafaldine,
giocano con le mie Tripoline.
Oh, I wished I was il tuo Zitoni
or even an infernal Vermicelloni;
powerful are my stringozzi,
I listen only to Umberto Tozzi.
Stop play con i miei cellentani,
te l' ho detto amore: giu le mani;
non voglio perdere i cavatelli,
posso toccare i tuoi capelli?
If you cook wicked manicotti,
please stay clear of my agnolotti;
nemmeno voglio i tuoi corzetti,
a pandemonium of spaghetti!
poem by Giorgio Veneto
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Related quotes
Ælla, A Tragical Interlude - Act I
SCENE I.
CELMONDE, att BRYSTOWE.
Before yonne roddie sonne has droove hys wayne
Throwe halfe hys joornie, dyghte yn gites of goulde,
Mee, happeless mee, hee wylle a wretche behoulde,
Mieselfe, and al that's myne, bounde ynn myschaunces chayne.
Ah! Birtha, whie dydde Nature frame thee fayre?
Whie art thou all thatt poyntelle canne bewreene ?
Whie art thou nott as coarse as odhers are?--
Butte thenn thie soughle woulde throwe thy vysage sheene,
Yatt shemres onn thie comelie semlykeene,
Lyche nottebrowne cloudes, whann bie the sonne made redde,
Orr scarlette, wythe waylde lynnen clothe ywreene ,
Syke would thie spryte uponn thie vysage spredde.
Thys daie brave Ælla dothe thyne honde and harte
Clayme as hys owne to be, whyche nee from hys moste parte.
And cann I lyve to see herr wythe anere?
Ytt cannotte, muste nott, naie, ytt shalle not bee.
Thys nyghte I'll putte stronge poysonn ynn the beere,
And hymm, herr, and myselfe, attenes wyll slea.
Assyst mee, Helle! lett Devylles rounde mee tende,
To slea mieself, mie love, & eke mie doughtie friende.
SCENE II.
ÆLLA, BIRTHA.
ÆLLA.
Notte, whanne the hallie prieste dyd make me knyghte,
Blessynge the weaponne, tellynge future dede,
Howe bie mie honde the prevyd Dane should blede,
Howe I schulde often bee, and often wynne, ynn fyghte;
Notte, whann I fyrste behelde thie beauteous hue,
Whyche strooke mie mynde, and rouzed mie softer soule;
Nott, whann from the barbed horse yn fyghte dyd viewe
The flying Dacians oere the wyde playne roule,
Whan all the troopes of Denmarque made grete dole,
Dydd I fele joie wyth syke reddoure as nowe,
Whan hallie preest, the lechemanne of the soule,
Dydd knytte us both ynn a caytysnede vowe:
Now hallie Ælla's selynesse ys grate;
Shap haveth nowe ymade hys woes for to emmate .
BIRTHA.
Mie lorde, and husbande, syke a joie ys myne;
Botte mayden modestie moste ne soe saie,
Albeytte thou mayest rede ytt ynn myne eyne,
Or ynn myne harte, where thou shalte be for aie;
Inne sothe, I have butte meeded oute thie faie;
For twelve tymes twelve the mone hathe bin yblente,
As manie tymes hathe vyed the Godde of daie,
And on the grasse her lemes of sylverr sente,
Sythe thou dydst cheese mee for thie swote to bee,
[...] Read more
poem by Thomas Chatterton
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Ælla, A Tragical Interlude - Act III
SCENE I.
BRISTOWE.
BIRTHA.
Gentle Egwina, do notte preche me joie;
I cannotte joie ynne anie thynge botte weere .
Oh! yatte aughte schulde oure selynesse destroie,
Floddynge the face wythe woe, and brynie teare!
EGWINA.
You muste, you muste endeavour for to cheere
Youre harte unto somme cherisaunied reste.
Youre loverde from the battelle wylle appere,
Ynne honnoure, and a greater love, be dreste:
Botte I wylle call the mynstrelles roundelaie;
Perchaunce the swotie sounde maie chase your wiere awaie.
MYNSTRELLES SONGE.
O! synge untoe mie roundelaie,
O! droppe the blynie teare wythe mee,
Daunce ne moe atte hallie daie,
Lycke a reyneynge ryver bee;
Mie love ys dedde,
Gon to hys death-bedde,
Al under the wyllowe tree.
Blacke hys cryne as the wynter nyghte,
Whyte hys rode as the sommer snowe,
Rodde hys face as the morning lyghte,
Cale he lyes ynne the grave belowe;
Mie love ys dedde,
Gon to hys death-bedde,
Al under the wyllowe tree.
Swote hys tynge as the throstles note,
Quycke ynn daunce as thoughte canne bee,
Defte hys taboure, codgelle stote,
O! hee lyes bie the wyllowe tree:
Mie love ys dedde,
Gonne to hys deathe-bedde,
Alle underre the wyllowe tree.
Harke! the ravenne flappes hys wynge,
In the briered delle belowe;
Harke! the dethe-owle loude dothe synge,
To the nyghte-mares as heie goe;
Mie love ys dedde,
Gonne to hys deathe-bedde,
Al under the wyllowe tree.
See! the whyte moone sheenes onne hie;
Whyterre ys mie true loves shroude;
Whyterre yanne the mornynge skie,
Whyterre yanne the evenynge cloude;
Mie love ys dedde,
Gon to hys deathe-bedde,
[...] Read more
poem by Thomas Chatterton
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The Believer's Jointure : Chapter II.
Containing the Marks and Characters of the Believer in Christ; together with some further privileges and grounds of comfort to the Saints.
Sect. I.
Doubting Believers called to examine, by marks drawn from their love to Him and his presence, their view of his glory, and their being emptied of Self-Righteousness, &c.
Good news! but, says the drooping bride,
Ah! what's all this to me?
Thou doubt'st thy right, when shadows hide
Thy Husband's face from thee.
Though sin and guilt thy spirit faints,
And trembling fears thy fate;
But harbour not thy groundless plaints,
Thy Husband's advent wait.
Thou sobb'st, 'O were I sure he's mine,
This would give glad'ning ease;'
And say'st, Though wants and woes combine,
Thy Husband would thee please.
But up and down, and seldom clear,
Inclos'd with hellish routs;
Yet yield thou not, nor foster fear:
Thy Husband hates thy doubts.
Thy cries and tears may slighted seem,
And barr'd from present ease;
Yet blame thyself, but never dream
Thy Husband's ill to please.
Thy jealous unbelieving heart
Still droops, and knows not why;
Then prove thyself to ease thy smart,
Thy Husband bids the try.
The following questions put to the
As scripture-marks, may tell
And shew, what'er thy failings be,
Thy Husband loves thee well.
MARKS.
Art thou content when he's away?
Can earth allay thy pants?
If conscience witness, won't it say,
Thy Husband's all thou wants?
[...] Read more
poem by Ralph Erskine
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Ælla, A Tragical Interlude - Act II
SCENE I
MAGNUS, HURRA, and HIE PREESTE, wyth the ARMIE, neare Watchette.
MAGNUS.
Swythe lette the offrendes to the Goddes begynne,
To knowe of hem the issue of the fyghte.
Potte the blodde-steyned sword and pavyes ynne;
Spreade swythyn all arounde the hallie lyghte.
HIE PREESTE syngeth.
Yee, who hie yn mokie ayre
Delethe seasonnes foule or fayre,
Yee, who, whanne yee weere agguylte,
The mone yn bloddie gytelles hylte,
Mooved the starres, and dyd unbynde
Everyche barriere to the wynde;
Whanne the oundynge waves dystreste,
Storven to be overest,
Sockeynge yn the spyre-gyrte towne,
Swolterynge wole natyons down;
Sendynge dethe, on plagues astrodde,
Moovynge lyke the erthys Godde;
To mee send your heste dyvyne,
Lyghte eletten all myne eyne,
Thatt I maie now undevyse
All the actyonnes of th'emprize.
Thus sayethe the Goddes; goe, yssue to the playne;
Forr there shall meynte of mytte menn be slayne.
MAGNUS.
Whie, soe there evere was, whanne Magnus foughte.
Efte have I treynted noyance throughe the hoaste,
Athorowe swerdes, alyche the Queed dystraughte,
Have Magnus pressynge wroghte hys foemen loaste.
As whanne a tempeste vexethe soare the coaste,
The dyngeynge ounde the sandeie stronde doe tare,
So dyd I inne the warre the javlynne toste,
Full meynte a champyonnes breaste received mie spear.
Mie sheelde, lyche sommere morie gronfer droke,
Mie lethalle speere, alych a levyn-mylted oke.
Thus sayethe the Goddes; goe, yssue to the playne;
Forr there shall meynte of mytte menn be slayne.
MAGNUS.
Whie, soe there evere was, whanne Magnus foughte.
Efte have I treynted noyance throughe the hoaste,
Athorowe swerdes, alyche the Queed dystraughte,
Have Magnus pressynge wroghte hys foemen loaste.
As whanne a tempeste vexethe soare the coaste,
The dyngeynge ounde the sandeie stronde doe tare,
So dyd I inne the warre the javlynne toste,
Full meynte a champyonnes breaste received mie spear.
Mie sheelde, lyche sommere morie gronfer droke,
[...] Read more
poem by Thomas Chatterton
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Ælla, A Tragical Interlude - Act IV
SCENE I.
AT BRYSTOWE.
ÆLLA AND SERVITOURES.
AELLA.
TYS nowe fulle morne; I thoughten, bie laste nyghte
To have been heere; mie stede han notte mie love;
Thys ys mie pallace; lette mie hyndes alyghte,
Whylste I goe oppe, & wake mie slepeynge dove.
Staie here, mie hyndlettes; I shal goe above.
Nowe, Birtha, wyll thie loke enhele mie spryte,
Thie smyles unto mie woundes a baulme wylle prove;
Mie ledanne boddie wylle bee sette aryghte.
Egwina, haste, & ope the portalle door;
Yatte I on Birtha's breste maie thynke of ware nemore.
EGWINA.
Oh Ælla!
ÆLLA.
Ah! that semmlykeene to mee
Speeketh a legendary tale of woe.
EGWINA.
Birtha is --
ÆLLA.
Whatt? where? how? saie, whatte of shee?
EGWINA
Gone --
ÆLLA.
Gone! ye goddes!
EGWINA.
Alas! ytte ys toe true.
Yee seynctes, hee dies awaie wythe myckle woe!
Ælla! what? Ælla! oh! hee lyves agen.
ÆLLA.
Cal mee notte Ælla; I am hymme ne moe.
Where ys shee gon awaie? ah! speake! how? when?
EGWINA.
I will.
ÆLLA.
Caparyson a score of stedes; flie, flie.
Where ys shee? swythynne speeke, or instante thou shalte die.
EGWINA.
Stylle thie loud rage, & here thou whatte I knowe.
ÆLLA.
Oh! speek.
EGWINA.
Lyche prymrose, droopynge wythe the heavie rayne,
Laste nyghte I lefte her, droopynge wythe her wiere,
Her love the gare, thatte gave her harte syke peyne --
ÆLLA.
Her love! to whomme?
[...] Read more
poem by Thomas Chatterton
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The Believer's Jointure : Chapter I.
Containing the Privileges of the Believer that is espoused to Christ by faith of divine operation.
Sect. I.
The Believer's perfect beauty, free acceptance, and full security, through the imputation of Christ's perfect righteousness, though imparted grace be imperfect.
O Happy soul, Jehovah's bride,
The Lamb's beloved spouse;
Strong consolation's flowing tide,
Thy Husband thee allows.
In thee, though like thy father's race,
By nature black as hell;
Yet now so beautify'd by grace,
Thy Husband loves to dwell.
Fair as the moon thy robes appear,
While graces are in dress:
Clear as the sun, while found to wear
Thy Husband's righteousness.
Thy moon-like graces, changing much,
Have here and there a spot;
Thy sun-like glory is not such,
Thy Husband changes not.
Thy white and ruddy vesture fair
Outvies the rosy leaf;
For 'mong ten thousand beauties rare
Thy Husband is the chief.
Cloth'd with the sun, thy robes of light
The morning rays outshine:
The lamps of heav'n are not so bright,
Thy Husband decks thee fine.
Though hellish smoke thy duties stain,
And sin deforms thee quite;
Thy Surety's merit makes thee clean,
Thy Husband's beauty white.
Thy pray'rs and tears, nor pure, nor good,
But vile and loathsome seem;
Yet, gain by dipping in his blood,
Thy Husband's high esteem.
No fear thou starve, though wants be great,
In him thou art complete;
[...] Read more
poem by Ralph Erskine
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Satan Absolved
(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.
[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.
Satan. Ye have in truth good cause.
Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.
[...] Read more
poem by Wilfrid Scawen Blunt
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Goddwyn; A Tragedie
PERSONS REPRESENTED.
HAROLDE, bie T. Rowleie, the Aucthoure.
GODDWYN, bie Johan de Iscamme.
ELWARDE, bie Syrr Thybbot Gorges.
ALSTAN, bie Syrr Alan de Vere.
KYNGE EDWARD; bie Mastre Wilyam Canynge.
Odhers bie Knyghtes Mynnstrells.
PROLOGUE
WHYLOMME bie pensmenne moke ungentle name
Have upon Goddwynne Erle of Kente bin layde,
Dherebie benymmynge hymme of faie and fame;
Unliart divinistres haveth saide,
Thatte he was knowen toe noe hallie wurche ;
Botte thys was all hys faulte, he gyfted ne the churche.
The aucthoure of the piece whiche we enacte,
Albeytte a clergyon trouthe wyll wrytte.
Inne drawynge of hys menne no wytte ys lackte;
Entyn a kynge mote bee full pleased to nyghte.
Attende, and marcke the partes nowe to be done;
Wee better for toe doe do champyon anie onne.
GODDWYN; A TRAGEDIE.
ACT I.
GODDWYN AND HAROLDE.
GODDWYN.
HAROLDE!
HAROLDE.
M ie loverde!
GODDWYN.
O! I weepe to thyncke,
What foemen riseth to isrete the londe.
Theie batten onne her fleshe, her hartes bloude dryncke,
And all ys graunted from the roieal honde.
HAROLDE.
Lette notte this agreme blyn ne aledge stonde;
Bee I toe wepe, I wepe in teres of gore.
Am I betrassed , syke shulde mie burlie bronde
Depeyncte the wronges on hym from whom I bore.
GODDWYN.
I ken thie spryte ful welle; gentle thou art,
Stringe , ugsomme rou as smethynge armyes seeme;
Yett efte , I feare, thie chefes toe grete a parte,
And that thie rede bee efte borne downe bie breme .
What tydynges from the kynge?
HAROLDE.
His Normans know.
I make noe compheeres of the shemrynge trayne.
GODDWYN.
Ah Harolde! tis a syghte of myckle woe,
[...] Read more
poem by Thomas Chatterton
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Eclogues
Eclogue the First.
Whanne Englonde, smeethynge from her lethal wounde,
From her galled necke dyd twytte the chayne awaie,
Kennynge her legeful sonnes falle all arounde,
(Myghtie theie fell, 'twas Honoure ledde the fraie,)
Thanne inne a dale, bie eve's dark surcote graie,
Twayne lonelie shepsterres dyd abrodden flie,
(The rostlyng liff doth theyr whytte hartes affraie,)
And whythe the owlette trembled and dyd crie;
Firste Roberte Neatherde hys sore boesom stroke,
Then fellen on the grounde and thus yspoke.
Roberte.
Ah, Raufe! gif thos the howres do comme alonge,
Gif thos wee flie in chase of farther woe,
Oure fote wylle fayle, albeytte wee bee stronge,
Ne wylle oure pace swefte as oure danger goe.
To oure grete wronges we have enheped moe,
The Baronnes warre! oh! woe and well-a-daie!
I haveth lyff, bott have escaped soe
That lyff ytsel mie senses doe affraie.
Oh Raufe, comme lyste, and hear mie dernie tale,
Comme heare the balefull dome of Robynne of the dale.
Raufe.
Saie to mee nete; I kenne thie woe in myne;
O! I've a tale that Sabalus mote telle.
Swote flouretts, mantled meedows, forestes dynge;
Gravots far-kend around the Errmiets cell;
The swote ribible dynning yn the dell;
The joyous dauncynge ynn the hoastrie courte;
Eke the highe songe and everych joie farewell,
Farewell the verie shade of fayre dysporte;
Impestering trobble onn mie dernie tale,
Ne one kynde Seyncte to warde the aye encreasynge dome.
Roberte.
Oh! I could waile mie kynge-coppe-decked mees,
Mie spreedynge flockes of shepe of lillie white,
Mie tendre applynges; and embodyde trees,
Mie Parker's Grange, far spreedynge to the syghte,
Mie cuyen kyne, mie bullockes stringe yn fyghte,
Mie gorne emblaunched with the comfreie plante,
Mie floure Seyncte Marie shottyng wythe the lyghte,
Mie store of all the blessynges Heaven can grant.
I amm duressed unto sorrowes blowe,
I hantend to the peyne, will lette ne salte teare flowe.
Raufe.
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poem by Thomas Chatterton
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Stupido Stupido
(bacharach / david / cassia)
Italian language song set to the music of wishin and hopin
Stupido, stupido perch? fai cos? tutte le volte che io dico no
Non voglio venire a bailar
Mi piace un altro che non fa
Come lo stupido, stupido, stupido cos? come te
Stupid, stupid why do you behave like that
Every time I say no?
I dont want to come and dance
I like another boy who doesnt act
Stupid, stupid, stupid like you
Bello no non ? ma lamor
Sai perch? mi sa capir
E sa parlar damore
Come tu non sei, no non saprai mai
Perch? tu non sei che stupido, stupido sempre di pi? quello che dici non voglio ascoltar
Lui solo pu? farmi sognar
Tra le sue braccia sento che
Lui non ? stupido stupido, stupido perch?
Perch? mi fa tremar, tremar damor
Hes not goodlooking but I love him
Do you know why? he understands me
And he knows how to talk about love
But you dont, no, youll never know
Because youre just stupid, more and more stupid
I dont want to listen to what you say
Only he can make me dream
In his arms I feel that
Hes not stupid, stupid, stupid because
Because he makes me tremble, tremble with love
Bello no non ? ma lamor
Sai perch? mi sa capir
E sa parlar damore
Come tu non sei, no non saprai mai
Perch? tu non sei che stupido, stupido sempre di pi? quello che dici non voglio ascoltar
Lui solo pu? farmi sognar
Tra le sue braccia sento che
Lui non ? stupido, stupido, stupido perch?
Perch? mi fa tremar, tremar damor
Tremar damor
Tremar damor
Hes not goodlooking but I love him
Do you know why? he understands me
And he knows how to talk about love
But you dont, no, youll never know
Because youre just stupid, more and more stupid
I dont want to listen to what you say
Only he can make me dream
In his arms I feel that
Hes not stupid, stupid, stupid because
[...] Read more
song performed by Dusty Springfield
Added by Lucian Velea
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Con Voi
Mia cara, voglio farvi sapere
Qualcosa che è molto importante per me,
E qualcosa che può essere
Molto importante per lei,
Se apprezzi il mio amore solo
Come valore di tuo.
Mia cara, sono stato con voi per
Come posso ricordare.
Mi ricordo quando eravamo bambini,
E i nostri genitori erano vicini,
E siamo stati vicini, come pure,
Naturalmente
E i nostri genitori sarebbero pianificare 'gioco-date'
Come chiamati li allora e ancora adesso,
E c'era molto di più ad esso.
Si, tua sorella e tuo fratello sarebbe venuto sopra,
E potrebbe appendere fuori con mio fratello, mia sorella e me.
Ricordo che pensavo che le ragazze erano lorde,
E voi, vorrei evitare
E hai pensato che avevo una malattia,
Così sarebbe evitare me, troppo.
Ma, dopo un paio di settimane,
Siamo diventati amici,
[...] Read more
poem by James Roberts
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David
My thought, on views of admiration hung,
Intently ravish'd and depriv'd of tongue,
Now darts a while on earth, a while in air,
Here mov'd with praise and mov'd with glory there;
The joys entrancing and the mute surprize
Half fix the blood, and dim the moist'ning eyes;
Pleasure and praise on one another break,
And Exclamation longs at heart to speak;
When thus my Genius, on the work design'd
Awaiting closely, guides the wand'ring mind.
If while thy thanks wou'd in thy lays be wrought,
A bright astonishment involve the thought,
If yet thy temper wou'd attempt to sing,
Another's quill shall imp thy feebler wing;
Behold the name of royal David near,
Behold his musick and his measures here,
Whose harp Devotion in a rapture strung,
And left no state of pious souls unsung.
Him to the wond'ring world but newly shewn,
Celestial poetry pronounc'd her own;
A thousand hopes, on clouds adorn'd with rays,
Bent down their little beauteous forms to gaze;
Fair-blooming Innocence with tender years,
And native Sweetness for the ravish'd ears,
Prepar'd to smile within his early song,
And brought their rivers, groves, and plains along;
Majestick Honour at the palace bred,
Enrob'd in white, embroider'd o'er with red,
Reach'd forth the scepter of her royal state,
His forehead touch'd, and bid his lays be great;
Undaunted Courage deck'd with manly charms,
With waving-azure plumes, and gilded arms,
Displaid the glories, and the toils of fight,
Demanded fame, and call'd him forth to write.
To perfect these the sacred spirit came,
By mild infusion of celestial flame,
And mov'd with dove-like candour in his breast,
And breath'd his graces over all the rest.
Ah! where the daring flights of men aspire
To match his numbers with an equal fire;
In vain they strive to make proud Babel rise,
And with an earth-born labour touch the skies.
While I the glitt'ring page resolve to view,
That will the subject of my lines renew;
The Laurel wreath, my fames imagin'd shade,
Around my beating temples fears to fade;
My fainting fancy trembles on the brink,
And David's God must help or else I sink.
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poem by Thomas Parnell
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Solomon
As thro' the Psalms from theme to theme I chang'd,
Methinks like Eve in Paradice I rang'd;
And ev'ry grace of song I seem'd to see,
As the gay pride of ev'ry season, she.
She gently treading all the walks around,
Admir'd the springing beauties of the ground,
The lilly glist'ring with the morning dew,
The rose in red, the violet in blew,
The pink in pale, the bells in purple rows,
And tulips colour'd in a thousand shows:
Then here and there perhaps she pull'd a flow'r
To strew with moss, and paint her leafy bow'r;
And here and there, like her I went along,
Chose a bright strain, and bid it deck my song.
But now the sacred Singer leaves mine eye,
Crown'd as he was, I think he mounts on high;
Ere this Devotion bore his heav'nly psalms,
And now himself bears up his harp and palms.
Go, saint triumphant, leave the changing sight,
So fitted out, you suit the realms of light;
But let thy glorious robe at parting go,
Those realms have robes of more effulgent show;
It flies, it falls, the flutt'ring silk I see,
Thy son has caught it and he sings like thee,
With such election of a theme divine,
And such sweet grace, as conquers all but thine.
Hence, ev'ry writer o'er the fabled streams,
Where frolick fancies sport with idle dreams,
Or round the sight enchanted clouds dispose,
Whence wanton cupids shoot with gilded bows;
A nobler writer, strains more brightly wrought,
Themes more exulted, fill my wond'ring thought:
The parted skies are track'd with flames above,
As love descends to meet ascending love;
The seasons flourish where the spouses meet,
And earth in gardens spreads beneath their feet.
This fresh-bloom prospect in the bosom throngs,
When Solomon begins his song of songs,
Bids the rap'd soul to Lebanon repair,
And lays the scenes of all his action there,
Where as he wrote, and from the bow'r survey'd
The scenting groves, or answ'ring knots he made,
His sacred art the sights of nature brings,
Beyond their use, to figure heav'nly things.
Great son of God! whose gospel pleas'd to throw
Round thy rich glory, veils of earthly show,
Who made the vineyard oft thy church design,
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poem by Thomas Parnell
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Canto the Fourth
I.
I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!
II.
She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.
III.
In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!
IV.
But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.
V.
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poem by Byron from Childe Harold's Pilgrimage (1818)
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War And Peace—A Poem
THOU, bright Futurity! whose prospect beams,
In dawning radiance on our day-light dreams;
Whose lambent meteors and ethereal forms
Gild the dark clouds, and glitter thro' the storms;
On thy broad canvas fancy loves to trace,
Her brilliant Iris, drest in vivid grace;
Paints fair creations in celestial dyes,
Tints of the morn and blushes of the skies;
And bids her scenes perfection's robe assume,
The mingling flush of light, and life, and bloom.
Thou bright Futurity! whose morning-star
Still beams unveil'd, unclouded, from afar;
Whose lovely vista smiling Hope surveys,
Thro' the dim twilight of the silvery haze;
Oh! let the muse expand her wing on high,
Thy shadowy realms, thy worlds unknown descry;
Let her clear eye-beam, flashing lucid light,
Chase from thy forms th' involving shades of night;
Pierce the dark clouds that veil thy noontide rays,
And soar, exulting, in meridian blaze!
In bliss, in grief, thy radiant scenes bestow,
The zest of rapture, or the balm of woe!
For, as the sun-flower to her idol turns,
Glows in his noon, and kindles as he burns;
Expands her bosom to th' exalting fire,
Lives but to gaze, and gazes to admire;
E'en so to thee, the mind incessant flies,
From thy pure source the fount of joy supplies;
And steals from thee the sunny light that throws
A brighter blush on pleasure's living rose!
To thee pale sorrow turns her eye of tears,
Lifts the dim curtain of unmeasur'd years;
And hails thy promis'd land, th' Elysian shore,
Where weeping virtue shall bewail no more!
Now, while the sounds of martial wrath assail,
While the red banner floats upon the gale;
While dark destruction, with his legion-bands,
Waves the bright sabre o'er devoted lands;
While war's dread comet flashes thro' the air,
And fainting nations tremble at the glare;
To thee, Futurity! from scenes like these,
Pale fancy turns, for heav'n-imparted ease;
Turns to behold, in thy unclouded skies,
The orb of peace in bright perspective rise;
And pour around, with joy-diffusing ray,
Life, light, and glory, in a flood of day!
Thou, whose lov'd presence and benignant smile
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poem by Felicia Dorothea Hemans
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An Epistle To William Hogarth
Amongst the sons of men how few are known
Who dare be just to merit not their own!
Superior virtue and superior sense,
To knaves and fools, will always give offence;
Nay, men of real worth can scarcely bear,
So nice is jealousy, a rival there.
Be wicked as thou wilt; do all that's base;
Proclaim thyself the monster of thy race:
Let vice and folly thy black soul divide;
Be proud with meanness, and be mean with pride.
Deaf to the voice of Faith and Honour, fall
From side to side, yet be of none at all:
Spurn all those charities, those sacred ties,
Which Nature, in her bounty, good as wise,
To work our safety, and ensure her plan,
Contrived to bind and rivet man to man:
Lift against Virtue, Power's oppressive rod;
Betray thy country, and deny thy God;
And, in one general comprehensive line,
To group, which volumes scarcely could define,
Whate'er of sin and dulness can be said,
Join to a Fox's heart a Dashwood's head;
Yet may'st thou pass unnoticed in the throng,
And, free from envy, safely sneak along:
The rigid saint, by whom no mercy's shown
To saints whose lives are better than his own,
Shall spare thy crimes; and Wit, who never once
Forgave a brother, shall forgive a dunce.
But should thy soul, form'd in some luckless hour,
Vile interest scorn, nor madly grasp at power;
Should love of fame, in every noble mind
A brave disease, with love of virtue join'd,
Spur thee to deeds of pith, where courage, tried
In Reason's court, is amply justified:
Or, fond of knowledge, and averse to strife,
Shouldst thou prefer the calmer walk of life;
Shouldst thou, by pale and sickly study led,
Pursue coy Science to the fountain-head;
Virtue thy guide, and public good thy end,
Should every thought to our improvement tend,
To curb the passions, to enlarge the mind,
Purge the sick Weal, and humanise mankind;
Rage in her eye, and malice in her breast,
Redoubled Horror grining on her crest,
Fiercer each snake, and sharper every dart,
Quick from her cell shall maddening Envy start.
Then shalt thou find, but find, alas! too late,
How vain is worth! how short is glory's date!
Then shalt thou find, whilst friends with foes conspire,
To give more proof than virtue would desire,
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poem by Charles Churchill
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The Wisdom Of Merlyn
These are the time--words of Merlyn, the voice of his age recorded,
All his wisdom of life, the fruit of tears in his youth, of joy in his manhood hoarded,
All the wit of his years unsealed, to the witless alms awarded.
These are his time--gifts of song, his help to the heavy--laden,
Words of an expert of life, who has gathered its sins in his sack, its virtues to grieve and gladden,
Speaking aloud as one who is strong to the heart of man, wife and maiden.
For he is Merlyn of old, the once young, the still robed in glory,
Ancient of days though he be, with wisdom only for wealth and the crown of his locks grown hoary,
Yet with the rage of his soul untamed, the skill of his lips in story.
He dares not unhouselled die, who has seen, who has known, who has tasted
What of the splendours of Time, of the wise wild joys of the Earth, of the newness of pleasures quested,
All that is neither of then nor now, Truth's naked self clean--breasted,
Things of youth and of strength, the Earth with its infinite pity,
Glories of mountain and plain, of streams that wind from the hills to the insolent human city,
Dark with its traders of human woe enthroned in the seats of the mighty.
Fair things nobler than Man before the day of his ruling,
Free in their ancient peace, ere he came to change, to destroy, to hinder with his schooling,
Asking naught that was his to give save freedom from his fooling.
Beautiful, wonderful, wise, a consonant law--ruled heaven,
Garden ungardened yet, in need yet hardly of God to walk there noon or even,
Beast and bird and flower in its place, Earth's wonders more than seven.
Of these he would speak and confess, to the young who regard not their heirship,
Of beauty to boys who are blind, of might to the impotent strong, to the women who crowd Time's fair ship,
Of pearls deep hid in Love's Indian seas, the name of the God they worship.
Thus let it be with Merlyn before his daylight is ended,
One last psalm of his life, the light of it lipped with laughter, the might of it mixed and blended
Still with the subtle sweet need of tears than Pleasure's self more splendid,
Psalm and hymn of the Earth expounding what Time teaches,
Creed no longer of wrath, of silent issueless hopes, of a thing which beyond Man's reach is,
Hope deferred till the heart grows sick, while the preacher vainly preaches.
Nay but a logic of life, which needeth no deferring,
Life with its birthright love, the sun the wind and the rain in multiple pleasure stirring
Under the summer leaves at noon, with no sad doubt of erring,
No sad legend of sin, since his an innocent Eden
Is, and a garden of grace, its gateway clear of the sword, its alleys not angel--ridden,
Its tree of life at the lips of all and never a fruit forbidden.
Merlyn is no vain singer to vex men's ears in the street,
Nay, nor a maid's unbidden. He importuneth none with his song, be it never so wild and sweet.
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poem by Wilfrid Scawen Blunt
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Eclogue The First
WHANNE Englonde, smeethynge from her lethal wound;
From her galled necke dyd twytte the chayne awaie,
Kennynge her legeful sonnes falle all arounde,
(Myghtie theie fell, 'twas Honoure ledde the fraie,)
Thanne inne a dale, bie eve's dark surcote graie
Twayne lonelie shepsterres dyd abrodden flie,
(The rostlyng liff doth theyr whytte hartes affraie ,)
And wythe the owlette trembled and dyd crie;
Firtse Roberte Neatherde hys sore boesom stroke,
Then fellen on the grounde and thus yspoke.
ROBERTE.
Ah, Raufe! gif thos the howres do comme alonge,
Gif thos wee flie in chase of farther woe,
Oure fote wylle fayle, albeytte wee bee stronge,
Ne wylle oure pace swefte as oure danger goe.
To oure grete wronges we have enheped moe,
The Baronnes warre! oh! woe and well-a-daie!
I haveth lyff, bott have escaped soe,
That lyff ytsel mie Senses doe affraie.
Oh Raufe, comme lyste, and hear mie dernie tale,
Comme heare the balefull dome of Robynne of the Dale.
RAUFE.
Saie to mee nete; I kenne this woe in myne;
O! I've a tale that Sabalus mote telle.
Swote flouretts, mantled meedows, forestes dygne ;
Gravots far-kend arounde the Errmiets cell;
The swote ribible dynning yn the dell;
The joyous daunceynge ynn the hoastrie courte;
Eke the highe songe and everych joie farewell,
Farewell the verie shade of fayre dysporte :
Impestering trobble onn mie heade doe comme,
Ne on kynde Seyncte to warde the aye encreasynge dome.
ROBERTE.
Oh! I coulde waile mie kynge-coppe-decked mees
Mie spreedynge flockes of shepe of lillie white,
Mie tendre applynges , and embodyde trees,
Mie Parker's Grange far spreedynge to the syghte,
Mie cuyen kyne , mie bullockes stringe yn fighte,
Mie gorne emblaunched with the comfreie plante,
Mie floure Seyncte Marie shotteyng wythe the lyghte,
Mie store of all the blessynges Heaven can grant.
I amm duressed unto sorrowes blowe,
Ihanten'd to the peyne, will lette ne salte teare flowe.
RAUFE.
Here I wille obaie untylle Dethe doe 'pere,
Here lyche a foule empoysoned leathel tree,
Whyche sleaeth everichone that commeth nere,
Soe wille I fyxed unto thys place gre .
I to bement haveth moe cause than thee;
Sleene in the warre mie boolie fadre lies;
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poem by Thomas Chatterton
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Ælla, a Tragical Interlude (excerpt)
FYRSTE MYNSTRELLE...
The boddynge flourettes bloshes atte the lyghte;
The mees be sprenged wyth the yellowe hue;
Ynn daiseyd mantels ys the mountayne dyghte;
The nesh yonge coweslepe bendethe wyth the dewe;
The trees enlefed, yntoe Heavenne straughte,
Whenn gentle wyndes doe blowe to whestlyng dynne ys broughte.
The evenynge commes, and brynges the dewe alonge;
The roddie welkynne sheeneth to the eyne;
Arounde the alestake Mynstrells synge the songe;
Yonge ivie rounde the doore poste do entwyne;
I laie mee onn the grasse; yette, to mie wylle,
Albeytte alle ys fayre, there lackethe somethynge stylle.SECONDE MYNSTRELLE
So Adam thoughtenne, whann, ynn Paradyse,
All Heavenn and Erthe dyd hommage to hys mynde;
Ynn Womman alleyne mannes pleasaunce lyes;
As Instruments of joie were made the kynde.
Go, take a wyfe untoe thie armes, and see
Wynter and brownie hylles wyll have a charme for thee.THYRDE MYNSTRELLE
Whanne Autumpne blake and sonne-brente doe appere,
With hys goulde honde guylteynge the falleynge lefe,
Bryngeynge oppe Wynterr to folfylle the yere,
Beerynge uponne hys backe the riped shefe;
Whan al the hyls wythe woddie sede ys whyte;
Whanne levynne-fyres and lemes do mete from far the syghte;
Whann the fayre apple, rudde as even skie,
Do bende the tree unto the fructyle grounde;
When joicie peres, and berries of blacke die,
Doe daunce yn ayre, and call the eyne arounde;
Thann, bee the even foule or even fayre,
Meethynckes mie hartys joie ys steynced wyth somme care....MYNSTRELLES SONGE
O! synge untoe mie roundelaie,
O! droppe the brynie teare wythe mee,
Daunce ne moe atte hallie daie,
Lycke a reynynge ryver bee;
Mie love ys dedde,
Gon to hys death-bedde,
Al under the wyllowe tree.
Black hys cryne as the wyntere nyghte,
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poem by Thomas Chatterton
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The Remedy of Love
When Cupid read this title, straight he said,
'Wars, I perceive, against me will be made.'
But spare, oh Love! to tax thy poet so,
Who oft bath borne thy ensign 'gainst thy foe;
I am not he by whom thy mother bled,
When she to heaven on Mars his horses fled.
I oft, like other youths, thy flame did prove,
And if thou ask, what I do still? I love.
Nay, I have taught by art to keep Love's course,
And made that reason which before was force.
I seek not to betray thee, pretty boy,
Nor what I once have written to destroy.
If any love, and find his mistress kind,
Let him go on, and sail with his own wind;
But he that by his love is discontented,
To save his life my verses were invented.
Why should a lover kill himself? or why
Should any, with his own grief wounded, die?
Thou art a boy, to play becomes thee still,
Thy reign is soft; play then, and do not kill;
Or if thou'lt needs be vexing, then do this,
Make lovers meet by stealth, and steal a kiss
Make them to fear lest any overwatch them,
And tremble when they think some come to catch them;
And with those tears that lovers shed all night,
Be thou content, but do not kill outright.—
Love heard, and up his silver wings did heave,
And said, 'Write on; I freely give thee leave.'
Come then, all ye despised, that love endure,
I, that have felt the wounds, your love will cure;
But come at first, for if you make delay,
Your sickness will grow mortal by your stay:
The tree, which by delay is grown so big,
In the beginning was a tender twig;
That which at first was but a span in length,
Will, by delay, be rooted past men's strength.
Resist beginnings, medicines bring no curing
Where sickness is grown strong by long enduring.
When first thou seest a lass that likes thine eye,
Bend all thy present powers to descry
Whether her eye or carriage first would shew
If she be fit for love's delights or no:
Some will be easy, such an one elect;
But she that bears too grave and stern aspect,
Take heed of her, and make her not thy jewel,
Either she cannot love, or will be cruel.
If love assail thee there, betime take heed,
Those wounds are dangerous that inward bleed;
He that to-day cannot shake off love's sorrow,
Will certainly be more unapt to-morrow.
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poem by Francis Beaumont
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