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Mary Had A Little Frog

Mary had a little frog
And it was water-soaked,
But Mary did not keep it long
Because, of course, it croaked!

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Mary had a Little Vamp and Other Parodies after Sarah Josepha HALE

Mary had a little vamp,
whose teeth glowed white as snow,
each night from sightly vent – no cramp -
the crimson droplets flow.

Some followed her from school one day;
though stalking's 'gainst the rules;
it made goose pimples grow and stay
to see them play at ghouls.

But they were caught, their tale remains
from history well hid,
though we discovered their remains
beneath oak coffin lid.

And so blood flowed from inside out,
none dared to lingered near
when shadows shiver, hang about
until Vamps disappear.

'Why does the Vamp love Mary so? '
the eager children cry;
'Why, Mary loves the Vamp, you know, '
the teacher did reply.

Sleep-overs followed, - little Vamp
A, B, AB, O, drew
by light of Mary’s lurid lamp
new haemoglobulu.

Thus vampire Vlad made Mary glad
hark! men well-read may read,
from kid school lad to college grad, -
mark then welt's red fey bead.

He wore a scarlet cape to match
sweet Mary’s ruddy lips,
attached thereto a cup to catch
the rhesus drips he sips.

No fly-by-night awed Mary’s Vamp,
he could fear blend at need,
though sky high flight soared scary champ -
we here end batty screed.

© Jonathan Robin parody written 3 May 2007 revised 3 September 2008 - for previous version see below


Mary had a little vamp,
whose teeth were white as snow,

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Tree's Frog - Parody Joyce Kilmer

I think that I shall never fail
to see with glee a frog full pail
less lovely than a poem which
most must with difficulty stitch.

Who's uninspired by froggy frail
leaves cheeks livid, features pale –
their sale may even make one rich
when cogent rhyme spares metre’s (gl) itch.

Sage frog we sing as holy graal
not trite, - right pristine risqué trail –
write neither tedious nor kitsch
preposterous or piteous pitch.

Wage man in name of culture’s flail
culls brazen female framed with veil,
In time of need none sex may switch -
unlike the frog, who’ll spawn enrich.

When frog finds itchy leg is pressed,
although he’ll jump, he won’t protest,
croak lends itself to joke’s delight
where faced with sore mosquito bite.

A cloud of frogs is treasure chest
most moonlit lovers has impressed,
with warble charming much unlike
officious neighbours swift to strike.

We rummage words which stipulate
fine frog’s resilient verbal gumption,
days, grievance sweeping, meditate
on nightly summer song’s resumption.

The nightingale’s no consolation
except for poets orthodox,
for Frog’s flag flies for every nation
as arcane jumping jack in box.

Against vain heckle we exude
full confidence in frogzster’s mood
whose speckles toad – more lecherous –
looks on with envy, missing bus.

For toad, four toed, can only yammer
in jaded solitary stammer,
Frog, indistructible none unhinge
resilient, when on singing binge.

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To Mary in Heaven

I.
I met thee first in May, Mary!
The flower-crowned month of May;
But now thou art away, Mary!
Away from me—away!
Thou wert that all to me, Mary!
That all on earth to me,
That I will be to thee, Mary!
In Heaven above to thee.

II.
Ah! then thine eyes were mild, Mary!
Thy deep blue eyes were mild;
For thou wert then a child, Mary!
And I another child.
Thou wert that all to me, Mary!
That all on earth to me,
That I will be to thee, Mary!
In Heaven above to thee.

III.
Thy face was then so meek, Mary!
So saintly mild, so meek,
Thy lily-form seemed weak, Mary!
And mine for thine grew weak
For thou wert that to me, Mary!
That all on earth to me,
That I will be to thee, Mary!
In Heaven above to thee.

IV.
You led me through the meads, Mary!
The flower-enameled meads,
By brooks of rustling reeds, Mary!
By brooks of rustling reeds—
Where thou wert that to me, Mary!
That all on earth to me,
That I will be to thee, Mary!
In Heaven above to thee.


V.
Wherever you then went, Mary!
No matter where you went—
I followed with content, Mary!
Because you were content.
For thou wert that to me, Mary!
That all on earth to me,
That I will be to thee, Mary!
In Heaven above to thee.

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Phileas the Frog

Phileas the frog was awfully large -
To see the muscle in his thighs -
A sight bedazzling to your eyes!
With plenty there to feed a town -
If you would dare to take him down!

Phileas the frog could tow a barge.
One hefty bound could clear a tree -
A scary sight I'll guarantee!
And something else to make me dread:
Were he to land upon my head!

Phileas the frog was known as 'Sarge -'
Accounted by that massive chest.
No other frog would care to jest
That tidy Phileas!

So if you've sense and know your place -
And hold some value to your face,
Then don't get supercilious
With Phileas!


Copyright © Mark Raymond Slaughter 2009
All rights reserved.


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Sister Helen

"Why did you melt your waxen man
Sister Helen?
To-day is the third since you began."
"The time was long, yet the time ran,
Little brother."
(O Mother, Mary Mother,
Three days to-day, between Hell and Heaven!)

"But if you have done your work aright,
Sister Helen,
You'll let me play, for you said I might."
"Be very still in your play to-night,
Little brother."
(O Mother, Mary Mother,
Third night, to-night, between Hell and Heaven!)

"You said it must melt ere vesper-bell,
Sister Helen;
If now it be molten, all is well."
"Even so,--nay, peace! you cannot tell,
Little brother."
(O Mother, Mary Mother,
O what is this, between Hell and Heaven?)

"Oh the waxen knave was plump to-day,
Sister Helen;
How like dead folk he has dropp'd away!"
"Nay now, of the dead what can you say,
Little brother?"
(O Mother, Mary Mother,
What of the dead, between Hell and Heaven?)

"See, see, the sunken pile of wood,
Sister Helen,
Shines through the thinn'd wax red as blood!"
"Nay now, when look'd you yet on blood,
Little brother?"
(O Mother, Mary Mother,
How pale she is, between Hell and Heaven!)

"Now close your eyes, for they're sick and sore,
Sister Helen,
And I'll play without the gallery door."
"Aye, let me rest,--I'll lie on the floor,
Little brother."
(O Mother, Mary Mother,
What rest to-night, between Hell and Heaven?)

"Here high up in the balcony,
Sister Helen,

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Rose Mary

Of her two fights with the Beryl-stone
Lost the first, but the second won.

PART I

MARY mine that art Mary's Rose
Come in to me from the garden-close.
The sun sinks fast with the rising dew,
And we marked not how the faint moon grew;
But the hidden stars are calling you.
“Tall Rose Mary, come to my side,
And read the stars if you'd be a bride.
In hours whose need was not your own,
While you were a young maid yet ungrown
You've read the stars in the Beryl-stone.
“Daughter, once more I bid you read;
But now let it be for your own need:
Because to-morrow, at break of day,
To Holy Cross he rides on his way,
Your knight Sir James of Heronhaye.
“Ere he wed you, flower of mine,
For a heavy shrift he seeks the shrine.
Now hark to my words and do not fear;
Ill news next I have for your ear;
But be you strong, and our help is here.
“On his road, as the rumour's rife,
An ambush waits to take his life.
He needs will go, and will go alone;
Where the peril lurks may not be known;
But in this glass all things are shown.”
Pale Rose Mary sank to the floor:—
“The night will come if the day is o'er!”
“Nay, heaven takes counsel, star with star,
And help shall reach your heart from afar:
A bride you'll be, as a maid you are.”
The lady unbound her jewelled zone
And drew from her robe the Beryl-stone.
Shaped it was to a shadowy sphere,—
World of our world, the sun's compeer,
That bears and buries the toiling year.
With shuddering light 'twas stirred and strewn
Like the cloud-nest of the wading moon:
Freaked it was as the bubble's ball,
Rainbow-hued through a misty pall
Like the middle light of the waterfall.
Shadows dwelt in its teeming girth
Of the known and unknown things of earth;
The cloud above and the wave around,—
The central fire at the sphere's heart bound,
Like doomsday prisoned underground.

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Mary Mary Magdalene

Mary Mary Magdalene,
what do all those stories mean?
Mary, Mary, is it true,
Jesus had a thing for you?

Mary, Mary – He lay with you?
Mary, Mary, tell me true
Mary, Mary, red hair wild,
did He leave you great with child?

Mary, was your love so steady,
that you had had His kids already?
Mary, Mary, at the Cross,
did it feel a gain or loss?

Mary, Mary – on that third day,
what was it like with the stone rolled away?
Mary, Mary, running there with love,
what did you think when He rose above?

Mary, Mary – what was it like, after?
Were there tears or joyful laughter?
Mary, Mary – the kids you had
did they turn out like their Dad?

Mary, Mary, whore redeemed,
did it work out like you dreamed?
Mary, Mary – your afterlife –
was it mostly love, or mostly strife?

Mary, Mary, were you worshipped or despised
As Mary’s daughter-in-law, Mrs. Christ?
Mary, Mary, did you stay,
or feel you had to take the kids away?

Mary, Mary, with so much love,
did you, too, rise to heaven above?
Mary, Mary, in the sky,
all we ask are the reasons why…

Mary, Mary Magdalene,
What is really true? What does it really mean?

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The Frog and The Nightingale

Once upon a time a frog
Croaked away in Bingle Bog
Every night from dusk to dawn
He croaked awn and awn and awn
Other creatures loathed his voice,
But, alas, they had no choice,
And the crass cacophony
Blared out from the sumac tree
At whose foot the frog each night
Minstrelled on till morning night

Neither stones nor prayers nor sticks.
Insults or complaints or bricks
Stilled the frogs determination
To display his heart's elation.
But one night a nightingale
In the moonlight cold and pale
Perched upon the sumac tree
Casting forth her melody
Dumbstruck sat the gaping frog
And the whole admiring bog
Stared towards the sumac, rapt,

And, when she had ended, clapped,
Ducks had swum and herons waded
To her as she serenaded
And a solitary loon
Wept, beneath the summer moon.
Toads and teals and tiddlers, captured
By her voice, cheered on, enraptured:
"Bravo! " "Too divine! " "Encore! "
So the nightingale once more,
Quite unused to such applause,
Sang till dawn without a pause.

Next night when the Nightingale
Shook her head and twitched her tail,
Closed an eye and fluffed a wing
And had cleared her throat to sing
She was startled by a croak.
"Sorry - was that you who spoke? "
She enquired when the frog
Hopped towards her from the bog.
"Yes," the frog replied. "You see,
I'm the frog who owns this tree
In this bog I've long been known
For my splendid baritone
And, of course, I wield my pen
For Bog Trumpet now and then"

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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;


Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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I Saw It Myself (Short Verse Drama)

Dramatis Personae: Adrian, his wife Ester, his sisters Rebecca and Johanna, his mother Elizabeth, the high priest Chiapas, the disciple Simon Peter, the disciple John, Mary Magdalene, worshipers, priests, two angels and Jesus Christ.

Act I

Scene I.- Adrian’s house in Jerusalem. Adrian has just returned home after a business journey in Galilee, in time to attend the Passover feast. He sits at the table with his wife Ester and his sisters, Rebecca and Johanna. It’s just before sunset on the Friday afternoon.

Adrian. (Somewhat puzzled) Strange things are happening,
some say demons dwell upon the earth,
others angelic beings, miracles take place
and all of this when they had put a man to death,
had crucified a criminal. Everybody knows
the cross is used for degenerates only!

Rebecca. (With a pleasant voice) Such harsh words used,
for a good, a great man brother?
They say that without charge
he healed the sick, brought back sight,
cured leprosy, even made some more food,
from a few fishes and loafs of bread…

Adrian. (Somewhat harsh) They say many things!
That he rode into Jerusalem
to be crowned as the new king,
was a rebel against the state,
even claimed to be
the very Son of God,
now that is blasphemy
if there is no truth to it!

Johanna. I met him once.
He’s not the man
that you make him, brother.
There was a strange tranquilly to Him.
Some would say a divine presence,
while He spoke of love that is selfless,
visited the sick, the poor
and even the destitute, even harlots.

Adrian. (Looks up) There you have it!
Harlots! Tax collecting thieves!
A man is know by his friends,
or so they say and probably
there is some truth to it.

Ester. Husband, do not be so quick to judge.
I have seen Him myself, have seen
Roman soldiers marching Him to the hill
to take His life, with a angry crowd
following and mocking Him.

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Hop Frog

Well they call me a juicy hop-frog
you can see me in any wood bog
don't you know that they call me the hop-frog
hopping frog
I'm a hop-frog
a hop-frog
they call me the hop-frog
hop, hop-frog
They call me the hop-frog
see me in any wood bog
don't you know that call me a hop-frog
hop-frog
They call me the hop-frog
see me in a wood bog
they're calling me a hop-frog
hop-frog
You can see me in a ballroom
you can see me in a bedroom
you can see me in the woods
hop, hop-frog
They call me the hop-frog
they call you the hop-frog
well they call you the hop-frog
hop, hop-frog
Frog

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Lazarus

“No, Mary, there was nothing—not a word.
Nothing, and always nothing. Go again
Yourself, and he may listen—or at least
Look up at you, and let you see his eyes.
I might as well have been the sound of rain,
A wind among the cedars, or a bird;
Or nothing. Mary, make him look at you;
And even if he should say that we are nothing,
To know that you have heard him will be something.
And yet he loved us, and it was for love
The Master gave him back. Why did he wait
So long before he came? Why did he weep?
I thought he would be glad—and Lazarus—
To see us all again as he had left us—
All as it was, all as it was before.”

Mary, who felt her sister’s frightened arms
Like those of someone drowning who had seized her,
Fearing at last they were to fail and sink
Together in this fog-stricken sea of strangeness,
Fought sadly, with bereaved indignant eyes,
To find again the fading shores of home
That she had seen but now could see no longer
Now she could only gaze into the twilight,
And in the dimness know that he was there,
Like someone that was not. He who had been
Their brother, and was dead, now seemed alive
Only in death again—or worse than death;
For tombs at least, always until today,
Though sad were certain. There was nothing certain
For man or God in such a day as this;
For there they were alone, and there was he—
Alone; and somewhere out of Bethany,
The Master—who had come to them so late,
Only for love of them and then so slowly,
And was for their sake hunted now by men
Who feared Him as they feared no other prey—
For the world’s sake was hidden. “Better the tomb
For Lazarus than life, if this be life,”
She thought; and then to Martha, “No, my dear,”
She said aloud; “not as it was before.
Nothing is ever as it was before,
Where Time has been. Here there is more than Time;
And we that are so lonely and so far
From home, since he is with us here again,
Are farther now from him and from ourselves
Than we are from the stars. He will not speak
Until the spirit that is in him speaks;
And we must wait for all we are to know,
Or even to learn that we are not to know.

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Mary, Mary

Words and music by michael nesmith
Mary, mary, where you goin to?
Mary, mary, can I go too.
This one thing I will vow ya,
Id rather die than to live without ya.
Mary, mary, where you goin to?
Mary, mary, tell me truly
What did I do to make you leave me.
Whatever it was I didnt mean to,
You know I never would try and hurt ya.
Mary, mary, where you goin to?
What more, mary, can I do
To prove my love is truly yours?
Ive done more now than a clear-thinkin man would do.
Mary, mary, its not over.
Where you go, I will follow.
til I win your love again
And walk beside you,
But until then.
Mary, mary, where you goin to?
Mary, mary, where you goin to?
Mary, where you goin to?
Mary, mary, mary, mary, mary, where you goin to?
[repeat adlib]

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Punch Up At 'Dart Man's Aim

Fifteen stone and just five foot eight
And yet he doesn't seem overweight
Deep, deep chest and shoulders wide
The strongest in this countryside.

He's the mighty Dan the frog
From the house beside the bog
Swarthy looking with raven hair
A happy man without a care.

He's no plans to take a wife
As he prefers the single life
And he's still a young man anyway
Just twenty five on his last birthday

Froggy is his dad's nickname
And that's from where the name frog came
But his nickname of frog he doesn't appreciate
In fact the word called frog he's grown to hate.

Fastest man for miles around
To part with the green back pound
In him you'll find nothing cheap
Money he can't seem to keep.

He's a happy sort of bloke
Happy even when he's broke
He's got the right mentality
Never down, always carefree.

Likes his guinness doesn't like beer
Drinks his liquor with good cheer,
Whiskey makes the man walk tall
And he likes whiskey best of all.

He is merciful though strong
And without good reason won't do wrong
But do him wrong and he will fight
And with his fists he'll put things right.

He'd prefer to crack your jaw
Than chastise you with the law
Solves his problems like a man
That's the way it is with Dan.

And though when need arise he can be hard
Dan the frog is no blaghguard
But his type you don't kick around
As men like him do not yield ground

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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

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I Kissed A Frog

In the night, at the stage,
When the daughters of men
And the sons of women
Paraded their nudity and smashed bottles,
I kissed a fortunate frog

And a deep kiss it was,
As it penetrated beyond the lips,
And went further into the hollow mouth
And got swallowed in the dark unknown

The frog croaked, and chocked
With merriment, with anxiety
To swallow the fluidic saliva
To lick the soft tongue
To wallow in the warm embrace

And it croaked again,
This time louder, but still softer
Little went unnoticed, as it slipped
Its hands in the pouch and exchanged
My treasures that were quite a bargain

Swiftly the kiss began to subside
And even as it pushed me aside,
And choked my throat with its choky fluids,
I didn't know that it was sliding back into the water,

I was left standing awed at the bank,
My pockets soaking with water
And my mouth filled with sourness
Then I opened my eyes,
And, alas! The bank was clear.

In the night, at the stage,
When the daughters of men
And the sons of women
Paraded their nudity and smashed bottles,
I kissed a fortunate frog

And a deep kiss it was,
As it penetrated beyond the lips,
And went further into the hollow mouth
And got swallowed in the dark unknown

The frog croaked, and chocked
With merriment, with anxiety
To swallow the fluidic saliva
To lick the soft tongue
To wallow in the warm embrace

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A Snail Goes To Heaven (A One-Act Tragicomedy)

Bare stage. A square neon sign on extreme right which reads: “This way to Heaven”.
Prolonged silence. Enter Snail, moving very slowly throughout the play.

Snail:
I’m a dead snail.
I’m going to Heaven.

I’ve lived for 15 years.
That’s a ripe old age.
I’ve been blessed.
Had a marvellous sex life, you know.
Well, if you know snails
we attract a mate with our slime.
Oh, slime turns me on, baby.

(Snail moves slowly, and then stops.)

Well, maybe I should focus on holy thoughts.
Purity...refined thoughts...you know...
Snail God does not like sex.
Copulation is not exactly what
Snail God meant when Snail God declared:
'Go forth and slime the world;
be ye together...'
Snail God demands purity
so let me be so...
after all, I’m going to Heaven...
a dead snail and moving on to Heaven...

(Snail moves slowly, and then stops.)

Had a precarious life,
you know,
all these 15 years...
A farmer saw me in the grass.
I heard him curse
and he raised his foot to crush me.
Well, unfortunately for him
he stepped on a snake
and the last I heard of the man
was an expletive
and the last I heard of the snake was a hiss.
Yes, I’ve had a long life
a risky life - but it’s all worth it
for an eternal life in Heaven
is my reward

(Snail moves slowly, and then stops.)

(Enter Frog, jumping. Snail looks at Frog in amazement. And Frog stops and looks at Snail in amazement.)

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Mary Ambree

When captaines couragious, whom death cold not daunte,
Did march to the siege of the citty of Gaunt,
They mustred their souldiers by two and by three,
And the formost in battle was Mary Ambree.

When [the] brave sergeant-major was slaine in her sight,
Who was her true lover, her joy, and delight,
Because he was slaine most treacherouslie
Then vowd to revenge him Mary Ambree.

She clothed herselfe from the top to the toe
In buffe of the bravest, most seemelye to showe;
A faire shirt of male then slipped on shee:
Was not this a brave bonny lasse, Mary Ambree?

A helmett of proofe shee strait did provide,
A stronge arminge-sword shee girt by her side,
On her hand a goodly faire gauntlett put shee:
Was not this a brave bonny lasse, Mary Ambree?

Then tooke shee her sworde and her targett in hand,
Bidding all such, as wold, [to] bee of her band;
To wayte on her person came thousand and three:
Was not this a brave bonny lasse, Mary Ambree?

'My soldiers,' she saith, 'soe valliant and bold,
Nowe followe your captaine, whom you doe beholde;
Still formost in battell myselfe will I bee:'
Was not this a brave bonny lasse, Mary Ambree?

Then cryed out her souldiers, and loude they did say,
'Soe well thou becomest this gallant array,
Thy harte and thy weapons so well do agree,
No mayden was ever like Mary Ambree.'

She cheared her souldiers, that foughten for life,
With ancyent and standard, with drum and with fife,
With brave clanging trumpetts, that sounded so free;
Was not this a brave bonny lasse, Mary Ambree?

'Before I will see the worst of you all
To come into danger of death or of thrall,
This hand and this life I will venture so free:'
Was not this a brave bonny lasse, Mary Ambree?

Shee ledd upp her souldiers in battaile array,
Gainst three times theyr number by breake of the daye;
Seven howers in skirmish continued shee:
Was not this a brave bonny lasse, Mary Ambree?

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Mary Ambree

When captaines couragious, whom death cold not daunte,
Did march to the siege of the citty of Gaunt,
They mustred their souldiers by two and by three,
And the formost in battle was Mary Ambree.

When brave Sir John Major was slaine in her sight,
Who was her true lover, her joy, and delight,
Because he was slaine most treacherouslie,
Then vowd to revenge him Mary Ambree.

She clothed herselfe from the top to the toe,
In buffe of the bravest, most seemelye to showe;
A faire shirt of male then slipped on shee:
Was not this a brave bonny lasse, Mary Ambree?

A helmett of proofe shee strait did provide,
A strong arminge-sword shee girt by her side,
On her hand a goodly faire gauntlett put shee:
Was not this a brave bonny lasse, Mary Ambree?

Then tooke shee her sworde and her targett in hand,
Bidding all such, as wold, bee of her band;
To wayte on her person came thousand and three:
Was not this a brave bonny lasse, Mary Ambree?

'My soldiers,' she saith, 'soe valiant and bold,
Nowe followe your captaine, whom you doe beholde;
Still formost in battel myselfe will I bee:'
Was not this a brave bonny lasse, Mary Ambree?

Then cryed out her souldiers, and loude they did say,
'Soe well thou becomest this gallant array,
Thy harte and thy weapons soe well do agree,
Noe mayden was ever like Mary Ambree.'

Shee cheared her souldiers, that foughten for life,
With ancyent and standard, with drum and with fife,
With brave clanging trumpets, that sounded so free;
Was not this a brave bonny lasse, Mary Ambree?

'Before I will see the worst of you all
To come into danger of death or of thrall,
This hand and this life I will venture so free:'
Was not this a brave bonny lasse, Mary Ambree?

Shee led upp her souldiers in battaile array,
Gainst three times theyr number by breake of the daye;
Seven howers in skirmish continued shee:
Was not this a brave bonny lasse, Mary Ambree?

[...] Read more

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Frog

France and China feed from your demise,
Restaurateurs are not exactly chums,
Oh how they rave about your tender thighs!
Gourmand orders - another frog succumbs…

Copyright © Mark R Slaughter 2010

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