The last Night that She lived
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The last Night that She lived
It was a Common Night
Except the Dying—this to Us
Made Nature different
We noticed smallest things—
Things overlooked before
By this great light upon our Minds
Italicized—as 'twere.
As We went out and in
Between Her final Room
And Rooms where Those to be alive
Tomorrow were, a Blame
That Others could exist
While She must finish quite
A Jealousy for Her arose
So nearly infinite—
We waited while She passed—
It was a narrow time—
Too jostled were Our Souls to speak
At length the notice came.
She mentioned, and forgot—
Then lightly as a Reed
Bent to the Water, struggled scarce—
Consented, and was dead—
And We—We placed the Hair—
And drew the Head erect—
And then an awful leisure was
Belief to regulate—
poem by Emily Dickinson
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To A Familiar Genius Flying By
Reveal yourself, anonymous enchanter!
What heaven hastens you to me?
Why draw me to that promised land again
That I gave up so long ago?
Was it not you who in my youth
Enchanted me with such sweet dreams,
Did you not whisper, long ago,
Dear hopes of a guests ethereal?
Was it not you through whom all lived
In golden days, in happy lands
Of fragrant meadows, waters bright,
Where days were merry ?neath clear skies?
Was it not you who breathed into my vernal breast
Some melancholy mysteries
Tormenting it with keen desire
Exciting it to anxious joy?
Was it not you who bore my soul aloft
Upon the inspiration of your sacred verse,
Who flamed before me like a holy vision,
Initiating me into life's beauty?
In hours lost, hours of secret grief,
Did you not always murmur to my heart,
With happy comfort soothe it
And nurture it with quiet hope?
Did not my soul forever heed you
In all the purest moments of my life
When'ere it glimpsed fate's sacred essence
With only God to witness it?
What news bring you, O, my enchantress?
Or will you once more call in dreams
Awaken futile thoughts of old,
Whisper of joy and then fall silent?
O spirit, bide with me awhile;
O, faithful friend, haste not away;
Stay, please become my earthly life,
O, Guardian angel of my soul.
К мимопро летевше му знакомо му гению
С ;кажи, кто ты, плените ль безымян ный?
С каких небес примчал ся ты ко мне?
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poem by Vasily Andreyevich Zhukovsky
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The Bard
My friends, can you descry that mound of earth
Above clear waters in the shade of trees?
You can just hear the babbling spring against the bank;
You can just feel a breeze that's wafting in the leaves;
A wreath and lyre hang upon the boughs...
Alas, my friends! This mound's a grave;
Here earth conceals the ashes of a bard;
Poor bard!
A gentle soul, a simple heart
He was a sojourner in the world;
He'd barely bloomed, yet lost his taste for life
He craved his end with yearning and excitement;
And early on he met his end,
He found the grave's desired sleep.
Your time was but a moment - a moment sad
Poor bard!
He sang with tenderness of friendship to his friend, -
His loyal friend cut down in his life's bloom;
He sang of love - but in a doleful voice;
Alas! Of love he knew naught but its woe;
Now all has met with its demise,
Your soul partakes of peace eternal;
You slumber in your silent grave,
Poor bard!
Here, by this stream one eventide
He sang his doleful farewell song:
'O lovely world, where blossomed I in vain;
Farewell forever; with a soul deceived
For happiness I waited - but my dreams have died;
All's perished; lyre, be still;
To your serene abode, o haste,
Poor bard!
What's life, when charm is lacking?
To know of bliss, with all the spirit's striving,
Only to see oneself cut off by an abyss;
Each moment to desire and yet fear desiring...
O refuge of vexatious hearts,
O grave, sure path to peace,
When will you call to your embrace
The poor bard?'
The bard's no more ... his lyre's silent...
All trace of him has disappeared from here;
The hills and valleys mourn;
And all is still ... save zephyrs soft,
That stir the faded wreath,
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poem by Vasily Andreyevich Zhukovsky
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The Boatman
Driven by misfortune's whirlwind,
Having neither oar nor rudder,
By a storm my bark was driven
Out upon the boundless sea.
'midst black clouds a small star sparkled;
'Don't conceal yourself!' I cried;
But it disappeared, unheeding;
And my anchor was lost, too.
All was clothed in gloomy darkness;
Great swells heaved all round;
In the darkness yawned the depths
I was hemmed in by cliffs.
'There's no hope for my salvation!'
I bemoaned, with heavy spirit…
Madman! Providence
Was your secret helmsman.
With a hand invisible,
'midst the roaring waves,
Through the gloomy, veiled depths
Past the terrifying cliffs,
My all-powerful savior guided me.
Then-all's quiet ! gloom has vanished;
I behold a paradisical realm…
Three celestial angels.
Providence - O, my protector!
My dejected groaning ceases;
On my knees, in exaltation,
On their image I did gaze.
Who could sing their charm?
Or their power o'er the soul?
All around them holy innocence
And an aura divine.
A delight as yet untasted -
Live and breathe for them;
Take into my soul and heart
All their words and glances sweet.
O fate! I've but one desire:
Let them sample every blessing;
Vouchsafe them delight - me suffering;
Only let me die before they do.
Плове ;ц
Вихрk 7;м бедстви я гонимый ,
Без кормила и весла,
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poem by Vasily Andreyevich Zhukovsky
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Lalla Ruk
Dearest dream, my soul's enchantment
Lovely guest from heav'n above,
Most benevolent attender
To the earthly realm below,
You gave me blissful satisfaction
Momentary but complete:
Bringing with you happy tidings -
Like a herald from the skies.
I dreamed dreams of life eternal
In that Promised Land of peace;
I dreamed dreams of fragrant regions,
Of a tranquil, sweet Kashmir;
I could witness celebrations,
Festivals of roses vernal
Honoring that lovely maiden
From lands strange and far away.
And, with glistening enchantment
Like an angel from above, -
This untainted, youthful vision
Came before my dreaming eyes;
Like a veil, a shining shroud
Screened her lovely face from view,
Tenderly she did incline
Her shy gazes toward the earth.
All her traits - her timid shyness
Underneath her shining crown,
Childlike her animation,
And her face's noble beauty -
Glowing with a depth of feeling,
Sweet serenity and peace -
All of these completely artless
Indescribably sublime!
As I watched, the apparition
(Captivating me in passing)
Never to return, flew by;
I pursued - but it had gone!
T'was a vision merely fleeting,
Transient illumination
Leaving nothing but a legend
Of its passing through my life!
T'is not ours to harbor
Beauty's spirit - Ah, so pure!
It comes nigh but for a moment
From its heavenly abode;
Like a dream, it slips away,
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poem by Vasily Andreyevich Zhukovsky
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The House Of Dust: Part 04: 03: Palimpsest: A Deceitful Portrait
Well, as you say, we live for small horizons:
We move in crowds, we flow and talk together,
Seeing so many eyes and hands and faces,
So many mouths, and all with secret meanings,—
Yet know so little of them; only seeing
The small bright circle of our consciousness,
Beyond which lies the dark. Some few we know—
Or think we know. . . Once, on a sun-bright morning,
I walked in a certain hallway, trying to find
A certain door: I found one, tried it, opened,
And there in a spacious chamber, brightly lighted,
A hundred men played music, loudly, swiftly,
While one tall woman sent her voice above them
In powerful sweetness. . . .Closing then the door
I heard it die behind me, fade to whisper,—
And walked in a quiet hallway as before.
Just such a glimpse, as through that opened door,
Is all we know of those we call our friends. . . .
We hear a sudden music, see a playing
Of ordered thoughts—and all again is silence.
The music, we suppose, (as in ourselves)
Goes on forever there, behind shut doors,—
As it continues after our departure,
So, we divine, it played before we came . . .
What do you know of me, or I of you? . . .
Little enough. . . .We set these doors ajar
Only for chosen movements of the music:
This passage, (so I think—yet this is guesswork)
Will please him,—it is in a strain he fancies,—
More brilliant, though, than his; and while he likes it
He will be piqued . . . He looks at me bewildered
And thinks (to judge from self—this too is guesswork)
The music strangely subtle, deep in meaning,
Perplexed with implications; he suspects me
Of hidden riches, unexpected wisdom. . . .
Or else I let him hear a lyric passage,—
Simple and clear; and all the while he listens
I make pretence to think my doors are closed.
This too bewilders him. He eyes me sidelong
Wondering 'Is he such a fool as this?
Or only mocking?'—There I let it end. . . .
Sometimes, of course, and when we least suspect it—
When we pursue our thoughts with too much passion,
Talking with too great zeal—our doors fly open
Without intention; and the hungry watcher
Stares at the feast, carries away our secrets,
And laughs. . . .but this, for many counts, is seldom.
And for the most part we vouchsafe our friends,
Our lovers too, only such few clear notes
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poem by Conrad Potter Aiken
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The Interpretation of Nature and
I.
MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.
II.
Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.
III.
Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.
IV.
Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.
V.
The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.
VI.
It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.
VII.
The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.
VIII.
Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.
IX.
The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.
X.
The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.
XI.
As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.
XII.
The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.
XIII.
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poem by Sir Francis Bacon
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The House Of Dust: Part 03: 10: Letter
From time to time, lifting his eyes, he sees
The soft blue starlight through the one small window,
The moon above black trees, and clouds, and Venus,—
And turns to write . . . The clock, behind ticks softly.
It is so long, indeed, since I have written,—
Two years, almost, your last is turning yellow,—
That these first words I write seem cold and strange.
Are you the man I knew, or have you altered?
Altered, of course—just as I too have altered—
And whether towards each other, or more apart,
We cannot say . . . I've just re-read your letter—
Not through forgetfulness, but more for pleasure—
Pondering much on all you say in it
Of mystic consciousness—divine conversion—
The sense of oneness with the infinite,—
Faith in the world, its beauty, and its purpose . . .
Well, you believe one must have faith, in some sort,
If one's to talk through this dark world contented.
But is the world so dark? Or is it rather
Our own brute minds,—in which we hurry, trembling,
Through streets as yet unlighted? This, I think.
You have been always, let me say, "romantic,"—
Eager for color, for beauty, soon discontented
With a world of dust and stones and flesh too ailing:
Even before the question grew to problem
And drove you bickering into metaphysics,
You met on lower planes the same great dragon,
Seeking release, some fleeting satisfaction,
In strange aesthetics . . . You tried, as I remember,
One after one, strange cults, and some, too, morbid,
The cruder first, more violent sensations,
Gorgeously carnal things, conceived and acted
With splendid animal thirst . . . Then, by degrees,—
Savoring all more delicate gradations
In all that hue and tone may play on flesh,
Or thought on brain,—you passed, if I may say so,
From red and scarlet through morbid greens to mauve.
Let us regard ourselves, you used to say,
As instruments of music, whereon our lives
Will play as we desire: and let us yield
These subtle bodies and subtler brains and nerves
To all experience plays . . . And so you went
From subtle tune to subtler, each heard once,
Twice or thrice at the most, tiring of each;
And closing one by one your doors, drew in
Slowly, through darkening labyrinths of feeling,
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poem by Conrad Potter Aiken
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The Debate Between Villon And His Heart
Who's that I hear?—It's me—Who?—Your heart
Hanging on by the thinnest thread
I lose all my strength, substance, and fluid
When I see you withdrawn this way all alone
Like a whipped cur sulking in the corner
Is it due to your mad hedonism?—
What's it to you?—I have to suffer for it—
Leave me alone—Why?—I'll think about it—
When will you do that?—When I've grown up—
I've nothing more to tell you—I'll survive without it—
What's your idea?—To be a good man—
You're thirty, for a mule that's a lifetime
You call that childhood?—No—Madness
Must have hold of you—By what, the halter?—
You don't know a thing—Yes I do—What?—Flies in milk
One's white, one's black, they're opposites—
That's all?—How can I say it better?
If that doesn't suit you I'll start over—
You're lost—Well I'll go down fighting—
I've nothing more to tell you—I'll survive without it—
I get the heartache, you the injury and pain
If you were just some poor crazy idiot
I'd be able to make excuses for you
You don't even care, all's one to you, foul or fair
Either your head's harder than a rock
Or you actually prefer misery to honor
Now what do you say to that?—
Once I'm dead I'll rise above it—
God, what comfort—What wise eloquence—
I've nothing more to tell you—I'll survive without it—
Why are you miserable?—Because of my miseries
When Saturn packed my satchel I think
He put in these troubles—That's mad
You're his lord and you talk like his slave
Look what Solomon wrote in his book
"A wise man" he says "has authority
Over the planets and their influence"—
I don't believe it, as they made me I'll be—
What are you saying?—Yes that's what I think—
I've nothing more to tell you—I'll survive without it—
Want to live?—God give me the strength—
It's necessary...—What is?—To feel remorse
Lots of reading—What kind?—Read for knowledge
Leave fools alone—I'll take your advice—
Or will you forget?—I've got it fixed in mind—
Now act before things go from bad to worse
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poem by François Villon
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The Mysterious Visitor
Spirit, lovely guest, who are you?
Whence have you flown down to us?
Taciturn and without a sound
Why have you abandoned us?
Where are you? Where is your dwelling?
What are you, where did you go?
Why did you appear,
Heavenly, upon the Earth?
Mayhap you are youthful Hope,
Who arrives from time to time
Cloaked in magic
From a land unknown?
Merciless as Hope,
Sweetest joy you show us
For a moment, then
Take it back and fly away.
Was it Love that you enacted
For us all in mystery? . . .
Days of love, when one beloved
Rendered this world beautiful
Ah! then, sighted through the veil
Earth did seem unearthly...
Now the veil has lifted; Love is gone;
Life is empty, joy - a dream.
Was it Thought, enchanting
You embodied for us here?
Far removed from every worry,
With a dreamy finger pointing
To her lips, she sallies forth
Just like you, from time to time,
Ushers us without a sound
Back to bygone days.
Or within you dwells the sacred spirit
Of Dame Poetry? . . .
Just like you, she came from Heaven
Veiling us twofold:
Using azure for the skies,
And clear white for earth;
What lies near is lovely through her;
All that's distant - known.
Or perhaps 'twas premonition
That descended in your guise
And to us with clarity described
All that's sacred and divine?
Thus it often happens in this life:
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poem by Vasily Andreyevich Zhukovsky
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Again—his voice is at the door
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Again—his voice is at the door—
I feel the old Degree—
I hear him ask the servant
For such an one—as me—
I take a flower—as I go—
My face to justify—
He never saw me—in this life—
I might surprise his eye!
I cross the Hall with mingled steps—
I—silent—pass the door—
I look on all this world contains—
Just his face—nothing more!
We talk in careless—and it toss—
A kind of plummet strain—
Each—sounding—shyly& mdash;
Just—how—deep—
The other's one—had been—
We walk—I leave my Dog—at home—
A tender—thoughtful Moon—
Goes with us—just a little way—
And—then—we are alone—
Alone—if Angels are "alone"—
First time they try the sky!
Alone—if those "veiled faces"—be—
We cannot count—on High!
I'd give—to live that hour—again—
The purple—in my Vein—
But He must count the drops—himself—
My price for every stain!
poem by Emily Dickinson
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Paradise Regained: The Second Book
Meanwhile the new-baptized, who yet remained
At Jordan with the Baptist, and had seen
Him whom they heard so late expressly called
Jesus Messiah, Son of God, declared,
And on that high authority had believed,
And with him talked, and with him lodged—I mean
Andrew and Simon, famous after known,
With others, though in Holy Writ not named—
Now missing him, their joy so lately found,
So lately found and so abruptly gone,
Began to doubt, and doubted many days,
And, as the days increased, increased their doubt.
Sometimes they thought he might be only shewn,
And for a time caught up to God, as once
Moses was in the Mount and missing long,
And the great Thisbite, who on fiery wheels
Rode up to Heaven, yet once again to come.
Therefore, as those young prophets then with care
Sought lost Eliah, so in each place these
Nigh to Bethabara—in Jericho
The city of palms, AEnon, and Salem old,
Machaerus, and each town or city walled
On this side the broad lake Genezaret,
Or in Peraea—but returned in vain.
Then on the bank of Jordan, by a creek,
Where winds with reeds and osiers whispering play,
Plain fishermen (no greater men them call),
Close in a cottage low together got,
Their unexpected loss and plaints outbreathed:—
"Alas, from what high hope to what relapse
Unlooked for are we fallen! Our eyes beheld
Messiah certainly now come, so long
Expected of our fathers; we have heard
His words, his wisdom full of grace and truth.
'Now, now, for sure, deliverance is at hand;
The kingdom shall to Israel be restored:'
Thus we rejoiced, but soon our joy is turned
Into perplexity and new amaze.
For whither is he gone? what accident
Hath rapt him from us? will he now retire
After appearance, and again prolong
Our expectation? God of Israel,
Send thy Messiah forth; the time is come.
Behold the kings of the earth, how they oppress
Thy Chosen, to what highth their power unjust
They have exalted, and behind them cast
All fear of Thee; arise, and vindicate
Thy glory; free thy people from their yoke!
But let us wait; thus far He hath performed—
Sent his Anointed, and to us revealed him
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poem by John Milton
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Interim
The room is full of you!—As I came in
And closed the door behind me, all at once
A something in the air, intangible,
Yet stiff with meaning, struck my senses sick!—
Sharp, unfamiliar odors have destroyed
Each other room's dear personality.
The heavy scent of damp, funereal flowers,—
The very essence, hush-distilled, of Death—
Has strangled that habitual breath of home
Whose expiration leaves all houses dead;
And wheresoe'er I look is hideous change.
Save here. Here 'twas as if a weed-choked gate
Had opened at my touch, and I had stepped
Into some long-forgot, enchanted, strange,
Sweet garden of a thousand years ago
And suddenly thought, "I have been here before!"
You are not here. I know that you are gone,
And will not ever enter here again.
And yet it seems to me, if I should speak,
Your silent step must wake across the hall;
If I should turn my head, that your sweet eyes
Would kiss me from the door.—So short a time
To teach my life its transposition to
This difficult and unaccustomed key!—
The room is as you left it; your last touch—
A thoughtless pressure, knowing not itself
As saintly—hallows now each simple thing;
Hallows and glorifies, and glows between
The dust's grey fingers like a shielded light.
There is your book, just as you laid it down,
Face to the table,—I cannot believe
That you are gone!—Just then it seemed to me
You must be here. I almost laughed to think
How like reality the dream had been;
Yet knew before I laughed, and so was still.
That book, outspread, just as you laid it down!
Perhaps you thought, "I wonder what comes next,
And whether this or this will be the end";
So rose, and left it, thinking to return.
Perhaps that chair, when you arose and passed
Out of the room, rocked silently a while
Ere it again was still. When you were gone
Forever from the room, perhaps that chair,
Stirred by your movement, rocked a little while,
Silently, to and fro...
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poem by Edna St. Vincent Millay
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Paradise Regained: The Fourth Book
Perplexed and troubled at his bad success
The Tempter stood, nor had what to reply,
Discovered in his fraud, thrown from his hope
So oft, and the persuasive rhetoric
That sleeked his tongue, and won so much on Eve,
So little here, nay lost. But Eve was Eve;
This far his over-match, who, self-deceived
And rash, beforehand had no better weighed
The strength he was to cope with, or his own.
But—as a man who had been matchless held
In cunning, over-reached where least he thought,
To salve his credit, and for very spite,
Still will be tempting him who foils him still,
And never cease, though to his shame the more;
Or as a swarm of flies in vintage-time,
About the wine-press where sweet must is poured,
Beat off, returns as oft with humming sound;
Or surging waves against a solid rock,
Though all to shivers dashed, the assault renew,
(Vain battery!) and in froth or bubbles end—
So Satan, whom repulse upon repulse
Met ever, and to shameful silence brought,
Yet gives not o'er, though desperate of success,
And his vain importunity pursues.
He brought our Saviour to the western side
Of that high mountain, whence he might behold
Another plain, long, but in breadth not wide,
Washed by the southern sea, and on the north
To equal length backed with a ridge of hills
That screened the fruits of the earth and seats of men
From cold Septentrion blasts; thence in the midst
Divided by a river, off whose banks
On each side an Imperial City stood,
With towers and temples proudly elevate
On seven small hills, with palaces adorned,
Porches and theatres, baths, aqueducts,
Statues and trophies, and triumphal arcs,
Gardens and groves, presented to his eyes
Above the highth of mountains interposed—
By what strange parallax, or optic skill
Of vision, multiplied through air, or glass
Of telescope, were curious to enquire.
And now the Tempter thus his silence broke:—
"The city which thou seest no other deem
Than great and glorious Rome, Queen of the Earth
So far renowned, and with the spoils enriched
Of nations. There the Capitol thou seest,
Above the rest lifting his stately head
On the Tarpeian rock, her citadel
Impregnable; and there Mount Palatine,
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poem by John Milton
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Let Us play Yesterday
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Let Us play Yesterday—
I—the Girl at school—
You—and Eternity—the
Untold Tale—
Easing my famine
At my Lexicon—
Logarithm—had I—for Drink—
'Twas a dry Wine—
Somewhat different—must be—
Dreams tint the Sleep—
Cunning Reds of Morning
Make the Blind—leap—
Still at the Egg-life—
Chafing the Shell—
When you troubled the Ellipse—
And the Bird fell—
Manacles be dim—they say—
To the new Free—
Liberty—Commoner—
N ever could—to me—
'Twas my last gratitude
When I slept—at night—
'Twas the first Miracle
Let in—with Light—
Can the Lark resume the Shell—
Easier—for the Sky—
Wouldn't Bonds hurt more
Than Yesterday?
Wouldn't Dungeons sorer frate
On the Man—free—
Just long enough to taste—
Then—doomed new—
God of the Manacle
As of the Free—
Take not my Liberty
Away from Me—
poem by Emily Dickinson
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The Loves of the Angels
'Twas when the world was in its prime,
When the fresh stars had just begun
Their race of glory and young Time
Told his first birth-days by the sun;
When in the light of Nature's dawn
Rejoicing, men and angels met
On the high hill and sunny lawn,-
Ere sorrow came or Sin had drawn
'Twixt man and heaven her curtain yet!
When earth lay nearer to the skies
Than in these days of crime and woe,
And mortals saw without surprise
In the mid-air angelic eyes
Gazing upon this world below.
Alas! that Passion should profane
Even then the morning of the earth!
That, sadder still, the fatal stain
Should fall on hearts of heavenly birth-
And that from Woman's love should fall
So dark a stain, most sad of all!
One evening, in that primal hour,
On a hill's side where hung the ray
Of sunset brightening rill and bower,
Three noble youths conversing lay;
And, as they lookt from time to time
To the far sky where Daylight furled
His radiant wing, their brows sublime
Bespoke them of that distant world-
Spirits who once in brotherhood
Of faith and bliss near ALLA stood,
And o'er whose cheeks full oft had blown
The wind that breathes from ALLA'S throne,
Creatures of light such as still play,
Like motes in sunshine, round the Lord,
And thro' their infinite array
Transmit each moment, night and day,
The echo of His luminous word!
Of Heaven they spoke and, still more oft,
Of the bright eyes that charmed them thence;
Till yielding gradual to the soft
And balmy evening's influence-
The silent breathing of the flowers-
The melting light that beamed above,
As on their first, fond, erring hours,-
Each told the story of his love,
The history of that hour unblest,
When like a bird from its high nest
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poem by Thomas Moore
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I meant to have but modest needs
476
I meant to have but modest needs—
Such as Content—and Heaven—
Within my income—these could lie
And Life and I—keep even—
But since the last—included both—
It would suffice my Prayer
But just for One—to stipulate—
And Grace would grant the Pair—
And so—upon this wise—I prayed—
Great Spirit—Give to me
A Heaven not so large as Yours,
But large enough—for me—
A Smile suffused Jehovah's face—
The Cherubim—withdrew—
Grave Saints stole out to look at me—
And showed their dimples—too—
I left the Place, with all my might—
I threw my Prayer away—
The Quiet Ages picked it up—
And Judgment—twinkled—too—
Tat one so honest—be extant—
It take the Tale for true—
That "Whatsoever Ye shall ask—
Itself be given You"—
But I, grown shrewder—scan the Skies
With a suspicious Air—
As Children—swindled for the first
All Swindlers—be—infer—
poem by Emily Dickinson
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There is a flower that Bees prefer
380
There is a flower that Bees prefer—
And Butterflies—desire—
To gain the Purple Democrat
The Humming Bird—aspire—
And Whatsoever Insect pass—
A Honey bear away
Proportioned to his several dearth
And her—capacity—
Her face be rounder than the Moon
And ruddier than the Gown
Or Orchis in the Pasture—
Or Rhododendron—worn—
She doth not wait for June—
Before the World be Green—
Her sturdy little Countenance
Against the Wind—be seen—
Contending with the Grass—
Near Kinsman to Herself—
For Privilege of Sod and Sun—
Sweet Litigants for Life—
And when the Hills be full—
And newer fashions blow—
Doth not retract a single spice
For pang of jealousy—
Her Public—be the Noon—
Her Providence—the Sun—
Her Progress—by the Bee—proclaimed—
In sovereign—Swerveless Tune—
The Bravest—of the Host—
Surrendering—the last—
Nor even of Defeat—aware—
What cancelled by the Frost—
poem by Emily Dickinson
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Paradise Regained: The Third Book
So spake the Son of God; and Satan stood
A while as mute, confounded what to say,
What to reply, confuted and convinced
Of his weak arguing and fallacious drift;
At length, collecting all his serpent wiles,
With soothing words renewed, him thus accosts:—
"I see thou know'st what is of use to know,
What best to say canst say, to do canst do;
Thy actions to thy words accord; thy words
To thy large heart give utterance due; thy heart
Contains of good, wise, just, the perfet shape.
Should kings and nations from thy mouth consult,
Thy counsel would be as the oracle
Urim and Thummim, those oraculous gems
On Aaron's breast, or tongue of Seers old
Infallible; or, wert thou sought to deeds
That might require the array of war, thy skill
Of conduct would be such that all the world
Could not sustain thy prowess, or subsist
In battle, though against thy few in arms.
These godlike virtues wherefore dost thou hide?
Affecting private life, or more obscure
In savage wilderness, wherefore deprive
All Earth her wonder at thy acts, thyself
The fame and glory—glory, the reward
That sole excites to high attempts the flame
Of most erected spirits, most tempered pure
AEthereal, who all pleasures else despise,
All treasures and all gain esteem as dross,
And dignities and powers, all but the highest?
Thy years are ripe, and over-ripe. The son
Of Macedonian Philip had ere these
Won Asia, and the throne of Cyrus held
At his dispose; young Scipio had brought down
The Carthaginian pride; young Pompey quelled
The Pontic king, and in triumph had rode.
Yet years, and to ripe years judgment mature,
Quench not the thirst of glory, but augment.
Great Julius, whom now all the world admires,
The more he grew in years, the more inflamed
With glory, wept that he had lived so long
Ingloroious. But thou yet art not too late."
To whom our Saviour calmly thus replied:—
"Thou neither dost persuade me to seek wealth
For empire's sake, nor empire to affect
For glory's sake, by all thy argument.
For what is glory but the blaze of fame,
The people's praise, if always praise unmixed?
And what the people but a herd confused,
A miscellaneous rabble, who extol
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poem by John Milton
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The Hind And The Panther, A Poem In Three Parts : Part III.
Much malice, mingled with a little wit,
Perhaps may censure this mysterious writ;
Because the muse has peopled Caledon
With panthers, bears, and wolves, and beasts unknown,
As if we were not stocked with monsters of our own.
Let Æsop answer, who has set to view
Such kinds as Greece and Phrygia never knew;
And Mother Hubbard, in her homely dress,
Has sharply blamed a British lioness;
That queen, whose feast the factious rabble keep,
Exposed obscenely naked, and asleep.
Led by those great examples, may not I
The wonted organs of their words supply?
If men transact like brutes, 'tis equal then
For brutes to claim the privilege of men.
Others our Hind of folly will indite,
To entertain a dangerous guest by night.
Let those remember, that she cannot die,
Till rolling time is lost in round eternity;
Nor need she fear the Panther, though untamed,
Because the Lion's peace was now proclaimed;
The wary savage would not give offence,
To forfeit the protection of her prince;
But watched the time her vengeance to complete,
When all her furry sons in frequent senate met;
Meanwhile she quenched her fury at the flood,
And with a lenten salad cooled her blood.
Their commons, though but coarse, were nothing scant,
Nor did their minds an equal banquet want.
For now the Hind, whose noble nature strove
To express her plain simplicity of love,
Did all the honours of her house so well,
No sharp debates disturbed the friendly meal.
She turned the talk, avoiding that extreme,
To common dangers past, a sadly-pleasing theme;
Remembering every storm which tossed the state,
When both were objects of the public hate,
And dropt a tear betwixt for her own children's fate.
Nor failed she then a full review to make
Of what the Panther suffered for her sake;
Her lost esteem, her truth, her loyal care,
Her faith unshaken to an exiled heir,
Her strength to endure, her courage to defy,
Her choice of honourable infamy.
On these, prolixly thankful, she enlarged;
Then with acknowledgments herself she charged;
For friendship, of itself an holy tie,
Is made more sacred by adversity.
Now should they part, malicious tongues would say,
They met like chance companions on the way,
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poem by John Dryden
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Prince Hohenstiel-Schwangau, Saviour of Society
Epigraph
Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.
I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.
You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:
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poem by Robert Browning (1871)
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